Ezgi Zeynep Tataroglu

EZGI Z. TATAROGLU

2

EZG

EZGI Z. TATAROGLU

3

Sample Colophon & Copyright COPYRIGHT @ 2017 EZGI ZEYNEP TATAROGLU. All rights reserved. No part of this book may be used or reproduced in any manner without the written permission of Ezgi Zeynep Tataroglu.

EZGI ZEYNEP TATAROGLU PHONE: +1 510 229 9185 EMAIL: tatarogluezgi@gmail.com ACADEMY OF ART UNIVERSITY 79 New Montgomery Street, San Francisco, CA 94105 DIRECTOR : Grover Dear and Archana Myer INSTRUCTOR: Chamindri Wijemanne COURSE : Portfolio PAPER : International TYPEFACE : Calibri, Franklin Gothic Medium, Arial SOFTWARE : Adobe Suit MOOD BOARD AND CONCCEP PICTURES: Google, Pinterest PRINTER: Chum’s Design & Print 582 Market St #100, San Francisco, CA 94104 BINDERY: Chum’s Design & Print 582 Market St #100, San Francisco, CA 94104

Ezgi Zeynep Tataroglu born and raised in Ankara, Turkey. She loves to travel and experience different cultures. She believes, different culture taught us to became understanding physical and psychological of design.

Her interior design journey started in high school where she was a successful student with math and geometry. Also she loves playing with color and playing with floor plans, finding different combinations. Even before learning the tools, she knew shew wanted to pursue interior design. She wanted to bring this passion to life.

Coming to San Francisco was like coming to other home for her. She expanded so much creatively and socially while living in San Francisco and studying in Academy of Art. She strongly believes in team work, learning, sharing, and celebrating together.

Her other passion is dancing. Creating good choreography comes from feeling the rhythm, and good design is created when the designer understands the client’s needs and feels the client’s desires.

La Tazza Restaurant San Francisco

National Geographic Headquarters San Francisco

Konak Pier- Izmir/Turkey

Mariotto’s Residential

Other Interest Tie-UP Furniture Design Graphic Design Hand Rendering Color and Design Textile Design

1

I call architecture frozen music. – Johann Wolfgang von Goethe

2

3

La Tazza

Restaurante and Marketo

Commercial Design

CLIENT

With more than 25 years of experience as one of the countries premiere restaurant concept developers and visionaries; restaurateur Tony Riviera boasts a strong mix of Executive Management, Marketing and Franchising Chain development skills. Riviera’s vision, talent and expertise position Primo Hospitality Group restaurants for success. Always the global thinker, Riviera plans to expand his restaurant concepts nationally and eventually worldwide.

His projects: His first Los Angeles location, Primo Gelato, in 2002. Primo Gelato evolved to become Caffe Primo in 2005 (a 3500 square foot indoor/outdoor café) He currently owns and operates The Red Burrito, Canada’s largest burrito restaurant chain. He founded and served as President and CEO of the well-known Tony Maroni’s Gourmet Pizza chain. Other past restaurants include the critically acclaimed Andiamo, and The Manhattan Steakhouse, both in Seattle, Washington.

5

La Tazza Restaurante and Market - Commercial Design

PROGRAM PREPARED FOOD

RESTAURANT

MARKET

OTHERS

ROOF

Prepared deli

Seating area

Grocery

Office

Prepared hot food

Bar area

Dry products

Restrooms for customer

Seating area Gardening area

Prepared cold food

Open kitchen

Dairy

Sushi section

Catering

Beverages

Pizza oven Walk-in refrigerator Dishwasher

Restrooms for employees

Bakery Charcuterie Meat section Seafood section Cheese section and Wine

PIZZA OVEN

OPEN KITCHEN

PREPARED FOODS

GELATO AND COFFEE

MARKET

WINE

DINING

It is an upscale specialty food marketand cafĂŠ which specializes in highest quality organic, local sustainable products. It is located in very large apartment community projects that has a lot of residents in top luxury buildings. The top three things to communicate through the design will be very high quality products, classic,classy, approachability and affordability. Possible customer profile includes the young, foodie, and hipster crowd living within the community. They have a high disposable income and food habits towards supporting organic, local, sustainable farmers, fishermans, and ranchers.

La Tazza Restaurante and Market - Commercial Design

6

SITE

7

La Tazza Restaurante and Market - Commercial Design

PROGRAM BUILDING INFORMATION

WHAT IS AROUND

STATISTICS OF MISSION BAY

Year Built: February 2014

PARKS

POPULATION:

Zoning: Residential

AT&T Park

Total Population

3,915

Building Size: 455,000 sq. ft. -315 Residential

South Beach Park

Male Population

2,115

Units-

China Basin

Female Population

1,800

Retail Floor Plan Gross Area: 81457 sq. ft.

Mission Creek Park Pavilion

Percent Change Since 2000 2581.5 %

Retail Floor Plan Net Area: 7748 sq. ft.

Bay Front Park Koret Quad

Percent Change Since 2010 0.8 %

Parking:Only street parking

Median Age

32.75

SHOPPING

WEATHER:

HISTORY OF MISSION BAY

Walgreens

Average High in January

The area was salt marsh and lagoon that

Safeway

56.90 F

was home to Native American tribes for over

UPS

Average Low in January

45.70 F

5,000 years. Early 19th century San Francisco had got crowded, the government fill out

SCHOOLS

Average High in July

66.50 F

the salt marsh for bringing new population.

UCSF (University of San Francisco)

Average Low in July

54.10 F

New populations new job opportunity such

CCA (California College of the Arts)

Annual Precipitation

23.65 in.

as fishing, meat production, butchery, ship

AAU (Academy of Art University)

Air Pollution Index

building and repair. In 1998 redevelopment

Eagleswell Primary School

88.00 HOUSEHOLD INCOME:

project declared that was turning point for Mission Bay. MISSION BAY TODAY

LIBRARIES:

Median Income Under 25

$64,722

Mission Bay Library

Median Income 25-44

$113,356

UCSF Mission Bay FAMRI Library

Median Income 45-64

$69,643

Median Income Over 65

Today Mission Bay is growing so fast with residential and commercial way. Right across

SECURITY:

EDUCATION:

$ 34,062

the street there is Mission Creek from AT&T

San Francisco Police Department

No High School

122

Park. Mission Bay has a great view of Bay

San Francisco Fire Department - Station #1

Some High School

76

Bridge. As weather wise, it gets definitely

& #35

Some College

296

less fog and daytime temperature around 68

California Highway Control

Associate Degree

F. As a crime

99

Bachelors Degree

933

Graduate Degree

1,400

TRANSPORTATION Muni

MARITAL STATUS:

CalTrain (4th and King Street)

Never Married

1,529

Mission Bay MTA Shuttle (offers option for

Married

794

the SOMA area with service between the 4th

Separated

104

and King Caltrain station and Civic Center

Widowed

140

BART/MUNI. La Tazza Restaurante and Market - Commercial Design 8

CONCEPT Concept: Pamukkale Natural Hot Springs Pamukkale Springs are unique, timeless, natural, gathering, healing, alive, inviting, elegant, simple, transparent, powerful yet delicate, durable and welcoming for guests from all over the world.

Unique because it is just one in the world.

Tony Riviere’s dishes and products are precious.

Timeless, durable, Powerful yet delicate because it has been there over 400.000 years and still brings the hot water surfers.

Tony Riviere is successful, rooted and trustworthy business man and his businesses has been around long time and it will be.

Simple, because it is made from water, heat and calcium carbonate. Tony Riviere’s life style and design style is “less is more”.

Elegant, because of the color, content of the travertine has crystal elements. Tony Riviere likes classy.

Welcoming, because natural wonder and interesting. Tony Rivere’s customers should feel comfortable in the space.

Considering the client’s needs, the idea of Pamukkale Natural Hot Springs will provide inspiration, aesthetics and design direction for all aspects of this project.

Unique, inviting, gathering, healing, alive, timeless and welcoming are the words that spring to mind when one imagines this exotic and beautiful location.

Simple, elegant, natural, transparency, powerful yet delicate, durable is going to reflect trough the material, elements and shapes.

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La Tazza Restaurante and Market - Commercial Design

NATURAL

TIMELESS

RAW

ELEGANT

RAUGH

UNIQUIE

TRANSPERANT

CLASSICAL

RADICAL ROOTED

CLASSY

SHARP

PIEACE

RELAXING

ATOM GATHERING

HEAING ALIVE

INVITING

SIMPLE

POWERFUL YET DELICATE DURABLE

La Tazza Restaurante and Market - Commercial Design 10

PROJECT DEVELOPMENT Space Planing Studies

Final Block Diagram

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La Tazza Restaurante and Market - Commercial Design

Concept Development

Coffee and Gelato Area

Coffee and Gelato Area

La Tazza Restaurante and Market - Commercial Design 12

Concept Development

Market and Wine Area

Pizza Area

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La Tazza Restaurante and Market - Commercial Design

Market and Wine Area

Prepared Food and Open Kitchean Area

La Tazza Restaurante and Market - Commercial Design 14

PLANNING

15

The design of the space reflects the shape

like our heart circulates blood for life.

pass through gelato area.

of the travertines. The floor material and

The pizza oven area is the main entry

I chose to put the market are in the mid-

furniture also support the flow of the nat-

from 4 th street. This street is busy

dle because I did not want to interrupt

ural circulation like flow of the hot spring.

because of Baseball Park and other

the connection between pizza area and

My ceiling is 22 feet which is not a com-

businesses. There are alternative entries

open kitchen. Also I put gelato at the end

fortable height for humans. I lowered the

along Long Bridge St. The cashier and

because that side is the closest to the

ceiling to create canyons on the ceiling

pizza chef share the same work space

residential area for residents to get a cup

which reflect the shape of the hot springs.

and they both greet the customers when

of delicious Italian coffee.

The lowest part of the ceiling, also the

they walk in. After customers order food

widest, is at 13 feet over the main circu-

or drink they can continue into the dining

lation area. It is a way- finding corridor.

area which is self-seating. If t–hey order

Under the suspended ceiling I used epoxy

food waiters bring food to the table

on the floor in light turquoise which con-

For the market area you have multiple

nects to the color of the water in the hot

choices to enter. Two doors go directly to

springs. This light turquoise starts from

the market area, or you can pass through

kitchen and goes to all the other areas

pizza and open kitchen area, or you can

La Tazza Restaurante and Market - Commercial Design

Materials, Furnishings Colors and Textures

La Tazza Restaurante and Market - Commercial Design 16

PIZZA and DINING AREA

When I went to Italy, all the pizza restaurants I went to had a pizza oven in the front. That made me feels comfortable for two reasons. First, I could see while they were cooking my food, second it felt so much more welcoming like your home kitchen. I put pizza oven in main entry for two reasons. First, I wanted to create same ambiance like in Italy with people gathering and sharing a meal together in homey atmosphere. The second reason is for marketing purposes. Pizza oven visible from the street and smell will attract people from the street.

There is a bar counter around the pizza oven so people can gather around like La Tazza, the cup idea. Pizza area has counter and banquet seating. Passed the main entry customers can go to the large prepared- food area. I used sand colored brick on the pizza oven because at sunset the travertine’s color becomes like sand.

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La Tazza Restaurante and Market - Commercial Design

La Tazza Restaurante and Market - Commercial Design 18

19

Pizza Area 20

21

Pizza Area 22

PREPARED FOOD and KITCHEN AREA

To cut down on crowding and create customer flow, customers will get in line and check their menu- order sheet and move on to the register to pay.

I used wood on the celling for open kitchen and prepared food area, and two columns in the market area, one wall in gelato area and one wall for pizza area to differentiate the areas. Also I chose different textures and colors for the same reason.

My floor colors come from hot springs water color from different time of the day.I used same color in the circulation path, kitchen and signs to represent the circulation of the travertines, which, like a vein, continuously circulates.

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La Tazza Restaurante and Market - Commercial Design

La Tazza Restaurante and Market - Commercial Design 24

25

Prepared Food and Open Kitchean Area 26

Marke and Wine Area

There are not a lot of signs because I design all the products to be displayed clearly. Each section, for example meat or dairy, is separated by vertical dividers. There are also free standing sections like dry fruit, bread and cakes.

The lighting helps to highlight the products.

Lighting comes from the top shelves down on the product in a natural warm color to help show the real color of the product.

In the wine area customer comes to have a small talk with wine expert and they can taste wine. The wine is displayed in small rectangle boxes that have a vertical pattern that contrasts and fits with horizontal line of the ceiling.

After you get your wine you can check out and pay end of the market area. After that you can sit in the dining area and enjoy your meal.

Inspired by my concept my ceiling is stepped like Pammukale travertines and wine rack also follows those steps.

I notice that at the travertines the sun hits the side of the rock face and bounces back. I wanted this natural lighting effect, so I used reflected light with strip lights embedded in the ceiling. The material of lighting is Barrisol.

27

La Tazza Restaurante and Market - Commercial Design

La Tazza Restaurante and Market - Commercial Design 28

29

Market and Wine area 30

31

Market and Wine area 32

Gelato and Coffee Area

For informal and casual gathering there is an Italian coffee and gelato cafĂŠ on the opposite side of the restaurant. Just like the bar counter around the pizza oven there is a bar counter seating around the coffee machine and gelato. I created separate place because I wanted to offer a different kind of gathering areas for people to enjoy.

Using different two kinds of flowers helps to differentiate between, dining area and cafĂŠ area, and small lemon trees in front of registers is also wayfinding.

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La Tazza Restaurante and Market - Commercial Design

La Tazza Restaurante and Market - Commercial Design 34

35

Gelato and Coffee Area 36

BRANDING

37

La Tazza Restaurante and Market - Commercial Design

come to la tazza

where your cup is always full

La Tazza Restaurante and Market - Commercial Design 38

39

La Tazza

Restaurante and Garden

Commercial Design 40

PROJECT DEVELOPMENT Space Planing Studies

41

La Tazza Restaurante and Market - Commercial Design

Concept Development

Prepared Food -Open Kitchean Area- Wine Area and Dining Area

La Tazza Restaurante and Market - Commercial Design 42

PLANNING

The roof’s main purpose is gardening. I put the gardening area near to the entry and provide the largest allocated space .The gardening area has two sinks and storage for anyone who wants to store their gardening tools.

The outside living wall insulates the patrons and gives the feeling of being away

43

from city life.

the same color inspirations, like in the

On the roof there is a bar sitting area,

travertines. I also use the marble and

kitchen, couch sitting area, dining area,

wood with clean lines from the concept.

wine area and a dancing area.

Using different colors on the floor gives

There is space for a live band to come

the impression of flowing water in the riv-

and have small concert.

er, and that water arrives to the gardening

I use my concept on the roof too. I use

and music area, which both keep us alive

the same epoxy material on the roof and

and make us happy & peaceful.

La Tazza Restaurante and Market - Commercial Design

ROOF AREA

La Tazza Restaurante and Market - Commercial Design 44

45

Dancing Platform- Wine Area and Dining Area 46

47

Prepared Food -Open Kitchean Area- Wine Area-Dining- Gelato / CoffeArea 48

49

Architecture is the learned game, correct and magnificent,of forms assembled in the light. – Le Corbusier

50

51

National Geographic San Francisco Headquarters

Commercial Design

CLIENT National Geographic is found base on do research and understand about earth, animals and human life that is also part of the balance living.

National Geographic is a great tool understand meaning of circle of life.

National Geographic is a great tool understand other culture without judgment base on our culture, which is help to us bring together.

National Geographic gives information about wonderful architecture and how they cane built without having any technology.

National Geographic is Timeless, durable, Powerful, care for the generation/kids.

For example, the National Geographic Learning Framework places out what we believe children and youth should learn from their knowledges with the Society. National Geographic’s core beliefs and values, and has been created to deliver guidance for every invention, resource, service, and experience we design.

The Learning Framework supports instructors—everyone who teaches and cares for children and youth— with resources and tools to meet our mission: We teach kids about the world and how it works, empowering them to succeed and to make it a better place.

53

National Geographic San Francisco Headquarters - Commercial Design

PROGRAM During my research I learn about bringing commercial space

If we continue creating more and more spheres we will end

also make it personal in a deeper level to give a feeling

up with the structure called the Flower of Life. National geog-

customers are belong National Geography part of their

raphy bring us the past , present and future with flower of life

peace grow with the National Geography. Honestly it was

concept I try to give that endlessness with the concept and

not hard to do that because my client, National Geography

the first culture used the flower of into their buildings which

already rooted organization which is care about, human

is Egyptian, colors , elegant and as a design principles harmo-

raise, nature and animals. Also National Geography brings

ny of shapes – lighting fixtures and exhibition movables walls,

the reality into our house; show us to beauty, balance of

balance and symmetrical- movable walls ad their flower of

nature. National geography also care about kids and their

life shapes – second floor between open office and privative

education, they have educational class for them. When I

offices and in the middle launch area make it balance and

break down to National Geography philosophy there are

symmetrical. Also flower of life represent sacred geometry

LOVE, CARE AND SHARE, I try to show these element into

like national geography’s logo that and color of muted yellow

my design, and I start with the concept flower of life which

in the logo that a is show friendly, rich and elegant environ-

is “after the creation of the Seed of Life the same vortex’s

ment used those color in harmony and rhythmic in the first

motion was continued, creating the next structure known as

and second floor.

the Egg of Life. This structure forms the basis for music, as

In my design there is gathering because welcoming open

the distances between the spheres are identical to the dis-

restaurant and long tables to sitting together and sharing.

tances between the tones and the half tones in music. It is

Open door store is also welcoming people. Second floor huge

also identical to the cellular structure of the third embryon-

in the middle launch are to call employee to work together,

ic division (The first cell divides into two cells, then to four

share, care to give back to environment others.

cells then to eight). Thus this same structure as it is further

Flower of life concept is perfect fit for my client’s need and

developed, creates the human body and all of the energy

philosophy I try to create comfortable and productive area for

systems including the ones used to create the Merkaba. (

employee and more fun, learn and caring community for first

Merkabah, also spelled Merkaba, is the divine light vehicle

floor which is for all of us.

allegedly used by ascended masters to connect with and reach those in tune with the higher realms. “Mer” means Light. “Ka” means Spirit. “Ba” means Body.)

National Geographic San Francisco Headquarters - Commercial Design 54

SITE

34 Graham Street San Francisco, CA 94129

55

National Geographic San Francisco Headquarters - Commercial Design

SITE MAP ADDRESS: 34 GRAHAM ST, SAN FRANICSCO, CA

PROJECT LOCATION WALK SCORE 60 The site is a mix-use land of park, former military and residential. The park is characterized by many wooded areas, hills and the view of Golden Gate Bridge, San Francisco bay and the Pacific Ocean. The weather is nice but most of the times are very cloudy and windy.

R

LE D

EAT AND DRINK OFF THE GRID

TA YL

OR

101

RD

DOY

LIN

MO

AN

NT

ZA

GO

ME

AV E

RY S

T

CO

IN

BL VD

TRANSIT CAFE ARGUELLO THE COMMISSARY AND MORE

WHAT IS FUN BIKE SCORE 71 THE WALT DISNEY MUSEUM OW

PRESIDIO BOWILING CENTER

ST

YMCA

AM

ST

EN

AND MORE

KE

YE S

AV E

GR

AH

KOREAN WAR MEMORIAL AT THE PRESIDIO

BUS STOP GOOD TRANSIT 59 PRESIDIO TRAILS FREE WAY 101 BUS LINE

N

43 MASONIC 76X MARIN HEADLANDS EXPRESS 28 19TH AVENUE 91 3RD-19TH AVE OWL 97 Larkspur Ferry Terminal - San Francisco 38 Terra Linda - San Francisco 27 San Anselmo - San Francisco 101X Santa Rosa - San Francisco

National Geographic San Francisco Headquarters - Commercial Design 56

CONCEPT

57

Concept: Flower of Life

galaxy, The Mil Way.Meditation, National Geographic is found base on do research

When you ask “what is life meaning in ancient history?” Flowers of

and understand about earth, animals and human life that is also part of the balance

life the answer and it is still meaning, answer, and secret of the life.

living like meditation.

Flowers of life represent

Birth, National Geographic is a great tool understand meaning of circle of life.

Sacred Geometry, DNA code, meditation, galaxy, Milky Way, circle of

Tool of connection, National Geographic is a great tool understand other culture

life, geometric principle, life principle, Metatron’s cube, Fibonacci spi-

without judgment base on our culture, which is help to us bring together.

ral, birth, tool of connection, Pantheon, Taj Mahal, The Giza Plates and

Pantheon, Taj Mahal, the Giza Plates, National Geographic gives information about

as many ancients architect use the method of flower of life.

wonderful architecture and how they cane built without having any technology.

Sacred Geometry, National Geographic’s logo has sacred geometry

Complete, Timeless, durable, Powerful, everything made of from flower of life for-

DNA code, Milky Way, Galaxy, Circle of life, Metatron’s cube, Fibo-

mula in the world.

nacci spiral, Geometric principle, Life principle, National Geographic

Considering the client’s needs, the idea of Flower of Life will provide inspiration,

research about The Fibonacci Spiral before, the Fibonacci Spiral is the

aesthetics and design direction for all aspects of this project.

series of numbers 0,1,1,2,3,5,8,13,21,34… each number is comprised

Complete, inviting, tool of connection, birth, alive, timeless and welcoming are the

by adding together the previous 2 numbers. This is important be-

words that spring to mind when one imagines this exotic and beautiful location.

causethe spiral that this mathematical equation makes can be found in

Simple, elegant, natural, transparency, powerful yet delicate, durable, timeless is

all living things including human beings, plants, animals and even our

going to reflect trough the material, elements and shapes.

National Geographic San Francisco Headquarters - Commercial Design

ROSE QUARTZ & SERENITY COLOR PAIRINGS

Whether in soft or hard surface material, the pairing of Rose Quartz and Serenity brings calm and relaxation. Appealing in all finishes, matte, metallic and glossy, the engaging combo joins easily with other mid-tones including greens and purples, rich browns, and all shades of yellow and pink. Add in silver or hot brights for more splash and sparkle.

RAW

BASE ON LIFE FORMULA

TIMELESS

GALAXY COMPLETE

RADICAL

ROOTED

TRANSPERANT

BIRTH

CLASSY

METATRON’S CUBE

UNIQUIE

CLASSICAL

MEDITATION

HEAING

ELEGANT

SHARP PIEACE

DNA CODE

YET DELICATE

ATOM

CONNECTION

POWERFUL

MILKY WAY

National Geographic San Francisco Headquarters - Commercial Design 58

PROJECT DEVELOPMENT Space Planing Studies

2nd FLOOR PLAN

1nd FLOOR PLAN

Senior Editor

Store

Regional Manager

Store Small meeting room

Cafe Conferance Room

Senior Web Editor

Art Director

Restrooms

Controller

Marketing Directore

Exhibition Reception for offices

Front Lobby Coffee Kitchentte

Open Office Accountants Marketing Assistant Membership Coordibator Copy/Print Room

Janitorial Closet

Graphic Desigers Editors Office Manager Human Resources Manager

Loading Dock for Deliveries

Restrooms Men and Women

Telephone/Data Closets

GSEducationalVersion

GSEducationalVersion

59

National Geographic San Francisco Headquarters - Commercial Design

Final Block Diagram

Controller

Senior Editor

Senior Web Editor

Regional Manager

Art Director

Marketing Directore

Small meeting room 264 sq ft

Copy/Print Room 1,160 sq ft

139 sq ft 145 sq ft

141 sq ft

140 sq ft

140 sq ft

141 sq ft

140 sq ft

Outside Seating

Store

ELEV.

cashier

ELEC. TELECOM PANEL

Cafe 713 sq ft

Cafe

555 sq ft

Reception for offices cashier

Store

STAIR A

Janitorial Closet

DW

open area

612 sq ft

open office

Coffee Kitchentte 222 sq ft

Terrace 157 sq ft

165 sq ft

STAIR B

2,547 sq ft

Front Lobby

TELECOM ELEC. PANEL

ELEV.

Janitorial Closet

UP

2,866 sq ft

UP

Front Lobby

435 sq ft

555 sq ft

STAIR A DN 6" 0 3/4"

Exhibition Conferance Room

8 sq ft

4'-3/4"

STAIR B

Restrooms

DN

UP

2'-6 1/2"

2"

2"

2'-3 1/4"

5"

Loading Dock for Deliveries

open office MEN RESTROOMS MEN RESTROOMS

Loading Dock for Deliveries

810 sq ft

WOMEN RESTROOMS WOMEN RESTROOMS

2"

293 sq ft

436 sq ft

466 sq ft 453 sq ft

406 sq ft

1st FLOOR PLAN

2nd FLOOR PLAN GSEducationalVersion

GSEducationalVersion

National Geographic San Francisco Headquarters - Commercial Design 60

Occupancy Load and Matrix ADJACENCY MATRIX

places next to each other places close to each other

Front Lobby Store Cafe Exhibition Restroom Reception for offices Small meeting room Conferance Room Copy/Print Room Coffee Kitchentte Regional Manager Senior Editor Senior Web Editor Art Director Controller Marketing Directore Accountants Open Office Restrooms Men and Women Loading Dock for Deliveries Telephone/Data Closets Janitorial Closet

61

GSEducationalVersion

National Geographic San Francisco Headquarters - Commercial Design

places not related

Concept Development

National Geographic San Francisco Headquarters - Commercial Design 62

Concept Development

63

National Geographic San Francisco Headquarters - Commercial Design

National Geographic San Francisco Headquarters - Commercial Design 64

Concept Development

First Floor

65

National Geographic San Francisco Headquarters - Commercial Design

Second Floor

National Geographic San Francisco Headquarters - Commercial Design 66

PLANNING O

FIRST FLOOR

O

O

SYMBOL

ITEM NUMBER

ITEM DESCRIPTION

SH1

SH1

ST1

ST1 ST1

C

CH2 SH1

SYMBOL

ITEM NUMBER

Store

ITEM DESCRIPTION

cashier CH2

CUS1

T1

SH1

S1

CH2

Steelcase media:scape Lounge

C

CH2 SH1 CH2

RD

Reception Desk

T1

Magis Tavolo XZ3 Table

RD

Custom Made Cashier- Counter and Shelves

Front Lobby 5' 5'

CUS1

T1 CH2

TELECOM ELEC. PANEL

ELEV.

Janitoria Closet

8"

driade zigzag konstantin grcic

UP

ST2

STA A

ST2 CH1

ST1

DN

Aeron Chair

S1

Herman Miller Magis Stool

S1 ST2

ST2

Steelcase media:scape Lounge 8"

67

CUS2

Custom bar height table

CH2

Herman Miller Magis Chair

O

driade sunrise ludovica + roberto palomba

National Geographic San Francisco Headquarters - Commercial Design

Designer EZGI Z. TATAROGLU

S1

5'-5"

Project Name National Geograhic

3'-7"

6'-1/4"

SH1

6'-6"

O

O

O

O

O

O

O

O

O

Outside Seating

CH2 CH2

Cafe

CH2

CH2

CH2

CH2

T1 CH2

Loading Dock for Deliveries

CH2

CH2

3'-10 3/4"

DN

UP

6"

CH2

CH2

CH2

STAIR B

ST1

CH2

T1 CH2

CH2

ST1

11 1/2"

CH2

CH2

CH2

ST1

cashier

ST1 ST1 ST1 ST1

al

AIR

Loading Dock for Deliveries

N 1st FLOOR PLAN

Sheet Name FURNITURE PLAN - FIRST FLOOR

National Geographic San Francisco Headquarters - Commercial Design 68

FIRST FLOOR MUSEUM OPTIONS FOR MOVABLE WALL

69

National Geographic San Francisco Headquarters - Commercial Design

National Geographic San Francisco Headquarters - Commercial Design 70

Reception

71

National Geographic San Francisco Headquarters - Commercial Design

72

SECOND FLOOR SYMBOL

ITEM NUMBER

ITEM DESCRIPTION

S1

Steelcase media:scape Lounge

RD

Reception Desk

T1

Magis Tavolo XZ3 Table

Senior Web Editor

Copy/Print Room CUS1

SH1

CH1

ST1

Controller

Custom Made Cashier- Counter and Shelves

driade zigzag konstantin grcic

Aeron Chair

Herman Miller Magis Stool

ST2

Steelcase media:scape Lounge

CUS2

Custom bar height table

CH2

Herman Miller Magis Chair

O

driade sunrise ludovica + roberto palomba

Conferance Room TELECOM ELEC. PANEL

Janitorial Closet

Coffee Kitchentte 5'

5'

ELEV.

Steecase Inc. Elective Elements, Walden, Garlan,

ELEV.

UP Steelcase Convene

STAIR A DN

Reception for offices

4"

Steelcase Convene

2"

2"

Herman Mille EamesTables

5'-1/2"

3'

6'

2'-10 1/4"

Herman Miller Resolve

2'-9 3/4"

2" 2"

4'-10 3/4"

2"

2"

Herman Miller eames molded plastic chair

5'-11"

Herman Miller Magis Chair

73

EZGI Z.Headquarters TATAROGLU NationalDesigner Geographic San Francisco - Commercial Design

Project Name National Geograhic

Art Director

STAIR B

Senior Editor

Regional Manager

Marketing Directore

DN 7'-4 3/4"

UP

6"

Small meeting room

Open Office N 2nd FLOOR PLAN

Sheet Name FURNITURE PLAN - SECOND FLOOR

National Geographic San Francisco Headquarters - Commercial Design 74

75

Open Office and Cafe 76

77

Open Office and Cafe 78

CONSTRUCTION DOCUMENT GENERAL NOTES

PROJECT ADDRESS:

SYMBOLS

VICINITY MAP

43 GRAHAM STREET SAN FRANCISCO, CA 94129 YEAR BUILT: 2016 EXPECTED COMPLETION: 2018 BUILDING AREA: 20,000 SQFT NEIGHBORHOOD: PRESIDIO HEIGHTS ZONING CLASSICATION: COMMERCIAL SCOPE OF PROJECT: NEW CONSTRUCTION COMPLETE INTERIOR DESIGN OF COMMERCIAL PUBLIC AND OFFICES

1. ALL WORK SHALL COMPLY WITH THE APPLICABLE CODES, AMENDMENTS, RULES, REGULATIONS, ORDINANCES, LAWS, ORDERS, APPROVALS, ETC. THAT ARE REQUIRED BY PUBLIC AUTHORITIES. IN THE EVENT IF CONFLICT, WORK SHALL COMPLY WITH THE MOST STRINGENT REQUIREMENTS. REQUIREMENTS INCLUDE, BUT ARE NOT LIMITED TO, THE CURRENT APPLICABLE EDITIONS OR PUBLICATIONS OF THE FOLLOWING: A. INTERNATIONAL BUILDING CODE 2012 (CALIFORNIA BUILDING CODE AMENDMENTS 2010, AND SAN FRANCISCO BUILDING CODE AMENDMENTS 2010.)

B. UNIFORM MECHANICAL CODE (U.M.C), 2012 C. NATIONAL ELECTRICAL CODE (N.E.C), 2011 D. UNIFORM PLUMBING CODE (U.P.C), 2009 E. INTERNATIONAL FIRE CODE (I.F.C), 2009 F. AMERICANS WITH DISABILITIES ACT (A.D.A), 2010 G. STATE AND LOCAL MUNICIPAL ORDINANCES AND AMENDMENTS TO THE CODES 2. THE GENERAL CONTRACTOR SHALL COORDINATE AND PROVIDE APPROPRIATE STRUCTURAL BACKING AND REINFORCING IN PARTITIONS BEHIND ALL WALL-MOUNTED, WALL ANCHORED OR SUPPORTED ITEMS. ALL CONCEALED WOOD USED FOR SUCH SUPPORT SHALL BE FIRE RETARDANT TREATED. 3. REFER TO ENLARGED PLANS FOR DIMENSIONS AND INFORMATION WHEN DESIGNATED. 4. IN THE EVENT OF CONFLICT BETWEEN DATA SHOWN ON DRAWINGS AND DATA SHOWN ON THE SPECIFICATIONS, THE DRAWINGS SHALL TAKE PRECEDENCE. DETAIL DRAWINGS TAKE PRECEDENCE OVER DRAWING OF SMALLER SCALE. SHOULD THE CONTRACTOR AT ANY TIME DISCOVER AN ERROR IN A DRAWING OR SPECIFICATION OR A DISCREPANCY OR VARIATION BETWEEN DIMENSIONS ON DRAWINGS AND MEASUREMENTS AT THE SITE OR LACK OF DIMENSIONS OR OTHER INFORMATION, THE GENERAL CONTRACTOR SHALL NOT PROCEED WITH THE WORK AFFECTED UNTIL CLARIFICATION HAS BEEN MADE. 5. PATCH AND REPAIR ALL GYP. BD. WALLS & CEILINGS AS REQUIRED FOR (N) WORK , VERIFY EXTEND OF WORK IN THE FIELD. 6. LAY-OUT ALL PARTITIONS BEFORE PROCEEDING. VERIFY PARTITION LAY-OUT WITH ARCHITECT BEFORE FRAMING. IF DISCREPANCIES EXIST BETWEEN FIELD CONDITIONS AND THE DRAWINGS NOTIFY ARCHITECT. 7. ALL PARTITIONS, DOORS, GLAZED OPENINGS, SOFFITS, METAL., SHALL BE STRUCTURALLY BRACED IN ACCORDANCE WITH SEISMIC CODE REQUIREMENTS. 8. COORDINATE LOCATION AND PROVIDE BLOCKING, BACKINGS AND/OR REINFORCEMENT IN PARTITIONS FOR ALL CABINETS, COUNTERTOPS AND ANY WALL-MOUNTED ITEMS. REFER TO THE PLANS, ELEVATIONS AND DETAILS FOR LOCATION OF ITEMS WHICH MAY REQUIRE SUPPORT. 9. ALL NEW PARTITIONS SHALL BE DIMENSIONED FROM (E) FINISH FACE TO (N) FINISH. 10. THE CONTRACTOR IS RESPONSIBLE FOR VERIFYING THE DIMENSIONS AND ELEVATIONS AT THE SITE. THE CONTRACTOR AND SUB-CONTRACTOR SHALL COORDINATE THE LAYOUT AND EXACT LOCATIONS OF ALL PARTITIONS, DOORS, ELECTRICAL/TELEPHONE OUTLETS, LIGHT-SWITCHES AND THERMOSTATS WITH THE ARCHITECT IN THE FIELD PRIOR TO PROCEEDING. 11. WHEREVER DIAGONAL BRACING IS INDICATED OR OTHERWISE REQUIRED. INSTALL BRACING UNEXPOSED TO VIEW, PARTICULARLY AT SUSPENDED OR DRYWALL CEILING AREAS. 12. WHERE NEW PARTITIONS MEET EXISTING MULLIONS OR COLUMNS INSTALL THE NEW PARTITION PERPENDICULAR TO THE EXISTING MULLION OR COLUMN AND ALIGN THE CENTERLINE OF THE NEW PARTITION WITH THE MULLION OR COLUMN U.O.N. 13. WHERE A GYPSUM BOARD PARTITION MEETS FLUSH WITH THE FACE OF AN EXISTING PARTITION, REMOVE THE EXISTING METAL CORNER BEAD BEFORE INSTALLING THE NEW PARTITION. 14. ALIGN NEW PARTITION SURFACES WITH THE EXISTING ADJACENT OR ADJOINING SURFACES WHERE INDICATED. TAPE AND SAND THE JOINTS TO SMOOTH WITHOUT ANY VISIBLE JOINTS. PATCH AND REPAIR SURFACES TO MATCH ADJACENT OR ADJOINING SURFACES. 15. PATCH EXISTING DAMAGED PARTITIONS THROUGHOUT ENTIRE PROJECT AREA TO MATCH ADJACENT SURFACES. 16. CUT AND FIT COMPONENTS AS REQUIRE TO ALTER EXISTING WORK FOR INSTALLATION OF NEW WORK. PATCH DAMAGED AREAS TO MATCH ADJACENT SURFACES. 17. AT OPENINGS IN GYPSUM BOARD WALLS FOR DUCT WORK, RETURN AIR, WRAP HEAD, JAMBS AND SILL OF OPENING WITH GYPSUM BOARD. U.O.N. 18. VERTICAL DIMENSIONS ARE FROM TOP OF FLOORS LAB, EXCEPT WHERE OTHERWISE NOTED TO BE ABOVE FINISH FLOOR. 19. DIMENSION ARE NOT ADJUSTABLE WITHOUT APPROVAL OF THE ARCHITECT UNLESS NOTED +/- OR VIF. 20. THE GENERAL CONTRACTOR SHALL VERIFY THAT NO CONFLICT EXIST IN THE LOCATION OF ANY MECHANICAL, HVAC, TELEPHONE, ELECTRICAL, PLUMBING AND SPRINKLER EQUIPMENT (TO INCLUDE ALL PIPING, DUCT WORK, CONDUIT, CABLES, ETC.)AND THAT ALL REQUIRED CLEARANCES FOR INSTALLATION AND MAINTENANCE OF ABOVE EQUIPMENT ARE PROVIDED. ELEMENTS TO BE EXPOSED TO VIEW SHALL BE REVIEWED WITH THE ARCHITECT AND COORDINATED BY AND BETWEEN THE GENERAL CONTRACTOR AND PERTINENT SUB-CONTRACTORS PRIOR TO CONSTRUCTION OR FABRICATION PROCEEDING. 21.HORIZONTAL DIMENSIONS INDICATED ARE TO/FROM FINISHED FACE OF CONSTRUCTION, EXCEPT AS NOTED. 22.ALL DRAINAGE TO BE BUILT AT SLOPE OF 1/8" PER1 '.

23. FLOOR TOLERANCE: FINISHED FLOOR TO BE LEVELED TO A TOLERANCE OF 1/4’’ SLOPE IN 10 FEET. GENERAL CONTRACTOR TO IMMEDIATELY VERIFY SLOPE AND REPORT ANY DEVIATIONS FROM THE ABOVE STATED TOLERANCE TO ARK STUDIO WEST PRIOR TO COMMENCING WORK. ALIGNMENT OF DOOR HEADS AND OTHER CRITICAL HORIZONTAL ELEMENTS SHALL BE MAINTAINED AT A CONSISTENT LEVEL AND SHALL NOT FOLLOW VARIATIONS IN FLOOR PLATES. 24.FIRE EXTINGUISHER SHALL BE LOCATED SO THAT ALL PORTIONS OF THE BUILDING ARE WITHIN 75 FEET. SEE PLANS FOR LOCATIONS. MINIMUM FIRE EXTINGUISHER SIZE AND CLASSIFICATION SHALL BE 2-A:10-BC.

ABBREVIATIONS ABOVE FLOOR FINISH ACRYLIC CABINET CARPET CEILING CERAMIC TILE CLEAR COAT CHECK COLUMN CONCRETE CONFERENCE CORRIDOR DEPTH ELEVATOR ROOM EQUAL FLOOR GLASS GYPSUM BOARD GYP HEIGHT JANITOR LINOLEUM METAL NOT TO SCALE OFFICE PAINT STAINLESS STEEL TELEPHONE/DATA WALL COVERING WOOD

AFF MTL - METAL ACR MBL - MARBLE CAB CNT - CONCRETE CPT CLG GLS - GLASS SS - STAINLESS CT CLR STEEL CCH CLG - CEILING COL EP-EPOXY CC BR-BARISOL CONF COR D ER EQ FLR GLS BD H JAN LINO MTL NTS OFF PT SS TD WC

SITE MAP

WD

SHEET INDEX

COLUMN GRID ELEVATION R1 AND R2- RESTAURANTS ELEVATION K1 AND K2 OPEN KITCHEN AND REREAD FOOD ELEVATION M1 AND M2 MARKET ELEVATION C1 AND C2 CAFE LEVEL LINES

A01 - Cover Sheet A02 - Site Plan A03 - Egress Diagrams A04- Level 1 Floor Plan A05 - Level 1 Floor Plan A06 - Basement Floor Plan A07 - Basement Floor Plan A08- Level 2 Floor Plan A09- Level 2 Floor Plan A10 - Level 2 Furniture Plan A11- Level 2 Furniture Plan A12- Level 2 Finish Plan A13 - Level 2 Finish Plan A14- Level 2 Reflected Ceiling Plan A15 - Level 2 Reflected Ceiling Plan A16- Interior Building Sections A15 - Exterior Building Sections A16 - ADA Restroom/Floor Plan Enlarged A17 Interior Elevations A18 - Details A19- Room Finish Schedules A20- Spec

LEVEL DOOR TAG WALL SECTION/ELEVATION DETAIL NORTH ARROW ROOM NUMBER BUILDING SECTION Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Sheet Name COVER SHEET Date DECEMBER 15,2016 SCALE N/A

Owner National Geographic Headquarters

A01

GSEducationalVersion

ANZA AVE Outside Seating

Store

cashier

Cafe

cashier

Loading Dock for Deliveries

STAIR B DN

UP

Front Lobby

entry ELEV.

TELECOM ELEC. PANEL

Janitorial Closet

UP STAIR A DN

Loading Dock for Deliveries

1st FLOOR PLAN

GRAHAM St

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Owner National Geographic Headquarters GSEducationalVersion

79

National Geographic San Francisco Headquarters - Commercial Design

Sheet Name FLOOR PLAN Date DECEMBER 15,2016 SCALE N/A

A02

Pendant Chandelier

Outside Seating

Track Lighting Recessed Compact Can

2'-1/2" 2'-4 1/4" 2'-1/2"

Store

STAIR B

cashier

Fluorescent Lamp

Wall Lamp

2'

Slide Door Track Plasterboard with Led Lighting

2'-1/2"

Cafe

UP

DN

2'-1/2"

1'-11 1/2"

Sd Ss

Pendant Lighting

cashier

2'-1/2"

1'-11 1/4"

Loading Dock for Deliveries

Pendant Lighting

Sd Ss

Sd Ss

Sd Ss

Sky Lighting

Sd Ss

Front Lobby P

TELECOM ELEC. PANEL

ELEV.

Janitorial Closet

Projector

Switch Two Way Switch Three Way Switch

Ss Sd

UP STAIR A

Ss

Switch w/ sensor

Sd

Switch w/ dimmer Outlets

DN

Speakers HVAC System

SA EXIT

Sd Ss

Smoke Alarm

HVAC System Bathroom Fan

Pendant Lighting wityh wooden base

Loading Dock for Deliveries wood panel ceiling

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Sheet Name RCP FIRST FLOOR Date DECEMBER 15,2016 SCALE N/A

Owner National Geographic Headquarters

A03.

GSEducationalVersion

Pendant Chandelier Track Lighting

Small meeting room

STAIR B

Recessed Compact Can

Fluorescent Lamp

P Wall Lamp

Copy/Print Room

Senior Web Editor

Controller

Art Director

Senior Editor

Regional Manager

Slide Door Track

Marketing Directore

Plasterboard with Led Lighting

DN

P

UP

Pendant Lighting

Pendant Lighting

ELEC. PANEL TELECOM Sky Lighting

Janitorial Closet

Conferance Room

Coffee Kitchentte

P

Projector

Switch Two Way Switch

ELEV.

Three Way Switch

UP STAIR A

Ss

Switch w/ sensor

Sd

Switch w/ dimmer Outlets

DN

Speakers HVAC System

SA EXIT

Smoke Alarm

HVAC System Bathroom Fan

Pendant Lighting wityh wooden base

N

wood panel ceiling

2nd FLOOR PLAN

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Owner National Geographic Headquarters

Sheet Name RCP SECOND FLOOR PLAN Date DECEMBER 15,2016 SCALE N/A

A04

GSEducationalVersion

National Geographic San Francisco Headquarters - Commercial Design 80

Outside Seating

EXIT

STAIR B

cashier

Cafe

Store

UP EXIT

DN

EXIT

Front Lobby

5'

5'

TELECOM ELEC. PANEL

ELEV.

Janitorial Closet

8"

UP

3'-7"

6'-1/4"

STAIR A DN

Loading Dock for Deliveries

N 1st FLOOR PLAN

Project Name National Geograhic

Designer EZGI Z. TATAROGLU Checked By AAU Instructor

Sheet Name POWER DATA PLAN - FIRST FLOOR

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Date DECEMBER 15,2016 SCALE N/A

Owner National Geographic Headquarters

A07

GSEducationalVersion

STAIR B

Senior Web Editor

Copy/Print Room

Controller

Art Director

Senior Editor

Regional Manager

Marketing Directore

DN 7'-4 3/4"

UP

6"

Small meeting room

Conferance Room TELECOM ELEC. PANEL

Janitorial Closet

Coffee Kitchentte 5'

5'

ELEV.

ELEV.

UP STAIR A DN

4"

Reception for offices

2"

6'

2'-10 1/4"

2"

5'-1/2"

3'

2"

Open Office

5'-11"

2"

2'-9 3/4"

2" 2"

4'-10 3/4"

N 2nd FLOOR PLAN

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Owner National Geographic Headquarters GSEducationalVersion

81

National Geographic San Francisco Headquarters - Commercial Design

Sheet Name POWER DATA PLAN -SECOND FLOOR Date DECEMBER 15,2016 SCALE N/A

A08

O

O

O

O

O

O

O

O

O

O

O

O

Outside Seating

SYMBOL

ITEM NUMBER

ITEM DESCRIPTION

SH1

SH1

ST1

ST1 ST1 ST1 ST1 ST1 ST1

ST1

CH2

CH2

CH2

ST1

STAIR B

ST1

CH2

SH1

SYMBOL

ITEM NUMBER

Store

ITEM DESCRIPTION

cashier CH2

CUS1

CH2 CH2

T1

CH2

T1

SH1 CH2

Steelcase media:scape Lounge

CH2

CH2 CH2

CH2

Cafe

CH2

CH2

11 1/2"

S1

Loading Dock for Deliveries

CH2

SH1

T1

Magis Tavolo XZ3 Table

CH2

T1 CH2

CH2

CH2

CH2

T1 CH2

3'-10 3/4"

CH2

UP

DN

6"

Reception Desk

cashier

CH2

RD

Custom Made Cashier- Counter and Shelves

Front Lobby 5' 5'

CUS1

RD

TELECOM ELEC. PANEL

ELEV.

Janitorial Closet

8"

SH1

driade zigzag konstantin grcic

UP

3'-7"

6'-1/4"

ST2

STAIR A

ST2 CH1

ST1

DN

Aeron Chair

S1

Herman Miller Magis Stool

S1 ST2

ST2

Steelcase media:scape Lounge 8"

CUS2

Custom bar height table

CH2

Herman Miller Magis Chair

O

driade sunrise ludovica + roberto palomba

S1

6'-6"

5'-5"

Loading Dock for Deliveries

N 1st FLOOR PLAN

Project Name National Geograhic

Designer EZGI Z. TATAROGLU Checked By AAU Instructor

Sheet Name FURNITURE PLAN - FIRST FLOOR

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Date DECEMBER 15,2016 SCALE N/A

Owner National Geographic Headquarters

A05

GSEducationalVersion

SYMBOL

ITEM NUMBER S1

ITEM DESCRIPTION

STAIR B

Steelcase media:scape Lounge

RD

Reception Desk

T1

Magis Tavolo XZ3 Table

Senior Web Editor

Copy/Print Room CUS1

Controller

Art Director

Senior Editor

Regional Manager

Marketing Directore

Custom Made Cashier- Counter and Shelves

DN

driade zigzag konstantin grcic

Small meeting room Aeron Chair 6"

CH1

7'-4 3/4"

UP SH1

ST1

ST2

Herman Miller Magis Stool Steelcase media:scape Lounge

CUS2

Custom bar height table

CH2

Herman Miller Magis Chair

O

driade sunrise ludovica + roberto palomba

Conferance Room TELECOM ELEC. PANEL

Janitorial Closet

Coffee Kitchentte 5'

5'

ELEV.

Steecase Inc. Elective Elements, Walden, Garlan,

ELEV.

UP Steelcase Convene

STAIR A DN

Reception for offices

4"

Steelcase Convene

2"

2"

5'-1/2"

3'

Herman Mille EamesTables

6'

2'-10 1/4"

Herman Miller Resolve

2'-9 3/4"

2" 2"

4'-10 3/4"

2"

2"

Herman Miller eames molded plastic chair

Open Office

5'-11"

Herman Miller Magis Chair

N 2nd FLOOR PLAN

Designer EZGI Z. TATAROGLU Checked By AAU Instructor Owner National Geographic Headquarters

Project Name National Geograhic

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Sheet Name FURNITURE PLAN - SECOND FLOOR Date DECEMBER 15,2016 SCALE N/A

A06

GSEducationalVersion

National Geographic San Francisco Headquarters - Commercial Design 82

+27' 3 3.story

+27' 3 3.story

+14'-2" 2 Story

+14'-2" 2 Story

±0" 1 Story

±0" 1 Story

+27' 3 3.story

+27' 3 3.story

+14'-2" 2 Story

+14'-2" 2 Story

±0" 1 Story

±0" 1 Story

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Sheet Name COVER SHEET Date DECEMBER 15,2016 SCALE N/A

Owner National Geographic Headquarters

A11

GSEducationalVersion

+27' 3 3.story

+27' 3 3.story

+14'-2" 2 Story

+14'-2" 2 Story

±0" 1 Story

±0" 1 Story

+27' 3 3.story

+27' 3 3.story

+14'-2" 2 Story

+14'-2" 2 Story

±0" 1 Story

±0" 1 Story

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

Owner National Geographic Headquarters GSEducationalVersion

83

National Geographic San Francisco Headquarters - Commercial Design

Sheet Name COVER SHEET Date DECEMBER 15,2016 SCALE N/A

A10

5" 6'-9"

6'-3"

3'-2"

5"

9'

5'-7" 5"

2"

2'-7 1/4"

8'-5"

5'-9 1/2"

5" 3'-3/4"

Designer EZGI Z. TATAROGLU

Project Name National Geograhic

Checked By AAU Instructor

Adress 34 Graham Street, SAN FRANCISCO, CA 94129

5"

5"

2" 2'-7 1/4" 2"

4'-8"

5'-1"

2'-6 1/2"

2"

2"

5'

Owner National Geographic Headquarters

3'-2"

Sheet Name COVER SHEET Date DECEMBER 15,2016 SCALE N/A

A09

GSEducationalVersion

National Geographic San Francisco Headquarters - Commercial Design 84

85

Each new situation requires a new architecture. – Jean Nouvel

86

87

Mariotto’s Residential

Residential Design

SITE

89

Mariotto’s Residential- Residental Design

CONCEPT Minoans A thriving seafaring civilization, the Minoans populated the island of Crete between the 27th and the 15th centuries B.C.E. Excavations of Minoan palaces have revealed the rich artistic tradition of these ancient people.

Categorized by 20th century archaeologist Arthur Evans into three distinct periods, the Early, Middle and Late Minoan, much of what is known of Minoan culture can be found in their ceramics, frescoes, stone carving and metalwork.

Mariotto’s Residential- Residental Design

90

PLANNING

91

Mariotto’s Residential- Residental Design

LIVING and DINING ROOM

Mariotto’s Residential- Residental Design

92

93

94

Office

95

Mariotto’s Residential- Residental Design

Mariotto’s Residential- Residental Design

96

97

98

Bedroom

99

Mariotto’s Residential- Residental Design

Mariotto’s Residential- Residental Design

100

101

Mariotto’s Residential- Residental Design 102

103

One of the great beauties of architecture is that each time it is like life starting all over again. – Renzo Piano

104

105

Konak Pier Izmir/ Turkey

Commercial Design

SITE

107

Konak Pier- Izmir/Turkey - Commercial Design

Konak Pier- Izmir/Turkey - Commercial Design

108

CONCEPT Reflection Konak Pier, which was built in the 19th century as the French Customs and used as a fish market, wheelhouse, bus station directorate and naval forces facility, is the city’s smiling face today with its shops and restaurants.

Konak Pier, which was built in the second half of the 19th century, has an interesting history.

We can see the many changes the building has gone through from the old documents and pictures.

To understand the current identity of the building we need to journey back to its past.

This journey goes all the way back to the capitulation period. During this period when the customs were controlled by the French, they got permission to fill the pier to encounter the docking problem of big ships. This area, where two wooden sheds were built, was used as a storage area at the start of the 1850’s. When needed, the sea is further filled and the storage area is widened. In the end, the area becomes a 40 meter wide, 100 meter long concrete slab.

After a couple of years, two large doors and officers for customs officers are built at the French Customs Office. After 1860, a similar building is constructed at the tip of the filled area. The structure, which receives a second floor at the start of the 1900’s, becomes a wheelhouse for captains. When the area becomes insufficient again, a two-story stone building is constructed in the middle of the area.

109

Konak Pier- Izmir/Turkey - Commercial Design

PLANNING FURNITURE PLAN

LIGHTING PLAN

Konak Pier- Izmir/Turkey - Commercial Design

110

111

Konak Pier- Izmir/Turkey - Commercial Design

112

113

Konak Pier- Izmir/Turkey - Commercial Design

114

115

Konak Pier- Izmir/Turkey - Commercial Design

116

117

Konak Pier- Izmir/Turkey - Commercial Design

118

119

Konak Pier- Izmir/Turkey - Commercial Design

120

121

122

PLANNING FURNITURE PLAN

123

Konak Pier- Izmir/Turkey - Commercial Design

Konak Pier- Izmir/Turkey - Commercial Design

124

125

The difference between good and bad architecture is the time you spend on it. – David Chipperfield

126

127

Other Interest

Tie-UP Furniture Design Graphic Design Hand Rendering Color and Design Textile Design

FURNITURE DESIGN Tie-UP

129

Other Interest Tie-UP Furniture Design

Other Interest Tie-UP Furniture Design

130

WATER COLOR RENDERING

131

Other Interest WATERCOLOR RENDERING

Other Interest WATERCOLOR RENDERING

132

133

Other Interest WATERCOLOR RENDERING

Other Interest WATERCOLOR RENDERING

134

135

Other Interest WATERCOLOR RENDERING

PENCIL COLOR RENDERING

Other Interest PENCIL COLOR RENDERING 136

TEXTILE STYLE

137 Other Interest TEXTILE STYLE

GUAJ PAINTING

Other Interest GUAJ PAINTING

138

My deepest gratitude...

139

I am thankful for so many people in my life, both my relatives, my friends and people, who I met in here San Francisco and at the Academy of Art – These people who have become family to my soul.

I would like to start with my father; He is my best friend, my parent, and my role model. He is the greatest gift in my life. Although he lives in Turkey, he’s been beside me every step of this journey with his love and soul. Dad, thank you for walking next to me.

To my mother, she is the joy of my life. Whenever I feel tired or frustrated, she is the light of my life. Mom, thank you for lighting my way.

To my brother Mehmet, always be there loving and caring. Thank you for being there with love and caring.

To my lovely Auntie Dilek Avunduk, I am so thankful for sharing her experience and level mind, helping me at every level of my life.

Thank you for holding my hand whenever i needed.

And to my soul family! My Auntie Alisa DePalma, Elif Doganalp, James, Ryan, Fahrettin Tasdelen, Sabriye Topcu, Meric Kutlu, Nese Jovin, Husniye Inal, Sarah Grady, Fatih Topcu, Zuhal Tuzcu, Can Koymen and Semiha Ozturk. I am so thankful to all of you for your love and support.

To my generous instructors, who share their knowledge and time, and help me to become a better designer; Chamindri Wijemanne, Sherries Lee, Kathleen Valkuchak, Stephan Hoffpauir, Agustin Sander, Molly Ness, Ernie Mariotto, Micheal Sammet, Archibald Woo, Pamela Tang, Seren Zanello, Mark, Miller, Helen Klonaris,Denise Richards, Tuan Louv, Cheyanne Cortez and Ender Aydin. Thank you for care, attention and love.

To my advisers Christopher Guevara and Rebecca Spiro always there for me any time with love, care and great solutions.

To my amazing friends and classmates, it was great to be on the same team with all of you!

I hope to be with all of you in the future near and far, and I hope we will continue laugh, share and celebrate together.

Lots of gratitude and love for all of you!

140

1