WELCOME
FOUNDER, ARTISTIC DIRECTOR VINCENT
M. LANCISI
Welcome to Yasmina Reza’s amazing play, 'Art'. This story about friendship, values, and how we see a work of art, continues to resonate all these years since it first premiered in 1994. Every time I see the play, I find a different layer of meaning, something else that’s funny, and often a new perspective on life and what matters as a result.
This production represents what’s best about a regional theatre and in particular at Everyman, a regional theatre with a resident company of actors. The regional theatre movement was designed to be deeply rooted in local communities throughout the country, so that artists and audiences didn’t have to travel to New York, Chicago, or the West Coast to see plays. Regional theatres were meant to enhance the lives of citizens of cities like Baltimore, offering entertainment and culture right here where it’s local and accessible.
It doesn’t escape me that the timing of this production of 'Art' is a perfect example of one of the values of having a professional regional theatre. Currently, there is a revival of 'Art' playing on Broadway starring three famous actors: Neil Patrick Harris, James Cordon, and Bobby Cannavale. You could choose to drive or buy a train ticket to New York, pay exorbitant prices for Broadway tickets, stay in a hotel, and eat in a restaurant if you’re lucky enough to afford all that. Or you can come downtown, buy your tickets at a fraction of the cost, and return home having seen the same play right here in your own back yard. When you do this at Everyman you’ll see that same play with three local stars: Tony K. Nam, Kyle Prue, and Bruce Randolph Nelson. All are members of our esteemed resident company of actors. I know you’ll be rewarded with a theatrical experience equal to if not better than what you’d see in New York.
So, thank you for coming, for supporting local theatre, for loving art that is built in Baltimore, and for choosing Everyman Theatre.
Enjoy the show!
Vincent Lancisi, Founder, Artistic Director
OUR MISSION
Everyman Theatre provides transformative experiences through professional theatre that are welcoming, relevant, and affordable to everyone, featuring a Resident Company of Artists.
MANAGING DIRECTOR
MARISSA LAROSE
Everyman was founded on the belief that incredible performances could be produced from the ground up with talented local artists. In creating and holding true to our Resident Company and our brilliant staff of artisans crafting in this building, we are a theatrical home to numerous artists and enable artistic livelihoods to exist in Baltimore. In so doing, Everyman strengthens the cultural ecosystem with a regular integration of exceptional artists throughout Greater Baltimore.
Not only is the cultural vibrancy of our city strengthened, but the next generation of arts-makers also regularly and repeatedly benefit from Everyman’s highly skilled professional artists in their classrooms--both at Everyman and in schools. Company Members Kyle and Chinai teach undergraduate workshops at UMBC through an Everyman partnership. Jefferson, RJ, and Chinai did regular visits to high school classrooms with local Teaching Artists for nearly 50 conversations during August Wilson's The Piano Lesson – as will Bruce, Tony, and Kyle during Art. Megan, Beth, Deborah, and Chinai regularly teach classes at Everyman ranging from fun arts engagement for youth to professional-level actor training for adults. Our Resident Stage Manager Cat, along with our Director of Production Mandy and Technical Director Trevor support student visits with deep dives into the craft of producing top-quality theater and our Production Department has regularly hosted summer High School and College interns giving young people exposure to all aspects of production from script work to learning to weld.
Our administrative staff hosts panel discussions on job opportunities beyond the stage at Everyman for middle and high school students and several can be found teaching at universities including Goucher, Morgan, and UMBC. Resident Designers Harold and Daniel, along with Resident Actor Kyle, teach college-level young people throughout Maryland at Towson and the University of Maryland, College Park. And this is just a sampling of the involvement of our Company and Staff throughout the area.
The value of Everyman’s Resident Company and Built in Baltimore ethos is clear time after time on the Everyman stage. What is less obvious is the impact of Everyman’s Resident Company and staff, regularly and varied, on the Baltimore community. Art, and the artmakers, makes our community stronger – we are proud to be Built in Baltimore and we know that value makes a difference.
Thank you for being here today!
Marissa LaRose Managing Director
'ART' by YASMINA REZA
Translated by CHRISTOPHER HAMPTON
Directed by NOAH HIMMELSTEIN
CAST
YVAN
TONY K. NAM
SERGE
BRUCE RANDOLPH NELSON
MARC
KYLE PRUE
This production is sponsored by Sandy and Mark Laken
CREATIVES
SCENIC DESIGN
PAIGE HATHAWAY
LIGHTING DESIGN
HAROLD F. BURGESS II
COSTUME DESIGN
JEANNETTE CHRISTENSEN
SOUND DESIGN & ORIGINAL MUSIC SUN HEE KIL
FIGHTS & INTIMACY
LEWIS SHAW
STAGE MANAGER MOLLY PRUNTY
RUNTIME: Approximately 90 minutes. No Intermission.
SETTING: The Paris apartments of Marc, Serge, and Yvan.
Resident Company Member
The Cast and Stage Manager are members of the Actors' Equity Association. 'ART' is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service imprint. www.dramatists.com
The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law.
CAST BIOS
TONY K. NAM: [he/him] (Yvan) [EVERYMAN THEATRE]: (Resident Company Member): Edward Albee's Who's Afraid of Virginia Woolf, Agatha Christie's And Then There Were None, A Midsummer Night's Dream, The Book Club Play, Dial M for Murder, Jump, Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, Sense and Sensibility, The Skin of Our Teeth, Cry It Out, Agatha Christie’s Murder on the Orient Express, Everything is Wonderful, Aubergine. [REGIONAL]: Arena Stage: Exclusion, Akeelah and the Bee (World Premiere); Constellation Theatre Co: Constellations; The Folger Theatre: Romeo & Juliet, Much Ado About Nothing, Measure for Measure; Ford’s Theatre: Our Town; Kennedy Center TYA: Where Words Once Were, A Cricket in Tims Square, Unleashed; Olney Theatre Center: Our Town; Mosaic Theatre Company of DC: Sooner/Later, Theory; Round House Theatre: Treasure Island; Seattle Children’s Theatre: The Red Badge of Courage; Shakespeare Theatre Company: Othello, Pericles; TheatreWorks: Pacific Overtures; Woolly Mammoth Theatre Company: Martha, Josie and the Chinese Elvis. [EDUCATION]: St. Mary’s College of MD –BA, University of Washington – MFA.
BRUCE RANDOLPH NELSON: [he/him] (Serge) [EVERYMAN THEATRE]: (Resident Company Member): Over 50 productions including: The Mystery Of Irma Vep: A Penny Dreadful, Agatha Christie's And Then There Were None, A Midsummer Night’s Dream, The Book Club Play, Dial M for Murder, A Doll’s House, Harvey, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Dinner and Cake, An Almost Holy Picture, Agatha Christie's Murder on the Orient Express, Everything Is Wonderful, The Importance of Being Earnest, The Book of Joseph, M. Butterfly, and more. [REGIONAL]: Center Stage: Amadeus, Animal Crackers, Vanya, Sonya, Masha and Spike; Rep Stage: The Goat, The Violet Hour, The Dazzle, Irma Vep, Faith Healer; Folger Theatre: The Comedy of Errors, She Stoops to Conquer; Olney Theatre Center: The Underpants, The Elephant Man; Woolly Mammoth (Alumni Company Member): Dead Man’s Cell Phone, Fuddy Meers; The Shakespeare Theatre: The Taming of the Shrew; Signature Theatre: Never the Sinner, Over and Over. [NATIONAL TOURS]: National Players Tours 40, 41, and 42. [TEACHING]: Howard Community College, Everyman Theatre, Stevenson University, University of Baltimore, Rep Stage, Arena Stage, Project Access, All County Improv. [EDUCATION]: Towson University: Recipient of Theatre Humanitarian Award and Esteemed Alumni Award.
CAST BIOS
KYLE PRUE: [he/him] (Marc) [EVERYMAN THEATRE]: (Resident Company Member) Harvey, Be Here Now, Pygmalion, Opus, A Number, Taking Sides, Sideman, Watch on the Rhine, Visiting Mr. Green, As Bees In Honey Drown, The Crucible, The 5th of July, The Glass Menagerie (2000), The Last Night of Ballyhoo, Heathen Valley, Voir Dire, The Lion in Winter, Cat On A Hot Tin Roof, Lonely Planet, The Importance of Being Earnest (1997), Amadeus, The Voice of the Prairie, Bus Stop, National Defense, The Hot L Baltimore, The Runner Stumbles [NATIONAL TOUR]: The Red Badge of Courage [REGIONAL]: Arena Stage: South Pacific, Yerma, Woolly Mammoth Theatre Company: Life During Wartime, The Rocky Horror Show, National Defense (Helen Hayes nomination). Theatre of the First Amendment: The Lady from the Sea, Nathan the Wise, John Gabriel Borkman, Boomtown, Carrier, Halcyon Days. Studio Theatre: subUrbia. Signature Theatre: Taking My Life in Your Hands Source Theatre: Psycho Beach Party. LA Theatreworks/Voice of America: Bus Stop. [TV/ FILM]: The Pelican Brief, Tuck Everlasting, Ladder 49 [Teaching]: Towson University – Acting, Everyman Theatre – Auditioning. [DIRECTING]: Loyola University – Love and Information, Scapino.
MEET THE DIRECTOR
NOAH HIMMELSTEIN
NOAH HIMMELSTEIN [he/him] (Director) [EVERYMAN THEATRE]: Agatha Christie's And Then There Were None, A Midsummer Night's Dream, The Skin of Our Teeth, An Almost Holy Picture, Everything is Wonderful, The Book of Joseph, Los Otros, An Inspector Calls. [NEW YORK and OFF-BROADWAY]: Conversations with Mother, Los Otros, The Lucky Star, The Costume, I Am Harvey Milk (also San Francisco, Strathmore, LA, Denver and Princeton Festival), Surfer Girl; New York Philharmonic: Young People’s Concerts, Lincoln Center American Songbook, American Opera Projects. [REGIONAL]: Philadelphia Theatre Co: Everything is Wonderful; Cincinnati Playhouse in the Park: Rooted; I Am Anne Hutchinson (Music Center of Strathmore, performed with Milk); Bay Street Theatre: The Forgotten Woman; Weston Playhouse: Loving Leo; Urban Arias: Positions 1956. [INTERNATIONAL]: Fredericia Teater, Denmark: Bleeding Love. [OTHER]: Songwriting in the Schools (2023, LCT3); We Are Here: Songs from the Holocaust (2023, Carnegie Hall); 2024 & 2025 Dramatists Guild Foundation Galas (Ziegfeld Ballroom); Lincoln Center American Songbook; Goodspeed New Works Festival. Young Artists America: Children of Eden and Into the Woods. [ASSOCIATE DIRECTOR]: Lincoln Center Theater, Second Stage, City Center Encores. [TEACHING ARTIST]: Broadway Dreams Foundation (Calgary, Charlotte and New York). [FILM]: ShirtTugger, written by Noah Zachary. noahhimmelstein.com
MEET THE PLAYWRIGHT
YASMINA REZA
YASMINA REZA (Playwright) Yasmina Reza is a French playwright and novelist, based in Paris, whose works have all been multi-award-winning, critical and popular international successes. Her plays, Conversations After a Burial, The Passage of Winter, Art, The Unexpected Man, Life x 3 and A Spanish Play, God of Carnage, How You Talk the Game and Bella Figura have been produced worldwide and translated into thirty-five languages. In 1995, Art premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced world-wide and translated and performed in over 30 languages. The London production received the 1996-97 Laurence Olivier Award and Evening Standard Award and the Tony award in 1998 in New York. Her new play, God of Carnage, opened on 8 December 2006 at the Schauspielhaus in Zurich, directed by Jürgen Gosch, received the Viennese Nestroy-Theatreprize for the best German-language performance of the season. In Paris on 25 January 2008 at the Théâtre Antoine, Yasmina Reza directed the play with Isabelle Huppert. In London, God of Carnage, translated by Christopher Hampton opened on 25 March 2008 with Ralph Fiennes, Tamsin Greig, Janet McTeer and Ken Stott. In New York, the play opened in February 2009, directed either by Matthew Markus with Jeff Daniels, James Gandolfini, Marcia Gay Harden and Hope Davis. For the second time, Yasmina Reza won the Tony award. Her adaptation of the play for Roman Polanski movie “Carnage” won the Cesar of best script. Since she directed How you play the game and Bella Figura and Anne-Marie la Beauté in Paris. Source: Concord Theatricals
MEET THE TRANSLATOR
CHRISTOPHER HAMPTON
Christopher Hampton wrote his first play, When Did You Last See My Mother? at the age of eighteen; its production in London made him the youngest playwright on record to have a play in the West End. Since then, his plays have included The Philanthropist, Savages, Tales From Hollywood, Les Liaisons Dangereuses, White Chameleon, The Talking Cure, Appomattox, All About Eve, A German Life and Visit From An Unknown Woman. He has written the libretti for three Philip Glass operas and co-written three musicals including Sunset Boulevard. He has translated plays by Ibsen, Molière, von Horváth, Chekhov, Yasmina Reza (including 'Art' and God of Carnage), Daniel Kehlmann (The Mentor, Christmas Eve) and Florian Zeller (The Son, The Father, The Mother, The Truth, The Lie, The Height Of The Storm and The Forest). His plays, musicals and translations have so far garnered four Tony Awards, three Olivier Awards, five Evening Standard Awards and the New York Drama Critics’ Circle Award. Hampton’s many screenplays include Dangerous Liaisons, Total Eclipse, The Quiet American, Atonement, Chéri, A Dangerous Method, The Father and The Son (the last two with Florian Zeller). He both wrote and directed Carrington, The Secret Agent and Imagining Argentina. His television work includes adaptations of “The History Man,” “Hôtel Du Lac,” “The Thirteenth Tale” and “The Singapore Grip.” Prizes for his film and television work include two Oscars, three BAFTAs, a European Film Award, a Writers’ Guild of America Award, the Prix Italia, a Special Jury Award at the Cannes Film Festival, Hollywood Screenwriter of the Year, and The Collateral Award at the Venice Film Festival for Best Literary Adaptation. Source: artonbraodway.com
8
Art and Our Mirror Selves
DRAMATURGICAL NOTE
by Robyn Quick, Resident Dramaturg
“If I’m who I am because I’m who I am and you’re who you are because you’re who you are, then I’m who I am and you’re who you are. If, on the other hand, I’m who I am because you’re who you are, and if you’re who you are because I’m who I am, then I’m not who I am and you’re not who you are..."
At a moment in Yasmina Reza’s 'Art', when diverse opinions of an abstract white on white painting threaten to tear apart close friends, Yvan offers a hastily-scribbled reflection from his psychiatrist on the nature of friendship. The psychiatrist’s second definition—one that intimately ties our sense of self to our understanding of our friends—has ancient roots. According to philosophy professor Noël Carroll, one of the earliest concepts of friendship in Western thought is Aristotle’s idea of the friendship of character. Considered the highest sort of friendship, it is forged between people of equal virtue and excellence. Thus, according to Carroll, “without friends—friends who are our equals—we have no way of objectively assessing our own qualities—no objective measure of assessing whether or not we are virtuous or excellent" (200). Understanding friends as “mirror selves,” as well as “other selves,” may shed light on the potentially devastating impact of a difference in artistic taste on a friendship (201).
Reza’s inspiration for 'Art' was an experience around a painting similar to the inciting incident in the play. In a profile that appeared in The New York Times, Reza explained that a friend revealed to her a recent artistic acquisition and she responded with a burst of laughter. According to Reza, "I laughed and said you must be mad and then we both laughed. He loves the painting and knew I might not, and we laughed because our complicity was in no way spoiled. But if he hadn't laughed and had thought that the choice revealed his friends in another light. . . ." It is this alternate possibility from Reza’s experience with her friend that forms the dramatic action of 'Art'. And her exploration of what might happen when that laughter is not shared, revealing the friendship in another light, has clearly resonated with audiences. Following its premiere in 1994, the play spent six years in London’s West End, ran for two years in its initial Broadway performance, garnered a Tony Award for Best Play, has been produced around the world in over 30 languages, and just returned to the Broadway stage in a new production.
The play’s question of whether we can remain friends when we disagree, continues to matter to us. Journalist Olga Khazan recently consulted a range of experts to understand the anxiety she faced when considering the possibility that a friend might not like one of her favorite movies. “If something really matters to you,” Beverley Fehr a University of Winnipeg psychologist, told her, “there’s a vulnerability in sharing it with someone else.” Fehr continued, “We tend to like people who like the same things as us because they validate our view of the world.” Jeffrey Hall, a communications-studies professor at the University of Kansas, advised Khazan that when we declare a favorite book, movie or album and introduce it to others, “what we’re doing is saying, ‘This is an aspect of my identity that I’m
Yvan in 'Art' by Yasmina Reza
willingly putting out there in order for other people to know me. And if you reject this thing, you reject me.’”
But with so much to divide us and drive us apart today, might art also perform the alternate function – opening us up to each other and helping to bring us together? Certainly, artists have created works that inspire such possibilities. While the white painting at the center of Reza’s 'Art' is fictional, theatre critics have noted its similarity to twentieth century modernist works, such as Kazimir Malevich’s 1918 white on white painting. With his depiction of white squares on a white background, Malevich departed from earlier representational traditions to create what he called “a desert of pure feeling.” Abstract expressionist Robert Irwin would later be inspired by Malevich’s work and its focus on expanding and honoring each viewer’s individual experience – a priority he pursued in his installations. Irwin wanted to help his viewers exercise their potential to see our world more fully. In doing so, as he told his biography Lawrence Weschler, he hoped to “make you a little more aware than you were the day before of how beautiful the world is" (224). Weschler found a connection between this vision and our engagement with each other, or as he described it, “other souls…continually opening out across a wider social expanse.” In his experience of Irwin’s installations, Weschler concluded, “Perceiving, we perceived one another. Another miracle" (265). If art can expand our experience of the beauty of our world, perhaps it can enhance our appreciation of the beauty of each other—particularly those who are, or might become, our friends.
Suprematist Composition: White on White. Kazimir Malevich. 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)
Works Cited
Carroll, Noël. “Friendship and Yasmina Reza’s Art.” Philosophy and Literature, vol. 26, no. 1, 2002, pp. 199–206, Project Muse. Khazan, Olga. “The Big Lebowski Friendship Test.” The Atlantic. 1 Sept. 2025. Weschler, Lawrence. Seeing is Forgetting the Name of the Thing One Sees: Over Thirty Years of Conversations with Robert Irwin. University of California P, 1982. Yasmina Reza and the Anatomy of a Play. New York Times Company, New York, 1998. ProQuest.
OF EVERYMAN THEATRE: THE ARTISTIC FORMULA
CURATING THE QUINTESSENTIAL SEASON
Everyman Theatre was inspired by its namesake in Liverpool, England, a port city not unlike Baltimore, when our founder studied abroad as a grad student. That company asked a daring question: empires accessible to everyday people? programming for 35 years and continues today.
Curating a full season of plays isn’t just about plucking titles o carefully-crafted puzzle. Lancisi and his Artistic Team prepare each year by reading dozens of potential scripts, considering the tone, period, representation, audience interest, and which plays can showcase our talented Resident Company of actors.
The goal is not a checklist, but a conversation: a collection of plays that resonates with modern audiences, and that welcome people from every walk of life; a variety of titles that capture the grit, humor, and humanity that defines Everyman. When the pieces combine, it isn’t just a schedule of programming, it’s magic. A season that feels timeless yet fresh, familiar yet surprising. A season that could only be called quintessentially Everyman.
SCAN for additional ways to support Everyman Theatre.
PHOTO CAPTIONS
A: Everyman Theatre in Liverpool, England (1978).
B: Quote from 1997 article in Baltimore Magazine.
C: Photo from 1998 issue of the Baltimore Business Journal featuring Vincent M. Lancisi outside of Everyman's original location on N. Charles Street.
D: Vincent M. Lancisi during rehearsals of Dial M for Murder (2023).
E: Resident Company featured in (2022).
F: Resident Company Members during the 2017/2018 season.
G: Dawn Ursula and Wil Love in (2016).
H: Carl Schurr, Megan Anderson, and Deborah Hazlett in The Cherry Orchard (2009).
I: Bruce Randolph Nelson and Karl Kippola in our production of 'Art' in 2008.
J: Season brochures from previous seasons at Everyman Theatre.
Vincent M. Lancisi, Founder, Artistic Director | Marissa LaRose, Managing Director
CREATIVE TEAM BIOS
HAROLD F. BURGESS II (LIGHTING DESIGN) [EVERYMAN THEATRE]: (Resident Lighting Designer) Over 20 productions, highlights include: Edward Albee's Who’s Afraid of Virginia Woolf, Primary Trust, And Then There Were None, Queens Girl: Black in The Green Mountains, Dial M for Murder, Jump, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Sense and Sensibility, Flyin’ West, Pipeline, Radio Golf, Agatha Christie's Murder on the Orient Express, Sweat. [INTERNATIONAL]: Southwark Playhouse (London): The Happiest Man on Earth. [REGIONAL]: Denver Center for the Performing Arts: The Happiest Man on Earth; Cincinnati Playhouse in the Park: Where the Mountain Meets the Sea, Clyde’s; Contemporary American Theatre Festival: Kevin Kling: Unraveled, Magdalene, The Happiest Man on Earth; Signature Theatre: Where the Mountain Meets the Sea; Round House Theatre: Radio Golf, Nine Night, Nollywood Dreams, We’re Gonna Die, Throw Me On The Burnpile and Light Me Up, A Boy and His Soul, A Doll’s House, Part 2; Studio Theatre: Breath Boom, My Children! My Africa!; Olney Theatre Center: Aubergine, Thurgood, Grounded; Theatre J: Intimate Apparel, Trayf, Broken Glass, Another Way Home, The Sisters Rosensweig, The Hampton Years; Mosaic Theatre Company: Unexplored Interior; Rep Stage: Kill Move Paradise; Northern Stage (VT): A Doll’s House, Part 2, Grounded. [AWARDS]: 2020 Independent Artist Award, Maryland State Arts Council. [TEACHING]: Director, College Park Scholars Arts Program, UMD. [EDUCATION]: MFA, University of Maryland College Park. Member, United Scenic Artists, Local 829. www.haroldburgessdesign.com
JEANNETTE CHRISTENSEN (COSTUME DESIGN) is a Baltimore-based costume designer with notable credits including the Broadway national tour and the Spanish world premiere at GALA Hispanic Theatre (Helen Hayes Award win) of On Your Feet!. National tours include: Don’t Let the Pigeon Drive the Bus!, Show Way The Musical, and Look Both Ways: A Tale Told in Ten Blocks at The Kennedy Center TYA. Regional work
includes: Wolf at the Door and Tribes at American Players Theatre; The Thanksgiving Play at Oklahoma City Repertory Theater; The Last Five Years at Pennsylvania Shakespeare Festival; Romeo and Juliet at Folger Theatre; The Brothers Paranormal and Red Pitch at Olney Theatre Center; and Dinner and Cake at Everyman Theatre. Christensen has also worked as an associate designer with The Muny, Round House Theatre, Wolf Trap Opera, and Studio Theatre. As an educator, she has taught at the University of Maryland, University of the Arts, and George Washington University. She holds a BA from ASU, an MFA from Maryland, and an MPS in Business of Art & Design. jchristensendesign.com.
PAIGE HATHAWAY (SCENIC DESIGN) [she/ her] [EVERYMAN THEATRE]: Primary Trust, Agatha Christie's And Then There Were None, Ken Ludwig's Baskerville, An Almost Holy Picture, Queens Girl in Africa, Queens Girl in the World. [DC AREA]: Signature Theatre: Hair, Penelope, No Place to Go, The Upstairs Department, Rent; Ford's Theatre: Little Shop of Horrors; Olney Theatre Center: Frozen; Arena Stage: The High Ground, The Right to be Forgotten; Woolly Mammoth: The Sensational Sea Mink-ettes, Familiar; Round House Theatre: The Mountaintop, Jennifer Who is Leaving, On the Far End; Kennedy Center: Me… Jane; Folger Theatre: A Midsummer Night’s Dream, Rosencrantz and Guildenstern are Dead [REGIONAL]: Santa Fe Play House: On Clover Road; Barrington Stage: A New Brain; Writer's Theatre: A Distinct Society; Amphibian Stage: The... Untruths of Juan Garcia, Miss Molly; The Muny: Mary Poppins, The Sound of Music, Matilda, Cinderella, A Chorus Line; Cleveland Play House: The Three Musketeers; Asolo Rep: Sweat; Arden Theatre Company: Assassins, A Streetcar Named Desire, A Midsummer Night’s Dream. [EDUCATION]: University of Oklahoma: BFA in Scenic Design; University of Maryland: MFA in Scenic Design. Local USA 829. @paigehathawaydesign paigehathawaydesign.com
SUN HEE KIL (SOUND DESIGN & ORIGINAL MUSIC) [she/they] [EVERYMAN THEATRE]: Agatha Christie's And Then There Were None; [OFF-BROADWAY]: Lincoln Center: N/A; Public, Shakespeare in the Park: As You Like It; Public: Suffs (Henry Hewes nomination), The Visitor; CSC: I Can Get It For You Wholesale, A Man of No Importance; Little Island: Marriage of Figaro; New Victory: New Victory Dance. [REGIONAL]: Paper Mill Playhouse: Beautiful, Fiddler On The Roof, Sound of Music; Ford’s: Shout Sister Shout; Arena Stage: Exclusion; Selected Finalist at World Stage Design 2021: Brothers Size; Selected US Exhibit at Prague Quadrennial: Brooklyn Gaze [ASSOCIATE]: 2018 PyeongChang Winter Olympics Opening & Closing Ceremonies; [ASSOC. BROADWAY]: Suffs, Left On Tenth, Choir Boy, Bernhardt/ Hamlet, The Rose Tattoo; [ASSOC. OFF-BROADWAY]: New Victory: Emmet Otter; Lincoln Center: Greater Clements; [ASSOC. INTERNATIONAL TOUR]: Dreamgirls. [TEACHING]: Assistant Professor of Sound Design at Purchase College, SUNY. [EDUCATION]: MFA, College-Conservatory of Music, University of Cincinnati. www.sunheekil.com
VINCENT M. LANCISI (FOUNDER, ARTISTIC DIRECTOR) founded EVERYMAN THEATRE in October of 1990 and has directed 58 productions including Edward Albee's Who's Afraid of Virginia Woolf?, Dial M For Murder, The Sound Inside, The Lion in Winter, Cry It Out, Agatha Christie’s Murder on the Orient Express, Dinner With Friends, Sweat, Aubergine, M. Butterfly, Noises Off, Dot, Death of A Salesman, Under the Skin, Blithe Spirit, Deathtrap, Tribes, The Glass Menagerie, The Beaux’ Stratagem, August: Osage County, You Can’t Take It With You, Stick Fly, All My Sons, Two Rooms, Rabbit Hole, The Cherry Orchard, Doubt, Much Ado About Nothing, The Cone Sister, And a Nightingale Sang, The School for Scandal, A Number, Amadeus, Cat on a Hot Tin Roof, Buried Child, The Last Night of Ballyhoo, A Delicate Balance, Hedda Gabler, Proof, Uncle Vanya and The Last Five Years. As a freelance director, he directed True West for Rep Stage in Columbia, MD. In addition to his work at Everyman, he has taught acting and
directing at Towson University, University of Maryland, Catholic University, Howard Community College, and at Everyman Theatre. He is a member of the Society of Stage Directors and Choreographers. Vincent sits on the boards for the Bromo Tower Arts & Entertainment District and the Market Center Merchants Association. Vincent holds his undergraduate degree in Theatre from Boston College and his master’s degree in Directing from The Catholic University of America.
MOLLY PRUNTY (STAGE MANAGER)
[EVERYMAN THEATRE]: Primary Trust, Queen's Girl: Black in the Green Mountains, (Assistant Stage Manager): Harvey, Jump, The Lion in Winter, Behold, A Negress, Cry it Out. [REGIONAL]: Peabody Opera: Don Giovanni; Baltimore Center Stage: Young Playwrights Festival. [TEACHING]: Baltimore School for the Arts: Expressions 2023. [EDUCATION]: B.A. in Theater Design & Production from University of Maryland, Baltimore County.
LEWIS SHAW (FIGHTS & INTIMACY)
[EVERYMAN THEATRE]: (Resident Fight and Intimacy Choreographer): Over 20 productions, highlights include: The Mystery of Irma Vep: A Penny Dreadful, Edward Albee's Who's Afraid of Virginia Woolf?, Agatha Christie's And Then There Were None, Crumbs from the Table of Joy, Dial M For Murder, Harvey, The Sound Inside, Jump, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, The Lion in Winter, Sense and Sensibility, The Skin of Our Teeth, Flyin’ West, Steel Magnolias, Pipeline, Berta, Berta, Sweat, Noises Off, The Beaux Stratagem, Fences, Ruined, Great Expectations and more. [REGIONAL]: Arena Stage: Snow Child, Sovereignty, A Raisin in the Sun Center Stage: A Skull in Connamarra, Bus Stop, Snow Falling on Cedars, Looking Glass Alice; Washington Opera: Don Giovanni. Shaw is a Certified Teacher with The Society of American Fight Directors and is the owner of Lewis Shaw Fine Dueling Supplies. His stage weapons have been seen in numerous Broadway plays, operas, films and television shows including Head Over Heels, Marvel’s Daredevil, Marvel’s Iron Fist, Aida and The Scarlet Pimpernel.
This Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The director is represented by Stage Directors and Choreographers Society.
The set, costume, lighting, and sound designers are represented by United Scenic Artists, Local USA 829 of the IATSE.
'ART' PRODUCTION STAFF
ASSISTANT STAGE MANAGER
Lanoree Blake
BACKSTAGE CREW
Tiffany Ko
LIGHT BOARD PROGRAMMER & OPERATOR
Maisie Stone
LIGHT BOARD OPERATOR
Melissa Martinez
SOUND BOARD OPERATORS
Griffin DeLisle
Peri Walker
Alyssa Foy
STUDIO LIGHTING DESIGN ASSISTANT
Malory Hartman
WARDROBE CREW
Ace Spencer
Vincent M. Lancisi, Founder, Artistic Director | Marissa LaRose, Managing Director
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Vincent M. Lancisi, Founder, Artistic Director | Marissa LaRose, Managing Director
EVERYMAN THEATRE RESIDENT COMPANY
ACTORS
Megan Anderson
RJ Brown
Felicia Curry
Deborah Hazlett
Helen Hedman
Paige Hernandez
Beth Hylton
Hannah Kelly
Katie Kleiger
Wil Love
ARTISTS
Tony K. Nam
Bruce Randolph Nelson
Tuyết Thị Phạm
Zack Powell
Kyle Prue
Chinai Routté
Jefferson A. Russell
Carl Schurr
Yaegel T. Welch
Daniel Ettinger | Scenic Design
David Burdick | Costume Design
Harold F. Burgess II | Lighting Design
Pornchanok Kanchanabanca | Sound Design
Gary Logan | Dialects
Lewis Shaw | Fights & Intimacy
Cat Wallis | Stage Management
Robyn Quick | Dramaturgy
WHY DO WE HAVE A RESIDENT COMPANY?
Only a handful of theatres nationwide feature an ensemble of professional actors that perform regularly each season. They are the core of Everyman Theatre. Because of their distinctive familial bond, history and trust of each other, company members can jump deeply into meaningful relationships onstage. Our artists push each other to deliver the highest caliber of work.
Learn more about our Resident Company members by visitng everymantheatre.org or scanning the QR code.
Actors pictured in order listed below.
BOARD OF DIRECTORS
Everyman Theatre is governed by a dedicated group of community volunteers, our Board of Directors.
EXECUTIVE COMMITTEE
W. Bryan Rakes, President
Mark Paul Lehman, Vice President
Donald Thoms, Secretary
Walter Doggett III, Treasurer
Meadow Lark Washington, CARES Chair Vic Romita, Appointee
DIRECTORS
Anthony Evans
Christian Ventimiglia
Christopher Uhl
Deborah Jennings
Dorothy H. Powe
Drew Tildon Reis
Edie Brown
Eileen O’Rourke
Ellie Wang
Gina Hirschhorn
Jennifer Litchman
Larry Fishel
Leland Shelton
Lisa Harris Jones
Marissa LaRose
Marjorie McDowell
Mark Yost
Michael Styer
Sandy Laken
Sarasi Desikan
Sandra Levi Gerstung
Susan Flanigan
Tony Nam
Vincent M. Lancisi
GOVERNMENT, FOUNDATIONS, FUNDS AND CORPORATIONS
Gifts listed here support were received between May 14, 2024 and August 1, 2025.
VISIONARY $50,000+
Paul M. Angell Family Foundation
Baltimore County Commission on Arts and Sciences
Downtown Partnership of Baltimore France-Merrick Foundation
Gallagher, Evelius & Jones, LLP
Maryland Department of Education
Maryland Department of Housing and Community Development
Maryland State Arts Council
The Shubert Foundation
William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards, www.bakerartistawards.org
SEASON PRODUCER
$25,000–$49,999
Bertoli-Mansfield Fund
Galanthus Foundation
Jacob and Hilda Blaustein Foundation Inc.
David and Barbara Hirschhorn Foundation
National Endowment for the Arts
RESIDENT COMPANY
SPONSOR
$10,000 - $24,999
Abell Foundation, Inc.
American Trading and Production Corporation
BGE
Bunting Family Foundation
Eddie C. and C. Sylvia Brown Family Foundation
Goldsmith Family Foundation
Joseph and Harvey Meyerhoff Family Charitable Funds
EXECUTIVE PRODUCER
$5,000–$9,999
Anonymous
Bank of America Foundation
Helen S. And Merrill L. Bank Foundation
Hecht-Levi Foundation
Helen Pumphrey Denit Trust
Phyllis and Joe Johnson Foundation
John J. Leidy Foundation
Lord Baltimore Capital Corporation
Harvey M. Meyerhoff Fund Inc.
Nora Roberts Foundation
Romita Solutions
Earle and Annette Shawe Family Foundation
PRODUCER $2,500–$4,999
Harry L. Gladding Foundation
Lois and Philip Macht Family Philanthropic Fund
ASSOCIATE PRODUCER
$1,000–$2,499
Anonymous
The Mead Family Foundation
Sally S. Decatur and H. Miller Private Foundation
DIRECTOR $250–$999
Actors’ Equity Foundation
Constellation Brands
Taylor Foundation Inc.
MATCHING GIFT COMPANIES
American Trading and Production Corporation
Bank of America
Black & Decker
Exelon Foundation
IBM Corporation
International Monetary Fund
McCormick & Co.
Network for Good Norfolk Southern
T. Rowe Price
Truist
IN-KIND SUPPORT
City Seeds
Lord Baltimore Hotel
University of Maryland, Baltimore
LEAD CORPORATE PARTNER
MAJOR SUPPORT FROM
COVER ART DESIGNED BY Jacob Kemp / TALISMAN
INDIVIDUALS
Gifts listed here support Everyman Theatre's Annual Fund and were received between May 15, 2024 and September 15, 2025.
For a complete list of donors starting at the Lead Actor and Playwright Levels ($120+ and above), please visit 'Our Supporters' page on our website.
VISIONARY $50,000+
Susan W. Flanigan* and George Roche
Gina* and Dan Hirschhorn
Irene Mansfield
Bryan* and Jennifer Rakes
SEASON PRODUCER
$25,000–$49,999
Dr. Larry* and Nancy Fishel
Susan W. Flanigan*
James A.C. and Maureen A.
Kennedy Charitable Fund
Susan and John Nehra
Dorothy H. Powe* in Memory of Ethel J. Holliday
Vic* and Nancy Romita
RESIDENT COMPANY SPONSOR
$10,000 - $24,999
Anonymous
Brenda K. Ashworth and Donald F. Welch
Ed and Ellen Bernard
Chris DiPietro
Walter B. Doggett III* and Joanne Doggett
Jennifer C. Engel
Shirley T. Hollander †
Karen and David Hutcheon
Paul Konka and Susan Dugan-Konka
Mark and Sandy* Laken
Kenneth C. and Elizabeth M. Lundeen
Lisa Harris Jones* and Sean Malone
Mary and Jim Miller
Paco and Tina Rodriguez
Bob and Terri Smith
Michael B. Styer*
Donald* and Mariana† Thoms
Mark Yost* and Kevin Galens
EXECUTIVE PRODUCER
$5,000–$9,999
Shaun Carrick and Ronald Griffin
Diann and David Churchill
Judy Shub-Condliffe and Jack Condliffe
Sarasi Desikan* and Sal Dhanani
Jerry and Carol Doctrow
Curt Lind and Linda Ettinger
Sandra Levi Gerstung*
Sandra D. Hess
Jean Jacocks
Mark Paul Lehman* and Kurt Davis
Brian and Eileen O'Rourke*
Nancy and David Paige
John and Marsha Ramsay
PRODUCER $2,500–$4,999
Anonymous (3)
James and Ellen Adajian
George and Frances† Alderson
Patricia Bettridge
Winnie and Neal Borden
Courtney Bruno
David Cane
Paul and Kathleen Casey
Ross and Michele Donehower
Catherine Hammond
Donald Hicken
Nancy King
Barry Kropf
Francine and Allan Krumholz
Marissa LaRose* and Travis Andrews
Wil Love and Carl Schurr
James MacNicholl and Sara Lombardo
Martin Kenneth McQuage
Terry H. Morgenthaler and Patrick J. Kerins
Tim Nehl and Joy Mandel
Dr. and Mrs. Crossan O'Donovan
Ed and Jo Orser
Reid Reininger
Jim and Laura Rossman
Hugh Silcox
Ronnie Silverstein
Louis B. Thalheimer and Juliet A. Eurich
Ruth Lawson Walsh
Howard and Elizabeth Walsh and Family
Meadow Lark Washington* and Joe Washington
ASSOCIATE PRODUCER
$1,000–$2,499
Anonymous (8)
Ronald† and Baiba Abrams
Emile A. Bendit and Diane Abeloff
Bryn and Philip Ardanuy
Allyson Black Woodson
Michael Booth and Kristine Smets
Susan Chomicz Bowman
Richard Bozzelli
A. Stanley and Dorah Brager
Livio and Diane Broccolino
David Brown
Edie* and Stan Brown†
Jeanne Brush
Diane E. Cho and David W. Benn
Harlan and Jean Cramer
Rickie Eatherly
Karen and Ronald Erler
Arlene Falke
David and Merle Fishman
Susan Sachs Fleishman
Debra and Maurice Furchgott
Caroline Griffin and Henry E. Dugan, Jr.
W. Robert Hair and Steven J. Ralston
Carol and Joe Hamilton
Alan and Trisha Hoff
James F. Hart
Deborah Ingle
Ann H. Kahan
Shirley A. Kaufman
Evelyn S. Krohn
Timothy and Gabrielle
Lawrence
Peter Leffman
Paul and Jill Levine
Gayle Levy and Martin Barber
Lynne and Larry Lichtig
Jennifer Litchman*
Fred and Judy Lobbin
Linda and Jim Loesch
Marjorie* and Scott McDowell
Kathleen Howard Meredith
Barry Mersky and Elizabeth Trexler
David Mintzer and Cinda
Hughes
Steven Morris
Dr. Mike Myron and Linda Weisfeldt
Ken and Ellen Nibali
Andrew and Sharon Nickol
Patricia S. and Robert J. Orr
Patricia Palmer
Gary and Leslie Plotnick
Mark and Joanne Pollak
Elenor Reid
Drew* and Ryan Reis
Elaine Richman and Ralph
Raphael
Sue Shaner and John Roberts
John and Sarah S. Robinson
Nancy Dalsheimer Savage
Dr. Alan Schwartz and Dr. Carla
Rosenthal
Lisa Scotti
Harvey and Debbie Singer
Bob and Jackie Smelkinson
Joaneath A. Spicer
Ruth and Chuck Spivak
Susan Spencer and John Spencer
Shale D. Stiller and Honorable Ellen M. Heller
Sheldon and Victoria Switzer
Eileen and Philip Toohey
Elizabeth Trimble
Christian Ventimiglia*
Rose Viscardi
Ellie Wang*
Lissa Abrams and Abe Wasserberger
Maria Wawer
Barbara Coleman White
Wolman Family Fund
Joseph and Valerie Yingling
Carol Yoder
DIRECTOR $500–$999
Anonymous (4)
Walter and Rita Abel
G. Caleb Alexander
Brad and Lindsay Alger
Ray and Carroll Apodaca
Dr. Sania Amr
Dale Balfour
Ray and Day Bank
Robin Banks
Gayle Barney and Jean Savina
Craig Bober and Rachel Burgan
John and Carolyn Boitnott
Michael Borowitz and Barbara Crain
Jeffrey Budnitz and Siobhan O'Brien Budnitz
Paul and Jane Brickman
Lew and Vicki Bringman
Peter and Eileen Broido
Sara and Duncan Brown
Kristen Cannito
Evelyn Cannon and James Casey
Jan Caughlan
Arnold Clayman
Fred Cogswell
David and Marcia Cohen
Samuel Cohen and Joan Piven
Phonte Coleman
Stiles Colwill
Will and Carol Cooke
Judith Cooper
Cindy Conklin and Bob Merbler
Greg and Martha Cukor
Barbara Dent
Nancy Dickinson
Gwen DuBois and Terry Fitzgerald
Carol Eakin-Burdette
Neil and Deborah Eisenberg
Bill Eggbeer
Donald and Margaret Engvall
Don Firmani and Janet Esch
Donna Flynn
Beth Gansky
Suzan Garabedian
Saralynn and Sheldon Glass
Sue Glick
Susan Goetze and Janet Colman
Herbert and Harriet Goldman
Dorothy Gold and Jim Wolf
Marci Gordon and Andrew Barnstein
Hannah and Thorne Gould
Donald M. and Dorothy W. Gundlach
Robert and Cheryl Guth
Richard Manichello and Margo Halle
Fritzi K. and Robert J. Hallock
William Hamilton and Paula Jackson
Suzanne Hill
Hope Hollander
Greg Huff and Pamela Pasqualini
Jessica Iannetta
Deborah Jennings*
Harold Kanarek
Mr. and Mrs. D. Brooks Kitchel II
Ann and David Koch
Larry Koppelman and Liz Ritter
Harriet and Jay Kramer
Ron and Marianne Kreitner
Toni and Evan Krometis
Dr. and Mrs. Rudolf Kuppers
Jessica Lanzillotti
Drs. Moira and Paul Larsen
Colleen Martin-Lauer and Mark Lauer
Jonna† and Fred Lazarus
Gregory Lehne
Marie Lerch
Peter Levy and Diane Krejsa
Freddi Lipstein and Scott Richard Berg
Bruce Lindstrom
Michael and Lois Mannes
Jeanne E. Marsh
Bruce R. Nelson and Richard
Goldberg
Linda Nevaldine
Elaine Niefeld
Drs. Mary O'Connor and Charles King
Gail Oppel
Thomas L. and Leslie V. Owsley
Hilary Paska
Justine and Ken Parezo
William and Susan Paznekas
Dr. Fred Pearson
Judy and Scott Phares
Anne Marie Richards
Bill and Susannah Rienhoff
Naomi Robin and Gerald Gleason
Daniel Rodricks and Lillian Donnard
Bess Rose
Kristin Rowles and Paul Ferraro
Robert Russell in memory of Lelia Russell
Eleanor Schwark
Robert Sears
Thomas Seidman
Joan Seiffert
Amy Seto
David and Sarah H. Shapiro
Temmie and Ronald Shade
Patricia Smeton
Norma Snow-Goldberg
Damie and Diane Stillman
Lynne Stuart
Dr. Ellen Taylor and Mr. Bruce Taylor
Josephine Raney
Ian Tresselt and Joseph Rooney
Susan and Hutch Vernon
Louise Wagner
Thomas Weyburn
Peggy Widman
Donald and Jerriann Wilson
Peter Ayers Wimbrow, III
MONTHLY SUSTAINING DONORS
Joyce Duffy-Bilanow and Stephen Bilanow
Jan Boyce
David and Marcia Cohen
Bruce and Lisa Field
Ira Gooding and Kristen Vanneman-Gooding
John and Susan Hailman
W. Robert Hair and Steven J. Ralston
Catherine Hammond
James F. Hart
Paul M. Holmes
Deborah Ingle
Fred and Judy Lobbin
Hannah Mazo
Marjorie* and Scott McDowell
Mary C. Plaine
Dr. Alan Schwartz and Dr. Carla Rosenthal
Drew* and Ryan Reis
Becky and Joe Richardson
Judi and George Seal
Linda and Kirby Smith
Susan Truitt
Peggy Widman
Margaret Williams
Board Member
YOU MAKE THEATRE HAPPEN.
Everyman Theatre is a welcoming and inclusive space for everyone – audience members, students, artists, volunteers, staff, and trustees – to experience art and be part of a positive community where all can be treated with kindness and respect.
In order to make this a reality we need your help in upholding our core values and creating a space that allows everyone to fully participate in the transformative experience of live theatre.
WE BELIEVE THAT…
• Everyone is deserving of kindness and respect
• All individuals deserve to feel welcomed and included in the work we do
• It’s our collective responsibility to maintain a safe and supportive environment
• Theatre provokes thought and inspires dialogue, which builds our capacity for empathy, understanding, and connection
• It’s our collective responsibility to oppose racism by consciously, purposefully, and continually striving against racial biases and the systemic structures that perpetuate them
• We must take a united stance against all forms of oppression or marginalization, and recognize that although discomfort may be productive, cruelty never is
WE INVITE YOU TO…
• Embrace a mindset of goodwill and extend courtesy to others
• Immerse yourself fully in the performance – applaud, shed a tear, laugh out loud, and express your emotions freely
• Embrace your fellow audience members’ reactions and cherish the fact that theatre is a shared journey
• Make a deliberate effort to confront your own biases, and partner with us in putting these beliefs into action. We are all learning - help us maintain a positive community and culture of collaboration
• Share your feedback and experiences with us, as we are continually looking to improve
WE WILL NOT TOLERATE…
• Discrimination, harassment, or any form of speech/behavior that threatens the safety or well-being of others
• Unwanted invasion of another person’s physical space
• Refusal to comply with staff instructions or disregarding the theatre’s policies
Any conduct that contributes to a dangerous or hostile environment will be taken seriously. If you witness or experience a violation of the values and expectations outlined above, please alert one of our staff members. Everyman takes this feedback very seriously and will take action to protect our community.
Thank you for joining us and being a part of the Everyman Family!
GRATITUDE FOR THOSE BEFORE US
We honor the Indigenous Piscataway, Lumbee, and Cherokee people of Baltimore City and the unceded ancestral lands of the Piscataway on which Everyman Theatre resides. This acknowledgement does not take the place of authentic relationships with Indigenous communities, but serves as a first step in honoring the land we occupy and as an act of resistance against the erasure of their histories. For more information: https://native-land.ca/ and http://baltimoreamericanindiancenter.org
LEADERSHIP
Founder, Artistic Director
Vincent M. Lancisi
Managing Director
Marissa LaRose
ADMINISTRATION
Producing Director
Kyle Prue
Director of Finance + Human Resources
Larry Bright
Finance + Human Resources Associate
Robin Fraker
Facilities + Operations Manager
J.R. Schroyer
Assistant Managing Director
Sean McComas
ARTISTIC
Associate Artistic Directors
Paige Hernandez
Noah Himmelstein
Tuyết Thị Phạm
PHILANTHROPY
Directors of Philanthropy
Charisse Paige
Lauren Saunders
Associate Director of Institutional Giving
Elliott Kashner
Philanthropy Operations & Events Manager
Caitlyn Hooper
MARKETING & COMMUNICATIONS
Director of Marketing & Communications
Alexander Cortes
Associate Director, Communications & Partnerships
Corey Frier
Associate Director of Marketing Operations
Jordyn Farthing
Assistant Director of Marketing
Madeline ‘Mo’ Oslejsek
Multimedia Manager
Lindsay Pedersen
Marketing Coordinator
Jalice Ortiz-Corral
Front of House Manager
Ashley Brooks
Audience Services Coordinator
Michelle Payton
Patron Engagement Associates
Devon Allen, Andromeda Bacchus, Davin Banks, Tyrel Brown, Valicia Browne, Rae Dorsey, Mel Gabel, Ja’Net Jones, Kate Appiah Kubi, Sarah Lohrfink, Elizabeth Malvo, Derrell Owens, Thom Purdy, Kelsey Schneider, Acell Spencer, Becca Stafford, Teddy Sherron III, David Shird, Majenta
Thomas
PRODUCTION
Director of Production
Amanda M. Hall
Production Manager
Cat Wallis
Technical Director
Trevor Wilhelms
Assistant Technical Directors
Brandon Ingle
Ren Brault
Scene Shop Manager
Sarah Blocher
Lead Carpenter
Joe Martin
Scenic Charge Artist
Jill Koenig
Properties Artisan Michael Rasinski
Costume Director
David Burdick
Draper
Amy Forsberg
Wardrobe Supervisor
Lucy Wakeland Haag
Lighting Supervisor
Juan M. Juarez
Lead Electrician
Maisie Stone
Audio/Video Supervisor
Andrew Gaylin
Carpenters
Griffin DeLisle, Jupiter
Lam-Bright, Charles Whittington, Charlie Woods
Electricians
Emily Burgess, Griffin DeLisle,
Melissa Martinez, Malaak McDonald, Martin Sundiata
EDUCATION
Director of Education
Joseph W. Ritsch
Education Operations Manager
Arianna Costantini
Education Programs Manager
Kristina Szilagyi
Teaching Artists
Megan Anderson Prue, Kyleigh Archer, Khalid Bilal, Lanoree Blake, Julia Brandeberry, Christy Brooks, Tyrel Brown, LaKeshia Ferebee, Melissa Freilich, Katie Ganem, Diana Gonzalez Ramirez, Carole Graham Lehan, Isaiah Harvey, Deborah Hazlett, Patricia Hengen-Shields, Beth Hylton, Ally Ibach, Lauren Jackson, Hannah Jeffrey, Marcus John, Kimberley Lynne, Jenny Male, Tarshai Peterson, Fatima Quander, Joseph Ritsch, Lucius Robinson, Chinai Routté, Raecine Singletary, Acell Spencer, Teresa Spencer, Susan Stroupe
