The Saltaire Review | Issue 19 | Oct/Nov 2016

ISSUE 19 oct/nov 2016

saltaire festival - shakespeare in the park - saltairelive

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Contents ISSUE 19|oct/nov 2016

5_NOTE FROM THE EDITOR 6_saltaire festival 12_salts mill book 16_saltairelive 22_shakespeare in the park 28_international print biennale 32_on the cover: james bywood 36_lame studios 38_picks of the month 42_what’s on?

SUBMISSIONS on the cover This month’s cover was designed by James Bywood, whose illustration of Salts Mill is the latest in a series of covers curated by Saltaire Inspired. If you’d like to feature on the cover send your entry to submissions@thesaltairereview.co.uk The deadline for submissions to the next issue is 11 November.

If you would like to contribute to the Saltaire Review email submissions@thesaltairereview.co.uk. We’re always delighted to hear from writers, photographers and anyone involved in a local group or activity.

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DISCLAIMER

This magazine is published by Festival Publications Ltd. While every effort has been made to ensure the accuracy of content we accept no liability for any resulting loss or damage. Views expressed by contributors are their own and not those of the publisher. ©Festival Publications Ltd. All rights reserved. No reproduction or copying without permission.

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AD DESIGN: Thanks for picking up the October/ November edition of the Saltaire Review, an issue that marks our second birthday.

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During that time we have published 19 magazines, hundreds of stories and had the privilage to work with dozens of fantastic contributors. So a big thank you to anyone who has helped us reach this point.

Words & pictures:

In this issue we reflect on another succesful Saltaire Festival, with a brilliant review by Eddie Lawler. It is easy to forget that the event nearly didn’t happen this year, so to see such a high quality and varied programme enjoyed by so many people was fantastic.

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Haigh Simpson, Mike Farren, Lauren Fitzgerald , Eddie Lawler, Maggie Smith, Chris Brook

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It was also interesting to see so many ‘fringe’ events popping up around the village such as Yard Fest, The Edward Street Jamboree and the Disco Barge.

I think one of the things this magazine has hopefully demonstrated over the past two years is that Saltaire is full of creative people with a will to make things happen. Long may it continue... haigh simpson

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Saltaire

Festival

By Eddie Lawler

Another Saltaire Festival – the fourteenth – come and gone. Back in January, with the possible loss of sponsor, the resignation of the treasurer owing to moving away and the general pessimism that goes with winter, there was a crisis meeting. Today we can ask, what crisis?

came when Clare introduced her music teacher from Eldwick, John Bousfield, who joined in on clarinet on a rousing rendering of All of Me. She sang It Might As Well Be Spring against the background of Hockney’s Arrival Of Spring – maybe fortuitous but that’s what celebrations can give rise to.

I had a gig myself, (well-supported, thanks!) on the Festival Thursday, but was otherwise footloose and visited some events on my doorstep. These are my personal highlights - there must have been many other good things, but you can’t be in two places at once, as Saltaire Festival invites you to be.

I can’t comment on anything midweek except my own gig, but the main weekend provided many delights. Of course the weather was the best of the year, and that made a contribution, but even had it been dull or wet… I got to the top of Salt’s Mill for the exhibition The Power Of Water, almost lost in that vast space but nonetheless a reminder of the recent floods, with some delightful creative work from local schools and dominated by plenty of Hockney Blue. For me it’s just a pleasure to enter the ‘lobby’, i.e. the top floor of the mill, whatever’s going on there. Perhaps we can turn minds to using this space for something musical some time. (Or even better, making it a powerhouse for community solar energy...)

Clare Teal brought a trio of jazz maestros to the Mill on the first weekend, a sell-out, 260 folk in the top Hockney gallery. This was my first highlight. A local lass - from Kildwick she gave us a musical tour of her inspirations, from Ella Fitzgerald to Doris Day, plus her own compositions, presenting the show with a sharp Northern humour reminiscent of Victoria Wood. A genuine local element

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Down below in the old weaving shed, now the Arris canteen, itself a superb combination of industrial mill with modern working environment, there was the exhibition Shanghai Odyssey presented by Bingleybased painter Jane Fielder and photographer Mike Kilyon. I know Jane’s paintings of Saltaire and Bingley as a kind of realism with a twist of mystery, but this is the prolific result of a short visit to stunning Shanghai. I was both stunned and educated

by Jane and Mike’s juxtaposition of old and new in Shanghai, the result being some very beautiful and thoughtful works of art.

I then enjoyed the afternoon outdoor Live Room music at Caroline Club, in particular the set by Fie Fie Fie – somewhere between Spandau Ballet and Madness. Saturday evening was complete with a visit to the celebrity concert in the Mill as part of the harp-themed weekend put together by the Early Music Centre. Performer Nikolaz Cadoret from Brittany switched between elegant, elegiac and electrifying. Through Saltaire Live’s gigs we’re accustomed to jigs, reels and their combinations and variations performed by world-class groups. This was a world-class

soloist who exploited these rhythms and more.

On the Sunday we had a brief visit from relatives, and solved the lunch question with a walk up the Continental Street Market.

When the Festival first started the Street Market stallholders wondered, on a murky afternoon, why they had been invited to this strange street which was not a city centre.

Many have become regulars meanwhile.

It was great to have inspirational guests from far afield at Saltaire Festival, but in essence and to its credit it remains a local festival, appropriately supported by the local council, and thankfully based on the willingness of locals who treasure community to work their socks off for no reward other than the pleasure of seeing it succeed.

I was happy, as a ‘complete unknown, just like a rolling stone’ with thousands of smiling faces around me, to complete ‘my’ festival in the company of Last Orders rocking them in the Park, then Eddie Earthquake and the Tremors, rolling us smiling survivors outside Caroline Club with the Mill chimney standing proud in the sunset glow.

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Salt’s legacy New book to explore the fascinating history of Salts Mill

Saltaire History Club were approached

by Amberley Publishers late in 2015 asking if any local historians would be interested in writing a book about Salts Mill. At first it seemed as though a coffee table-type book was in their thoughts – lots of images and not too many words. Maggie Smith, on behalf of fellow historians, communicated their collective thoughts that such a coffee table book had been available for some time.

She suggested that a different book, a book that covered the owners and managers of the Mill from its foundation by Sir Titus Salt in 1853 to the ownership by Illingworth, Morris and the end of the Mill’s textile production in 1986/1987 would be of more value. Little has been previously written about the late nineteenth and twentieth century eras at Salts Mill, yet these periods involved major events for the UK economy and the textile industry - for example, worldwide depressions in the 1880s and 1930s and two World Wars. Thus the owners, managers and workers lived and worked in the context of many dramatic events.

Agreement was reached and a new book - Salts Mill, The Owners and Managers, 1853 to 1987 - has been completed and will be available from major booksellers - Waterstones, Amazon and Salts Mill - from 15 November 2016.

This book has been made possible thanks to intense and detailed new research by Colin Coates into the leading characters involved.

These include John Rhodes, Isaac Smith, John Maddocks, Sir Henry Whitehead, Arthur Hill, Ernest Gates, Sir Frank Sanderson, Robert Whyte Guild and the Ostrer family. Other historians - Dave Shaw, David King and

Ian Watson - have contributed their work, their files, their comments and suggestions, Sandi Moore has found some key images from the Saltaire Archive and Pauline Ford has provided vital information to complete the jigsaw for Titus Salt Junior. It has been a collaborative effort and the proceeds from the book will go to the Saltaire History Club.

The book reveals many new facts, for example, the dominant role played by Charles Stead – as partner to Titus Salt Junior – and the burdens placed on Sir Titus Salt’s descendants by the provisions made in his will. It explores the investments in coal and iron ore in Dayton, Tennessee by Titus Salt Junior and Charles Stead, and poses important questions as to what factors may have caused the Salt family’s loss of the Mill and Saltaire village in 1892 just 16 years after the death of Sir Titus Salt.

For the first time this work explores the nature of the three businessmen who formed a consortium with James Roberts (later Sir James) and brings to light information that could explain their relatively short-lived partnership.

In writing about Sir James Roberts the book aims to fully understand his very important legacy and acknowledge this publicly.

The key events are explored - the end of the private company founded by Sir Titus Salt, the formation of a public company in 1923, the sale of the village in 1933 by the syndicate of Bradford wool men, and the nature of the Illingworth, Morris era of ownership from 1958 to 1986. The co-authors, Maggie Smith and Colin Coates, hope that the work will spark further in-depth research into the fortunes of the Mill and the village in the twentieth century.

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Folk will talk An interview with SaltaireLive promoter Simon Heginbotham

By Haigh Simpson

For well over a decade Simon Heginbotham has been bringing some of the finest acts in folk and Celtic music to Saltaire to perform at the SaltaireLive concerts in Victoria Hall. The event has attracted world-renowned acts such as Capercaillie and Bellowhead and introduced its loyal audience to a wide-range of musical talents from the British Isles, America, Canada and other parts of the world. With a new programme of exciting acts announced for autumn and winter the event is showing no signs of slowing down and I caught up with Simon to find out more.

How did SaltaireLive come about?

There used to be a series of gigs run from Victoria Hall back in the 1990s by Mandy Farrar, who also had a bookshop - Bodhran Books - on Victoria Road.

Those events came to an end when she moved away and for four or five years the only way to see the top folk and Irish bands was to go to places like York and Manchester. They just weren’t playing around here or even in Leeds. So I thought I’d have a go at trying to get them back on again in Saltaire. That started in October 2003 and, having thought the audiences would be small, people really went for it. The first year we had five shows with 400 tickets each and we sold 1,998 of them. We only had two unsold tickets!

So right from the start the audiences were great and we had a good footing to continue.

So do you think there is a ready-made audience for that kind of music here in Saltaire?

We do have a very strong local following, as evidenced from the fact that a lot of the tickets get sold from Fanny’s Ale House. But because the shows are quite large - you need 200-400 people to fill the place - you do need people from elsewhere to come here for them to work. I actually think that, for any of the shows we put on, there are around 300 people living within a mile of Victoria Hall who would love

Eddi Reader performing at Saltaire Live

the show if they knew more about the bands and decided to come along. But of course we don’t often go to things we don’t know about - I’m sure I’ve missed lots of brilliant gigs happening nearby because I didn’t know who the band were.

There are a lot of people around here who do enjoy live events and want something that isn’t mainstream. Obviously folk and Celtic music is fairly niche, but Victoria Hall is a great venue for it. The atmosphere in there and the character of the building means you can get a really good feel. I remember someone once said to me “The great thing about this gig is that it has the relaxed feel of a folk club, but with larger acts.”

How do you choose who to put on?

It’s a combination of what people tell me

they want to see and what I think people who come to SaltaireLive would enjoy. Often that’s something that they maybe haven’t heard of. We’re lucky to have enough of a following to be able to put something on and say ‘This is special’ that people will trust us and come see it. Of course some people will only come along to what they already know and that’s fine.

I don’t like every artist that I put on, but I’m quite happy to put things on that I think are good quality and that our audience will enjoy.

For example we had Bellowhead on before they stepped up to the bigger venues. I don’t particularly enjoy their music, but they’re really good at what they do so I was very happy to put them on and they went down well.

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“

“If I can’t send an email to my mailing list and honestly tell them ‘this is top notch’ then I won’t put it on. You can only lie to people once.”

There are one or two bands that have wanted to come that I have had to say no to because I didn’t think the quality of what they did was good enough. If I can’t send an email to my mailing list and honestly tell them ‘this is top notch’ then I won’t put it on. You can only lie to people once.

Is there a particular act that stands out as a favourite gig?

Dervish are always a favourite. They had played here several times in the 1990s and Mandy managed to make Saltaire their strongest audience in mainland Britain. She really built them up here and so the second show we ever did was with Dervish and they come back every couple of years. They always give great shows, the audience really respond to them and their singer, Cathy Jordan, is fantastic.

Other highlights would include Salsa Celtica, a Scottish band who blend Scottish and Irish music with Salsa and Latin American music.

They have really ripped the roof off the place, everyone dancing, and the atmosphere was superb at their shows.

Do you make sure the performers and bands that come here are given a tour of the place?

It’s entirely up to them, but I do try encourage them to have a wander around.

I do know that the singer of an Irish band called Altan came back and said ‘I’ve just bought a pepper pot for £28 in Salts Mill!’

But often they do come and appreciate the history of the place and are keen to visit things like the Hockney Gallery. Others, who might be coming here as part of a busy tour, just rush in, do their thing and rush out.

What’s your overall commitment to SaltaireLive?

I suppose it’s the kind of thing where you end up doing everything - booking the bands, arranging the accommodation, booking the hall, doing the advertising and the promotion and clearing up afterwards. But it’s been really rewarding, seeing some of the top names in their field who tour internationally playing here in Saltaire and audiences absolutely loving them.

In the end, the reason it has worked is

Capercaillie’s Karen Matheson on the Victoria Hall stage

because there’s a very loyal audience.

Obviously we need to keep getting new people in because some move away or are unable to come anymore for various reasons.

But there are people who have been coming right since we started in 2003. It’s in a big hall with a big PA and the bands often have fairly big fees, so it’s quite expensive to run the shows and that relies on pulling a large audience. But they keep coming and so we’re able to keep going.

Finally, what’s coming up next at SaltaireLive and what are your plans for the longterm future of the event?

We’ve got a busy autumn with some fairly big names. Cara Dillon and Karine Polwart are both doing gigs here, and Jon Boden, formerly of Bellowhead, is coming as part of his first ever solo tour. For those who enjoy

lively Irish music, Mike McGoldrick, who’s the leading Irish flute player today, is here with his band on 21 October. The gig I’m particularly excited about is We Banjo 3 on 12 October – they mix Irish and bluegrass music, which is a really fiery combination, and hardly ever play in England because the demand in Europe and the US is so high. And then we’re rounding off the year with Salsa Celtica on 29 December – two nights later they’ll be playing the Edinburgh Hogmanay celebrations.

As for the longterm, it’s like I said – as long as people keep coming along to the shows, we’ll keep putting them on.

Details of all SaltaireLive’s shows can be found at www.saltairelive.co.uk

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Shakespeare in the Park

By Mike Farren

I never intended to take part in a Shakespeare play. It just sort of… happened!

Acting was something I did at university and carried on for a few years with Bradford Playhouse. Then other things filled the space.

When I heard that Saltaire Shakespeare In The Park were going to put on Much Ado About Nothing in Roberts Park, my first reaction was delight at the prospect of seeing a production of Shakespeare in a beautiful local setting. My second reaction was that I wanted to interview the people behind the production (see Saltaire Review June 2016).

When I started doing my research the notion began to form. I saw from the website they still had a few roles to fill and one of them, Leonato, sounded to be roughly my age. I asked for an interview.. and I

asked for an audition at the same time.

The result was several months of allday Saturday rehearsals at Q20 Theatre’s studios in Dockfield Road. Fed up of being abandoned, my wife Tricia took one of the other unfilled roles, the Friar. It was a slog.

Learning lines was a nightmare. It took away a significant chunk of our free time. And I was loving it, just as I had done thirty years earlier!

What did I love about it? Firstly, there was the camaraderie of being part of a team working toward the goal of the production. Being thrown together with a new bunch of people wouldn’t appeal to me in every aspect of life, but when they’re like-minded people with a common aim that we’ve all freely chosen, friendships develop quickly and intensely.

Then there was the challenge. Remembering

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“

“It was a slog. Learning lines was a nightmare. It took away a significant chunk of our free time.

And I was loving it, just as I had done thirty years earlier!”

three hundred-odd lines might seem like plenty, but there are cues, stage directions, entrances and exits. It’s a feat of memory such as I have rarely undertaken in recent years, and I was relieved that I was – more or less – able to rise to it. In fact, in the last couple of weeks, it didn’t feel like intellectual memory at all, more like a kind of muscle memory.

There was also the pleasure of being able to get under the skin of a Shakespearean character.

Although I studied English Literature, this was still a different exercise from any I’d undertaken. I began by taking Leonato at face value, but when I reflected on his treatment of his daughter Hero I grew aware of his flaws and took a serious dislike to him. Eventually, considering the social obligations binding him and his obviously passionate nature, I realised I needed to cut him a little more slack.

Then of course, the greatest pleasure was performing in the splendour of Roberts Park, with friends and neighbours watching. I’d been apprehensive about performing in the

open air, afraid that my voice wouldn’t last the three performances, but practice in the park helped us to project without shouting.

We also feared the worst when our dress rehearsal, on the day of our first performance, left us soaked from constant drizzle.

Fortunately the sun hit its cue and all three performances were blessed with perfect weather.

We were blessed too with our audiences, who turned out in their numbers and showed enormously gratifying appreciation for our efforts, as well as raising several hundred pounds through collections for the Friends Of Roberts Park, who were wonderfully cooperative throughout.

If there were times when Saltaire itself conspired against us a little – Friday evening champagne corks, Saturday afternoon wedding bells, heedless toddlers and mischievous teenage cyclists – it only added to the sense that this was a community production, made by and for the community

and

taking

place

in

the

community.

Others involved with the play got the same buzz from it as I did. Director Ged Quayle, who had previously directed a successful Shakespeare In The Park production in his home town of Liverpool, told me, “I was overjoyed with my cast. Coming from a range of backgrounds from professional to complete beginner they worked together in a spirit of friendship and mutual support to hand in a production, meeting the challenges that inevitably arise from an amateur production, that I was proud to put my name to as director. It was the energy and talent they showed on stage, the coming together of people from all over in co-operation and the joy of the audience, that reminded me of the power of theatre to bring people together.”

In the same spirit the show’s producer Stephen Pearson told me, “It was a great success.

Everyone worked very hard to make it so.”

After the performance, of course, there’s something of a come-down from the onstage highs. After getting one’s breath back, thoughts turn to how to recreate the feeling. Stephen Pearson is already working on a production of A Midsummer Night’s Dream – but that’s nearly a year away!

Fortunately there are two groups in the area that might be able to fill the gap, and might be of interest to anyone inspired by the production.

Firstly, many of the team behind Saltaire Shakespeare In The Park, including Stephen Pearson, are also regulars with SASIT – the Shipley And Saltaire Improv Troupe.

This long-established group holds an

open workshop every Wednesday at 7pm at the Kirkgate Centre. With games and improvisational exercises, anyone is welcome: they promise laughs, more laughs… and biscuits! More experienced members of the group also give frequent performances, often raising money for charity with their improvised acting and comedy. Stephen tells me, “We’re working hard on taking SASIT forward and looking for a permanent space.”

New on the scene is Shipley Little Theatre (SLT). This group came about directly as a result of performers from Much Ado wanting to bring more regular drama events to Shipley and the area and to fill the gap for a theatre group in the town. SLT started open workshops in September. These too are held in the Kirkgate Centre, at 7pm on Tuesday. The group aims to welcome beginners and more experienced actors and is in the process of drawing up plans for exciting productions at venues in and around Shipley. Ged Quayle tells me how the experience of Much Ado “..made me determined that the potential should not be lost, which is why when some of the cast came to me wanting to carry on making plays I leapt at the opportunity to join Shipley Little Theatre, a place for everyone to come together in that same spirit of friendship and support.”

Being part of the production of Much Ado made me, too, realise the area has both plenty of theatrical talent and an audience ready to appreciate that talent. I’m looking forward to the two coming together more often!

Information about Saltaire Shakespeare in the Park can be found at www.saltaireshakespeare.com For more about SASIT, go to www.sasit.org.uk while for Shipley Little Theatre, see shipleylittletheatre.org.uk

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The British International Print Biennale Hall, Bradford 1968 – 1990

By Chris Brook

at Cartwright

There was a poster, every other year a signifier of summer at the edge of Lister Park gates. Sometimes abstract, always emblematic suggesting something modern, something new.

This was the British International Print Biennale – often referred to as the Bradford International Print Biennale, not a name harmful to civic pride - housed and nourished

by Bradford Museums & Galleries in the ‘Bradford Baroque’ dazzle of Cartwright Hall in Lister Park, Manningham, for around two months every two years, from 1968 to 1990.

Its inception became Bradford’s sharp 1960s zeitgeist art moment. Here was an international showcase of an exploding medium - Art as Print, Print as Art. As diverse a range of techniques as was possible to represent - images utilising screen-prints and lithographs, etchings and mezzotints, lino and woodcuts, letterpress, early Xerox experiments and many mixed media.

Exhibitions resulted from a mixture of an open and invited format - ten major invited British artists, a British open section, and printmakers from overseas invited to submit one print and nominate two others from their own country.

By the eighth exhibition in 1984 there were 380 prints from over 55 countries, divided and grouped by continent. Works usually for sale, prices fairly low and affordable to gallery visitors as much as public collectors.

Name artists like Richard Hamilton, Warhol and Lichtenstein were regulars, some works especially commissioned, but all the work, regardless of name, reputation or style, was absorbed into a much larger sense of international spectacle and arrangement.

1965 had been the year of the formation of the Printmakers Council. This new body put pressure on all art schools to set up devoted printmaking departments, and began creating touring exhibitions. Times were changing. There had been a sudden growth of interest amongst art dealers in print-publishing and a curiosity in the frisson of lithography and screen printing that was becoming rife inside a commercial art market.

The climate was certainly bright and right for a gathering together of accessible, often radical art - exploring modernist sensibilities and experimental techniques within the medium, as a celebratory forum.

A great scale of inclusion and democratisation uncoiled through this Biennale’s fresh process of presentation. The curatorial ambition had a facility of outreach impossible in other mediums – a kind of reprographic, single art form celebration, busy harnessing the intrinsic logic of its own technology. While the costs of transport insurance prohibited any similar gathering of paintings or sculpture on such a scale, the print, a multiple work of art, represented a robust and portable transmission from anywhere in the world towards a rack of serviceable frames lying in wait at Cartwright Hall.

The First British International Print Biennale opened in 1968. The colour offset lithograph poster for the inaugural exhibition was Bradford Tree 1968 commissioned from David Hockney.

This was an inevitable and sensible choice for the Biennale’s first publicity - a Bradford artist with a widening reputation who’d not just gone down to that London, but got caught up in that Pop Art Swinging London too. His impact in the Young Contemporaries Royal College exhibition with Peter Blake had boosted a hipand-happening trajectory as major British artist.

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But Hockney was also a regular presence as participant at London’s Print Workshop in Fitzrovia, set up by his friend, Birgit Skiöld - who was to become instrumental in establishing the Bradford Biennale’s ethos.

A Swedish printmaker and artist, living in London, Skiöld was originally inspired to experiment with print through the influence of a lithographic exhibition by proto-surrealist Max Ernst. She broke new ground in establishing her Print Workshop in a Charlotte Street basement in 1958, which ran until 1983. In contrast to other studios orientated towards editioning and publishing, this became the first open access space in London where, at a low cost, artists could collaborate, create and produce prints with the equipment and technical help required.

It was, she said, “not a business, not a college, not a gallery, simply an idea which has worked.”

This ‘idea’ became a destination for artists including Allen Jones, Jim Dine, Dieter Roth as well as Hockney, all keen to use the facilities and share techniques with Skiöld.

She’d become influential - pioneering and championing the status of printmaking as art, an advocate for the artist’s print in all its manifestations, and a conduit for hybrid new technologies as printmaking underwent its transformation in the 1960s and 1970s.

Important to the artistic avant-garde, as much as to the bold new typographical marketing struts in music, book and theatre advertising.

In 1965 Birgit became a founding member of the UK Printmakers Council and her involvement with Bradford emerged after her marriage of that year to Peter Bird. Bird had been involved with the Print Workshop but was to land the job of Director of Bradford City Art Galleries and Museums. With his Director’s brief and her creative fervour and

Swedish artist Birgit Skiöld, who inspired the Bradford Biennale

contacts, both would become progenitors and worker bees of an original Print Biennale blueprint. Another agent in the scheme, initially publishing and printing the exhibitions lavish catalogues, was Lund Humphries, a major Manningham printer and typographic luminary with London bi-location and deep connections within British art publishing and printing.

From 1968 until the eleventh and final exhibition in 1990 the Biennale continued to glow intermittently. By 1984 it was having to justify its very existence, under threat from a Bradford Metropolitan Council who’d ‘been forced’ to cut funding, suggesting this eighth show could be the last. Paradoxically, while its international status was cemented, its national role as a printmaking expo was on a cultural terrain of quicksand.

1986 saw another three month exhibition and a second Hockney poster. In 1988 changes in the perception of ‘International’ were evident - scaled down here to focus on Britain and Australia and for the final year in 1990, Britain / Canada / USA. And then it was gone.

Small College, BIG Future Part-time | Full-time | Apprenticeships | Traineeships Enrolling throughout the year

Shipley College, Salt Building, Victoria Road, Saltaire, BD18 3LQ t: 01274 327327 e: enrolments@shipley.ac.uk

James

Bywood How would you describe your artwork?

Trying to keep it simple, I would suggest my work is an expression of how I see, remember and then reinterpret landscape and cityscape imagery.

Do you have a preferred style or medium?

I use photography and my memory as my source material. I work initial ideas up into finished pen, ink and watercolour images. I then translate these ideas into a screenprint, an image created using a number of individual coloured layers. The different colours that constitute a finished piece are translated from the initial sketches into a Photoshop document on my Mac. From there I generate a number of stencils that when laid on top of one another create the final finished image. The image on the cover of this magazine is created using three different colours, the first layer is the blue, then the orange, finishing with the black.

When did you decide you wanted to become a full-time artist?

I’m not one as yet! I also work part-time as the marketing manager for a wholesaler based in Huddersfield. I enjoy the two different worlds, but would dearly love one day to take my creativity and turn it into a full-time business. It is, however, hard to make the leap, especially with a young family and mortgage to help finance.

Who are your biggest influences?

I would say artistically it would be the Impressionists. Their use of colour, shape and gesture to evoke a time and place was truly revolutionary at the time and still makes me gasp with admiration today.

What inspires your work?

My dear wife-to-be Aisling has had a huge influence on me. She has taken a layabout and turned me into the hard-working person I am today. Without her work ethic I don’t think I would have achieved half of what I have at this point.

What’s your relationship with Saltaire?

Like most people, I guess I discovered Saltaire via Hockney and Salts Mill. More recently I’ve been part of the amazing Saltaire Arts Trail, both as a punter and exhibitor. Having shown work in three different houses in the village, and in Victoria Hall, I feel I now have Saltaire in my blood just a little bit.

What are you working on at the moment and what are your plans for the future?

I’m snowed under with new ideas, commissions and upcoming print fairs.

Currently, the next event I’m working toward is the Leeds Print Fair which is on 5 and 6 November at the Corn Exchange.

in an old shop on Vicar Lane. Alongside a group of like-minded printmakers and designers, we’re developing a much-needed space in the city centre for the teaching and development of printmaking. It’s early days yet but hopefully, with some funding support, we can make it work. More information can be found at www.leedsprintworkshop.org Where can we find more of your work?

I have a website at www.jamesbywood.co.uk where you can find all my recent work. I’ll be developing the image from the cover of this magazine into a limited edition screen print in the near future. Keep an eye on the website for more information.

I’m also helping launch The Leeds Print Workshop, a new co-operative venture based

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Need a space to talk?

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appoint Autumn Wedding Fair

Hair Design Team 97 Kirkgate Shipley

by Victoria Hall and Rose & Brown Vintage BD18 3LR www. hairdesignteam.co.uk

Sunday 23 October, 11am - 3pm Join us for a very special wedding fair, with a range of exhibitors offering beautiful solutions, contemporary and vintage inspiration to create a truly memorable wedding day.

Free entry, and with a little gift for the first 50 brides or grooms.

Registered Charity 511978

www.victoriahallsaltaire.co.uk

HEATHER

The Live Room@Saltaire 'The best all round roots music club in West Yorkshire'

at the

Stray Birds (USA) Friday 7th October 8pm

False Lights Friday 28th October 8pm

Jerron ‘Blind Boy’ Paxton (USA) Friday 21st October 8pm

Carrie Rodriguez w/Luke Jacobs (USA) Friday 4th November 8pm

Join our Chorus @theliveroom.info and receive all the discounts including £2 off every gig!

www.theliveroom.info t: 07791 596671 / 07855 164182

Lame Studios

By Lauren Fitzgerald Lame is a new creative studio in Saltaire with a fresh approach to art. Their work is crisp, clean and bold, focussing on visual simplicity in contemporary culture.

has recently become concerned with domestic spaces, furniture design and the functionality of objects. They bring their independent practices together in their work at Lame studio.

Founded by Amy Dunnill and Luke Terry Lame Studio is a product of their combined artistic practices. They recently began to work together when they realised their work was concerned with very similar aspects. By working together and consolidating their efforts Lame Studio was created and their first major project is due to be released in October.

They aim to provide a quarterly journal, which will contain visual explorations of places, processes and people. The first of these journals is due to be released in October. Their aim is to create something that conveys their own aesthetic whilst also being an object people can enjoy. The content in the journal stems from their own personal interests and experiences and their first volume will focus on three main features, Yorkshire, their friend and local artist Katrina Cowling and their new found love, Ceramics.

Luke graduated from Falmouth University with a degree in Fine Art in 2013 and Amy is currently studying Fine Art at Leeds College of Art and is due to graduate next year.

Between the two of them they focus on a variety of different aspects of art. Luke is a sculptor interested in place and surface, where Amy comes from a drawing background and

Alongside the journal, Lame Studio creates objects and images with the aim to soften the distinction between art and design, nonfunctional and functional.

Alisa’s Ballet Fitness Get into shape, develop and maintain f lexibility, improve strength and muscle tone by joining Alisa’s Ballet Fitness classes in Saltaire.

For information contact: alisa-ballet@hotmail.com • 07941870974 www.bodylogix.co.uk Bodylogix Studio, 1a Oaster Road (above bar 56), Saltaire, BD18 4SD

BESPOKE PRODUCTS FROM BRITISH-BASED MAKERS • Handmade homeware and gifts • Craft Classes and Parties • Craft Supplies • Unleash your inner crafter!

The Craft House 101 Saltaire Road W: www.saltairecrafthouse.com E: info@saltairecrafthouse.com T: 01274 584400

Picks of the month The Rocky Horror Show For the season of Halloween, with much anticipation, Victoria Hall bring you this iconic cult classic. The screenplay, directed and written by Jim Sharman and Richard O’Brien, is based on the 1973 hit musical stage production The Rocky Horror Show.

A straitlaced couple seeking shelter from a storm find themselves in the castle of a mad transsexual alien scientist intent on creating a buff bodybuilder. Don your suspenders, grab a drink at the bar, practice your Time Warp routine and sit down to enjoy this part musical, part horror story masterpiece.

6 October, 7.30pm Victoria Hall. Tickets ÂŁ5.50.

Fancy dress optional. www.victoriahallsaltaire. co.uk.

Stray Birds at The Live Room

We Banjo 3 at Saltaire Live

The Stray Birds are one of the hottest bands on the US roots music circuit and will be returning to The Live Room in Saltaire to start off a three week tour of the UK. Since first taking America by storm in 2013 they have gone on to win a huge fanbase following triumphant appearances at big festivals around the world such as Celtic Connections, Cambridge Folk Festival, MerleFest and Tonder.

Since their previous performance at The Live Room in February 2014, their return has been much anticipated. Bringing with them rave reviews and a new album to showcase, Magic Fire, a live performance from The Stray Birds promises to be a memorable night and an incredible musical experience.

Tickets £15

This Celtgrass sensation from Ireland have been taking the US and the European Festival scene by storm with their highenergy songs & tunes, blending together Irish and bluegrass styles. This will be their only English show of 2016 - crossing Offa’s Dyke for one night in the midst of their October tour of Welsh concert venues.

With multiple Album of the Year awards under their belt, an evening of live music from We Banjo 3 will not be one to miss.

Guaranteed to excite and enthrall, this promises to be a show of real entertainment and musical brilliance.

12 October 7.30pm, Victoria Hall. Tickets £15. www.saltairelive.co.uk

7 October, 8pm , Caroline Street Social Club Saltaire . www.theliveroom.info.

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UNIVERSITY OF BRADFORD

“Home to some of the boldest and most interesting work in the region.”

Yorkshire Post

SUPPORTING NEW WORK BY INNOVATIVE ARTISTS THEATRE * LIVE ART * DANCE * SPOKEN WORD

Our new Autumn/Winter 2016 season is now live at:

WWW.BRADFORD.AC.UK/THEATRE

SEASON OF LIGHT Forest of Light 6th-9th Oct, dusk until 10pm each evening Master light artists T-I-L-T return to City Park with an incredible new show designed specifically for City Park’s mirror pool.

Watch 59 giant illuminated sculptures create an enchanting atmosphere radiating beautiful iridescent shades of red, green, orange and gold.

#ForestOfLight cityparkbradford.com

Christmas Lights Spectacular 19th Nov, 5-6pm Look out for the wonderful Spark! drummers with their vibrant musical arrangements, dazzling costumes, beautiful lighting design and dynamic choreography. This will be a Christmas lights show like no other!

The Wild Woods

City of Light Lantern Parades

7th Oct, 6-10 | 21st Oct, 6-10 4th Nov, 6-10 | 11th Nov, 6-12

Lister’s Lanterns, 15th Oct, 6pm-8pm at Cartwright Hall, Lister Park

Explore a once familiar clearing in Darley Street, transformed into an enchanted forest where the creative spirit of Bradford grows free.

Join us for a packed programme full of after dark adventures and spontaneous happenings.

www.cecilgreenarts.co.uk

wildwoodsbradford.co.uk

Darley Street Parade 28th Oct, 6.30pm, Darley Street www.cecilgreenarts.co.uk

SATURDAY 1 OCTOBER

What’s on?

Shipley Alternative 11.00am-3pm, Kirkgate Centre Shipley’s popular indy market, selling, arts, crafts, upcycled and vintage with a great café, activities for the little ones too. Free entry.

Strictly Shipley Dance Evening 6pm-9pm, Kirkgate Centre Older people’s dance week event, with sequence, ballroom and a little pop and rock and roll. Including entertainment and a licenced bar. Over 50s event, free Entry for Older People’s Week.

Bradford Accordion Band & Pennine Chimes 7.30pm, Bingley Arts Centre A unique and diverse musical group whose mission is to make great music whilst having fun! Tickets £10. bingleyartscentre.co.uk THESMO - women only comedy workshops 2-4pm, Theatre in the Mill, University of Bradford Led by theatre-maker/comedy-lover/ academic Natalie Diddams, this lively and practical series of workshops will unlock your inner Funny Woman! brad.ac.uk/theatre/whats-on/Thesmoworkshops

TUESDAY 4 OCTOBER Dru Yoga 5.40pm-6.40pm, Kirkgate Centre Every Tuesday Dru Yoga can be practiced and enjoyed regardless of your age or fitness level.

It includes classical postures and powerful flowing sequences.

Sponge Tree’s Saplings Tots and Parents 9.30am -11.30pm, Kirkgate Centre Every Tuesday during term-time Child-led sensory arts discovery and natural play inspired by colour and nature, with a nice café for the parents on the side. £2.50 per family.

Sponsored by...

The Northern School 7.30pm 4 - 8 October, Bradford Playhouse Set at the end of the 1950s, featuring a live rock ‘n’ roll band, a beatnik jazz café, video and film projection, we go behind the scenes of Esme Church’s legendary Northern School of Acting in this brand new site-specific theatre experience. £12/£10 concession. ticketsource.co.uk/event/EHEKKE

A Tale of Two Cities 4 – 8 October, The Alhambra Theatre A Touring Consortium Theatre Company and Royal & Derngate Northamptonshire production of Dickens’ A Tale of Two Cities comes to the Alhambra Theatre. £13.50 - £27.50 bradford-theatres.co.uk/whats-on

THURSDAY 6 OCTOBER The Rocky Horror Show - Victoria Hall Movie Night 7.30pm, Victoria Hall For the season of Halloween, with much anticipation, we bring you this cult classic. A straitlaced couple seeking shelter from a storm find themselves in the castle of a mad transsexual alien scientist intent on creating a buff bodybuilder. Don your suspenders, grab a drink at the bar & enjoy! FANCY DRESS OPTIONAL.All tickets £5.50 (unreserved seating) Rave On - A Tribute to Buddy Holly 7.30pm, Bingley Arts Centre Starring from London’s West End Marc Robinson as Buddy Holly. Tickets £17. bingleyartscentre.co.uk Forest of Light 6 – 9 October, City Park Master light artists T.I.L.T return to City Park with an incredible new show designed specifically for City Park’s mirror pool. Expect some beautiful reflections and no less than 59 giant illuminated sculptures, creating an enchanting atmosphere. cityparkbradford.com Wild Woods 6PM, Darley Sreet, Bradford Explore a once familiar clearing in Darley Street, transformed into an enchanted forest where the creative spirit of Bradford grows free. Join us for a packed programme full of after dark adventures and spontaneous happenings. Extra dates... 21st October, 29th October, 4th November, 11th November.

FRIDAY 7 OCTOBER Stray Birds Live 8pm, The Live Room Saltaire The Stray Birds are one of the hottest bands on the US roots music circuit.

Bingley Arts Centre Home of Bingley Little Theatre

Rave On - A Tribute to Buddy Holly 80th Anniversary Special Starring from London’s West End - Marc Robinson as Buddy Holly Thursday 6th October, 7:30pm Front stalls: £17.00

Bingley Little Theatre - The Haunting

by Charles Dickens / Hugh Janes Directed by Richard Thompson Monday 24th - Saturday 29th October, 7:30pm Front stalls: £9.00 (Conc. £8.00) Rear stalls: £8.00 (Conc. £7.00)

Hawklords Friday 4th November at 7:45pm Tickets: £12.00

City of Bradford Brass Band The City of Bradford Brass Band can trace its history back as far as the early twentieth century and the Salt’s Mill Band of Saltaire.

Thurday 10th November, 7:30pm Tickets: £10.00

John Verity Band Rock Solid Productions Ltd Presents, John Verity Band playing Blues and Rock Ex Argent - New Album ‘My Religion’ Friday 11th November, 8:00pm Tickets: £15.00

Bingley Arts Centre, Main Street, Bingley, BD16 2LZ Boxoffice 01274 567983 Mon to Friday 11:00am to 3:30pm

www.bingleyartscentre.co.uk

What’s on?

Since first taking America by storm in 2013 they have gone on to win a huge fanbase following triumphant appearances at big festivals around the world such as Celtic Connections, Cambridge Folk Festival, MerleFest and Tonder. Tickets £15.

SATURDAY 8 OCTOBER Ruby Robinson & Eleanor Rees 2pm - 4pm, Keighley Library Ruby’s debut collection Every Little Sound has been short-listed for the Felix Dennis Prize for Best First Collection. The readings will be introduced and hosted by poet Sarah Corbett, tea and cake will be served.

To book a place email dionne.hood@ bradford.gov.uk or collect a ticket from Keighley Library.

Jewel of Yorkshire All weekend, Victoria Hall The Jewel of Yorkshire returns to Saltaire, bringing you the best classes in dances from all around the world.

In the Main Hall on Saturday night you can also enjoy a live show (pre-booking essential) where there’ll be a variety of professional performances, plus a disco and space to relax with others. A fresh schedule of classes begins the next morning from 10am and runs right through until Sunday afternoon. jewelofyorkshire.co.uk

tuESDAY 11 OCTOBER Northern Ballet: Romeo and Juliet 11 – 15 October, The Alhambra Theatre Share in the passion and stolen moments of the world’s most famous young lovers, and get swept up in the heartbreak as the tragedy of their world consumes them. Northern Ballet is the first company to bring Jean- Christophe Maillot’s Les Ballets de Monte Carlo’s Romeo and Juliet to the UK. £13.50 - £35.50 bradford-theatres.co.uk/whats-on

Sponsored by...

WEDNESDAY 12 OCTOBER Saltaire Live presents - We Banjo 3 plus support 7.30pm, Victoria Hall The Celtgrass sensation from Ireland who have been taking the US and the European Festival scene by storm with their high-energy songs & tunes, blending together Irish & bluegrass

styles. This will be their only English show of 2016 - crossing Offa’s Dyke for one night in the midst of their October tour of Welsh concert venues.

Tickets £15. saltairelive.co.uk

Thursday 13 October Widescreen Weekend 2016 13-16 October, Picturehouse Cinema at The National Media Museum A unique celebration of boundarypushing technology, and spectacular large format films. Widescreen Weekend will feature new Cinerama restorations, classic 70mm screenings and demonstrations of the latest ways to enjoy immersive cinema. picturehouses.com/cinema/National_Media_ Museum/Whats_On

FRIDAY 14 OCTOBER Sights and Sounds of British Wildlife 7.30 pm, The Kirkgate Centre An illustrated talk by David Tolliday run by the Airedale & Bradford RSPB local group. £3 for members and non members, children free.

01274 582078 or email abrspb@blueyonder. co.uk Shipley Film Society - The Host (15) Doors open 7.30pm, Kirkgate Centre South Korean sci-fi - a creature emerges from the tainted waters of the river and sinks its ravenous jaws into local residents. Licenced bar available, tickets £4.

SATURDAY 15 OCTOBER Park run 9am every Saturday, Lister Park.

5km run - it’s you against the clock, please come along and join in whatever your pace!

Trip to Spurn Head National Nature Reserve 8am, return 6pm.

Run by the Airedale & Bradford RSPB local group. Pick up Shipley town centre.

Coach £20 plus optional special vehicle ‘safari’to the point £12. rspb.org.uk/groups/airedaleandbradford Front Room Disco 8.00pm-11:30pm, Kirkgate Centre Front Room Disco brings you an eclectic alternative mix of music.

Covering indie, alternative, ska, reggae, punk, disco and 80’s pop. With Wil Oddsox. A bar serves local ales, wine and soft drinks. Tickets £4.

Bradford Oxjam Takeover 2pm - late, 1in12 club and other venues The 1in12 club takes part in Bradford’s Oxjam takeover. This is a mega-lineup of amazing artists and bands over 8 venues. Search Bradford Oxjam Takeover on Facebook for in depth details. Single venue entry £5, all-venue wristband £8, early-bird wristband £6.50.

SUNDAY 16 OCTOBER Cinema Organ Society Concert 2.30pm, Victoria Hall A Cinema Organ Concert, featuring popular music from film, television and radio, on the world famous mighty Wurlitzer. The performer for this event is Kevin Morgan.

Thursday 20 October Gilbert O’Sullivan In Concert 7:30pm, The Alhambra Theatre Don’t miss this acclaimed live show in support of new Latin-influenced album Latin Al G, performed with his fabulous ten-piece band. A global superstar who topped the UK and US charts with the likes of Alone Again (Naturally) and Get Down, Gilbert O’Sullivan is an artist who has never rested on his laurels. £31 bradford-theatres.co.uk/whats-on

FRIDAY 21 OCTOBER Daytime Music Club 1.00pm - 3.00pm, Kirkgate Centre Friendly group. Bring along records and CDs if you like or just chat and listen to great music. Over 50s event, tickets £1.50.

Eldwick Switchbanks walk 10.30am, Opposite Brackney Hall Run by Friends of Brackney Hall.

Walk through the Shipley Glen passing quarries, a WW2 anti aircraft battery and tank trap, Bronze and Iron age walling and field systems and Bronze Age carved rocks.

Jerron ‘Blind Boy’ Paxton Live 8pm, The Live Room Saltaire Although only in his 20s, Jerron ‘Blind Boy’ Paxton has earned a reputation for transporting audiences back to the 1920s and making them wish they could stay there for good. Paxton may be one of the greatest multiinstrumentalists you have never heard of. Yet. And time is getting short, fast.

Tickets £13. theliveroom.info Saltaire Live presents - Michael McGoldrick & Friends plus support 7.30pm, Victoria Hall Live music. Tickets £15. saltairelive.co.uk

SATURDAY 22 OCTOBER Go into the woods! - Pumpkin Carving 10.30am-11.30am, Bracken Hall Bring your own pumpkin and learn a variety of techniques to create a show-stopping Halloween. Suitable for children aged 2-10, tickets £5. Advance booking essential!

07940 427229 or email info@ gotintothewoods.co.uk

SUNDAY 23 OCTOBER Falling Leaves Event 11am-3pm, Cliffe Castle, Keighley Run by the RSPB Airedale & Bradford Local Group. There’ll be craft activities for children (and adults!), guided bird walks in the grounds and RSPB goods.

01274 582078 or email: abrspb@ blueyonder.co.uk

Victoria Hall Autumn Wedding Fair All day, Victoria Hall The place to create your dream wedding. A great mix of exhibitors offering contemporary and vintage inspiration in a spectacular wedding venue. In conjunction with Rose and Brown Vintage.

MONDAY 24 OCTOBER Bingley Little Theatre - The Haunting 7.30p, until 29th October A ghost story by Hugh Janes - a composite of several ghost stories by Charles Dickens – The Haunting is a classic spine-chiller set in the library of a country house. The mysterious ghost constitutes the interest, but so, too, does the hero’s effort to make others believe what he’s seen. bingleyartscentre.co.uk

FRIDAY 28 OCTOBER Razerbills Gig - Halloween All Ages Show 6pm, Kirkgate Centre Halloween gig, music, mayhem, dancing, drinking and grub. Dress right to feel the fright. £4 per person.

False Lights Live 8pm, The Live Room Saltaire False Lights are a folk rock group, formed in the spirit of the genre’s late60s originators but informed by the music of Sam and Jim’s far more recent youth. It felt to them that no one had updated the template. False Lights owe as much to Radiohead as they do to Fairport Convention. Tickets £15. theliveroom.info

SUNDAY 30 OCTOBER Record Club 8pm-11.30pm, Kirkgate Centre Bring and listen to vinyl in a relaxed setting with great company and a

Send us your event listings...

If you have an event you would like to feature in our listings please email submissions@thesaltairereview.co.uk. All listings are free of charge and are administered on a first come first serve basis.

@saltairereview

thesaltairereview

45

What’s on?

bottled beer/wine bar. Tickets £3.

too. Free entry.

Saltaire Cricket Club Table Top Sale All day, Victoria Hall A wide variety of stalls selling a host of treasures! From collectable antiques, toy cars and books to clothing and more. All proceeds go towards helping the club.

SUNDAY 6 NOVEMBER

THURSDAY 3 NOVEMBER Victoria Hall Movie Night - Star War: The Force Awakens 7pm, Victoria Hall The force is strong here in Victoria Hall & we can’t wait to showcase the latest instalment of the Star Wars series. Decades after the defeat of the Empire, a new threat is arising. The first Order attempts to rule the galaxy and only a ragtag group of heroes can stop them, along with the help of the Resistance.

FRIDAY 4 NOVEMBER An Ethiopian Episode 7.30 pm, The Kirkgate Centre Illustrated talk by Tom Lawson, run by the Airedale & Bradford RSPB local group. £3 (children free) for members and non members 01274 582078 or email abrspb@blueyonder. co.uk Carrie Rodriguez w/ Luke Jacobs Live 8pm, The Live Room Saltaire Carrie Rodriguez, a singer-songwriter from Austin, Texas, finds beauty in the cross-pollination of diverse traditions.

A passionate performer, she effortlessly melds fiery fiddle playing, electrifying vocals and a fresh interpretation of new and classic songs with an AmeriChicana attitude. Tickets £13. theliveroom.info

Sponsored by...

Hawklords 7.45pm, Bingley Arts Centre Tickets £12. bingleyartscentre.co.uk

SATURDAY 5 NOVEMBER Shipley Alternative 11am-3pm, Kirkgate Centre Shipley’s popular indy market, selling, arts, crafts, upcycled and vintage with a great café, activities for the little ones

Saltaire Cricket Club Table Top Sale All day, Victoria Hall A wide variety of stalls selling a host of treasures! From collectable antiques, toy cars and books to clothing and more. All proceeds go towards helping the club.

Saltaire Live presents - Karine Polwart plus support 7.30pm, Victoria Hall Another of the leading singers in the Scottish folk scene, Karine Polwart wears her heart on her sleeve as she sings with both passion & compassion about modern day issues as well as more traditional themes. An artist who has built a devoted following for her thoughtful lyrics and moving songs.

Tickets £16. saltairelive.co.uk

THURSDAY 10 NOVEMBER City of Bradford Brass Band 7.30pm, Bingley Arts Centre City of Bradford Brass band is flourishing, having represented Yorkshire three times at the National finals and taking its place in the world’s banding elite through promotion to the Yorkshire championship section in January 2015. Come see them at the Bingley Arts Centre, tickets £10. bingleyartscentre.co.uk

FRIDAY 11 NOVEMBER Shipley film society - If… (15) 7.30pm, Kirkgate Centre Teenage rebel Mick Travis returns to his upper-crust English public school, caught between the sadistic older boys known as the Whips and the first-year students, known as Scum, who are forced to do their bidding, leading to an unexpected showdown. Licenced bar available.

John Verity Band 8pm, Bingley Arts Centre Rock Solid Productions Ltd presents John Verity Band playing blues and rock. Supported by Matt Edwards Band from Oxford. Tickets £15. bingleyartscentre.co.uk

Kirkgate Community Café Open from 9am until 3pm Tuesday • Wednesday Friday • Saturday

The Kirkgate Centre community café serves freshly made affordable food in the heart of Shipley.

Our café supports a wide range of local community-run activities, is fully accessible and family-friendly.

Kirkgate Centre, Kirkgate, Shipley BD18 3EH opposite Shipley Town Hall Tel: 01274 580186 www.kirkgatecentre.org.uk Email: cafe@kirkgatecentre.org.uk

SATURDAY 12 NOVEMBER Free Guided Walk 9am-11am, Goitstock Wood Run by the Airedale & Bradford RSPB local group 01274 582078 or email abrspb@blueyonder. co.uk Home Assembly Music Presents live gig line up 7pm, Kirkgate Centre Featuring live music from Worriedaboutsatan, Perfume Advert, A New Line and DJing from Bracken. Tickets £6.50 in advance or £8 on the door.

SUNDAY 13 NOVEMBER

1pm - 3pm, Kirkgate Centre Friendly group. Bring along records and CDs if you like or just come along to chat and listen to great music. Over 50s event, tickets £1.50.

Bradford Industrial Museum walk 10.30am, Opposite Brackney Hall We’ll pass through industrial villages and towns, alongside old woodlands and a canal full of animal and plant life. We’ll return by bus to Shipley or Saltaire and walk back, passing the canal, through Roberts Park and up to Shipley Glen. Run by Friends of Brackney Hall. Money for public transport required.

Sara Watkins Live 8pm, The Live Room Saltaire Acclaimed songwriter and multiinstrumentalist Sara Watkins’ new album, Young In All The Wrong Ways, sees her boldly stepping into the role of frontwoman. Easily the most cohesive and fully realised album of her solo career, it is also her most powerful, personal and revealing. Tickets £15. theliveroom.info

Danny & The Champions Of The World Live 8pm, The Live Room Saltaire Wilson and his band, Danny & The Champions, spent much of 2014 on the road, playing shows all over the world, the kind of legendary, lifeaffirming rock and soul revues (with country fringing) that have seduced a global following - now they’re coming to Saltaire! Tickets £13. www.theliveroom.info/

Cinema Organ Society Concert 2.30pm, Victoria Hall A Cinema Organ Concert, featuring popular music from film, television and radio, on the world famous mighty Wurlitzer. The performer for this event is Robert Wolfe.

Saltaire Live presents - Jon Boden plus support from Bella Gaffney 7.30pm, Victoria Hall Former Bellowhead frontman Jon Boden steps out on his new solo tour.

Expect songs from his Painted Lady album, plus material from his time in Bellowhead, Spiers & Boden & his 365 Folksongs in a Year project. Tickets £18. saltairelive.co.uk

Bingley Amateurs present Legally Blonde - The Musica’ Running until 19 November, Bingley Arts Centre Front stalls: Centre Block: £15; Side Stalls: (1-5 & 19-23) £14 Rear Stalls: £11 bingleyartscentre.co.uk

FRIDAY 18 NOVEMBER Daytime Music Club

SATURDAY 19 NOVEMBER Front Room Disco 8.00pm-11:30pm, Kirkgate Centre Front Room Disco brings you an eclectic alternative mix of music.

Covering indie, alternative, ska, reggae, punk, disco and 80s pop. With Wil

Oddsox. A bar serves local ales, wine and soft drinks. Tickets £4.

Go into the woods! - Firelighting 10.30am-11.30am, Bracken Hall Learn how to safely light your own fire using fire strikers. Suitable for children aged 2-10, tickets £5. Advance booking essential!

07940 427229 or email info@ gotintothewoods.co.uk

SUNDAY 20 NOVEMBER Saltaire Cricket Club Table Top Sale All day, Victoria Hall A wide variety of stalls selling a host of treasures! From collectable antiques, toy cars and books to clothing and more. All proceeds go towards helping the club.

SATURDAY 26 NOVEMBER Yorkshire CND Peace fair 10am-4pm, Victoria Hall Over 80 stalls selling quality crafts and campaigners hoping you will join or support their causes. All in aid of Yorkshire CND and the pressing campaign to Scrap Trident next year.

For more information contact michelle@ yorkshirecnd.org.uk

SUNDAY 27 NOVEMBER Record Club 8pm-11.30pm, Kirkgate Centre Bring and listen to vinyl in a relaxed setting with great company and a bottled beer/wine bar. Tickets £3.

Victoria Hall Wedding Open Day All day, Victoria Hall Wondering if we’re the perfect match for your wedding day? Why not stop by and find out how we can be your perfect canvas. All five of our stunning rooms will be available for viewing, with some set up and dressed to help you envisage how the space can work for you.

Send us your event listings...

If you have an event you would like to feature in our listings please email submissions@thesaltairereview.co.uk. All listings are free of charge and are administered on a first come first serve basis.

@saltairereview

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