Georgetown View • June 2025 by Fidelis Publishing Group, LLC

The Theatre That Raised A Town

WHO WE ARE

IPUBLISHER | CATHY PAYNE

cathy@georgetownview.com

Like many of the best in her craft, Cathy has a specialized degree—in her case, hard science—and a gift for writing. She found her voice and fulfillment reporting and writing news and magazine features for a regional Central Texas audience. Along with serving as the publisher of the Georgetown View, Cathy oversees multiple magazines, marketing campaigns, and books.

SENIOR WRITERS / CONTENT EDITORS

Charlotte Kovalchuk • Ann Marie Kennon

CONTRIBUTING WRITERS

Linda A. Thornton

Steve Fought

CONTENT MANAGER

Camy Reynolds

GRAPHIC DESIGN

Sandra Evans • Ann Marie Kennon

Marilee Goldoni

CONTRIBUTING PHOTOGRAPHERS

Patrick St. Cin

BUSINESS DEVELOPMENT

Jesse Payne

WEBMASTER

Ann Marie Kennon

ADVERTISING

Allison Smith • 512.966.2164 allison@georgetownview.com

Georgetown View is a Fidelis Publishing Group, LLC publication and a product of AdvocateNewsTX Newspaper.

Mail may be sent to: Georgetown View P.O. Box 203 • Jarrell, TX 76537

n an age where the rush of daily news often overshadows the deeper narratives that shape our community, the Georgetown View constantly strives to be an eager beacon of positivity and unity. Far more than just a lifestyle magazine, our publishers and staff are committed to creating a means of getting to know what makes our community thrive: its people and their impact.

Since its inception, the Georgetown View has not only reported on the great stories and people in our city but also taken pride in actively contributing to its enrichment. Through donations exceeding $60,000 in advertising, we have extended our support beyond the printed page to organizations like the Mounted Warfare Museum, Brookwood in Georgetown (BiG), and the Williamson County Children’s Advocacy Center. These contributions further amplify the voices of those who work tirelessly to make a difference, ensuring their missions reach as many eyes and hearts as possible.

Moreover, we enjoy sharing our commitment to the animal companions of our community through regular features dedicated to the Williamson County Regional Animal Shelter, showcasing the importance of compassion. We are also pleased that our rotating nonprofit column further underscores this dedication by highlighting different support organizations each month, creating a platform for advocacy and connection.

But we are also good at doing what we do–showcasing prominent community agencies and initiatives like ROCK, Georgetown ISD students, FFA, 4-H, and many more on our covers and in multi-page features. These not only celebrate their contributions but also inspire readers to personally engage and participate in the missions of these community pillars. As well, timely articles featuring the Annunciation Maternity Home, Georgetown Arts District, and the Palace Theatre go beyond surface-level news, offering insights into the cultural and humanitarian assets of Georgetown.

In every story, from first responders and veterans to the latest city events and programs, our purpose is to foster a sense of pride and connection. In addition to these, each November, our "Giving Thanks and Giving Back" issue shines a spotlight on local nonprofits and philanthropic efforts, reminding us of the power of community support and the importance of gratitude.

In short, we believe the Georgetown View is more than a magazine; it is a vital part of the community’s fabric that spotlights advocacy, education, and celebration. We hope you will agree it stands as a testament to what we can all achieve when we choose to focus on the positive and the possible.

In today's dynamic market, visibility is key to success. We invite you to explore the power of diversification by previewing and investing in advertisement spaces across our diverse range of magazines. Each publication in our portfolio offers a unique audience, ensuring your message resonates with a wider, yet targeted demographic. Seize this opportunity to broaden your reach, enhance brand recognition, and connect with potential customers in new, impactful ways. Let's collaborate to make your brand a household name. CONTACT ALLISON SMITH MARKETING &

ON THE COVER

The Palace Theatre, a cultural cornerstone of the Georgetown Square since 1925, alongside scenes from its rich lineup of productions and programs.

7 10 14 16 20

COVER FEATURE

A Century with The Palace Theatre

ARTS & CULTURE

Texas Bach Festival

ARTS IN WILCO

Williamson County Art Guild

AROUND TOWN

San Gabriel Writers' League Essay Winners

ASK A PRO

Austin Orthopedic Institute

Recovering from Shoulder Injuries

22 26 29 32 37

KIDS & EDUCATION

New Exhibit at the Williamson Museum

ASK A PRO • FEATURED PROFESSIONALS

Meet our Pros - professionals, business owners, and subject matter experts from leading local companies who share their knowledge and expertise to bring readers practical advice, how-to tips, best practices, and current and emerging trends. To learn more about becoming a Featured Professional, contact allison@georgetownview.com or 512-966-2164.

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A Century on Stage

Georgetown Palace Theatre Celebrates Nearly 100 Years of Homegrown Theater

In 2013, Georgetown was named a Cultural District by the Texas Commission on the Arts–a recognition of the city’s rich artistic landscape ranging from downtown art galleries and diverse public art installations to cultural anchors like the Georgetown Public Library, Georgetown Art Center, and Williamson Museum. At the heart of this vibrant arts scene is the Georgetown Palace Theatre, a cultural gem that has evolved with the city for almost a century.

A STORIED STAGE

Built in 1925 as a movie house on South Austin Avenue just off the Square, the Palace originally dazzled audiences with silent films before ushering in the wonder of “talkies.” When the Palace was forced to close in 1989, a group of citizens rallied to save the community landmark by founding the Georgetown Palace Theatre nonprofit and transforming the space into a home for live theater and arts education. Today, the Palace has become what Development Director Debra Heater calls “a powerhouse of live performance,” presenting 12 shows annually alongside a robust education program and numerous special events and rentals. Its footprint now includes the Palace Playhouse, a black box theater that offers a more intimate setting for non-musical plays, and the Doug Smith Performance Center, which is dedicated to youth education programs.

Beyond entertainment, the Palace brings in 50,000 visitors and contributes an estimated $1 to $5 million annually to the local economy. Audiences often dine, shop, and explore the downtown, creating a ripple effect of support for local businesses. The theater also employs hundreds

of creatives and gig workers, and in 2023, started paying its adult cast and crew a stipend – a first in Palace history. Known for its high-caliber performances, the Palace remains deeply rooted in the community. “The talent we attract is top-tier, but we still maintain our community roots. It’s accessible to everyone,” Debra says.

Perhaps the Palace’s most powerful legacy lies in the thousands of young people who have grown up on its stage. Over 6,600 students enroll in theater education programs annually, including classes, camps, Theatre for Young Audiences, inclusive Adaptive Theatre for All

COVER FEATURE

programs, student productions, and a Palace Performance Company. Through these programs, the Palace is building more than performers, Debra says; it is nurturing confidence, empathy, perseverance, joy, self-advocacy, and communication skills. She recalls a former student who returned to teach camp after participating in one of the education programs. “She said something that struck me to this day – she wanted to give back to ‘the Palace that helped raise me.’ And I thought that was a true testament to our program.”

CENTENNIAL CELEBRATION

As Georgetown grows, the Palace is growing with it–responsibly and thoughtfully–while navigating the challenges of staying relevant and fiscally sound as a nonprofit arts organi-

zation. The theater balances beloved classics with modern shows, taking a few risks each season while also expanding into live music. Its venues now host a concert series, music festival, and even a spooky Halloween-week performance with the Central Texas Philharmonic. The theater also debuted its first music festival in May, the Renegade Revival Music Fest. “We don’t want to compete with the Two Step Inn, but want to supplement it throughout the year,” Debra says, adding that the Palace hopes to

attract musicians and strengthen the city's identity as a music destination.

As the Palace nears its 100th anniversary in 2026, it plans to shine an even brighter spotlight on the talent and creativity that make this community special. The milestone will be marked by new concerts, special events, expanded community partnerships, and an annual gala supporting youth education programs. Debra shares, “As we look to 2026 and our 100-year anniversary, we will position the Palace to provide another 100 years of arts and culture to the City of Georgetown and beyond.”

Scan the code to learn more about the Georgetown Palace Theatre and its upcoming shows and programs.

by Charlotte Kovalchuk

Texas Bach Festival Celebrates Succession of Musical Genius Bach and Beyond

In honor of Johann Sebastian Bach’s 340th birthday this year, the Texas Bach Festival is spotlighting not just his creative legacy but two composers inspired by the classical music giant. One of Western music’s most influential figures, Bach’s mastery of form and thematic development has echoed through generations.

Wolfgang Amadeus Mozart, after hearing a Bach motet, was so moved that he transcribed the entire piece from memory. Ludwig van Beethoven, in turn, drew from both Bach and Mozart, creating a lineage of genius that inspired this year’s festival theme: Bach, Mozart and Beethoven: Succession of Genius.

Running May 18 and June 24-29, the eighth annual festival offers six days of performances, pre-concert talks, and the return of its popular meet-the-artist lunch. It kicks off

May 18 with David Asbury and Friends—the festival’s first classical guitar concert— at the Georgetown Public Library. This free event will feature Baroque-era music, the ornate style Bach helped define. “When Bach died in 1750, it essentially marked the end of the Baroque era,” director Barry Scott Williamson (inset) notes.

“Defiant Genius,” performing two Beethoven quartets that reflect his bold, innovative style.

On June 24, organist Dr. David Polley performs “Bach In Paris ca 1935,” inspired by French composers who revived Bach’s legacy. On June 25 Bach's Lunch pairs pianist Andrew Brownell and baritone Michael Hix for a midday recital of Bach’s Amore traditore, followed by lunch at City Post Chophouse. June 26 features a free “Q&A with the Maestro,” and on June 27, TBF’s Artisan Quartet presents

The festival concludes June 29 with “The Voice of Angels,” uniting the TBF Choir and Camerata Orchestra with Austin Symphony clarinetist Steven Girko. They will perform Mozart’s Requiem and clarinet concerto—works from his final year that embody the concert’s celestial theme. TBF is partnering with Georgetown veterans groups to provide 100 free tickets for veterans. “We want to honor our veterans and let them experience some beautiful healing in their lives,” Barry says.

For tickets and more, scan the code or visit texasbachfestival.org.

• photos courtesy Barry Williamson

TEXAS BACH FESTIVAL 2025 SCHEDULE

2PM SUNDAY, MAY 18: “David Asbury and Friends” featuring Dr. David Asbury, classical guitar. As part of the Georgetown Public Library’s Live Music series, Dr. Asbury will share personal insights into and performances of guitar transcriptions of Baroque works by J.S. Bach, O’Carolan, Kellner, and others. Pre-concert talk at 1:45pm. Library’s Hewlett Room. Free admission, limited to 200 people.

7PM TUESDAY, JUNE 24: “Bach in Paris ca 1935” featuring organist Dr. David Polley and the works of J.S. Bach, Mozart, Messiaen, Alain, and Durufle. Pre-concert talk at 6:30pm. Grace Episcopal Church. $30/$25/$15

11AM WEDNESDAY, JUNE 25: “Bach’s Lunch” featuring a joint

recital with pianist Andrew Brownell and baritone Michael Hix and the works of J.S. Bach, Mozart, and others, including Bach’s secular solo cantata BWV 203, “Amore traditore.” Pre-concert talk at 10:45am. Library’s Hewlett Room. $30/$25/$15. Dutch Treat lunch following at 1:30 pm at City Post Chophouse, limited to 35 people. RSVP at texasbachfestival.org.

11AM THURSDAY, JUNE 26: “Q&A with the Maestro” (AKA “Grill the Maestro!”). Come with your questions for TBF’s Maestro Barry Scott Williamson on subjects such as the 2025 festival’s artistic impetus, the origins of the Mozart Requiem, the art of conducting, or other areas of interest. Library’s Hewlett Room. Free admission, limited to 200 people.

7PM FRIDAY, JUNE 27: “Defiant Genius” featuring the Artisan Quartet performing Beethoven quartets Opus 18 #1 and Opus 74 (“The Harp”). Pre-concert talk at 6:45pm. First United Methodist Church. $30/$25/$15.

3PM SUNDAY, JUNE 29: “The Voice of Angels” featuring the TBF Choir and Camerata Orchestra with clarinetist Steven Girko, conducted by Barry Scott Williamson. Mozart Requiem K 626 and Clarinet Concerto in A Major K 622. Pre-concert talk at 2:30pm. Free tickets available for veterans. For more information, contact Barry at barry@ texasbachfestival.org. First United Methodist Church. $35/30/20.

by Charlotte Kovalchuk • photos courtesy Williamson County Art Guild

Brushing New

WILLIAMSON COUNTY ART GUILD INSPIRES

What began nearly 50 years ago with a small group of artists and art supporters meeting above a Georgetown bank has grown into a vibrant cornerstone of the local arts community.

Founded in 1976 by ceramicist Sheila Crabill and lawyer-turned-art enthusiast Steve Benton, the Williamson County Art Guild (WCAG) was built on a mission to foster artistic expression and a love for the arts across the region. The pair began meeting with Jay Sloan in a room above the bank he owned in Georgetown, and as the small group of creatives expanded, they moved meetings to the Stone Haven Senior Center to accommodate more artists.1

While WCAG has evolved over time, the group’s dedication to supporting artists has remained constant. Long-time WCAG member Linda Figg shares, “The volunteer-run group was and continues to be focused on stimulating interest in art in Williamson County and beyond through education, charitable purposes, and community involvement.” Approaching its golden anniversary in 2026, the organization is stronger than ever, with close to 200 active members and monthly meetings held at the Georgetown Public Library.

SPOTLIGHTING LOCAL TALENT

Open to artists of all skill levels, WCAG offers a wide range of opportunities to grow, connect, and share. Its members feature a kaleidoscope of creatives–fiber artists, photographers, painters, mosaicists, stained glass artists, printmakers, muralists, and sculptors. Members regularly take part in workshops, artist talks, and skill-sharing events while gaining visibility through exhibits at various venues across the county.

A major milestone came in 2023 with the opening of the WCAG Rock St. Gallery in downtown Georgetown. The gallery features work by 26 member artists, plus a new monthly exhibit at the front of the space that rotates to showcase a variety of styles and themes. Receptions are held the first Friday of every month from 5 to 7pm, inviting the public to engage directly with artists and their work.

WCAG’s impact reaches beyond adult creatives, having long championed student artists through scholarships and youth exhibits. This commitment was recognized with a 2025 grant from the Georgetown Arts and Culture Board, which helped fund a student art show and awards for young artists. Held in May at the Rock St. Gallery, the “Every Voice Matters” exhibit featured work by students served by The NEST Empowerment Center–an after-school program for at-risk high schoolers in GISD.

CREATIVE CONNECTIONS

Residents looking to get involved–as artists or supporters–are welcome to attend monthly meetings at the Georgetown Public Library, usually held the first Tuesday of the month from 6:30 to 8pm. WCAG also hosts rotating exhibits at locations across the region, including St. David’s Georgetown Hospital, Williamson Museum, Georgetown Palace Theatre, Round Rock Public Library, Framers Gallery, Truewood by Merrill.

To learn more about upcoming exhibits, artist opportunities, or how to become a member, visit wcagtx.org.

Life into the Arts

COMMUNITY THROUGH EXHIBITS, EDUCATION

From Canvas to Curtain

A shining example of WCAG’s collaborative spirit is its ongoing partnership with the Georgetown Palace Theatre. Their joint efforts bring fine art into the theater space—giving patrons a chance to engage visually with each show before the curtain even rises. This summer, that partnership takes center stage once again with a WCAG art exhibit in the lobby of the Springer Stage that will accompany the Palace’s production of Fiddler on the Roof. “Our production-themed artwork adorns their walls and gives their patrons sort of a ‘jump start’ into the world of the theatrical production,” says Patti Wojtowecz, WCAG exhibit organizer.

The Palace and WCAG have worked together on several shows, with recent exhibits inspired by Our Lady of the Tortilla, Proof, and Beautiful: The Carole King Musical. “We love this partnership,” says Palace Development Director Debra Heater. “As two anchors of Georgetown’s Cultural District, it’s important for us to stay connected and keep the city’s arts vision thriving. The fact that the city is making art a priority especially on the Square, that’s paramount to us as well.”

Set in the small Russian village of Anatevka, Fiddler on the Roof follows a poor dairyman named Tevye as he struggles to maintain his Jewish traditions while his five daughters chart their own paths and political tensions threaten the fabric of their community. The accompanying WCAG exhibit features paintings, collages, photographs, and mixed media pieces while paying homage to the vivid, dreamlike works of French artist Marc Chagall, whose 1912 painting, The Fiddler, famously inspired the musical’s title. “You will see references to fiddlers, weddings, sunsets, and small-town life in exotic places,” Patti says. “I hope these pieces help the theater goers on their journey to be fully immersed in the theatrical productions they are about to take in.”

The Fiddler on the Roof exhibit is open for viewing until July 10 in the Palace’s Springer Stage lobby.

AROUND TOWN

San Gabriel Writers’ League

The San Gabriel Writers’ League (SGWL) wrapped up its annual Essay Contest in April, spotlighting the creative talents of writers across Central Texas. Open to members and non-members, the 2025 competition invited essays of 1,500 words or fewer centered on the theme, “Turning Points.” Writers explored defining moments, unexpected detours, and life-changing decisions in pieces that were heartfelt, humorous, and thought-provoking.

Donnella Looger is the current vice president of the San Gabriel Writers’ League and the driving force behind this year’s essay contest. Having been introduced to Donnella by Linda Thornton, one of Georgetown View's own writers, we are grateful for her invitation to participate and showcase the top writers. Her tireless work in organizing, promoting, and championing the contest gave local authors a meaningful opportunity to share their voices. As the owner of DRL Press, Donnella brings expert editing, proofreading, and publishing skills to the table—skills that have helped many writers, including several League members, experience the joy of seeing their work in print.

Second-place winner MARTY MCALLISTER grew up in northern Indiana in a lovely small town. Her interests are varied, and she participated in several extracurricular activities such as music, art, cheerleading, baton twirling, summer theater, and water sports, as she lived on a lake.

From about twelve years old, she was curious and enchanted with Europe. Finally able to visit Paris at forty she was smitten with the “bug.” She’s since traveled to Europe numerous times and written short stories of her travels.

Marty lives Sun City, is a member of San Gabriel Writer’s League, and teaches piano, paint and mosaics.

Readers can look forward to reading an excerpt from the third-place winning story in our July issue. Scan the code to learn more about SGWL.

Annual Essay Contest • "Venice in the Hood" by Marty McAllister

Outside my shuttered windows is a lonely, quiet early morning before dawn; just occasional footsteps on the campo or nearby bridges that cross the small canals. No sounds of commerce. Birds sound as if they are screaming. There are no insects; I saw one fly in five days. No cars

About 6:00 a.m., I hear the sound of a few small boats starting their engines. In other areas, grocery boats, garbage, ambulance, police boats and public transportation boats called Vaporetti are doing the same. Locals and tourists alike must walk or take boats to begin their day’s activities. I unfasten the small metal latches, push open the green wooden shutters and fold them back onto themselves to see the unadorned façade of chiesa San Martino watching over my tiny second floor apartment. A footbridge over a narrow canal separates me from the campo that is home to the church and negozio di alimentari, a grocery store. I can see the yellow five-story building where my landlords live on the third floor and run the grocery store at street level. Smaller than a one-car garage, it stocks a va-

riety of staples, cheese, deli meats, olives, dairy products, water, juices, pastas and wines.

Close to 7:00 a.m. the sounds begin: clanging, banging, opening, shutting, motors and voices. At the grocery, metal security gates roll up, followed by the spreading of large, green awnings. I hear a few footsteps, then more on the two metal bridges connecting the walkways on either side of my flat.

Delivery men, sounds of commerce, locals walking to work or tourists up early due to jet lag are all part of my morning wakeup call.

Francesco steps out of his grocery store to meet a man rolling a small red plastic crate attached to a dolly. The deliveryman stops in front and together they carry small packages into the store. Cheese delivery? A few well-rounded older women stroll by. Tourists or locals? I decide by their casual, unhurried demeanor, lack of luggage or cameras, and mode of dress, that they are locals. The putt-putt of boat engines and workers pushing and pulling containers up and down the steps of nearby bridges continue through mid-morning.

Venetians refer to the city as “Serenissima” meaning “most serene.” The ancient and modern mix in a frenzy of shopkeepers, restaurateurs soliciting passers-by, street artists, sellers of kitschy souvenirs and tour guides holding up their closed umbrellas to herd their charges through the day trip visits. Those who return to the mainland at night miss the magical evenings in exchange for a less expensive hotel.

Sometimes called the most beautiful city built by man, and Europe’s most romantic city. Venice has another side. The ancient facades have been witness to more than 1,000 years of luxurious lifestyles, ruthless rule of powerful religious leaders, extensive commerce and trade as a major maritime power, as well as the lives of countless writers, artists and musicians. History is present and alive in this city of huge palaces and churches built on sticks planted into the mud of the lagoon over a thousand years ago.

Visit GeorgetownViewArchive.com to read the rest of Marty's short story.

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Keeping Your Shoulders Strong While Staying Active During Recovery

Q: I’M RECOVERING FROM A SHOULDER INJURY BUT WANT TO STAY ACTIVE WITH MY EXERCISE ROUTINE. HOW CAN I PROTECT MY SHOULDER WHILE CONTINUING TO MOVE?

A: This is a question we hear regularly in the clinic from patients who are dealing with a shoulder injury, but do not want to be inactive for the duration of their recovery. While adjustments to your normal exercise routine may be necessary, you can still remain active by cross-training and improving your overall health and mobility.

With good communication with your doctor, you can create a safe and customized workout plan to work around your injury.

Here are our some of our professional tips:

1. RESPECT YOUR BODY’S HEALING PROCESS

Healing times and limitations vary depending on the injury type and severity—from rotator cuff strains to arthritis flare-ups. It’s important to consult with an orthopedic specialist to ensure you are following the right protocol for your specific injury. Respecting your body’s healing process is the key to healing. Trying to do too much, too soon, can not only slow healing, but can cause further injury.

2. FOCUS ON LOWER BODY AND CORE STRENGTH

While following your orthopedic doctor’s instructions and limiting your shoulder activity, you can focus on improving strength in your legs and core. Your balance starts from the ground up, so improving your lower body strength will help protect your shoulders in the long run. Exercises

like body-weight squats, step-ups, and gentle core routines are great options that engage the major muscles in your lower extremities.

3. KEEP YOUR MOBILITY

(GENTLY)

Maintaining mobility in your back and shoulder blades can help you avoid stiffness while recovering from your shoulder injury. Guided protocols from either your orthopedic specialist and your physical therapist will help ensure you are engaging in exercises that will not cause any further damage.

4. ADJUST YOUR EXERCISE ROUTINE

It’s important to avoid overhead movements and heavy lifting until your orthopedic specialist gives you the green light. Instead consider working on low-impact cardio options like stationary cycling, stair master, elliptical, walking, or water-based exercise. Light resistance bands can

FINAL WORD

often be added early on, but with professional guidance.

EASE BACK INTO ACTIVITY GRADUALLY

When your shoulder is ready and you have been cleared by your doctor, it is best to return to activity slowly. PROGRESSION is the key! Start with smaller, controlled movements and gradually build up to pre-injury performance. No matter your favorite sport or hobby (golf, tennis, pickleball, yoga, etc.), progressing carefully will reduce your risk of re-injury.

6. LISTEN CLOSELY TO YOUR BODY

Pain is an important signal. If you are experiencing sharp pain, swelling, or lingering soreness it may be time to check in with your doctor or an orthopedic specialist. The shoulder will give you feedback when it doesn’t like what you are doing.

Staying active while your shoulder heals isn’t just possible - it can improve your overall health so that you come back to your pre-injury activities stronger. It is important to listen to your body and follow the instructions of your orthopedic specialist to ensure that you heal appropriately and get back to doing what you love quicker.

Have more questions about shoulder recovery? Contact Dr. Brett Robin at Austin Orthopedic Institute—we’re here to help you stay active and healthy at every age.

The Making of Williamson County

New Museum Exhibit Explores 200 Years of Growth

On January 1, 1892, Charles Belford signed a deal to buy out his partner, Moses Harrell, and take full ownership of the Belford Lumber Company. Over time, his lumber would become the backbone of the homes and businesses that anchored Georgetown and other growing Central Texas towns. The Portal to Texas History website calls the company “a well-known and respected business... that built some of the most architecturally and historically significant buildings and homes in Georgetown.”

More than 130 years later, those original purchase documents found a home at the Williamson Museum and are among many displays that tell the story of Williamson County as part of the museum’s new Building Up Wilco exhibit. Curated by Ben Geiger with the help of museum intern Daniel Weinstein, the exhibit explores nearly 200 years of growth, construction, and change across the county. Ben

shares, “With our current growth rate being one of the fastest in the country, the Williamson Museum and I wanted to reflect how Williamson County has continued to build since its initial settling in the 1800s. This goes anywhere from what they built with, what they built, who built it, and why they settled in the places they did.”

BRINGING THE PAST TO LIFE

Designed with all ages in mind, the Building Up Wilco exhibit offers interactive elements that allow people to engage with history in a hands-on, play-based learning environment. “It is also a great place for visitors to the Square to take a break from the outside, let their kids play, and have fun with history,” Ben says.

Among the exhibit’s displays are stories that shine a

light on the lesser-known challenges early settlers faced–e.g. the process of cutting and hauling stone in the 1800s, which was a far cry from today’s quarry operations. “In the 1800s, they did not have excavators and technology we use in the 2020s. Instead, they did everything by hand and often used mule-drawn carriages to transport the stone.” It wasn’t until the arrival of the railroad that the process sped up significantly, allowing materials to be transported more efficiently, including pink granite from Marble Falls that was used in the construction of the Texas State Capitol.

The railroad didn’t just move materials; it moved people, too–shaping the map of Williamson County in

ways that trace its historic roots and modern growth. In fact, entire settlements shifted their locations based on where the tracks were laid. One example is Bagdad, the original settlement near present-day Leander. When the railroad route bypassed Bagdad in favor of Leander, many residents relocated, leaving Bagdad behind as a ghost town. A similar story played out in Corn Hill, where peo-

ple moved to the newly established town of Jarrell after the railroad created new opportunities there.

STORIES STILL UNFOLDING

Whether you’re a lifelong resident curious about your hometown’s beginnings or a newcomer eager to understand the landscape you’ve joined, Building Up Wilco offers an engaging window into the people and enterprises that have built Williamson County–and continue to shape its next chapter. Ben explains, “It’s a reflective project that asks, ‘How have we built for almost 200 years, and how will we continue to build?’ ”

The Building Up Wilco exhibit will run through March 2027 at the museum located at 716 S. Austin Ave. on the west side of the Courthouse Square. To learn more about the Building Up Wilco exhibit and other upcoming museum events, scan the code or visit williamsonmuseum.org.

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FIGHTING CANCER,

13-Year-Old Cancer Warrior Sworn

In May, 13-year-old DJ Daniel was sworn into the Williamson County Sheriff’s Office and several other local law enforcement agencies, tallying another stop in the young cancer warrior’s quest to be sworn in across a total of 1,000 law enforcement agencies.

At 6 years old, DJ was diagnosed with a rare brain and spinal cancer and given five months to live. That was six years ago and, since then, he has traveled around the world visiting police stations and being welcomed into their ranks after word spread of his dream to become a police officer. That dream took root in the aftermath of Hurricane Harvey, when DJ witnessed firsthand the compassion local law enforcement showed in responding to the disaster in the Houston community where he lives.

He was first sworn in as an honorary officer by the Brookshire Police Department in Texas in 2019 and, as more departments began reaching out, DJ’s journey gained momentum and eventually attracted national attention. In March, President Donald Trump recognized him during a joint session of Congress and named him an honorary U.S. Secret Agent.

DJ’s initial goal was to be sworn in by 100 law enforcement agencies. He has since been named an honorary member of more than 900 departments and offices in the United States, Belgium, Turkey, Italy, and Israel. Multiple GoFundMe fundraisers have helped fund their travels as DJ continues his inspirational journey around the world.

WILCO WELCOMES DJ TO THE FAMILY

When Williamson County Sheriff’s Deputy Jeff Combs heard about DJ’s story, “I felt like I had to do it for him here in Williamson County,” he says. He reached out to DJ’s dad, Theodis, and invited them to visit for another swearing-in ceremony. DJ kicked off his stop in Williamson County with a swim at Kalahari Resorts before heading to the courthouse the next day, where he was sworn in by Sheriff Matt Lindemann as well as police chiefs from Georgetown, Jarrell, Cedar Park, Granger, Florence, Taylor, Constable Precinct 3, and other cities around the county. “It was an honor, a very special honor to be able to swear him in as an honorary deputy here in Williamson County,” Sheriff Lindemann says. Georgetown Police Chief Cory Tchida echoed the sheriff’s remarks, saying he was honored to be one of many law enforcement agencies across Texas and the country to swear DJ in as an honorary officer. “His courage, commitment, grace, and humor made it a special day for not only him but for all of us as well.”

CENTER: County Judge Steve Snell, Theodis Daniel (black hat), Sheriff Matt Lindemann (white hat), and DJ Daniel with Wilco chiefs, officers, deputies, and K9s.

ONE BADGE AT A TIME

as Honorary Member of Wilco Agencies

Despite 13 surgeries and a relapse earlier this year, DJ has maintained a positive attitude, keeping attendees laughing with jokes and quips throughout his swearing-in ceremony. “It feels great,” he said simply when asked what it’s like to be recognized by so many law enforcement agencies. As he has told his growing community of online supporters, “Like I always say, I’m going to keep on going until my gas tank runs out. If you got cancer, don’t give up on life. All you got to do is pray, believe in God, and just keep that negative energy out of your mind.”

He remains optimistic about his cancer battle, saying after the ceremony, “If you have terminal brain cancer, you’re not alone because I’m still battling it. But I’m not going to let it take me over.”

His dad sees their travels and ceremonies not just as symbolic gestures, but part of DJ’s healing. “They are a form of treatment for him,” Theodis says. “Most parents, when they find out their kids have cancer, they close them off from the world. But it’s not healthy for them. Take them out and let them be as normal as possible. I don’t care if they have two months to live. Take them to a football game, yeah put a mask on them, do whatever, but let them enjoy life. Yeah, you’re looking at two months, but it could be substantially longer than that if you keep the positivity that makes your worst day the best day.”

There are several GoFundMe pages in DJ's name. This link was provided by his father, Theodis, so you can scan with confidence and bless their family as they carry the financial burden of DJ's medical care on a single income.

Chief Cory Tchida administering DJ's oath for Georgetown PD

BE THE Storyteller

As you pass through the 55+ por tal, you enter the realm of the Tribal Elders. Elders are the keepers and protectors of the wisdom of generations. They are expected to lead by example and teach others based on their experiences. The Elders are the story of the Tribe, and the Tribe’s Storytellers.

The role of the Storyteller is vastly underestimated. Storytellers, even in ancient times, were respected leaders who were charged with preserving, protecting, and passing along the history, customs, and wisdom of the Tribe. Through stories, they instilled a sense of belonging and group identity as well as standards and expectations for members.

Some of these stories are factual, other contrived, others a mix of fact and fiction. Lore (especially folklore) is a popular source for tribal stories. The special feature of lore is that while it can be a true story, it doesn’t have to be true. Lore doesn’t even have to be based on truth. But if you accept lore AS true it will help you communicate and understand that which IS true. Lore is useful.

Legends that Shaped a Culture

The story of George Washington and the cherry tree is folklore. The truth of the story is speculative, but nonetheless it sets a standard for behavior. Some scholars say Uncle Tom’s Cabin was fabricated out of whole cloth; nonetheless, it reflected many truths about slavery. Through it, the abolitionist Harriet Beecher Stowe captivated audiences and motivated armies (literally!). Chicken Little is obviously total fabrication, but it gets the message across. Beowulf and The Odyssey have defined and kept the warrior ethic alive for centuries.

Stories communicate, and the best communicators tell stories. Abraham Lincoln was probably the best-known presidential storyteller. When one of his generals would ask a difficult question, he would often respond with anecdotes and guide the listeners to the desired conclusion. Will Rogers’ yarns to his audiences and readers are legendary and timeless life lessons. Jesus spoke to all humanity in parables.

There are some great contemporary storytellers as well. I remember stories by James Michener, Leon Uris, and Herman Wouk bringing history to life and giving me an understanding of the world that more formal studies did not. Jonathan Livingston Seagull, although wildly imaginary, gave me a way to understand the need to be different, the desire to excel, and the importance of creativity. Even though I became an adult in the 60s and 70s, it took Shelby Steele’s 2015 book Shame to put the revolutionary movements of those decades into perspective. If you give me dates, and lists of dictums from on high, I am likely to get bored and miss the point. If you tell me a story, I can understand and internalize.

Stories From a Life Well Lived

Here are three stories I tell periodically, each derived from my personal experience. The first story begins when I was 12 years old. I came into the house grousing about a lot of things (can’t recall what), but apparently I was trying to make everyone else miserable as well. My mom stepped in and told me to go to my room and stay there until I changed my attitude. She said she didn’t care if I had to stay there for a week, or longer, with no food, and without seeing the light of

day. No tolerance on her part. My attitude was going to change. It did, and I put on a permanent happy face and never behaved like that again.

The second story is from my flying days in the military. I was in the Standardization/Evaluation flight. I had a situation I needed to discuss with the squadron commander in fairly short order, so I went to his office. The 1st Sergeant told me the CO was wrapped up with a couple of individuals who got in trouble the night before, so it would probably be an hour or so before the CO could get to me.

The CO heard me outside his door and immediately told the others to leave and wait outside. Then he brought me in. After a brief discussion that resolved my

THRIVING AFTER 55

issue, I thanked him for allowing me in despite the other demands for his attention. He explained that a lot of people say “you spend 90 percent of your time with 10 percent of your people, and those 10 percent are the ones causing trouble.” He said that was one of the most foolish approaches to leadership he knew of.

His policy was to spend 90 percent of his time with the 10 percent of the people who were doing the real work. The oth

his employees on the payroll.

He chose the latter and managed to keep the business open for nearly two years but eventually had to close. Her point was that his motivation set a moral

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Texas Must Prepare for Threats to Our Power Grid

ELECTRICITY IS THE INVISIBLE LIFELINE OF MODERN SOCIETY. WITHOUT IT, SYSTEMS THAT SUPPORT OUR SURVIVAL—CLEAN WATER, FOOD SUPPLY, HEALTHCARE, TRANSPORTATION, AND COMMUNICATION—GRIND TO A HALT. IN THE EVENT OF A CATASTROPHIC FAILURE, SOCIETY COULD DESCEND INTO CRISIS WITHIN DAYS.

THAT IS WHY TEXAS MUST TREAT THE THREAT OF ELECTROMAGNETIC PULSES (EMPS) WITH THE SERIOUSNESS IT DESERVES. EMPS, WHETHER CAUSED BY NATURAL SOLAR STORMS OR MAN-MADE ATTACKS, HAVE THE POTENTIAL TO DISRUPT OR DESTROY UNPROTECTED ELECTRONIC SYSTEMS, CRIPPLING THE POWER GRID AND PLUNGING COMMUNITIES INTO CHAOS.

EMPS: THE SILENT THREAT THAT COULD SHUT TEXAS DOWN

EMPs are bursts of electromagnetic energy capable of damaging or destroying electronics over a wide area. These can come from high-altitude nuclear detonations (HEMPs) or natural phenomena like geomagnetic solar storms. Either way, the result is the same: a blackout that could last not hours, but months—or even years.

Such an event would devastate Texas. Water pumps would fail. Fuel couldn’t be delivered. Medical equipment would shut down. Grocery stores would be emptied within hours and restocking them would be impossible. The power grid’s most vulnerable components—large transformers—can take years to replace, and the supply chain for these devices is almost entirely overseas.

This is a nonpartisan issue. If the lights go out, they will be out for everyone.

WHEN, NOT 'IF'

In the years leading up to 2005, meteorologists made clear that it was only a matter of when, not if a Category 5 Hurricane would hit New Orleans, putting their levies to the ultimate test. Yet, the New Orleans Levy Board chose to ignore the warnings, believing the threat to be too far off to justify immediate expenditure. As a member of the U.S. Army’s response team for Hurricane Katrina, I saw firsthand the devastation that willful negligence can cause.

Those same emergency management specialists who warned the New Orleans Levy Board make clear that the question of a geomagnetic solar storm striking without warning is also a question of when and not if it will happen.

Think of these storms as a type of “space weather” that happens when a large burst of energy from the sun hits Earth’s magnetic field. In 1921, a massive geomagnetic solar storm impacted our atmosphere that, were it to hit today, would permanently destroy 350 electrical transformers, leaving 130,000,000 Americans without power indefinitely.

Natural disasters aren’t the only threat to our power grid. Man-made dangers also pose serious risks—from electromagnetic pulse (EMP) weapons launched by adversaries like China to the growing strain of emerging industries such as artificial intelligence, data mining, advanced manufacturing, and electric vehicles. With these mounting pressures, enhanced market incentives and stronger regulatory frameworks are essential to ensure electric utilities prioritize grid security.

This is not science fiction. The federal government has long acknowledged EMPs are a national security threat and, as of late last year, so has Texas. With Governor Greg Abbott’s Executive Order GA-49 creating a multi-agency task force, the Lone Star State has taken a significant step toward strengthening its infrastructure against EMPs and related threats.

A REAL AND PRESENT DANGER

Federal attention to EMPs dates back decades, to concerns caused by nuclear tests in the 1950s and 1960s. Prior to 9/11, Congress authorized the Commission to Assess the Threat to the United States from Electromagnetic Pulse (EMP) Attack; attempts were made to strengthen our nation’s preparedness from the commission’s first reports. In 2019, the Trump administration issued an executive order instructing agencies to prioritize EMP resilience. The 2024 GAO report and earlier findings by the Congressional EMP Commission further emphasized the vulnerability of U.S. infrastructure.

Texas is now following through with real action. Governor Abbott’s Executive Order GA-49 tasks the Texas Division of Emergency Management (TDEM) with assessing the threat of EMPs and other critical infrastructure risks. In its January 2025 response, TDEM laid out clear warnings and recommendations:

EMPs pose a known threat, with adversary nations, including China, openly discussing their use.

Texas should invest in EMP-resilient technologies and infrastructure hardening.

Grid components like transformers and conductors must be updated to withstand both fast-pulse (E1) and slow-pulse (E3) EMP effects.

Importantly, the report also called for a realistic evaluation of EMP threat levels. Current national standards, set by the North American Electric Reliability Council (NERC), the equivalent of ERCOT for the Eastern half of North America, protect against a pulse of only 0.8 volts per kilometer. Research from

the Department of Defense and the Congressional EMP Commission suggests the standard should be closer to 85–100 volts per kilometer—more than 100 times higher. Without realistic models, no protection plan can be effective.

TEXAS RESEARCH INSTITUTIONS ARE STEPPING UP

Fortunately, Texas is home to some of the nation’s most advanced research centers on EMP resilience. At Texas Tech University, the Center for Pulsed Power and Power Electronics (P3E) has supported U.S. defense and energy agencies since the 1960s. Its EMP simulators are among the most advanced in the country.

Texas Tech’s GLEAMM microgrid lab is also working on real-world solutions to manage energy flows and isolate grid components during emergencies. Meanwhile, Texas A&M University is conducting EMP simulations in partnership with ERCOT—the Electric Reliability Council of Texas—to assess the real-world impact on our state’s grid.

These institutions are not only producing cutting-edge research, but they are also anchoring a new statewide strategy that could become a model for the nation.

GROWING GRID, GROWING RISKS

With more than 1,000 people moving to Texas each day, our demand for electricity is growing, driven by everything from AI and data centers to electric vehicles and industrial manufacturing. That makes grid stability more vital, and the grid more vulnerable than ever before.

Hardening the grid used to be prohibitively expensive, but not anymore. Technological advances have slashed costs, making EMP mitigation a realistic and achievable goal. We are now at a tipping point. Modernizing both public and private infrastructure is not only possible—it is essential.

FROM THE EDITOR • WHY GRID SECURITY MATTERS MORE IN TEXAS

In case you're new to the Lone Star State, it's important to know the United States operates on three main power grids: Eastern Interconnection–serving states east of the Rockies, Western Interconnection–serving states west of the Rockies, and the Texas Interconnection, which stands alone, operated primarily by ERCOT. Unlike other states, Texas does not rely on the federal grid. That independence gives our state more control—but creates greater challenges if our grid is compromised.

Winter Storm Uri in 2021 made it clear that while Texas’s power grid is independent, it is not invulnerable. The combination of energy isolation, insufficient weatherization, overreliance on natural gas, and prolonged blackouts exposed critical gaps in the system and caused widespread damage and suffering.

— Ann Marie Kennon

Senate Bill 75: Turning Awareness into Action

On May 26, Senate Bill 75 (SB 75) was sent to Governor Abbott by the Texas Legislature, following unanimous votes in the Texas House and Texas Senate, codifying the state’s new commitment to grid security and creating the Texas Grid Security Commission. The Commission, building on Governor Abbott’s executive order, is charged with developing and implementing a comprehensive resilience plan for the critical infrastructure of our state.

I am proud to have sponsored this bill in the Texas House, a bill authored by State Senator Bob Hall and one he has championed for the last six sessions!

Under SB 75, the Commission will:

Assess vulnerabilities across energy, communications, emergency services, transportation, and more;

Recommend protection standards and strategies for EMPs and cyber threats;

Establish resiliency certifications for microgrids;

Oversee implementation via ERCOT, the PUC, and the Railroad Commission; and

A SECURE GRID MEANS A STRONGER TEXAS

Grid security is not just a safety issue, but also an economic opportunity. A resilient energy system gives businesses confidence to invest, reduces disaster recovery costs, and protects millions of Texans from catastrophic disruption. The economic benefits of investing in grid resilience far outweigh the shortterm savings of delay or inaction.

Track compliance and report progress to the legislature.

This approach doesn’t just improve emergency preparedness. It positions Texas as a national leader in grid innovation and security.

The message is clear. Texas is taking the security of our critical infrastructure seriously—and it’s time we all did.

By establishing enforceable protections, incentivizing innovation, and leveraging our research institutions, Texas is creating a model that other states—and even the federal government—can follow.

Texas is at a crossroads. The threats to our power grid are real, rising, and within our control, if we act now. Through Executive Order GA-49, SB 75, and strong leadership from researchers, lawmakers, and utilities, Texas is taking the decisive steps needed to protect the lifeblood of modern civilization: electricity.

With bipartisan support, technological momentum, and a clear sense of urgency, we have the tools to get this right. It is not just about keeping the lights on. It is about protecting lives, defending freedom, and ensuring Texas remains strong, no matter what comes our way.

Let Your Pet Be Our Guest!

Paws on the Go

How

to Safely Travel with Pets This Summer

Summer is calling—and this year, no family member has to stay behind. Whether you’re planning a road trip, a cozy cabin getaway, or a backyard staycation, pets are joining more adventures than ever. But before you pack the treats and leashes, a little planning can keep your four-legged friends safe, comfortable, and ready to enjoy the ride.

ROAD TRIP READY

If you’re hitting the open road, safety is key. Pets should never roam freely in a moving car—it’s distracting and dangerous. Opt for a secured crate, pet seat belt, or travel barrier. Make stops every two to three hours so your pet can stretch, hydrate, and take breaks. And never leave your pet unattended in a car, even if it feels cool outside—temperatures can rise fast.

PRO TIP: Pack a travel kit with food, water, bowls, waste bags, medications, and a favorite blanket or toy to ease anxiety. A printed copy of vaccination records can be useful, especially if you’re crossing state lines or checking into pet-friendly lodgings.

VACATION VIBES

When booking accommodations, double-check pet policies—some roll out the red carpet with beds, treats, and even doggy menus, while others have restrictions. Once you arrive, give your pet time to adjust and set up a cozy spot with a bed and belongings. For outings, consider pet-friendly hikes, beaches, and outdoor cafes, but check local rules, as some parks have leash laws or restrict pets. And remember: not every pet is an adventurer. Know your animal’s limits and avoid pushing them into stressful situations.

STAYCATION FUN

Prefer to stay closer to home? A staycation can still feel like an adventure. Explore local parks, set up a backyard obstacle course, or plan a pet-friendly picnic. You can even book a “daycation” at a nearby pet resort. Interactive toys, frozen treats, and splash pads are great for keeping pets cool and entertained—just make sure they stay hydrated during outdoor play in the Texas heat.

MEET YOUR NEW ADVENTURE BUDDY

Don’t have a travel companion yet? The Williamson County Regional Animal Shelter has plenty of pets ready to join your summer adventures.

AERO is playful, curious, and always up for fun—from chasing tennis balls to exploring on walks. House-trained and kennel-friendly, Aero charms with his signature “Tigger bounce” when he’s excited. He’s looking for an active home that matches his energy and love for life.

GIZMO is a 60-pound sweetheart who’s playful when it’s time for fun and cuddly when it’s time to relax. He’s housetrained, great on car rides, and loves humans of all ages — but dreams of being your one-and-only dog.

FREYR is a calm, gentle companion who’s house-trained, leash-savvy, and loves car rides and cuddles. This champion napper enjoys daily walks and adores kids, making him the perfect fit for a family looking for a snuggly, well-mannered friend.

Wherever your summer plans take you, with a little preparation, your pet can be part of the fun — turning every trip, vacation, and staycation into a tail-wagging memory.

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Understanding Options for Senior Living

Levels of Care

hange is a natural part of life, and as we age, those changes can come more quickly—especially in ways that affect our daily routines and ability to live independently. For couples, aging can look different for each person due to factors like health conditions and family history. The good news is that senior living offers a range of care options tailored to different needs, lifestyles, and budgets. And there are resources to help guide you through the transition to a safe, comfortable, and fulfilling environment.

WHAT ARE THE LEVELS OF CARE?

Senior living communities are not one-size-fits-all. Care levels typically include:

Independent Living: Ideal for those who can live on their own but enjoy the convenience and community of a maintenance-free lifestyle.

Assisted Living: Offers support with daily tasks like bathing, medication management, and meals—while promoting independence.

Skilled Nursing: Provides 24/7 medical care for individuals with more complex health needs.

Some also offer memory care, a specialized program for those with Alzheimer’s or other cognitive challenges. Many campuses provide multiple levels of care, making it easier to transition if needs change.

WHEN TO CONSIDER A MOVE

Start by assessing how you’re managing daily tasks. Are you safe and comfortable living on your own? Would help with things like medications or meal preparation make a difference? If so, it might be time to explore senior living options. Talking with family, friends, and healthcare providers can help clarify what’s best for you or your partner—now and in the future.

INDEPENDENT VS. ASSISTED LIVING

Both options are often set in apartment-style communities with amenities that support an active, social lifestyle. The key difference is the level of support offered:

Independent Living focuses on convenience and social engagement for those who don’t need daily care.

Assisted Living includes individualized care plans, more supervision, and help with everyday tasks.

Both types of communities typically offer enriching experiences: classes, outings, holiday events, and nutritious dining in welcoming spaces.

OPTIONS FOR COUPLES

Many communities support couples staying together, even if their care needs differ. Assisted Living often works well for this situation, offering personal support while allowing partners to remain in the same home. It’s a thoughtful balance of independence and care.

TAKE THE NEXT STEP

Choosing senior living can be a positive lifestyle shift that brings peace of mind, safety, and new opportunities for connection. Reach out to friends, family, or local senior living communities to learn more and take the next step in finding the right fit for your future.

From Quirky to Iconic Art That Sets Us Apart

WHAT MAKES TEXAS “TEXAS”?

by Linda A. Thornton

With its fiercely individualistic streak and proud history of doing things its own way, Texas didn’t just accept the avant-garde— it ran toward it with open arms and a sideways grin. Part of a proud, offbeat heritage, these creative artworks have flourished into renowned tourist attractions. Featured on social media and celebrated in songs, photographs, videos, television, and movies, this is what happens when folly and fame intersect.

PRADA MARFA: YOU CAN STOP, BUT YOU CAN’T SHOP

It made perfect sense to Scandinavian artists Michael Elmgreen and Ingar Dragset: construct a luxury designer boutique in the middle of the desert that is not actually a store and not actually in Marfa.

With the help of Art Production Fund and Ballroom Marfa, two art organizations, the artists found a rancher who was willing to donate land in the town of Valentine–population 200. The project was named after the town of Marfa, known in the art world as the onetime home of famous minimalist artist Donald Judd.

In 2005, the structure, modeled after a Prada boutique, was completed. Though Prada did not commission the project, their founder, a contemporary art enthusiast, gave permission to use the Prada logo and donated merchandise for display, which can be seen through the locked door.

The night it opened, the building was vandalized. Thieves stole all the

Prada merchandise and spray-painted graffiti on the walls. After repairing and restocking, a security system was installed, which many saw as a nod to today’s society.

A 2013 threat by the Texas Department of Transportation to remove the structure, deeming it illegal roadside advertising, was thwarted by granting the installation museum status. Through it all, tourists have eagerly embraced this powerful statement, thought of as a commentary on modern life, a time capsule, and a statement on high priced commercialism.

"TEXAS": ART INSTALLATIONS

THE CADILLAC RANCH: JOYRIDE IN AMARILLO

Only in Amarillo, can you find 10 Cadillac cars buried in the dirt, nose down, with their tail fins proudly held high (previous page).

In 1974, The Ant Farm—a group of San Francisco hippies—and silent partner, Amarillo billionaire Stanley March, III came up with an idea for this public art installation, which pays tribute to the American car culture by highlighting the famous Cadillac tail fins.

Inspired by America’s infatuation with road trips, the initial site was

located directly on Route 66, west of Amarillo. Long before sleek interstates cut across the map, Route 66 was the open road—a legendary lifeline of American adventure and migration. The highway begins in Chicago and crosses eight states before ending in Santa Monica, California.

When the highway was realigned, the installation was moved to another spot in Amarillo. Now, rather than just viewing the artistic grouping, tourists are invited to bring spray paint and leave their mark on the cars. Though their artistic comment will only last until the next spray cans take aim, the creative activity remains an exciting collaborative gesture.

I LOVE YOU SO MUCH WALL: AUSTIN’S LOVE LETTER

It started out as just a few simple words painted on a wall. Passersby shared in the spirit of the fun, sweet, uplifting message. Soon, lines formed to have photos taken, and its location–the side wall of Jo’s Coffee at 1300 South Congress Avenue–officially became the most famous street corner in Austin.

It was originally a personal message from local musician, Amy Cook, to her partner, Liz Lambert, majority owner of Jo’s, back in 2010. South Congress Avenue–also known as SOCO–is known for its high foot traffic, which helped the wall gain in popularity. Through the years, the public love letter has also cultivated a sense of community in Austin.

MEOW WOLF: PROVOCATIVE PLAYFULNESS

Picture artists being given carte blanche to manifest their innermost psychedelic dreams in a cavernous space.

In 2008, a collective of artists in Santa Fe joined forces to publicly display their work. Today, the creative minds of an artistic staff collaborate in a range of media–sculpture, fabrication, digital art, writing, film, and music–into “a mind bending, interactive, immersive, explorable art experience.” Houston and Grapevine have now joined the other five Meow Wolf locations in the United States.

In one its famous displays, you quickly realize the only way to continue through the home is to either open the refrigerator and walk through it or open the clothes dryer and slide down it. Part jungle gym, part haunted house and part children’s muse-

um, visitors of every age can easily become enthralled with the level of creativity and downright outlandishness.

Just when you wonder if the best way back to reality may be via the bar, their neon-colored cocktails topped with cotton candy remind you of their slogan “We celebrate the unexpected because it is the doorway to discovery.”

by Charlotte Kovalchuk

GRAND CANYON OF TEXAS

PALO DURO CANYON STATE PARK

Known for its towering red rock formations and vast desert skies—not to mention its claim to fame as the second-largest canyon in the United States—Palo Duro Canyon State Park is one of Texas’ most awe-inspiring natural landmarks. The lengthy road trip, a six-hour drive northwest of Georgetown, is well worth it for the jaw-dropping views and storied geology, as well as a series of shows that will bring captivating performances to the canyon this summer.

The Spanish name Palo Duro means “hardwood,” referring to the dense hardwood shrubs and trees thriving in the canyon. Formed by water erosion from the Prairie Dog Town Fork of the Red River and the West Texas wind, the park spans 28,000 acres, with the canyon itself stretching 120 miles long and dropping to 800 feet deep in places. Miles of hiking trails let visitors experience the terrain up close—whether on an easy stroll along the canyon floor or a vigorous climb that rewards visitors with panoramic views of the canyon’s sweeping vistas. For those who prefer a more relaxed pace, the scenic drive through the canyon allows for a front-row seat to the breathtaking landscape, with ample opportunities to pull over and take in the views. Keep an eye out for wildlife—wild turkeys, mule deer, and roadrunners are just a few of the creatures that call the canyon home.

A LITTLE HISTORY

The ochre bluffs and precipitous cliffs that captivated Spanish explorer Francisco Vásquez de Coronado in 1541 continue to awe visitors today. His expedition, in search of the fabled riches of Quivira, may have camped here during their travels. At the time, the canyon was home to Apache bands who depended on buffalo for survival. Later, in the eighteenth century, after horses transformed Plains Indian cultures, Palo Duro became a significant campground for Comanches and Kiowas. Traders known as Comancheros from New Mexico frequently visited to trade goods with the Native tribes.

The first Anglo-Americans to explore the canyon were members of Captain Randolph B. Marcy’s 1852 expedition, which sought the headwaters of the Red River. The Comanches and their allies continued to use the canyon as a refuge until 1874, when Colonel Ranald S. Mackenzie led a surprise dawn attack during the Red River War, forcing the tribes onto reservations.

In 1876, army engineers conducted one of the most detailed surveys of the Panhandle region, including Palo Duro Canyon. That same year, Charles Goodnight drove cattle into the canyon, establishing the first commercial ranch in the area—the JA Ranch.

Though cattle ranching dominated the canyon for decades, it gradually became a favored spot for locals to picnic and camp. In 1933, the state purchased land to establish the Palo Duro Canyon State Park. The Civilian

Conservation Corps, under the National Park Service’s direction, built the road to the canyon floor and developed much of the park’s initial infrastructure, including the historic stone cabins that still stand today.

NATURE’S CLASSROOM

Palo Duro is more than a visual marvel—it’s a place of deep historical and cultural significance. Educational programs led by park rangers invite visitors to learn about the Indigenous tribes who once inhabited the area, the early settlers who braved its rugged frontier, and the natural forces that carved the canyon itself. For families, the park serves as a living classroom where children can engage in hands-on programs that explore geology, wildlife, and local history.

Near the top of the canyon, the Canyon Gallery & Visitor Center serves as both a welcome center and cultural hub. Built from native stone by the Civilian Conservation Corps in 1933, the gallery’s large windows frame a breathtaking view of the canyon’s vast expanse. Inside, visitors can explore educational exhibits, historical films, and a collection of Southwest art and handmade items.

THEATER UNDER THE STARS

Every summer, the canyon becomes a stage for Shakespeare in the Canyon and the Texas Outdoor Musical, with both productions promising starry nights, enthralling

11450 Park Road 5 Canyon, TX 79015 (806) 488-2227

performances, and majestic canyon views.

This year, Shakespeare in the Canyon will present "The Taming of the Shrew" on July 14 and 21. Running from June 6 through August 9 in the Pioneer Amphitheatre— an open-air venue carved into the canyon wall—the Texas Outdoor Musical tells the story of the Texas Panhandle’s pioneers through music, dance, horseback riding, and fireworks. The musical has drawn visitors since 1966, and with the natural amphitheater of canyon walls amplifying every note and echoing every hoofbeat, the setting is as unforgettable as the show itself. Guests can enjoy a classic Texas BBQ dinner before the performance, adding smoky brisket and sweet tea to an evening that feels quintessentially Western.

Tickets for both performances are available at texas-show.com

WHEN YOU GO

Palo Duro Canyon State Park is open daily from 7am to 9pm, with day passes priced at $8 for adults (children 12 and under are free). If you’re planning to camp or stay in one of the park’s cabins, be sure to make a reservation ahead of time, especially during peak seasons.

Scan the code to learn more about the Palo Duro Canyon State Park, or visit palodurocanyon.com

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GUEST DAD COMMENTARY

" Poppa Talks " Vacation Planning

by Ann Marie Kennon

Poppy is handing over the keys—figuratively, of course, because he insists on driving—to the dad in the house we'll affectionately call *Poppa.* In honor of Father’s Day, it seemed only right to let a dad have the floor… or at least a recliner, a remote, the big piece of chicken, and a solid 500 words to say what’s on his mind. After all, he is among those giants of grilling, champions of dad jokes, brave souls who could reach the backseat with one hand while steering through construction with the other—and somehow still know exactly where the nearest Buc-ee’s is.

So, as you please, dear reader, crack open a root beer, adjust your shorts, and enjoy this month’s column, brought to you by the guy who believes “Don't make me come back there!” should be printed on every family vacation t-shirt.

I’m not saying I don’t *like* vacations. I’m just saying they cost a lot, require suitcases I see once a year, and somehow still involve problems I have to resolve. It’s amazing how every Airbnb comes with complimentary towels, coffee filters and, inevitably, something I have to snake out of a drain.

Around here, “vacation planning” means Poppy fires up a dozen browser tabs, toggles between TripAdvisor and weather apps, and starts way too many sentences with “Wouldn’t it be fun if…”—to which I brace myself and silently channel my inner Captain Kirk: “Sulu… go to red alert.” Next thing I know, we’re booking a place that’s “charming” (read: no Wi-Fi and has a questionable smell). On the plus side, rustic is apparently code for “able to pee outside with privacy.”

As is my anthropologically programmed prerogative, I’d rather drive than fly. With air travel I have to *people* from start to finish, I have no fondness for $23 airport sandwiches, and I can never say, "If you don't stop fighting I'm going to turn this plane around and take us all home!"

I pack one pair of cargo shorts, three t-shirts, a Swiss Army knife, and a roll of duct tape, which is just com-

mon sense. The kids want amusement parks and pricey sno-cones. I want a chair in the shade and the legal limit of beef jerky. Bonus points if I can serve every component of our dinner with grill marks—while holding a Coke, a spatula, and a Bluetooth speaker, all without losing my flip-flop.

And don’t get me started on screen time negotiations. Kids have no idea how good they’ve got it. I grew up riding in the back of a station wagon with no seat belts, making faces at the cars behind us, and playing the license plate game until someone got car sick. No tablets, no earbuds, no in-seat charging ports—just window smudges and boys weaponizing the burritos they had for lunch and blaming it on the dog. Entertainment was either I-Spy, dirty word hangman, or someone crying. Sometimes all three.

Here in 2025, we rent a cabin with a hot tub, surround sound, and a view worthy of a travel magazine... and the kids are still glued to their screens watching otter core. I point out a bald eagle soaring over the lake and get a grunt of acknowledgment without eye contact.

But then—somehow—around a fire, no screens in sight, one of them will say something unexpectedly kind or hilarious, and I’ll think: Okay. It’s still

getting through. Even with all the gadgets and devices, the moments still find a way in. And maybe that’s the real magic of vacation—less about the scenery, more about the glimpses of who we’re all becoming when the distractions are buffering.

Every year, I survive by one principle: lower your expectations and nobody gets hurt. You won’t see that stitched on a beach house pillow, but you *will* see it etched into the soul of every dad who ever tried to herd sandy children through a souvenir shop without buying more seashells.

Somewhere between “Dad, are we there yet?” and “Honey, can you carry my bag too?” I begin to wonder when “vacation” turned into a mobile version of my daily responsibilities—just with more humidity and fewer bathroom options.

Still, I can’t lie. I wouldn’t trade it. Because somewhere along the way, we laugh, connect, and accidentally make memories that will outlast the sunscreen stains. And even if the trip includes a flat tire, sunburn, and a bird stealing half my sandwich—I’ll take every ridiculous minute of it.

Just don’t ask me to plan it. Or worse… review it online.

Happy Father's Day, Georgetown!