PORTFOLIO 2025 - Fabiola Jimenez Ramirez_

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ARCHITECTURE

My name is Fabiola Jimenez.

I have a master’s degree in Sustainable Intervention of the Built Environment from the UPC, Barcelona.

I have worked in different areas of architecture and engineering in Latinoamerica, USA and Europe; building, housing, retail, mixed use, renovation and interior design.

My vision is interdisciplinary, I am a hybrid between the analytical and the creative.

I have the ability to create projects that are sutable to different social and economic contexts, integrating a beautiful aesthetic and involving integral processes.

I think about the future, I work with the technology and design with a sustainable vision.

GALLERY THE NEW MACBA - BARCELONA, SPAIN

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1275K REPOSITIONING - WASHINGTON DC, USA

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OFICINAS MESOAMERICA - SAN JOSE, COSTA RICA

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(R)ETHOS

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ESCALANTE BUILDING - SAN JOSÉ, COSTA RICA

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RETAIL CAFETERIAS DESIGN - USA & LATIN AMERICA

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Name: GALLERY

Date: 2021

Item nr.: 2021NEWMACBA

Location: BARCELONA/SPAIN

GALLERY is a project design for the extension of the MACBA (Museu d'Art Contemporani de Barcelona) situated in the Raval district.

URBAN GALLERY, the long glazed porchwhere the museum expresses its expository nature. The collection will be visible from the outsite and will interact with the public space, incorporating the existing Chapel “Convent Dels Angels" and the Studies and Documentation Center into the new museum extension, creating one unify building.

The Raval is a multicultural neighborhood where 60.94% of the population was born abroad. A neighborhood with one of the worst socio-sanitary indicators in the city.

In the center of the distrit stands the powerful silhouette of the museum MACBA, the Richard Meier building, inaugurated in 1995. The building imposes itself and does not quite satisfy the needs of the population and the exhibition of the Museum and the collection ithas. The Museum needs to grow in amore accesible way, it needs to become closer to people to revitalize the central sector.

GALLERY is a project created to enhance, articulate and expand existing gaps in the neighborhood and the actual Museum, from the recognition of the structure of courtyards and cloisters of the ancient convents that characterized the local architecture. To enphasaize Plaça dels Àngels which is the most iconic public space in the Raval, and that in this project becomes the most radical and central action of the proposal

The human scale is what redefines the institution, makes it more accessible and closer; the MACBA expansion will transform the actual museum and will help to create a new museum, that participates and interacts with the public space and the people.

GALLERY promotes the active participation of the population that inhabits the Raval, to transform the museum into a space that involves their educational, cultural, economical and social needs. The museum will be an vital center for the population to create, it will open its doors to art and culture in a way that is accessible to all.

ThenewMACBA_GALLERY

Access to the new extension of the MACBA will be through the church, accessed through its main door from Plaça dels Àngels through the transept.

EXTENSION

OF THE MUSEUM OF CONTEMPORARY ART BARCELONA

Reinterpreting the volume of the chapel in continuity with public space is a simple but profoundly transformative gesture.

The dimensions, the volume of air and the typological qualities of the Chapel space, correspond to great civic archetypes that are incorporate in the shape of the new collection spaces, mixing architectonical movements into a one monument that incoporates the new and the old, and creates a new piece of art.

The transformation of the Chapel into a hall (the ‘Turbine Hall’) and an urban connector, gives it an additional prominence that suggests that this new access could become the main entrance to the museum.

SELF-STABLE WALLS

The set of ceramic structural wallsself-stabilize without slabs thanks to its plant geometry and in section. Its progressive staggering, formed by the ceramic mating, responds to structural demand which receives the wall and allows the slabsupport each other without conveying moments on the walls.

To avoid possible tractions in the masonry walls, buttresses are posttended in the vertical.

Plaça de les Caramelles
Plaça dels Àngels
CONSTRUCTION SYSTEMS

HERITAGEELEMENTS

TheChurchastheentranceofthenewMACBA

Apse(central)visiblefromthesquareandfrom themainstaircase

Specialexhibitionhallstakeadvantageofthe intersectionbetweentheneweditionandthe facadeoftheoldconvent

Clotet-Paricioeditionrenovatedandconverted intoabookshop

EXISTING-NEW-ACCESS

Existingbuildings Extension

MUSEUMTOURS

THE APSE OF THE CHAPEL CAN BE SEEN THROUGHT THE GALLERY
RIDGE & BUTLER. CAFETERIA LOCATED IN MID ATLANTIC, USA. MAJOR RENOVATION
EXHIBITION HALL
The three main rooms are fully equipped and neutral spaces for the exhibition purpose Exposure diagrams of

Name: 1275K Repositioning

Date: 2025

Item nr.: 20251275K

Location: USA / WASHINGTON DC

1275K BUILDING REPOSITIONING

Washington, D.C. | Architecture & Interior Design | Schematic Design to Construction Documentation

Located near the White House on 1275 K Street, this repositioning project involved the transformation of Levels 5 and 6 of an existing commercial building. The scope included full architectural and interior design services, reimagining the space to introduce eight premium office suites and shared amenity areas across both floors.

A key element of the design is a striking loggia—a sculptural recess carved into the building façade—serving as both an architectural statement and a functional outdoor space.The overall concept focused on creating a flexible, biophilic, hospitality-inspired interior environment that could appeal to a diverse group of future tenants.

I was actively involved in all phases of the project, from early conceptual development through schematic design and into detailed construction documentation, contributing to the spatial planning, material selection, and design coordination.

PROPOSAL, VIEW FROM 1275K STREET

Level 5 features four fully equipped speculative office suites—Suites 500, 525, 550, and 575.

Designed to accommodate a variety of tenant needs, from collaborative open work areas to enclosed private offices and meeting rooms.

At the heart of the floor is a refined amenity zone, including a 16-person conference room, a catering kitchen, and a private phone booth.

A sculptural loggia in the southern façade offers a shaded outdoor work and lounge area with sweeping views of K Street, seamlessly blending indoor and outdoor experiences.

The WorkFlex area adjacent to the loggia offers a range of seating typologies, fostering casual collaboration and spontaneous interaction.

ELEVATOR LOBBY
AMENITIES ENTRY

Design Process Overview

The design process explores a variety of amenity options through a thoughtful and iterative approach. Emphasizing organic forms and biophilicelements,the project balances functionalitywith spatial richness. Key design moves include the detailing of casework, careful zoning of amenity areas, strategic loggia distribution, and the vertical connection between Level 6 and the suite levels. The process integrates hand-drawn iterations and collaborative reviews, allowing the design to evolve holistically while maintaining a strong conceptual vision.

STAIR AXON DETAIL
AMENITIES DESIGN PROCESS
AMENITIES DESIGN PROCESS

SHARED AMENITY SPACE ENTER TO LOGGIA

SHARED AMENITY SPACE WORKFLEX
LOGGIA
EXTERIOR VIEW LOGGIA

Level 6 offers five unique tenant suites—Suites 600, 625, 650, 675, and 685—each designed with a tailored mix of enclosed offices, open workstations, meeting rooms, and café-style break areas. This floor emphasizes a plug-and-play office environment, allowing for flexibility in tenant configurations while maintaining a cohesive aesthetic throughout.

The design enhances daylight access and circulation through strategic suite layouts and open view corridors facing both K Street and 13th Street. A double-height lounge space adjacent to Suite 650 visually connects Level 6 to the loggia below, reinforcing the vertical integration of shared amenities across both floors.

(Upper Floor,)
LOUNGE AREA
LOUNGE AREA

Name: OF. MESOAMERICA

Date: 2015

Item nr.: 2025 MESOAMERICA

Location: SAN JOSÉ/COSTA RICA

AVENIDA ESCAZU

Located in the heart of Avenida Escazú, Mesoamérica Offices explores the concept of a gallery-inspired workplace where art, architecture, and function converge. Drawing from brutalist interior design principles, the space features raw materiality, exposed structural elements, and a restrained palette softened by warm wood finishes.

Strategically placed skylights and a curated interplay of natural and artificial lighting elevate the atmosphere, creating moments of contrast and calm throughout the office. The ceiling design plays a key role in guiding light and enhancing spatial perception, transforming the office into a dynamic yet grounded environment.

This project reimagines the modern office as a contemplative and expressive space—one that reflects identity through texture, light, and structure.

From Nordic Modernism to Tropical Modernism

Celebrating Nordic architecture and its influence on contemporary design, paying tribute to its impact on local and regional architecture.

FLOOR PLAN DISTRIBUTION

RENDER WORKFLEX AREA

DESIGN CONCEPT INSPIRATION

Name: (R)ETHOS

Date: 202O

Item nr.: 2020(R)ETHOS

Location: SANT VICENTS DELS HORST CATALONIA /SPAIN

MASTER IN SUSTAINABLE INTERVENTION OF THE BUILT ENVIRONMENT

(R)ETHOS:TOWARDSTOANEWETHIC / ABIOCLIMATICREHABILITATIONOFTHEBUILTENVIROMENT

The rise of the industrial revolution, 200 years ago, a progressive change from a local production system to a global one based on standardization, has been reflected in the city and the territory, reflected in the Athens Charter and globalization, which has proven that is unsustainable.

Bioclimatic architecture seeks to recover part of the values of traditional architecture, Linked to the resources of the territory, optimizing the consumption of resources and closing cycles.

The work is based on principles that are born from the general vision of (R)ethos, the principles of bioclimatic architecture, the one that seeks incorporating local agents and resources existing in the hinterlandof the territory,to give autonomyto the communities to self-manage the environment they inhabit.

PROJECT LOCATION_ SANT VICENTS DEL HORST: CAN ROS _ RELATION WITH BARCELONA CITY

The case of study is the neighbourhood of Can Ros, located in the Municipality San Vicent dels Horts in the Baix Llobregat region.

LOCATION MAP. HOUSING POLYGONS BUILT BETWEEN 1945-1974. AMB

Typology 1

No. Modules: 12

No. Homes: 120

No. Floors: 5

Elevator: No

Category VP: 2nd

Typology 2

No. Modules: 6

No. Homes: 60

No. Floors: 5

Elevator: No

Category VP: 2nd

Can Ros was built in 1974. There are currently a total of 889 neighbors, spread over 349 apartments. There are 204 adults over 65 years old, 447 adults between 18 and 64 years old and 238 minors.

Existing problems:

_Energy poverty and risk of falling into it.

_Underutilization of spaces.

_Accessibility.

_25% unemployment

_Aging index.

Typology 3 No. Modules: 6

No. Homes: 60

No. Floors: 5

Elevator: No

Category VP: 2nd

CAN ROS PEOPLE PROFILES

The proposal is developed in phases.

The design includes a Gallery on the facades most affected by solar radiation (South-Southeast), in which a galleryisproposedthat functionsas a solar and inertia collector, and on the facades to the northaninsulation that prevents heat losses in buildings to maintain a stable comfort temperature without the need to use external energy to the building itself. Use materiality to provide thermal comfort. The gallery is practicable so in summer times, the building can be ventilated

The design improves their energy efficiency and habitability (internally and externally), creating intermediate spaces that grow towards public spaces, affecting the composition of all the blocks and their interrelation with each other.

The exoskeleton structure

Provides a variety of options with the meeting on the ground floor:

Extending the house towards the public space.

The roof it is proposed a Greenhouse to enhance as a thermal cushion space between the top floor and the outside air.

Taking advantage of the fact that we have a space with potential for new habitability, incorporating as an open source structure to generate this intermediate space.

ROOF CROSS SECTION
GROUND FLOOR
ROOF DETAIL

VEGETABLE MESH

Useofplant elements forshadow generation andthermal regulator. Anatural bioclimatic function

GENERAL CONSTRUCTION SYSTEM

TERRAFET. ADOBE WALLS

Recoveryof land asa materialofconstruction. Inertialenergy efficiency.

USECOMMERCIAL WINDOWS

1.10m modulationadapts toformat standard commercial windows.It allowsabsorbsurplus factories, andeven recycle thoseofthe buildingitself

WOODENSTRUCTURE

Betonwoodasa material principal. Fix the carbon in the building and is a trigger for future management forest of theterritory

Thermal comfort

An autonomy is sought in the comfort of the user, so therefore, knowing how many hours comfort does not depend on external factors it will be key to define what is achieved with the intervention. Having kwh makes the market dependent on the product. Counting hours of comfort makes us dependent on the climate and the environment, of the resource. (R)ETHOS:TOWARDSTOANEWETHIC

As a study of thermal comfort, it was decided to focus on the South typology, and its different cases are studied, in order to have a general idea of the impact of the intervention. To make the study more concrete, due to being the most typical case, it focuses on case 5. From (R) ethos, it is fully believed that the way should be changed to that we approach energy in an intervention.

RENDER OFTHE PUBLIC SPACES AND THE FACADE WITH THE GALLERY

Name: MIXED USE BUILDING

Date: 2023

Item nr.: 2023ESCALANTE

Mixed-Use Building – Barrio Escalante, Costa Rica

Architecture | Concept to Construction

This mixed-use projectis located in the vibrant cultural district of Barrio Escalante,directly across fromthe historic Antigua Aduana. Designed to blend contemporary form with contextual sensitivity, the building features three levels that integrate commercial and residential programs within a compact urban footprint.

The architectural language draws inspiration from the materiality of the Antigua Aduana, incorporating clay brick, exposed concrete, and warm wood accents to establish a dialogue between the old and the new. Curved geometries soften the massing and create a fluid relationship with the site’s urban fabric.

As project director, I have led all phases—from conceptual design through schematic development, construction documentation, and ongoing site supervision. The project is currently under development.

Location: BARRIO ESCALANTE, COSTA RICA

EXTERIOR RENDER OF THE PROPOSAL

GROUND FLOOR PLAN_COMERCIAL PROPOSAL

The ground floor is dedicated to retail use, anchored by a corner café-restaurant that opens to the street with an inviting exterior pergola, enhancing the pedestrian experience and activating the public realm.

The second and third floors house five duplex apartments, each with a mezzanine and private balconies, offering dynamic vertical living spaces with visual connections to the surrounding neighborhood.

SECOND LEVEL FLOOR PLAN_APARMENTS
MEZZANINE FLOOR PLAN_APARMENTS

INTERIOR VIEWS RENDERINGS_APARMENTS

Name: CAFETERIAS

Date: 2022-2024

Item nr.: 2022CAFETERIAS

Architecture & Interior Design | Schematic Design and Construction Documentation

Designer for over thirty Cafeteria stores across Latin America and various U.S. regions, delivering schematic design and documentation for both new locations and renovations. Each project responds to distinct cultural, environmental, and regulatory contexts, ensuring that the brand’s global identity is reflected through locally resonant design solutions.

My scope included architectural and interior design during the schematic phase, with responsibility for material and finishes selection, lighting strategy, art curation, and detailing.Projectswere fast-tracked, each store was developed, modeled, rendered, and fully documented within five days, then presented to the client for approval.

Every store responded to specificregional specifications and market needs. The design approach prioritized cohesive, elevated retail environments that enhance the customer experience while supporting operational efficiency and local compliance. These tailored designs helped reinforce the client identity while embracing regional character and site-specific conditions.

Location: USA/LATIN AMERICA

INTERIOR DESIGN FOR CAFETERIAS AROUND AMERICA | VARIOUS PROJECTS

BUILT PROJECT. BOGOTÁ, COLOMBIA

The designs balanced efficiency and customer comfort, with layouts carefully adapted to site constraints and regional standards. Many stores featured strategic bar configurations for clear visibility and optimized flow, varied seating typologies for flexible use, and regionally inspired finishes to create a grounded sense of place. Material palettes ranged from warm, natural tones that blend with surrounding landscapes, to moodier, urban-inspired palettes for compact footprints in dense city settings.

Within an accelerated five-day timeline per store, I was responsible for spatial planning, finish specifications, lighting concepts, 3D modeling, rendering, and full schematic documentation. These designs not only met the client’s branding and operational goals, but also respected local building codes, cultural context, and market preferences, resulting in thoughtful, responsive retail environments across the region.

RENDER, SAN MIGUEL DE ALLENDE, MEXICO
RENDER, MALL IN MEXICO
RENDER, MALL IN MEXICO
RENDER, PERU
RENDER, MEXICO

Key considerations included optimizing visibility and circulation, adapting bar and seating layouts to different footprints, and selecting materials that reflect both regional aesthetics and the brand’s design standards. In some cases, the focus was on maximizing limited space within urban environments, while others prioritized exterior connectivity, such as integrating shaded outdoor seating or framing views.

RENDER, GUATEMALA
RENDER, GUATEMALA
RENDER, PROJECT GUATEMALA
HAND DRAWING EXPLORATIONS FOR DIFFERENT CAFETERIAS
BUILT PROJECT, GUATEMALA

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PORTFOLIO 2025 - Fabiola Jimenez Ramirez_ by Fabi Jiménez - Issuu