VPO Messiah Concert Program 2022

MESSIAH -CONCERT-

WHITNEY

on The Sharon®L. Morse

PERFORMING ARTS CENTER

Dear Patron of the Arts

,

Welcome to The Sharon® L. Morse Performing Arts Center!

Much like the building’s namesake, my grandmother, Sharon L. Morse, we love all varieties of the performing arts here. It is in her memory that I, along with my amazing team of artists and arts administrators, strive to bring many different types of the highest quality entertainment here to The Sharon.

Since opening in 2015, we have strived to establish your trust, that a show at The Sharon is a show worth seeing. Perhaps you find yourself here today to see a concert of one of your favorite musicians, or to take in the national tour of a Broadway show. Either way, we encourage you to consider trying out a new show that perhaps you haven’t heard of before, knowing that it has been intentionally curated by our team.

We welcome you to The Sharon: a place for you to see an old favorite, but also a place to discover your new favorite. I sincerely hope you enjoy the show today, and I look forward to seeing you here again soon!

See

You at The Sharon,

W hitney Morse Artistic Director

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

Part I (the Nativity) has opened The Villages Philharmonic Orchestra’s holiday season every year since 2008. Messiah is George Friederich Handel’s best-known composition. It has become one of the world’s most frequently performed choral works, particularly popular during Advent season. Part I is divided into “scenes” composed of individual recitatives, in which the singer adopts a rhythm of ordinary speech, as well as arias and choruses. There are two instrumental numbers, the opening overture and the “pastoral symphony” at the mid-point of the work. The performance concludes with the jubilant Hallelujah Chorus.

Oratorio

Messiah differs from Handel's other oratorios in that it does not contain an encompassing narrative, instead offering contemplation on different aspects of the Christian Messiah.

The oratorio's structure follows the liturgical year: Part I corresponding with Advent, Christmas, and the life of Jesus. The birth and death of Jesus are told in the words of the prophet Isaiah, the most prominent source for the libretto. The only true "scene" of the oratorio is the annunciation to the shepherds which is taken from the Gospel of Luke. The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work "Worthy is the Lamb".

The librettist arranged his compilation in "scenes" each concentrating on a topic.

PART I

"The prophecy and realization of God's plan to redeem mankind by the coming of the Messiah"

Scene 1: "Isaiah's prophecy of salvation" (movements 2–4)

1. " Overture " ........................................................................................ Orchestra 2. Comfort ye, Comfort ye my people ........................................................... Tenor 3. Ev'ry valley Shall be exalted ....................................................................... Tenor 4. And the Glory of the Lord....................................................................... Chorus

Scene 2: "The prophecy of the coming of Messiah and the question, despite, of what this may portend for the World" (movements 5–7)

5. Thus saith the Lord, the Lord of Hosts - the Lord whom ye seek shall suddenly come to His Temple ....................................................... Bass 6. But who may abide the day of His coming ................................................... Bass 7. And He shall purify ................................................................................. Chorus

Scene 3: "The prophecy of the Virgin Birth" (movements 8–12) 8. Behold, a virgin shall conceive ......................................................................Alto 9. O thou that tellest good tidings to Zion .......................................................Alto 10. For behold, darkness shall cover the earth ................................................... Bass 11. The people that walked in darkness ............................................................ Bass 12. For unto us a Child is born ................................................................... Chorus

Scene 4: "The appearance of the Angels to the Shepherds" (movements 13–17) 13. Pastoral Symphony 14. There were shepherds abiding in the field ............................................ Soprano And lo, the angel of the Lord came upon them.................................... Soprano 15. And the angel said unto them .............................................................. Soprano 16. And suddenly there was with the angel ................................................ Soprano 17. Glory to God in the highest

Scene 5: "Christ's redemptive miracles on earth" (movements 18–21) 18. Rejoice greatly, O daughter of Zion ..................................................... Soprano 19. Then shall the eyes of the blind be open'd ................................... Alto, Soprano 20. He shall feed His flock like a shepherd Come unto Him, all ye That labour 21. His yoke is easy, His burthen is light ..................................................... Chorus

44. Hallelujah

SONG LYRICS

Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah!

For the Lord God Omnipotent reigneth Hallelujah! Hallelujah! Hallelujah! Hallelujah!

For the Lord God omnipotent reigneth Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! The kingdom of this world Is become the kingdom of our Lord And of His Christ, and of His Christ And He shall reign for ever and ever And He shall reign for ever and ever And He shall reign for ever and ever

For ever and ever, forever and ever King of kings (Forever and ever Hallelujah! Hallelujah!) And Lord of lords (Forever and ever Hallelujah! Hallelujah!) King of kings (Forever and ever Hallelujah! Hallelujah!) And Lord of lords (Forever and ever Hallelujah! Hallelujah!) King of kings (Forever and ever Hallelujah! Hallelujah!)

And Lord of lords (King of kings and Lord of lords) And He shall reign And He shall reign And He shall reign forever and ever King of kings (Forever and ever)

And He shall reign (Hallelujah! Hallelujah!) And He shall reign forever and ever King of kings! and Lord of lords!

King of kings! and Lord of lords! And He shall reign forever and ever Forever and ever Forever and ever Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah!

MAESTRO'S BIOGRAPHY

PASQUALE VALERIO, MAESTRO

Pasquale Valerio is the creator, nurturer, mentor, and guiding light for The Villages® Philharmonic Orchestra and Chorale. Pasquale was born in Naples, Italy and began his music studies at the age of 9. He began studying Trumpet Performance at The N. Puccinni Conservatory of Music graduating in 1985. His studies were not limited to trumpet, but included Applied Complementary Piano Studies, Harmony, and Lectures from Maestro Filippo Veniero, who was his guide and mentor from 1967 to 1989. His adult musical career began during his national service as a member of the Carabinieri (Italian Military Police). Fortunately for his musical development, most of this was with the Band. After his discharge, he began studying conducting. Pasquale Valerio served as an apprentice under Sir Antonio Pappano for 6 years. Pasquale followed him all around the world from 2006-2011 and learned directly from the Conductor of the Royal Opera House in London. To that end, Pasquale believes fully in the magic of education through music, and that children are never too young to start discovering to power of harmony.

In 1996, Pasquale relocated to the United States continuing his conducting studies with J. Whitney and Günter Schmidt. In 2004, he became the Founder and Music Director of The Villages Philharmonic Orchestra where he continues to serve today. Maestro Valerio was also the founder of Lake Sumter Chamber Orchestra as well as co-founder and conductor of The Florida Lakes Symphony from 20052006. Pasquale has been regularly invited as a guest conductor at the Orchestra Filarmonica 900', Teatro Regio, and the Viotti International Music Festival.

FEATURED ARTISTS

JULIE BATMAN, SOPRANO

Sings professionally with the Orlando Light Opera, Opera Orlando, Opera Tampa/ Tampa Singers, The Dicken’s Carolers, and Mary Queen of the Universe. She is a graduate of and staff professor of voice and piano at Rollins College.

She has been a choral director and choral accompanist at Rollins College and she also teaches voice and piano at Lake Highland Preparatory School. Julie has been featured as a vocal soloist for several local arts organizations in Orlando.

Her credits include being a featured soloist for The Villages Philharmonic Orchestra; the contemporary ballet, Carolina, Handel’s The Messiah - with the Messiah Choral Society, The Villages Philharmonic Orchestra, the Central Florida Community Arts, and the Basilica Mary Queen of the Universe Shrine. She has sung as soloist for Mozart’s Requiem, Schubert Magnificat, Vivaldi’s Nulla in Mundo Pax/Alleluia, Mozart’s Laudate Dominum and several other solos with Bach Festival choir, Et in Carnatus Est from Mozart’s Grand Mass in C with CFCA and has been a featured soloist on several CDs: Osterkantate Ernest Wolf Easter Cantata - Moravian Society, All is Bright - Bach Festival Choir, Ave Maria and The Basilica Choir - Stemik Music. Carolina contemporary Ballet CD and DVD. In addition to singing and teaching, Julie enjoys accompanying choral groups and playing solo piano for events.

EMILY HEUMANN, MEZZO-SOPRANO Mezzo-soprano Emily Heumann is gaining recognition for her "credible" storytelling (Orlando Sentinel), and "delicious vocals" (Arts and Culture Texas Magazine). Last season, Emily appeared in Songs of Love at the Romanza Festivale in St. Augustine, in the world premiere of Juliano’s The Brightest Star, as Lydia in a workshop reading of Curt Tucker’s Penelope Ann’s Revenge with First Coast Opera, and as the Alto Soloist in Handel’s Messiah with The Villages Philharmonic Orchestra. Other recent appearances include Cherubino in Le nozze di Figaro with Opera Orlando and First Coast Opera, The Fox in The Little Prince with First Coast Opera, and Hansel in Hansel and Gretel with Rec Room Arts Houston. Emily was a 2018-2020 Studio Artist at Opera Orlando, where she sang Mrs. Noye in Noye’s Fludde, Nicklausse in the outreach tour of Les contes d’Hoffmann, and covered Hansel in Hansel and Gretel. She was also a 2019-2020 Emerging Artist with St. Petersburg Opera Company, where she appeared as Il Paggio/Giovanna Cover in Rigoletto, and as a soloist in Harmony: Tolerance and Acceptance. Emily enjoys performing new music, especially works by her husband, composer Eric Heumann. She has performed in dozens of new music programs across the country. She received her M.M. in Voice Performance and Pedagogy from The University of Houston. emilyheumann.com

FEATURED ARTISTS

DEVIN M. EATMON, TENOR

Devin M. Eatmon is a full lyric operatic tenor from Ocala, FL. His performance history includes working with the Central Florida Lyric Opera, Chelsea Opera, Opera in the Ozarks, Aspen Music Festival, most recently Opera Colorado, and soon to be Opera Orlando. With both a Bachelor’s and Master’s degree in Voice Performance from Florida State University; Devin studied under the tutelage of former San Francisco Opera staring baritone, David Okerlund. Some of Devin’s most notable collegiate roles include, George Villiers in the Scholastic Premier of Carlisle Floyd’s, Prince of Players, Rodolfo in Giacomo Puccini's, La bohème, Curley in Floyd's, Of Mice and Men, and Edgar Aubrey in Heinrich Marschner’s German Romantic opera, Der Vampyr. Mr. Eatmon accepted a contract offer to be a member of the Apprentice Singer Program at The Santa Fe Opera in the summer of 2020 however, it was postponed due to the Coronavirus pandemic. While at Opera Colorado, he was to cover the role of Don José in their production of Georges Bizet’s, Carmen however, the season was postponed due to the Covid-19 pandemic. Currently, Mr. Eatmon is a member of the new operatic/pop fusion trio, The Serenad3, with America’s Got Talent finalist, Fernando Varela as well as internationally acclaimed OperaNews baritone, Craig Irvin. The group has already received critical acclaim having collaborated with some legendary artists, such as David Foster, Gloria Estefan, American Idol’s, Pia Toscano, and the A Capella sensation, Voctave. Devin is currently living in Orlando, FL and is looking forward to future endeavors with The Serenad3 as well as Opera Orlando.

FEATURED ARTISTS

GABRIEL PREISSER, BASS

Grammy Award winning baritone Gabriel Preisser has been praised by Opera News for his "handsome voice, charismatic energy, and timbral allure" and The New York Times called his performance as Lt. Gordon "wonderful." His resume includes over 40 operatic and musical theater roles including Danilo in The Merry Widow with Utah Festival Opera, Billy Bigelow in Carousel with Minnesota Orchestra, Figaro in Il barbiere di Siviglia with St Petersburg Opera, Dandini in Cenerentola with Opera Tampa, Escamillo in Carmen with Lyric Opera of the North, Belcore in L’elisir d’amore with Shreveport Opera, Le Mari in Les Mamelles de Tiresias with Opera Parallele, Albert in Werther with Minnesota Opera, Mercutio in Romeo et Juliette with Opera Tampa and St. Petersburg Opera, Tommy in Brigadoon with Gulfshore Opera, Silvio in Pagliacci with Opera Naples, Harold Hill in The Music Man with Colorado Symphony, and Bob Baker in Wonderful Town with Skylark Opera to name a few. He has been praised for having a "matinee idols charm and charisma", "a beautiful, luscious baritone", and "a compelling, commanding stage presence."

Mr. Preisser has made a name for himself as a versatile, cross-over performer and has especially been active in new works. He created the role of Lt. Gordon in Kevin Puts’ Pulitzer Prize winning Silent Night at Minnesota Opera with subsequent performances at Opera Philadelphia, Cincinnati Opera, and Michigan Opera Theatre. His performance as Lt. Gordon with Minnesota Opera was also broadcast nationally on PBS in 2013 and 2014. He also took on the role of Farmer Bean in Tobias Picker’s Fantastic Mr Fox both with Opera San Antonio and Odyssey Opera of Boston. He can be heard on the first official audio recording of Fantastic Mr Fox under the baton of Gil Rose with the Boston Modern Orchestra Project which won the Grammy Award for best new opera recording in 2020. He has also been seen as the title role in Aldridge’s Elmer Gantry, Tom Joad in Gordon’s The Grapes of Wrath, Riolobo in Catan’s Florencia en el Amazonas, Antonio in Hagen’s New York Stories, John Brooke in Adamo’s Little Women, and the Shoe Salesman/Puppet role in Argento’s Postcard from Morocco. He recently made his Italian debut in Naples, Italy as soloist in the Mozart Requiem under the baton of Maestro Pasquale Valerio.

A 2016 League of American Orchestras Emerging Artist, Preisser is known for his dynamic interpretation of Orff’s Carmina Burana performed with the Winter Park Bach Festival, Atlanta Ballet, Gulf Coast Symphony, and others. He has also been heard as a bass soloist in Bach’s St Matthew Passion with the Colorado Symphony under the baton of Cristian Macelaru, soloist in William Walton’s Belshazzar’s Feast with Jacksonville Symphony and the Canterbury Chorale, Schlendrian in Bach’s Coffee Cantata with Orlando Philharmonic, bass soloist in Bach’s St John’s Passion with the Houston Bach Society, and bass soloist in Handel’s Messiah with Ars Lyrica and The Messiah Choral Society.

FEATURED ARTISTS

JOHN DEPAOLA, TRUMPET

John DePaola has been a full time freelance trumpeter for over 30 years. He lives in Orlando, FL where he has been a musician at Walt Disney World and a member of the Rosie O’Grady’s Good time Jazz Band. John has performed with entertainers such as Ray Charles, Sammy Davis Jr., Bob Hope, Johnny Mathis, Kenny Rogers, Frank Sinatra Jr., The Moody Blues, and many others.

He has also played for national touring Broadway Shows like West Side Story, Hello Dolly, A Chorus Line, 42nd Street, The Producers, and Chicago.

John is also a regular performer at jazz festivals across the U.S. with different groups and has also leads his own group, performing for Jazz clubs and societies in Florida.

He is in his 3rd season as a member of the Dr Phillips Center Jazz Orchestra under the direction of Rodney Whitaker.

As a symphony musician, John has played Principal Trumpet with The Villages Philharmonic since 2003 and also served as Principal Trumpet with the Imperial Symphony in Lakeland Fl. He also performs with The Brevard Symphony and

FEATURED ARTISTS

Orlando Philharmonic when required to do so.

You can see his concert schedule and listen to his latest recording "Take Two" JohnDePaolamusic.com

TARCISIO BARRETO D’ADDONA, TRUMPET

Tarcisio Barreto D’Addona is a Venezuelan trumpet player born in Barquisimeto, trained in the National System of Youth and Children's Orchestras of Venezuela. He began his trumpet studies at the "Vicente Emilio Sojo" Conservatory, continuing at the Latin American Trumpet Academy, and finishing at the "Universidad Centroccidental Lisandro Alvarado". He has participated in international courses and festivals such as: Campos do Jordao Winter Festival 2007, Epsival 2010, Spanish Brass Festival 2011, Italian Brass Week 2012, Grande Maurice 2012 and Schagerl Brass Festival 2014, where he participated as an active student with the teachers: Andrew Balio, Uwe Köller, Francisco "Pacho" Flores, Giancarlo Castro, Franck Pulcini, Pierre Dutot, Thomas Gansch, Thierry Caens, Jean Francois Dion, Guillaume Couloumy, Juanjo Serna, Carlos Beneto, Luis González, Max Sommerhalder, Allen Vizzutti, Andrea Tofanelli, Rex Richardson, Tiger Okoshi, Gabor Tarkövi, Brian Neal. He was the principal trumpet of the Lara Youth Symphony Orchestra and a member of the Lara Symphony Orchestra, as well as a member of the brass quintet Bronces Larenses and founding member of the Lara State Brass Ensemble, where he toured nationally and internationally (Portugal 2008, Spain 2009). He is a founding member of Ensamble 7/4, a group with which he has participated in several international tours in Europe, the United States and South America, appearing as guest artists in large theaters, universities and festivals such as: Beethoven Haus Concert Hall, Peabody Institute, Curtis Institute of Music, Berklee College of Music, Harvard University, New England Conservatory, University of California Berkeley, Stift Melk, Sauerland Brass Festival (Germany 2015, 2016, 2017), Schagerl Brass Festival, Anton Bruckner Privatuniversität, Salzburger Festspiele, Berliner Philharmonie, International Trumpet Guild (Ohio 2015, Miami 2019), among others. He has shared the stage with artists such as Thomas Gansch, James Morrison, Leonhard Paul, Bryan Davis, Andrea Tofanelli, Rex Richardson, Brian Neal, Thomas Clamor. Together with Ensamble 7/4, he has recorded 4 albums, out of which two of them received awards at the Global Music Awards for best group and best album. In 2022 he released his first solo album called Grande Astor, as a tribute to Astor Piazzolla on his centenary. He currently makes a musical life in Miami, playing in orchestras such as the The Villages Philarmonic Orchestra, Orchestra Miami and as a principal guest in the Miami Symphony Orchestra.

SOPRANO

Angeliz Bula

Katy Garner

Deana Giron

Tiffany Jeffers

Rachel LaQuea

Angelica Tarver

Kelsey Trent Melony West

ALTO

Mariangel Cestari

Jacqueline Cohen

Selina Fernandez

Alice Fortunato Michelle Toro

Isabelle A. Vieira-Wilson

Michaela Wright

Aubree Zern

TENOR

Sanju Banks

Matthew Brown

Evan Couch

James Guild

Tae Suk Park

Cobi Tadros

John Teixeira

Chris Teixeira

BASS

Adrian Ahren

Makendy Jacob

Justin McGill

Miguel Montalvo

Liam Joshua Munn

Grant Preisser

Gene Tate Mark Wright

The Opera Orlando Chorus is made up of local professional singers trained in opera and classical voice. They have been featured in multiple productions over the years including Carmen, La Traviata, La Boheme, Rigoletto, and The Magic Flute and can next be seen in Opera Orlando's production of The Daughter of the Regiment this April at Steinmetz Hall.

ORCHESTRA ROSTER

FIRST VIOLIN

Stewart Kitts, Concertmaster Marius Tabacila Michael De Jesus José Guedez Cindi Qi Carlos Jacquez Baoling Xu Ebert Ceballo

SECOND VIOLIN

Gregory Carreño, Principal Elizabeth Kitts Israel Mendez Luisamar Navarro Natalie Kitts Yenifer Laurens VIOLA

Lisa Suslowicz, Principal Juan C. Siviero Andrea Oliveira Francia Laurens

CELLO

David Calhoun, Principal Valentina Espita Hernández Petar Kacenovici DOUBLE BASS

Kevin Gallagher, Principal Luis Luna HARPSICHORD Sergei Kossenko TRUMPET

John De Paola, Principal Tarcisio D’Addona TYMPANI Christopher Nolin

VPO DONORS 2022-23 CONCERT SEASON

ORCHESTRA CIRCLE

$10,000+

Anonymous Donor

Joe & Marlene Borda

Margaret M. Dick

Maurice & Betsy Joy

MAESTRO CIRCLE

$5,000 – $9,999

Augusto Bernardini

Crysberg Inc.

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Diane Kupchak

Mary Thomas

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SYMPHONY CIRCLE

$2,500 – $4,999

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CONCERTO CIRCLE

$1,000 – $2,499

Anonymous Donor

Anonymous Donor

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OVERTURE CIRCLE

$500 – $999

Richard Allgaier

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John Nickelson

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SUITE CIRCLE

$100 – $499

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VPO DONORS 2022-23 CONCERT SEASON

Thomas Davis

Barbara Dipol

John & Bonnie Eckstein

Greg & Mary Feichtel

Jack & Nancy Fieldman

Mia Ford

William & Gail Fraser-Giacchi

Greg & Carolynn Gilbert

Lisa French

Peter Fritz & Carol Mangan Fritz

Mary Ann Garback

Alan Geller

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Dr. Bill Hole

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Phillip Oliveira

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Jeffrey Wheeler

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Bob & Debbie Wilson Sonya Wilt

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ARIA CIRCLE

Up to $99

Barbara Athanasiou

Kathryn Bates

Jeff & Ursula Bergman

Irene Coen

Katheen Eikhof Arthur Elwood Susan Escobedo Paul F. Gaecke

Kevin Gallagher

Jordan Galvarino

Brenda & Bob Gold

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K. L. Hoffman

Irene Hong-McAtee

Lora MacPherson

Joanne Michalski

Donald Mooty

Robert Muzzi

Patrice Pastore Geraldine Piscitelli Marianne Reinhard Sally Rowe Erika Schaffer Kathryn Sleeper

Joyce Smidt

Robert Smidt Jack & Maryann Swisher C & H Van Benthuysen

Donald & Nancy Walker Eric Williams

MEMORIAL DONATIONS

Bill Barnes: Susan Escobedo

Fred Boyd: Frank & Janet Argenziano

Fred Boyd: Don & Janet Schiegel

Carolyn Johnson: Richard Johnson

KEEP YOUR BRAIN TOP OF MIND.

Whether or not I paid the cable bill.

Exact location of car keys.

Fig. 17 GREY MATTER

Neighbor’s daughter’s name.

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