Poetiza

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POETIZA POETIZA POETIZA RupiKaure suaspoesi a s

ÍNDICE

Rupi Kaur- página 1

Rupi Kaur e suas poesias entrevista- página 2, 3 e 4

Livros- página 5, 6 , 7 e 8

Rupi Kaur e suas poesias- página 9, 10 e 11

Rupi Kaur e o ensaio fotografico de menstruação-página 12, 13, 14, 15 e 16

Rupi Kaur e seu livro banido nas escolaspágina 17, 18, 19, 20 e 21

EDITORAÇÃ O

ESTER CZERESNIA TARAGONA

GIOVANNA CRESCITELLI

RUPIKAUR

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Rupi Kaur is a poet, artist, and performer.

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UPIKAURE SUASPOESIA S R

A breakout literary phenomenon and #1 New York Times bestselling author, Rupi Kaur wrote, illustrated, and self-published her first poetry collection, milk and honey (2014). Next came its artistic siblings, the sun and her flowers (2017) and home body (2020), both debuting at #1 on bestseller lists across the world. These collections have sold over 11 million copies and have been translated into over 43 languages, with milk and honey surpassing Homer’s Odyssey as the best-selling poetry of all time. She was also regarded as “writer of the decade” by the New Republic and recognized on the Forbes 30 under 30 list. In 2022, Kaur released her fourth book, Healing Through Words, another bestseller and a journey of guided writing exercises to help readers explore their creativity.

As she has done from the very beginning, Kaur self-produced Rupi Kaur Live (2021), the first-of-its-kind poetry special on Amazon Prime Video. Kaur also wrote and narrated an original poem for the short film Rise with Reese Witherspoon’s media company Hello Sunshine. Rise was showcased at the 2023 Sundance Film Festival and is now available on Amazon Prime Video.

Kaur has also graced stages across the globe and completed another sold out tour in 2023. Her shows are poetic theatrical experiences interlaced with Kaur’s own touch of stand-up.

Kaur’s work encompasses love, loss, trauma, healing, femininity, and migration. She feels most at home when creating art, performing her poetry onstage, and spending time with family and friends. 2
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SUASPOESIA S entrevista entrevista

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How did you self-publish?

After writing and performing poetry for many years, I was inspired to publish my work. I was in writing workshops – that whole deal. I asked a creative writing professor what I needed to do in order to get published, and their response was don’t bother. I was told it was too difficult. They said poetry basically never got published. I was told that I had a better chance having individual poems published in literary journals, magazines, and anthologies. I then asked them if self-publishing was a good route to take. Immediately I was told – no. To surpass the gatekeeper would be looked down upon by my literary peers.

I started submitting individual poems to anthologies, magazines, and journals. The result was one rejection after another. As I was in the middle of picking and choosing which pieces to submit, I came upon a realization. I felt I was doing a disservice to my larger body of work by plucking pieces out of the collection, throwing them out there in the world, hoping they would land. I realized that my work read differently, when read in its entirety, and separating them didn’t make any sense. That’s when I set my eyes on self-publishing, regardless of what the creative writing professor had said.

I couldn’t be held back by this gatekeeper who was never going to pay attention to me anyway. And so, I edited and designed the book, cover to cover over a span of one to two months.

Then, in November 2014, I self-published using CreateSpace. My family, friends and I hand sold copies at local events, and we tried to get copies at local stores. The hustle and bustle of those years has been one of my favorite memories till date.

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Why do you only use lowercase and periods in your poetry?

When I began writing poetry, I could read and understand my mother tongue (Punjabi), but I hadn’t yet developed the skill set to write poetry in it. Punjabi is written in either Shahmukhi or Gurmukhi script. Within the Gurmukhi script, there are no uppercase or lowercase letters. The letters are treated the same. I enjoy this symplicity. It’s symmetrical and straightforward. I also feel there is a level of equality this visuality brings to the work. A visual representation of what i want to see more of within the world: equallness.

The only punctuation that exists within Gurmukhi script is a period – represented through the following symbol:

So in order to symbolize and preserve these small details of my mother language, I ascribe them within my work. No case distinction and only periods. A visual manifestation and ode to my identity as a diasporic Punjabi Sikh woman. It is less about breaking the rules of English (although that’s pretty fun) but more about tying in my own history and heritage within my work.

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LIVROS LIVROS LIVROS

This book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

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LIVROS LIVROS LIVROS

Rupi’s long-awaited second collection of poetry, the sun and her flowers, is a journey of wilting, falling, rooting, rising, and blooming. It is a celebration of love in all its forms. this is the recipe of life said my mother as she held me in her arms as i wept think of those flowers you plant in the garden each year they will teach you that people too must wilt fall root rise in order to bloom

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LIVROS LIVROS LIVROS

Rupi Kaur constantly embraces growth, and in home body, she walks readers through a reflective and intimate journey visiting the past, the present, and the potential of the self. home body is a collection of raw, honest conversations with oneself – reminding readers to fill up on love, acceptance, community, family, and embrace change. Illustrated by the author, themes of nature and nurture, light and dark, rest here. i dive into the well of my body and end up in another world everything i need already exists in me there’s no need to look anywhere else – home

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LIVROS LIVROS LIVROS

Rupi Kaur welcomes you into her world of writing and creativity through her fourth book, Healing Through Words. This collection of her curated guided writing exercises encourages you to explore themes of trauma, loss, heartache, love, healing, and celebration of the self. It is the creativity tool for everyone. Pick up a pen. Reflect. And let your thoughts wander.

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ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO

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ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO

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ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO

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ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO ENSAIO FOTOGRAFICO DE MENSTRUAÇÃO

Texto escrito por Rupi Kaur após suas fotos serem Texto escrito por Rupi Kaur após suas fotos serem Texto escrito por Rupi Kaur após suas fotos serem deletadas do instagram deletadas do instagram deletadas do instagram

thank you Instagram for providing me with the exact response my work was created to critique. you deleted my photo twice stating that it goes against community guidelines. i will not apologize for not feeding the ego and pride of misogynist society that will have my body in an underwear but not be okay with a small leak. when your pages are filled with countless photos/accounts where women (so many who are underage) are objectified. pornified. and treated less than human. thank you. as a part of my final project for my visual rhetoric course i created this image along with a full set which you can view at www.rupikaur.com to demystify the period and make something that is innate "normal" again cause rape categories in porn are okay. objectification and sexualization is okay. people getting off on naked underage women. bondage. torture. humiliation. abuse is okay but this makes them uncomfortable. that's what this work is supposed to do. make you as uncomfortable as you should feel when you watch others get abused and objectified.

This just goes to show who is sitting behind the desk. And whose controlling the show. Whose controlling the media and who is censoring us.

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Some women aren’t allowed in their religious place of worship. Out of their homes. To do certain things. And are told they are sick. As if the period is a common cold. Yes. This is here in North America. I have been hospitalized many times because of issues associated with my period. I have been suffering from a sickness related to my period. And ever since I have been working so hard to love it. Embrace it. Celebrate it. Even thought it’s given me so much pain in the past few years. and they want to tell me I should be quiet about this. That all of this we experience collectively does not need to be seen. Just felt secretly behind closed doors. That’s why this is important. Because when I first got my period my mother was sad and worried. And they want to censor all that pain. Experience. Learning. No.

Their patriarchy is leaking.

Their misogyny is leaking.

We will not be censored.

i bleed each month to help make humankind a possibility. my womb is home to the divine. a source of life for our species. whether i choose to create or not. but very few times it is seen that way. in older civilizations this blood was considered holy. in some it still is. but a majority of people. societies. and communities shun this natural process. some are more comfortable with the pornification of women. the sexualization of women. the violence and degradation of women than this. they cannot be bothered to express their disgust about all that. but will be angered and bothered by this. we menstruate and they see it as dirty. attention seeking. sick. a burden. as if this process is less natural than breathing. as if it is not a bridge between this universe and the last. as if this process is not love. labour. life. selfless and strikingly beautiful.

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E SEU LIVRO BANIDO NAS E SEU LIVRO BANIDO NAS

ESCOLAS ESCOLAS

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ESCOLAS ESCOLAS

Texto de Rupi Kaur em seu Instagram em relação ao seu livro ser banido das escolas

over the past year or so, ‘milk and honey’ has been getting banned in school districts across america at alarming rates. now @penamerica has found it’s in the list of 11 most banned books in the 2022-2023 school year because it explores issues of sexual assault and violence.

it’s very important to note that a majority of banned books touch on themes of lgbtq+ identities, race, gender, sexual assault, abortion, and american history.

it deeply concerns me that there is a group of people hell bent on taking away literature that students find refuge in. parents want to ban books to protect their kids. but teachers and librarians say that students are old enough to be aware of the topics discussed in these books. many actually seek these books out because they’re going through those experiences themselves.

i remember sitting in my school library in high school, turning to books about sexual assault because i didn’t have anyone else to turn to. this is the reality for many students. we all find comfort in literature that reflects our experiences. now that books about sexual assault and other topics are being banned- i worry for students who rely on school libraries for access to literature.

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Poetiza by Ester Taragona - Issuu