Architecture Portfolio | Esau J Hernandez

Esau J Hernandez Residential Unit House

Residential Unit House

Chicago, IL

Architecture Portfolio

Chicago, IL

Fall 2018

Fall 2018

Esau J Hernandez

Architecture Portfolio

Model - Concrete

Model - Concrete

Elevation

Elevation

Section

Professor: Julia Campomaggi & Grant Gibson

Professor: Julia Campomaggi & Grant Gibson

EE

AA

Summer 2014

Section

Table of Contents

Academic Projects Concrete Living Units Fun House Center Bespoke Net-Zero Rehabilitation Institute RiverKeeper Cube School

Professional Work Overton Section 3 CHA New Office - Chicago IL Norwegian Americam Hospital, Chicago IL Episcopal School of Dallas TX Cloud, San Antonio TX Furniture, New Braunfels TX

Other Work

Academic Projects

Graduate

Concrete Living Units - Julia Capomaggi & Grant Gibson Fun House Center - Andew Zago & Robert Somol Bespoke - Thomas Kelley

Project Description Concrete Living Units

The over-scale furniture’s are built out of colored dyed concrete, making them look like mini-buildings or superfurnitures.

It was an experiment to explore the possibility of fragmenting the domestic spaces into multiple “ living units” instead of the conventional rooms. As a contemporary version of Joe Colombo’s units ( but without its mechanic ambition). Each piece has a dual function one of circulation and the other as amenity.

Residential Unit House

Chicago, IL

Fall 2018

Professor: Julia Campomaggi & Grant Gibson

Model - Concrete

Elevation

Section

Residential Unit House

Fall 2018

Elevation

Section

Professor: Julia Campomaggi & Grant Gibson

Model - Concrete

Chicago, IL

Residential Unit House

Chicago, IL

Fall 2018

Professor: Julia Campomaggi & Grant Gibson

+ 13’-0”

Ground Plan First Floor Plan

Residential Unit House

Fall 2018

Professor: Julia Campomaggi & Grant Gibson

Elevation

Chicago, IL

Column/ glass meets footing

Concrete unit meets footing

Column meets footing

Parapet/glass detail

Residential Unit House

Chicago, IL

Fall 2018 A

N

Second Floor Plan

Section D

E

Section B

B

Section

Professor: Julia Campomaggi & Grant Gibson

A

Project Description Fun House Center

The design of a new building for the Phi Foundation on a heavily sloped site with four manyhundred-year-old buildings in Old Montreal provided a multitude of unique challenges.

To incorporate the four buildings and their varied histories into the needs of a twenty-first century arts center, this project embraced the multiplicities of identities, ground-lines, histories, and uses of the site for the Phi Foundation.

Fun House Center

Chicago, IL

Spring 2020

Professor: Andew Zago & Robert Somol

Fun House Center

Fun House Center

Chicago, IL

Spring 2020

Professor: Andew Zago & Robert Somol

Fun House Center

Fun House Center

Chicago, IL

Spring 2020

Professor: Andew Zago & Robert Somol

Project Description Bespoked

The Studio looked at 6 elements or objects to be investigated, one building upon the other: a figure, object, room, building, landscape, and world. Each element was bespoked, through and by looking closely at one of Jeff Wall’s photographsin this case I looked at the Mimic photograph taken 1982.

Depicting a white couple and an Asian man in where the boyfriend makes an ambiguous but apparently obscene and racist gesture. The picture resembles a candid shot that captures the moment and its implicit social tensions. Later a shaker chair is introduced was modeled from a cut sheet and modified. Adapting to the figure and later to a room that was visited in the Chicago area: Known today as the Richard H Driehaus Museum. House, Landscape and world also carry on attributed from the figure that are embedded within the space.

1

FIGURE FIGURE

2

OBJECT OBJECT

3

ROOM

3 3

ROOM

RM OOM ROO

4 4

HOUSE

H O UHSOE U S E

5

5

LANDSCAPE

AC NA D PS EC A P E L A N DL S

6

6

WORLD

W O R LWDO R L D

Professor: Thomas Kelley 1year grad studio

CT

Fall 2017

3

BJECT

ROOM ROOM

5

4

HOUSE

LANDSCAPE

Known today as the Richard H Driehaus Museum. Here I bespoke the room by stamping my figure’s image in every portraiture whether painting or sculpture and to subtlety misalign the 3 horizontal datums of maple wood, Japanese tile and wall paper in all four elevations causing an elongating effect.

In doing so I intent that the architecture will pressure the figure now owner of the home to empose power. and to give the visitor( the gentleman of business) a surreal effect and awkwardness that the space.

14

CAPTION

6

WORLD

ard e I ing ery or isof nd ns ct. the the me ive of nd .

2

Fall 2017

Professor: Thomas Kelley 1year grad studio

Room

CAPTION

15

or: Thomas Kelley

Room

Fall 2017

4

5

6

HOUSE

WORLD

5

WORLD

6

The interior rooms offset vertically and in plan, my bespoking was driven by the Pinwheel Enfilade in where my room from the previous lesson helped unify a continuous pinwheel movement when placed in one of the spaces.

In addition my bespoking extended to the brick detailing, each room has a different orientation, texture and color both inside and outside as to reinforce the differentiation of each different space/ function that can be scanned through openings or experienced by the mover, a unified yet distinct space

LANDSCAPE

LANDSCAPE

HOUSE

Part 4- House

Fall 2017

House

Fall 2017

Professor: Thomas Kelley

Professor: Thomas Kelley 1year grad studio

RENDER WITH LESSON 5 - LIVING-ROOM LOOKING TOWARD STUDIO(LEFT), BEDROOM (RIGHT)

19

4

4

HOUSE

OUSE

5

5 Project Description

LANDSCAPE

LANDSCAPE LANDSCAPE

essaycomic comiclines linesbyby In Inthetheessay Robin Evans, states that Robin Evans, states that “Ronchamp exterior walls “Ronchamp exterior walls wereconstrued construedbybyreceptors receptors were “fourhorizons” horizons”onontop top of of thethe“four the hill.

In a similar manner the hill. In a similar manner I I bespoked each roof respond bespoked each roof totorespond to its context, landscape, solar to its context, landscape, solar orientation in relation to each orientation in relation to each room’s function and needs. room’s function and needs.

Lighting was closely studied Lighting was closely studied with solar studies. The intention with solar studies. The intention is that these ceiling height and is that these ceiling height and lighting effects will inspire the lighting effects will inspire the dweller ‘s spirit and creativity dweller ‘s spirit and creativity breaking away from the low breaking away fromheights. the low melancholy ceiling melancholy ceiling heights.

6

6

WORLD

WORLD

Part 5- Landscape Landscape

Fall 2017 Fall 2017

Professor: Thomas Kelley

Professor: Thomas Kelley 1year grad studio

RENDER - VIEW TOWARD STUDIO FRAMED BY DINING ROOM(LEFT), LIVING ROOM(RIGHT)

25

5

Project Description

6

WORLD SCAPE

WORLD

WORLD

The room I choose to couple The room choose with this painting wasIthe studioto couple with this was the studio space in where the painting architecture, space in where the architecture, volume and lighting pressure volume and the lighting my figure to become artist pressure my figure to become of the room, Here the artist the artist room, Here the artist paints theof the mountain peaks paints the mountain peaks of Huascaran in Peru but not of Huascaran in Peru but not the one’s the through the window one’s through the window infront butinfront ratherbut through rather the through the enfilade, the adjacent as room as enfilade, the room adjacent shown in shown painting canvas in painting in canvas in where the where peaksthe arepeaks reversed are reversed and the tallest is crooked. and peak the tallest peak is crooked.

Part 6- World

Fall 2017

Professor: Thomas Kelley World

Fall 2017

Professor: Thomas Kelley 1year grad studio

RENDER - STUDIO

33

Academic Projects

Undergraduate

Riverkeeper - Alan Frost Rosecrance Institution - Robin Randall, AIA, Cube Adaptive School - Jae Cha

Rosecrance Institute FALL 2014

Chicago, IL

Moods/ Journey Roscrance is a private non-profit organization that offers health services to teenagers and young adults that suffer specifically from drug abuse.

This new institute at the corner of w. Van Buren & Desplaines in Chicago is to accommodate 22 young adults.

The design is a Net Zero project. But with a greater emphasis is moods ,journey and adaptivity to guide the process of healing and revovery.

Professor: Robin Randall, AIA, LEED AP BD+ C

Process Diagram

Site at the corner of Van Buren and Displaines

Maximizing site & circulation

Minimizing east & west exposure

Mood color bridges

Dormitory separation:

Mountain like form

Rosecrance Institute

Chicago, IL

Fall 2014

Professor: Robin Randall, AIA, LEED AP BD+ C

Sustainable Diagram

Rosecrance Institute

Level 1

Level 3

Professor: Robin Randall, AIA, LEED AP BD+ C

Level 2

Riverkeeper

Fall 2013

St. Charles, IL

Connect/ Anchor

Connecting

Riverkeeper is an institute/organization that educates the community on the preservation and importance of rivers and its ecology, many times gone unknown throughout history. My goal was to transform the way we treat our J rivers and give value to the leadership and the role of the Riverkeeper

H H

H H

Professor: Alan Frost, RA, LEED AP

My attitude toward RiverKeeper is to connect to the community in such a way that is permanent . Connecting the community to the river through the RiverKeeper is essential for the preservation of water and ecological integrity. The 3D Diagrams explain or show my early iterations on how I want to connect the community to the river keeper through these massive pillars that are anchored on to the ground and the lighter frame envelops or wraps around my building The building is broken up in 3 main spaces: Community, RiverKeeper and Oratory which are represented by the different color scheme towers. A boat house is adjacent to the RiverKeeper.

My attitude toward Riverkeeper was to connect the program to the community in such a way that is permanent, meaningful, inviting and visual.

K

Cultivate/ Innovation Cultivate/ Innovation

This project is designed to accommodate world This project is third designed to countries in need third of schooling accommodate world for their young ones who countries in need of and schooling find them selves shortwho of for their young ones and resources. find them selves short of resources.

TheConcept goal was to adapt this The goal was to and adapt this concept of cultivate growth concept of cultivate and growth using local materials unique to usingsite. localStone materials unique to each is the primary each site.

Stone is the primary source for the foundation and Bible Verse source for the foundation and cross laminated timber as a cross laminated timber as a lighter component for the outer lighter component for the outer envelope. envelope.

Concept Diagrams

Bolivia

Site

Near Dwellings

Site

Near Dwellings

Site

Near Dwellings

Site

Near Dwellings

Site

Near Dwellings

Cube Adaptive School

Spring 2014

Professor: Jae Cha

Professional Work Overton Section 3 CHA New Office - Chicago IL Norwegian American Hospital- Chicago IL Episcopal School of Dallas TX Cloud- San Antonio TX Furniture - New Braunfels TX

0'-0"

16'-0"

32'-0"

64'-0"

1/32" = 1'-0"

16'-0"

0'-0"

8'-0"

1/16" = 1'-0"

16'-0"

32'-0"

8'-0"

0'-0"

4'-0"

1/8" = 1'-0"

8'-0"

16'-0"

4'-0"

0'-0"

2'-0"

4'-0"

8'-0"

2'-0"

0'-0"

1/4" = 1'-0"

1'-0"

2'-0"

4'-0"

1'-0"

0'-0"

1/2" = 1'-0"

0'-6"

1'-0"

0'-0"

2'-0"

0'-6"

1" = 1'-0"

1'-0"

2'-0"

0'-0"

0'-3"

1-1/2" = 1'-0"

TRAINING ENTRANCE - FIRST FLOOR

CONFERENCE ROOMS & PRINT AREA - FIRST FLOOR

TRAINING ROOM - FIRST FLOOR

INCUBATOR LOBBY - FIRST FLOOR

INCUBATOR LOBBY - FIRST FLOOR

OFFICES - FIRST FLOOR

0'-6"

0'-9"

0'-0"

1'-0"

0'-1-1/2"

3" = 1'-0"

0'-3"

0'-4-1/2"

0'-6"

6" = 1'-0"

CHA OVERTON SECTION 3 OFFICE BUILDOUT

32'-0"

ARCHITECT OF RECOR

ADDRESS: 223 WEST OHIO ST CHICAGO, IL 60654 PHONE: 312.895.4438 FAX: WEB: www.jgma.com

MEP/FP:

IMEG CORP.

231 South LaSalle, Site 600, Chicag

32'-0"

OPEN OFFICE WORK AREA - SECOND FLOOR

0'-0"

16'-0"

32'-0"

64'-0"

16'-0"

0'-0"

1/32" = 1'-0"

BREAK ROOM - SECOND FLOOR

D.1

D

8'-0"

16'-0"

32'-0"

8'-0"

C

0'-0"

4'-0"

8'-0"

16'-0"

4'-0"

0'-0"

1/8" = 1'-0"

1/16" = 1'-0"

B

A

A.1

2'-0"

4'-0"

8'-0"

2'-0"

0'-0"

1/4" = 1'-0"

1

2

1'-0"

2'-0"

4'-0"

1'-0"

0'-0"

1/2" = 1'-0"

LOUNGE AREA - SECOND FLOOR

3

0'-6"

1'-0"

0'-0"

2'-0"

1" = 1'-0"

4

5

0'-6"

1'-0"

2'-0"

0'-0"

0'-3"

1-1/2" = 1'-0"

6

0'-6"

0'-9"

1'-0"

0'-0"

0'

3" = 1'-0"

7

8

ROOF 44' - 0"

WARNING: ASBESTOS-CONTAINING B MATERIALS ARE OR MAY B THIS BUILDING. AN ASBES MANAGEMENT PLAN IS AV BUILDING FOR REVIEW UP NO PERSON MAY DISTURB ASBESTOS-CONTAINING M UNLESS THAT PERSON IS ASBESTOS WORKER OR C SUCH WORK IN ACCORDA SPECIFICATIONS(S) CONT PROJECT DOCUMENTS AN ROOF COMPLIANCE WITH ILLINO 44' - 0" DEPARTMENT OF HEALTH REGULATIONS.

ELEVATION DEMOLIT N.I.C.

N.I.C.

4RD FLOOR 34' - 0"

4RD FLOOR 34' - 0"

ISSUANCE 1

1 2 3RD FLOOR 24' - 0"

DwgStds_DwgShtXX.XTemp-V01_20180619.dwg

3RD FLOOR 24' - 0"

2ND FLOOR 14' - 0"

3 4

DESIGN DEVELOP REMOVE EXISTING LOAD B

ELECTRICAL. CAP ABANDO

60% PROGRESS S

REMOVE EXISTING OVERH

3

5PERMIT GC TO CLEAN AND PREP E

4

PACKAGE -D EXISTING01 STORE 6BIDREMOVE STRUCTURE.

5 2ND FLOOR 14' - 0"

REMOVE EXISTING DOOR,

MARK DESCRIPTION REMOVE EXISTING EXTERI 2

6

7 8

100% REVIEW

REMOVE EXISTING DOOR,

100% CD REMOVE EXISTING STORE

EXISTING ADJACENT STRU

CHA CONTRACT NO:12002

AOR/EOR PROJECT NO: 16

TITLE DEMOLITION GENERA 8

8

8

8

8

8

8

8

8 1ST FLOOR 0' - 0"

1ST FLOOR 0' - 0"

3 CONFERENCE - SECOND FLOOR

1

Demo Elevation South 1/8" = 1'-0"

1. CONTRACTOR SHALL SUPERV SKILL AND ATTENTION. THE CONT ALL CONSTRUCTION MEANS, MET PROCEDURES. THE CONTRACTOR ALL PORTIONS OF THE WORK UND

3D RENDER

2. VERIFY LOCATION AND ELEVA CONTACTING THE AUTHORITY HA

SHEETAND PROTECT UTILITIES THAT WI

Demo Elevation West

A11.1

1/8" = 1'-0"

3. THE CONTRACTOR SHALL AT A THE ACCUMULATION OF WASTE M OPERATIONS.

OFFICE ROOM - SECOND FLOOR

4. THE CONTRACTOR SHALL PR REMAIN FROM DEMOLITION SCAR RESPONSIBLE FOR THE REPAIR A REMAIN" THAT ARE DAMAGED BY PERFORMANCE OF THIS PARTICU REPORTED TO THE OWNER'S FIEL

A

B

C

D

D.1

8

7

6

5

4

3

2

1

5. NEW WORK ABUTTING OLD/EX AND PLANE OF THE EXISTING. WO FITTING.

6. ALL EXISTING AREAS TO REMA WORK, SHALL BE PATCHED AND R ORIGINAL EXISTING CONDITION, O CONSTRUCTION WORK IN THE AR

7. ALL DEMOLITION WORK SHALL

16'-0"0'-0"

8'-0" 8'-0"0'-0" 16'-0"

16'-0"32'-0"

32'-0"8'-0"

B B

4'-0"0'-0" 8'-0"4'-0"

LVT-5/LVT-1

18' - 18' 2" - 2"

A A

1/8" = 1'-0" 1/8" = 1'-0"

8'-0" 0'-0"

F1

3' - 0"

LVT-6 LVT-2

3' - 0" F5

LVT-2 LVT-1 F1

8'-0" 16'-0"

11' - 11' 2" - 2"

16'-0"4'-0"

A.1A.1

4'-0" 0'-0"

2'-0"0'-0" 4'-0"2'-0"

2' SUSPENDED CEILING GRID OR OTHER AS NEEDED

1/4" = 1'-0" 1/4" = 1'-0"

1 1

2 2

3 3

4 4

5 5

4'-0" 8'-0"

6"

D

8'-0" 2'-0"

D.1

8"

4"

1'-0"0'-0" 2'-0"1'-0"

18' - 2"

D.1

2'-0" 4'-0"

PNT-3/RB-3

8"

D C

1/2" = 1'-0" 1/2" = 1'-0"

2'-0" 0'-0"

PNT-3/RB-3

NEW ALUMINUM STOREFRONT TO MATCH LVT-4/LVT-1 EXISTING CONFIGURATION - SEE DEMOLITION PNT-8 SHEETS RB-8

GP-1

16 A8.3

102

C 68' - 2"

7' - 9"

LVT-4 LVT-1

105

PNT-8 LVT-1 PNT-8

1'-0" 0'-0"

F2-a 3' - 4"

B

T-1 LV

LVT-2

7

8

A8.2

M3-a

A8.2

4

3

T-1 LV

T-3 LV

T-1 LV

T-3 LV

A3.1

106

104 N.I.C.

4

68' - 2"

1" = 1'-0"

F2-a M3-a

103

M3-1

3' - 0" 2

F2-a

1

0'-0" 0'-6"

3' - 7" 3' - 0"

1' - 0"

TAG

0'-6" 1'-0"

SYMBOL

1'-0"

11' - 2"

2

3

4

5

6

7

8

A.1

2'-0"

2'-0" 0'-0"

1 096513

2 096813

099123

3 099123

4

0'-0" 0'-3"

0'-3" 0'-6"

3" = 1'-0"

3" =

LVT-4

LVT-3

LUXURY VINY

LUXURY VINY

4" RUBBER W

LUXURY VINY

4" RUBBER W

LUXURY VINY

4" RUBBER W

LUXURY VINY

RB-1

4" RUBBER W

LVT-5

RB-2

4" RUBBER W

LVT-7

RB-3

LVT-6

RB-4

RB-9

CARPET FLOO

4" RUBBER W

4" RUBBER W

4" RUBBER W

4" RUBBER W

RB-5 RB-6 RB-7

CPT-1

LUXURY VINY INTERIOR LOW

MASONRY CO

RB-8

ST-1

PNT-8

PNT-7

PNT-6

PNT-5

PNT-4

PNT-3

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

INTERIOR LOW

MASONRYLOW CO INTERIOR

LUXURY VINY INTERIOR LOW

PNT-1

PNT-9

PNT-2

PNT-11

PNT-10

FINISH PLAN SYMBOL LEGEND

AXIS S

MANU

ALTERN

ALTERN

ALTERN

ALTERN

ALTERN

BID ALT

BASE

WALL

FLOOR BASE MATERIAL

WALL MATERIAL

FLOOR MATERIAL

5

PNT-1/RB-1 AREA OF WALL/BASE FINISH, IF NOT APPLIED TO ENTIRE ROOM

6

7

8

9"

5' LED DIRECT/INDIRECT LINEAR PENDANT

6' LED DIRECT/INDIRECT LINEAR PENDANT

7' LED DIRECT/INDIRECT LINEAR PENDANT LVT 2

AXIS S

AXIS S

AXIS S

COLD WELD( CHARCOAL GREY)

LVT 1 8' LED DIRECT/INDIRECT LINEAR PENDANT

DESCRIPTION

NEW ALUMINUM STOREFRONT TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS

N.I.C.

1

PROVIDE 24" X 24" CARPET TILE FINISH (INTERFACE OR APPROVED EQUAL) IN LIEU OF LV LEGEND AT ALL OFFICES AND CONFERENCE ROOMS. SYMBOL SPEC TAG DESCRIPTION REMOVE ALL DROPPED SOFFITS IN ROOMS 108, 109, 110, 111, 112, 113, 115 AND LE CEILINGS EXPOSED TO STRUCTURE ABOVE. LVT-1 LUXURY VINY 096519 PROVIDE 1/4" CLEAR GLAZING WITH APPLIED VINYL FRIT IN LEIU OF ACRYLIC LVT-2 LUXURY RES VINY PANELS AT ALL GP-1 PARTITIONS.

1-1/2" = 1'-0"1-1/2" = 1'-0"

3' - 4"

ELEC 221 18 SF

UP

BID ALTERNATES:

ALTERNATE 1: ALTERNATE 2:

A

ALTERNATE 3:

A.1

N.I.C.

N.I.C.

117

4"

M3-2

M3-a

M3-a

CONFERENCE 103 99 SF

GP-1

CONFERENCE 104 138 SF

M3-a

CONFERENCE 105 139 SF

GP-1

11' - 2" 18' - 2"

8 A8.4

116

114

112

111

M3-1

M3-a

6' - 6"

A8.2

M3-a

UP

CONFERENCE 102 176 SF GP-1 N.I.C.

NEW ALUMINUM DOOR TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS

M3-a

SEALANT JOINT AT BOTH SIDES OF PARTITION STUB WALL (TYP.) HEAD RECEPTOR - SHIM AS NECESSARY (TYP.) ALUMINUM ANGLE COMPASSO TRIM OR EQUAL. FASTEN TO WALL WHERE NEEDED

2'-0" 0'-0"

4"

N.I.C.

I.T. 121 48 SF

M3-a

OFFICE 120 197 SF

3' - 5"

4' - 8"

LVT-3/LVT-1

LVT-3/LVT-1 RB-8

113

102C PNT-8

PNT-1/RB-1

RB-8

RB-8

103C

115

PNT-8

LVT-3/LVT-1

PNT-1/RB-1

M3-a

F2-a

3' - 0"

V.I.F.

15' - 4"

OH2

A3.1

LVT-3/LVT-1 LVT-1 LVT-3M3-a PNT-8 16' - 2" LVT-2 LVT-1

3

B A

1'-0" 2'-0"

LVT-1

GP-1

N/A

PNT-8

M3-a

PNT-1/RB-1

7' - 9"

5' - 1"

0'-6"0'-0" 1'-0"0'-6"

2"

SECURITY 107 18 SF

N.I.C.

PRINT/STOR. 122 80 SF M3-a

M3-1

4' - 0"

UP

M3-1

CLOSET

PNT-8 LVT-1 LVT-3 RB-8 PRINT/ COPY 101C 108 39 SF

5' - 5"

A8.2

109

6' - 2"

108

7 A7.2

LVT-2 LVT-1 M3-a M3-a LVT-1 LVT-3

LVT-3 LVT-1

TRAINING 101 1268 SF

LVT-3 LVT-1

RECEPTION/LOBBY 109 PNT-1 180 SF RB-1

20' - 0" 18' - 2"

1" = 1'-0"

PNT-3/RB-3

M3-a LVT-4/LVT-1 PNT-8 OFFICE 119 RB-8 186 SF

5

6

GP-1

LVT-1 LVT-4

RECEPTION 115 51 SF

RB-8 M3-a

4"

PNT-1/RB-1

F2-a

KITCHENETTE 113 51 SF

N.I.C.

COMMUNITY WORK SPACE LVT-1 110 393 SF

UP WORK STATIONS 111 85 SF

6 A5.1

OH1

V.I.F.

17' - 2"

LVT-3

PNT-1/RB-1

8 A8.3

M3-a

OFFICE 118 190 SF

4'-0" 1'-0"

18' - 2" 20' - 0"

PNT-3/RB-3 F2-a M3-a

101

LVT-4/LVT-1 LVT-4/LVT-1 PNT-8 OFFICE PNT-8 117 RB-8 RB-8 191 SF

LVT-4 LVT-1 LVT-1 LVT-4

LVT-4/LVT-1

PNT-3/RB-3 LVT-4/LVT-1 PNT-8 RB-8

LVT-1COMMUNITY LVT-4 WORK SPACE 114 389 SF F2-a

PNT-8 LVT-4 LVT-1OFFICE RB-8 116 LVT-1 LVT-4 LVT-4 LVT-1 205 SF

PNT-4/RB-4

PNT-8

RB-8

WORK STATIONS 112 56 SF

PNT-8 RB-8

LVT-1 LVT-3

RB-8

PNT-8

LVT-1

LVT-3/LVT-1

LVT-3 LVT-1

PNT-8/RB-8 PNT-1/RB-1 1 A5.1

LVT-3 1 A8.5

LVT-3/LVT-1

PNT-9/RB-9

LVT-1/LVT-2

2

A8.4 PNT-4/RB-4

1

N.I.C.

A3.1

6 A8.4

2 RB-9 A5.1

PNT-8

LVT-1/LVT-2

PNT-1/RB-1 SEE ELEVATION

LVT-1 LVT-3

PNT-1/RB-1

T-2 LV

3 A9.2

6 6

7 7

LVT-1 LVT-3

LVT-3

PNT-1/RB-1

5"

64'-0"16'-0"

68' - 68' 2" - 2"

LVT-5/LVT-1 PNT-5 RB-5

10' - 0"

EXPOSED EXPOSED

10' - 0"

F1C

LVT-6 LVT-1 F1 F1 10' - 0"

EXPOSED

F1C

EXPOSED

LVT-3

1' - 8"

LVT-3 LVT-1

3 A5.1

NEOPRENE PADS OR MANUFACTURER RECOMMENDED ACOUSTICAL ISOLATION AT ALL CONTACT POINTS

LIGHT FIXTURE SCHEDULE

F1

F1A

UNDERSIDE OF CONCRETE DECK ABOVE

MIN.

32'-0"64'-0"

20' - 20' 0" - 0"

F1A PNT-6 RB-5

N.I.C.

LVT-5 LVT-1 LVT-1 LVT-5 10' - 0" F1

CLOSET EXPOSED

F5 CONCRETE

N.I.C.

EXIST LVT-1

1 A9.2

LVT-6

F1

F3D PNT-7/RB-7 F3D

LVT-6

RB-8

PNT-11

UP

N.I.C.

F1D

3' - 3" 8"

F1D

F3D

F1D F3D

F1D

F1D

UP

LVT-1 LVT-3

PNT-1/RB-1 6' - 8"

NEW ALUMINUM STOREFRONT TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS

1"

0'-0" 32'-0" 16'-0" 16'-0"

1/16" = 1'-0"1/16" = 1'-0"

C C

F1 LVT-5/LVT-1

10' - 0"

F1A

F1B

EQ EQ

F1

CONT. METAL FURRING

FIRST FLOOR FINISH PLAN 1/8" = 1'-0"

1/8" = 1'-0"

TYP.

32'-0"0'-0"

D D

18' - 18' 2" - 2"

F1B PNT-6 RB-5

F1

F3C

F1

3' - 0"

F1B

LVT-1 PNT-7/RB-7 LVT-6 F3C

PNT-7 RB-7 F2

EXPOSED EQ EQ

PNT-8/RB-8

PNT-8/RB-8

10' - 0"

EXPOSED

PNT-9/RB-9

EXPOSED

EQ

11' - 0"

6 A9.2

F1B

F3D

F1B F3D LVT-6 LVT-1 LVT-1 LVT-6 F1D F4

F4 LVT-6

9' - 0"

EQ

LVT-6/LVT-1

F1C LVT-6 LVT-1

LVT-1 LVT-6 F3C 3' - 1" F1D

F1D LVT-1 LVT-6

F1D

LVT-2

F1D LVT-1 LVT-2

F1C 8"

LVT-2

LVT-2 LVT-1

F1

RB-8

PNT-8

LVT-1

RB-9

PNT-9

LVT-1/LVT-2

LVT-1 11' - 0"

F1A

5' - 9"

F1B

7 A9.2

F1B

F1

N.I.C. N.I.C.

REFER TO RCP FOR HEIGHT

32'-0"

1/32" = 1'-0"1/32" = 1'-0"

D.1 D.1

LVT-5/LVT-1 PNT-5 RB-5

F1

F3D

F1

1' - 2"

LVT-1

LVT-6 LVT-1 F1D

LVT-6 PNT-8 F1C

F2

10' - 0"

F1C

F1C

F1D

F3D

LVT-5 LVT-1 LVT-1 LVT-5 10' - 0" 10' - 0"

LVT-1 LVT-6

EXPOSED

10' - 0"

F1C LVT-6

6' - 0"

F1

11' - 0"

PNT-5/RB-5

F3C

F3C

LVT-1 LVT-2

LVT-5 LVT-1

F3C

LVT-5 LVT-1 F1C

EXPOSED

10' - 0"

6' - 0"

LVT-5 LVT-1

F3C

N.I.C.

RB-5

10'PNT-5 - 0"

LVT-5/LVT-1

F3C

LVT-1 LVT-5

F3C

LVT-1 LVT-5 F2 PNT-5/RB-5

EXPOSED

F1B

F1B

F1B F1B LVT-6 LVT-1 LVT-1 LVT-6

11' - 0"

LVT-6

F1B

F1B

F3

10' - 0" LVT-1 RB-8

PNT-8

8 8

EXISTING MASONRY WALL

FIRST FLOOR PLAN@ STOREFRONT

17' - 7" 18' - 6" 18' - 6" 18' - 6"

HORIZONTAL CEILING SYSTEM - REFER TO RCP FOR LOCATIONS AND FINSHES, ACP-1

1

1

F1B F1C

127' - 8"

3" = 1'-0"

1/2" HANGER ROD EMBED IN EPOXY 3/4" HANGER ROD - EMBED IN EPOXY

3" = 1'-0"

127' - 8"

9

17' - 7" 18' - 6" 18' - 6" 18' - 6" 18' - 7" 18' - 5" 17' - 8"

18' - 6" 18' - 6" 17' - 7"

CONF. ROOMS - TRANSLUCENT WALL HEAD TO CEILING

7

TRANSLUCENT RESIN WALL PARTITION PANEL COLOR VARIES. REFER TO ELEVATIONS FOR SCHEDULE.

TRANSITION CEILING - LIGHT FIXTURE DETAIL 12' - 0" 12' - 0" 2' - 8"

EXIST LVT-1

HORIZONTAL CEILING SYSTEM - REFER TO RCP, ACP-1

LVT-1 EXIST

LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES

ALUMINUM TRIM ANGLE - FASTEN TO WALL AS REQUIRED

LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS

PNT-1/RB-1

LVT-1 LVT-4 PNT-3

ALUMINUM TRIM ANGLE FASTEN TO WALL WHERE NEEDED

CLOSET

LVT-3 LVT-1

PNT-1/RB-1 PNT-1/RB-1

11 LVT-2 LVT-1

4' - 10"

LVT-3 LVT-1

LVT-1 EXIST

LVT-3 LVT-1

PNT-8

3" = 1'-0" 3" = 1'-0"

PNT-3/RB-3 LVT-4

LVT-1 LVT-3 LVT-1 LVT-3

LVT-1 LVT-3

LVT-1 LVT-3

TRAINING ROOM - TRANSITION WALL HEAD TO CEILING

LVT-3 LVT-1

7' - 0"

LV T1 BUFFET

BUFFET

3" = 1'-0"

CONF. ROOMS - SOLID WALL WALL HEAD TO CEILING

8 WALL CEILING TRANSITION

10 1/2" GLASS DOOR - TYPE FG. REFER TO PLAN FOR SPECIFIC DOOR TYPE/SCHEDULE.

2" HEAD RECEPTOR - SHIM AS NECESSARY (TYP.)

LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS

SCHEDULED LINEAR LIGHT FIXTURE REFER TO RCP FOR SPECIFIC LOCATIONS

LVT-4 LVT-1

LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS

PNT-1/RB-1 PNT-1/RB-1 PNT-9/RB-9 PNT-1 /RB-1

6' - 6"

F1B

F4

PNT-6

LVT-1/LVT-5

F3 RB-5

MANUFACTURER / BASIS OF DESIGN

4"

ACP-1

LVT-1CLOSET LVT-3

LVT-5 LVT-1 LVT-1 LVT-5 LVT-1/LVT-5

11' - 0" LVT-1/LVT-5

PNT-6 F1B RB-5

11'LVT-5 - 0" LVT-1 LVT-1 LVT-5

F1B

PNT-6 F1B RB-5

DESCRIPTION

SPACING VARIES SEE RCP

MTL. HAT CHANNELS AT 16" O.C. MAX

SEALANT JOINT AT BOTH SIDES OF PARTITION STUB WALL (TYP.)

LV T2

17' - 7"

(1) LAYER 5/8" GYP. BD. EXTENED ABOVE CLG.

LVT-3 LVT-1

LVT-1 LVT-6

LVT-1 LVT-5

LVT-1/LVT-5 PNT-5 F1B RB-5

SECOND FLOOR FINISH PLAN 1/8" = 1'-0"

1/8" = 1'-0"

FIRST FLOOR REFLECTED CEILING PLAN

TAG

127' - 8"

1'-0" 8'-0" 4'-0" 0'-0" 8'-0" 32'-0"

16'-0"

LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES

LVT-1 LVT-4 PNT-9/RB-9 PNT-9/RB-9

18' - 6" 18' - 6" 18' - 6"

18' - 6" 18' - 6"

8" 8"

2 2

SYMBOL

CEILING FINISH LEGEND

127' - 8"

1-1/2" = 1'-0" 1" = 1'-0"

0'-6" 0'-0" 2'-0" 1'-0" 0'-6" 0'-0" 1'-0" 4'-0" 2'-0" 1'-0" 0'-0" 2'-0" 8'-0" 4'-0" 2'-0" 0'-0" 4'-0" 16'-0"

1/2" = 1'-0" 17' - 7"

PNT-8/RB-8

1/4" = 1'-0" 1/8" = 1'-0" 1/16" = 1'-0"

17' - 7"

8'-0" 0'-0" 16'-0" 64'-0" 32'-0" 16'-0" 0'-0" 32'-0"

18' - 6" 1/32" = 1'-0"

18' - 7"

18' - 6" 18' - 5"

PNT-8/RB-8

LVT-1

LV SYSTEM - REFER TO HORIZONTAL CEILING T1 RCP, ACP-1 LV T4 LV T4 LV T1

LVT-1 LVT-3

5' - 5" 9' - 0"

LVT-6 LVT-1 9' - 0" 3' - 0"

LVT-6 LVT-1

4' - 0" 4' - 0"

PNT-8/RB-8

LVT-1 LVT-6 LVT-6 LVT-1 LVT-1 LVT-6

3' - 0" 5' - 7"

9' - 0" 3' - 0"

PNT-8/RB-8 9' - 0"

9' - 0" PNT-8/RB-8

3' - 0" 9' - 2"

1' - 0" TYP.

PNT-9/RB-9

EXPOSED

LVT-2 LVT-2

6' - 0"

2' - 2" 6' - 10"

3' - 7" 3' - 2"

LVT-1 LVT-6

EXPOSED PNT-8/RB-8

LVT-1 LVT-6

18' - 6" 17' - 8"

Chicago Housing Authority has hired JGMA to design and renovate the existing Overton Hygienic Building to house their Section 3 new office, Currently under construction. The scheme uses material color to identify clusters of program and implements transparency of spaces by the use of colored resin panels. My Task was to work closely with the design team, to produce and document a set of construction documents, Along with coordinating with consultants and raps to present materials to the client.

2' - 9"

EXPOSED EXPOSED

PNT-8/RB-8

LVT-2 LVT-1

2019-2020 Chicago, IL PNT-9/RB-9 LVT-2

4' - 0" 1' - 2"

10' - 9"

PNT-8/RB-8

LVT-1 LVT-6

LVT-6 LVT-1

4' - 0"

EXPOSED

Firm: JGMA 1' - 2"

4' - 0" 4' - 0" 4' - 0" 4' - 0"

4' - 0"

LVT-5 LVT-1

135 °

PNT-7/RB-7

LVT-1 LVT-2

EXPOSEDPNT-8/RB-8 PNT-8/RB-8

4' - 0" LVT-6 LVT-1

LVT-5 LVT-1 LVT-1 LVT-5 LVT-6 LVT-1

LVT-1 LVT-6

Overton- CHA Office Section 3 LVT-1 LVT-5 LVT-1

LVT-1 LVT-5 EXPOSED EXPOSED

2' - 8" 5' - 5"

LVT-5 LVT-1 PNT-8/RB-8 PNT-8/RB-8 PNT-8/RB-8

Norwegian American Hospital

Firm: JGMA Chicago, IL

2016

Located at the southwest corner of Humboldt Park, Norwegian American Hospital serves a diverse population of people. The Hospital is looking to renovate its masterplan, Being initially built in 1894, three major additions have been added over time.

But due to the rapid growth, program has been shifted and squeezed allowing confusion in finding services. The Hospital is asking JGMA to envision a solution to facilitate circulation and way-finding.

Through entensive research, careful study and site analysis we have used, texture, pattern and color to define space. My Task was to assist the team with some design decisions, Research, SD sets, DD set, and CD set,

Episcopal School of Dallas

Firm: Overland Partners

2015 Dallas, TX The new Episcopal School of Dallas is looking to be a springboard for life-long curiosity and purposeful relationships.

Their goal is to be a community of nested neighborhoods centered around a sacred space connected by paths and daylight, connected by relationships and community.

In these neighborhoods, children and teachers will be honored as individuals and empowered as teams, Our goal like theirs is to execute this vision of community through nested neighborhoods. My Task was to assist the team by drawing Revit plans, making physical concept models, research, helping with some design decisions such as skylight options, chapel options and classrooms layout options.

Nested Neighborhood

San Antonio & The Beanstalk Firm: Overland Partners San Antonio, TX

2016

Storybook Houses, is the fourth collaboration between the Garden and area architects and designers, for this year’s spring exhibit, which took place in SA Botanical Gardens. In our Design we decided to use the popular story of Jack and the Bean Stalk and offer not only a sustainable adaptive reuse installation, but to inverse the notion of the cloud up in the heaven . Five Steel frames form the beanstalk offering a frame view towards the sky right in the center of the Cloud.

Design Build Firm: TADA

New Braunfels, TX

2015

Other Work Competition Grid Studies Europe Study Abroad Sketches Paintings

Y.A.C.

Competition: Individual Trois-Moutiers, France

2020

Storybook Houses, is the fourth “Our treehouse design, in its global sense, is meant to cater to our childhood dreams of imaginary isolation. At a more local sense, it allows for a deep connection with nature while reminiscing on what it could have been and what it will be as the site is occupied. Our design is meant to complement the experience of the awe-inspiring edifice that currently stands on site. In our particular case, the treehouse will be an unobtrusive, simple, pure addition to the rough and poetic Château de la Mothe-Chandeniers. It will stand tall on a concrete plinth over the lush green land the encompasses the site; this is done by inciting the views while offering privacy- the program is cut in three and spaces shift vertically and as a result, each roof platform becomes a terrace/garden. Spaces can bleed to other spaces by folding glass doors.

An extra layer of privacy is added: a perforated light filtering honeycomb cellular shade(weather resistant) that contracts and expands within a 60cmx60cm module (2’x2’).

Grid-Scapes

Grid-Scapes

Chicago, IL

Fall 2019

Professor: Paul Preissner & Sam Jacobs

Europe Architecture Study Tour

Summer 2014

Summer 2014

Untitled

Oil paint on wood panel l 36 X 48 inches

Spring 2012

Untitled

Fall 2011

Oil pastel/ Oil paint on canvas l 24 X 36 inches

Esau J Hernandez

210.510.9938 Woodstock IL, United States 60098 Esau.Unidos@gmail.com