Interior Design Portfolio

sampler interior design portfolio

three mini excerpts.

IN A CLOUD, ALL I FOUND WAS RAIN, IN THE SHEETS, A CITY. Moving around all the time, there were plenty of cloud-gazing hours, attempting to identify cumulonimbus bunnies before a torrential downpour, or stratus cheese graters. But of course, depending on the speed of the car, the direction we were driving, and the weather patterns, clouds could only be recorded with a phone (which, wasn’t a part of my life till college). On the flip side, my younger years were spent rebelliously not sleeping, and instead using a flashlight to dramatically light my very messily thrown sheets, shaping it like clay until I found a crevice where finger person number one and finger person number two could begin to write a story of how they met, where they lived, who they were, and what they wanted to become.

THE CITY AS A CANVAS, THE PEOPLE

MY PAINT. Having an acute attention to details and yet always being curious about what is and what could be has transformed daily life: walks in a city became investigating sewer lids and concrete cracks to walking styles and crosswalk behavior. The city was a playground for the eyes, but it was only the set; the people were the ones making marks, traces and experiences out of these spaces. So the question became: How do people inform space, rather than space inform people? Can spaces remember? One of the first projects performed when introduced to the concept of Interior Design, was to document and write the stories of 36 found “histories” in a small hallway: to imagine what had caused these to occur, and to give the space a voice and to be heard.

okay, so what? who am i? why interior design?

Interior design was not the first answer to my lifelong conundrum of: “What DO I want to be?”. But “doing” and solving problems everyday is what wakes me up in the morning.

Forever inquisitive, always whimsical, but full of serious analytical problem solving, designing solutions for the everyday using function before form - my goal is to let every story be heard in the most efficient and effective ways. These stories are not always obvious, and they’re often hidden in plain sight: It’s the ability to decode and translate what these invisible jewels are hiding that’s key to where I come from as a designer.

As a person? I love pushing boundaries, exploring tangential fields, trying my hand at a new skill, or playing a video game with an amazing story. Also an obsessive walker, exploring and sponging up the world. Although names of people and places forever elude me, places and spaces have always been easy to depict. Thus, begins the story of design and me.

Design has the power to transform a space, but more importantly transform the lives that see, touch, or experience those spaces: It’s the difference between a bicycle with square wheels and round ones. But besides the reasons alluded to in the excerpts above, my personal goals in interior design fall under two categories:

1. To continue to learn and innovate ways that better human life for everyone, in a way that’s fun, exciting, and new, every single day.

2. To give back the knowledge gained over years of education through dedication to the profession and imparting knowledge to those rising into the field.

With the first opportunity to teach interior design classes this upcoming summer, it’s both a nerve-wracking yet exciting moment in my life to fulfill both of these goals through educating others in interior design while reciprocally learning from them.

HOW TO LISTEN WHEN THEY DON’T

ALWAYS SPEAK. There are many modes of communication. Design, to me, is a form of communication that utilizes both the written, the spoken, and the visual: It’s the ultimate form of communication. So I spent three of my five years of undergraduate studies, getting a concentration in Poetry and Drawing. At first, I wasn’t sure why the interest, or the reason for both. But reflecting back - all the poems were about highlighting crevices in walls, a forgotten kitchen spoon, the everyday overseen objects we use to function in life like an oven or a chair. The domino effect of everything in life started to make sense; because it became apparent that even the mug where the ceramic glaze is starting to wear away from my fingers needed to be recorded: It needed to be heard.

So... How to push the boundaries? By listening, being receptive, and open to anything thrown this way. To find inspiration for solving problems using interior design and other fields such as programming, fashion design, culinary, or accounting. To forge connections in those that seem unrelated. Hopefully this is something that also resonates with you-!

recall those good old days

canterburycourtdesigngoals

Located in Buckhead, GA, Canterbury Court is an assisted living facility whose goal is to ensure the lives of their residents blossom. They describe themselves as “tasteful, but not pretentious, spacious but welcoming. Carefree, but with a serious plan for the present and future”.

Their goals are to cultivate lives with purpose and possibility, fostering connections, social growth, and to continue to learn, develop new interests, and share experiences within their tight-knit community.

The aim of this project was to design a new residential amenity wing that matches their mission and vision statement.

Foster a COMFORTABLE, connected and inclusive community through space planning and furniture initiatives for staff and residents.

Empower residents and workers by fostering areas for meaningful INTERACTION, offering both private and public spaces to congregate and socialize.

ORGANIZE spaces with emphasis on density, types of interactions, noise and lighting requirements to boost privacy and efficiency.

Enhance natural & artificial light, bright, contrasting and fun colors, as well as way finding for easy LEGIBILITY, accessibility and comprehension of space for aging, while being fun.

Provide community spaces that are FLEXIBLE for various needs, standing the test of time for future generations and changing demands.

The Client Design Considerations

is the child in us all, the new and exciting, the unusual and humorous. It’s the vintage mixing with the modern, the memories and experiences we’ll always keep, laugh and smile about as we grow old.

(noun) The quality of being new, original, or unusual

A new or unfamiliar thing to experience

A small and inexpensive toy or ornament.

returning to the past, remembering the good old days. being nostalgic and never letting it fade away.

program organization

Spaces were considered in terms of public or private needs. Public areas where guests and family may come, included the reception lounge, game space, and dining, while a yoga or library might be more tucked away and private.

Providing natural light and a view to the outside was important in most of the programmatic spaces. Prospect and refuge theory was also important, which was addressed through the use of glass doors and windows in the interior of the space.

Programmatic organization based on noise, such as the theater or game room, were placed towards the back of the building and often had a buffer space to ensure sound remained contained and separate from quieter spaces.

Smells can be helpful or harmful, triggering memories (coffee or ice cream), or be pervasive (cooking oil, popcorn). Space planning ensured areas that included food would be organized so it didn’t ruin the experience in any other space.

While it may seem weird to have bathrooms as the central aspect of the organization structure, it was quickly realized that every program needed access to the bathrooms, especially for those who may suffer from a medical issue.

PUBLIC vs. PRIVATE LIGHT & VIEW NOISE SMELL and BATHROOMS...

Transitions between floor materials not to exceed 1/4” height difference & carpet pile under 1/2”

Flooring material to be soft on joints and durable, thus cork was used as a sustainable and softer alternative

first floor

Doors have 18”-24” clearance to sides to allow wheelchair approach

Circulation areas have a minimum 3’-6” clearance to allow comfortable passage of wheelchairs.

Flooring that’s nostalgic but not overly complex or dizzying (main lounge = building blocks, game room = coke, theater = polaroid)

Seating areas and arrangements are inclusive to all user types and allow areas for rest while transitioning

Grab bars included in bathrooms, but also chair rails @ 34” AFF in circulation areas for support while in motion.

DESIGN INTEN TION

01. Neinkamper Divvi Bench 02. Hightower Log Bench 03. Luca Mustard Sectional 04. Grasshoppa Floor Lamp 05. Circa Coffee Table 06. Embrace Lounger Chair 07. Sebastopol Side Tables 08. Pele Freejack Pendant 09. Archway Mural Carpet 10. Nova Cork Nostalgie Flooring 11. Whitewash Shiplap 12. SW 6244 Naval 13. Stone Veneer Wall

Layering

EATERY CONSIDER

A place to grab a meal, meet with friends and other residents, or visiting family members, the eatery needed to be adjacent to the entry and have views to where residents could see and get excited for

their guests to come in. Similarly, it offers a private dining space and large open communal kitchen if families or friends want to cook together, gather, etc.

Studies have proven NOSTALGIA to boost MEMORY in the elderly. Thus, a modern take on the vintage ice cream parlor is evoked through materiality and accessory.

To provide independence, AUTONOMY and safety, chairs include wheels or floor gliders and pulls to facilitate movement, as well as armrests to support in and out of the chairs.

High contrast for VISUAL legibility was used, as well as windows for elderly to see into a space before entering.

Scrims provided for privacy and visibility, taking inspiration from jimmies on ice cream.

light for task, accent, or ambiance by leveraging ceiling lights, pendants, natural light and table lamps.

Custom ceiling takes inspiration from the infamous swirled soft-serve cone.

01. Elide Cafe Chair* 02. Fork - Round Dining Table White / Wood 03. Noema Pendant Lights 04. Fork - Oval Dining Table Wood / White 05. Marion Guest Chair* 06. SW 6928 Green Vibes | SW 6838 Vigorous Violet | SW6911 Confident Yellow 07. Bruce Lifeseal True Brew RFHY60L02E Cork Flooring 08. Colored Handle

Enamel Silverware 09. Low

Relief Wood Lattice Wall Texture 10. Ice Cream Table Lamp

10. Dahltile Volume 1.0 Electric Moss VL79 11. Dahltile Unity 12”x12” Avorio P400 - Cream

home, where life isour story.

theirstorydesigngoals

Married over 55 years, Mr. Liu and Ms. Guo live in the Guangdong Province of China, with one daughter who teaches in America.

As time had progressed, they experienced hardships with their health, including a tumor removal surgery in 1999, leaving Ms. Guo mostly paralyzed and wheelchair-bound. Mr. Liu also has a herniated intervertebral disk, and heart issues which makes it difficult to take care of his wife alone. Their daughter asked them to move to America and consider a home at Canterbury Court where she could visit and they could be looked after.

After much contemplation, they decided to listen to their daughter and are leaving China for the first time in their lives.

From china to the USA

Provide AUTONOMY + INDEPENDENCE to residents, ensuring they feel confident and prevent feelings of helplessness or reliance.

Using materials and space planning to INSPIRE + REINVIGORATE activity, thought and emotion to keep brains healthy & active.

Provide spaces that can ADAPT to changes in Mr. Liu and Ms. Guo’s abilities as time passes, such as movement and emotional needs.

Assure proper code COMPLIANCE through FF&E, barrier-free spaces, and ADA without making spaces clinical or boring.

Provide connections to culture through showcasing belongings and personality which can provide FAMILIARITY in a foreign place.

Ensure privacy in the home but allow ease of ACCESS for staff assisting residents if serious medical concerns arise.

Design Considerations

Bounty

is the abundance of wealth, knowledge and material. It is selfless, kind and continues to grow and give. It is a curated look at a collection unique to each individual person. It is their story as a visual tale.

(noun) sum, paid a feast, a plethora, a summation of many things coming together to represent tangible and intangible wealth.

liberally giving, generosity somthing given or occurring in generous amounts.

program organization

Including a place where both Mr. Liu and Ms. Guo could partake in hobbies they enjoy, including a hobby table, television and adequate lighting for the space. Also should have ample space to store items or collections they have.

Barrier-free design and ADA compliant spaces can allow those with mobility issues to effectively move without jeopardizing feelings of independence or control. Considerations in furniture + space planning were used to meet this requirement.

Contrasts in color, finish and material can provide ease in maneuverability and comprehension of space. Contrast and color coordination can also assist in memory retention and navigation through the utilization as a memory device.

Being a couple with a collection of items and personal belongings, storage requirements are important and should be integrated into the space rather than last minute add ons. This could manifest in display shelves, open walls for art, etc.

Versatile seating allows for individual or group activities and facilitate Ms. Guo’s wheelchair. Seating considerations include depth, ease to move, soft materials, and adequate arm rests that can help getting up and down, in or out of the seat.

HOBBY SPACE SAFETY CONTRAST STORAGE SEATING

Floor Plan

CONSIDER

As both Ms. Guo and Mr. Liu are dependent on either a cane or wheelchair, barrier-free design and clearances are crucial to both function, as well as comfort of both residents.

The front entry space is separated from the living room via an articulated screen that allows for employees or assistants to come in where necessary, but keep the rest of the house private.

Focusing on smaller, more intimate spaces that would emulate their home in China allows for comfort and familiarity in a new setting.

01. GIDEA 1000 Colors Lacquer Doors 02. Strada Large Flush Mount 03. Myriad Linear Chandelier 04. Mr. Guo’s Fishhook Collection - Framed 05. Element 2-Seater Sofa 06. Theo Armchair 07. Yumi Floor Lamp 08. Seven Coffee Table 09. FLOR Palm Reader 21-1467 Inset Carpet 10. Waterproof Cork Farmhouse Model #AEUQ001 11. Mosaic - Natural Blue

Because Ms. Guo is paralyzed, assistance is needed to move. To facilitate this, a ceiling track and medical sling tucks into the bathroom closet and allows for easy transfer.

reflected ceilingplan

Having ample lighting is important for aging eye other visual impairments.

Multicolored doors were used as a memory-making device, helping Mr. Liu and Ms. Guo remember rooms, as well as add some color.

High contrast cabinetry and easy drawer pulls facilitate the elderly who may not be able to hold on to knobs or turn handles. Similarly, the stove and sink can be automatically lowered or raised to counter height or table height for those in wheelchairs or need to sit.

who are the Bajau Laut?

theirstory who they are / what they face

The Bajau Laut were said to have been a proud people, ruled by a king who’s daughter was swept off to sea. Filled with grief, they were demanded to go out and find her. And after years of struggle, she never was found. So, the Bajau Laut, fearful of their king, decided to never return to land.

This is one origin story of the Bajau Laut, also known as ‘sea gypsies’ or ‘sea nomads’. These skilled and highly adaptive individuals live either on house boats, called lepa lepas, or on stilted homes off the coast of the Semporna Islands.

But the way of life for these sea farers is threatened and their history and culture slowly diminishing.

Known for impressive diving skills, Bajau Laut are able to hold their breath anywhere between 5-15 minutes at a time.

Fisherman by trade, they dive for sea creatures and selling or trade them for materials. Due to modernization and overfishing, their way of life has been threatened.

Some Bajau Laut are moving to the land, but due to their nomadic culture and distance from modern civilization, they are uneducated and have short life expectancies.

Global warming and increased sea level rising is also threaten aquatic life and ability to sustain their existence on the water.

when swept into the ocean

Representing Culture

The colors of both cultures come together to celebrate their rich histories, as well as serve as a reminder to both communities as their heritage, traditions, and resilience.

colors materiality

drawing from Semporna to Nola, integrating both diverse and rich communities give deeper connection to site and place

Reminiscent of water, the sun, the regalia, the wood.. materials that celebrate their culture and make them feel welcome

Bajau Laut

New Orleans

01. Candice Olson Grasscloth Wallpaper -Indigo / Gold.

02. Rounded Tambour

03. Hemp Natural Fabric

04. Textured Plaster

05. Woven Rattan

06. Lacquer (Navy / Red)

07. Bond Tile (Indio, Venom, Excalibur Medium Grey)

08. Wood Floor / Shiplap Wall

09. Interface B602 Carpet Tile

10. Brass / Iron

11. Cotto Tiles (Adobe / Red Clay)

12. Backdrop Paint (Pablo Honey, Tanlines, Novelty Wave, Sicily or Cyprus)

turmeric

wrought iron

sky justice

regatta reds & tans

water gumbo 10 10 08

09

07

12

12 25

the Big Easy Crescent City

This is New Orleans

nola

9,388 miles away from home with Little Belonging

Their first taste of living on land.

site

REQUIREMENTS

As a culture who’d revoked the land for so many years, a direct tie to the water was the first necessary step. Also, being a tight-knit community, finding a site that was both close in proximity to the city’s essential resources such as schools, markets, public transit, etc. as well as distant enough to remove feelings of overwhelm and anxiety.

The final site sits right on the Mississippi River with a fantastic view of the city. It

known for Jazz, and other modern artists

Multicultural Diverse Accepting

was originally a wedding factory location that has been closed for over three years due to the pandemic. Being a site reachable through a bridge over the adjacent railroad, it provided the perfect amount of connection to the major metro area, as well as privacy from it as well.

The orientation of the building on the site optimized the view of the city and its direct connection to the nearby park, providing an inviting entrance to residents and interested individuals of the NOLA community.

view of the site and the city view.

the site [in red] sits right on the mississippi river.

Zoomed in Site and proposed surrounding landscape.

CONSIDER

As Bajau Laut families are generally big with multiple generations, thinking about soft materials for children, as well as ADA standards for elderly and other disabilities was crucial.

With cultural richness, Bajau Laut are musicians, dancers, and crafters. Having ample space to showcase their art to celebrate their culture for both their own viewing, as well as those from New Orleans who may want to learn about their culture.

FIRST FLOOR

Educating their children and having a space for story telling and history will be important to keep the Bajau Laut culture alive, while also providing counseling spaces for those who have difficulty in adapting to a new location and way of life.

Being a culture who used to avoid land at all costs, a new space should provide connections to home through materials, proportion and program. Although foreign, a new location should be welcoming and evoke familiar emotions to make the transition smoother.

The ceiling feature acts as a way finding technique that is fun and whimsical, utilizing painted tambour and lighting. There is also a 34” chair rail along all hallways for accessibility and features colors of their culture.

Drawing inspiration from the lepa lepa, the main circulation space celebrates the feeling of warmth, drawing upon the colors of the sun and the turmeric they use for rituals, face protection, and seasoning in their food.

events

classroom

Relating back to the concept, the collection of individual smaller things come together to make a larger whole. This was used as an organization means for the flexible classroom and event space, creating areas for different teaching styles, as well as programmatic needs.

It also serves as a connection between entry and exit ways throughout this large, 1120 SF space. In terms of material, The ceiling and floor resemble moments of diving or being above water, changing this relationship when on a path, or in a programmed space.

CUSTOM LIGHTING

When Bajau Laut divers swim, the movement of their arms and legs work together in a circular motion to allow the most efficient deep dives, allowing them to gather crustacean from depths over 200 feet. Thus, the lighting fixture that lines the residential halls draws inspiration from this movement .

ELEVATOR LOBBY

A space that should never be boring, this elevator lobby utilizes textured lacquer and painted wood textural elements to draw the eye in, much like the water. Wooden chair rails line the halls for support, with accent lighting underneath. The flooring is a reminder to the tepo weaving construction that Bajau Laut women will use to make rugs and coverings for their homes, also providing a softer, yet durable surface for children and elderly.

DESIGN CONSIDERATIONS: TEMPORARY UNIT

A huge factor in this design was to utilize the square footage as efficiently as possible, while providing two separated living spaces for a single, multi-generational family. One side may offer respite for a mother, father and child combo, while the other, for grandparents and grandchildren.

The master bathroom includes a larger than normal tub to provide space for their bathing practices, while the dining space maximizes seats for the whole family, making use of a corner banquette for children to pile in.

storage

Coming to a new country, having plenty of storage space for belongings is vital.

durability

With many children, having durable and friendly materials provides safety and longevity.

privacy / communal space

Big families need space for both communal gathering and private moments.

Design for familiarity means making the transition to a new home as comfortable as possible.

familiarity - homeliness room for growth

Design with consideration for families growing or shrinking over time

Shown as furnished, temporary unit

CONSIDER

Bajau

Laut are very religious, and many are practicing Sunni Muslims. Falling under the Islamic faith, a prayer space that included a quibla that faced towards Mecca for their prayer time was an important component of the design.

Going from water to land is a difficult process, especially as the water supported their entire way of life. Providing community planters was a way to give new residents a means of connecting and navigating the land to construct healthy relationships and perhaps a new view.

1315peachtreene

Located in the heart of Midtown Atlanta, this building currently houses the Peachtree Branch Public Library, and the Museum of Design Atlanta (MODA) and is directly across the street from the High Museum. Being so central to the city provides the opportunity to create not only a headquarters for a big company, but also a community space to celebrate the artistry and food of Atlanta.

retail/ office @the urban farmstead

CHRISTINATOSI NEEDS / GOALS

Known for cereal milk and perhaps her candy bar pies, Tosi’s childhood bakery beginnings started through her return to her American roots after realizing that fine dining wasn’t for her. Thus, Milkbar was born, first under David Chang’s Momofuku, and now as a standalone bakery.

The proposed building already meets LEED standards, and therefore the interior design should upkeep these standards moving forward.

Never having a store in the south, having the brand create community impact and become a social hub for greater interaction amongst the city and the company.

Christina Tosi’s brand is a strong one, and should be emulated in the design to bridge the company together in image, culture, mission and vision.

The whimsy child-like feelings that emanates from the desserts should also provide an inviting and fun feeling through the space.

conceptmateriality

What would happen if we brought the farm to the city? In the intersection of the urban and pastoral fabric lies a rooted reminder of our pasts, paying homage to the farmers, the land, and the prosper of it all.

Materials that focus on sustainability, rusticness of the farm and modernity of the city without being overly explicit can provide acoustic and visual comfort, textural variation, and overall interest in the space and its surfaces.

concrete the field the spaghetti bowl the hearth [silo] cow pattern

brick & steel neon branding orb hardware

greenery leather corduroy burlap felt panels recycled glass

7.3%

workplace color theory

With an increase in corrective eye wear, designing for the color blind or vision deficient was important when it came to color choice, and materiality in terms of navigation, comfort and inclusivity in the retail and office spaces.

Using color theory for workplace design, predominant colors could be used in different areas of the building structure to promote different emotions, moods, etc. and hopefully improve productivity, energy, and maintain its branding throughout the interior.

CONSIDER

BRANDING sets the mood for the entire space. Utilizing both concept and Tosi’s fun, nostalgic aesthetic, the urban farmstead came to life with some modern twists.

Providing CONTRAST through various textures such as brick, pegboard, wood and plaster gives visual and tactile interest while maintaining a simple color scheme is safe for all visual impairments.

FLOOR

Office workers often have different working styles. By providing OPTIONS, individuals are given a choice. For example, booths or bar seating for focused work, vs. “The Yard” which provides a public/private seating area where employees and visitors can mingle. 42

As a food-oriented company, emphasis on FUN and WELLNESS was made through flexibility of office space to facilitate office parties or events, as well as including wellness spaces for workers who may need to take a step away from their work to breathe.

thesis about trying new foods

PickyEatingWhyisthisimportant?

Picky eating is an undiscussed topic in design. Often, people first think: “exposure” is the only answer to solving picky eating. But picky eaters experience psychological pains surrounding food. And when exclamations from others are made, they can feel shame, guilt, depression, and often spiral into other issues such as social anxieties and increased limited food consumption. This thesis wants to help facilitate the many people around the world who identify as picky eaters feel comfortable eating and trying new foods.

However, by addressing picky eating, the hypothesis exists that all people will benefit from the findings of this thesis, whether they have a food adversity or not, through increased curiosity and willingness to try new foods.

Health Implications: Exposure to healthy and diverse foods at a young age can prevent adult picky eating

Increased Trend of Eating Out: Although it’s the current trend, there lies conflict in the pandemic’s affect on increased social anxiety and issues of crowding.

Cultural Diversity: Create acceptance of other cultures through food exposure

Consumption Sustainability: Foods we love are becoming expensive and overproduce4d. Sourcing new foods like seaweed or bugs may be the only way to sustain vital food sources.

Economic Benefits: With increased curiosity and eating out comes increased spending, which can benefit the economy.

At some point in our lives, we will all be picky eaters. Public eating spaces do not design for picky eaters or food adversities, however, addressing this invisible disability will make spaces better for all.

Court Rooms

Playgrounds

Apple Stores

Museum Exhibits

Survey

Case

synthesisdevelopiterate

analyzing+ideatingsolutionstothe problem

Flexibility and Oprtions

Prspect and Refuge

Seating and Materiality

Views and Sights

Intrigue and Curiosity

Trust abnd Information

Site & Building Selection / Analysis

Program Considerations

Users and Stakeholders

Testfit & Implementation

applicationand feedback

Reconsiderations

Application to Research Future Studies

A DECADE IN THE MAKING

TITTMANN DESIGN AND CONSULTING

ARCHITECTURAL INTERN - SUM 2017

ARCHITECTURAL DRAFTSMAN 2018

3D RENDER SPECIALIST 2020

RISD

BAKING ASSISTANT 2014-2018

REFERENCE ASSISTANT 2017-2018

TA FOUNDATIONS DRAWING 2016-2018

TA FOUNDATIONS ARCHITECTURE 2018

A still body, stays still. With the need to learn and try new things, various on-campus jobs were part of the everyday life. Where TAing sparked an interest in teaching, and the Library provided practice in communication and interaction, the Bakery became the passion, learning consistency, cleanliness, and mass production with other talented upcoming chefs fulfilling internships from Johnson and Wales University.

Beginning as an architectural internship provided the foundations for everything from the basics; drafting, model making and digital rendering, which became my craft. Returning in 2019 to work remotely, the ability to make client visions into reality pushes me to continue to perfect the skill with every new project.

THE FIFE AND DRUM LINE CHEF / BAKER 2020

The best and sweatiest six months of my life; learning what it takes to work in a kitchen: the conditions & pressure of clean plating, customer satisfaction and timeliness. Also became the restaurant’s baker, preparing daily desserts with customer favorites & seasonal specialties, while supporting any other kitchen functions.

IKEA

RECOVERY SPECIALIST 2021

This job pushed me to learn how to salvage the unsalvageable, making profit on items given a second chance at new homes, while every morning presented the exciting challenge to arrange the show floor in an appealing way to shoppers with whatever was on hand. It helped develop critical, fast thinking skills and innovation for each new piece in the department!

STUDIO K CREATIVE

DESIGN INTERN - SUM 2022

New understanding and opportunities realized over the summer, working on projects in various phases from schematic to design development, furniture and material selections, and sample ordering, the ability to make new connections, learn from experts and vendors in the field, as well as being given autonomy to present design ideas, was rewarding and enriching.

SAVANNAH COLLEGE OF ART AND DESIGN

CIDA ASSISTANT 2022-2023

Interested in the education field and Interior Design, this job offered the opportunity to help the school’s accreditation and was a perfect fit; assisting with physical and digital documentation and organization of all the undergraduate student work.

DREXEL UNIVERSITY

DISCOVER ARCHITECTURE 2012

After transferring high schools, the decision for college came knocking. But, what to study? Theater kid, piano accompanist and singer for the choir & jazzband, the destiny seemed obvious. But one summer of architecture, solving problems through design became the new drive.

RHODE ISLAND SCHOOL OF DESIGN [RISD]

BFA 2013 - 2017

B.ARCH 2013 - 2018

CONCENTRATION IN DRAWING

CONCENTRATION IN POETRY

No one mentioned the conundrum of picking a major after your first year in design school. Straddled between three vastly different majors, the best advice came to me from my advisor, Gareth Jones: An architect can become a fashion designer, or an illustrator, but can an illustrator or fashion designer become an architect? Hence, the rest was history.

PARSONS, THE NEW SCHOOL

2018 / 2021

PRESIDENTIAL SCHOLAR

Right after graduating from RISD, I pursued a dual masters in Interior Design and Lighting. However, the fit wasn’t quite right; breezing through classes with little challenge, with my professors noticing as well. After one semester, I took a gap year hoping to clear my mind. Coming back to finish, it felt the same way.

SAINT THOMAS UNIVERSITY

2020 AUDIT - BUSINESS OF MARKETING

The gap year, filled with what ifs, and ‘what the heck am I doing?’ Sorting out life, seeing a new city, working various part time jobs, and auditing a marketing class, the desire to solve problems was reignited through a different lens.

SAVANNAH COLLEGE OF ART AND DESIGN [SCAD]

MFA INTERIOR DESIGN 2023

GRADUATE FELLOW

IDO & IBC - FINANCIAL DIRECTOR

It was finally time to finish a Master’s Program with a better understanding of myself. Although the question of “why” still eludes me, the desire to impact through problem solving is prevalent in every challenge and project presented.

VISUAL

Model-Making

Anything