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The people’s paper ISSUE NO. 1856
28 Jan - 3 Feb 2021
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ALL THAT JAZZ!
MOJACAR recently hosted the online debut of the Valparaiso Big Band, Spain’s first allfe male jazz orchestra. It was the result of a fiveyear collaboration project between Classijazz, the Indaliana Music and Artes Foundation, and the Fundacion Valparaiso which has given this new band its name. The lineup of 17 leading lights in Spanish jazz included Ri ta Payes on trombone, Lucia Martinez from Berlin who is one of Europe’s best drummers, and Blanca Barranco on double bass. Prior to their performance,
the band members shared five intense days of rehearsals at Mojacar’s Valparaiso Residence. Here, they bonded to create a new album and video while contributing a valuable archive of new Spanish jazz to both Foundations’ existing collec tions. Pablo Mazuecos, Clasijazz di rector, and Beatrice Beckett, the founder of Fundacion Val
DEBUT: First performance for Spain’s first all-female jazz band.
Alcazaba obstacle course
A GROUP of youths videod themselves practising parkour on the walls of the Alcazaba in Almeria City. For the uninitiated, parkour developed from military ob stacle course training and in volves getting from one point to another in a complex envi ronment. On this occasion, the Alcaz aba’s walls and towers, built between the 11th and 12th centuries, supplied the right amount of complexity for the group. They subsequently up loaded their video to YouTube, warning of the
citadel’s dangers, its crum bling walls and hazardous hand and footholds that broke away without warning. The video soon racked up more than 50,000 hits but as well as condemning the fool hardy exercise, both the cul tural division of the Ustea
union and the Amigos de la Alcazaba association drew attention to the group’s de scription of the fortress as “abandoned and superdete riorated.” The episode underlined the Alcazaba’s lack of even mini mal security measures had
made it possible for the young people to enter and carry out their parkour performance unhindered, both pointed out. It also highlighted the threat they had posed to an officially protected monu ment, they added.
paraiso, stressed to the band the importance of leading the way for other young jazz players and encouraging them to forge a path in the world of profes sional music. The band’s visit was able to take place despite the current difficulties and, as Mazuecos said, “May the music never stop and may it continue in a safe way.”