69. CELEBRATING FIVE DECADES OF ARTISTRY, DISCIPLINE & PASSION. The National College of Dance
70. LETTER FROM GEMMA SANDERSON
76. CHRONOLOGIE – THE PRECURSORS 2022-2023
84. CHARTER WITH US Fly Pelican
96. LETTER FROM TEGAN MARTIN
106. FROM RUNWAY TO COASTLINE IN MOMENTS Newcastle Airport
112. THE MAKING OF A CITY: UNCOVER NEWCASTLE’S STORY AT NEWCASTLE MUSEUM
114. LETTER FROM KARSTAN & MAXINE
118. EXPERIENCE YOU CAN TRUST, RESULTS YOU CAN RELY ON! Kate Maher Criminal & Traffic Law
PHOTOGRAPHER Paul Dear MODEL Mez Adrans, Façon Models
120. AUSTRALIA'S MOST AWARDED PLASTIC SURGERY CLINIC
Hunter Plastic Surgery
122. LETTER FROM SAMANTHA HARRIS
130. LETTER FROM SAMANTHA WILLS
140. MODE DE VIE
144. DESIGN DRIVEN LUXURY QT Newcastle
148. Q & A WITH SEAN TOWNSEND Customs House Hotel
152. DRIVEN BY CURIOSITY& A SENSE OF ADVENTURE
Earp Distilling Co.
156. Q & A WITH LEONIE WALLACE The Civic Theatre
162. DRESSED IN DESIGN GWH
166. BEAUTÉ
174. 21 YEARS OF ICONIC MAKEUP EDUCATION IN NEWCASTLE Icon School of Makeup
176. NOT JUST A SEA OF BLONDES WAK the Salon
180. ACCESSOIRES
182. FOR LOVE STORIES THAT DESERVE THEIR OWN DESIGN
Simon Curwood Custom Jeweller
192. L'AVENIR
194. A CREATIVE SHIFT
From magazine to brand-builder, shaping purposeful, enduring identities.
198. THE NEXT GEN
From magazine roots, nurturing fresh faces shaping fashion’s future narrative.
204. ONES TO WATCH
Highlighting emerging talent poised to redefine style and industry standards.
214. CONSCIOUS COUTURE
Fashion’s future embraces sustainability, purpose and lasting, thoughtful design.
218. EMERGING CREATIVES
Supporting new voices to tell culturally rooted, authentic, enduring stories.
220. ANTHOLOGY
“ Newcastle is the new New York ”
As I sit down to write this, I find myself reflecting on time in a different way. Ten years is not just a milestone, it is a body of work. A collection of moments, risks, ideas and people who have shaped what Façon has become. What began as an instinct, a belief that something meaningful could be created from Newcastle has grown into something with depth, presence and purpose.
In the beginning, there was no roadmap. Only a conviction that creativity mattered, that it was worth investing in, protecting and sharing, even from outside the traditional centres of fashion.
That belief has remained constant.What has evolved is everything around it.
Façon has become more than a magazine; it is a record of time, place and community. Each edition captures something fleeting, in culture, fashion and thought, preserving it with intention. Creating from a regional
space has never felt like a limitation, but rather an advantage: offering a grounded, distinct perspective that resonates far beyond its origin and with a sense of “something to prove”.
The journey has not been without challenge. There have been moments of uncertainty, times when the industry shifted and we had to shift with it. Yet we always returned to the same foundation, instinct, creativity and the belief in what we were building because it mattered and will continue to matter. Looking back, what I feel most is gratitude, for those who believed in the vision, shared their talent and supported Façon along the way. Ten years on, that feeling remains unchanged.
We are still creating and will continue to create and put Newcastle on the map not only in our own country but in the world!
With love
Ikeep coming back to the same thought - how quickly it has all gone. Five years with Façon. Half of its lifetime. It feels both significant and surreal to have been part of this journey for such a defining chapter, especially as we celebrate ten years through this special edition and exhibition.
I could never have anticipated just how much Façon would come to shape me - creatively and personally. It’s been a wild, beautiful ride. One filled with big ideas that somehow came to life, and the kind of moments you wish you could bottle.
Over these five years, I’ve had the privilege of watching Façon grow into something far beyond a magazine. What started as pages has become a platform - one that supports, celebrates and elevates creatives across so many disciplines. I’ve seen emerging talent take their first steps and go on to do incredible things, and I’ve watched our community expand in ways that feel both organic and deeply meaningful.
ride ”
“ It’s been a wild, beautiful
Alongside this, we’ve stepped into new territory, building our digital presence, launching the modelling agency, and growing our creative agency into something that allows us to collaborate, create and tell stories in entirely new ways. Each evolution has felt like a natural extension of what Façon has always stood for.
But more than anything, this milestone has made me reflective. Of the people, the moments, and the energy that has carried us here. To have been part of half of this story is something I will always hold close.
And as we look forward to new ideas, new platforms and everything still to come, it feels less like a closing chapter, and more like the beginning of something even bigger. The best, I think, is still ahead.
Deputy Editor
EDITORIAL
Editor-in-Chief/Creative Director LARA LUPISH
Deputy Editor SOPHIE BURLEY
FEATURES
Features Editor LARA LUPISH
Editorial Manager SOPHIE BURLEY
DESIGN
Senior Designer CHRISTINA KOLTOVSKI
COPY & PRODUCTION
Subeditor LYNNE TESTONI
Content Writers SOPHIE BURLEY & LARA LUPISH
MARKETING
PR & Marketing Manager SOPHIE BURLEY
Digital Coordinator KATE LANGEJANS
Assistant EVA LUCAS
PUBLISHING
FAÇON CREATIVE
SPECIAL THANKS
To everyone who has contributed to Façon over the past 10 years, from our creatives and collaborators to our readers and supporters, thank you. Your talent, trust and belief in what we do has shaped every page. Here’s to the next decade.
Façon acknowledges the Traditional Custodians of the land on which we live and work today,and we pay our respects to their Elders past and present.
All rights reserved, no part of this publication may be reproduced in whole or in part without permission from the publisher, including all logos, titles and graphic elements.
rétrospective
la mode
BOOK 1, 2015 | PHOTOGRAPHER MATT BRIGGS
Left to Right
MODEL 1 LONELY Bikini ALICE MCCALL Top HIDE AND SEEKER Bag GUCCI Earrings MODEL 2 ROTATE Dress FENDI Necklace, Bracelet and Earrings MODEL 3 VERSACE Necklace and Jacket THE LAIR Skirt SUBOO Bikini ESCADA Clutch MODEL 4 ESCADA Jacket and Pant LONELY Bralet THE LAIR Necklace VERSACE Ring CHANEL Earrings
chronologie the first four
The first four editions of Façon traced the emergence of a publication shaped by instinct, ambition and a deeply held belief in possibility. Conceived in Newcastle, the magazine carried an inherent duality from the outset - grounded in place, yet always reaching outward, following the trajectory of the city’s own trailblazers who had stepped confidently onto the world stage.
From its earliest pages, Façon was driven by purpose. It sought not only to showcase fashion, but to honour the depth of creativity within its own community, proving that world-class storytelling could emerge from beyond traditional fashion capitals. This intention was immediately realised with its debut cover, featuring Samantha Wills, photographed on Worimi Country just north of Newcastle - a powerful convergence of origin and aspiration that would come to define the title’s identity.
As the magazine evolved, so too did its narrative. It expanded naturally from championing emerging creatives to recognising Newcastle’s international set - individuals whose influence extended far beyond the region. This progression was informed in part by Lara Lupish’s own experience beyond Newcastle, particularly her work in Sydney, which opened pathways to bring established figures into the Façon fold. The invitation extended to Kate Ritchie marked one
such moment - reimagined in Port Stephens within a fashion editorial that felt effortless and cinematic, where landscape and subject moved together with a quiet, distinctly Australian magic.
With each edition, the publication grew in confidence and clarity. The appearance of Newcastle-born supermodel Tegan Martin, adorned in Dior, Balmain and Versace, became a defining expression of this evolution - a statement of global relevance produced from a distinctly local foundation. It reinforced the notion that Façon was not aspiring to join the conversation, but had already found its place within it.
Across these formative years, Façon became more than a magazine. It emerged as a collective voice - shaped by photographers, stylists, artists and visionaries - and guided by a belief that creativity could transcend geography. In tracing its beginnings, what becomes clear is not only how the title came to be, but why: as a reflection of a community, a mindset, and a movement already in motion.
From local vision to global relevance - the first chapter of Façon.
DIOR Wool knit cardigan
Left to Right
MODEL 1 DIOR Silk gabardine coat with contrasting border and Light denim pants with contrasting knee patches MODEL 2 DIOR Wool blend coat with fringes and Long asymmetric silk dress with beaded pompom on the pocket
Left to Right
MODEL 1 DIOR Cashmere and silk double face long coat MODEL 2 DIOR Wool jacket with satin collar, Cotton poplin shirt with tone-on-tone bib-front, Long virgin wool houndstooth skirt MODEL 3 DIOR Alpaca scarf, Braided cashmere wraparound cardigan, Cotton poplin fitted shirt and ”Liberty” moire silk bermuda pants with bow tied on the side and fringes
Left to Right
MODEL 1 DIOR Cashmere and silk double face long coat MODEL 2 DIOR Wool jacket with satin collar, Cotton poplin shirt with tone-on-tone bib-front, Long virgin wool houndstooth skirt MODEL 3 DIOR Alpaca scarf, Braided cashmere wraparound cardigan, Cotton poplin fitted shirt and ”Liberty” moire silk bermuda pants with bow tied on the side and fringes
CHRISTIAN DIOR Jacket and Top CERRONE Ear Cuff
BOOK 3, 2017 | PHOTOGRAPHER SARAH CANDLIN
DIOR Top and Pant GRISHKO Shoes
chronologie the evolution
As Façon evolved, so too did its expression of place - the Newcastle Style Issues became a defining chapter in the magazine’s chronology, moving in rhythm with the city’s creative pulse while layering in a distinct thread of national and international influence. The intention never shifted: to position Newcastle not as a periphery, but as a point of origin with global relevance.
Fashion was always understood as a reflection of people - their ambition, their resilience and their desire to create something meaningful. Within the pages, this translated into a narrative that captured a city in motion, where emerging voices stood alongside established names, and where creativity was beginning to take its place on a broader stage. The presence and support of national figures such as Ricki-Lee Coulter, alongside Indigenous supermodel Samantha Harris, became integral to this evolution - their involvement not only elevating the title, but reinforcing its growing cultural and industry relevance.
That ambition extended beyond editorial into execution. In a defining moment, Façon produced a high-impact cover shoot on the tarmac at Newcastle Airport, staged ahead of the city’s first international Virgin flight to New Zealand. It was a production that required scale, precision
and persistence - navigating logistics, the magazine’s unwavering high standard. the magazine’s unwavering standard. The resulting imagery was then carried onboard, placed into the seat pockets of that inaugural flight, transforming the edition into both artefact and statement. It was a bold articulation of intent: Façon was not waiting for permission to be international - it was already there.
This same philosophy extended into realworld activations that brought the pages to life. The launch of the Face of Façon model search created a new pipeline for emerging talent, while runway events became cultural moments in their own right. The Newcastle Baths show in 2019, featuring an exclusive Camilla presentation, redefined the scale and expectation of regional fashion. This momentum culminated in large-scale productions, including a spring runway with 64 looks and a team of over 200 - positioning Façon as a driving creative force within the region.
Across both page and experience, the narrative remained consistent: ambitious, collaborative and outward-looking. Façon did not simply reflect Newcastle’s evolution - it actively shaped it.
A regional voice... redefined
MARTENS Boots
BOOK 1, 2015 | PHOTOGRAPHER MATT BRIGGS
Left to Right
MODEL 1 CHEAP MONDAY Jacket ARMANI Pant MODEL 2
CONSTANTINA AND LOUISE Jumpsuit HOUSE OF EMMANUELE
Necklace and Cuff MODEL 3
MICHAEL KORS Top SASS AND BIDE Pant
HOUSE OF EMMANUELE Crown SAMANTHA WILLS Bracelet and Earrings
chronologie back to origins
The Back to Origins edition marked a defining moment in the evolution of Façon - shaped by a global pause that sent shockwaves through industries across the world. The COVID-19 pandemic disrupted everything from fashion to publishing, bringing production, distribution and creative collaboration to an abrupt standstill. For print media in particular, the impact was immediate. Familiar systems fell away, and what had once felt certain was suddenly fragile.
For Façon, the pandemic became a moment of both reckoning and clarity.
As a title built on connection - to people, to place and to experience - the restrictions of distance challenged its very foundation. Yet within that uncertainty came an opportunity to reimagine what the magazine could become. The shift into a digital direction was not instinctive, but it became essentiala considered response to support its community of advertisers, collaborators and readers at a time when visibility and connection mattered more than ever.
Rather than resisting change, Façon embraced it - carrying its ethos into a new medium while maintaining its commitment to storytelling, beauty and purpose. The move into digital did not dilute the brand; it expanded it, allowing the publication to remain present, relevant and responsive in a rapidly changing world.
At its core, Back to Origins was exactly that - a return to essence. It reconnected the title with its beginnings, revisiting the relationships and creative foundations that had shaped its early chapters. In doing so, it offered a sense of continuity in a time defined by disruption.
This edition did not represent retreat, but renewal. It affirmed that even as industries shifted and traditional models were challenged, the spirit of Façon remained constant - adaptive, resilient and always moving forward.
A reset, refocus, reimagining!
BOOK 3, 2017 | PHOTOGRAPHER PAUL DEAR
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MODEL 1 PAOLO SEBASTIAN Gown JIMMY CHOO Heels MODEL 2
LAGERFELD Blazer, Shirt and Pant JUST CAVALLI Belt BRANDO Shoes
chronologie the themed editions
A new creative chapter - where storytelling, risk and concept shaped the next evolution of Façon
As Façon moved into its next chapter, the themed editions marked a shift in creative direction - a moment where the publication began to explore deeper narratives, guided by concept, emotion and a growing confidence in its voice. Reaching the milestone of 10 editions was, in itself, something to pause and reflect on. What had once felt like an ambitious idea had become a body of work - one shaped by persistence, passion and an unwavering belief in what the title could become.
The 10th edition captured that sentiment. Featuring Newcastle’s own Karstan and Maxine, alongside their baby Zuri, the cover challenged traditional fashion conventions - placing a family at the forefront of a fashion title. It was both unexpected and deeply intentional, reflecting a broader definition of beauty, success and modern storytelling.
From there, the narrative became more expressive. The Femme Issue emerged as a celebration of strength, resilience and femininity in all its forms - shaped by the stories of women navigating complexity, ambition and change. It was an edition that pushed both concept and execution, most notably through an image that required lifting a model by crane to achieve the shot - a moment of risk and trust that ultimately resulted in internationally recognised work, earning accolades on a global stage.
This spirit of storytelling continued into the Summer of Music edition, where fashion and sound intertwined. Featuring Vera Blue, the shoot returned to the Worimi Sand Dunes - one of the most striking natural landscapes in the world, and the very place where Façon’s visual journey had first begun. It was a full-circle moment, reconnecting the publication with its origins while continuing to evolve its narrative.
Across these editions, Façon embraced a more conceptual lens - proving that fashion was not only to be seen, but to be felt.
“ This cover represents more than just an image. It captures passion, evolution and self-expression ”
Being featured on the cover of Façon Magazine felt like a full-circle moment in a journey that has been as creative as it has been personal. Shot by Paul Dear, styled in Steven Khalil, and brought to life under the creative direction of the fabulous Lara Lupish, this cover represents more than just an image. It captures passion, evolution, and self-expression.
Over the past 10 years, I’ve been incredibly fortunate to live a life shaped by creativity. From an unforgettable first shoot for Façon in Paris to moments quite literally hanging off the edge of a crane for our cover, every experience has pushed boundaries and expanded my vision of what’s possible. Fashion and music have always intertwined for me, each influencing the other and telling a story.
Façon magazine holds a particularly special place in my heart. Not only has it been part of my journey, it also represents where it all began. Being a Newcastle girl and seeing a publication from my hometown grow, thrive, and spotlight incredible talent on a global stage is something I’m deeply proud of. There is something powerful about creatives supporting creatives, especially when those relationships run deep.
This cover is a celebration of that shared journey, of risk-taking, artistic expression, and the community that lifts you along the way. I’m so grateful to have been part of Façon’s story and equally honoured to continue growing alongside it.
Congratulations to this amazing publication for 10 years and everything still yet to come for Façon.
Shiralee Coleman
STEVEN KHALIL Gown STEVE MADDEN Heels
SUMMER
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Right
MODEL 1 ZHIVAGO ADENINE Dress SWAROVSKI Earrings and Necklace STEVE MADDEN Heels
MODEL 2 VARCE
ITALIA Jacket SUMMIT Pant GEOFFREY BEENE Top and Tie Bar COLLEZIONE Tie DR MARTENS Dress Shoes
Celebrating discipline & passion.
The National College of Dance marks an extraordinary 50 -year milestone, an enduring legacy that has shaped generations of performers and creatives.
We spoke with Brett Morgan OAM about the journey so far and what lies ahead.
of artistrY ,
AQA decade of movement and evolution - how has your vision for dance education shifted over time, and what has remained non-negotiable?
Throughout my career, I’ve worked closely with masters who helped shape the industry as we know it today, giving me a strong understanding of both tradition and where dance training needs to evolve.
Over the past decade, my vision has adapted alongside the changing landscape of dance. What began as a focus on training strong dancers has evolved into developing complete artists and individuals. We’ve become more intentional in how we educate, looking beyond technique to include mindset, resilience, adaptability and long term career pathways. The industry is constantly shifting and dancers today need to be prepared for a range of opportunities. What has remained non-negotiable is our standard, excellence in technique, the development of each dancer as an individual artist, attention to detail, and a genuine commitment to every dancer in the room. Each student is seen, guided and challenged with intention.
Looking forward, what do you hope the next generation of dancers will challenge, disrupt, or redefine within the art form?
I hope the next generation challenges the idea that dancers need to fit a single definition - or present a version of themselves that simply suits a role.
What I would like to see is a return to true artistry - where dancers have the confidence and courage to bring their full selves into their work. Not just performing a role, but inhabiting it. Allowing their own personality, perspective, and individuality to come through so that audiences experience something real and memorable.
The future of dance lies in versatility, collaboration, and innovation. Dancers should feel empowered to move across styles, to work with other art forms and organisations, and to contribute creatively - not just execute choreography. At the same time, there must always be a respect for the foundationstechnique, discipline, and a deep understanding of the craft. It’s that balance between tradition and individuality that creates truly compelling artists.
If the next generation can embrace their authenticity while maintaining excellence, they won’t just adapt to the future of dance - they will redefine it.
Pictured left to right: Joseph Dufty | Winnipeg Ballet Company, Canada. Jarrod McWilliams | Principal Dancer at Matthew Bourne’s New Adventures Company, England
WINTER 2021 | PHOTOGRAPHER PAUL DEAR
Left to Right
MODEL 1
RUNDLE TAILORING Coat and Scarf COUNTRY ROAD Long Sleeve
ZARA Pant, Belt and Bowling Bag MODEL 2 RUNDLE TAILORING Coat and Scarf
ZARA Shirt, Backpack and Belt COUNTRY ROAD Jeans
Can you recall a moment in your career where you felt the true impact of your work - not just as a choreographer, but as a mentor?
The moments that stay with me are often the quiet ones, seeing a student who once lacked confidence begin to trust themselves, or watching a dancer who struggled find their place and realise their potential.
One example that stands out is Jarrod McWilliams. Early in his training, I recognised a raw but extraordinary artistic quality in him that didn’t fit a traditional mould. I felt he would be suited to the work of Matthew Bourne’s company. To see Jarrod go on to join that company and become a principal within five years was incredibly rewarding. It reinforced the importance of recognising the individual and guiding them toward the pathway that truly suits them.
Success isn’t only measured by where a dancer ends up professionally, it’s measured by who they become in the process.
What defines the ‘Australian’ voice in dance today, and how do you nurture that identity within your students?
The Australian voice in dance is grounded in versatility, openness, individuality and resilience. Dancers are recognised for their adaptability, the ability to move between styles, collaborate across disciplines and bring authenticity to their work.
At the college, we nurture this by not training dancers to fit a single mould.
Our approach is individualised, recognising that every dancer brings different strengths and artistic instincts. Through exposure to a range of choreographic styles and creative processes, we encourage students to develop their own voice and contribute something unique to the industry.
In an era increasingly shaped by digital culture, what role does the physicality of dance play in preserving human expression?
Dance has become more important than ever. In a world dominated by screens and curated identities, it brings us back to presence, connection and authenticity. It teaches young people how to engage with themselves and others in a way that is unfiltered and immediate.
Physicality develops not only strength and coordination, but awareness, confidence and emotional intelligence. It allows expression without reliance on words or external validation, preserving the ability to feel, communicate and connect in real time.
“ From the streets of Newcastle by night, to studios and the beach, the variety of shoots has been an amazing mix and exactly the kind of creative work I love most ”
Being chosen as a covergirl for Façon magazine's second issue was such an honour and something I will always hold close to my heart. From the moment the day began, I loved every single second. It was an absolute joy to work with such an incredible team, many of whom I’ve been lucky enough to collaborate with again over the years.
For a magazine of such high calibre to come out of Newcastle is a true credit to Lara and the Façon team, who have worked so tirelessly to create something truly special. Lara has an incredible gift for bringing together talented, passionate and creative people to produce work that feels timeless and meaningful.
On the day, I felt so pampered, supported and genuinely special. Being entrusted with that role meant more than I can say. I was interviewed during the shoot and loved having my modelling experiences acknowledged and celebrated. Even
now, the fashion from that day still feels current, which speaks volumes about Façon’s vision and creative direction.
Over the past 10 years, through Lara and the Façon family, I’ve been fortunate enough to work on shoots with one of my best friends, Michelle Lobb, and even my niece. From the streets of Newcastle by night, to studios and the beach, the variety of shoots has been an amazing mix and exactly the kind of creative work I love most.
One of my most memorable moments was my first major shoot after having my second child. I felt incredibly uncomfortable in my own body, but the Façon team made me look and feel absolutely stunning. Even while carrying the weight of the entire shoot, Lara still found the time to console me and ease my insecurities. I truly can’t imagine the last 10 years without the Façon family in my life. Thank you, always.
Gemma Sanderson
CANDLIN ARMANI Coat KALIVER
JIMMY CHOO Pumps
BOOK 3, 2017
PHOTOGRAPHER
SARAH CANDLI
JEAN BAS Coat ALEXANDER MCQUEEN Necklace
BOOK 3, 2017 | PHOTOGRAPHER SARAH CANDLI AKIRA Tunic AKIRA Pants TOD’S Loafer ALEXANDER MCQUEEN Cuff
GEMMA , TEGAN & MICHELLE la femme exceptionnelle
On her rise in the Australian fashion industry and her love of Indigenous creativity
chronologie the precursors
As Façon continued to evolve, certain editions began to signal something morenot simply moments within the magazine, but catalysts for what would follow. These were the precursors: issues that extended beyond the page and laid the foundation for new platforms, new opportunities and a deeper sense of purpose.
The Supermodel Edition marked one of the most defining of these moments. Bringing together three of Newcastle’s most recognised faces - Michelle Lobb, Gemma Sanderson and Tegan Martin - it celebrated not only individual success, but the breadth of pathways that could emerge from one city. Gemma, one of Façon’s earliest cover girls and winner of Australia’s Next Top Model, went on to achieve global recognition. Tegan carved her own multifaceted career across modelling and media, while Michelle’s journey would come full circle, leading her to play an integral role in shaping what came next.
From this point, the vision to nurture and elevate talent took on a new form. In 2024, Façon Models was established - an agency built on the same principles that had always underpinned the magazine: individuality, creativity and excellence. Representing a curated roster of talent across high-fashion, commercial and editorial work, the agency connected emerging and established faces with
leading designers, brands and publications, offering not only representation, but a pathway to international careers.
The editions that sparked what came next - from pages to platforms, from storytelling to legacy
In parallel, the Dreaming Edition revealed another, more deeply rooted evolution. Grounded in connection, culture and storytelling, it became the precursor to the Indigenous Storytellers Scholarshipalso known as the Djuyalgal Scholarship, meaning “the one who is telling the story” in the local Gathang language. Created to nurture art, creativity and culture, the scholarship exists to celebrate and amplify Indigenous voices across New South Wales, with a focus on regional communities. Through this initiative, emerging creatives have been supported to take meaningful steps forward - from filmmaking and music to photography and visual storytelling.
Together, these editions marked a shift. Façon was no longer only telling stories - it was creating the future of them.
SUMMER 2018 | PHOTOGRAPHER JUSTIN AVELING
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MODEL 1 FINDERS KEEPERS Dress FROM ST XAVIER Clutch
WHITAKERS Necklace SAINT LAURENT Heels MODEL 2 WINONA
MARTINI Jumpsuit SOL SANA Boots JOLIE & DEAN Earrings
SUMMER
RALPH LAUREN Blazer
DOLCE GABBANA Blouse CLAUDINE Skirt
BALLY Heels HELEN KAMINSKI Hat STYLIST’S OWN Veil and Gloves
BOOK 3, 2017 | PHOTOGRAPHER EASTON CHANG
Left to Right
MODEL 1
BALLY Suit, Belt and Sweater TOD’S Shoes MODEL
Scarf, Top and Shoes PREEN Sunglasses ESCADA Skirt MODEL
ESCADA
Pullover and Pants TOD’S Shoes MODEL’S OWN Sunglasses and Golf Bag
“ It was such an honour to be part of an issue centred around music ”
Being the cover girl for Façon magazine’s Summer of Music issue was such a special, and surreal moment for me. We shot at the Stockton sand dunes, and there was something about that landscape – vast, earthy, and completely immersive that made me feel really grounded and free at the same time. It allowed me to just drop in and be present, which always brings out the most honest version of myself creatively.
The team made the experience what it was. Working closely with Lara Lupish felt so natural and collaborative, and Paul Dear created an environment where I felt completely comfortable to be myself, while also encouraging me to lean into something more expressive and elevated. That balance is so rare, and I think it really shaped the energy of the shoot.
Fashion has always been a big part of how I express myself as an artist, and this shoot really celebrated that. I got to wear some of my favourite designers, and the styling felt ethereal and organic, like I was part of the elements rather than separate from them. The wind, the sand, the movement… it all became part of the story.
It was such an honour to be part of an issue centred around music, something that’s so core to who I am.
Since then, I’ve continued to release new music, tour and collaborate. I’m currently working towards an album that I’m really excited to share very soon and play new shows! It feels like a new chapter of Vera Blue, one that’s more grounded, honest, and connected to who I am as both an artist and a person.
Vera
Blue
SUMMER 2020 | PHOTOGRAPHERS MACKENZIE SMITH & HANAH ROBINSON
SPORTSCRAFT Blazer ONE TEASPOON Top
CHARTER
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As a Newcastle-based airline with deep regional roots, FlyPelican understands the unique challenges of travelling across regional and remote areas. Our chartered flight services are designed to remove the limitations of commercial schedules, allowing businesses and organisations to travel on their own terms.
Whether it’s a corporate team heading to a regional project site, a government agency requiring efficient transport, or a tourism operator looking to offer guests a seamless travel experience, FlyPelican’s charter services provide a tailored solution from start to finish.
WITH US
SUMMER 2018 | PHOTOGRAPHER JUSTIN AVELING
PALM COLLECTIVE Sweater BILLABONG Bikini Bottom
SWAROVSKI Bangle WHITAKERS JEWELLERS Earrings
CREAM ON HUNTER Sunglasses
“ Returning to Façon for two covers felt like dipping back into that creative space at different moments in my life ”
Being a Façon covergirl - twice - was something I never took for granted, because it gave me the opportunity to step back into a part of my world that I’ve always loved-modelling. My career had taken me in so many different directions, from being crowned Miss Universe Australia to stepping into television on shows like I’m A Celebrity… Get Me Out of Here! and Celebrity Apprentice. Each chapter was exciting in its own way, but there was always something about returning to fashion that felt like coming home.
I remembered being part of Façon’s very first edition, shooting a fashion editorial that felt fresh, creative and full of possibility. At the time, none of us really knew what the publication would become, but there was a clear sense of ambition-something elevated and directional coming out of Newcastle. Looking back, it felt special to have been part of that beginning.
Being from Newcastle myself made that connection even more meaningful. I had always felt that talent from places like ours could sometimes be overlooked or overshadowed by the capital cities. There was an understanding that you had to work twice as hard to be seen, to create opportunities, and to prove yourself-but that also built a resilience and pride that stayed with me throughout my career.
Returning to Façon for two covers felt like dipping back into that creative space at different moments in my life. Each time reflected a different version of me, while still reconnecting me to fashion in a way that felt expressive and elevated-whether I was wearing Dior, Versace and Balmain, or celebrating Australian designers like Alex Perry and Carla Zampatti.
Façon was a platform that allowed me to revisit that part of myself!
Tegan Martin
MELA PURDIE Shirt BILLABONG Bikini Top RUNAMOK Pant WHITAKERS JEWELLERS Earrings and Bracelet
Swimsuit
ARMANI Pant AKIRA Jacket CHANEL Earrings
STEVEN KHALIL Dress STEVE MADDEN Heels
THE MAKING OF A CITY:
UNCOVER NEWCASTLE’S STORY AT NEWCASTLE MUSEUM
Set within one of the city’s most storied industrial sites, Newcastle Museum redefines what a cultural space can be - where heritage architecture meets a distinctly contemporary, almost editorial sensibility. Housed in the former Honeysuckle railway workshops, the museum feels less like a traditional institution and more like an evolving canvas, where past and present sit side by side with intention.
Here, exhibitions unfold with a sense of curation that mirrors the rhythm of fashion itself - layered, expressive and ever-changing. From industrial legacy to surf culture and science, each story is presented with clarity and edge, inviting visitors to move through the space as they would a gallery or runway moment - considered, immersive and visually striking.
Beyond its permanent collections, the museum continues to shift and respond through rotating exhibitions and collaborative projects that bring fresh perspective into focus. It’s this constant evolution that positions Newcastle Museum not just as a keeper of history, but as a reflection of the city’s creative pulse - dynamic and forward-thinking.
“ We've shared it all. The highs, the lows and the messy middle ”
Ten years… wow. When we really stop and take it in, it’s wild what can happen in a decade.
Our journey with Façon Australia started back in 2014, and being chosen for the cover in 2020 was a big milestone. As proud Novocastrians, being recognised for living life differently, travelling as a family and doing things our own way was an unreal achievement.
Over the past 10 years, we’ve turned our dreams into reality and beyond.
We’ve travelled all over Australia and the world, living on the road and pushing ourselves past what we ever thought was possible. We still have our iconic 1968 Kombi from the cover shoot. She will always be with us and represents that you don’t need the biggest or the best to truly enjoy life.
After years of Kombi adventures, we decided to level up. In 2024, that next chapter began with our oneof-a-kind expedition truck, taking us deeper into remote Australia and further off the beaten track than ever before.
We’ve renovated multiple houses to get ahead, living through the chaos, even during a full pregnancy. It was hardcore at times, but it built resilience and belief in ourselves.
We bought a farm knowing absolutely nothing about land and just went for it, learning as we went and figuring it out firsthand.
For us, it’s about experiencing everything life has to offer. We’re project driven, very addicted to adventure and always upping the ante. The more
we’ve done, the more capable we’ve become, but everyone has to start somewhere.
In amongst it all, we’ve raised two very resilient and adaptable kids, Zuri (6) and Zena (2). They’ve never stopped us, if anything, they’ve pushed us more. They have no idea how amazing their life is and has been, but one day they will.
We’ve also built an incredible online community around the world. Hearing we’ve inspired someone to take a risk never gets old, and knowing our adventures take people to places they may never get to see or experience is an absolute honour.
Starting our YouTube channel was a big turning point. We committed fully, grew a whole new audience, and it’s led to incredible brand relationships, opportunities, and connections with some truly legendary people and communities.
We’ve shared it all. The highs, the lows and the messy middle. Showing there’s no perfect time, you just begin.
In 2025, after years of backing ourselves, we stepped into something completely new, creating our first feature film for an international film competition. ONE SHOT was a true reflection of how we live –raw, real and all in. Walking away with the win was one of our greatest achievements.
And in 2026, we backed ourselves again. This time, taking the leap to live overseas… so we’re moving to Lombok, for who knows how long.
The past 10 years have been absolutely mind blowing… and if they’ve taught us anything, it’s to just go for it. Bring on the next 10.
Karstan + Maxine
SUMMER 2020 | PHOTOGRAPHER PAUL DEAR
ZULU & ZEPHYR Bikini EADIE LIFESTYLE Coat HOUSE OF LITA Hat ENIGMA JEWELLERS Necklace STUDIO MELT Necklace
EXPERIENCE YOU CAN TRUST, RESULTS YOU CAN RELY ON!
Kate Maher Criminal and Traffic Law is built on experience, integrity and an unwavering commitment to standing in your corner when it matters most. With more than three decades working in law and admitted as a solicitor in 1997, Kate brings deep knowledge, strategic thinking and practical insight to every matter.
Kate practises exclusively in criminal and traffic law, representing clients across a wide range of matters - from traffic and drink driving offences through to serious criminal charges. This includes defending assault and sexual assault allegations, drug-related and theft offences, fraud matters and complex criminal litigation. Kate also has extensive experience assisting clients with Apprehended Violence Orders (AVOs), bail applications and matters before the Children’s Court.
Known for her determination and straight-talking advocacy, Kate is equally respected for her empathy, approachability and ability to manage expectations with honesty and clarity. Kate shows no judgement. Her focus is always on guiding clients through the process, explaining options clearly and working toward the best possible outcome in their individual circumstances.
Clients are treated with respect, without judgement and with the confidence that someone truly has their back every step of the way.
Supported by a dedicated team working behind the scenes, Kate Maher Criminal and Traffic Law ensure nothing is missed. Attention to detail, transparency, and open communication are central to how the practice operates.
“ Façon created a space to dream, to celebrate culture, and to tell stories with heart ”
Being a Façon covergirl - twice - was something I’ve always carried with a real sense of pride, but it was the second time, for The Dreaming Edition, that stayed with me in a much deeper way. It felt personal - connected not just to my career, but to who I am.
I had worked with Lara in Sydney before she embarked on creating Façon magazine, and we had always connected on shoots where she was styling me. There was an ease to that collaboration, a shared understanding of creativity and storytelling that made working together feel natural from the very beginning. So to later be part of Façon, something she built from the ground up, felt incredibly special.
Over the years, I’ve been fortunate to work across so many incredible moments in fashion, both in Australia and internationally, but experiences like this are rare. There was always an intention behind Façon that went beyond the image. It wasn’t just about creating
something beautiful - it was about telling a story, and telling it with honesty.
The Dreaming Edition covershoot, inspired by the Worimi story of the Moon Dancers and set on Worimi land, was one of the most powerful shoots I’ve ever been part of. As the sun set over the Myall Lakes, there was this incredible stillness and energy all at once. Working alongside the dancers, wearing pieces from Indigenous designers, and feeling that connection to land, culture and story - it was emotional in a way that’s hard to put into words. It wasn’t performative. It was real.
As an Indigenous woman, and as someone who has built a career in an industry that hasn’t always made space for our voices, moments like that matter. This felt respectful, collaborative and deeply considered.
Façon created a space to dream, to celebrate culture, and to tell stories with heart. To have been part of that - twice - meant a great deal to me.
Samantha Harris
SPRING 2019 | PHOTOGRAPHER MYLES PRITCHARD
ALICE MCCALL Jacket and Jeans FREELANCE SHOES Heel
EMILIO PUCCI Scarf DINOSAUR DESIGNS Earrings
SUMMER 2023 | PHOTOGRAPHER PAUL DEAR LEVI’S Top and Shorts RHODIN Sunglasses
SUMMER 2019 | PHOTOGRAPHER PAUL DEAR
Left to Right
MODEL 1
CAMILLA Skirt SEAFOLLY Bikini HIGH TEA WITH MRS WOO Jacket CAVERLEY Sandals
MODEL 2
THE CRITICAL SLIDE SOCIETY Shorts LEVIS Jacket CASS PARTINGTON Necklace
HAVAIANAS Thongs MODEL 3 ANNA QUAN Dress SEAFOLLY Bikini MARA & MINE Sandals VIKKI
KASSIORAS Earrings MODEL 4 LEVIS Jeans WOLF KANAT Top CASS PARTINGTON Necklace
“ I feel incredibly proud to have been part of it then, and to still be connected to it now ”
Ten years. I keep turning that over in my mind - not as a number, but as a body of work. A decade of showing up, of making something where there was nothing, of insisting that creativity matters in a world that increasingly tries to convince us it doesn’t.
I still remember that cover. Not just the image, but the feeling of it, of being part of something new. Something creative. Australian. Independent. The creative direction Façon set was next level.
There is a kind of bravery in the way Façon does things.
What Lara and the Façon team have built over these 10 years is more than a publication. It is a record. A timestamp of culture, of taste, of creative thinking that has not been outsourced or diluted. In an era that moves faster than our ability to properly absorb it - where algorithms often decide what is seen, and more and more, the art that is created - what you have created with hands, heart and art at Façon feels increasingly vital.
Because human creativity cannot be automated. The emotional cannot be coded. It does not come
from optimisation or trend reports or whatever the machine tells us will “perform.” It comes from instinct and from risk. From people who are brave enough to go against the grain - not just to talk about it, but to go out there and make art.
And that is what you have done. Again and again.
There is something deeply important about not just Australian-made, but regionally made. It holds a special place in my heart, and I admire it deeply. Not waiting for permission, but getting in there, doing the work, and trusting that it matters.
Because it does.
In a time where so much is immediate, disposable, and endlessly replaceable, what you have built has weight. It has intention. It has longevity. And that is no small thing.
I feel incredibly proud to have been part of it then, and to still be connected to it now.
Congratulations, Lara and team - on 10 years of vision, persistence, and creating something that means so much to so many.
Samantha Wills
Model 1 MODEL’S OWN Top RALPH LAUREN Pant and Belt
Model 2 LA PERLA Bikini Top RALPH LAUREN Jacket ONE
TILLER Hat MICHAEL KORS Boots
BOOK 1, 2015 | PHOTOGRAPHER MATT BRIGGS
KAREN MILLEN Top ARMANI Pant and Boots RALPH LAUREN Belt SAMANTHA WILLS Jewellery
Top: Sumer 2020 Magazine Launch
m o d e d e v ie l
Above left: Summer Runway 2019, Newcastle Baths. Above right: Winter 2021 Magazine Launch, Vamp by Lisa McGuigan.
Above left: Winter 2021 Magazine Launch, Vamp by Lisa McGuigan. Above right: Summer 2020 Magazine Launch, Earp Distilling Co.
Perched high above Newcastle’s East End, Rooftop at QT is your front-row seat to a divine dusk. Take in sweeping ocean views, charismatic coastlines and shimmering shores.
Sip across an array of spirits to spritzes, and Hunter Valley wines to icy craft beers. Saluti to a spread of Italian-inspired bites, for a night flowing from laid-back to sensational at Rooftop at QT.
When the mood shifts, head downstairs to Jana Restaurant. A local favourite with a subtle nod to Positano, Jana is all about gathering old friends and new to break bread, twirl housemade pasta, and swirl great wines.
Nestled in the heart of Newcastle, Jana’s open kitchen fills the room with warmth and flavour for a relaxed setting for diners to unwind. This is down-to-earth dining at its very best. Invite yourself over anytime.
As the night softens, drift into Jana Bar - where the energy settles into something quieter. A final pour. A last toast. The perfect closing note.
• WITH SEAN TOWNSEND •
Set against the harbour and long considered one of Newcastle’s most iconic venues, Customs House is stepping into a new era - one shaped by fresh energy, refined direction, and a renewed focus on food. At the centre of it is Sean Townsend, chef and now part owner, bringing with him a clear vision for what the next chapter looks (and tastes) like.
YOU’VE STEPPED INTO CUSTOMS HOUSE NOT JUST AS A CHEF, BUT AS PART OWNER. WHAT DREW YOU TO THIS NEXT CHAPTER?
Ben Stehr (Stehr Hospitality) and I have worked together in a previous life and have always stayed great mates. We caught up late last year and he mention he was looking at buying it. We thought, ‘let’s do it together’ and here we are. How could I not? The building is iconic and the chance to blend my dishes and our style of hospitality is an opportunity too good to pass up.
HOW WOULD YOU DESCRIBE THE DIRECTION OF THE MENU IN THIS NEW ERA?
We’re not reinventing the wheel, by any means, but I’m always focused on fresh, local and delivering the classic dishes to the highest standard; from the iconic Prawn Cocktail, to the Sunday Roast, to my hand-rolled gnocchi and a few other staples I’ve carried along the way. We’ll roll out some incredible private dining experiences (think locally sourced 1kg Grass Fed Manning Valley T-Bone, whole suckling pigs) in our many private spaces, for all occasions.
WHAT INFLUENCES ARE SHAPING YOUR APPROACH IN THE KITCHEN RIGHT NOW?
Not so much shaping but it’s more about doing simple food, which people love, to a great standard. To do that, I’ve learnt that I need to create an environment that’s systemised and a dedicated team with the discipline to execute our vision and I’m really happy with how we’ve recruited in a challenging time for our industry. People are key.
CUSTOMS HOUSE HAS SUCH A STRONG LEGACY. HOW DO YOU BALANCE HONOURING THAT WHILE MOVING THINGS FORWARD?
The heritage and history of places like Customs House are so important to honour, as custodians, and it needs to have a great menu and great quality dishes to match. We’re aligned on the highest quality, familiar dishes which people love.
WHAT CAN DINERS EXPECT WHEN THEY WALK IN NOW COMPARED TO A YEAR AGO?
It’s important to us that we have something for everyone. Mick & Kim (former owners) are great operators, so the place was by no means ‘broken’ but we all identified that it needed a new energy. Give us some time but the dining room and verandah will have an elevated, yet accessible dining menu and drinks list, whilst the bar and beer garden will have the popular dishes that are essential in a Newcastle venue of this size.
WHAT EXCITES YOU MOST ABOUT THIS NEXT PHASE?
We’ve got a vision of creating a precinct of outlets and venues in Newcastle East to enhance the ‘something for everyone’ scope. As well as the Private Dining experiences, we’ll be adding layers with a Pizza Bar in production to support the Council’s new playground and water park investment, literally at our front door. We do plenty of weddings and events already but I’m excited to do more venue-driven, partner-led events with some of our brand partners to support the new energy we’re focused on bringing this beautiful venue.
“It’s important to us that we have something for everyone ”
“I’m always focused on fresh, local & delivering the classic dishes”
“Highest quality, familiar dishes which people love”
DRIVEN BY CURIOSITY & A SENSE OF ADVENTURE
There’s a quiet shift happening in Australian spirits, one that moves away from heritage-for-heritage’s-sake and toward something more intentional, more engineered and undeniably more modern. At the forefront is Earp Distilling Co., a name that feels steeped in legacy, yet firmly planted in the future.
Founded in late 2019 by brothers Michael and Richard Earp, the distillery was born out of a simple but pointed observation: the local market was saturated by “big alcohol,” leaving little room for spirits that felt considered, crafted and quietly elevated. What followed wasn’t just the creation of another distillery, but the beginning of a new approach - one that prioritises precision as much as creativity, and experience as much as output.
Earp’s philosophy doesn’t reject tradition, it studies it. Centuries of distilling knowledge are acknowledged, absorbed, and then reinterpreted through acontemporary lens.
The result is a brand that feels less bound by convention and more driven by curiosity, where quality and consistency sit alongside a sense of adventure.
Founded in 2019
The Earp story stretches back to 1883, when George Frederick Earp arrived in Australia aboard the SS Coniston, seeking warmth and opportunity far from a London winter.
Settling in Newcastle, he quickly embedded himself in the rhythm of trade, building a business that would see goods flow steadily through the port - a legacy of movement, exchange and entrepreneurship that still underpins the brand today.
But where earlier generations dealt in cargo, the modern Earp iteration deals in craft - and more specifically, in control.
Step inside their distillery and one thing becomes immediately apparent: there is no copper. In an industry that often romanticises its past, Earp has chosen to challenge it. Stainless steel - precise, durable, and quietly futuristicreplaces the traditional gleam of copper stills. It’s a decision that speaks less to rebellion and more to intention.
Their custom-built equipment, designed and assembled in the Netherlands, operates in both pot and column modes, allowing for a breadth of production that moves seamlessly across whisky, gin, rum, vodka and beyond. It’s not just versatility, it’s a rethinking of what a distillery can be when it’s not constrained by legacy systems.
And yet, for all its forward-thinking design, there’s a clear through-line: heritage isn’t discarded, it’s distilled. Refined into something sharper, more relevant and ultimately, more reflective of the moment we’re in.
Earp Distilling Co. represents a new generation of Australian distillers, one that understands that the future of craft isn’t about choosing between tradition and technology, but knowing exactly how to balance the two.
by brothers Michael & Richard Earp
Q A
& With Leonie Wallace
Executive Manager, Civic Theatre
As Façon reflects on a decade of creative evolution, we turn to one of Newcastle’s most iconic venues to explore its legacy, its impact, and what lies ahead.
Q : The Civic Theatre has such a rich history - what does it represent to Newcastle today?
A: For many Novocastrians, their first visit to the Civic Theatre is something they never forget. People obviously come for the shows, but they also come just to take it all in - the Spanish-inspired design, the incredible gilded dome in the auditorium, the marble floors. It’s honestly one of the most beautiful theatres in Australia, and there’s a real sense of pride in the community because of that.
What I think is really special is that even though the city has changed so much over the years, the Civic Theatre has stayed constant. It’s familiar, it’s reliable, but it’s also evolved with the community.
It’s one of the oldest and best maintained theatres in the country, and it’s still such a vibrant, active space, with international acts, local performers, and community groups all sharing the same stage. So, while it has this incredible history, it remains deeply relevant to our community, to local artists, and to the broader performing arts sector. It’s more than just a theatre, it’s a gathering place and a really important part of Newcastle’s story.
Q : How has the theatre evolved over the years?
A: Over the years, the theatre has evolved in some really significant ways. We understand our audiences much better, we’ve expanded our reach, and we’ve worked hard to elevate the theatre’s profile locally, nationally, and internationally. And that evolution has to continue, Newcastle itself is going through a period of change, and the theatre needs to keep pace with the city’s growth and ambition.
I think the theatre endures because it offers something you simply can’t find anywhere else. There’s an immediacy to live performance, that shared emotional experience, that spark of human connection that can’t be replicated anywhere else. Whether it’s a laugh, a tear or a moment of joy, there’s something powerful about experiencing it together in the same room. For me, nothing compares to the anticipation as the house lights dim and the audience settles in. Those few hours where everyone is completely absorbed in another world creates a kind of collective wonder, and that’s what sets live performance apart from every other art form.
Q : Looking ahead, what’s next for the Civic Theatre?
A: There’s always plenty to look forward to. One thing the theatre does really well is offer a diverse program, from comedy and drama through to large scale musicals, so there’s something for everyone.
We’re also approaching a major milestone, the Civic Theatre’s 100th anniversary in 2029, which coincides with the centenary of City Hall, built in the same year. Turning 100 is no small achievement, and it’s a really special opportunity to reflect on the Civic Theatre’s contribution to Newcastle’s cultural life. More importantly, it’s a chance to celebrate with the community - the people who’ve supported the Theatre over the years and helped keep it thriving.
Paul Dear
As a cornerstone of the city’s cultural landscape, Civic Theatre Newcastle has long been a stage for creativity, storytelling and community connection.
PHOTOGRAPHER
Paul Dear
MICHAEL KORS Dress and Heels SAMANTHA WILLS Necklace and Ring MODEL 2 ESCADA Jumpsuit and Heels SAMANTHA WILLS Ring and Cuff
dressed
IN DESIGN:
THE ARCHITECTURE OF MODERN LUXURY LIVING BROUGHT TO YOU BY
For almost 30 years, GWH has been defining a new language of luxury in Newcastle, one that echoes the sensibility of couture, where craftsmanship, structure and vision converge.
In an era where high fashion and quality has extended beyond the runway into immersive environments, GWH stands at the intersection of design and lifestyle, translating the precision of tailored design into the fabric of modern living.
As buyers increasingly look beyond Sydney for space, design and lifestyle without compromise, Newcastle has emerged as one of Australia’s most compelling coastal cities, and GWH is at the forefront of that evolution.
Much like the great fashion houses such as Armani and Versace, GWH understands that true luxury is an experience, carried into the built form through residences designed not simply to inhabit, but to experience.
ONE ERA
CAMBRIDGE QUARTER
SKY
ONE
“A home is never just a building. An investment is never just a return. A workplace is never just a space. These are deeply personal decisions, and GWH understands that ” .
Jonathan Craig | Managing Director, GWH
Across GWH’s completed projects, early purchasers have consistently benefited from strong capital growth and sustained demand, reinforcing the long-term value of design-led developments delivered with certainty.
In a market where off-the-plan uncertainty is common, GWH’s fully integrated developer builder model provides rare confidence, ensuring what is envisioned is delivered, with a focus on considered layouts, premium amenity and liveability.
ERA is the embodiment of this ethos. Designed by FK Australia, the twin towers rise with sculptural intent, with residences framed by harbour, ocean and city views. More than 2,000sqm of amenity, from rooftop Skygardens to wellness spaces, creates a private sanctuary above the urban landscape.
From oversized balconies to curated material selections and SMEG-appointed kitchens, each residence is designed with a level of generosity rarely seen in the local market. With construction underway and over half sold, ERA sets a new benchmark for apartment living in Newcastle.
Completed projects such as ONE Apartments further articulate GWH’s vision, where expansive floorplans, materiality and lifestyle intersect, while Cambridge Quarter represents the next chapter, a connected urban precinct anchored by the reimagined Cambridge Hotel.
Backed by delivery assurance and a loyal base of repeat purchasers, GWH continues to shape Newcastle’s future with integrity and intent.
For those seeking more than just an address, and instead a considered expression of design, lifestyle and long-term value, GWH offers a rare opportunity to be part of Newcastle’s next evolution.
b eau t é
BOOK 4, 2017 | PHOTOGRAPHER MYLES PRITCHARD
SUMMER 2021 | PHOTOGRAPHER PAUL DEAR
21 YEARS OF ICON IC MAKEUP EDUCATION IN NEWCASTLE
NOT JUST A SEA OF BLONDES
“
There's no rush, no ego, just a calm confidence that comes from experience.
Polished without pretension, WAK The Salon in Newcastle delivers a quietly elevated salon experience that feels considered from the ground up. The space strikes a balance between relaxed and refined, somewhere you can settle in, switch off, and trust that every detail is being handled with care.
The strength of WAK lies in its team. Effortlessly knowledgeable and intuitively attentive, the stylists approach each appointment with a sense of ease and precision. Consultations feel collaborative rather than clinical, with a focus on creating hair that not only looks exceptional on the day, but works seamlessly in real life.
The result is understated but impactful: hair that feels like an extension of you, delivered through a service that is thoughtful, personal, and consistently refined.
accessoires
' avenir
avenir t he future
aSCreative hif t
Born from a decade of creative evolution, Façon Creative has carved out a distinct niche - one grounded in building brands from the ground up. Over 10 years, Façon has refined its approach to not just create, but to transform, guiding ideas into fully realised, marketready identities with longevity and impact. It’s a process that goes beyond aesthetics, rooted in strategy, storytelling and a deep understanding of how brands live and breathe within culture.
At its core, Façon Creative exists to take something with potential and shape it into something with presence. Whether working with emerging concepts or established names ready for reinvention, the focus remains the same: considered creative direction that balances vision with viability. Every touchpoint, from visual identity to messaging, is designed to feel cohesive, intentional and built to last.
A defining example is Saretta The Label. What began as an art and design practice has been elevated into a luxurious, standalone fashion brand - one that honours its origins while stepping confidently into the future. Through careful development of brand positioning, creative direction and visual language, Façon Creative has helped shape a label that carries both cultural depth and commercial clarity. The result is a brand that feels equally at home in gallery spaces as it does on the runway, with sights set firmly on Australian Fashion Week and beyond.
This transformation speaks to a broader philosophythat meaningful brands are not rushed into existence, but thoughtfully built over time. It’s about creating something with substance, where every detail contributes to a larger narrative and every decision supports long-term growth.
Façon Creative has helped shape a label that carries both cultural depth and commercial clarity
PHOTOGRAPHER
PAUL DEAR Models wear Saretta The Label
the next gen
the next gen
Face of Façon introduces a new energy - one grounded in discovery, momentum and the excitement of what’s yet to be seen.
Rather than looking back on familiar names, it opens the door to those at the very beginning, offering a first step into an industry that thrives on originality and evolution.
This is not about fitting a mould. Face of Façon is built to find individuals who bring something unexpected - a point of view, a presence, a story that feels entirely their own. It’s a search for instinct as much as it is for image, where attitude, confidence and authenticity hold just as much weight as appearance. The focus is on potential in its rawest form and what it can become with the right direction.
Through the process, talent is immersed in the world behind the lens as much as in front of it. From casting experiences to shoot environments and event moments, Face of Façon offers a real introduction to the pace, pressure and possibility of the fashion and media space. It’s an opportunity to build self-assurance, understand the nuances of the industry and step into it with clarity.
There’s an immediacy to this initiative, a sense of capturing talent right at the point where everything is about to change. It’s about those who are ready to take a chance, to be seen and to explore what they’re capable of when given a platform that values individuality.
PHOTOGRAPHER PAUL DEAR
Left to Right
MODEL 1 SK MENSWEAR Milano Pant in black, Blue Jacket, White Textured Button up Shirt and Tie MODEL’S OWN shoes MODEL 2 SANDRO Lilia Top in black SANDRO Lydie Skirt in noir SIMON CURWOOD Drop Diamond Earrings in silver and Bezel Set Bracelet with heart clasp in silver MODEL’S OWN shoes MODEL 3 LONGCHAMP Long Dress in Cream Crepe Jersey SIMON CURWOOD Pearl Stud Earring in silver, White Pearl Chain in silver and Diamond Ring STYLIST’S OWN Steve Madden vintage sparkly pumps MODEL 4 SK MENSWEAR Gold Jacket MODEL’S OWN Pants, Shirt and Shoes MODEL 5 LONGCHAMP Jacket in ivory tweed and Skirt in ivory tweed STYLIST’S OWN Steve Madden vintage hot pink pumps
PHOTOGRAPHER PAUL DEAR
Left to Right
MODEL 1 SK MENSWEAR DS Pant in Black, Black Jacket and White Textured Button Up Shirt STYLIST’S OWN Bow Tie MODEL’S OWN shoes MODEL 2 SANDRO Bloom
Dress in ecru SIMON CURWOOD Ring with Blue Squared Gem in gold and Tear Shaped Stud Earring with Pearl in silver
MODEL’S OWN shoes MODEL 3 SANDRO Chloe Dress in black SIMON CURWOOD Diamond Halo Style Bracelet
MODEL’S OWN shoes Model 4 MAJE Riso Dress in ecru
SIMON CURWOOD Tear Diamond Necklace in silver and CZ Halo Drop Earring in silver MODEL’S OWN shoes
PPHOTOGRAPHER
PAUL DEAR Left to Right
MODEL 1 SANDRO Lyssandra Dress in white SIMON CURWOOD Drop Stud featuring Emerald Cut Pale Pink Gem and Diamonds in rose gold and Pear and Oval Claw Set Toi et Moi Pendant in silver MODEL’S OWN shoes
MODEL 2 SK
MENSWEAR Milano Pant in Black, Black Jacket and Black Button up Shirt
SIMON CURWOOD Large Linked Chain in solid gold and Ring with Flat Rectangle Top and Black Gems in gold MODEL’S OWN shoes MODEL 3 MAJE Livaleige Top in beige and Paros Pants SIMON CURWOOD Drop Stud Earrings with tear shaped diamonds in gold and Teardrop Shaped Necklace Pendant featuring Small Pearl and Diamond in silver MODEL’S OWN shoes
ONES TO WATC
Emerging from a decade of storytelling, Façon Models signals a new era, one that shifts the focus from the familiar faces who have long defined our covers, to the next generation of talent ready to shape what comes next.
Built on the same foundation of thoughtful curation and creative direction, Façon Models is dedicated to discovering and developing fresh faces with individuality, presence and potential. It’s not just about representation, it’s about cultivation. Working closely with new talent from the ground up, the agency places emphasis on confidence, professionalism and creative identity, ensuring each model is equipped to navigate an evolving industry.
This next chapter is driven by a desire to create space for new narratives, new energy and new perspective, those who reflect the future of fashion, not just its past. It’s about championing authenticity over familiarity, and giving rise to talent that speaks to a more diverse and forward-thinking creative landscape.
As Façon Magazine celebrates its 10 Year Retrospective, the launch of Façon Models marks a natural progression. Because while we honour the recognisable faces who have been part of our story, the future belongs to those just stepping into frame, and we’re here to help shape what that looks like.
WATCH
Conscious Couture
As we reflect on the past, the future of fashion is being shaped by a new set of values - ones grounded in consciousness, responsibility and intention.
What was once considered a niche or emerging movement has evolved into a powerful, industry-wide shift, where sustainability is no longer optional, but essential. It’s a recalibration of priorities, driven not only by innovation, but by a growing awareness of fashion’s impact on both people and planet.
Designers and brands are rethinking every stage of the process, from material sourcing to production methods and the full lifecycle of a garment. There is a renewed focus on fabrics with lower environmental impact, ethical manufacturing practices and systems that reduce waste.
The result is a move towards pieces that are made to last - not only in quality, but in relevance - encouraging a more mindful relationship between wearer and wardrobe. It’s fashion that invites longevity, rather than disposability.
This shift also brings a deeper appreciation for craftsmanship and story. Transparency is becoming just as important as design itself, with consumers seeking to understand where their garments come from, who made them and how they were produced. In turn, brands are responding with greater openness and accountability, embedding purpose into every layer of their identity. It’s a return to considered design, where every decision carries weight and intention.
Conscious Couture Festival exists within this evolving landscape as both a reflection and a catalyst. It creates space for designers, creatives and audiences to engage with fashion in a more meaningful way - one that celebrates innovation while challenging convention. By spotlighting those leading the charge, the festival highlights what is possible when creativity and responsibility work in harmony.
In the context of reflection, this moment signals more than progress - it marks a turning point. The next era of fashion is not defined by excess, but by meaning. It is an era shaped by care, collaboration and forward-thinking design, where success is measured not just by visibility, but by impact.
Looking ahead, the integration of sustainability into fashion feels less like a disruption and more like a natural evolution. A future where style and sustainability exist seamlessly is no longer aspirational, but achievableshaping an industry that is not only more thoughtful, but ultimately more enduring.
Emerging Creatives
Grounded in culture and carried by voice, the Indigenous Storytellers Scholarship exists to nurture a new generation of narrative makers, thoseshapingstoriesthataredeeplyconnected to Country, community, and lived experience. It’saninitiativethatrecognisesstorytelling notsimplyascraft,butascontinuity: a living, evolving expression of identity.
Rather than imposing structure, the Scholarship creates space. Recipients are supported with the resources, mentorship, and time needed to develop their work on their own terms, whether through writing, film, visual art, or emerging mediums. The focus is on authenticity over output, process over pressure.
There’s also an emphasis on connection, between storytellers, mentors, and community. The scholarship fosters an environment where knowledge can be shared across generations, where creative practice is informed by both tradition and contemporary perspective. This sense of dialogue becomes as valuable as the work itself, creating a network that extends well beyond the duration of the program.
In amplifying these voices, the scholarship contributes to a broader cultural landscape that feels richer, more nuanced, and more honest. It’s a quiet but vital investment in stories that deserve to be seen, heard, and remembered.
