Architectural Portfolio

CURRICULUM VITAE

ABOUT ME

To build a better world, we must be more than just an actor. Humanity has reached the last moon and is constructed in the depths of the seas, which means that we are ahead of what we think at every moment. The endless world of architecture, at any time, reminds us that the use of knowledge and technology has become an inevitable part of our space. So we should try to take a step in human progress by using our intelligence and abilities and with the help of these tools. Architecture means life, and life means architecture. I see architecture as a key to thinking, creativity, and progress. Man lives better in a better environment, and I will do my best for this purpose.

Fatemeh Sobhani

Date of Birth: 1998/02/11

ID.No: 1080452982

Graduate Date: 2021/07/18

Last Academic Level: Bachelor

Address Phone Email

Home- 03142513475 No.14, Aram End, Marefat Street, Najafabad, Isfahan, Iran Postal code: 8513788412

yahoo: fatemesobhani2222@yahoo.com Gmail: fatemesobhani24@gmail.com Mobile- +98387679177

EDUCATION

University of Tehran. Iran (UT) | GPA : 17.50 | Graduated Jun 2021

Thesis subject: Designing a handicraft market and workspace to link the market and the workspace together.

Supervisor: Dr.Hamed Mazaherian | GPA : 18.75

NODET ( National Organization of Special Talents) Farzanegan Amin High School | GPA : 19.51

WORK EXPERIENCES

Boubamzi Start-up group | Head: Dr. Hossein Nourzad

Softwars: Adobe Illaustrator, Adobe Photoshope, Adobe Priemier, Adobe After Effect

RIVERGUM HOMES | Cilo 202 urban / Australia

Supervisors: M.Y Saeidianfar & M Rouhollahi

Municipality Organization | Naeein City / Isfahan Province / Iran Designing urban and square symbols

COMPETITIONS & AWARDS

UNI.xyz

My role: Cocept design | 3D Modeling | Rendering

First Place in Academic Magazines of the University of Tehran

First Place in National Competition of Academic Scientific Journals

My role: Managing Director

Certification of Honors as Holder from UNESCO National Commission of Iran

SKILLS

Autodesk Revit | Autodesk AutoCAD | Sketchup | Rhinoceros

Adobe Illustrator | Adobe Photoshop | Adobe InDesin | Adobe After Effects | Lumion

QUALIFICATIONS

- Advanced communication and presenting skills

- well-developed management and problem-solving skills

- Able to grasp new concepts quickly

- Conscientious and disciplined team worker

- Language proficiency: IELTS overall score 6.5

1 2 3 4 5

MOTIFS MALL

Academic Final Thesis | 2021

VISUAL ART GALLARY THE EMPATHEY COMPLEX

Academic Project | 2019

Academic Project | 2020

THE FUTURE PRISON PARAMETRIC PILLAR

Competition | 2019

Elective Course | 2018

According to the concept of handicrafts, the project guidelines are designed using a regular geometric grid. The main inspiration of this network is the geometric patterns used on Iranian handicrafts, such as enamel plates. This order was intended to organize the interior of the project and the granulation.

MOTIFS MALL

Academic Project | Individual Final Design Project | 2021

Instructor: Dr.Hamed Mazaherian

Art and artist are two inseparable concepts from each other everywhere. When an artwork is exhibited, the artist, as the creator, can give meaning to that masterpiece through his presence. In this project, the design of an urban space with a cultural context was considered. Bazaar and handicraft workshop, located in Valiasr St., Tehran, is a multi-user complex for shopping, relaxing, watching, and meeting, which aims to spread Iranian culture and is a platform for offering Iranian handicrafts.

Design process

Using a circular grid inspired by the geometry in handicrafts, we design a solid concept with engineering principles.

The first step is to design a threedimensional grid, including columns and the main frame of the spaces.

The second step is to create the initial lines of the roof structure with a triangular shape inspired by the difference in heights.

The third step is to create a kiteshaped roof shell and build a regular, interconnected geometric grid.

Exhibition

International Exhibition of Modern Art and Handicrafts, which the public can use due to special occasions.

Individual private units develop ideas and focus on the design and management of the manufacturing process. Each space includes a backyard view on one side and a connection to the public workshop on the other.

The last step is the final roof and checking the required grid for the columns according to the top stability and the forces estimation.

Final result for general model.

This space is designed for the visitors to the exhibition. A backyard for entry, meeting, and even smoking

exhibitions, cultural events, and public meetings.

A relaxing space for artists, a place to interact and share ideas, friendly socializing, and a place for recovery

General workspace Workshops backyard

Individual design units

Artists resting space in the workspace

The Sun Motif

Exhibition yard

International Temporary Market

Management

Artists Entrance Yard

Main workspace of construction and work with different materials and devices

Exterior interaction space, relaxation, and light entry into all workshop spaces

2 North Yard 3 Workspaces

Intersection Space

General Workspace

Individual Private Unit

Backyard

Resting

Interaction Space

Design Unit

Handicraft Store

Management

Power House

Roofed Passage Space

Restroom

Educational Section

Sun Motif ( Central Plaza)

Cafe

International Temporary Bazar

Exhibition

South Yard

The first-floor plan looks like artwork at first glance. The regular organization of the spaces and their placement in the complex, with the help of a common geometric network, has created an interconnected relationship between them. Each room has different accesses depending on whether it is private or public and considering their audience.

Grand Floor Paln Grand

Floor Paln Zoning Roof

Retreating to the margins of the project to interact with the city for people to use even from outside the project, as well as the existence of ramps at all levels for the use of disabled people, are considerable.

Structure

Wood and concrete were the two alternatives for the project structure. Wood was the best choice due to its lightness and execution in a space with higher beauty and related to the project goals. The roof structure, depending on its width and height, consisted of columns, main beams, and a supporting grid. The system appeared to the audience from the inside that the structure’s exposure added to its beauty.

Triangle Static Format

The roof coverage and structure implementation instructions used in the project follow a triangular static format. This form is also suitable for creating high and light ceilings by creating light and applicable ceilings in any dimensions and sizes.

From the outside of the project, the invitation starts with the café-colored windows, and as the center of the project and the sun, the motif appears, the user is encouraged to explore the interior. The presence of trees and plants at the entrance doubles the sense of nature in this space, and the wooden structure with bricks and glass in the walls gives a strong color harmony to the atmosphere.

Beam Grid Support Grid

Supporters

Pillars and Beams

Main grid of columns and structure

Functions

Each space, by its definition, contains several different functions. Of course, most areas are flexible, multi-purpose, and designed for various parts.

International Temporary Market

A place for exhibiting and selling:

- International competition products

- Special pottery

- Antique handicrafts vintages

- Unique homemade - Innovation handiworks

A place for exhibiting:

- Painting

- Pottery

- Antique handicrafts

- Art masterpieces

- National wealth and Legacy

- Modern artifices

- Crockery

Exhibition Water Basin

Temporary Place for:

- Exhibiting new products

- Temporary traditional events

- Celebrating traditional and national occasions

- Ceremonies

- First meeting place - Division joint

join shops

Permanent Shopping Area

Selling handicrafts made in workshops

Meeting, Sharing ideas and resting

General Workspace

Include three sections: - Wood Workspace - Clay and Earthenware Workspace - Copper Workspace

The steps for making handicrafts in this section are as follows:

- Combining raw materials - Initial shaping - Detailed forming - Pottery Furnace - Pattern design and its implementation

FUNCTIONAL DETAILED SECTION

Artists resting space in the workspace

The Sun Motif

Observation Pathway

Shopping Pathway

VISUAL ART GALLARY

Academic Project | Individual Architecture Design Studio III | 2019

Instructor: Dr. Saeid Haqir

Description

The art gallery has been a space for presenting art, combining art and life. This is best achieved if the room appears as a work of art. To design this project, I combined art and material to create a space with an infinite esoteric. In this project, by defining the site plan and specifying the stains, liquid foam is used, producing the sensory and physical elongation of the space by hand and then making a first model of it with foam. The next step was the colors, in which we designed a dark and light harmony in the space to determine the full and empty, long and short distances.

Using pottery clay to compile the general form as a visual rhythm of the original model is the next step. Creating a schematic version of movement which represented dance in space was the mission, and at all stages, the most important issue was to develop AESTHETICATION. These stages required taking photos to record the process, as it was pretended to be making the film. The next step was to shape a visual collage using artistic elements.

Creating a sensory collage using all the elements that described art was an important part of the project. To make the collage, the main pattern was a mock-up of clay, and a colorful canvas defined the space. Visual and practical elements in art, such as dance, were considered.

Wings

Learning is like wings to fly in the art world. To understand art and the artist, we must have enough information required as an Entrance

Companionship

In art, we observe, hear and understand! So art is impossible without the presence of another. Accompanying

Connection

Through art, human emotions are linked to life and reality. Art is a bridge to connect and express facts, fantasies, and discoveries. This bridge in the project is to connect two important parts of the project.

Arch

Reckless colors are combinations to convey the concepts of life to the art world.

art world. This loyalty is sometimes to color, sometimes to storage, and sometimes to literature.

Swan Color Combination

Rhythm

world to the imaginary. This part of the project is for the Main Entrance gate.

Wave 12

Grand Floor Paln

North Gate North Yard Workspaces General Individual Interaction Space Design Unit Handicraft Store Management Power House Roofed Space Restroom

THE EMPATHY COMPLEX

Academic Project | Individual Architecture Design Studio V | 2020

Instructor: Dr. Ehsan Masoud Dr. Hamidreza Ebrahimi Dr. Alireza Einifar

Residential complexes are one of the undeniable needs of modern life. The lack of land to build villas in big cities has always been a concern for urban planners. The first point to define a residential complex is companionship and empathy. People who live in a community are subconsciously members of the same family. The most important task of the designer is to put the elements of life in this family together so that everyone lives there with satisfaction. The definition of blocks in a collection, meaning spatial separations, is a matter for consideration because these separations must consciously separate the group but not cause the separation of spaces.

The first step in design is a linear analysis of the site and spots of spaces. Residential complexes are generally more introverted, but interaction with the city and not being separated from the city space should be considered. The next step is determining the entrances that can cause the internal partitions of the complex. The blocks will be a set of several buildings with shared parking, depending on the neighborhood. A shared space is created between the blocks in the middle of the site.

second floor

This plan presents one block in the residential complex. Assembling several buildings with light and sound and creating a common space has been the priority in the design. There are residential buildings and houses on the ground floor, and in the basement, we reach storage spaces, parking, and public spaces, including kindergartens and shops.

Plan Typologies

Six models of plan typology were designed according to the buildings to answer the demands of this project, which was the house for families with different populations of 2 people, three people, and 5 to 6 people.

1. three-bedroom plan type 1 | S : 115

2. three-bedroom plan type 2 | S : 120

3. two-bedroom plan type 1 | S : 100

4. two-bedroom plan type 2 | S : 80

5. one-bedroom plan type 1 | S : 110

6. two-bedroom plan type 1 | S : 60

The access pathway to the main courtyard of the oneblock buildings is designed with a large ramp that connects the squares with a very low slope.

Shared Area

A common space in a block allows different people to meet, relax and move around. This space is suitable for creating an open cafe. In this area, people can access public uses such as shops, etc., from the main courtyard.

One of the public spaces in this complex is the Observation station. This is a place to stop, watch and even wait. From this point, you can see the interior of the central courtyard of the block.

The interior of the houses and adequate natural light is the important points of this project. In a residential complex, the proximity to other buildings, creating an atmosphere of privacy inside each house, causes a sense of psychological security for the house members.

PARADIGM FUTURE PRISON

Competitopn |Team work UNI.xyz | 2019 Fatemeh Sobhani Zahra Rashtian Roshanak Amini

Designing a future prison for cybercrime was an issue with several major challenges. Defining the future, imagining a future jail, and, most importantly, thinking about imprisoning people who have committed cybercrime has given us a very complex design process. We started searching for punishment methodologies for this issue to reverse them! and went to mobility and legality as a factor for rehabilitation. Because cybercriminals only dealt with codes and electronic tools, and websites, mobility was the opposite of their normal behavior. On the other hand, people couldn’t walk in a shared space at all times. So we designed the moving cells between different stations and land uses.

Cells

The cells were living units for nine people. These units are organized for different activities during the day.

Instruction and Components

Night Space

Day Space

Supplyment Storage

Activities in the night space are for rest and sleep, and the day space is for group work and socializing. The lower part stores water, generators, and other infrastructure facilities.

The space of the rooms is originally designed to rehabilitate people, but not like the dark cells of a prison, but a bright space that rotates in orbit. In other words, each of these cells is like a planet orbiting the solar system. Whenever people in a cell score high in group work, they can watch the sunrise and sunset.

The whole complex includes several stations such as restaurants, gyms, study rooms, workshops, and agricultural lands. The cells move on the rails through the grid, reaching the stations through the joints, where people get off the cells and perform their responsibilities.

Cells act like subways in the entrance and exit corridors of stations. When entering and after a complete stop, the doors open, people get out of the cell, and the cell goes to so-called parking to renew its resources.

PARAMERIC PILLAR

The design of the parametric pillar using Grasshopper software, a professional plugin in Rhinoceros, was a multi-purpose project to learn how to code in software, write a program for 3D printing, and identify different materials for building an installation. This pillar consisted of several joints and arms that, due to their organic shape, statically connected with joints from 3 to 7 components. Each joint had an input port for arms from different thicknesses. The arms’ length varied by coding between the two values, and the weight and shape of the joints were designed in the most optimal positions possible according to the static task.

Elective Course | Team Computational Design | 2018

Instructor: Dr.Ramtin Haghnazar

Each activity, like a joint, connected all the process steps.

THANK YOU

Contact Information: E-mail: fatemesobhani 2222 @yahoo.com Phone: +989387679177