Re-designing Spaces - programme (17-24 October, 2015 @ Tilburg, The Netherlands)

Re-designing spaces PROGRAMME 17-24 OCTOBER 2015

WELCOME Welcome to the second Intensive Study Programme (ISP). None of this would have been possible without the inspiring enthusiasm of the team. Listen to their thoughts....

From a dramaturgical point of view all possible movement is part of a conceptual landscape consisting of options & choices to be performed in life or not: It is an endless space where disciplines don’t exist and every idea could transfer into art. It would be a pity when we limit embodied performance to our own little niche of

As a school with ‘Re-designing Spaces ’ we hope to

the theatrical space. It’s meant as a source to

create space for the concept of not knowing. We

connect and invent anytime & anywhere.

embark on a quest for answers to issues we do

Anne-Marije van den Bersselaar

not yet know, and we investigate what it means to train students for a future that carries in itself a substantial degree of ignorance. Herma Tuunter

We want to offer you a space for discovery where we re-think and re-design our dance and artistic practices through dialogue

A new form of cooperation between artists,

and working together. Since we do not

passers-by and environment, where the simple

know where we are heading, this space

definition of cooperation is “an exchange in which

is a space of nowness. Let’s move and

the participants take advantage of the encounter’.

enjoy.

Such a win-win situation only arises if both

Kim Lokers

passer-by, artist and even environment master the art of dialogue. Heleen Volman

Space the final frontier, this is the voyage of the Fontys Dance Academy on its one week mission,

movements of the shared spaces around us. In

to explore new worlds to seek

urgent need of a broader perspective on what

out new perspectives and new

dance and being a dance artist can become in

ideas, to boldly go where

the future; re-defining context in which we want

the unknown will emerge…

to teach, learn, perform and create.

(With thanks to Star Trek)

Ulrika Kinn Svensson

Dirk Dumon

Photo Coen van Tartwijk

Stepping into the streets, joining the unceasing

TEACHERS INTENSIVE Dance IN THE MUSEUM Cross-over perspective

bodies in the museum. There will be made a

becomes a power tool, a political statement,

Dance performed in the public space is

direct relation to the context of the museum,

a way to overrule defined conventions in the

not a new topic. It knows already a longer

so a cross-over in performing and perceiving

social context. Here performing dance in the

tradition and approaches. Nowadays there

art at the same time. How does dance become

public space is applied as a tool to change

are again more and more dance projects

connected to this existing and defined space

context and perception. The main question is

organized in different spatial contexts. One

and its designed context?

how dance can create impact by interaction in

focus in contemporary practice of dancing in

defined public spaces?

made into different defined public spaces,

Dance Intervention Social-political perspective

for example the trend of choreographers

This theme goes deeper into the question how

Dance by design Architectural perspective

to create a moving happening in a museum

dance performances can become meaningful

But what if the public space, the actual building,

room, choreographers that make installation

to an audience, specifically the gaze in the

construction or organization of a particular

art by either moving bodies or moving objects,

public space. Here the approach lies on

space creates impact on the process of

city hoppers that film their risky, moving

forms of art happenings that create impact

dance making? This theme focuses on public

journey over buildings with their Go-pro

on a crowd and on a surrounding with the

spaces as a direct resource to create dance

camera and the intense cross-over between

intention to change something in the public

& movement by site-specific or site-adaptive

dance in film and vice versa. Cross- over here

space. This can be by guerrilla performance,

approach. So the focus here is on how location

stands for dance in direct relation to the

flashmobs and community art, but it also

can determine body practices and how to

space where it happens, but it also refers to

happens in more integrated forms and with

work with that? We will work around the

the ways an artist needs to make a cross-over

different motives behind it. The moving body

research question of how architectural design

(or a transfer) to another context to develop

becomes a resource to stimulate, influence, in

of public buildings, open streets, or city maps

his or her work. During the week we will focus

other words redesign social habitat, common

can fertilize the creation of dance, kinaesthetic

on contemporary dance in the public space,

ground

experience and performative mode.

but with a specific focus on dance as moving

a message. The message in this context

public spaces is the cross-over that is being

or

communities

by

transferring

LECTURERS Sara Wookey

services in collaboration with cultural organisations, educational institutions and government agencies.

Parallel to her creative and professional practice Sara speaks and writes on issues of economy, labor and value in the arts and consults on public engagement with a concern for preservation of and sustainability in dance.

She is a certified teacher of Yvonne Rainer’s seminal dance work “Trio A” (1966), founding director ofreDANCE and a practicing square dance caller.

Pascal Gielen

Photo Dolf Catrijn

Wookey Works Studio, a small business offering creative

Photo Harry Chan

professional based in London. She is the director of

Photo Anna van Kooij

Sara Wookey is a dancer, choreographer and creative

Vloeistof Vloeistof was founded in 2000 by choreographers and Fontys Dance Academy alumni Anja Reinhardt and Yuri Bongers. With their work (yearly more than

100

performances

and

interventions

at festival, theatres and in public space) they challenge the audience’s perceptions of space by using the body as a medium. The performances

Pascal Gielen is full professor of sociology of art and

focus mainly on human behaviour in an urban

politics at the Research Center Arts in Society (Groningen

modern setting, bringing out absurd, funny, and

University - the Netherlands) and at the Antwerp Research

poetic elements. Also vital to the performances

Institute for the Arts (Antwerp University - Belgium). He

are the audience’s reactions and interactions.

is editor in-chief of the international book series ‘Arts in

The pieces are lived through and experienced

Society’. His research focuses on the institutional context

rather than merely watched from the sidelines. As

of the arts and on cultural politics. Gielen has published

a spectator you become directly involved in the

many books which are translated in English, Korean,

piece, and your collective experiences contribute

Portugees, Russian, Spanish and Turkish.

to its overall content.

Mojra Vogelnik Škerlj

Ashley Biren

Mojra Vogelnik Škerlj is a Amsterdam

Ashley Biren is a recent Master of Architecture graduate at Ryerson

based artist working in the inter-

University where she earned a Bachelor of Architectural Science in 2011.

national field of contemporary dance and performance. She is the cofounder of the company The100Hands, known for the site specific character of their work as well as strong physical partnering

to

address

intimate

and complex human relationships. She studied

Prior to attending graduate school, Ms. Biren worked on a wide variety of projects within the retail and residential sector at Kasian Architecture and Interior Design, an award-winning international firm located in Toronto, Canada. As an emerging practitioner, The Canada Council for the Arts recently nominated Ms. Biren as one of Canada’s leading graduate students in Architecture, receiving specific recognition for her thesis titled Choreographing Architecture. In her design and research investigation, she experimented with motion sensing technologies to transform movements from the human body into architectural forms.

where she has developed her interest in re-inventing

Her thesis objective was to reveal how buildings can move us emotionally

the use of public and semi-private urban spaces.

through the phenomenon of kinesthetic empathy. As a former dancer

She is drawn to the body and its physicality as a

and choreographer, she aspires to enrich the experience of architecture

component in space and in interaction with it. Parallel

through the potential of dance.

to her study she developed into an unconventional

Kai van Hasselt

dancer through intensive capoeira training and international contemporary dance intensives. Now she is combining her two backgrounds in making physical performance work, that often relate and source from our ‘inhabited spaces’: their quality, form as well as social context. On (site-) specific

Kai van Hasselt is the founder and managing director of Shinsekai Analyis, research-based advisory practice in Amsterdam. The company advices on urban strategies and cultural intelligence and operates at the cross roads of urban development, societal trends and contemporary art and culture. He is a consultant design thinking and arts education for the section Fine Arts at Fontys School of Fine and Performing Arts.

locations the codes about audience and performers

He serves on the supervisory board of the Mondriaan Fund, the Dutch

roles are undefined, which opens a possibility to re-

government’s foundation for the visual arts and heritage since 2010

consider the relationship between them.

and is a founding board member of the Young Stedelijk, a young leaders group around the Stedelijk Museum Amsterdam.

Photo Coco Broeken

architecture at the University of Ljubljana, Slovenia,

Schedule Teacher Intensive monday October 19

tuesday October 20

12.30 | Fontys Entrance 2 Walk in, registration and lunch

Dance IN THE MUSEUM Cross-over perspective

13.30 Fontys, Academietheater C1.05 Meet & greet with introduction to the programme and theme of the ISP. 18.00 | De NWE Vorst Dinner 20.00 | Polygonale Hal Spoorzone Games of Sympathy Choreography by Marc van Loon 21.00 | End of programme

8.45 | Fontys Entrance 2 Gathering 9.00 | Fontys Entrance 2 Bus to Van Abbe Museum Eindhoven 9.45 | Van Abbe Museum Eindhoven Lecture by Sara Wookey LIVESTREAM 13.00 | Parktheater Eindhoven Lunch 14.00 | Van Abbe Museum Eindhoven Workshop by Sara Wookey 17.00 | Van Abbe Museum Eindhoven Bus to Tilburg 18.00 | De NWE Vorst Dinner

Foto Joyce van Belkom

20.00 | Polygonale Hal Spoorzone Games of Sympathy Choreography by Eddy Becquart 21.00 | End of programme

wednesday October 21

thursday October 22

friday October 23

Saturday October 24

Dance Intervention Social-political perspective

Dance by design Architectural perspective

9.15 | Fontys Entrance 2 Check in

9.15 | Fontys Entrance 2 Check in and walk to library

9.15 | Fontys Entrance 2 Check in and walk to city centre

10.00 | Library Lecture by Pascal Gielen LIVESTREAM

10.00 | City centre Workshop by Mojra Vogelnik-Skerlj

10.00 | De NWE Vorst, Witte Studio Mirror Salon with Kai van Hasselt and Dirk Dumon

10.00 - 12.00 | Fontys, de Refter Entrance 1 The Food for Thought Brunch (students & teachers)

13.00 | De NWE Vorst Lunch

13.00 | De NWE Vorst Lunch

14.00 | Library Workshop by Vloeistof & Pascal Gielen

14.00 | Academietheater C1.05 Fontys

18.00 | De NWE Vorst Dinner

LIVESTREAM

20.00 | Polygonale Hal Spoorzone Games of Sympathy choreography by Raymond Esterhuizen 21.00 | End of programme

Lecture by Ashley Biren

17.00 | Happy Italy Dinner 19.00 | Various locations in the city centre of Tilburg Guerilla Re-designing Spaces 21.00 | End of programme

13.00 | De NWE Vorst Lunch 14.00 | De NWE Vorst, Witte Studio Mirror Salon with Kai van Hasselt and Dirk Dumon 18.00 | De NWE Vorst Dinner Evening programme optional 20.30 | De NWE Vorst Arno Schuitemaker While We Strive

13.00 | Various locations in the city centre of Tilburg Guerrilla Re-designing Spaces 16.00 | Fontys, de Refter, Entrance 1 Farewell drinks 17.30 | End of programme

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Guerrilla Re-designing Spaces Thursday Oct 22 - Saturday Oct 24

ABOUT GUERILLA The Guerrilla Project, already a project by Fontys Dance Academy

This year the project will transform for the sake of the research about

for several years, translates dance to the public space by an existing

Re-designing Spaces. Students will work with different and young

marketing strategy and even older military attack mode used in

choreographers for a week to research space by performance on

several wars around the world: Instant, in disguise and unexpected.

location. The principles of guerrilla will be the starting point for these

Performance can be gone before you realize it. It is quite a direct

choreographies, but this time the choreographers are working on

approach to intervene the public space, the moving crowd, the city

one specific location or space. The purpose of the vast locations gives

landscape. With the guerrilla tactic you break into the space, but with

them the opportunity to research layers in context of a space by re-

great conscious of the rules & conventions and with great awareness

coding, re-inventing, re-shaping revalorizing etcetera.

of the experience of people moving through the space. It is not a flash mob where the boundaries of a dance performance are set and recognizable. It is a nuanced intervention directly connected to the intention of a choreographer and movement language.

The group of students from different countries, programs and academies will be prepared by an online introduction trajectory on the theme and a Meet & Greet to exchange experiences on the first day. 8 choreographers initiated by Fontys Dance Academy

With guerrilla performance comes awareness of how daily life can

and DansBrabant (Tilburg based platform and workplace for young

absorb people’s perception or actually blind people for the places

talented choreographers) will prepare a concept to start working on

they cross. The dancers involved, need to infiltrate the habitat of the

different locations in Tilburg centre with mixed groups of students.

present crowd, who will be surprised on the spot during their usual

The choreographers will be coached by the choreographers of Dutch

behaviour pattern. This challenges every witness of that particular

dance company United Cowboys. They will research & rehearse in the

happening, which will cross the boundaries of the allowed behaviour

city during the first days and present their work on multiple different

rules. The dancers, as well as the unsuspecting crowd, are being

occasions (when the shops are open).

challenged to deal with the new occurred situation. It is an “on the spot” experience for choreographer, dancer & audience. Therefore guerrilla causes a transformation in people’s perception, which causes an opportunity to accept and learn or to reject.

Annemijn Rijk Annemijn Rijk is a young dancer/choreographer studying at the Fontys Dance Academy, majoring in Choreography. In her work she searches for a personal, intimate approach together with her dancers towards the embodiment of her themes. Vulnerability, urgency and sincerity are keywords for her work. Her goal is to create dance performances that have multiple layers, using the dancers as her main source of inspiration. Her choreographies have been reviewed as ‘intense,’ ‘deeply touching’ and

Ivana Diboune I started as a dance teacher but became more and more interested in researching and creating movement. As a starting choreographer I get inspired by who we are as human beings. What drives us? Why we make certain choices? Emotions trigger me to work, I want to understand them. I search for ways to express what’s going on inside of people. I want to create an atmosphere on stage that the audience can feel and enter. In the search for answers always more questions are rising up, this is what makes creating so interesting!

‘transparent.’

Evangelos Biskas .

A general vision I always carry with me through my creations is to present and communicate a state of mind, my “world” to the audience. The deepest aim of my work is to invite the audience to use the stimuli of the work in order to question themselves about their consciousness, their existence and the inevitable relation between the two. We live for the now and for the history we create. I believe that art is a way to become part of the history and affect the future consciousness of human beings.

Photo Charlotte Brand

Katja Heitmann Young

choreographer

Katja

Heitmann

crosses

borders of circus, fine-arts, mime, dance and theatre, constantly looking for conceptual ways of presenting her performances and reaching out to the audience. existence. By creating systems to control our lives, we end up restricting ourselves. Who controls who? Who moves who? Questioning the definition of reality and perception is a red line in her work. From there she is continuously exploring new themes and disciplines.

Liat Waysbort Liat Waysbort began her dance career in Tel-Aviv, where she has been dancing with the Bat-Sheva Dance Company for nine years. She completed her master of choreography at Codarts (Rotterdam, NL), had started her creative work in Dansateliers

and continued with successful

choreographic trajectories since then. She created various works for companies such as Conny Janssen Danst and Dansgroep Amsterdam and participated in (inter)national festivals such as Spring Dance Utrecht, Rencontres Chorégraphique Paris, Interplay Torino.

Liat’s work is

characterized as warm, dynamic and slightly absurd. Via movement she opens up a pallet of feelings and pulls the spectator in her atmospheric performances.

Photo Renate Beense

Katja is fascinated by mankind’s struggle to get grip on

Loïc Perela Loïc Perela (FR, 1983) studied at the Ecole Nationale Supérieure de

Dutch Dance Days 2015. Perela’s works departs from the essence

Danse in Marseille and the Conservatoire National Supérieur de

and the richness of the body. With his pieces Loïc challenges both the

Danse in Paris. He danced for Europa Danse, IT Dansa, Donlon Dance

performers and the audience to undergo an experience, shaped and

Company and Scapino Ballet Rotterdam. Since 2012, Perela has been

framed within the concept of the piece, in order to come to a new

working as a freelance choreographer in Rotterdam. For his concept

conscious state of mind.

of his new project HASHTAG, Perela recently received the price of the

Photo May van den Heuvel

Luisa Schmitz My name is Luisa Schmitz and I come from

Daniel Almgren Recén Daniel Almgren Recén is working as choreo-

Switzerland. I am a dancer and choreo-

grapher,

grapher in the field of contemporary

workshop facilitator and project manager.

dance. My main interests lie in physicality,

He is systematically problematizing choreo-

movement-quality and - research and

graphy as creative practice by looking in

improvisation. I aim to find depth and

to the fields of Education, Management,

the true qualities of the people I work

Architecture and Service Design Thinking.

with. Simultaneously I try to always

Daniel holds a BA in Choreo-graphy from

keep irony as an underling factor of

SNDO at the Amsterdam School of the Arts and

my work.

performer,

movement

coach,

has studied Theology and Drama at the University of Gothenburg.

Through his work Daniel is investigating materiality, memory and belonging in the forms of dance, performance and installation. He has been working with among other Anna Asplind, Ivana Müller, Keren Cytter, WhiteHorse collective and Ibrahim Quraishi. There is a balance between reflection and physicality in his works that generate new ways of looking at the body and reflecting on the body in space.

Schedule Student Intensive Saturday October 17

Sunday October 18

monday October 19

tuesday October 20

13.00 | Fontys De Refter, Entrance 1

11.00 | De NWE Vorst

8.15 | Hotel Bus to Fontys

8.15 | Hotel Bus to Fontys

8.45-10.15 | Fontys Warming up class TDU2 with Artur and Caroline Students Antwerp & Prague with John Wisman DOD3 regular class

8.45-10.15 | Fontys Warming up class TDU2 with Artur and Caroline Students Antwerp & Prague with John Wisman DOD3 individual warm up

18.00 | De NWE Vorst Dinner

11.00 | Various locations Rehearsals

11.00 | various locations Rehearsals

19.30 | De NWE Vorst Bus to hotel

13.00 | De NWE Vorst Lunch

13.00 | De NWE Vorst Lunch

14.00 | De NWE Vorst Rehearsals

14.00 | Various locations Rehearsals

18.00 | De NWE Vorst Dinner

18.00 | De NWE Vorst Dinner

20.00 | Polygonale Hal Spoorzone Games of Sympathy Choreography by Marc van Loon

20.00 | Polygonale Hal Spoorzone Games of Sympathy Choreography by Eddy Becquart

21.15 | Polygonale Hal Spoorzone Bus to hotel

21.15 | Polygonale Hal Spoorzone Bus to hotel

Walk in & registration

Guerrilla introduction 13.00 | De NWE Vorst

14.00 | Fontys Academietheater C1.05

Lunch

Meet & greet with introduction to the programme and theme of the ISP.

Start rehearsels

18.00 | De NWE Vorst Dinner No evening programme

14.00 | Various locations

Wednesday October 21

Thursday October 22

friday October 23

saturday October 24

8.15 | Hotel Bus to Fontys

8.15 | Hotel Bus to Fontys

No morning class

No morning class

8.45-10.15 | Fontys Warming up class TDU2 with Artur and Caroline Students Antwerp & Prague with John Wisman DOD3 individual warm up

8.45-10.15 | Fontys Warming up class TDU2 with Artur and Caroline Students Antwerp & Prague with John Wisman DOD3 regular class

12.30 | Hotel Bus to De NWE Vorst

9.30 | Hotel Bus to Fontys

13.00 | De NWE Vorst Lunch

10.00-12.00 | Fontys Cenakel, Entrance 1

11.00 | various locations Rehearsals

11.00 | various locations Rehearsals

14.30 | Various locations in the city centre of Tilburg Performances Guerrilla Re-designing Spaces

13.00 | De NWE Vorst Lunch

13.00 | De NWE Vorst Lunch

18.00 | De NWE Vorst Dinner

14.00 | Various locations Rehearsals

14.00 | Various locations Rehearsals

Evening programme optional

18.00 | De NWE Vorst Dinner

17.00 | De NWE Vorst Dinner

Arno Schuitemaker While We Strive

20.00 | Polygonale Hal Spoorzone Games of Sympathy Choreography by Raymond Esterhuizen

18.30 | Various locations in the city centre of Tilburg Performances Guerrilla Re-designing Spaces

Departure of bus to hotel to be announced

21.15 | Polygonale Hal Spoorzone Bus to hotel

21.30 | De NWE Vorst Bus to hotel

20.30 | De NWE Vorst

The Food for Thought Brunch (students & teachers) 13.00 | Various locations in the city centre of Tilburg Performances Guerrilla Re-designing Spaces 16.00 | Fontys De Refter, Entrance 1 Farewell drinks 17.30 | End of programme

Re-designing Spaces is the second of three intensive study programmes, as part of the Erasmus+ project INCLUSIVE; In Dance and Movement practice, the transferable skills of the dance artist’, in collaboration with dance academies of Fontys School of Fine and Performing Arts, Tilburg, the Royal Conservatoire/AP University college, Antwerp, Duncan Centre Conservatory, Prague and Northern School of Contemporary Dance, Leeds.

We aim to redefine the vision on the body in the world of dance, and as a consequence to re-adjust our dance educational programmes on the basis of new insights, focusing on the dancers’ transferable skills, in addition to dance as a performing arts discipline.

Colophon Herma Tuunter project coordinator, chair steering committee Ulrika Kinn Svensson curator Erasmus+ and co-development ISP Kim Lokers project leader Erasmus+ Dirk Dumont curator and co-development ISP Anne-Marije van den Bersselaar research and co-development ISP Heleen Volman artistic coordinator guerrilla / DansBrabant Maartje Braun productional support guerrilla Hans Derksen AV support and registration Ruth Wilmans project leader inline learning Floor Knotter assistant inline learning Jamie Dee van Oudenrijn assistant inline learning Annemarie Pijnappel coordinator production Suzanne van Bilsen coordinator pr & communication Femme van den Berg production Cover photo Amat Bolsius

Roy Vinclair production Bram Reiniers administrative support

inclusivedance.eu

Lisa Verdoorn illustrator logo Inclusive

facebook.com/re-designingspacesindance

Tobias Matthijsen, Tall Tales documentary guerrilla / games of sympathy

fontys.edu/danceacademy

Merijn Klerx, Blend & Blink graphic design William van der Voort, Cloakture photography Amat Bolsius photography