ESTRELLA YANG/杨心怡 INTERIOR DESIGN/室内设计
Experience/工作经历
Steelcase Inc.
Grand Rapids, MI
Spring 2019/2019春季 Interior Design Co-op/室内设计实习生 ChangeUp Inc.
Dayton, OH
Contact/联系方式 yang2xi@mail.uc.edu +(1) 937-815-9653 +(86) 159-2135-9977
Fall 2019/2019秋季 Environmental Design Co-op/环境设计实习生 University of Cincinnati Cincinnati, OH
Summer 2020/2020夏季 Undergraduate Research Assistant/本科研究助理
Skills/软件技能 Photoshop/Illustrator/InDesign
Education/教育经历
Sketchup/AutoCAD/Rhino/Podium
University of Cincinnati/美国辛辛那提大学
College of Design, Architecture, Art, and Planning
Language/语言
(DAAP) BS Interior Design/室内设计专业
Mandarin/中文
Class of 2022/本科大四在读
English/英文
Dean’s List/院长名单
怡
LOGIC/目录
Professional/专业作品 Steelcase Neocon Showrooms 2019 /2019 Steelcase Neocon展厅 Poppin’ By /遇见爆米花 2019 IIDA Product Runway Cincinnati /2019 IIDA辛辛那提产品时装秀
School/学校作品 The Healing World/治愈的世界 Workplace Experience/办公室体验 Body Spatial/人与空间 Lighting/光 Poetry Foundation/诗歌基金会 Spatial Sequence/空间序列 Snake Folly/蛇形亭 Insertion/嵌入
Personal/个人作品 Artwork Study/绘画临摹
Professional Works
photo from steelcase.com
S T E E L C A S E N E O C O N S H O W R O O M S 2 019
Steelcase Neocon Showrooms 2019 Steelcase Inc. // Spring 2019 By focusing on the idea - “Me within We.” Steelcase created a home that navigates a fast-paced flow, bouncing between team members, iterating and improving on each other’s ideas, which is currently missing in our workplaces. My main role in this project was to conduct and explore materials, furnishings, and accessories in the showroom. /通过专注于“我与我们”的设计理念，Steelcase在创造一个快节奏工作环境的同时，改善了 同事间沟通和交流想法的互动纽带，而这种互动正是如今的办公室环境所缺少的。 我在这个项目中的主要任务是进行对展厅中的材料，家具陈设和装饰物进行设计思考和提出 创新改善建议。 Software/软件: Sketchup, AutoCAD, Rhino
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S T E E L C A S E N E O C O N S H O W R O O M S 2 019
My specific roles included: • Combined furnishings that were designed by our team into one Sketchup file. • Explored furniture options for some areas. • Rendered furnishings based on materials picked by the team and explore different options for review. • Explored accessory options for certain areas, including rugs, plants, and screen coverings. 具体职责– • 汇总和更新所有由团队设计的家具Sketchup模 型; • 对指定区域的家具设计进行思考和创新; • 根据不同材料的选择，来渲染家具颜色，以评 论最终的效果; • 选择一些特定的区域的装饰物，包括，地毯， 植物，屏幕遮盖物等等; Suit 300 - Worklife Showroom by Steelcase Inc.
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photo from steelcase.com Suit 300 - Worklife Showroom - Workcafe /工作休闲区展厅实拍图
S T E E L C A S E N E O C O N S H O W R O O M S 2 019
Suit 300 - Worklife Showroom - Workcafe /工作休闲区展厅效果图
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Original rug proposal by DÉJATE QUERER
Redesigned rug proposal
/地毯原始效果图
/地毯改善设计效果图
Suit 300 - Worklife Showroom - Creative Collaboration /创意合作区展厅效果图
S T E E L C A S E N E O C O N S H O W R O O M S 2 019
Column design /立柱设计
photo from steelcase.com Suit 300 - Worklife Showroom - Creative Collaboration /创意合作区展厅实拍图
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logo designed by other group member
POPPIN’ BY
Poppin’ By University of Cincinnati & AvorKo // Summer 2020 A group project in collaboration with AvorKo Virtual Innovation Studio, designing an outdoor plaza with a food kiosk for a Hollywood-based film studio. The three core design concepts are West Coast modern, Alta Californian, and Old Hollywood glamour. The food programming for this outdoor plaza would be centered around a snack kiosk, serving gourmet popcorn. It also serves a secondary function, having flexibility to become a performance space as needed. This offers an entertaining, nostalgic food experience that brings people together. The goal of this program is to not only attract employees to this area, but also to foster deeper conversations, shared experiences, and a spirit of camaraderie. /该作品是与AvorKo设计公司合作完成的小组项目，所设计的空间是一家位于好莱坞的影视公 司的户外广场以及小吃亭。由西海岸现代，加州风情，以及旧好莱坞的魅力这三个方面为设计 的核心理念， 户外广场的小吃亭主要提供与电影相关的美食爆米花，需要时也可以变成一个舞 台，提供了充满娱乐性、怀旧性的美食体验。 这种双重用途的平台吸引员工将广场作为多功能 的活动节目场地，同时能够促进更深层次的对话、分享经验和友情精神。 Software/软件: SketchUp, Podium, Photoshop, Illustrator
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POPPIN’ BY
Design Concepts /设计理念
Early Sketches & Space Planning /早期草图及空间规划
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Popcorn Kiosk Exploded View /爆米花小吃亭爆炸图
POPPIN’ BY
Front View /正面图
Back View /背面图
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Kiosk Programming /小吃亭空间规划
*The circular overhangs are existing structure. *Renderings were produced with other group members.
POPPIN’ BY
Kiosk Programming Renderings /小吃亭空间渲染图
Performance Programming /表演舞台空间规划
Performance Programming Renderings /表演舞台空间渲染图
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video from Joe Binford
2 019 I I D A P R O D U C T R U N W AY C I N C I N N A T I
2019 IIDA Product Runway Cincinnati ChangeUp Inc. // Fall 2019 The traditional bearded lady is a strange and irrational symbol in people’s eyes. But our concept is to show the self-confidence and beauty that the bearded lady originally has, which haven’t been discovered by people. The long beard with gradient colors emphasizes its beauty, while contrasting with the black garment. Elements of rivets and punk also add to this self-controlled aura. All of the imperfect designs are intentional, implying that she doesn’t care about the eyes of the world, and being herself is the most beautiful existence. My main role in this project was assisting concept development and making the garment with the rest of the team. /传统的bearded lady在人们眼中是奇怪和不合理的象征。但我们的理念是要展现出bearded lady本身所拥有的，未被世人发觉的自信和美丽。通过渐变色的长须来强调它的美丽，同时 与黑色的服装形成鲜明的对比。铆钉和朋克的元素也增加了这种自我掌控的气场。所有的不 完美设计都是有意图的，暗示她不在意世人的眼光，真实的自我就是最美的存在。 我的主要职责是帮助发展设计理念，以及制作服装。
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Concept /设计理念 *Completed with other group members.
Full Look /全貌
2 019 I I D A P R O D U C T R U N W AY C I N C I N N A T I
Outfit /服装
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Process Work /制作过程
2 019 I I D A P R O D U C T R U N W AY C I N C I N N A T I
The Event Backstage /秀场后台准备
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School Works
THE HEALING WORLD
The Healing World University of Cincinnati // Spring 2020 The aim of this project is to redesign Cincinnati Children’s Hospital, and the design concept is focused on the “healing” aspect of the space. The sky and the universe are an unknown imaginary world for children, which exist in nature and surround/protect us. More importantly, it has a “healing” aspect. In a sense, the existence of the hospital is to heal and protect us, which coincides with the concept of the sky. Since the audience of this place is mostly children, the concept of the sky can add some fun and imagination to distract children’s attention and reduce their fear of the hospital, also protects them while bringing them happiness. /这个项目的意义是重新设计辛辛那提儿童医院，设计理念专注于空间中的治愈感。天空和 宇宙对于孩子们来说是未知和充满想象的世界，存在于大自然中无形地包围和保护着我们， 更重要的是它有着一种“治愈”的功效。医院的存在从某种意义上来说就是为了治愈和保护人 类，与天空的理念不谋而合，又因为受众群体大多数是孩子，天空的设计理念能增加一些趣 味性和想象力，分散孩子的注意力，减轻他们对医院的恐惧感，并且在带给他们快乐的同时 保护着他们。 Software/软件: Sketchup, Photoshop, Illustrator
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Sequence Concept Diagrams /路线概念简图
Section Perspective /剖面透视图 THE HEALING WORLD
Same-day Surgery Floor Plan /手术层平面图
Ground Floor Plan /一层平面图
Materials & Color Palette /材料及颜色运用
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Main Entrance /主入口
Cafe Lower Dinning Area /餐厅次用餐区
“Floating Planets” /“浮游星球”
THE HEALING WORLD
Concourse Hallway /大堂走廊
Cafe Main Dinning Area /餐厅主用餐区
Same-day Surgery Entrance /手术层入口
Waiting Area /等待区
Consultation /咨询室
Breakout Area /休息区
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WORKPLACE EXPERIENCE
Workplace Experience University of Cincinnati // Summer 2019 A workplace that felt cool, inspired, and simple in order to attract brands that align with this aesthetic. The entire space mostly used cool materials like concrete and metal. Also focused on the contrast between light and dark to create interesting spaces but still keep it simple. /为了符合品牌美学，而设计的有灵感和简约的办公场所。整个空间大部分使用简洁有纹理 的材料，例如混凝土和金属。专注于明暗之间的对比，以创建有趣的空间，但仍保持着材料 的本真和简约的特点。 Software/软件: Sketchup, Photoshop
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WORKPLACE EXPERIENCE
Inspiration Collage /灵感拼贴
Entry /入口
Kitchen /餐厅
Work /办公区
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Diagrams | Site Plan | F
WORKPLACE EXPERIENCE
Floor Plan | RCP | Sections
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BODY SPATIAL
Body Spatial University of Cincinnati // Summer 2019 From body prosthetic to body spatial, my idea was to create an enclosed space that kept people separate but connect to the world by altering people’s vision and hearing. When people are experiencing the space, they can only see light and color, and hearing their own echo inside. People can also feel the variation of sound and light through the compression and release of the space. /从“人与延伸”到“人与空间”的设计理念思考，我的想法是创造一个物理上分隔人和世界，但通 过感官（听觉与视觉）与这个世界相连的密闭空间。当人们身处这个空间中，他们只能看到光 和颜色，听到自己的回声，同时感受到这个空间中的压力与释放。
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Conceptual Drawing /概念画
BODY SPATIAL - BODY PROSTHETIC
Body Prosthetic Test /人体延伸测试
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BODY SPATIAL
Light and Color study models /光与颜色研究模型
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Conceptual Sketches /概念草图
BODY SPATIAL
Final model
Drawings
/最终模型
/解析画
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LIGHTING
Lighting University of Cincinnati // Summer 2019 The aim of the piece is to explore opacity, and how light affects that in various fabrics. Two types of sheer fabrics were chosen - crinoline and poly chiffon - from a range of light testing. The idea became a multi faceted and interactive sculpture with alternating voyeuristic properties. Flip a switch, and one could witness a person walking through the tunnel of fabric, seemingly in isolation. Flip the switch back, and a person could view the surrounding onlookers from their hiding spot in the fabric tunnels. The way the two fabrics reacted differently with movement and the breeze coming into the space, creating an ongoing ethereal moment with which to interact. /该作品的目的是探索不透明性，以及光线如何影响各种织物中的不透明性。从一系列的光测试 中选择了两种类型的透明织物-亚麻纤维和聚雪纺。这个想法成为具有交替观察特性的多面互动 雕塑。扳动开关，就可以看到一个人似乎是孤立地走过织物的隧道。向后拨动开关，可以从他 们在结构隧道中的藏身处看到周围的围观者。当微风进入空间，会形成持续的空灵时刻与之互 动。 Software/软件: Rhino, Photoshop
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/光与不透明度测试：两层布料叠加，三层布料叠加
LIGHTING
/光与不透明度测试：亚麻纤维布料
/光与不透明度测试：聚雪纺布料
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LIGHTING
*Diagrams were produced with other group members.
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LIGHTING
Final Installation /最终展示
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POETRY FOUNDATION
Poetry Foundation University of Cincinnati // Fall 2018 This was a program project within an existing site of OTR. My intent was to connect the site, especially the Washington Park across the street, to the building, which also forms my Parti and circulation. The significance contrast of the irregular shape pushed into the regular shape is to give people a concept of interaction. Every part of the spaces is isolated but also connected with the Parti in some ways. /这是一个在指定场地进行的设计项目。我的设计理念是在此建筑与对街的华盛顿公园之间创建 联系，这种联系促成了人群流动，同时将不规则形状推入规则形状的鲜明对比也暗示着这种交 互的理念。建筑中的每个空间都是独立的，但又在某些方面与设计理念有着微妙的关联。 Software/软件: Rhino, V-ray, Photoshop
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Conceptual
/概
Site Plan D
/场地规划概
Design D
/设计概
POETRY FOUNDATION
Sketches
概念草图
Diagrams
概念简图
Diagrams
Floor Plan
概念简图
/楼层平面图
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Final Model /最终模型
POETRY FOUNDATION
Perspectives /效果图
Elevations & Section Perspectives /立面图及剖面透视图
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SN AKE FOLLY
Snake Folly University of Cincinnati // Spring 2018 By dividing SAID students into 16 groups, each group was responsible for designing one square of the snake. The overall design idea of the snake folly was to transform volume to plan to line on both sides. Our team designed it to be half blocked and half open, including a few lines as an element to let the overall transformation flow more naturally. My main role in the team was to calculate the materials, figure out the joints, and help construct. /共有16个小组，每个小组负责设计和搭建蛇形亭中的其中一个，最后连接在一起形成一个 整体。设计灵感是分别从两端开始由立体到面到线的转换。我的团队决定设计一个半封闭式 的空间，并适当的加入线的元素让整个转换更为自然。 我的主要职责是计算材料，解决接口，以及帮忙搭建。 Software/软件: Sketchup, Rhino, Photoshop
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Overall Elevation /整体立面图
Overall Perspective /整体视野图
SN AKE FOLLY
Process Work /搭建过程
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Final Exhibitio
SN AKE FOLLY
on /最终展示
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INSERTION
Insertion University of Cincinnati // Spring 2018 Design an “insertion” into the existing farbic of the Alms Building. The insertion part included a new entry threshold to assess the building and 2 gallery spaces. From the beginning, started by observing the Alms Building and develop my ideas from three obstructions: atmosphere, context, and precedent. The direction for my final was the context idea, combining with the atmosphere. By dividing these triangles and put them on different levels, a rotation was applied to the top-right triangle so the insertion parts and the original Alms Building merged pretty well. /在原有的校园建筑的基础上“嵌入”一个新的建筑。插入的部分包括一个新的入口，以及两 个展厅空间。我的设计概念来自三个方面，分别是氛围，环境，和灵感。通过旋转和分割三 角形，既创造了独立空间，又融合了原有的建筑和新的嵌入物。 Software/软件: Sketchup
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Atmosphere /氛围
Context /环境
Precedent /灵感
INSERTION
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INSERTION
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Personal Works
ART WORK STUDY
Sketches & Artwork Study 35
Thank You Estrella Yang +1 (937)-815-9653 yang2xi@mail.uc.edu