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A Landscape for Rest and Reflection
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PHOTO BY CLAY DOLAN
View of the Escarpment
Cara Williams Editor-In-Chief cara@escarpmentmagazine.ca
There’s something about getting a little lost that makes you pay attention. Not just to the trail beneath your feet, but to the sound of your breath, the shape of the trees, the way the light shifts when you pause.
That happened to me recently while hiking along the top of the Escarpment. I had veered onto an unfamiliar trail—chasing a fresh perspective and, admittedly, trusting my sense of direction a little too much. Eventually, I realized I wasn’t sure where I was. I stopped, took a breath, and stood still long enough to let instinct catch up to intention. I found my way back—not with panic, but with a quiet sort of calm, retracing my steps and trusting they’d lead me home. And no, I didn’t have to call for help, though the thought did cross my mind.
I’ve thought about that moment often while working on this issue. It reminded me that bravery doesn’t always look like bold declarations or big gestures. Sometimes, it’s subtle. Quiet. Unseen. It looks like showing up for your community, like our local firefighters do. It looks like choosing to preserve a place, or breathe new life into something
old. It looks like trying something new when no one’s watching.
Inside these pages, you’ll find stories that speak to that kind of strength. From a peculiar tale buried in Collingwood’s police archives, to a reimagined firehall in Meaford where meals bring people together. From the firefighting history that has shaped Grey and Bruce counties, to the cyclists who gather for a springtime ride—not to compete, but to connect. And yes, in a playful nod to the season and the theme, even our fashion editorial is set inside a working fire station. Not every act of courage makes headlines. But the kind that happens in the quiet—those are the stories that stay with us.
Wherever you find yourself this spring—on familiar paths or unexpected detours—I hope this issue helps you see the beauty in the pause, the value of slowing down, and the steady pull of finding your way.
On the cover: Under Your Vibrant Sky (in detail), 48" x 60", oil and acrylic on panel. By Sarah Carlson.
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Spring Forward
As I write this, the first signs of spring are finally starting to show. The days are longer, the air feels lighter, and there’s that unmistakable energy that comes with a new season. Around here, spring can be a bit unpredictable, but it’s also a time of renewal and optimism—and that’s exactly the feeling we hope this issue brings.
One of the things I’ve always loved about living in this area is the way our community shows up for one another. Whether it’s during unexpected challenges or the everyday ups and downs, people here step up. That sense of connection and neighbourly support is something we don’t take for granted—and it’s something we try to reflect in every issue of Escarpment® Magazine.
As Escarpment® moves steadily toward its 40th anniversary, I find myself reflecting with gratitude on the journey so far. Each year as an independent, family-run business feels like a celebration—a chance to honour the community we’ve built, embrace who we are, and look forward to the stories still unfolding.
In these pages, you’ll find stories that celebrate our region, our local businesses, and the people who make this place so special. When you see an ad in this magazine, know that it’s more than just a placement—it’s a show of support for independent media and a vote of confidence in our local
economy. If you enjoy what we do, I encourage you to support those businesses—and let them know you saw their ad in Escarpment®. It really does go a long way.
On that note, I want to acknowledge someone who’s been a huge part of this publication’s journey. For nearly a decade, Paul Evans has led our distribution and advertising sales in Grey and Bruce counties. Paul came on board in 2016, the same year I purchased the magazine, and over the years he’s become both a mentor and a friend. His energy, professionalism, and calm presence—especially during challenging times—have helped shape the growth of Escarpment®. After nine incredible years, Paul is retiring. Thank you, Paul, for everything. Your impact will be felt for a long time, and I know I can always count on your advice, even in retirement.
As we head into a new season, I’m feeling grateful—for this community, for our readers, and for the businesses that continue to believe in what we’re doing. Warmer days are ahead, and we’re excited to keep sharing stories that celebrate the best of our region. Enjoy the issue!
Clay Dolan Publisher clay@escarpmentmagazine.ca
GEORGIAN BAY LIVING
PUBLISHER/OWNER
Clay Dolan clay@escarpmentmagazine.ca
EDITOR- IN - CHIEF
Cara Williams cara@escarpmentmagazine.ca
ART DIRECTOR
Bradley Reinhardt bradley@escarpmentmagazine.ca
GRAPHIC DESIGNER
Alyshia Laube alyshia@escarpmentmagazine.ca
CONTRIBUTORS
Natasha Akiwenzie, Katherine Arcaro, Thorsten Arnold, Katie Ballantyne, Brandon Bannon, Craig Boyko, Elizabeth Rush Brooks, Don Campbell, Sarah Carlson, Gill Cameron, Kelsey Chernes, Kevin Coulter, Gillian Crone, Nicole D’Amico, Deena Dolan, Candace Louise Donna Fritsch, Andrew Dzenis, Nick Eyles, Pat Gillies, Lawrence D. Griffin, Nanci Guest, Max Hahne, Nick Hamilton, Dean Heliotis, Dave Holland, Brian Hunt, Kaz Jones, Johnny C.Y. Lam, Sean Landreth, Brendan Mackay, Shannon MacDougall, Ken Maher, Trish Magwood, Marcia Masino, James McGregor, Michael Morris, Dasha Noscova, René-Pierre Normandeau, Len Pizzey, Nicola Ross, Robert Saunders, Laurie Severn, Melissa Shaw, Christina Sheardown, Kirstin Shollig, Riley Snelling, Catherine Staples, Kianna Sunshine, William Tam, Tom Thomson, Robin Todd, Desmond Von Teichman, Noah Wallace, Daniel Weylie, Jody Wilson, Shelby Worts, Gary Yee, Bruce Young
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Welcome spring with two events that celebrate the joy of cycling—Turas Mór, a scenic gravel ride through the hills of Creemore, and Trail Tunes, a music-filled journey along Simcoe County’s trails.
By Robin Todd | Photography by Jody Wilson
CAMARADERIE
OVER COMPETITION
THINK BACK TO THAT FIRST EPIC RIDE
you took with friends. Everything you discovered that day had a magic to it. Perhaps it was only 10 or 20 kilometres, but it felt so much longer; it was a journey, an adventure. You rode your ten-speed bicycles, with steel frames and shifters on the down tube, and you had just enough money to buy a milkshake in the next town over. Sure, you had all the wrong clothes on, with your high-top Converse and cut-off jean shorts, and you were too sore to sit on a bike seat for days afterwards, but you got a taste of freedom, and you were happy.
Since then, you’ve bought many bikes, all lighter and faster than your first ten-speed. Perhaps you’ve raced bikes, on road or off, uphill or down, immersing yourself in a world where ounces and seconds matter. But always, in the back of your mind, is that first special adventure, and what is nostalgia if not the desire to recapture those magical moments of your youth?
Alas, there are no time machines to transport you back to those days; however, there are two wonderful events in Simcoe County that are all about the joy of the ride and about celebrating camaraderie over competition, friends and family over finish lines.
The first event, on May 10, 2025, is Turas Mór (meaning “Great Journey” in Gaelic), which is hosted by Creemore Springs
Brewery. Conceived by the brewery’s marketing team, the event’s name honours Creemore’s Gaelic roots (Creemore means “Big Heart”). The team’s objective was to offer cyclists a complete experience, including rest stops with delicious gourmet food provided by local businesses, as well as a generous lunch with live music and, of course, cold beer. Heather Harding, the Brand Home Operations Manager and member of the marketing team, explained that the event was inspired by L’Eroica, a noncompetitive cycling event that began in 1997 in Siena, Italy, which invited cyclists to explore the Tuscan countryside and its culture while riding vintage bicycles.
To hear Harding recount the challenges of the inaugural Turas Mór, in 2016, on a day that saw rain, hail, and relentless winds is to appreciate how special this event is. Of the 100 or so riders who tackled the muddy roads and ferocious headwinds, fewer than two dozen were able to complete the entire route. Some turned back, some found shortcuts, but many were rescued by community volunteers who drove the route in a variety of vehicles. Though the plan had been to host a barbecue in the brewery parking lot, that was not to be. Instead, 100 riders piled into the small brewery, huddling for warmth, using bar towels to dry off, and celebrating their safe return with a hearty lunch, including soup served by the renowned chef Michael Stadtländer.
The event has grown immensely since that rainy day and is now capped at 850 riders, who choose from four routes, each inspired by a Creemore Springs beer. The Leisure route (20 km), inspired by the Session IPA, is ideal for beginner riders as it is primarily on paved roads and includes fewer hills. The Challenger route (40 km) is inspired by the Crisp Pilsner and includes a long climb out of Creemore, after which the riders are rewarded with a rest stop. As with all of the longer routes, which are a mixture of paved and gravel roads, riders need to be prepared for a variety of conditions, including loose gravel, mud, ruts, and sand. The Classic route (60 km) is at the heart of Turas Mór and is inspired by the Premium Lager, itself a Creemore Springs classic. The route is primarily on gravel roads and has significant climbs throughout, making it a good route for intermediate to advanced riders. Finally, the Expert Ride, first introduced in 2024 and inspired by New Creemore Light, is designed for advanced cyclists with strong bike-handling skills who are looking to challenge themselves with additional climbing. At 85 km in length, it is described as an “arduous journey.”
Like L’Eroica, Turas Mór encourages riders to bring their vintage bikes, designed in 1987 or earlier. Each year, a good number of riders show up with their vintage bikes and their wool cycling kit, but no rider is more striking than Dave Murphy, who not only dons long shorts, suspenders, and a jaunty cap but does so while atop his high wheel (also known in the UK as a pennyfarthing), the classic bicycle dating back to the 1870s. An avid member of the Collingwood Cycling Club, Murphy has become a fixture at Turas Mór, leading the riders out for an opening lap of the town before they begin climbing the hills. Though riders are encouraged to take part on vintage bikes, they are welcome to ride any bike as long as it is in good working order. Because the Challenger, Classic, and Expert routes are predominantly made up of gravel roads and trails, a wider-profile tire of at least 28 mm, if not larger, is highly recommended.
One rider who knows the Turas Mór routes well is Collingwood resident Jody Wilson, who has experienced the event from behind the camera lens and from the saddle and who understands why this day is so attractive to cyclists: “During
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THE EVENT ATTRACTS ALL KINDS OF CYCLISTS, ON ALL KINDS OF BIKES, AND THE ATMOSPHERE IS ELECTRIC WITH POSITIVE ENERGY. EVERYONE IS SIMPLY HAPPY TO BE OUTSIDE, EMBRACING LIFE, AND SOAKING IN THE JOY OF THE RIDE.”
the years I have taken photos at Turas Mór, I have always been amazed by the sense of community that the event creates, especially one where the finish line isn’t a gold medal but a burger and a beer! One of the reasons I’ve fallen in love with Turas Mór is because of the way it brings the cycling community back together after a long winter. You don’t realize how much you’ve missed your friends and the cycling culture until you arrive downtown Creemore and struggle to find a parking spot because 800 other cyclists had the same idea as you. Turas Mór is more than a cycling event; it’s an annual spring tradition. Nothing solidifies this sense of rebirth like riding the hills around the Creemore area with the smell of spring in the air and the flashes of green in the trees that line the route. The event attracts all kinds of cyclists, on all kinds of bikes, and the atmosphere is electric with positive energy. Everyone is simply happy to be outside, embracing life, and soaking in the joy of the ride.”
Another event that offers an opportunity to embrace life and to experience the joy of riding is Trail Tunes, a collaborative event between Clearview Township and the towns of Wasaga Beach and Collingwood. It takes place on the first Saturday in June, in celebration of International Trails Day and National Health & Fitness Day, and this year’s event is on June 7. Trail Tunes was
the brainchild of Heather Murray, the Manager for Parks and Recreation in Clearview Township, whose vision in 2022 was to create an event that would encourage people to return to the area in a safe capacity. What safer way to gather than at outdoor concerts, and what better way to travel between them than by bicycle?
The event features three venues, with each venue offering four concerts. At Centennial Park in Clearview, the audience will be treated to a celebration of female singers from Simcoe County. At the Wasaga Beach Shell in Wasaga Beach, each band will cover a classic album in its entirety. Finally, at the Shipyards Amphitheatre in Collingwood, there will be an eclectic offering, including several performances with strong roots in the folk and folk-rock tradition. In addition to the concerts, there will be a myriad of activities; in Clearview, for example, there will be face painting for children, and the Clearview Youth Center will be providing fruit smoothies made in the pedal-powered “fender blender.”
Suffice to say, both Turas Mór and Trail Tunes offer lots of opportunities to enjoy playing, so whether you choose to pedal your heart out on the hills surrounding Creemore, cruise the trails along the Georgian Bay shoreline, dance, sing, or raise a pint in salute to a beautiful day, may you rediscover that childhood self and enjoy those magical moments once more. E
A Loopy Bruce Trail Tale
Nicola Ross tackled the Bruce Trail’s 900 kilometres her own way—by hiking loops instead of a linear route. In this excerpt from 40 Days & 40 Hikes, she shares a 27.8-kilometre trek from Noisy River to Freedom Rock, blending adventure with her deep love for the trail.
By Nicola Ross | Foreword by Cara Williams | Illustrations by Nicola Ross
Loop hiking is nothing new for Nicola Ross, author of the best-selling Loops & Lattes series—it’s her signature style. So rather than trekking the Bruce Trail in a straight line, she crafted her own route. Using 40 carefully designed loops, she completed an end-to-end journey, swapping road walks for the Bruce Trail’s extensive side trails. This approach not only made for a unique adventure but also allowed for self-sufficiency—no need for car drops or camping logistics.
Ross’s latest book, 40 Days & 40 Hikes: Loving the Bruce Trail One Loop at a Time (ECW Press 2024), is more than a hiking guide. Nicknamed 40/40, it blends memoir, trail wisdom, and a love story—not just for the Bruce Trail but for the landscapes of the Niagara Escarpment. As Ross believes, we protect what we love, and she hopes her journey inspires others to deepen their connection to this remarkable trail.
The following excerpt from 40/40 is adapted from her 22nd hike, a 27.8-kilometre route from Noisy River Provincial Park near Creemore to Freedom Rock in the Nottawasaga Bluffs Conservation Area near Singhampton. It includes one of her whimsical maps and several of her signature illustrations.
Day 22 Noisy River to Nottawasaga Bluffs 27.8 km / 8h 22 min Bruce Trail Map #21/22
At the roadside parking area next to the Noisy River Provincial Park, I met Angela and Annette from Elora. They were hiking south, while I was heading north. In response to their observation that I was well-equipped for a day hike, I explained I hiked for a living. Without prompting, they asked, “Do you write the Loops & Lattes guides?” Nodding yes, I felt like a celebrity. Proudly, they each pulled out a copy of Collingwood, the Blue Mountains & Beaver Valley Hikes: Loops & Lattes and asked me to sign it. This had started to happen with some regularity since COVID hit. For once in my life, I’d been in the right place at the right time. When virtually every activity except eating, drinking, and walking was shut down by the pandemic, people took up hiking. Sales of my guidebooks were already strong, but they tripled in 2020–21.
In a January 2022 piece for the Waterloo Record, Joel Rubinoff wrote, “Local hiking guide beats ‘Harry Potter’ to become indie bestseller.” At Words Worth Books in Waterloo, Waterloo, Wellington & Guelph Hikes: Loops & Lattes had displaced J.K. Rowling’s phenomenon to become the store’s bestselling book ever. At the Bookshelf in Guelph, the same guide was a star. The store’s owner told me, “In 2020, it was our bestselling book by far (even beating Barack Obama’s book) and is in our top 10 for 2021.” I began doing what writers aren’t known for: I was making a living.
With books signed for my fans, I set off. Between my celebrity moment, the ideal weather, sweeping vistas, rolling hills, open meadows, airy forests, and even the spooky cedar groves, I breezed along. When I stopped and wished for somewhere to sit, what appeared? A bench, of course. Fittingly, it bore a plaque that read: “Rest A While, in recognition of James ‘Dave’ Knox, 1944–2021.”
I think of spring as flower season, but all morning I’d been cheered by a summery collection of tall buttercups, daisies, purple vetch, white and purple clover, bird’s foot trefoil, Canada anemones, baby’s breath, and more. Once again, I felt that in comparison with spring ephemerals, these meadow flowers were less complicated. There was nothing sophisticated or shy about them; they exuded happiness.
I came across a soaring elm tree of remarkable elegance, bordered on two sides by a riot of wild rose bushes laden with blooms. This was turning out to be a better hike than I’d remembered. Arriving at the Nottawasaga Bluffs Conservation Area’s parking lot, I began my return journey—first stop, Freedom Rock. Standing on this flat-topped dolostone outlier, bathed in sunshine, I looked over a band of green trees backed up against a sky so blue it looked painted on.
Freedom Rock is a mystery. Someone once etched crudely written philosophical texts into the rock. Before erosion wore them away, these slogans were photographed: “To be fully educated, one must farm five years,” and “A pessimist is a coward, an optimist a liar, a realist a hero.”
Not your typical graffiti. I recalled my motto—”Stay Lost!”—which had once been scrawled beneath a highway underpass near Hamilton but had since disappeared.
On my return journey, I followed a pair of side trails but mostly retraced the main BT. I stopped at the picnic table below the massive elm, admired the wild roses again, and took in the vistas. On another unopened road allowance, I heard frantic cackling. When I stopped to investigate, a tree swallow swooped past me. I ducked, shielding my head. Peering out from below the brim of my straw hat, I saw another bird heading directly for me. It grazed my head before wheeling around like a fighter jet. As I watched it turn, a third bird dive-bombed me, or maybe it was the first one coming in for a second go. Cowering, I took cover. The pair were furious, attacking me with fierce determination. I wasn’t just reminded of Alfred Hitchcock’s The Birds; I was living it. This protective behaviour is typical of tree swallows (and red-winged blackbirds) when they fear their young are at risk. I thought back to the swans near Terra Cotta whose similar behaviour had reminded me of my mum.
I hurried out of there and continued along in the sunshine. I’d picked a tough route, almost 28 kilometres, for my first hike in 10 days. I was exhausted, but looking up the trail and knowing I had 500 more glorious kilometres of the Bruce Trail ahead felt like sipping sloe gin topped with sparkling water. I felt at ease being back on the trail. E
Lifestyle
Maggie & Dave Dick, Sales Representatives
CAPTURING THE MAGIC OF BLUE
For photographers, Blue Mountain’s action-packed moments offer endless inspiration—each shot a chance to preserve the energy and adventure of every season.
By Cara Williams | Photography by Kirsten Schollig and Kianna Sunshine
The newest Adventure Park addition, Skywalk Challenge High Ropes. Photo: Kianna Sunshine.
When creative minds converge, something special happens. At Blue Mountain, the resort’s scenic trails, seasonal shifts, and vibrant village create an everchanging canvas that inspires a wide array of artists, from painters and writers to photographers and videographers. Whether capturing the stillness of a forest path, the hues of a sunset, or the energy of the Village, these creators find endless opportunities to tell a story.
Creators Kianna Sunshine, Brian Hunt, and Alexandra Ervin don’t just shoot at Blue Mountain—they bring it to life. Through their lenses, the resort’s shifting landscapes transform into cinematic scenes. Blue, after all, is more than a destination; it’s a playground for creativity. Kianna remembers her first assignment with a clear, vivid joy. “The marketing team is fantastic to work with—they bring such an upbeat, adventurous energy to every project. No two shoots are ever the same, and that sense of excitement keeps me coming back,” she says. For her, every task is a new adventure, a fresh challenge to capture the resort’s essence.
Brian, a veteran videographer at Blue Mountain since 2008, speaks to the thrill of working amidst nature’s raw beauty. “As somebody that loves outdoor adventure—snowboarding, biking,
hiking—Blue is an amazing place to do work and capture things that I love,” he explains. His years at the resort have given him an intuitive understanding of its rhythm, and a knack for catching the perfect light.
Alexandra, who began working as production lead for photo and video shoots at Blue in June 2022, thrives on the everevolving scenery. “Things are always changing here at Blue, and I love getting to feature the same landscape with different elements every year,” she notes. Each season adds layers to the Resort’s portfolio, from a fresh, green hiking trail to a newly installed art piece. Her approach is reflective and personal, shaped by her daily connection to the Escarpment.
Of course, each photographer has their own “sweet spots”—those places that never fail to deliver the magic. For Kianna, it’s the iconic Blue sign framed by summer’s lush greenery or the postcard-perfect view from the pond, where the hill rises behind the charming village. Alexandra gravitates toward hidden gems like the Blue Mountain Beach, where summer afternoons involve paddleboarding, beach volleyball, and laid-back relaxation. Meanwhile, Brian enjoys the challenge of reaching those harder-to-access viewpoints: the stunning lookouts just off the gondola, where a steep hike rewards you with a breathtaking vista.
Beachside campers paddleboarding at the Blue Mountain Private Beach. Photo: Kianna Sunshine.
Walk to Blue Mountain Village or the Spa from the beautiful community of Windfall
Hidden gem with private lake access in the heart of Craigleith
Stunning waterfront home in the heart of The Blue Mountains
But even the most picturesque locations come with hurdles. The professionals all point to one formidable foe: the weather. “Weather is my biggest challenge,” Alexandra admits. “Checking the forecast is almost my full-time job now. Rain dates can be tough to navigate, and temperature and wind also factor in.” Brian echoes the sentiment: “Sometimes the lighting is perfect, and then a storm rolls in.” Still, they’ve learned to adapt. That need to think on their feet (or skis) often leads to the most unexpected and striking images.
Preparation is everything. Before the shutter clicks, a flurry of behind-the-scenes work ensures the shoot runs smoothly. “Photoshoot days are always a blast, but they’re a team effort,” Alexandra explains. Coordinating with resort staff, securing access to locations, and setting up models are just a few steps in the intricate process. In one memorable session, she climbed the Lumber Lanes Climbing wall to position herself for the perfect shot, hanging suspended for minutes at a time. The result? A dynamic campaign image that made every muscle-burning second worth it.
Capturing action—whether it’s a family atop the Canopy Climb nets, or a couple laughing on the Ridge Runner Mountain
Coaster—requires not only technical skill but also a deep connection to the subject. “It’s all about anticipation,” Kianna says. “I focus on the energy of the moment.” Brian finds that working closely with athletes helps him nail the timing, while Alexandra prioritizes emotion. “Without showing the feeling of that activity, it’s just another action shot,” she explains.
Each photographer brings their own artistic vision. Kianna’s style is authentic and vibrant, marked by natural colours and a sense of adventure. Alexandra leans into Blue Mountain’s brand identity— “Amplified Nostalgia”—to evoke fun, friendliness, and uniqueness. “I want them to feel nostalgia, excitement, and wonder,” Kianna says, summing up the emotional connection she hopes to create.
Looking ahead, the trio remains inspired by Blue Mountain’s infinite potential. Kianna dreams of the ultimate summer adventure shot, while Brian envisions a sunrise drone photo capturing paddleboarders in motion. Alexandra, ever the romantic, has a dream shot she calls the “fireworks in a child’s eyes,” a dazzling moment over the mountain that captures the magic of Blue.
At its core, their work reflects the spirit of Blue Mountain: a place of endless exploration, where the seasons bring new stories and the possibilities are as boundless as their creativity. E
The Columbia lookout on the Sticks & Stones hiking trail. Photo: Kirsten Schollig.
A BILLION YEARS
IN THE MAKING
A grassroots initiative is working to secure UNESCO Global Geopark status for Georgian Bay, and the North Channel, aiming to protect its unique geology, promote education, and support sustainable development.
By Don Campbell | Photography by Clay Dolan & Nick Eyles
Nick Eyles kneels and points to a series of pink and gray lines running along a large, flat rock. “Right here, this is how you know it’s gneiss,” he says, running a finger along the veins of a rock created under immense heat and pressure around 1.3 billion years ago.
Eyles is giving a tour to a group of local residents and cottagers of Painted Rock, a windswept patch of granite located on the eastern shores of Georgian Bay, between Bayfield Inlet and the Naiscoot River. “What’s remarkable about this spot, besides its natural beauty, is that it offers a relatively accessible glimpse into the geological history of the region.”
The gneiss (pronounced nice) Eyles is pointing to was formed underneath an ancient mountain range the size of the Himalayas. At 25 kilometres below the surface and at temperatures reaching 1200 Celsius, the rock was stretched like toffee, giving it a signature look that appears to be painted on.
Painted Rock is emblematic of the countless significant geological sites that stretch across the Bay, and a big reason why Eyles, a geologist at the University of Toronto, is teaming up with a grassroots community group that wants to earn Georgian Bay a
UNESCO Geopark designation.
“A UNESCO Global Geopark is not a park in the traditional sense,” explains Tony Pigott, executive director of the Georgian Bay Geopark initiative. “There’s no legal title, it won’t enforce rules or employ park wardens. Instead, the goal is to celebrate a region’s globally significant geological heritage while ensuring its future through protection, education and sustainable development.”
“UNESCO stands for places of global significance, and we believe Georgian Bay is right up there with any other significant natural site in the world,” he says.
There are currently 213 Geoparks in 48 countries around the world, including five in Canada. They include places like Beaujolais, France, best known for its wine-making, and the Bay of Fundy between New Brunswick and Nova Scotia, known for its towering 300-foot ocean-side cliffs.
The Georgian Bay group is looking to include more than 49,850 sq km in the core area of the park — encompassing the entire Bay and its surrounding watersheds — which, if approved, would make it the largest Geopark by size in the world.
The La Cloche Mountains’ white quartzite ridges in Killarney Provincial Park. Photo by Clay Dolan.
Pigott says the benefits of a Geopark include creating stronger, more resilient communities that are better prepared for rising population density and climate change, more jobs and economic development through sustainable ecotourism, as well as economic and cultural reconciliation with Indigenous communities around the Bay.
In addition to the respect and prestige attached to the UNESCO name, a Geopark comes with a robust conservation plan. Pigott says given the region is under intense pressure from population growth and climate change, it needs a coordinated approach to preserving its future. The group is currently raising awareness about the initiative by meeting with Indigenous and community organizations across the Bay, which is a key component to earning the designation.
The group says it recognizes that the Georgian Bay region is a significant place for many Indigenous Nations, and that they are fully committed to honouring treaties signed with the Crown and the United Nations Declaration on the Rights of Indigenous Peoples. In keeping with this promise, they will implement Indigenous Ways of Knowing to achieve a balanced perspective in conserving Georgian Bay.
Pigott is quick to point out that efforts to achieve a UNESCO designation will not create competition with other local conservation efforts across the region, rather it will connect these groups under a common cause.
“In this case, a high tide raises all boats,” he says. “We want to develop deep and meaningful partnerships with Indigenous and community groups so we can all work together to be stewards of the Bay.”
A unique element of the Georgian Bay Geopark initiative is the commitment to scientific research. As development pressures, particularly from an ever-expanding Greater Toronto Area, continue to increase, the group is committed to studying the Bay and its watersheds to have a better understanding of how it’s being impacted.
One proposed research project will combine water quality monitoring across the Bay with drone and satellite imagery. The result will be the most detailed database and assessment on the health of Georgian Bay’s water, watersheds and coastlines ever assembled. This data will be crucial for municipalities, Indigenous communities, federal and provincial agencies as well as environmental NGOs as they navigate future development around Georgian Bay.
Eyles, a resident of the Parry Sound District who has studied unique geological sites across the world, says he knows first-hand how globally significant the Bay is. “Georgian Bay is a global treasure with a 2.7-billion-year-old geological history,” he says. “It’s important we preserve this special place for future generations.” E
Gneiss rocks found along the eastern shores of Georgian Bay. Photo by Nick Eyles.
It can be said with certainty that the future has never felt so... uncertain. It’s daunting and at times even a bit scary, to think about tomorrow when so much in the world around us has felt heavy, unsteady or up in the air. But a hospital is a place that is predicated on a brighter tomorrow. A hospital is a place that is built on hope. We are working to build the new hospital, a world-class facility that South Georgian Bay needs and deserves. At 4x the size of our current footprint, the new hospital will expand healthcare services for our fast-growing community, improve patient care and privacy, attract top healthcare professionals and build on our strengths in education and training. With your help, the new facility will be ready to support all of us when we need it most.
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TELLING THE BEES TELLING THE BEES
Exploring the folklore, spirituality, and modern appeal of “telling the bees”—a charming tradition that honours bees as family, friends, and spiritual messengers.
By Marcia Masino | Photography by Clay Dolan
When Queen Elizabeth II died in 2022, the Buckingham Palace beekeeper placed a black ribbon on each of the royal beehives. He was performing a time-honoured ritual known as “telling the bees.” He gently knocked on the hives to alert them and said, “Your mistress has died, but don’t go away. You have a new king and master who will take good care of you.”
According to British, Swiss, and Western European folklore, one had to tell the bees about important events such as births, marriages, deaths, and funerals because bees were considered part of the family. The ceremony was familiar to all social classes, so everyday people practised it too.
There are many reasons why bees were valued in the old
world. Keeping bees meant endeavouring to keep them contented so they remained productive, making honey—considered a luxury and often the only sweetener available. The gooey, sticky gold was believed to have medicinal properties, and after all, how could you make honey wine or mead without it?
It was important, even a blessing, to have happy honeybees. Their colony served as a household good luck charm because bees symbolized the preservation of established social structures and harmonious, sweet, and prosperous family continuity. Folklorists say bees represent values of hard work, dedication, teamwork, and perseverance. In Freemasonry, the bee and the beehive symbolize industry, cooperation, and societal and community improvement.
The honeybee hive lifestyle is akin to an Apis (bee genus) tribe social media platform: you share your news, and they spread the word within the colony. If you don’t keep them informed,
they’ll ghost you, go on strike by ceasing honey production, depart, refuse to pollinate, and even put you in harm’s way by stinging and swarming!
Bees insist on receiving important news, but they don’t send messages—except to the spirit world. In Celtic mythology, bees were considered intermediaries between humans and those dwelling in the afterlife, colloquially known as “the folks upstairs” in mediums’ parlance. Ancient Egyptians believed bees were the tears of the sun god Ra and messengers from the gods. Since bees can communicate with spiritual loved ones, their messaging capabilities surpass everyday social media.
In Celtic mythology, bees were considered intermediaries between humans and those dwelling in the afterlife, colloquially known as “the folks upstairs” in mediums’ parlance.
The presence of a bee after a death was thought to signify the soul leaving the body. Is it possible the royal beekeeper’s secret reason for “telling the bees” was to have them inform the spirits that the queen’s soul was arriving in the afterlife?
Beyond spiritual, culinary, domestic, and societal symbolism, bees, according to some, also play a role in the self-help movement. Since bees aren’t tattletales, your personal thoughts remain safe with them. Telling the bees, in this instance, literally means sharing your secrets, troubles, and hopes with them!
Some say bees are good listeners, although, like other forms of therapeutic conversation, they only buzz and hum in response. As you unburden yourself, remember no one else will know—and perhaps bees can even put in a good word on your behalf with your spirit ancestors.
“Telling the bees” can occur at your local beekeeping business or bee farm, where you can also buy natural honey products for culinary and health purposes. Agrotourism (a type of tourism linking visits to farms and ranches) provides opportunities to experience rural life, agriculture, and support local producers and communities—a fresh way to connect with bees and their
specialty products. Some farms offer honey tastings (the timing of production affects taste, similar to wine). Culinary experiences often include dishes such as honey cheesecake and tastings of honey wines or meads. Tours might also include opportunities to mingle with the bees, and some farms double as event venues.
Another option is spending time in a garden during April, when bees begin visiting flowers, but watch out in May, as bees become active and prone to swarming. You’ll find them buzzing around orchards, too, since they’re essential to fruit production.
The best place to encounter bees is in a specially designed pollination garden or at least one with a section planted with their favourite flowers. You can easily create your own—find sunny spots ideal for flower growth and plant colourful, fragrant blooms.
Good choices in Ontario include black-eyed Susans, sunflowers, marigolds, zinnias, coneflowers, scabiosa (also known as pincushion flowers), and asters. Bees also favour goldenrod, milkweed, yarrow, parsley, wild strawberries, bergamot, and certain mints. Once bees discover your garden, you can have daily chats and update them—tea time in mid-afternoon fits perfectly with their social calendar.
In Canada, bees are our most important pollinators. As pollinators, bees play a critical role in every aspect of the ecosystem. As they journey from flower to flower collecting pollen, small amounts rub off their bodies onto each flower, resulting in cross-pollination.
Respect them or resent them, sooner or later you’ll encounter a bee. Now that you know the reasons for speaking to them, you’d better start talking. E
A notorious night on the steamer Waubuno in 1875 sealed the fate of Collingwood’s chief constable, John Creelman, whose troubles with alcohol and the law ultimately led to his downfall.
Script by Ken Maher, Stories from Another Day, a Collingwood Museum Podcast. Photos courtesy of the Collingwood Museum.
Fit to be
The Waubuno, operated by the Collingwood-based Georgian Bay Transportation Company, was a familiar sight in Collingwood’s harbour. On November 22, 1879, it departed during a storm and was tragically lost with all hands. Collingwood Museum Collection, X969.622.1.
be Tied
“Hello, Creelman!” said the mocking voice. He emphasized the derision with a rough jab of his toe. The pitiful bundle on the deck at his feet could only squirm and moan quietly. As the deck of the ship swayed in the gentle swells of the bay, the bound-up form rolled across the planks and back again.
“Excuse my feet,” came another voice, a woman’s. While the kick was softer this time, the toe of her shoe was more pointed. The helpless man could only gurgle his displeasure weakly. It had been going on like this all night, and no one seemed ready to take pity on him. “Why didn’t I jump overboard when I had the chance?” he thinks to himself for the hundredth time.
It is a warm August evening in 1875 on the steamer Waubuno, whose sad end was marked by... well, that is a story for another day. But on this day—or night, rather—the Waubuno is heading from Collingwood to Christian Island to deliver her passengers to a church camp meeting. And the man deemed fit to be tied and left on the deck to the less-than-Christian actions of the passengers? His
From above: A small brick jail once stood behind Collingwood’s town hall, visible in this 1896 photo behind Captain George Collins, former Nottawasaga Lighthouse keeper. Chief Constable Benjamin Franklin Lewis, who succeeded John Rutherford Creelman, was the town’s first full-time chief, holding the role for 21 years. Collingwood Museum Collections X976.575.1, X2025.1.1.
name is John Rutherford Creelman, and he is the chief constable, town inspector, and tavern inspector of Collingwood. And, in case you missed it, he is not well-liked or respected.
In fairness, it should be said that his was a tough job in a very tough town—a job that will make enemies no matter what you do. In fact, his predecessor, Constable Thompson, had lasted only several months in the post. Resigning suddenly while embroiled in scandal and facing serious allegations, the town council was forced to choose a new replacement with great haste. Their choice was John Creelman. He was chosen in large part due to the respect so many locals held for him. Maybe this was a way to appease the people over the former chief’s shortcomings. The 55-year-old Creelman was a local music teacher, noted as being both knowledgeable and talented. Yet much of Constable
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The North American Hotel, built in the 1850s on the east side of Hurontario Street, offered stagecoach service between Durham and Collingwood. As the sign suggests, a public “Bar Room” welcomed travellers and locals alike—one of many spots in early Collingwood where whisky flowed freely. Collingwood Museum Collection, X969.817.1.
Creelman’s troubles on the job were of his own making.
Maybe he let the pressures of the job get to him, or maybe he would have been that way regardless, but John Creelman’s troubles as constable began and ended in the bottle. The first angry rumblings against him came not long after his appointment in 1873, when it was alleged that, while drunk, he had mistreated a man by the name of Ralph Smith. When a committee tasked with investigating the claim went to speak with Smith, he was too sick to answer and died soon after. Officially, Creelman was cleared, but the whole affair left many people soured toward the chief constable.
Creelman was well-known to inspect the taverns of Collingwood by being one of their most faithful customers. It was widely known among the town council that everyone in town
The Collingwood Police Department’s insignia featured a shield with symbols representing the town—a ship, fish, and ski equipment. This pin was worn by Sergeant Donald McQueen, who joined the force in 1956. Collingwood Museum Collection, 2014.16.1.4.
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In fairness, it should be said that his was a tough job in a very tough town—a job that will make enemies no matter what you do.
took great pleasure in obstructing Creelman, and the town was going to the dogs because of it. And on the night of the church camp meeting, it seems Creelman was drunk once again, and the good people of Collingwood had had enough of it.
To quote Larry Cotton in his book Whiskey and Wickedness: Volume 4: “When Creelman’s sobriety was questioned by a fellow passenger, the chief constable, with that true heroism which marks the gentleman, had the courage to resent the insult hurled at him.” His fine, slurring words did him little good. In short order, the unsympathetic passengers found some old sail with which to wrap and bind him before rolling him unceremoniously around the deck. After their sport, Creelman was let go, only to be once again caught and tied up, this time for the remainder of the night and the near-constant obstacle of everyone’s unforgiving feet.
Yet not even this ridiculous episode spelled the end for Creelman. This would come a year later at the hands of another person named Smith. The chief constable would finally lose his job when a very well-known brothel owner, Mrs. Smith, became
The Collingwood Police Force was composed of at least four men in 1915. From left to right: Constable Fred Bendell, Chief James Johnston, and Constable Arthur Plant. Constable William Butters is reported to have been missing from the group photograph. Collingwood Museum Collection, 999.14.2.
But John Rutherford Creelman was seen that very night back at the town council meeting where he had to explain why he wasn’t in Barrie. The council was livid. Fit to be tied. After a very brief debate, Creelman was dismissed on August 22, 1876, and a new chief constable was appointed on the spot.
Mrs. Smith was convicted and sentenced to six months in the county jail in Barrie. Chief Creelman was given the task of escorting the prisoner to jail by train. Upon hearing this, Mrs. Smith thanked the court and promptly boasted that she was sure if Constable Creelman was in charge of getting her there, she would never see Barrie. And she was right.
No sooner had the train left the Collingwood station than Creelman found himself, as habit would have it, in the bar car, letting the infamous madame roam the train at her own leisure. He would later insist that he was only reading at the time. When the train stopped in Stayner, he discovered too late that Mrs. Smith had escaped his “watchful” eye by disembarking at the very first stop in Batteau. She was never seen again in these parts.
As author Byron J. Montgomery writes in Duty and Dedication: A History of the Collingwood Police Force, “[a]n era ended in the history of the Collingwood Police with Creelman’s discharge. The age of the part-time policeman came to an end, as the council realized the town’s need for more professionalism and dedication in law enforcement.”
And what happened to Creelman? Very little is known, except a trail of additional hardships that no doubt affected his ensuing years. In 1876, just prior to his dismissal, one of his daughters died at the age of 25. Four years later, he lost his wife, Isabella. By 1881, Creelman and five children, ages 10 through 18, had left Collingwood, relocating to a farm on the eastern boundary of Collingwood Township (today’s Blue Mountains) in the vicinity of Scenic Caves Road. One hopes that his relocation from town life brought some peace to the remaining years of his life. E
Clockwise from above: This hand-painted sign once hung outside Collingwood Police Department offices on Hurontario Street. This key, believed to have been used for Collingwood’s first jail, was donated to the museum in 1966. David Swain carried this leather-covered billy club during his service with the Collingwood Police Department around 1906. Collingwood Museum Collections, 999.22.1, X976.569.1, 2010.22.1.
FACING THE FLAMES
The History of Firefighting in Grey County
Chief the dalmatian sits atop Grey Roots’ restored 1923 American LaFrance fire pumper. Grey Roots archival collection.
In the heart of Grey County, a rich history of firefighting runs deep—from horse-drawn pumpers to modern fire trucks, local firefighters have battled blazes with courage and innovation for over 150 years.
By Cara Williams | Photography courtesy of Grey Roots Museum & Archives
When Owen Sound Fire Department Engine No. 1 roared back to life after decades of silence, it wasn’t just the powerful rumble of its engine that captured attention—it was the sound of history reigniting. Facing the Flames: The History of Firefighting in Grey County, winner of the 2019 Ontario Museum Association Award of Excellence for Community Engagement, originally began as an in-person exhibit at Grey Roots Museum & Archives in Owen Sound. Though the physical exhibit has concluded, it now lives on as an immersive virtual tour on the museum’s website (greyroots. com), portraying the evolution of firefighting in Grey County and honouring the men and women who battled blazes long before modern technology and digital alerts.
This long and storied history of firefighting in Grey County traces back to the earliest days of organized
fire response. Owen Sound’s firefighting history began in 1850 when Village Council budgeted for fire buckets and appointed 30 men to form the first Volunteer Fire Brigade. In 1876, the Victoria Fire Department was established, initially operating from the Town Hall until moving to a dedicated facility in 1887.
In 1890, the Excelsior Fire Department was formed, named after the insurance company responsible for its creation—a common practice at the time. A year later, the department acquired a second-hand 1874 horse-drawn steam pumping engine capable of expelling 1,135 litres (300 gallons) of water per minute. Alongside a ladder wagon, this significantly improved firefighting capabilities. Due to limited municipal resources, horses were rented from the market square during emergencies.
The Excelsior Fire Department disbanded in 1907, replaced
By 1900, Owen Sound’s volunteer fire department operated from a new hall housing horses, a steam engine, and hose reel, with the Police Court and Chief’s office upstairs. Grey Roots archival collection.
After the devastating Knechtel’s Furniture fire in 1900, Hanover formed a volunteer fire brigade. By 1907, Fire Chief Stephen Flynn led the 21-member team. Photo: Hanover Fire Dept.
by the paid Owen Sound Fire Department with four fulltime firefighters and ten on-call members. The transition to motorized firefighting began in 1918 with the purchase of the first motorized fire truck. In 1923, the department added Engine No. 1—a LaFrance Foamite chain-drive triple combination pumper, manufactured in Toronto and shipped by railway to Owen Sound. Engine No. 1 served fulltime until 1954, and then as a reserve engine until 1967. Its last significant operation was fighting the devastating City Hall fire in 1961. Donated to the museum in 2015, the engine underwent meticulous restoration by dedicated volunteers with significant labour and materials donations from Pete’s Autobody and Kuhl’s Machine Shop, eventually becoming the centrepiece of Facing the Flames.
The Facing the Flames exhibit was spearheaded by curator Sim Salata, whose research and dedication to uncovering
the broader history of Grey County firefighting brought the project to life. “At the time, my role was to research and write the exhibit,” Salata recalls. “It was really interesting and quite challenging because, historically, most of the documentation focused on the Owen Sound Fire Department. But for a county museum, we had to represent the entire region, which meant diving into records from Hanover, Durham, Thornbury, Meaford, and beyond.”
Much of that research was supported by the museum’s archives, along with contributions from local fire departments. Salata credits former assistant archivist Kate Jackson in the archives for assisting with digging through municipal bylaws and fire department records across the county. But one of the most pivotal moments in shaping the exhibit came when Salata was invited to present the idea at an inter-county fire chiefs’ meeting.
By 1915, motor cars were emerging in Grey County, but Owen Sound firefighters still relied on horses, seen here galloping past the Paterson House Hotel on 2nd Avenue East. Grey Roots archival collection.
Clarksburg firefighters with Pumper No. 2, circa 1960. At the time, they shared four sets of bunker gear, bundled on top of the truck. Front (l–r): Eldon Hawton, David Hammond, Gordon Marritt, Jack Phillips Centre (l–r): Ray Leclair, Sam Dinsmore, Bob Leclair, Murray Hammond, Michael Hammond, Wilbert Nelson, Don Hutchinson Back (l–r): Carman Marritt, Allan Lake Grey Roots archival collection.
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“Once they heard about the project, they were incredibly supportive,” she says. “They not only provided access to historical records but also opened the doors for me to interview firefighters and chiefs from across the region. I visited every fire department in Grey County, which really helped create a fuller picture of firefighting history beyond Owen Sound.”
One of the defining elements of the exhibit was its artifacts. While Grey Roots had a modest collection of fire-related memorabilia, the exhibit truly took shape when the Owen Sound Fire Department donated its first fire pumper. “That was really the catalyst for the exhibit,” Salata explains. “Our volunteers spent three or four years restoring it, and when it was finally ready, we knew we had to showcase it properly.”
In addition to the fire pumper, retired firefighters from across the county began contributing personal artifacts. “We had people bringing in old helmets, coats, and belts that had been tucked away for decades. Some of the most fascinating pieces were the early firefighting coats—before modern PPE, they essentially wore black rubber rain gear,” Salata notes. “One firefighter even donated a helmet that had been dented when a roof collapsed on him. These pieces weren’t just historical objects; they told real stories of the risks firefighters took.”
Facing the Flames opened in September 2019 and was originally intended to run for a year. However, due to COVID-19 shutdowns, it remained installed until January 2022, though periods of closure meant many visitors missed seeing it in person. Fortunately, the exhibit was digitally preserved through an online tour, ensuring its legacy endures.
As visitors explore the virtual corridors of the exhibit, the
story unfolds like a gripping historical journey. Early volunteer brigades, armed with little more than basic tools and sheer determination, laid the foundation of Grey County’s fire service. Their bravery, often documented in local newspapers and passed down through generations, reflects a time when communities came together in the face of disaster.
The exhibit weaves together archival photographs, handwritten documents, and interactive media to illustrate how firefighting has evolved over generations. It highlights the shift from simple bucket brigades to today’s well-coordinated response systems, emphasizing the dedication that has protected homes, businesses, and lives. “One of the most rewarding aspects of curating this exhibit was seeing how much coordination exists in today’s firefighting efforts,” Salata reflects. “Firefighting has always been about teamwork, but modern communication and interdepartmental collaboration have taken it to another level. That, to me, was one of the biggest takeaways from the project.”
Today, many of the artifacts from Facing the Flames remain in the museum’s collection, with some on display and others available for research. Grey Roots continues to be a steward of the county’s firefighting history, ensuring that the bravery and ingenuity of past and present firefighters are never forgotten.
What makes Grey County’s firefighting history particularly compelling is its intermingling with the cultural identity of the region. Fire has not merely been an adversary—it has also been a catalyst for resilience and innovation. The Facing the Flames exhibit captures the spirit of camaraderie that has flourished amidst adversity, portraying firefighters not just as warriors against flames but as integral figures in the ongoing story of local identity. E
Three plastic fire helmets on loan to Grey Roots from Owen Sound and Inter Township fire departments: a 1960s Mine Safety Appliances helmet, a 1989 Cairns & Brothers Model 660C, and another 1960s MSA helmet. Grey Roots Museum & Archives.
Fired Up Fired Up
Tableside Caesar Salad with Station
87 Dressing. pg 88
By Robert Saunders, Aragon Restaurants Corporate Chef
Photography by Clay Dolan
Station 87, a charming reminder of Meaford’s firefighting history, was originally designed in 1887 by architect James A. Ellis. Recognized as a heritage site in 1991, its 2024 restoration blends its historic character with modern touches, ensuring it remains a lively spot where history, flavour, and community converge.
Now, Station 87 serves up hospitality and delicious food rather than fire alarms. Its cozy dining rooms and panoramic rooftop patio offer a welcoming atmosphere, while the Market side features fresh bread, cured meats, fine cheeses, and a cozy espresso bar. The private wine cellar below provides an intimate setting for special occasions.
As spring arrives, the chefs at Station 87 share their favourite seasonal recipes, offering a taste of the season and a peek into the culinary heart of this unique venue.
Tableside Caesar Salad with Station 87 Dressing
(yields 2.5 litres)
“Tableside presentations are an essential part of the Station 87 experience— reflecting our belief in community, interaction, and shared moments around the table. Alongside our signature Tableside Caesar salad, we offer Prosciutto di Toscano served from a custom-built cart thoughtfully crafted by local artisans Skot Lawrence of Desiron and Jason Holman of JTI Design. These interactive culinary experiences foster connection, keeping our guests delighted and our team inspired.
DRESSING INGREDIENTS:
2 tbsp capucine capers
6 cloves peeled garlic
1 small Spanish onion
1 freshly juiced lemon dash of tabasco
1 tsp Worcestershire sauce
4 anchovy fillets (available in our market)
5 cups mayonnaise
1/2 tbsp Dijon mustard black pepper to taste
DRESSING INSTRUCTIONS:
1. Combine all ingredients (except mayonnaise) in a food processor or blender and blend until smooth.
2. Transfer the mixture to a bowl and fold in mayonnaise.
3. Chill in refrigerator until serving (for best results, let sit overnight).
SALAD INGREDIENTS:
1/2 cup croutons
1/4 cup fried capers
2/3 cup Station 87 Caesar dressing
1/4 cup parmesan
1/3 cup bacon bits
pinch kosher salt
drizzle olive oil
1 romaine heart
lemon wedge
CAESAR SALAD ASSEMBLY INSTRUCTIONS:
1. Cut romaine heart in half lengthwise.
2. Drizzle the cut sides with olive oil and sprinkle with kosher salt.
3. In separate 2-ounce ramekins, assemble croutons, capers, bacon, parmesan, and dressing.
4. Grill the romaine halves (on a grill or in a frying pan) until lightly charred.
5. Place the grilled romaine flat side up on a long plate.
6. Spread dressing over romaine, then top with capers, bacon, and parmesan.
7. Gently melt parmesan with butane torch.
8. Top with croutons and finish with a squeeze of lemon.
9. Optionally, add more parmesan and freshly ground pepper.
10. Serve and enjoy!
Backdraft Cocktail
“Our cocktail list playfully embraces Meaford’s fire hall heritage, featuring creative drinks named after firefighting terms like Rosenbauer (a nod to the iconic fire truck brand), Backdraft, and Hook & Ladder. Others honour our local roots, such as Peggy’s Landing—a tribute to Meaford’s original name—and Euphrasia, celebrating our neighbouring township. Each sip connects guests to the spirit and history of the community.”
INGREDIENTS:
1 oz mezcal
1/2 oz Cointreau Noir
1/2 oz St. Germain elderflower
2 oz lime juice
INSTRUCTIONS:
1. Add all ingredients to a shaker.
2. Add ice and shake vigorously until well chilled.
3. Strain into a martini or small coupe glass.
4. Garnish with an orange slice.
Lox, Stock & Bagel
“With Lox Stock and Bagel, we had some fun crafting a playful twist for our breakfast menu. Not only does it bring a smile with its clever name, but it also provides a lighter, healthier option to start your day—perfectly balancing freshness, flavour, and a bit of culinary wit.”
CURED SALMON INGREDIENTS:
1 kg sushi-grade salmon (bones removed, skin on)
1 cup freshly chopped dill
20 g kosher salt
20 g fine white sugar
CURED SALMON INSTRUCTIONS:
1. Combine dill, salt, and sugar in a bowl.
2. Line a baking pan with cling-wrap.
3. Spread dill-salt-sugar mixture on clingwrap, saving some for the top.
4. Place the salmon fillet skin side down on the mixture.
5. Cover the top of the salmon with the remaining dill-salt-sugar mixture.
6. Cover with cling-wrap.
7. Place a small, flat object (like a cutting board) on top to add weight.
8. Refrigerate for 12 hours.
9. Remove salmon, flip it over, and repeat
steps 6-8.
10. After the second refrigeration, scrape off any residue from the salmon (this residue is the salt drawing out moisture).
11. Rinse the salmon under cold water and place back in the fridge uncovered for 2-4 hours to allow the salt to fully permeate.
LOX, STOCK & BAGEL INGREDIENTS:
cured salmon
2 bagels (we prefer everything bagels) cream cheese fresh dill
red onion, sliced thin fried capers
4 slices cucumber lemon slices and fresh dill for garnish
ASSEMBLY INSTRUCTIONS:
1. Toast bagels to your desired level of crispness.
2. Spread cream cheese evenly on each bagel.
3. Place fried capers on top of cream cheese.
4. Layer thin slices of cured salmon on each bagel.
5. Garnish with fresh dill, red onion, cucumber, and lemon slices. E
Lox, Stock & Bagel
Chef Robert Saunders (left) pictured with Station 87 owner John Garbe.
Iapproach to food, her cookbooks, and her cooking itself is found in her own words in the introduction to her most recent book, My New Table: “I live my life with one shoe in the city, one boot on the farm...”
Although Trish has a beautiful home in Toronto—the setting for much of My
to be home. Mother Nature, community, her mother and grandmothers, her father, her family, and her friends are the essence of Magwood’s lifestyle.
Life in the country—especially the outdoors bordering Georgian Bay—follows the seasons, and the recipes in each chapter of My New Table begin with spring. With
quintessential place for the time-honoured spring ritual of tapping trees for maple syrup. Although Trish’s father extends an open invitation to friends and family to help tap the trees and empty the buckets, he often ends up alone in the bush. Maple syrup, much like farming and gardening, is weather dependent,
and many Magwood family conversations include predictions for days above zero and nights below freezing to get the sap flowing. Both Magwood Maple Syrup and Magwood Wildflower Honey are available in local markets as well as Trish’s online store (trishmagwood.ca). Alongside the deciduous trees of the Escarpment, wild leeks dot the spring forest floor and provide seasonal inspiration.
The dedication in Trish’s first published cookbook, James Beard Awardwinning Dish Entertains, celebrates her lifelong cooking and living ethos: “for my family—four generations of good cooks and happy eaters.” The acknowledgements begin with gratitude to her family, from her grandparents to her own children. The overall outline of the book loosely follows a celebratory dinner: hors d’oeuvres, soups, salads, mains, sides, and desserts. Each chapter is split into “everyday simple” and “special occasions.”
This theme of family and the central role it plays in Trish’s cooking and love of food continues in her second book, In My Mother’s Kitchen: Three Generations of Simple, Delicious Family Food. In it, Magwood shares more about her father’s contributions as the family farmer. Trish likes to say he became a commercial farmer by accident, his massive hobby
outgrowing what family and friends could consume from the property—produce, honey, and maple syrup included.
This is especially true with asparagus. The Magwoods have an annual asparagus frenzy. Fields stretch beyond view, and although asparagus grows rapidly, there is a bit of a family holdback for the early harvest. Trish’s father, Chuck, plants, grows, and reaps, while her mother, Lee, trims and bundles the spring stalks. Chuck delivers many to the 100 Mile Store in Creemore. Eventually, family and community members are invited to help and receive their own bundles. This spring excitement—and the replanting of lettuce seedlings lovingly nurtured in the greenhouse—is reflected in My New Table, where each chapter follows the seasons. Trish calls herself a “butter-and-olive-oil,
salt-and-pepper kind of cook” and believes in letting the “ingredients do all the work,” especially when using her father’s lettuces and asparagus. This is showcased in her Spring Pea or Asparagus Risotto and her Raw Spring Salad, where the way ingredients are cut makes all the difference in presentation.
Magwood’s cookbooks are written a decade apart and reflect her evolving life. Each resembles a chapter. Dish Entertains was written when she owned and operated a cooking school and catering company and hosted a Food Network show—just a few of the many ventures she pursued in her twenties and early thirties. In My Mother’s Kitchen is the book of a busy young mom who wanted to simplify life and honour family traditions. My New Table celebrates the next decade, one
(Right) Beet & Rhubarb Salad with Pickled Red Onions, from My New Table, by Trish Magwood.
where life throws a few curves and shakes up plans, encouraging Trish to venture into new places and perspectives. Family remains the central focus, but hearth, lifestyle, friendship, and gratitude are woven in through essays and little stories. Although never absent from her life or cooking—her first cookbook was a collection of favourite recipes for friends who stayed an extra year at Queen’s University after the rest of the group graduated—Trish’s friends are even more influential in this phase of her foodie life. She speaks highly of their cooking skills and how they all share ideas and inspiration. Friendly ski-lunch competitions led Trish to up her winter weekend lunch game. Her children, and those of her friends, are growing up and
leaving home—temporarily for school or permanently for new chapters—and Trish and her friends have more time. More time to gather and invest in their own hobbies.
Two close friends, Sarah Bellamy and Kara Macintosh, who also have places in Creemore, have become avid gardeners, and dinner ideas often come from what’s fresh in their gardens. Many gatherings focus around food, no matter the purpose—book clubs, mahjong nights, community meetings, euchre tournaments (see Trish’s Christmas Euchre Tourney Salad, created before she learned to play the game), or casual socials. These gatherings are rich sources of inspiration. Friends exchange ideas, ingredients, and garden produce. This spirit of sharing is not unlike the bartering systems of early settlers:
one person has an overgrowth of basil, another fresh microgreens, yet another an abundance of tomatoes. Before writing My New Table, Trish and Kara talked about co-authoring a book called Summer Eats, featuring the seasonal dishes the friends bring to each other’s dinner parties.
For Trish Magwood, the context and meaning of dining with loved ones enhances every dish. Some nights she and her mom meet over FaceTime to share a simple omelette—breakfast for dinner. When she doesn’t know what to cook, she lets the ingredients—mostly locally sourced—guide her. Just as often, inspiration comes from her family and community. She believes, “Collectively, we are the sum of our parts and we have to share. That is our job.” E
(Left) BBQ Maple Trout & Swiss Chard; Chili Garlic Chard (above). Recipes from My New Table by Trish Magwood.
Surgery: Post-Op Care
Improve your recovery with complementary care
Even healthy, active people can experience the temporary setback of surgery. Whether emergency, essential, or elective, you can reduce both your pain and your recovery time with appropriate treatments. My patients are always surprised to learn how many effective options are available—and very pleased with the outcomes, as are their surgeons.
I can’t speak for all naturopathic doctors, but when I create a plan to support someone through surgery, I consider:
• Daily protein intake goal
BSc, ND
• Nutrients required to support healing—both general and surgery-specific
• Avoiding interference with medications and anaesthetic
• Specific physical practitioners and modalities to help with recovery. These may include Graston scar therapy, aqua therapy, chiropractor, osteopath, massage therapy, physiotherapy, acupuncture, personal trainer, etc.
• Reducing pain and inflammation first through diet, and then incorporating appropriate supplements when the patient is ready to wean off pain medications
• A timeline to start intravenous nutrient therapy to support healing and recovery
Not all surgeries require the same plan. While there may be foundational recommendations that are common to all, there are differences among the types, such as bone surgeries (fracture, joint replacement), organ removal (gallbladder, colon, breast, uterus),
gland (thyroid, ovary), skin (cancer, cosmetic), etc. Each will require special focus to compensate for either what is now absent (e.g., bile from the gallbladder) or an increased need for tissue-specific nutrients (e.g., bone formula after a fracture).
Ideally, a date for surgery is scheduled months in advance, which gives us time to focus on essentials like muscle building, reducing inflammation, boosting nutrient intake, and building a health team for optimal recovery. However, the need for surgery can also arise suddenly. Because we can’t anticipate the latter, I recommend all adults (especially those over the age of 30) focus on an active lifestyle—including strength training. The forced inactivity following most surgeries can lead to muscle loss (you may be surprised how quickly), so the more muscle you have prior to surgery, the better.
Some nutrients that can be helpful for general healing include: zinc, magnesium, calcium, vitamins C, B, and A, protein, collagen, MSM, and arnica.
South Georgian Bay provides a great environment for an active lifestyle—let’s help you continue to have fun out there, and also get back up when injury may take you down!
*These are general suggestions and should not be interpreted as medical advice. Discuss this with your qualified healthcare practitioner, especially if you are pregnant, taking medications, or dealing with a chronic disease. These suggestions are not intended to replace the importance of creating healthy sleep habits.
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HALL OF FLAME
Photography by Kelsey Chernes | Hair & Makeup by Katie Ballantyne
Shot on location at the Collingwood Fire Department. A special thanks to Captain Ryan Martin, Deputy Fire Chief Stephen Emo, and the entire Collingwood Fire Department for their support.
Hermione Clarke
Hermione was born and raised in Collingwood and is completing her final year at Collingwood Collegiate Institute before heading to university. As a figure skating coach, she combines her passion for sport with her talent for sewing, creating unique costumes for exhibitions. Outside the rink, Hermione works as a barista and baker at a local café and models each year at Collingwood’s annual Fashion Week.
Clothing and jewellery from Cora Couture, Downtown Collingwood.
Clothing and jewellery from Elaine Dickinson’s Fashions, Downtown Collingwood.
AMY BILLINGHURST
Clothing and jewellery from Lac Boutique, Southampton.
Julie Vi
Julie expertly balances the fast-paced world of cybersecurity marketing with the adventure of raising teenage daughters. Recently, she swapped city life for the charm of Collingwood, where she has embraced a lifestyle centred around outdoor activities. When she’s not travelling for work, you’ll often find her hiking or enjoying coffee with her partner and friends around town.
Clothing and boots from Red Devil Sports, Blue Mountain Village.
HERMIONE CLARKE
Amy Billinghurst
Amy is the founder of Woven Handmade, a lifestyle brand celebrating Canadian artisans. Passionate about supporting local makers, she curates beautifully crafted, handmade pieces that showcase the best of Canadian creativity and craftsmanship. Follow along at @wovenhandmade
Clothing and hat from Canadian brand Koy Resort, available at Brabary, Downtown Collingwood.
Clothing, scarf, bag and shoes from Tigs, Thornbury.
AMY BILLINGHURST
Clothing and shoes from Furbelows, Downtown Thornbury.
JULIE VI
Dynamic Ecosystems of Colour
Playfully pushing paint past the picture plane, Sarah Carlson invites the viewer to step into her joyful ecosystems of colour, movement and texture.
By Deena Dolan
Expansive sunsets and vibrant abstracted landscapes are recurring themes in Sarah Carlson’s most recent works. Her scenes pulsate with positive energy and spill over with enthusiasm. One simply can’t help but smile as her luminous colour combinations vibrate and dance across the canvas, evoking an infectious high-spirited joy.
Sarah credits her mother, an artist in her own right, with having been her biggest supporter in pursuing art—always providing paint and craft materials and teaching her basic techniques. “My earliest memory of art was drawing with my mother on a restaurant napkin.” Her father has a background in civil engineering. “He is very resourceful which is definitely a
Campsite, 30" x 40", acrylic on panel.
trait he’s passed on,” says Sarah. “He would always involve my brother and I in projects growing up and his drive for problem solving is contagious.” Both parents encouraged creative play and were always there to help out. Sarah recalls getting her hands on the family video camera at some point and she started shooting movies with elaborate homemade sets, wacky costumes and makeup. “This fostered a love for both painting and filmmaking which I explored at York University during my BFA.”
Indeed, in 2009, Sarah earned her Bachelor of Fine Arts (Honours) degree in Cinema & Media Arts—Production at York University. While there she was involved in the making of several short films, some of which received awards from Kodak as well as the YoungCuts Film Festival. Since 2001, this festival has been helping filmmakers find ways to improve their chances of competing in the highly competitive film and television industries. After graduation Sarah worked on some commercial projects but transitioned into teachers college during the economic downturn of 2008/2009 and earned her B.Ed. from the University of Toronto in 2010.
To deepen her knowledge, in 2019 Sarah earned a Master’s degree in Fine Arts at OCAD University. The program focuses on exploring interdisciplinary processes in art, media and design. “As a painter with a film production background seemed to be a good fit for me. This led me to tap into my love for installation, building immersive artworks that you could climb on or crawl inside which seemed to best express the environmental feminist theories I was engaging with at the time. That said, looking back as a painter at heart, I wish painting was more the focus of my research at the time as I think there are so many interesting directions I could have taken that perhaps may have better served me in my current exploration of abstracted landscapes. Overall however, I found the intense program to be a rich time of artbased research.”
In researching Sarah’s work, I happened on an article from 2016 by Samaa Ahmed FAC Blog Editor. A recurring theme in Sarah’s work from that time embodied the idea of our natural world inhabiting the human body, and the body being part of natural world. Describing her work during that period Sarah
Above All, 36" x 48", acrylic on panel.
explained, “The way I use materials, utilize colour and line, and feature specific imagery reflects a holistic experiential engagement.”
Over the years, Sarah’s work has become more open. “While I love getting wrapped up in painting figurative details, I’ve allowed myself to loosen up and embrace play more as I paint.” The process of ‘loosening up’ is one that many artists struggle with, myself included. Learning to play and experiment with various materials, working with larger brushes, and utilizing tools like palette knives, wedges, and paint scrapers have all helped Sarah embrace a variety of aesthetic possibilities. Sarah strives to incorporate interconnections in her paintings—movement, colour, and texture—key ingredients necessary in achieving her desired results. On her website, there is a wonderfully candid video where she explains her process and her thinking. She tells of exploring the addition of sawdust, coffee grounds, or simply dried bits of old paints onto her canvas to create the organic texture she’s seeking. It all works.
Though she certainly loves the range of textures and chromatic effects working with oil can bring, as a busy mom of two children often popping into the studio, Sarah finds acrylics are her ‘go-to’ currently. “I’ve found a way to explore different
mediums to create the thick texture I want in acrylic. Right now, I am mostly working within paint, but sometimes the texture of that paint gets quite unruly and may start to span into the realm of sculpture. Mural painting is another area I work in, which has its own visual language separate from my textural landscape paintings, but there is overlap there as well.”
As a full-time artist, time spent creating a piece could range from a week to several months. “It’s a juggle for sure! Kiddo nap and bedtimes are usually a solid block of time I can rely on to get work done. I typically have several paintings on the go at one time. It is fun to hop around and to see how they interact with each other in the space. I find one will inform another or maybe help to solve a problem with a different painting.”
Sarah’s process most often begins during a hike or painting en plein air with her French easel. “I’ll photograph or create a painting sketch of a landscape, which I will bring back into the studio. At that point, I’ll begin translating the composition into a larger format on panel. Usually, my underpainting is some hot colour like pink, orange, or purple. I’ll block in the initial composition using chalk or another electric colour that will sort of vibrate as it peeks through the layers of paint that follow. Then I’ll work with larger, more gestural brushes to map the
Clockwise from top; Your Love is My Home, 40" x 30", acrylic on panel. Algonquin Paddle, 16" x 16", acrylic on panel. The Good Light, 36" x 36", oil and acrylic on panel.
There is a false separation between humans and nature, which I’ve always been fascinated by...”
initial forms of light and dark, gradually integrating smaller brushes to describe the space.”
Spending time outside is vitally important for Sarah. “I find it helps bring everything into balance, lowering stress, which reduces inflammation, etc. At the same time, I find it life-giving and energizing, allowing for a powerful reset. The biophilia hypothesis, as Edward O. Wilson described in 1984, speaks to this tendency for humans to seek connections with nature because these connections are innate within us. There is a false separation between humans and nature, which I’ve always been fascinated by, and I just love painting dynamic, interconnected environments that spill past the picture plane into lived space.”
True passion for natural-world environments is showcased and interwoven within each work. “I’ve explored a myriad of subjects but always come back to environmental themes and interconnections within the natural world,” explains Sarah. This love of the outdoors often brings Sarah and her family to our Escarpment region of Georgian Bay. “In the winter season, I love snowboarding at Blue Mountain, and the cross-country ski trails at Scenic Caves are amazing! In the summer months, I enjoy rock climbing at the Swamp in Kolopore, and growing up, I have spent a lot of time at my best friend’s cottage near Markdale.” Sarah’s husband is a Great Lakes surfer and
In the Stillness, 40" x 48", acrylic on panel.
embraces the challenges of the waves in and around Collingwood, the Blue Mountains, and the shores beyond. “The expansive skyline, sweeping pines, and rugged shoreline provide endless inspiration for painting. Several paintings, both for gallery and private commission, have been based on Georgian Bay. One of my favourites is titled ‘Georgian Bay Mermaid,’ and it seeks to provoke a sense of immersiveness within the water and Georgian Bay landscape.”
Sarah Carlson’s awards and distinctions are impressive— you’ll find the entire list on her website. She has been selected for numerous artist residencies in Canada, Spain, and Italy. She has several solo and group exhibitions to her credit, and her work is found in public and private collections in North America and Europe. Locally, she is represented by Muse Gallery, Toronto, and Cloud Gallery, Orillia.
Discover more at sarahcarlson.ca
Golden Sky, 24" x 24", oil and acrylic on panel.
TAILORED ELEGANCE
A professional Ontario couple builds a light-filled mountain modern home with panoramic views of Alpine and Craigleith Ski Clubs, designed in just the right size to accommodate their current lifestyle and beyond.
By Marc Huminilowycz |
Photography by Clay Dolan
Pulling into the driveway of an elegant mountain modern-style home at the base of Alpine Ski Club in Nipissing Ridge, something out of the ordinary is immediately evident—the garage, typically parallel or perpendicular to the house, stands conspicuously at a slight angle. It is a simple design feature that hints at a unique space inside.
“When designing our home, we thought we could angle the garage at forty-five degrees from the front of the house, so the garage is not so much in your face and more of the front of the home is revealed,” said the homeowners, a professional Ontario couple. “Our architect recommended having it turned, but only minimally—about five degrees—creating a small detail that opens up the home, which creates an interesting focal point from the front entranceway to the garage, as well as adding some value by improving the home’s curb appeal.”
Entering the home, thoughtful architectural and design details blending modern style elements with the homeowners’ wish list for practicality and “the right size” are evident
everywhere. A Ledgerock stone wall outside the front entranceway continues inside the foyer, giving the effect of bringing the outdoors inside. Douglas fir beams accentuate the vaulted great room ceiling with Ledgerock stone wall accents, and large westfacing windows display an alpine panorama while bringing in abundant natural light.
The centrepiece of the living room is a stylish Stuv woodburning fireplace, extended to the ceiling with black steel panels, creating a dramatic effect. Rather than standing against an exterior wall, the fireplace is strategically positioned so that a guest bedroom and ensuite behind it benefit from its warmth on cold winter nights.
“Aside from the practical positioning of the fireplace to keep its heat from going to waste, what’s unique about this fireplace is its efficiency,” said architect Andrew Slade. “The unit defaults to a closed position, with an insulated glass front that can be raised and lowered to add firewood using a counterweighted guillotine system. A simple built-in ventilation system feeds the fire with
fresh air from outside while redistributing the heat throughout the space.”
“When we started the design process, a second floor was included, but we decided to keep the space simpler by changing it to a two-storey living room with a full-height fireplace and open-concept kitchen and dining areas,” said the homeowner. “At that point, we had an ‘aha’ moment when we realized this was too much house and decided to simplify things.”
“Our goal was to build a home designed for how we live, not the typical layout of a family room, kitchen, and a bunch of bedrooms,” she adds. “It’s just the two of us, and we don’t have kids, so we don’t have everybody coming back to the nest and bringing along extended family.” The main floor measures approximately 2,400 square feet—“just the right amount of space for us”—with about 1,600 square feet of finished basement.
The main-floor master bedroom and ensuite, located at the
“Our goal was to build a home designed for how we live...”
What really made this project special was the couple’s unwavering appreciation for sun and light.
end of a designated corridor designed for privacy, are tucked into the southwest corner of the home, with large windows overlooking the hills. The main floor also contains a den/music room dedicated to the couple’s appreciation of music and their impressive vinyl collection. A stylish storage cabinet accented with wood slats houses the collection and state-of-the-art audio equipment. This cabinetry, along with other wood slat accents throughout the home, was custom-made by the couple’s home builder, Absolute Craftsmen Ltd.
Off the great room is a large screened porch manufactured by Sunspace Modular Enclosures, with seating and spectacular mountain views for warm-weather lounging, dining, and entertaining. It features accordion walls that open up to the backyard, moveable tinted screens for full sun or shade, and some opening windows to control ventilation.
The couple’s home is currently seasonal; however, it was designed and built with retirement in mind and plans to make it their permanent home soon. The homeowners have been coming here for many years, first staying in friends’ chalets, then buying their first home in town. “When we bought this property, we knew this was where we wanted to be, and we have a big circle of people with whom we have a lot in common,” said the homeowner. “To build our home, we hired Christine
Harrington and Dave Harrington at Absolute Craftsmen Ltd., who recommended architect Andrew Slade.”
Specializing in creating high-end luxury homes “with a focus on quality, budget, and schedule,” Absolute Craftsmen Ltd. is a leading builder in Southern Georgian Bay. “Dave is my dad, and we are equal partners in the business. Both living and working in Southern Georgian Bay, we have over fifty combined years of experience and more than seventy custom homes built in the region,” said Christine Harrington. “As a small company, we’re deeply invested in our projects, on-site every day meeting with our clients and trades in person. We’re focused on being builders with trades that proudly say they work with us because of our high standards, project organization, and experience. For example, we have four master carpenters who have been on our payroll for over eighteen years.”
Christine and Dave met with the homeowners three years before breaking ground, collaborating closely with them and architect Andrew Slade during the design phase. According to Christine, this early collaboration on details and materials ensured a smooth building process. “We worked closely with the homeowner on all interior selections,” says Christine. “For the millwork, we brought in Kassandra Arbour from Bloomsbury Fine Cabinetry to create unique spaces, especially the kitchen,
which makes a design statement and is highly functional—perfect for the homeowner’s love of baking and entertaining.”
Project architect Andrew Slade is no stranger to Southern Georgian Bay. “I grew up and lived here my whole life, and I’ve worked with Christine and Dave on many houses previously,” he said. “I would describe this home as a wonderful mix of traditional and modern. The sloped roof and the overhangs are very modern, but the hipped roof is what almost everybody loves. It makes people comfortable because that vernacular has been built into us over hundreds of years as Canadians. Everything about this home is very modern, but we found a fine line with the roof that feels a bit traditional, adding colours and other elements to make it feel cozy, warm, and inviting.”
What really made this project special was the couple’s unwavering appreciation for sun and light. Windows are strategically placed throughout the home to take advantage of sunlight, create warmth in the winter, and display a dance of shadow and light throughout the day. Sitting high up in the great room is a row of ‘clearstory’ windows – or ‘pop top’ as the owners call it. These raised windows, traditionally used in churches and other institutional places, let in ambient natural light from above, creating a bright and ever-changing ambience. The lower windows allow in plenty of direct sunlight, especially welcome in the winter, while the roofline provides shade in the summer months.
“Crafting a truly exceptional home requires the collective effort of many talented individuals.”
A flight of white oak stairs has artistically-designed wood slat balusters created by Absolute Craftsmen, which appear to be disconnected from the steps leading down to an expansive finished basement that doesn’t feel like a basement. With the large size and strategic placement of window wells, the lights are off, but there is plenty of natural light. Thanks to careful design that disguises
bulkheads by moving them to the room side of interior walls, and a proprietary floor system that allows for long spans, none of the posts or bulkheads typical of most basements are evident.
“That’s the beauty of 3-D modelling,” said Andrew Slade. “When we were going through the design process on a computer screen, we were actually looking at things three-dimensionally
instead of trying to figure things out on site. This allowed us to decide the best place for things like structural work, ductwork, and other key utilities and building systems.” In addition to a large open space with a living room and a gas fireplace, the basement also contains two bedrooms, a bathroom with a steam shower, a gym, a sauna, and a hobby room.
Referring to the details throughout the home, such as the emphasis on abundant natural light, Slade praises his clients for their input into making this house their home. “There’s something cool about a lot of things they did in the house that show a lot of intelligence in the way they used materials,” he said. “Instead of doing a million things on the inside, they were thoughtful and consistent with the materials they chose, without impacting their budget.”
“The quality and attention to detail throughout this home are truly beautiful,” adds Christine Harrington. “Andrew Slade’s approach to interior spatial planning and architecture brought a perfect balance of functionality and timeless beauty to this project. Crafting a truly exceptional home requires the collective effort of many talented individuals, and we’re truly honoured to have been part of a skilled A+ team that brought the homeowners’ vision to life.” E
SOURCE GUIDE:
Architect: A. Slade Architects Inc., Collingwood
Builder: Absolute Craftsmen Ltd., The Blue Mountains
Window Manufacturer: Inline Fiberglas Windows, Toronto, Dmitry Koukhtenkov; bi-fold sliding doors in living room & dining room by Viiu Windows, Woodbridge
Kitchen, Mudroom, Bathroom Vanities, Master Closet, Entry Unit Millwork: Bloomsbury Fine Cabinetry
Countertops: Kitchen counter material, Neolith Calacatta Ultrasoft, was purchased from Ciot, fabricated by Quartz Co. Surfaces, Collingwood
Flooring: Hardwood flooring by Craft Flooring White Oak (colour “Lucca”) was purchased from Georgian Flooring, Collingwood and installed by Absolute Craftsmen Ltd.
Landscaping: RWC Landscape Design, The Blue Mountains
Tile Contractor: Paolo and Chris from BCK Custom Tile, The Blue Mountains
Furniture & Accessories: Powder room, primary slat walls, “Vinyl Room” wall unit and coffee table, and living room coffee tables all custom made to fit the space by Absolute Craftsmen Ltd.
Electrical Contractors: Grayley Electric, Collingwood
Plumbing Contractor: Osburn Plumbing, Collingwood
HVAC: Scott Ellis, Firehouse HVAC Designs
Lighting, Kitchen & Bathroom Fixtures: Light fixtures were supplied by Robinson Electric; all plumbing fixtures from Taps
Appliances: Thermador range, fridges and dishwasher supplied by Appliance Canada
Painting: Complete Value Painting, Collingwood
Roofing: AM Roofing, Collingwood
Living Room Fireplace: Stuv 21.1; Fireplace Steel Panels - Fortier Metal Design, Markdale
Screened Porch: Sunspace Modular Enclosures Inc., Newcastle; installed by Dungate Windows and Sunrooms, Barrie
Security and Audio/Video - Hernia Alarm and Fire Security, Collingwood
Garage Doors: Zavtech
Elevated Living in Blue Mountain
Your Next Chapter Starts Here
A vibrant new townhome community where four-season living meets modern comfort. Surrounded by nature and just minutes from Wasaga Beach’s soon-to-be revitalized downtown, it’s the perfect place to enjoy a balanced lifestyle. Offering exceptional value and a welcoming sense of community, Wasaga Walk is where life comes together beautifully.
Coming spring 2025
REGISTER TODAY! wasagawalktowns.ca
Bright and beautiful array of florals, candles and home decor in celebration of spring.
Katherine’s Château
Champagne Bistro
243 Ste Marie St | Collingwood
249.882.0159
katherineschateau.com
This matte black metal framed pendant is sure to make a great statement in your space. Available in numerous size options and either a black or gold frame finish.
Georgian Design Centre 84 High St | Collingwood 705.444.2100
georgiandesigncentre.ca
Experience the remarkable benefits of zero gravity comfort under any mattress. Designed to help reduce snoring, heartburn, sleep apnea, back pain, and hip and shoulder discomfort, it also promotes improved blood circulation and better overall sleep. 100% satisfaction guaranteed.
Tom the Dreamer Mattresses & Appliances
21 Arthur St W | Thornbury 519.379.8440 dreamingtom.com
3 4
This stunning sideboard is a perfect blend of craftsmanship and style. With its light wood tones and distinctive wooden cross bars on the front, this piece stands out as a unique, elegant addition to any room.
Barebirch
920 2nd Ave E | Owen Sound
226.664.2273
barebirch.ca
Made in Canada, made for you. Visit Ravenna Forge to discover Toja Patio’s Aluminum Patio Sets—exceptional quality at an affordable price. Toja Patio Ravenna Forge 495970 Grey County Rd 2 | Ravenna 705.888.3662 tojaliving.ca Autumn on Lake Superior, by Margarethe Vanderpas. 4’x3’, oil on canvas. New gallery/studio opening July 2025! Margarethe Vanderpas Studio & Gallery 24 Chetwynd Ln | Lion’s Head 519.433.2840 margarethevanderpas.com
8 9 With its rich, earth-toned velvet seat and curved stretcher base crafted from bronzed hammered iron, the Jade bench makes an elegant addition to any bedroom, entryway, or living room. Van Allan Design Centre 150 First St | Collingwood 705.293.4663 vanallandesign.com
Celebrate life’s special moments with an exquisitely engraved Acacia cheese board by Lynn & Liana. Perfect for gifting or entertaining. LakeHouse Bath+Kitchen 603 Berford St | Wiarton 519.477.1900 lakehousebath.ca Ensure your water's safety with an Ultra Violet Sterilization system for home or cottage. It's a sensible choice for treating your water effectively. Water Depot 689 10th St W | Owen Sound 519.371.1111 waterdepot.com
Canadian manufactured Paradise Dock & Lift Systems are built to withstand the Great Lakes. Perforated decking allows waves to blow through while providing a slip resistant surface. The modular system can easily reconfigure and expand to suit your needs.
Hutten & Co. 177602 Grey Rd 18 | Owen Sound 519.376.9364 hutten.ca
The
Loft Gallery 18 Bruce St | Thornbury 647.296.9797 loftgalleryart.com
This contemporary Blue Pendant in a Hiroshi dark blue finish delivers clean lines and a modern feel. The gold leaf interior and rolled edges add a touch of sophistication to this piece. Credit to Currey & Co.
Gillian & Co Interior Design Inc
10 Keith Ave Unit 201 | Collingwood 705.536.4447 gillianco.com
Summer is almost here—upgrade your outdoor space with the stylish, durable Sherwood sectional. Featuring a sleek bronze-finished aluminum frame, UVresistant Sunproof fabric, rope-wrapped armrests, and elegant cotton weaving details, it's available in various colours and configurations.
Farrow Arcaro Design (FAD) 51 Hurontario St | Collingwood 705.444.8330 farrowarcarodesign.ca
Best of Summer, by Debra Carroll. 48"x18", oil on canvas.
DIVE RIGHT IN
A heritage home in downtown Collingwood undergoes a remarkable transformation, blending century-old charm with modern luxury in a stunning, yearround backyard retreat.
By Cara Williams | Photography by Nicole D’Amico
Tucked away in the heart of Collingwood, a classic century home now boasts one of the most remarkable backyard transformations in town. A seamless blend of heritage charm and modern luxury, this property has undergone a stunning evolution—a vision conceived by the homeowner, designed collaboratively with Lance Rowbotham (LRC Inc.) and executed meticulously by a team of skilled tradespeople. The result is a breathtaking outdoor retreat so naturally integrated into the property’s constraints, it feels as if it has always belonged.
The origins of this project trace back to an exploratory conversation between the homeowner and Lance. “I got a random phone call from the client asking if I would come out and look at the house,” recalls Lance. “Initially, the ask was simple: assess the potential for a basement renovation. The house itself was untouched—original flooring, walls, and plaster intact.” After a period of consideration and speaking with other contractors, the homeowner circled back to Lance, impressed by his ability to think creatively where others saw limitations. “He said,
‘Would you be interested in doing the basement because every other contractor said just close the door and store stuff down there?’ So, we started with the basement and just creatively ran with it.” What began as a small project evolved into a fullscale renovation, unfolding in stages as ideas built upon each other. A new basement slab was poured, complete with in-floor heating, polished concrete, and exposed copper plumbing for an industrial-meets-historic aesthetic.
As momentum grew, so did the vision. “The taps were on,” Lance says, laughing. “He loved the way things worked and how we were doing things people said couldn’t be done.”
The main house received a meticulous update, modernizing its infrastructure while honouring its past. When the pandemic hit, work on the home became an all-encompassing focus, with LRC Inc. navigating the challenges of material shortages and shifting timelines. By the time the house was complete, the next phase— the pool house—was well underway. And then, the final addition: the showpiece pool.
The stainless-steel pool, designed for all four seasons and built by Pure Stainless Pools™ was installed in partnership with Elite Pool Design and LRC Inc. Featuring a custom perimeter overflow pool with an integrated spa, the pool creates a seamless reflective surface that mirrors the sky by day and the flickering glow of the outdoor fireplace by night. “We designed the pool to function as both a luxury feature and a work of art,” explains Chris Neal of Elite Pool Design and Pure Stainless Pools™. “The perimeter overflow and raised spa give it a modern, sleek aesthetic, while the infinity edge creates a truly striking visual effect.”
The challenge of fitting this luxurious feature into an in-town backyard was no small feat. The pool, fabricated in Canada, had to be craned in over power lines and positioned with millimetre precision. Road closures, lifting permits, and a last-minute crane operator substitution added to the complexity, yet when it touched down, the stainless-steel structure was perfectly
The infinity edge creates a mesmerizing visual effect, and the carefully curated landscaping adds a layer of softness to the sleek, modern lines.
It’s a space that feels both elevated and inviting—a place for morning coffees beside the outdoor fireplace, crisp spring nights soaking in the integrated hot tub, and summer afternoons spent poolside.
aligned—a moment of triumph for the entire team.
Surrounding the pool is an expanse of heated polished concrete, ensuring year-round usability, even in the depths of winter. The backyard itself is fully turfed for a clean, low-maintenance finish, making it visually stunning and functionally practical. Beneath the surface, careful excavation and a layered base of clear sand and highperformance bedding ensure proper drainage, an essential element in preserving the integrity of the space.
The pool house is a striking space in its own right—a stylish hub for gatherings that seamlessly ties into the main home’s century-old architecture. Designed without an interior designer, the structure evolved from a simple garage concept into a multi-use space featuring a lounge, pool table, and bar area, all overlooking the property. Upstairs, a bedroom and three-piece bath provide comfortable accommodations, while downstairs, a dedicated shower and two-piece bathroom serve pool guests. The transition between the main house and pool house was key, with vintage brickwork meticulously sourced to match the original home’s red brick exterior, ensuring the new addition felt like an organic extension rather than a stark contrast.
Today, the backyard is a year-round sanctuary. The infinity edge creates a mesmerizing visual effect, and the carefully
curated landscaping adds a layer of softness to the sleek, modern lines. Every inch of the double lot has been thoughtfully utilized, maximizing the backyard’s potential without compromising its charm. Lance emphasizes the importance of meticulous planning, noting that, “every element was thoughtfully designed—from the heated concrete patio to the turfed landscape—to ensure not only a stunning look but also year-round functionality.” This attention to detail resulted in a backyard as practical as it is visually impressive.
It’s a space that feels both elevated and inviting—a place for morning coffees beside the outdoor fireplace, crisp spring nights soaking in the integrated hot tub, and summer afternoons spent poolside. What started as a simple idea has blossomed into a backyard unlike any other, a testament to craftsmanship, collaboration, and the art of blending old with new. E
SOURCE GUIDE
Design & build: LRC Inc.
Building & drafting: Mountainside Design
Pool fabrication: Pure Stainless Pools™
Pool installation: Elite Pool Design
Turf: Ikesturf
Artist’s rendering of Aspen Shores in Meaford; courtesy of Skydev.
On the Waterfront
With waterfront properties in short supply and prices continually rising, residential developers are creating desirable spaces by the lake to call home for a variety of buyers, from Southern Georgian Bay to the Lake Huron shore.
By Marc Huminilowycz
On the south shore of Georgian Bay lies the world’s longest freshwater beach. With fourteen kilometres of sand, and safe, shallow waters stretching out as far as the eye can see, Wasaga Beach has been attracting vacationing families and water sports enthusiasts for several generations.
At the heart of Wasaga’s Beach Area 1 stands an entertainment landmark built in 1918 as a dance hall adjacent to a family-run hotel. During World War II, soldiers training at Base Borden— many of whom had family cabins on the beach—would come here to dance. Over the years, Beach 1 developed a boardwalk, souvenir shops, arcades, and amusement rides. The original dance hall eventually became The Dardanella, or “The Dard,” as it’s affectionately known today—a live music and dance bar that showcased top Canadian talent.
In 2007, a devastating fire destroyed most of the buildings along the pedestrian mall at Beach 1, though The Dard survived. Now, demolition crews are dismantling the remaining buildings, and The Dardanella is slated for demolition to make way for a multimillion-dollar beachfront redevelopment. The ambitious project will transform Town-owned property at Beach 1 into a mixed-use
commercial and residential destination, featuring shops, restaurants, amenities, and a flagship hotel built by Toronto’s Sunray Group of Hotels.
This redevelopment is poised to reinvent Beach 1, turning it into a major tourism and residential hub. “If we build a community where our full-time residents want to live, work, and play year-round, we will attract investment, fun, and the high-value tourists we need to become a more resilient community,” said Town of Wasaga Beach CAO Andre McNeill in a recent news release. With a steady consumer desire to locate by the clear waters of Southern Georgian Bay and Lake Huron, other smaller residential projects are currently in the works.
One of these is Wasaga Walk, a community from Primont Homes, a family-owned Ontario company with a fifty-year history. Located at the west end of Mosley Street, within walking distance of Beach Area 6, Wasaga Walk will include 315 townhomes. “Wasaga Walk offers a mix of three-to five-bedroom traditional and back-to-back units that combine design-forward style, comfort, and exceptional value,” said Michael DiGirolano, Primont’s VP of Marketing. “Ranging in size from 1,235 to 1,660
square feet, these homes appeal to young families and urban dwellers looking for a four-season lifestyle close to the beach.” Primont hopes to break ground in the fall.
Farther west, in the prestigious Collingwood waterfront community of The Shipyards, Fram + Slokker is building Collingwood Quay. Known for innovation and quality, the Mississaugabased developer is constructing a nine-storey condo with 100 suites,
customizable options, water views, and underground parking. The suites range from 900 to 2,120 square feet, with prices between $850,000 and $3 million. “Surrounded on all sides by the waters of Georgian Bay and a future promenade park and public square, Collingwood Quay will evoke the architecture of days past, with a modern Nordic flair,” said Fred Serrafero, Fram + Slokker Senior VP. Amenities will include a lobby lounge, co-
working spaces, a gym, guest suites, a pet spa, and more.
On the western edge of Thornbury, the established Lora Bay community has long offered an active lifestyle on Georgian Bay’s shores. Originally developed in 1997 around a golf course, Lora Bay now includes single-family homes, townhomes, and cottages. Awardwinning Ontario builder Great Gulf Homes acquired the golf course and the
Artist’s rendering of Aspen Shores in Meaford; courtesy of Skydev.
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balance of Lora Bay development land in 2022, according to company President, Low-Rise Residential, Katy Schofield. “At this time, we have site plan approval for the first phase of a new development to include 55 lots for single family homes and a handful of Towns, which will build on and enhance this vibrant lifestyle community with an active social scene,” she said. “And we will be working with the municipality on an enhanced amenity plan, including the small beach on site.”
A short drive west in the Municipality of Meaford, another Ontario developer, Parkbridge Lifestyle Communities, has plans to build a large residential and commercial village on approximately 333 acres of land, mostly waterfront, west of
Christie Beach. At this time, the company is seeking an amendment to build up to 1,250 dwellings with a mix of recreational, community, and residential units (including single detached, multi-detached, and apartment buildings), along with approximately 25,000 square feet of retail/ commercial space, public parks and trails, a community centre, and a village square.
In the town of Meaford itself, a Guelph developer purchased the vacant Stanley Knight hardwood flooring factory site on the waterfront east of the municipal harbour several years ago. Aspen Shores from Skydev (a division of Skyline Group of Companies) is envisioned as a “destination resort” community consisting of three- to
four-storey condominium buildings overlooking Georgian Bay. These condominiums will include one-bedroom units ranging from 600 to 750 square feet, as well as two-bedroom units from 770 to 1,272 square feet, offering lake views, ground-level garden terraces, and a variety of amenities such as a pool, twobarrel saunas, a fitness centre, a pickleball court, a lounge, a social gathering room, and a games room. The community will also feature a boutique hotel managed by Vintage Hotels, headquartered in Niagaraon-the-Lake.
“I can see Aspen Shores looking a lot like another Ontario destination resort, Elora Mill,” said Skydev President Greg Jones. “The site will feature an improved
Artist’s rendering of Collingwood Quay; courtesy of Fram + Slokker.
sidewalk, tree-lined boulevards, a dog run, and an environmentally-sensitive green space on the waterfront, retained by the Municipality, connected to street access and a waterfront boardwalk. Nearby, there is a marina for motorized watercraft storage and other great amenities.”
Jones emphasized that his company is very passionate about the project. “This development represents more than a $100 million investment in Meaford. We have conditional site approval, and building permits have been issued,” he says. “Our sales centre in Collingwood will be opening soon—this spring or summer.”
Travelling further west, north of Owen Sound is Cobble Beach, a waterfront golf community established in 2007 on the shores of Georgian Bay. It features an award-winning 18-hole linksstyle golf course that offers stunning views of the bay from every hole. At the heart of Cobble Beach is a charming Nantucketstyle clubhouse with a luxurious inn, a rejuvenating spa, and a pro shop.
Designed as a year-round destination, the community boasts a variety of amenities that highlight the beauty of Georgian Bay throughout all seasons.
On the Lake Huron shore, the town of Southampton—known as “Ontario’s Hamptons”—offers visitors a maritime vibe, endless white sand beaches, historic lighthouses, quaint cottages, boutique shops, and spectacular sunsets. Just a short walk from downtown and the beach is Southampton Landing, a master-planned community with architecturally-designed single-family homes with set back garages for better curb appeal. Ranging from 1,400 to 2,500 square feet, these homes are complemented by abundant green space with walking trails.
The community, built by Alair Homes Grey Bruce, a premium custom home builder originating in British Columbia, is well established. Only ten detached lots remain for sale. A new collection of twenty-five bungalows and bungalow-with-loft townhomes nestled in
the green space is now available.
“Our Cedar Creek collection offers a private oasis of towns exceptionally built by Alair Homes,” said Alair partner Ben Freeburn. “Here, you will be surrounded by the beauty of a forested backdrop where you can enjoy winding trails and the serenity offered by the natural landscape.” As an added bonus, each Cedar Creek home is certified “Net Zero Ready,” providing superior indoor comfort and up to 80% better energy efficiency than homes built to standard building codes.
Southern Georgian Bay and Lake Huron, two interconnected bodies of water known for their crystal-clear waters, memorable sunsets, and unlimited water activities, remain prized by families seeking the perfect waterfront retreat. Although lakefront properties are scarce and costly, Ontario’s developers and builders continue to meet demand with innovative projects that cater to every taste and budget. E
Artist’s rendering of Wasaga Walk; courtesy of Primont Homes.
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Parkes
- Gorgeous home located in the private Blue Water enclave Spectacular Georgian Bay views 4 Bedrms, 3.5 Bathrms, Main floor primary suite w/ walk out to deck that overlooks the Bay
The Woods at Applajack - $799,000 3 Bed, 3.5 Bath Townhome backing onto Greenspace. Main floor primary. Finished Basement. Large back deck. 1-Car Garage.
525-1 HUME ST, COLLINGWOOD
Monaco – $928,000
The Franck Suite - 5th Floor 1 Bed+Den, 2 Bath, Open Concept Kitchen/Living/Dining. Private balcony, Underground Parking
LT 17-18 6th LINE, BLUE MOUNTAINS
129 GEORGIAN BAY LN, BLUE MTNS
Georgian Bay Club - $2,499,000 Golf Course & Georgian Bay Views. Approx. 4,400 sq ft. 5 Bed, 3 5 Bath. Main floor primary suite. Fully finished lower level.
Georgian Peaks Chalet - $800,000 Being Sold at Lot Value Only steps to the West Lodge This is your opportunity to park the car & ski right to your door.
47 WILLIAMS ST, COLLINGWOOD
24 Acres near Loree - $597,000 Gorgeous Acreage, very private and peaceful Rolling hill views, sunsets and potential Georgian Bay Views.
In-Town Collingwood - $785,000 Lovely raised bungalow in quiet neighbourhood of “Lockhart Meadows”. 3 Beds, 2.5 Baths, Lower level in-law suite.
Renovated & Move-In Ready - $1,595,000 3 Bed, 2 Bath Bungalow Chalet w/ views of the Peaks Ski Hills from the living room Steps to the Main Lodge & Champlain Chair.
520-1 HUME ST, COLLINGWOOD
Monaco - $629,000 East facing 5th Floor suite 1 Bed+Den, 1 Bath, 2 Underground Parking Spaces, 1 Large exclusive locker, Private balcony
Monaco - $1,149,000 Penthouse Suite w/ Spectacular views of Georgian Bay 2 Beds + Den, 2 Baths, Large Balcony. 1 Underground Parking Space.
7-110 NAPIER ST W, THORNBURY
16-102 WENSLEY DR, GEORGIAN PEAKS
PH 603-1 HUME ST, COLLINGWOOD
7-102 WENSLEY DR, GEORGIAN PEAKS
Aftershot
ABOUT THE PHOTO
“Flowerpot Island is a popular natural Ontario tourism destination that completely transforms when the busy tour boats leave for the day. Once the last boat leaves, you essentially have these unique rock formations all to yourself. Camping here is something that I highly recommend (reservations required). On a clear night, the Milky Way rises above the Flowerpots and creates a gorgeous scene. This photo was taken with a 24mm prime lens at 13 seconds on a tripod. The composition frames the Milky Way between the large Flowerpot and the main island, while showing some of the very blue Georgian Bay water. My fiancé did some subtle light painting with a headlamp to enhance the details of the Flowerpot and water.”
ABOUT THE PHOTOGRAPHER
Dean Heliotis is a Barrie-based photographer who immerses himself in various environments to capture both photography and adventure. His work focuses on documenting moments in outdoor culture, athletics, and the natural world. Constantly experimenting with new ideas, Dean goes the extra step to bring his creative visions to life. Inspired by unique stories, he strives to tell them through his lens. To view more of his work, follow Dean on Instagram @deanheliotis
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