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OCT 18 THRU NOV 19

EVERYMAN THEATRE G R EAT STO RIES, WELL TOLD.

#bmoreeveryman INTIMATE APPAREL | A


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EVERYMAN THEATRE

Vincent M. Lancisi, Founding Artistic Director Jonathan K. Waller, Managing Director

presents

INTIMATE APPAREL Playwright LYNN NOTTAGE Director TAZEWELL THOMPSON

Esther..................................................................................................... DAWN URSULA* Mrs. Dickson.............................................................................................JENN WALKER* Mrs. Van Buren.........................................................................................BETH HYLTON* Mr. Marks................................................................................................... DREW KOPAS* Mayme......................................................................................................JADE WHEELER* George.......................................................................................... BUEKA UWEMEDIMO* Set Design

DONALD EASTMAN Sound Design & Composition

FABIAN OBISPO Piano Consultant

ERNEST LIOTTI

Lighting Design

STEPHEN QUANDT Dialects

GARY LOGAN Props Master

JILLIAN MATHEWS

Costume Design

DAVID BURDICK Wig Design

DENISE O’BRIEN Stage Manager

AMANDA M. HALL*

Understudy-Mr. Marks STEVE POLITES

Time and Place: Lower Manhattan, 1905.

This production will be performed in two acts with one intermission.

PLEASE TURN OFF ALL CELL PHONES. NO TEXTING. NO EATING IN THE THEATRE. Intimate Apparel is presented by special arrangement with Dramatists Play Service, Inc., New York. Commissioned and first produced by South Coast Repertory and Center Stage. Originally produced in New York by Roundabout Theatre Company, Todd Haimes, Artistic Director. The videotaping or making of electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly prohibited, a violation of the author’s rights and actionable under United States copyright law. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

SPONSORS

VIC & NANCY ROMITA INTIMATE APPAREL | 1


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A NOTE FROM ARTISTIC DIRECTOR, VINCENT M. LANCISI

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elcome. At Everyman, we place a high value on intimacy. We are attracted to stories that are intimate, relationships that are intimate and performances that are intimate and offer an up-close view into a person’s life. We love to hold the mirror up to nature in a way that allows audiences to detect the subtle layers of relationships and motivations in search of the truth in the play.

advantage of the opportunities they created to survive. I think it’s fascinating that this play marks resident company member Dawn Ursula’s third opportunity to portray one of these iconic people here at Everyman. She transforms right before our very eyes as she takes on another of Nottage’s extraordinary characters. Intimate Apparel is a play filled with powerful, expressive writing. It’s about love and life and pursuing your dreams. Nottage’s poetic style with this piece reminds me why she’s one of the finest playwrights writing today. Her plays are deeply human. Each one provides an experience for the audience that represents live theatre at its best.

Intimate Apparel is the epitome of this kind of play. Lynn Nottage is the only woman playwright to ever win two Pulitzer Prizes for her dramas. This doesn’t surprise me. Intimate Apparel marks the third Lynn Nottage play we have performed over the past three years. Ruined and By The As we celebrate great writers and plays, Way, Meet Vera Stark were the other two. please consider subscribing to the Needless to say, we’re big fans of her writing. rest of the season here at Everyman. Back in 2003 Intimate Apparel had its world If you already subscribe, thank you. premiere at Baltimore’s Center Stage. In fact, Experiencing each other’s stories is so Center Stage co-commissioned the play with important in our lives—especially in this South Coast Rep. Thank God that they did, fast paced, technological world we live for it has become a beloved play and here in. We go to the theatre to connect with we are 14 years later, bringing it back home people—to see ourselves and others in to Baltimore. ways that we might have overlooked or not thought about. If you like what you One of the great things about Nottage is see here at Everyman, please spread the that she often gives a voice to people we word. The most effective marketing is don’t see on stage. She tells all stories—a word of mouth and we want Everyone seamstress (Intimate Apparel) and a woman to see our plays. Talk about it, tweet it in the Congo (Ruined), among others. (#bmoreeveryman), share it on Facebook, Intimate Apparel is about a unique woman— tell your neighbor. It makes a difference. in many respects an “Everyman”—struggling to make her way in 1905 New York City, a Thank you for coming and enjoy the show. city of immigrants reinventing themselves and living/working in close quarters, taking

INTIMATE APPAREL | 3


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A NOTE FROM MANAGING DIRECTOR, JONATHAN K. WALLER

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t Everyman, the story you see on stage can be just the beginning of your journey. We invite you to join us in deepening the experience by exploring how the play’s themes connect to our lives and history here in the Baltimore area. For Intimate Apparel, we have more opportunities to do this than ever before thanks to a growing circle of committed and connected partners.

This fall, Everyman began an exciting collaboration with the Maryland Film Festival (MdFF) called “Everyman at the Parkway.” This is a season-long partnership that brings influential films to the beautiful new Stavros Niarchos Foundation Parkway in conjunction with Everyman’s 2017/18 season. It kicked off in September with nearly 100 people joining us for a screening of the film version of M. Butterfly starring Jeremy Irons. What followed was a vibrant conversation led by Founding Artistic Director Vinny Lancisi about the connections and contrasts between the stage and screen versions. For Intimate Apparel, Everyman Resident Company member Dawn Ursula will introduce Ava DuVernay’s award-winning film Middle of Nowhere and lead a postscreening discussion on October 24 about the resonances between the two works. For Intimate Apparel, in collaboration with fashionista/fashion historian/owner of Bonneau Caprece, LLC, Caprece JacksonGarrett, we’ve also partnered with Baltimore’s maker class of apparel designers and fiber artists to give our audiences a

peek into Baltimore’s own dynamic fashion industry—past and present. Here are a few highlights: On October 27, Stephen Wise, who was named Best Tailor by City Paper in 2016 and is the owner of SWB Atelier based in our own Bromo Arts and Entertainment district, will curate a community conversation called “Confessions of a Designer: The Untold Story.” The discussion will explore the fascinating inner life of working designers as artists, individuals, entrepreneurs and business owners. On November 12, notable Baltimore-based public artist and New Public Sites tour guide, Graham Coreil-Allen, will lead “Threading History and Place: A Bromo District Walking Tour.” The tour will feature the storied buildings that once made the west side of Baltimore a magnet of the fashion industry while also highlighting what shapes the neighborhood to this day. On November 19, Baltimore independent designers as well as students studying fashion design at MICA, Baltimore School for the Arts and the Baltimore Design School will showcase original work inspired by the play in “Boudoir Couture: Interpretations of Intimate Apparel.” This showcase will display wearable concepts that reflect selected designers’ points-ofview regarding intimate apparel. I hope you can join us for one or all of these events (see everymantheatre.org for more info). Thank you and enjoy the show! INTIMATE APPAREL | 5


A HISTORY OF WOMEN’S UNDERGARMENTS By Laura Weiss

A woman’s form can be altered by what she wears underneath. Corsets and other types of undergarments and shapewear create an illusion that the wearer presents to the world. Despite the possible physical damage caused by restricting undergarments, ladies of all social classes have worn corsets and other means of shapewear over the centuries achieving desirable silhouettes in observance of current trends. As the silhouettes of outerwear have evolved throughout history, so too have undergarments in order to complement those styles. From restrictive and shaping to push-up and barely there, take a peek underneath and see how women’s intimate wear has evolved….

Ancient Rome (753 BC - 476 AD) : Women wore undergarments including a “tunica” and “strophium” (bandeau style bra) made of linen, which emphasized the ideal feminine figure of small chest and large hips.

Middle Ages (500 - 1500 AD): Women wore corset-like outerwear to enhance their figures. Woolen hosiery was worn under dresses and chemises. Teasingly, wealthy women would wear bracelets to match their unseen garters.

Renaissance (1300 1700 AD): The favored female silhouette featured a pushed-up bust and wide hips emphasized with a full skirt. Laced corselets and stiffened bodices were worn to achieve this specific shape.

EVERYMAN THEATRE | 6

1500 - 1600: Corsets made their first real appearance during this period. The farthingale also came into fashion, which was another type of undergarment used to create a specific shape of the female form. It cinched to a woman’s waist and spread the skirts wide, creating highly exaggerated hips. 1700s: The 1700s corset was long-waisted and in the shape of an inverted cone, imposing an even more constricting shape. The wealthiest and most fashionable women had corsets that pulled together their shoulder blades so closely that they would nearly touch. Although prostitutes began wearing them during this time, panties were not yet adopted by the mainstream as they are today.


1940s: After WWII, underwire bras grew in popularity and the “bullet bra” was introduced (remaining popular through the 1950s).

1800s: The corset took on a new shape and was used to emphasize the hourglass shape with a very small waist. Corsets were made in beautiful colors with silks and satins and included garter clips at the bottom. Following the onset of crinoline in the 1850s, women wore drawers that extended to below the knee. Early 1900s: During the time of Intimate Apparel, the corset was still an essential part to a woman’s wardrobe, but also started to be thought of as standalone lingerie as much as an essential part of an outfit. (In the play, Mrs. Van Buren orders revealing corsets and undergarments from Esther and says she feels like a “tart from the Tenderloin”—an expression of forbidden desire.) The corset took on an extremely exaggerated “S-curve” shape, which created a very feminine shape. Silk became a popular fabric for corsets during this period. 1920s: After WWI, the corset’s popularity began to decline. As hemlines rose, underwear also became shorter and smaller. With the progress of women’s suffrage in 1920, many young women embraced a new sense of freedom and created an androgynous silhouette that featured bobbed pageboy-style hair and flattened busts with boyish hips.

1950s: Women’s underwear emphasized the bust instead of the waist and the popular bikini brief was introduced. The “Pin-up Girl” displayed an overt acceptance of women pictured in lingerie. These models showed off the latest underwear trends (seamed stocking, bustiers) and embraced the curvy female figure. 1960s: Bras ablaze! The “bra-burning feminist” became something of a legend during the Women’s Liberation Movement of the late 1960s. 1970s: Victoria’s Secret was introduced to the world as a destination retailer of women’s premium lingerie.

1980s: “Underwear” became “outerwear” and was worn by stars such as Cher in her infamous g-string bodysuit. 1990s: The “Wonder bra” (while first introduced in the 1930s) became popularized with a push-up design intended to enhance sex appeal. 2000s: Spanx, a slimming underwear brand, was introduced and quickly became a modern day shapewear essential. Recent years have brought a shift towards more diversity and body positive thinking in lingerie. Read more at everymantheatre.org INTIMATE APPAREL | 7


A SNAPSHOT OF TURN-OF-THE-CENTURY NEW YORK By Laura Weiss

I

n the first decade of the 20th century, over 9 million immigrants entered the United States. Many came through Ellis Island (located at the mouth of the Hudson River between New York and New Jersey), which opened as an immigration station in 1890. One report estimates that 40% of current Americans can trace at least one ancestor to the immigrants who came through Ellis Island. As opposed to earlier immigrants who tended to be from Northern and Western European countries, immigrants in the late 1800s and early 1900s were increasingly Catholics and Jews arriving from Eastern and Southern European countries. By 1900, America’s population was made up of roughly 1 million Jews—more than 40% of whom were “newcomers” (meaning they had been here for 10 years of less). From 1900 to 1924, another 1.75 million Jews would immigrate to America. New York’s Lower East Side—the setting of Intimate Apparel—predominantly housed Jewish immigrants (much like the character EVERYMAN THEATRE | 8

of Mr. Marks) along with a high population of Italians, Greeks and Hungarians. While residents may have found comfort in the culture and community, the neighborhood was dense and overcrowded. In 1900, there were more than 700 people per acre living on the Lower East Side. With the significant increase in population, Lower East Side buildings that had once been single-family homes divided into multiple living spaces known as tenements. By the turn of the century, over 2.3 million people in New York were living in tenement housing (this accounts for two-thirds of New York’s population at that time). The living conditions in tenements were cramped and often lacked any type of ventilation. A typical tenement building was five to seven stories high and would often be without indoor bathrooms. In 1901, the Tenement House Law mandated improved sanitary conditions, fire escapes and access to light. The rise of segregationist laws in the South led to mass amounts of African


Pictured: Opposite: Lower East Side early 1900s Above: A tenement in 1905. Right: Immigrants arriving at Ellis Island in 1904. (From top) pinterest.com; jewishmuseummd.org; millercenter.org

Americans moving to Northern cities, like New York, in a period that would later be termed “The Great Migration.” By 1919, over a million African Americans had left the South, and New York City’s African American population grew by 66%. Most African American male migrants found work in factories and slaughterhouses while African American female migrants competed for a limited amount of domestic labor positions. In 1900, an estimated 19% of all women in the US worked outside of the home. Most working Caucasian women were employed as teachers, typists, nurses and

sales clerks. With the rise of industry, some white women found work in factories and mills, as well. By contrast, from 1900 to 1930, African American women were more likely to be gainfully employed than women of any other racial-ethnic group in the US. Black married women were eight times more likely to be working outside of the home than white married women. However, most were limited to agriculture and domestic work, with only 5% holding higher-paying occupations such as manufacturing, teaching, and clerical work. INTIMATE APPAREL | 9


FAMILY CONCERT: A CHRISTMAS CAROL

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This single-actor adaptation of Charles Dickens' holiday classic retells the story of Ebenezer Scrooge and his redemptive journeys with the ghosts of Christmas past, present and future.

Thomas Wilkins, Principal Conductor of the Hollywood Bowl, conducts Christmas favorites including "Hark! the Herald Angels Sing" and "O Holy Night." Featuring the Baltimore School for the Arts tap-dancing Santas!

HANDEL'S MESSIAH

CIRQUE DE LA SYMPHONIE HOLIDAY SPECTACULAR

SAT, DEC 9, 7:30 PM SUN, DEC 10, 3 PM

A BSO tradition since 1982, no holiday season is complete without the sheer joy of Messiah with Edward Polochick and the Concert Artists of Baltimore Symphonic Chorale.

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JOSEPH MEYERHOFF SYMPHONY HALL

FRI, DEC 22, 8 PM SAT, DEC 23, 3 PM & 8 PM

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UPCOMING EVENTS: INTIMATE APPAREL

Oct 20 - Nov 19 BOUDOIR VIGNETTES A curated selection of independent designers and matriculating students studying fashion design at MICA, Baltimore School of the Arts and the Baltimore Design School will showcase wearable concepts that define their point-of-view regarding intimate apparel. Oct 24 | 7 PM EVERYMAN AT THE PARKWAY: Middle of Nowhere Written and directed by Ava DuVernay, who won the 2012 Sundance Film Festival Best Director Award for her work. Resident Company member Dawn Ursula (Intimate Apparel) will introduce the screening and host an informal discussion following the film.

Guests at M. Butterfly’s Taste of Everyman

Oct 26 | 6 PM TASTE OF EVERYMAN: Classified Cravings In the secret-keeping spirit of Intimate Apparel, join one of Baltimore’s most knowledgeable and passionate food and drink insiders, Amy Langrehr (aka Charm City Cook) for an “off the record” dish on samples from Lobo, Ekiben and Dylan’s Oyster Cellar, plus beers from Brewer’s Art, Union Craft Brewing and Monument City Brewing.

Oct 27 | 6 PM CONFESSIONS OF A DESIGNER Join host, bespoke menswear designer and City Paper 2016 Tailor of the Year, Stephen Wise and special guest designers for a community conversation exploring the “inner lining” of their world—artistically, professionally and personally. Nov 4 | 4:30 PM WORLD OF THE PLAY: Unraveling the Threads of Labor and Love, Then and Now The characters of Intimate Apparel and their professions provide us with the thematic threads of labor and intimacy that will spark discussion with an expert panel. Nov 9 | Post-show CAST CONVERSATIONS Join the cast for a moderated discussion following the performance, in partnership with Broadway World. Nov 12 | 11 AM THREADING HISTORY AND PLACE: A BROMO DISTRICT WALKING TOUR Explore invisible public spaces and storied buildings that reflect the history of the fashion industry, department stores and garment district while learning about the speculative and spectacular efforts shaping the neighborhood to this day. Presented in partnership with New Public Sites. LEARN MORE: EVERYMANTHEATRE.ORG

INTIMATE APPAREL | 11


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Everyman Theatre. We thank you. w y p r. o r g


CAST BIOGRAPHIES BETH HYLTON (Mrs. Van Buren) Everyman Theatre (Resident Company Member): Noises Off (Belinda Blair), A Streetcar Named Desire (Blanche), Death of a Salesman (Jenny/Letta), Outside Mullingar (Rosemary), Blithe Spirit (Elvira), Deathtrap (Myra Bruhl), The Understudy (Roxanne), By the Way, Meet Vera Stark (Gloria), Crimes of the Heart (Lenny), August: Osage County (Ivy Weston), Time Stands Still (Sarah), All My Sons (Ann), Filthy Rich (Anne Scott), And A Nightingale Sang (Helen). Baltimore/DC area: Woolly Mammoth: Collective Rage (Betty Boop 1), Appropriate (Rachael), Martha Josie and the Chinese Elvis (Josie); Rep Stage: The Heidi Chronicles (Heidi Holland); Round House Theatre: Rapture, Blister, Burn (Gwen), Handbagged (upcoming) (Young Liz); Baltimore Center Stage: Clybourne Park (Bev/ Kathy); Olney Theatre Center: Hay Fever (Myra), The Savannah Disputation (Melissa); Ford’s: The Heavens Are Hung In Black (Mrs Winston), Member of the Wedding (Janice); Kennedy Center: Mister Roberts (Lieutenant Girard). Other Regional: Maltz Jupiter: The 39 Steps; Delaware Theatre Company: Blithe Spirit; Weston Playhouse: Death of a Salesman; Public Theatre of Maine: The Cocktail Hour, On Golden Pond; Pittsburgh Irish and Classical Theatre: House and Garden, Private Lives, An Ideal Husband; Gulfshore Playhouse: A Doll’s House, Life (x) 3, Blithe Spirit; PlayMakers Rep: Hay Fever, The School For Wives, Look Homeward, Angel; The Hipp: Suddenly Last Summer; Hot Summer Nights at the Kennedy: Skylight. Education: MFA Acting, Professional Actor Training Program/UNC-Chapel Hill. bethhylton.com. DREW KOPAS (Mr. Marks) Everyman Theatre: Great Expectations (Pip), Death of a Salesman (Bernard), A Streetcar Named Desire, Pygmalion (Freddy/Nepommuck), All My Sons (Frank). Regional: Faction of Fools: Our Town (George), A Commedia Romeo and Juliet

(Romeo); Constellation Theatre Company: On the Razzle (Melchior), The Ramayana (Lakshman); Olney Theatre Center: Da (Young Charlie), Misalliance (Gunner), Witness for the Prosecution (Clegg); Rep Stage: Las Meninas (Louis XIV); 1st Stage: Italian American Reconciliation (Aldo); Keegan Theatre: Of Mice and Men (Whit), There are Little Kingdoms (Jamesie); We Happy Few: Duchess of Malfi (Antonio); Dobama Theatre: Cock (M); Great Lakes Theater: The Winter’s Tale (Archidamus); Idaho Shakespeare Festival: Much Ado About Nothing (Conrad); Virginia Shakespeare Festival: Two Gents (Valentine), Merchant of Venice (Gratiano); Shakespeare Theatre Company: Twelfth Night – Free for All (Curio). Tour: National Players. Education: MFA, Western Illinois University. drewkopas.com. STEVE POLITES (UnderstudyMr. Marks) Everyman Theatre: debut. Regional: Annapolis Shakespeare Company: Richard III (King Edward IV, Richmond, Archbishop of York), The Tempest (Sebastian); LA Opera: A Streetcar Named Desire (Stanley’s friend); LA Redcat Theatre: Dog Days (Soldier); Baltimore Shakespeare Festival: Macbeth (Ross). Film/television: My Crazy Ex (Lifetime Movie Network), Evil Stepmothers (Investigation Discovery), The Murder Game (Warner Bros.), GhostWatcher 2 (Lions Gate), the lead in China’s unreleased 3D fantasy adventure film, Empires of the Deep, as well as the lead in the upcoming film, Gunslinger Grifter Logan. Can currently be seen on VOD and DVD in Universal Pictures newly released Dementia 13. DAWN URSULA (Esther) Everyman Theatre Everyman Theatre (Resident Company Member): Dot (Shelly), Death of a Salesman (The Woman), A Streetcar Named Desire (Eunice), Ruined (Mama Nadi, City Paper Best Actress Award), By The Way, Meet Vera Stark (Vera Stark), A Raisin in the Sun (Ruth Younger, City Paper Best Actress Award), Doubt (Mrs. Muller), Gem of the Ocean (Black Mary, City Paper Best Actress Award), Yellowman (Alma), and INTIMATE APPAREL | 13


others. Regional: Olney Theatre Center: Proof (Catherine); Round House Theatre & Olney Theatre Center: Angels in America I & II (Angel); Round House Theatre: Stage Kiss, Next Fall, Wrinkle In Time; The HUB Theatre: Redder Blood; Woolly Mammoth (Resident Company Member): Zombie: The American (Helen Hayes Nomination), We are Proud to Present… (Helen Hayes Nomination), The Convert (Helen Hayes Award), Clybourne Park (Helen Hayes Nomination), and others; Theater J: Queen’s Girl in The World (solo piece, Helen Hayes Award); Washington National Opera: Lost in the Stars; Arena Stage: A Raisin in the Sun (Ruth Younger), Love in Afghanistan; Hangar Theatre: Piano Lesson; The Kennedy Center: Shear Madness, Unleashed…, Mermaids…; African Continuum Theatre: Joe Turner’s Come and Gone; Rep Stage: Butterfingers Angel…, Anna Lucasta; Imagination Stage: Charlotte’s Web. TV/Film: HBO: The Wire, VEEP; PBS: Prince Among Slaves. Education: MFA, STC’s (GWU), BA University of Virginia. Private Coach Vera Katz. dawnursula.com. BUEKA UWEMEDIMO (George) Everyman Theatre: Ruined (Fortune). Bueka Uwemedimo is a British actor, originally from Lagos, Nigeria. At an early age his family relocated to London, England where he discovered his passion for performing arts. Bueka is proud to be performing at Everyman Theatre again after his debut role in the Pulitzer winning play, Ruined by Lynn Nottage. His previous credits include Joseph Asagai in A Raisin In The Sun at the Arena Stage in Washington, DC, King Mufasa in Disney’s Lion King at the Lyceum Theatre, London West End, David Ruffin in The Magic of Motown UK and European musical tours. Since relocating to the nation’s capital, Bueka has worked with a number of nationally recognized brands and featured commercials. He was also nominated for a Helen Hayes award for his spirited performance as Ray Heffernon in 1st Stage’s award winning show The Good Counselor. BuekaUwemedimo.com

EVERYMAN THEATRE | 14

JENN WALKER (Mrs. Dickson) Everyman Theatre: debut. Regional: Ford’s Theatre: Our Town (Mrs. Gibbs); Shakespeare Theatre Company: Cymbeline (Helen); Asolo Rep Theatre: Pride and Prejudice (Charlotte), Expecting Isabel (Lupe), Plexiglass Slipper (Ensemble), Amadeus (Teresa Salieri). International: Dublin Theatre: Edward II (Mortimer). Education: BFA, Adelphi University; MFA, Asolo Conservatory. JADE WHEELER (Mayme) Everyman Theatre: Ruined (Josephine). New York: United Solo Fest: Who is Eartha Mae? (Eartha Kitt, Best Cabaret Award); New Works Series: Who is Eartha Mae? (Eartha Kitt). Regional: Asolo Theatre, Arena Stage, Pasadena Playhouse: The Originalist (Cat); Kennedy Center: Lost in the Stars (Rose), Debbie Allen’s Alex in Wonderland (Miss Pippy, Red Queen); The Nora Theatre: Arcadia (Chloe Coverly); Stoneham Theatre: Lucky Stiff (Dominique Du Monaco); Woolly Mammoth Theatre: An Octoroon (Grace); Constellation Theatre: Metamorphoses (Eurydice, Psyche); Gablestage: The Legend of Georgia McBride (Jo), Vanya & Sonia & Masha & Spike (Cassandra), Race (Susan, Miami New Times Best Supporting Actress Award), Ruined (Sophie, Carbonell Best Supporting Actress Nominee); Shakespeare Theatre Company: The Two Gentlemen of Verona (Lucetta U/S). Education: George Mason University (BA Theatre, minor French). Actors’ Equity Association was founded in 1913 to protect Actors from severe mistreatment that permeated the industry at the time. The 40,000 member association consists of distinguished stars and other professional actors and stage managers who work nationwide, from New York’s Broadway to Los Angeles, from Minneapolis to Miami Beach, in regional, stock and dinner theatre, and in theatre for young audiences which build audiences for tomorrow. The actors and stage managers are committed to working in the theatre as a profession, not an avocation, and bring to you the finest professional training and experience. By presenting Equity productions, this theatre offers to you, our audience, the best entertainment presented by the finest quality actors and stage managers that your admission dollars can buy.


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DIRECTOR AND DESIGNER BIOGRAPHIES DAVID BURDICK (Costume Design) Everyman Theatre (Resident Costume Designer): Los Otros, Great Expectations, Death of A Salesman, A Streetcar Named Desire, August Wilson’s Fences, An Inspector Calls, Blithe Spirit, Ghosts, Ruined, By The Way, Meet Vera Stark, Red, The Beaux’ Stratagem, August: Osage County, You Can’t Take It With You, Private Lives, All My Sons, The Mystery of Irma Vep. Regional: Baltimore Center Stage: Jazz, Amadeus, Next to Normal, Animal Crackers, The Final Strange Tale of Edgar Allen Poe, An Enemy of the People, The Rivals, Caroline or Change, Mrs. Warren’s Profession, Private Lives, Les Blancs, The Piano Lesson, Picnic and others; Olney Theatre Center: The Diary of Anne Frank. Opera: Boston Lyric Opera: I Puritani; Cincinnati Opera: Don Giovanni; Tulsa Opera: Tosca, Carmen, The Barber of Seville, Fidelio. Eastman School of Music: The Rape of Lucretia. Dance: Dayton Contemporary Lyric Fire. Other: Baltimore Symphony Orchestra: Holiday Spectacular. DONALD EASTMAN (Set Design) Everyman Theatre: debut. Broadway: Cuba and His Teddy Bear. Off Broadway: Public Theatre: On the Open Road, In the Jungle of Cities, La Puta Vida Trilogy; Classic Stage Company: Ezra Pounds Elektra, Uncle Vanya, Happy Days. Regional: Center Stage: Vanya and Sonia and Masha and Spike; Arena Stage: A Raisin In the Sun, Constant Star, Mary T and Lizzy K; The Arden: A Year With Frog and Toad; Kansas City Rep: Sunday in the Park With George. Opera: Brooklyn Academy of Music: Arjunas Dilemma, Three Tales; NYCO: Seattle Opera: Falstaff, Don Quichotte. San Francisco Opera: 2017 Merola Program. Washington National Opera: Appomattox. Education: CalArts, Yale School of Drama. Awards: National Endowment for the Arts Grantee, Village Voice OBIE Award for Sustained Excellence. AMANDA M. HALL (Stage Manager) Everyman Theatre (Resident Stage Manager): Over 75 productions, including Los Otros, Dot, Wait Until Dark, Death of a Salesman, A Streetcar Named Desire, Outside Mullingar, An

Inspector Calls, Blithe Spirit, Deathtrap, The Understudy, Tribes, The Dresser, Red, August: Osage County, Time Stands Still, You Can’t Take It With You, The Brothers Size, A Raisin in the Sun, All My Sons, Our Town, The Mystery of Irma Vep, Art, Sight Unseen, Betrayal, Opus, The Last Five Years, Uncle Vanya, The Pavilion, Fences, Glass Menagerie; Regional: MD Stage Company, The Guthrie Theatre, Rep Stage. VINCENT M. LANCISI (Founding Artistic Director) founded Everyman Theatre in October of 1990 and has directed over 35 productions including M. Butterfly, Noises Off, Dot, Death of A Salesman, Under the Skin, Blithe Spirit, Deathtrap, Tribes, The Glass Menagerie, The Beaux’ Stratagem, August: Osage County, You Can’t Take It With You, Stick Fly, All My Sons, Two Rooms, Rabbit Hole, The Cherry Orchard, Doubt, Much Ado About Nothing, The Cone Sister, And a Nightingale Sang, The School for Scandal, A Number, Amadeus, Cat on a Hot Tin Roof, Buried Child, The Last Night of Ballyhoo, A Delicate Balance, Hedda Gabler, Proof, Uncle Vanya and The Last Five Years. In addition to his work at Everyman, he has taught acting and directing at Towson University, University of Maryland, Catholic University, Howard Community College, and at Everyman Theatre. He is a member of the Society of Stage Directors and Choreographers. Vincent is the President of the Bromo Tower Arts & Entertainment District board. He is also on the Market Center Merchants Board. In the past, he has sat on the boards of the Baltimore Theatre Alliance and the Greater Baltimore Cultural Alliance as well as panels for the Maryland State Arts Council. Vincent holds his undergraduate degree in Theatre from Boston College and his master’s degree in Directing from The Catholic University of America. ERNEST LIOTTI (Piano Consultant) Intimate Apparel is Ernest Liotti’s third show with Everyman Theatre, following Dot and Tribes. He is a conservatory faculty member at the Peabody Institute of the Johns Hopkins University where he addresses a wide range of topics—from symphonic repertoire to opera and great musicians of the past. He has traveled the United States and INTIMATE APPAREL | 17


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Europe addressing such organizations as the Brandies University, the Johns Hopkins University Alumni Association, Friends of Tanglewood, Spoletto USA, and the Baltimore Museum of Art. In the summer of 2013, Mr. Liotti was featured on a lecture cruise of the Baltic Sea whose principal speakers were Michail Gorbachev and Lech Walesa. In addition to musical pursuits, Mr. Liotti teaches a number of classes on American film history. Specializing in early Hollywood, he has studied the transition from silents to sound, the development of the studio system, and the careers of such luminaries as Alfred Hitchcock, William Wyler, Bette Davis, Lon Chaney and Charlie Chaplin. An avid collector of American industrial design of the 1930s, his home and collection have been featured in a number of publications. GARY LOGAN (Dialects) Everyman Theatre (Resident Dialect Coach): Noises Off, Great Expectations, Death of a Salesman, A Streetcar Named Desire, Outside Mullingar, An Inspector Calls, Blithe Spirit, Ruined, Tribes, The Dresser, The Beaux’ Stratagem, August: Osage County, Private Lives, Pygmalion, The Soul Collector, Our Town, Doubt, Much Ado About Nothing, And a Nightingale Sang. Regional: Kennedy Center: Master Class (with Tyne Daly); Signature Theatre: Westside Story, I Am My Own Wife; Arena Stage: A Raisin in the Sun, Frankie and Johnny in the Clair de Lune; Studio Theatre: Moment, Jumpers for Goalposts, Belleville, Tribes, The Real Thing, Venus in Fur, Frozen, Crestfall; Ford’s Theatre: Shenandoah (with Scott Bakula), State of the Union, A Christmas Carol; Folger: Henry V, Othello, Henry VIII, Much Ado About Nothing; Shakespeare Theatre Company: The Tempest, The Importance of Being Earnest, As You Like It, Design for Living, The Way of the World, An Enemy of the People, Julius Caesar; Chautauqua Theater Company: Henry V, Clybourne Park, Macbeth, Love’s Labour’s Lost, The Winter’s Tale, The Just; Denver Center Theatre Company: Romeo and Juliet, Misalliance, Wit, The Winter’s Tale, Valley Song, The Tempest (over 50 others); International: The Royal Shakespeare Company and Denver Center Theatre Company: Tantalus (Sir Peter Hall, director); Stratford Festival of Canada:

Twelfth Night and The School for Scandal (with Brian Bedford), The Miser, The Night of the Iguana. Author: The Eloquent Shakespeare (University of Chicago Press). LYNN NOTTAGE (Playwright) Lynn Nottage’s Pulitzer Prize-winning play Ruined has received an Obie, the Lucille Lortel Award, New York Drama Critics’ Circle Award, Drama Desk Award, and Outer Critics Circle Award for Best Play (Manhattan Theatre Club, Goodman Theatre). Other plays include Intimate Apparel (New York Drama Critics’ Circle Award for Best Play; Roundabout Theatre, Baltimore Center Stage, South Coast Repertory); Fabulation, or the Re-Education of Undine (Obie Award; Playwrights Horizons, London’s Tricycle Theatre); Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers, and Poof! Nottage is the recipient of numerous awards, including the 2007 MacArthur Foundation “Genius Grant,” the National Black Theatre Festival’s August Wilson Playwriting Award, the 2004 PEN/Laura Pels Award for Drama, and the 2005 Guggenheim Grant for Playwriting, as well as fellowships from the Lucille Lortel Foundation, Manhattan Theatre Club, New Dramatists, and New York Foundation for the Arts. She is a member of The Dramatists Guild, an alumna of New Dramatists and a graduate of Brown University and the Yale School of Drama, where she is a visiting lecturer. lynnnottage.net FABIAN OBISPO (Sound Design & Composition) Everyman Theatre: M. Butterfly, Great Expectations, Ruined. Recent credits in the DC area include Arena Stage’s Mary T. & Lizzy K., Shakespeare Theatre Company’s Henry V and Two Gentlemen Of Verona and Folger Theatre’s Romeo and Juliet. He has composed and sound designed for Off-Broadway and regional theatres including the Public Theater, Manhattan Theatre Club, Manhattan Class Company, Atlantic Theatre Company, Vineyard Theatre, New Group, Classic Stage Company, Primary Stages, New York Theatre Workshop, Theater For A New Audience, MaYi Theatre, Women’s Project, Kennedy Center, The Acting Company, Goodman Theatre, Guthrie Theater, American Conservatory INTIMATE APPAREL | 19


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Theater, Oregon Shakespeare Festival, Seattle Repertory Theatre, Cleveland Playhouse, Opera Columbus, Huntington Theatre Company, Children’s Theatre Company, Victory Gardens Theater, American Theatre Company, St. Louis Repertory Theatre, Long Wharf Theatre, TheatreWorks, Hartford Stage, Westport Country Playhouse Syracuse Stage, Indiana Repertory Theatre, Delaware Theatre Company, George Street Playhouse, Playmakers Repertory Company, Virginia Stage, Shakespeare Santa Cruz, Alabama Shakespeare, Philadelphia Shakespeare Festival, People’s Light and Theatre Company, Asolo Repertory Theatre, Perseverance Theatre, Florida Stage, Laguna Playhouse and New York Stage And Film. His works for the theatre have been recognized by the Hewes Design Award, Helen Hayes, Bay Area Theatre Critics Circle, Barrymore, NAACP, Audelco, Jackie and the IRNE. DENISE O’BRIEN (Wig Design) Everyman Theatre: Great Expectations, Dot, Death of A Salesman, A Streetcar Named Desire, Ghosts. Center Stage: Pride and Prejudice, Amadeus, Animal Crackers, Into The Woods, Matchmaker, Poe. Yale Repertory Theatre: The Moors. Peerless, A Streetcar Named Desire, A Winters Tame, These!Paper!Bullets!, Dear Elizabeth, War, Arcadia, Hamlet, Pop, Notes From Underground, Black Dahlia, Eurydice. Helen Hayes Theatre: The 39 Steps. Hartford Stage: Summer and Smoke, 8 x Tenn. The Long Warf Theatre: Front Page, Private Lives, We Wont Pay, Travesties, Ain’t Misbehavin’. McCarter Theatre: Uncle Vanya, Phaedra Backwards, She Stoops to Conquer, Mrs. Warren’s Profession. The Public: Measure for Measure. Shakespeare Theatre (DC): Hamlet, King Lear. Univ. of DE Rep Theatre: To Kill a Mockingbird, Wait Until Dark, Heartbreak House, Millionaires, The Patsy. Westport Playhouse: She Loves Me. Winner of the 2001 Eddy Award for Design Excellence for Seattle Opera’s production of Wagner’s Ring Cycle. Honored by the Daytime Emmy Awards for contributions to the Emmy Award Winning Achievement for Hairstyling Un Ballo In Maschera, PBS. MiddleMarch Films: Dolly Madison, America’s First Lady PBS.

STEPHEN QUANDT (Lighting Design) Recently worked with Director Tazewell Thompson on Great Expectations and prior to that Ruined at Everyman Theatre in addition to Intimate Apparel and Big Love at Dartmouth College and Red at Theaterworks in Hartford, CT. Other companies and venues in NYC include The Alvin Ailey Dance Foundation, The Joyce Theatre, Lincoln Center’s Alice Tully Hall and Avery Fisher Hall, and Symphony Space. Regional: TheaterWorks, Hartford, Alabama Shakespeare Festival, The Kennedy Center, Capital Rep. Co., Albany NY, The Yale Dramatic Association, Gettysburg College, and The Kansas City Ballet. Internationally he has designed in France, Austria, Canada, Australia and Colombia. He has taught design at the Theater Studies Program at Yale University and at Queens College in New York City. He also works professionally for muddypawsrescue.org, a NYC based dog rescue and adoption organization and for the ASPCA. He lives with his husband costume designer Thom Heyer and their two cats in New York City. TAZEWELL THOMPSON (Director) is an internationally-acclaimed director of opera: Europe, Asia, Africa, Canada and the USA; theatre: over 85 productions (many world and American premieres, and over 20 productions at Arena Stage, where he served for many seasons as associate artistic director.) At Everyman Theatre: Ruined and Great Expectations. An award-winning playwright: Constant Star, Jam & Spice, A Christmas Carol, Mary T & Lizzy K. Last two seasons: a teaching and directing residency at Dartmouth College and New York University Tisch School of the Arts; Washington National Opera debut with a record three operas in one season in all three theaters: Philip Glass Appomattox, Weill Lost In The Stars and the American premiere of the Vivaldi opera Cato In Utica for Glimmerglass Festival; A Raisin in the Sun for Arena Stage; and his favorite play Caucasian Chalk Circle for NYU. For television PBS Live From Lincoln Center, his production of Porgy & Bess received EMMY nominations: Best Classical Production and Best Direction. He is currently writing the libretto for a new opera. INTIMATE APPAREL | 21


2017–18 SEASON JOIN US FOR CONCERTS THAT EXHILARATE

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A HISTORY OF EVERYMAN

E

veryman Theatre was founded by Vincent Lancisi in 1990. From the beginning, Everyman strove to provide top-notch theatre that is affordable and accessible to everyone. With a Resident Company of local, professional artists, Everyman has staged critically-acclaimed productions ranging from classics to contemporary works to world premieres over the past 27 years.

Everyman’s first production—The Runner Stumbles—was produced in the winter of 1990 at Saint John’s Church. For the next four years, Everyman could only afford to produce one production per year at various locations in Baltimore, including Vagabond’s Theatre, the Theatre Project and even a classroom at MICA.

subscriptions numbers grew and a string of popular and acclaimed productions, including Amadeus, Cat on a Hot Tin Roof, The Lion in Winter, The Glass Menagerie, The Crucible, and the wildly successful Proof, proved that Everyman was a mainstay in the Baltimore theatre scene. Through a generous donation from Bank of America and the Harold A. Dawson Trust, Everyman was given its new home on Fayette Street. Over the span of six years, Everyman completed a successful $18 million capital campaign co-chaired by Gina and Dan Hirschhorn. In January 2013, Everyman celebrated the Grand Opening of its new permanent home on Fayette Street with the record-breaking production of the Pulitzer Prize winning drama, August: Osage County.

The 1994/95 Season marked a series for firsts for Everyman. It was the first year at Everyman celebrated its 25th anniversary 1727 North Charles Street, which would during the 2015/16 Season by producing be Everyman's home for 18 years. It also "The Great American Rep," a feat featuring marked the first multi-production line-up— American classics Death of a Salesman and A starting with Sam Shepard's Buried Child— Streetcar Named Desire performed with the and also offered subscriptions to patrons for same cast in rotating repertory. the first time. Now in it’s 27th Season, Everyman invites Throughout the late 1990s and early 2000s, you to be a part of its next chapter.

FOUNDING BOARD MEMBERS These extraordinary board members have provided leadership for the organization for ten or more years.

Gordon Becker Nathan Chernoff+ Patricia Egan James R. Eyler Susan Sachs Fleishman + Deceased

Maurice Furchgott Niki Harris Gina B. Hirschhorn Bridget M. Horner Jeannie Howe

Vincent M. Lancisi Jonathan Melnick R. Rex Rehfeld E. Lee Robbins, M.D. Zelig Robinson

Vic Romita Frank Rosenberg Leonard Sachs+ Elspeth Udvarhelyi+ Martha Weiman INTIMATE APPAREL | 23


EVERYMAN’S 2017/18 SEASON IS MADE POSSIBLE WITH THE SUPPORT OF OUR GENEROUS DONORS Sponsors listed as of September 18, 2017

SEASON SPONSORS

INTIMATE APPAREL PRODUCTION SPONSORS

VIC & NANCY ROMITA

MAJOR SUPPORT FROM

PAY-WHAT-YOU-CAN SPONSORS

EVERYMAN THEATRE | 24

DR. E. LEE & BEA ROBBINS


ANNUAL FUND DONORS Thank you to all our generous annual fund donors. Your support is essential and allows us to present the very best in live professional theatre. Gifts listed here were received from donors between July 1, 2016 and September 18, 2017.

GOVERNMENT, FOUNDATIONS, FUNDS AND CORPORATIONS ANGEL $20,000+ Paul M. Angell Family Foundation William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Awards, www.bakerartistawards.org Jacob and Hilda Blaustein Foundation, Inc. David and Barbara B Hirschhorn Foundation Legg Mason Charitable Foundation LifeBridge Health Maryland State Arts Council The Shen Family Foundation The Sheridan Foundation The Shubert Foundation Stockman Family Foundation RESIDENT COMPANY SPONSOR $10,000 - $19,999 Abell Foundation, Inc. Baltimore County Commission on Arts and Sciences Bank of America Foundation The Henry and Ruth Blaustein Rosenberg Foundation Bunting Family Foundation, Inc. Downtown Partnership of Baltimore Goldsmith Family Foundation Helen S. and Merrill L. Bank Foundation Joseph and Harvey Meyerhoff Family Charitable Funds Lockhart Vaughan Foundation SunTrust T. Rowe Price Foundation Venable Foundation EXECUTIVE PRODUCER $5,000 - $9,999 American Trading and Production Corporation Mayor Catherine E. Pugh and the Baltimore Office of Promotion and the Arts Exelon Matching Gifts Foundation Harris Jones & Malone, LLC John J. Leidy Foundation, Inc.

Lord Baltimore Capital Corporation Mary Jean and Oliver Travers Foundation, in honor of Stan Miller Muller Charitable Foundation, Inc. Earle and Annette Shawe Family Foundation University of Maryland, Baltimore Yumkas, Vidmar, Sweeney & Mulrenin, LLC

PRODUCER $2,500 - $4,999 IBM Corporation ASSOCIATE PRODUCER $1,000 - $2,499 Anonymous Campbell Foundation, Inc. The Doctrow Family Endowment Fund Harvey M. Meyerhoff Fund, Inc. Hecht-Levi Foundation The Jean & Sidney Silber Foundation Lois and Philip Macht Family Philanthropic Fund Phyllis and Joe Johnson Foundation Mr. and Mrs. Raymond L. Bank Family Fund Richard and Rosalee C. Davison Foundation Rosemore, Inc. M. Sigmund and Barbara K. Shapiro Philanthropic Fund Sinsky-Kresser-Racusin Memorial Foundation Inc. The Wolman Family Foundation DIRECTOR $500 - $999 Actors’ Equity Foundation, Inc. Freedom Car Harbor Bank Helen M. Hughes Trust Jaye and Dr. Ted Bayless Fund Margaret O. Cromwell Family Fund McCormick & Co. Northern Stage Young Audiences of Maryland, Inc. PLAYWRIGHT $250 - $499 Cantler Fulwiler Family Fund Jencks Family Fund Joyce and Robert Knodell Family Charitable Fund Norfolk Southern Foundation Matching Gifts Program Ransome-Wilcox Family Fund Taylor Foundation, Inc.

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INDIVIDUALS ANGEL $20,000+ Anonymous Susan W. Flanigan Beth Goldsmith Gina and Dan Hirschhorn Sandy and Mark Laken John and Susan Nehra RESIDENT COMPANY SPONSOR $10,000 - $19,999 Jane W. Daniels Bridget and John Horner, Jr. Dr. E. Lee and Bea Robbins Vic and Nancy Romita Lawrence Yumkas and Miriam Fisher EXECUTIVE PRODUCER $5,000 - $9,999 Anonymous Mary Catherine Bunting Charlton G. C. Friedberg Shirley T. Hollander, in memory of Phyllis C. Karrer Phyllis and Joe Johnson Mark and Kelly Keener Mark Paul Lehman and Kurt Davis Wil Love and Carl Schurr Ellen and Neil Meltzer Robert E. Meyerhoff and Rheda Becker Stan and Laurie Miller Elizabeth K. Moser Diane and Pete Nachtwey David and Betsy Nelson Bryan and Jennifer Rakes John and Marsha Ramsay Frank and Ann Rosenberg PRODUCER $2,500 - $4,999 Anonymous Brenda K. Ashworth and Donald F. Welch William and Pat Bettridge Jean Brune Paul and Kathleen Casey Diane E. Cho and David W. Benn Betty and Stephen Cooper

Tony and Jaymee Farinacci Dr. Larry and Nancy Fishel Brian and Eileen O’Rourke Dr. David and Nancy Paige Mike Plaisted and Maggie Webbert Matthew and Mary Satchwell Joy and Steven Sibel

ASSOCIATE PRODUCER $1,000 - $2,499 Anonymous George and Frances Alderson Valerie and Neil Axel Robert R. Bair and Dorothy D. Bair Penny Bank Bruce and Polly Behrens Richard and Rita Berndt David and Liz Block Bruce Blum Patty Bond Winnie and Neal Borden Michael Borowitz and Barbara Crain Robert and Teresa Brookland Stan and Edie Brown Arnold D and Joyce Ann Bruckner Jennifer Burdick Shaun Carrick and Ronald Griffin Suzanne F. Cohen Janice Collins and James Storey Walter B. Doggett III and Joanne Doggett Rosemary Eck Gwen DuBois and Terry Fitzgerald Ms. Susan Sachs Fleishman Elborg and Robert Forster Jason and Laurie Frank Debra and Maurice Furchgott Mitzi and Norman Glick Philanthropic Fund Doug and Corie Godine Herbert and Harriet Goldman Marci Gordon and Andrew Barnstein Charles Henck and Karen Malloy Sandra and Thomas Hess

EVERYMAN THEATRE | 26

June and George Higgins William C. Jacob and Jennifer S. Williams Lois and Joseph Johnson, Jr. Lisa Harris Jones and Sean Malone Shirley A. Kaufman Martha and J.R. Kirkland Paul Konka and Susan Dugan-Konka Mr. and Mrs. Ernest Kovacs Francine and Allan Krumholz Stanford and Lynne Lamberg Vincent Lancisi and Robin Vanscoy Peter Leffman Diane Leonard Bernard and Steffi Liberman Sara Lombardo and James MacNicholl Kenneth C. and Elizabeth M. Lundeen John and Shanae McLean Joseph and Jane Meyer Charlie and Marcia Moylan Ruth Nolan William and Susan Paznekas Fred and Grazina Pearson Harriet Roberts Grant and Elissa Roch Rona and Arthur Rosenbaum Robert Russell, in memory of Lelia Russell Rachelle and Ronnie Silverstein Bob and Jackie Smelkinson Joaneath A. Spicer Ruth and Chuck Spivak Fred and Joan Steffens Dorothea S. Stieff Louis B. Thalheimer and Juliet A. Eurich Karen and Jim Trennepohl Dr. Laurie S. Zabin Marvin and Cindy Zelkowitz

DIRECTOR $500 - $999 Anonymous James and Ellen Adajian David and Suzanne Alexander Joel Balsham Bruce and Amy Barnett + DECEASED


Mr. James Blackburn + Mr. and Mrs. A. Stanley Brager, Jr. David Brown Donald D. Brown and Linda W. Brown Hank Bullwinkel and Teri Majewski Dr. Elizabeth Burin and Dr. Avishai Ben-David Christopher Callaghan Evelyn Cannon Susan L. Chomicz, in memory of Eunice Chomicz Chuck Cohen and Ann Amernick Peter Cohen and Ann Watson, in honor of Laurie and Stan Miller Joseph Coons and Victoria Bradley Harlan and Jean Cramer Ken Davies Frank Eisenberg and Catherine C. Blake Jennifer Engel Dr. Mary Anne Facciolo and Dr. Michael Repka Fran and John Flanigan Brian Flowers Sandra Levi Gerstung Barbara Glynn Hannah and Thorne Gould Jon Greenberg and Connie Rosemont Donald M. and Dorothy W. Gundlach Robert and Cheryl Guth Terry Halle and Wendy McAllister Fritzi K. and Robert J. Hallock James and Catherine Hammond Barbara L. Hecht Samuel and Barbara Himmelrich Frank and Ann Hubbard Dave and Katherine Hurst Ruth B Hurwitz Dr. and Mrs. Iredell W. Iglehart III Ann H. Kahan Joan G. Klein

Ann and David Koch Rudy Koffler Larry Koppelman and Liz Ritter Gregory Wise and Raymond Kraft Harriet and Jay Kramer Jessica Lanzillotti Barry Kropf Greg Lehne Steven and Michelle Levin Ms. Susan Leviton Kathleen Liparini Sam and Suzie Macfarlane Joy Mandel and Tim Nehl Richard Manichello and Margo Halle/Ram Films Inc Frank and Joyce Margolis Joselin Martin and Joe Jackson Linda Matheson Dr. Wendy Matt and Dr. Sukumar Balachandran Dennis G. McGough Phyllis McIntosh Linda Nevaldine Andrew and Sharon Nickol Drs. Mary O’Connor and Charles King Steve and Sherri O’Donnell Robert and Patricia Orr Joan W. Orso Thomas L. and Leslie V. Owsley Dr. Lawrence C. Pakula Justine and Ken Parezo Pamela Pasqualini and Greg Huff Faye E. Pines Dale and Dorothy Piper Dorothy Holliday Powe Diane E. Proctor, in honor of The Cast and Crew of Los Otros Bob and Shirley Prue Scott and Gwyneth Radloff Karen Ray and Howard Turk Reid Reininger Sarah S. Robinson Zelig and Linda Robinson Domingo and Karen Rodriguez Leslie and Jay Rosenthal Jamie and Sarah Ryan Jean Savina and Gayle Barney

Susan Scheidle Norman A. and Leonora D. Sensinger Stephen and Gail Shawe Joan and Edward Sills Steve and Sue Sternheimer, in honor of The Resident Company Lynne Stuart Pat Thompson and Ed Sledge JoAnn Tracey Carly Troyer Debra and Henry Tyrangiel Henry and Barbara Valeri Dr. and Mrs. Peter Warschawski Franchella Pailen-Watkins Michael and Helen Weiss Beverly Winter

PLAYWRIGHT $250 - $499 Anonymous Ronald and Baiba Abrams Brad and Lindsay Alger Eleanor Allen Dr. Sania Amr, in memory of Tyson Tildon Taunya L. Banks Greg Baranoski and Lucio Gama Rosellen and Norman Bloomberg Philanthropic Fund, in honor of Dr. Stan and Laurie Miller and Edie Brown Elizabeth Blue Jan Boyce Jason and Mindy Brandt Mr. and Mrs. Lewis and Victoria Bringman Joseph and Barbara Cirelli Joan Coley and Lee Rice Will Cooke Gwen Davidson Michael Domue, in honor of Carl Sherman Ross and Michele Donehower Deborah Duskey, in honor of Mark Paul Lehman Neil and Deborah Eisenberg Susie and Bob Fetter John and Dorothy Foellmer Joseph and Teresa Freed INTIMATE APPAREL | 27


Roy Furchgott Mark and Patti Gillen Sonny and Laurie Glassner Martha and Tad Glenn Dr. and Mrs. Stanley Goldberg Judith A. Gottlieb Mr. Robert Greenfield Dale and Alonzo Griffin, in memory of Elauna Griffin Thomas and Rebecca Hamer Gary C. Harn, in memory of Manny Velder Suzanne Hill Ken and Ellen Himmelstein Harriet S. Iglehart Elizabeth Kennedy Townsend and Bob Kent Mr. Paul Kidd and Mrs. Alison Loughran, in memory of Donna Loughran Ron and Marianne Kreitner Rosalind and Alfred Kronthal Anne Langley Linda F. and Julian L. Lapides Jonna and Fred Lazarus

Judith Letcher Howard and Peggy Levinton Peter Levy and Diane Krejsa Barry Linkner Joan Locke Richard Marriott Jeanne E. Marsh Hans and Judy Mayer Carol McCord Stephanie F. Miller Stephanie Moore and Dr. Lindsay Johnson Barry Narlines Ted Niederman and Ricka Neuman Lewis and Dee Noonberg Jeffrey Nover and Ally Amerson Robert and Judith Pierce Leslie and Gary Plotnick Sue Shaner and John Roberts Robert and Ellen Rosen Wendy S. Rosen Dr. and Mrs. Alfred Rosenstein Carla Wolf Rosenthal and Alan Schwartz

Monica and Arnold Sagner Richard and Kayleen Saucier Thea and Sam Schnydman Thomas M. Scott III Betsy and Carlton Sexton Stephanie Shade Joel and Robin Shaivitz Carl and Margaret Soderstrom Susan and John Spencer Judy and Carl Sterling Ellen Stifler James Stofan and William Law Elizabeth Trimble Bonnie Binder and Bob Tucker Kathleen Vanderhorst John and Mary Lou Walker Joanne and Ed Wallach Mark I. Whitman Magaret Widman

Please bring any errors or omissions to our attention by contacting Dominique Pearson: dpearson@everymantheatre.org 443.615.7055 x7122

WHAT IS THE BROMO DISTRICT? Imagine an arts district that connects the Stadiums and Downtown with a major corridor of Theatres, Galleries, and other public displays of art. Heading north, up the main arteries of Eutaw and Howard Streets, encounter Theatres, a public marketplace, and incubators spawning pop up galleries and emerging artists to be discovered. Continue on to find arts organizations celebrating the history and heritage of Baltimore and cultural institutions leading visitors up to the northern reaches of the district at Read and Howard Streets. In the next decade the Bromo Tower Arts and Entertainment District will become a premiere district for performances and arts exhibitions sought out by citizens of Baltimore and visitors alike. The district will offer opportunities for artists of all disciplines to live, work, and create here. The district encourages the collaboration among its stakeholders and will attract new ones offering resources towards the creation and display of the arts.

IT'S HAPPENING IN THE BROMO VISIT BROMODISTRICT.ORG


JOURNALISM

MATTERS today more than ever.

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BOARD OF DIRECTORS Vic Romita, President Dr. Stanley Miller, Vice President Mark Paul Lehman, Vice President Marci I. Gordon, Secretary Eileen M. O’Rourke, Treasurer Susan W. Flanigan, Immediate Past President Edie Brown Jean W. Brune Diane Cho Corie Godine Lisa Harris Jones Gina Hirschhorn Bridget M. Horner Mark P. Keener Martha M. Kirkland Vincent M. Lancisi John McLean Neil Meltzer Peter Nachtwey Susan L. Nehra Betsy Nelson E. Lee Robbins, M.D. Frank Rosenberg James Ryan Kelly Keenan Trumpbour Meadow Lark Washington

CONTACT INFORMATION Box Office 410.752.2208 Administration 443.615.7055 Email boxoffice@everymantheatre.org Address 315 W. Fayette St. Baltimore, MD 21201

RESIDENT COMPANY MEMBERS

Megan Anderson

Eric Berryman

Danny Gavigan

Tim Getman

Deborah Hazlett

Beth Hylton

Wil Love

Bruce Randolph Nelson

Carl Schurr

Dawn Ursula

Stan Weiman

Yaegel T. Welch

RESIDENT ARTISTS Everyman Theatre is a member of the Theatre Communications Group. Everyman Theatre is a member of the Bromo Arts and Entertainment District.

Daniel Ettinger, Scenic Designer David Burdick, Costume Designer Jay A. Herzog, Lighting Designer Gary Logan, Dialects Coach Lewis Shaw, Fight Choreographer Amanda M. Hall, Stage Manager

INTIMATE APPAREL | 31


STAFF

Vincent M. Lancisi, Founding Artistic Director Jonathan K. Waller, Managing Director

ADMINISTRATION

Jessica Lanzillotti, General Manager Mike Watson, Operations Manager Laura Weiss, Special Assistant to the Artistic & Managing Directors Shammah Moore, Porter Pat Brent, Bookkeeper

ARTISTIC

Noah Himmelstein, Associate Artistic Director

COMMUNITY ENGAGEMENT Brian Francoise, Director of Community Engagement

DEVELOPMENT

Stephanie Moore, Director of Development Allie Dreskin, Institutional Giving Manager Dominique Pearson, Development Associate

EDUCATION

Brianna McCoy, Director of Education Lisa Langston, Education Program Manager Brenna Horner, Lead Teaching Artist Abigail Cady, Education Apprentice Marianne Angelella, Sandra Atkinson, Wychkam Avery, Tonya Beckman, Audrey Bertaux, Julia Brandeberry, Tara Cariaso, Kevin Corbett, Christine Demuth, Ray Ficca, Nan Ficca, Brian Francoise, Emma Hebert, Nick Horan, Beth Hylton, Rachel Hynes, Brandon McCoy, Bruce Randolph Nelson, Jack Novak, Jonathan Rizzardi, Steven Satta, Lewis Shaw, Sabrina Sikes-Thornton, Dawn Thomas Reidy, KenYatta Rogers, Josh Thomas, Ann Turiano, Teaching Artists

FRONT OF HOUSE

Nadine Klatt, Box Office Manager Kate Lynch, Audience Services Manager Abigail Cady, Alexa Hauck, Jonathan Jacobs, Faith Savill, Matthew Schleigh, Elizabeth Travis, Bartenders Abigail Cady, Eddy Collett, Anna-Marie Epps, Cierra Harman, Jonathan Jacobs, Jamil Johnson, Thom Purdy, Matthew Schleigh, Rachel-Miranda Swan, Benairen SwansonTomhave, Lucy Wakeland, Box Office Associates Kate Appiah-Kubi, James Fulwiler, Jonathan Jacobs, Jamil Johnson, Alanah Nichole, EVERYMAN THEATRE | 32

Derrell Owens, Nickole Scroggins, House Managers Kate Appiah-Kubi Volunteer Coordinator

MARKETING

Michele Alexander, Director of Marketing Jared Earley, Marketing & Media Relations Manager Kiirstn Pagan, Graphic Designer & Video Producer Katherine Marmion, Graphic Designer Jeff Rogers, 2017-18 Season Show Art Design

PRODUCTION

Kyle Prue, Director of Production Amanda M. Hall, Associate Director of Production Bill Jamieson, Technical Director Rick Gerriets, Asst. Technical Director Andrew Gaylin, Audio Engineer Juan Juarez, Master Electrician Jillian Mathews, Properties Master Patrick Squibb, Scene Shop Foreman Evan McDougall, Resident Carpenter Joseph Martin, Michael Rasinski, Trevor Wilhelms, House Carpenters Amy Kellett, Scenic Charge J. R. Schroyer, Deck Chief Lucy Wakeland, Wardrobe Supervisor Amanda M. Hall, Cat Wallis, Stage Managers Kayla Whisman, Assistant Stage Manager Amanda Hokanson, Stage Management Intern Juan Juarez, Light Board Operators Reese Siedlecki, Sound Board Operator Kelsey Schneider, Captioning Operator Francesca Belcastro, Ren Brault, Andrew Burrans, Darrell Hairston, Jr., Stefen Mayrant, Tiwalade Oni, Kelsey Schneider, J.R. Schroyer, Reese Siedlecki, Kathryn Singer Carpenters Jessica Anderson, Steven Burrall, Jesse Herche, Brandon Ingle, Jeremy McCord, Zachary Paul, Alex Roberts, Alexis Sheeks, Electricians

The Lighting and Sound Designers are represented by United Scenic Artists, Local USA 829 of IATSE The Director is a member of the Stage Directors and Choreographers society (SDC).


Breathtaking sculptures that that Breathtaking sculptures take inspiration from nature’s take inspiration from nature’s structures—clouds, bubbles, structures—clouds, bubbles, and spiderwebs—to imagine and spiderwebs—to imagine the architecture of tomorrow

the architecture of tomorrow

OCTOBER 2017 — JUNE 2018

OCTOBER 2017 — JUNE 2018 ARTBMA.ORG

Tomás Saraceno: Entangled Orbits is generously sponsored by The Richard C. von Hess Foundation.

ARTBMA.ORG

Additional support provided by Joanne Gold and Andrew Stern.

Tomás Saraceno. Many suns and worlds, 2016. Solo exhibition atsponsored The Vanhaerents Art Courtesy the Bonakdar Gallery, Tomás Saraceno: Entangled Orbits is generously byCollection. The Richard C.artist; vonTanya Hess Foundation. New York; Andersen’s Contemporary, Copenhagen; Pinksummer contemporary art, Genoa; Esther Schipper, Berlin. Additional support provided by byThe Joanne GoldArtand Andrew Stern. © Photography Vanhaerents Collection, 2017.

Tomás Saraceno. Many suns and worlds, 2016. Solo exhibition at The Vanhaerents Art Collection. Courtesy the artist; Tanya Bonakdar Gallery, New York; Andersen’s Contemporary, Copenhagen; Pinksummer contemporary art, Genoa; Esther Schipper, Berlin. © Photography by The Vanhaerents Art Collection, 2017.


“After each class, I come home a happier person and better artist.” - Zach P.

ADULT CLASSES YOUR CREATIVE JOURNEY STARTS HERE

ACTOR’S LAB With an emphasis on the life skills that theatre cultivates, learn from theatre experts about how to express, articulate, share, and collaborate using the tools of a professional theatre practitioner. Each Actor’s Lab Class: $185

CHARACTER CREATION

Tuesdays, Oct 24-Nov 19 | 6:30-8:30 pm

PUBLIC SPEAKING

January 24-February 13, 2018

IMPROVISATION February 27-March 30

ARTISTIC YOGA April 17-May 22, 2018

Learn more at everymantheatre.org/classes

ARTIST’S PERSPECTIVE Unpack the roles of professional production through dynamic six week classes. Each Artist’s Perspective Class: $215

THE ART OF DRAMATURGY Mondays, Oct 23-Nov 27 | 6:30-8:30 pm

THE ART OF DIALECT: ENGLAND & IRELAND

Mondays, Oct 30-Dec 4 | 6:30-8:30 pm

STAY TU N Actor’s ED: Craft Techniq Class Se ue starts Ja ries n 22!

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Everyman Theatre "Intimate Apparel" Program  

Everyman Theatre "Intimate Apparel" Program  

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