In an elite university setting it is easy for state-schoolers to find themselves out of the loop and unable to relate to their flatmates’ upbringings. Many battle an unshakable feeling that they are destined to fail: imposter syndrome.
Feelings of inadequacy, heightened by being around uncharacteristically large groups of privately educated peers, makes these students more vulnerable to these anxieties.
Two years ago, Daisy* moved into leafy Stoke Bishop, a student village renowned for its expensive accommodation and private school reputation. Coming from a state school
in the north of England, settling into Stoke Bishop was a shock to Daisy’s system. Faced with a new crowd who she felt little in common with, her first year was a rude awakening to the realities of how boarding school networks dominate the Bristol fresher experience.
Daisy told Epigram how ‘Badock lived up to the private school ste-
‘Bristol felt like a prep school reunion ... for everyone but
reotypes’, revealing how, out of 10 people on her corridor, over half were from private schools, and not any old private schools, but what she describes as ‘the top public schools in the country such as Marlborough, Eton and Stowe.‘
‘I often felt out of my depth and like I had to pretend to be someone else - someone more a uent’
Imposter syndrome as a state schooler during freshers
Although closing the private school gap has become central to conversations for universities in recent years, Bristol University continues to fall behind its counterparts. In 2021, Times Higher Education ranked Bristol 104 out of 115 universities for social inclusion. This ranking
> Continue reading on Pg. 8
Maddy Richards MtG Column Editor
You made it. And you’ve come a long way. Choosing Bristol, writing a personal statement, revising for those exams. And now you’re here, wondering how they made your bedroom look that big online, or trying to look as if you know exactly where G55 in the Arts Complex is and not that you’ve been wandering for 15 minutes of unexplainable searching. Freshers’ is overwhelming but try not to forget what an achievement it is to have made it to this university. Everyone here at Epigram can’t wait to meet you and help you feel at ease – we’re a nice lot.
Before we go any further we should make our proper introductions. We’re Epigram, the University of Bristol’s –your university’s – independent and award winning student newspaper. We commission your peers to write about anything and everything happening on campus and across the city.
If that sounds like a bit of you, what are you waiting for, join our WhatsApp groups using the QR codes opposite. ‘But I’ve no experience’ we hear you cry – well, you’re in luck, because that’s the point. Believe it or not, not long ago we were freshers, just like you. Now look at us; in April we won best student publication in the UK! Turns out faking it until you’re making it can be pretty damn e ective.
There’s a lot to be excited about starting university, but promise that you’ll do these two things first. Properly unpack that room; it’s the only slice of this hectic city that is unequivocally yours and, believe me, nothing is worse than tripping over cardboard boxes in December. Then, assuming your already dying plant is in pride of place, teary good-byes have been made, and you’ve flagged that flatmate to avoid, we’ve got one last piece of advice. Read this paper. Front to back and back to front.
The wisdom, wit, and empathy you’ll find between these sheets are second to none, and we all would have been much better o if we had it like you do.
We’ve rebranded our Opinion section into a Comment section where you will find five pieces of Fresher’s advice – priceless. Don’t forget to take a look at Community, our shiny new section. A place we hope will bring our whole community, readers and writers alike, together. Amongst the Community pages you’ll find Epitome, a section from the 90s we’ve pulled from the Epi-grave. A student-centric events page where you will find an ever evolving list of gigs, deals, and events that will save you a Google, taking at least one decision o your plate. In this paper, you will find the answers to questions you haven’t even thought about yet. A ordable lunches, check. Cinemas in Bristol, check.
If art is your thing… we’ve got a guide for that too. Seriously, we've got it all.
Amongst the tips, tricks and things you gotta know, we’ve also got a diverse range of stories that we hope make you feel seen, no matter who you are. As our cover story demonstrates, Bristol can be daunting and at times isolating. You’ve probably heard it already, but there are so many people who will be feeling the exact same as you. We want to make Epigram a welcoming, safe space where everyone, no matter what they look like, what they sound like, or where they’re from, can feel right at home. We want everyone to feel seen. So, if you’re feeling elated or angry, surprised or despondent, please, let us know.
But of course, none of what you’re holding in your hands right now would have been possible without every single person in our team (see right). To our new editors, thank you. We know it won’t have been easy; coming up with commissions, editing work, downloading Adobe to your laptop and, not least, dealing with us and our wa e. But, thank you, we on the senior editorial team love this paper and we hope (if it’s not happened already) that you’ll come to love it too.
We've teamed up with Overhead at UoB to give you exclusive quotes across campus and beyond.
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*Fresher in Brass pig toilets*
“Are you first year?”
“No, I’m third year” *misshears*
“Oh, I'm a virgin too!” “No I'm a THIRD YEAR”
‘Why are freshers moshing to Adele?’
‘Not sure if this is Freshers' flu or if I'm just on a comedown’
‘I gave a bump to what I thought was a fresher on a night out and then saw him in his Bristol school uniform the next day’
Join the WhatsApp chat & email editor.epigram@gmail.com with Interested in photography?
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Trigger Warning: Mentions of rape and sexual violence.
Enough spoke at far-right anti-grooming rally in London
Enough is a tech startup that has been marketing self-swab rape kits to University of Bristol students. On the 28th June in London, it spoke at a protest alongside groups and individuals associated with Tommy Robinson and far-right extremism.
Oliver Poyser & Cara Hene, News Print Editor & News Online Editor
Enough aims to ‘give survivors a simpler, easier way to report and create real deterrence’ to rape, according to their website. They piloted in Bristol in October 2024 and have since established a strong presence on campus, o ering their ‘self-testing kits’ to students.
Enough's presence at the march was first shared to social media by the account @enoughofenoughbristol, and later reported on by media outlet OpenDemocracy. Enough spoke at a rally organised by the DFLA (Democratic Football Lads Alliance) as part of their ‘Together for the Children’ campaign. The campaign was set up in response to the authorities' handling of the grooming gang scandal. The scandal saw systemic failures to protect children from group-based child exploitation and abuse across local authorities in England and Wales.
Enough have distanced themselves from the ideologies expressed by other speakers at the march, stating: ‘we abhor racism and are not aligned with the far right.’
The background to rallies, such as this one, is that the child grooming gang scandal has become mired in race politics in recent years.
The DFLA is the successor to the FLA (Football Lads Alliance), a far-right group that has marched alongside Tommy Robinson, founder of the far-right English Defence League, and members of other extremist groups, including Britain First and Patriotic Alternative.
A number of diverse news outlets have identified the DFLA as ‘farright’, including inews, The Guardian, The Sun, The Independent, and by Dr Chris Allen, an Associate Professor at the University of Leicester's Centre for Hate Studies.
Together for the Children's website displays a number of videos from the FLA marches and a post on X promoting the June 28 event displaying the DFLA logo. Their account has also quote-tweeted Tommy Robinson.
According to Phil Hickin, a member of the DFLA, the event was
organised as part of the ‘For The Children Campaign’, an alternative name of ‘Together for the Children’.
‘Listen, this ain’t about race, this ain’t about colour, this is about our children and every single man and woman out there that has a preference for younger kids’, Hickin said. Danny Roscoe, who preceded Enough on stage, was introduced by event emcee and DFLA member Justin Smith as a ‘very, very good friend of Tommy Robinson.’ Enough was the final group invited onto the stage after the march, donned in their usual orange outfits and banner which read ‘enough. to end rape.’
Enough ambassador, Beaver Meadow, spoke for under five minutes about her experience as a survivor, Enough's ‘social deterrent’ self-swab DNA rape kits and the government's disempowerment of victims.
‘Who doesn’t want this kit in the public space?’ Meadow questioned ‘I’ll tell you who. It’s a government that sanctions its state sanctioned gaslighting of victims and survivors to shut us up, keep us quiet, keep us disempowered so that they can perpetuate their own political agenda, whatever it is they want to do. And we’re saying we’re not having it no more.’
Epigram reached out to Enough regarding their presence at the protest
and Instagram post. They replied:
‘The march was organised by Together for the Children. We abhor racism and are not aligned with the far right. Beaver was there and made an unplanned speech.
“I am a survivor of rape and I was there to support survivors. This is not about race, ethnicity, religion or politics, this is about justice for people who have been silenced. My perpetrator is white and Christian. I couldn’t be further from the far right.” [states] Beaver’.
Following the news of Enough's presence at the march, a now-deleted Instagram Reel from Enough's o cial Instagram has resurfaced. While the text reads ‘Number of r@pes = number of migrants’ and at face value suggests a causal link between UK net migration figures and rape cases, the commentary by White in the video is about concern that media coverage and public outrage is disproportionately being directed to immigration rather than rape. When asked about the post,
Photo courtesy of: Instagram / Enough Enough commented ‘We published a post to emphasise the scale of rape. As soon as we realised this could be misconstrued, we immediately took it down.’
Resources for those a ected by sexual assault
At Epigram, we stand with survivors and everyone a ected by sexual violence. Being able to access support is vital, but it can feel daunting if you are already struggling and have no idea where to go to get the help you need. Here’s a list of resources available to anyone who has been a ected by sexual violence.
Within the university
The university's resources and report system are avaliable on the student support section of the university website by entering www.bristol.ac.uk/students/support/health/report-unacceptable-behaviour/sexual-misconduct into your browser.
In the Wider Community
The best place to go if you need support related to sexual abuse is your local SARC (Sexual Assault Referral Centre), which, in Bristol, is The Bridge. They provide specialist care to everyone, including men, women, LGBT+ people, under-18s, and anyone else who needs it. They can o er emotional, medical, or practical support, including counselling or professionally done forensic medical examinations. The Bridge is run by the NHS, so you will not need to pay for your care. They can also provide emergency contraception or help you anonymously report to the police. Their website is: https://www.
Photo courtesy of: YouTube / Louis Errington
University of Bristol awards Historian David Olusoga Honorary Doctorate
Historian, broadcaster, and filmmaker David Olusoga has received an honorary doctorate from the University of Bristol.
Arthur Clinton, News reporter
During the 1:30pm degree ceremony on Thursday, David Olusoga, Professor of Public History at the University of Manchester and Director of Hillgate Films was awarded an honorary Doctor of Laws degree from the University of Bristol.
Addressing graduating History, Medical Humanities, Philosophy, and Theology students in the Great Hall at the Wills Memorial Building, Olusoga said: ‘Every generation is astonished by the moment when you start to be the leaders of your society’, telling the audience ‘you have much, much more power than you realise. You will inherit this nation. You will inherit its future.’
As Bristol continues to wrestle with its colonial past and the University looks to confront its historic links to the transatlantic slave trade, Olusoga’s message focused on the future. At the ceremony Dr. Marie-Annick Gournet - the Pro-Vice Chancellor for a Reparative and Civic Future - praised the historian’s words:
‘He shows us that truth-telling isn’t about shame - it’s about dignity. It isn’t about erasing history - it’s about completing it’, emphasising that ‘when we engage in that work bravely and honestly, we don’t weaken our institutions - we make them stronger, fairer, and more relevant to the world we serve.’
Following the graduation ceremony, Olusoga joined a panel event hosted by Professor Evelyn Welch, Vice-Chancellor and President of the University of Bristol, and Dr. Gournet that considered how collective leadership could be used to achieve real change. They concluded that it would be through listening and responding to the voices of Black communities in Bristol. Olusoga shared his reflections on leadership and what is required of the university community, while Professor Welch and Dr. Gournet reflected on progress made so far at the University, both in its relationship to leadership and the ongoing Reparative Futures programme.
With an empty plinth and updated plaque in the Centre, alongside a refreshed University logo released last year without Colston’s dolphin emblem, Bristol has made significant progress in the decolonisation process. Many continue to ask how far is left to go, and where the balance between erasure and education lies?
FLASH NEWS
Print Editor Oliver Poyser
Online Editor ......................................... Cara Hene
Subeditor........................................... Ellen Landale
University of Bristol to open first overseas campus in Mumbai
Katy Goodall, News Subeditor
Thenew expansion is set to open in the summer of 2026. The Mumbai Enterprise Campus will be Bristol's first international campus and will welcome students next summer, just in time for the university's 150th anniversary. Initial courses will focus on data science, finance and investment, economics and immersive arts, later expanding to business and management, computer science and AI.
The new campus is designed to strengthen Bristol's international connections and make science education more accessible and diverse. Vice-Chancellor and President of the University of Bristol, Evelyn Welch, said the new campus would help Bristol become ‘a top 50 global university.’
The announcement was made in New Delhi on July 29, at a celebration of the fifth anniversary of India's National Education Policy 2020. Vineet Joshi, the Indian Honourable Secretary of Higher Education and Chairman of the University Grants Committee, presented Professor Eve-
Apple store has closed its doors after 15 years in Cabot Circus, following plans for redevelopment in the area. The Philadelphia Street store’s final day was August 9, making the Cribbs Causeway branch now the nearest location for Bristol residents
lyn Welch with a letter of intent.
At the event, Prof Welch said, ‘We are absolutely delighted to announce our intention to create a new campus in Mumbai, which marks a pivotal transformation in our 150-year history and a powerful, globally inclusive future we're proud to build in partnership. Developing an in-country base has long been part of our international strategy and supports our ambition to be a top 50 global university.’
The University of Bristol is currently placed 51st in the QS rankings. Over the past year, India's University Grants Commission has granted permission to the universities of Liverpool, York and Surrey for Indian campuses. According to a press release, The Mumbai Enterprise Campus will mirror the University of Bristol's expansion towards Temple Meads train station, aiming to ‘bring together industry, academics, students and local community partners.’
Professor Michele Acuto, Pro Vice-Chancellor for Global Engagement at the University of Bristol, said, ‘This is far more than a new location; it's a purposeful extension of our vision to meet our learners and communities where they are, and to do so with respect, integrity, and deep local engagement that sets us apart as a global civic institution.
‘We will do so from day one together with our local partners, to co-create a campus that stands as a global gateway connecting with the vibrant energy and innovation of Mumbai where business, technology, and arts converge – reflecting and amplifying the international vision, interdisciplinary strengths and outward-facing spirit of our home institution. We look forward to sharing more detail on these exciting plans over the coming months as they develop.’
Other renowned UK universities have global campuses, such as the University of Nottingham in China and Malaysia, and the University of Birmingham in Dubai.
As well as o ering prestige, international campuses o er overseas students more a ordable opportunities to study at British universities and strengthen research and business links. The UK Overseas Campus Network, which represents 18 British universities with international campuses, says they are ‘boosting the reputation of UK higher education and innovation around the world.’
However, some academics fear that international campuses cannot provide the same level of income as bringing international students to the UK –and can be expensive to set up.
Photo courtesy of: Apple
Photo courtesy of: the University of Bristol
Bristol will join a growing number of British universities opening international campuses in India next summer.
Photo courtesy of: University of Bristol
Features
A first-generation student's guide to freshers
Editor's Choice:
Emma Yeo, Third-year, English
For the first editor’s choice of the year, I have chosen Emma Yeo’s piece delving into the first-generation student experience. The feature speaks to a growing demographic in the student body here at Bristol, and I hope it will provide some words of consolation and encouragement to readers as they navigate the strange but exciting first weeks of university. Emma’s article also pairs well with our ‘Mind the Gap’ column, a new inclusion to the Features section, which will seek to explore and uncover educational inequalities and social gaps within the university system.
Being the first in your family to go to university is undoubtedly a massive achievement, yet it can also feel incredibly daunting. The move to university is a time of immense anticipation, excitement, and uncertainty. You might be wondering what your halls will be like, how heavy the workload may be, or even what clubs are the best in the city. Having family with experience of university can help to ease some of those worries; however, without this family support and expertise, many can struggle with the transition.
In 1990, Prime Minister Tony Blair set a target to get 50 per cent of young adults into higher education in the next century. According to the Department for Education’s report ‘Higher Education Student Statistics’, this target was surpassed between 2017-2018, where the attendance of university rose to 50.2 per cent of all young people. This inevitably meant that there were more first-generation students pursuing higher education. And so, nowadays being a first-generation student is not an uncommon experience. In fact, the Higher Ed-
ucation Policy Institute’s (HEPI) 2022 report, First-in-Family Students by Harriet Coombs, found that almost 70 per cent of students can be classified as ‘first-in family’.
Nevertheless, Anna Spengen identified that first-generation students ‘experience challenges in navigating a system in which they have historically been excluded’. These challenges certainly have a sizable impact and a ect countless aspects of a person’s university experience. For example, according to a study published by UCL, first-generation students were less likely to attend ‘prestigious’ Russell Group universities. Additionally, the Oxford Review of Education found that there are higher dropout rates for first-generation students, particularly in relation to feelings of isolation and a sense that they ‘do not belong there.’
Consequently, anxiety is known to be particularly prevalent in first-generation student populations. In the first few weeks of university – specifically surrounding the transition – these anxieties are heighted. To understand this better,
Epigram spoke to an anonymous student who said: ‘The night before I moved to university, I considered not going at all. I told my mum that I didn’t think that I would cope with the transition and convinced myself I wasn’t smart enough to attend, let alone do well. These anxieties persisted throughout my first year, and silly things - like getting a mark below 60 or stumbling over my words when called upon in a seminar - only reinforced these beliefs.’
They went on to say: ‘For a large proportion of my time at university, I have felt like I was muddling my way through. None of my family went to university, I was state-educated, from a low-income single-parent household, and arrived at university not even knowing what a seminar was. But naturally, I wasn’t going to tell my family, who sacrificed so much for me to be there, that I felt like I did not belong. At the time, it seemed like I was the only person who had ever felt like this at a university that they worked so hard to get into.’
With the majority of first-generation students experiencing some level of imposter syndrome, this account is certainly not isolated. Therefore, while being a first-generation student comes with its own obstacles to navigate, there is also a variety of support available and advice which can make your transition to university a lot easier.
Finding a community of people from similar backgrounds is invaluable when navigating university as a first-generation student. At the University of Bristol, a First-Generation Scholars Network was established in 2020, which provides a supportive community where first-generation students and sta can connect with each other, and o er advice. This network holds regular meetings and social events throughout the year alongside pro-
viding a variety of resources on Blackboard. Mark Hailwood - Senior Lecturer in History and network coordinator - explained that ‘the network aims to make Bristol a more enjoyable and productive environment for those with little inherited knowledge of university life’.
When asked for any advice for first-generation students, Mark Hailwood added: ‘you might feel like you don't quite fit in at university, and that you are not like a lot of the people around you - but you would be surprised how many people are from first-generation backgrounds. This includes sta too. Many of us were the first in our families to go to university, and we have managed to make ourselves at home here, so you can too!’
Furthermore, Epigram spoke to first-generation student ambassador and second year Computer Science student, Ezen Tan, who remarked that ‘when you’re first gen, you don’t have a mental guidebook on how any of it works…[but] there are actually a lot of first-generation students in Bristol so there are a lot of people here who encounter the same
problems’. He added that through this role he ‘would definitely love to get to build more connections with other first-generation students and would also like to work on more first-generation events’.
Finally, he highlights the importance of societies as a first-generation student in saying that:
‘Looking back, I wish I’d joined more socials and “Give it a Go” events in the first weeks instead of spending all my time figuring out what to put into my checklist before starting classes’.
Given that first-generation students often feel as though they do not belong, fostering a sense of community – through either societies or first-generation specific groups– is definitely one of the most important things to do as a first-generation student. However, it is also important to remember to look after yourself during the transition and make use of any support available to you. Finally, remember that you deserve your place at university and above all, to make the most of the experience.
Photos courtesy of: Charlotte Kerby
Editor .............................................. Anna Dodd
Deputy Editor Ellie Barnes
Deputy Editor ........................ Charlotte Kerby
Home away from home: Moving to Bristol as an international student
Romina Treviño explores the cultural di erences international students may encounter and o ers reassuring and practical advice for those living in the UK for the
Ihadnever set foot in the UK or lived outside of Mexico before I decided to pack my entire life into two suitcases, say goodbye to my dog, and board the 12-hour flight to a distant island where I didn’t know a single soul.
My first few days in the UK were filled with embarrassing questions (what is Tesco?), embarrassing statements (no, I don’t know who Jason Donervan is), and a whole lot of tears (I miss my bed). When I moved to Bristol in September 2023, it had been a week since they found some weird alien things back home in Mexico. It felt cosmically hilarious to walk into Tesco for the first time and be met with a headline asking, ‘Is that you, ET?’. In all truth, I felt I
had more of a connection with my fellow Mexican alien than with anyone else in this entire country. The first few weeks of university move fast. You’ll be spoiled for choice with Freshers’ Week activities that are sure to keep your thoughts away from home. Arrishta Shernaya, a second year Law student, notes the importance of loitering in your accommodation’s common areas in order to fight these feelings.
‘If I hadn’t met everyone in the kitchen, I wouldn’t have immersed myself completely into doing all the Freshers’ Week activities with everyone and probably would've ended up really homesick.’
When things do start to slow down and you find yourself a stranger in a strange land, it’s very likely you will want to go home. Even the whi of a familiar scent or the passing memory of a once-loved song is enough to bring on an overwhelming sense of homesickness. I remember feeling silly and childish for missing my bed and wanting to go home. However, once you realise how common these feelings are, they become a lot less terrifying. A manageable symptom rather than a life-threatening illness. If you ac-
cept that nostalgic tug from home as a part of the experience rather than a sign of weakness, soon it begins to fade into the background.
It’s a logical instinct to want to make the tiny, damp cellar provided to you by the university feel like home. During Freshers’ Week, my mum and I went to IKEA and bought anything and everything. We bought more plates a single person could ever use, a shoe rack, and enough plants to rival the University of Bristol Botanic Garden. By the end of the year all the plates but one had been lost, broken or stolen. All the plants had died. The shoe rack did prove to be quite useful, but I had nowhere to put it over the summer.
It’s important to remember that everything you buy is going to have to go in a box or suitcase during summer, so be picky. You will also acquire an unimaginable amount of trinkets throughout the year, so don’t fret if your room looks a bit bare at first. It will become a home the longer you live there. Oh, and buy some posters! They’re cheap and easy to store over the summer.
Something that quickly became
clear to me is that being a complete outsider is actually a really fun way to make friends. People love comparing stories from childhood and hearing about your biggest culture shocks. Instead of being embarrassed about not knowing certain things about British culture, use it as an opportunity to ask. Some of my closest friendships began with a question as simple and stupid as ‘What is Strictly Come Dancing?’. Friendships grow from the gaps of what one person knows and the other doesn't. The shame surrounding not knowing certain things might keep possible friends at an arm's length. Curiosity can only open you up to new people.
Often, I found myself too shy or scared to go up to new people or join events where I didn’t know anyone. Malcolm Kazimil, a second year Electrical and Electronic Engineering student, explains the importance of showing up for events, socials and study sessions as well as joining societies that align with your interests in order to find a community at Bristol. Malcolm points out how ‘Bristol has a way of opening doors once you take the first step. Don’t shy away from saying the first hello.’
My kinship with that alien ended
pretty soon. I realised that most people at university are living far away from home for the first time too and struggle with the same homesickness I did as an international student. The friends I have made in the UK might not have grown up speaking the same language or eating the same food as me, but my friendship with them goes much deeper than any of those superficial qualities. People are people everywhere, and you can find your people anywhere. I think I got lucky with the people I found.
I’m still not sure what possessed me to leave behind everything I’d ever known and take a chance on a country I knew almost nothing about, without fully knowing if it would be a good fit. This summer, as I lay on my bed at my mum’s house, the same bed I missed so much, I realised I felt homesick for Bristol. Trying to make a strange, far-away place into home takes time and it doesn’t happen at once. You’ll often feel embarrassed, confused and lonely. But soon, you’ll realise that without even trying, your feet have memorised the steep Bristol streets and all those unknown faces are now plastered onto your walls in the form of pictures and countless memories. You’ll be back for the summer in the place you grew up in and find yourself thinking ‘I can’t wait to go home.’
Romina Treviño Third Year, Liberal Arts
first time.
Photo courtesy of: Romina Treviño
Photo courtesy of: Romina Treviño
Features
Article continued from pg.1
Maddy Richards
Mind the Gap Editor
This ranking uses metrics such as the proportion of first generation students, non-selective state school admissions, and the Black attainment gap . The Times’ data reveals that the university’s non selective-state school intake accounts for just 61.3 per cent of the total student population, while nationally 93 per cent of the population are state-school educated.
Kicking o our new column in the Features section, Yezou Aymero shares some words of wisdom for students with ADHD
Yezou
Aymero
Mind the Gap Columnist
As someone who was diagnosed with ADHD a grand total of three weeks before starting university, I can vouch for it being an isolating experience, especially alongside the largest life change I have experienced to date. Strategies that work with a dopa-
Third year student, Beth*, describes the overwhelmingly public school atmosphere that made state-schoolers feel like the minority: ‘I recall on my first or second night of freshers going into a local Wetherspoons and how it felt like a prep school reunion for everyone there except me.’
This accelerated Beth’s normal fresher anxiety, catapulting it to an imposter syndrome so intense that she tried to change her accommodation and even considered dropping out of university.
‘There were many times that I had to be purposely vague and elusive so as
Mind
the Gap
to not signal my state schooler status.’
One method that Bristol has employed to tackle its intake diversity issue is by o ering contextual offers. Since 2009, these o ers have lowered entry requirements by two grades for students less likely to go to university. To qualify for a contextual o er, students must have either come from an aspiring state school, spent time in care, had free school meals or live in indices of multiple deprivation.
However, Epigram talked to second year politics student Arianne from Wales who explains how her contextual o er left her feeling acute imposter syndrome and as if she could not compete with those who had achieved the original course o ers.
‘I mainly felt imposter syndrome from getting into Bristol on a contextual o er’ she shares, ’I soon found out a lot of people had applied to Oxford and Cambridge. I went in thinking about how hard it was going to be competing in essays with people who had gotten much higher grades than me.’
Arianne recounts how, when getting to know people during freshers, she realised ‘just how removed they were from the reality of an average income household.’
This fuelled further anxieties about how she was brought up, unlocking an insecurity about her school and home country that she had not felt before moving to university.
Arianne felt she had to make an e ort to hide her Welsh accent and avoid speaking about
Wales as much as possible, in order to more easily fit in with the average Bristol student.
‘There was an immediate barrier talking to these people. I would never feel fully connected to them.’
During fresher icebreaker games, the question ‘what school did you go to’ was a hot topic of conversation for Daisy, Arianne and Beth. It seems as if an almost physical barrier existed between private and state schoolers, with these types of conversations acting as a way to socially sift people into di erent piles.
‘As someone who was state educated in the north of England, there was often a notable, awkward pause after I responded with my school’s name. The average reaction was one of sheer disinterest’ Daisy adds.
The uneven proportion of stateschooled students creates an uncomfortable and closed environment, making state-schoolers feel as if their educational background determines their worth and social currency. It can fuel a desire to hide who you are and where you are from in order to fit in more easily.
An almost social segregation reveals itself when students from the same big public schools all end up in similar accommodation and instinctively stick together. Bristol halls of residences’ rent disparities further fuel this divide, with those being able to a ord the top prices of Stoke Bishop ending up as flatmates. Nestled in a new home that is not all that di erent from a boarding school experience, many students take the familiar route of continuing to socialise in their school cliques.
Arianne recounts feelings of isolation when realising how many of her flatmates had a ready made friendship group at Bristol before even arriving, leaving her already feeling a step behind the rest.
‘On the second day, most of my flatmates were meeting up with their friends who they knew from private schools. This was really annoying as uni should be about making new friends. It was another way I felt kind of out of the loop’
Although these student experiences may seem bleak, Bristol has introduced some positive programmes to widen access for state-schoolers, including the Bristol scholars scheme. This allows headteachers to nominate students based on individual circumstances to receive a tailored o er from the University of Bristol, a leg up that stateschools often don’t have. However, there is much work to be done to bridge the gap between pupils.
It is all too easy to feel embarrassed of a state-school education whilst being at a university with such a large proportion of privately educated students. However, it is vital to recognise that being state-educated is not a weakness: it should be considered an achievement. On average, a state school has a class size of 22.3 pupils compared to 15 private school pupils. Most stateschools are underfunded and oversubscribed compared to fee paying schools, having scarce time to thoroughly prepare students for university. Succeeding in spite of these disadvantages whilst others have had an education lined with privilege and entitlement is something to be applauded and celebrated.
How to not lose your marbles: an unorthodox guide for the ADHD fresher
mine-deprived brain are vital to finding success in starting university, whether that looks like submitting your summatives on time or remembering identification for the club as many nights of the week as you find yourself on the Triangle. Here is a short, non-exhaustive list of tips discovered exclusively through a large amount of personal trial and error that I hope
incoming students will find helpful.
Accessing support and alternative arrangements
If a student has disclosed a disability on their application to the university, they will be prompted by email to request a study support plan. Admin tasks can be particularly challenging, but if there’s one
piece of paperwork, besides your registration to the university, that I would consider worth doing, it is this. A study support request may result in a study support plan (SSP), which is a ‘summary of the reasonable adjustments [recommended] for your teaching and assessment.’
A greater range of adjustments can be provided when you pro-
vide supporting documents, but it’s very important to note that, regardless of the status of your diagnosis, as of right now, students will not need supporting documents to access 25% extra time. Diagnosed or not, I would highly recommend asking for this if you feel you might need it well in advance of December exams. I have also appreciated my per-
Illustration courtesy of: Julia Mullins
Late shifts, lectures, and loans: the student struggle to stay afloat
Grace Bourne discusses how the cost of living crisis and part-time employment influences university studies.
Grace Bourne Third Year, History and French
With Student loans unable to keep up with cost of living, financial pressures for students have become more and more pronounced in the last couple of years, forcing many students to turn to part-time employment.
The Student Academic Experience Survey (SAES) 2025 showed that, currently, 68 per cent of undergraduate students are in term-time employment, up from 56 per cent just last year. But do students in 2025 have much of a choice about term time employment? As soon as I arrived in Bristol in 2023, I saw the money start to drain out of my account, and having a job felt like the only way I could avoid budgeting within an inch of my life. I started waitressing the week after freshers and, at that point, feeling void of advice, I quickly discovered the pressures of part-time work.
Increased stress, missing out on socials, as well as university work taking a hit became quickly apparent. And it was not just me. Alongside the increase in working students, the amount of time spent in independent study has also decreased
sonal tutor as a wellbeing resource, and was grateful to be referred to student support when too overwhelmed to self-refer.
Consider cash for budgeting
ADHD can make personal finance a particular challenge. An increasingly contactless world, in combination with poor impulse control, enables students with ADHD to make transactions without having to visualise the amount actually leaving their accounts. From working a job that exclusively paid in cash, I stumbled across my favourite way to budget and found that keeping some cash on hand allows me to fully conceptualise the
since last year from 13.6 hours per week on average to 11.6. A report by Edinburgh Napier University, published in 2015, showed that ‘over two thirds of working students felt that their studies had been negatively a ected by their paid work [...] with just under a half describing mental health issues associated with working whilst studying.’
The Higher Education Policy Institute (HEPI) showed that almost half of universities now publish advice on part-time working as the cost-of-living crisis intensifies. The University of Bristol has a web page on working part-time, which recommends no longer than fifteen hours of paid work a week. As well as giving tips on how to find parttime work in Bristol. This is alongside other advice on how to manage finances at university. But does this do enough to fill the gap between the university experience of those that have to work and those who don't? Fifteen hours a week can add up over an extended period of time. Without serious consideration on how to mitigate these e ects, students with no choice but to work are automatically at a disadvantage. But what can universities do?
The President of the student association at St Andrews University says that ‘unless the government does something and unless we see increases in maintenance loans, we are essentially setting up a system where the richer students can fly through it and the poorer
amount I have and am spending. It has also led to some interesting and intense conversations with local shop owners, some of whom very much prefer to receive cash!
One way to incorporate this is by withdrawing the amount you would like to spend on food and drinks on a night out, as this provides a limit to the amount you can spend while, let’s say, preoccupied, and ensures that you do not wake up to any surprises in your account the next day.
Figure out your reset routine before you need it
In an ideal world, nobody would ever feel burnt out by academia. The unfortunate reality is that feel-
students are constantly struggling through each year of their university degree.’
‘This means that students having to work to meet the cost of living in 2025 are under increased pressure and have to pay particular attention to time management and planning. Missing out or burning out become the only two options. ’
Feeling like you stick out or can’t quite break into the ‘in’ crowd at Bristol? Apparently, you’re in good company. At Bristol, we know that we need to focus on increasing diversity in our student population. Our new column - Mind the Gap will delve into everything from state-schoolers left disillusioned by prep school cliques, to how our neurodivergent students are coping at Bristol. We’re diving deep into the gaps that still divide us at university. Each piece will aim to amplify the student voice, bringing impactful stories to the forefront. In this column, we want everyone to be heard and seen. Mind the Gap is here to shine a bright light on inequalities that are too often overlooked, so let us hear about any experiences or issues that you think deserve to be showcased and no longer silenced, and we can get writing about these vital topics. We can’t wait to get started!
At the University of Bristol, similar to other universities, you are unlikely to be considered for an extension or extenuating circumstances as a result of 'paid employment'.
When I started working, the pressure to balance new friends, complete all my assignments, and make it to a five to close shift quickly became overwhelming. For a perfectionist who wanted to be good at everything, I quite quickly exhausted myself. Trying to complete assignments during a half an hour break, getting home at 1 AM, and trying to make it out of bed for a 9 AM lecture. Time management was the only thing that got me through and took a while to learn.
ings of overwhelm are inevitable, especially in the first year of university. Symptoms of ADHD can worsen burnout, and, from experience, it is key to figure out a game plan to regulate yourself so that when overwhelm hits, it isn’t paralysing. As a fresher, learning the rituals that make you feel better is as simple as exploring Bristol on your own terms and making note of what feels like home. I found a specific walk, a bowl of noodle hotpot, and a favourite library that regularly keeps me from getting on the first available coach home to avoid academic life. I recommend all freshers do the same.
Academic accountability
The University of Bristol's undergraduate working hours guidelines seem about right; but it is also very important, if you can, to plan where those hours are in your week. It is no fun missing big events or nights out because of a shift. So, plan ahead and give your employer a clear list of dates as far as possible in advance to ensure that a part-time job doesn't tarnish your university experience. Do not be pressured by employers into taking on extra hours if you don't need to. You are investing in your university education and it has to come first. You are also investing in a rich social experience, which should not be sacrificed for part-time employment if avoidable.
However, it is not all doom and gloom, I loved having a job. As a fresher coming to university, it's
Very little of my year one work was completed more than a day in advance of the deadline, and this formed my golden rule: if there’s no accountability, it probably won’t get done. Self-study is unfortunately dependent on self-motivation, and when this is lacking, the only workaround I have found is making it someone else’s problem. I’m mostly joking. ADHD students could therefore benefit from finding a body double to aid in focus when completing difficult tasks. For myself, it’s the slight panic of watching someone else go into deep focus that motivates me to, in turn, attempt my own work. A coursemate of mine requires that all phones be put in a stack
very easy to get wrapped up in the heady lifestyle of a student, often surrounded by people very similar to you. Having a job can bring you back to reality and be a great way to meet people who know the city. They can give you great tips about where to go in Bristol, outside of Redland and Clifton. It makes Bristol feel bigger when you have a foot outside of the world of the university.
In my second year, I was far stricter with myself about not covering shifts and taking on extra hours (as tempting as the extra cash was). I specifically asked not to be put on late shifts the night before an early morning lecture. Immediately, I noticed a shift in my mental health and a huge relief of stress. I had more control over my time and how I wanted to spend it. The burn out started to wear o and I could realise the benefits to working, not just the stresses.
The conversation now is not necessarily about whether to take up term time employment or not, current financial pressures make it di cult not to, but how to manage it once you get there.
on the far end of the table during study sessions, and this has probably increased net Geography productivity by tenfold.
Overall, managing the challenges of beginning university can worsen symptoms or make them harder to manage. It is therefore essential for students with ADHD to realise that they are statistically not alone: As of 2025, it is estimated that, including the undiagnosed, nearly 2.5 million people in England have ADHD, and there are likely people within your cohort with similar challenges who will understand the unique perspective that ADHD brings to higher education.
Trigger Warning: Mentions of rape and sexual violence.
In protest of the self-test:
The open letter demanding accountability from Enough.
Nel Roden and Will White examine the open letter criticising the self-swab rape test company, Enough
Nel Roden & Will White
Features Editor and News Editor 24-25
Since their launch in October 2024, Enough, a self-swab rape test kit company, have established a known presence on campus. Their orange hoodies and paddling pools filled with self-test kits are now a recognisable sight for many students on their walk around university, and were even featured at the beloved end-of-year formal event, Winestock. The kits themselves o er a ‘simple, quick and dis-
organisation in April this year found that 86 per cent say they would report with the company. Here to offer a reporting alternative for the ‘90 per cent [who] do not want to report o cially’ (85 per cent if including those reporting to SARCs (Sexual Assault Referral Clinics)), Enough has positioned itself as a radical solution to sexual violence. But not everyone is convinced.
raised are not the only criticism the company faces.
In early September 2024, the Faculty of Forensic and Legal Medicine (FFLM) released a position statement on self-swabbing kits. While the Faculty encourages organisations interested in combating the rape crisis, it ultimately concludes that, unless stringent guidelines are followed, self-testing ‘puts survivors at risk.’ The statement cites self-swab kits’ inability to o er physical and mental health support, issues surrounding courtroom admissibility, inability to provide safeguarding for vulnerable survivors, and the lack of evidence that kits act as a deterrent as its primary points of concern.
In a survey conducted by Epigram, one student wrote of their experiences being approached on a night out, remarking that it can be ‘so triggering for someone who has experienced [sexual violence].’
and separate risk analysis’, as one student who formerly worked with Enough notes. Responding to this, the SU told Epigram:
‘We have enacted precautionary measures this year, more than once, but we will not discuss specific instances or provide further information due to the confidential nature.’
Enough were asked to hold an interview with Epigram to discuss the specific claims levelled in the open letter, but declined to do so, instead providing general response statements. On the allegations, Enough wrote: ‘It's incredibly distressing and disappointing to us to see this misinformation, mis-representation of information and personal attacks on Enough and our team.’ The organisation denies the claims made in the open letter.
In October 2024, the SU introduced their Disciplinary Policy as part of the code of conduct review – a step towards codifying accountability measures done in collaboration with the University of Bristol Ladies Hockey Club (UBLHC). Detailing a framework for managing allegations of misconduct, the Policy stands to ensure disciplinary action is, as the SU tells Epigram, ‘applied fairly and consistently.’
Concerns were reiterated in November 2024 in a joint statement by NHS England, Avon and Somerset O ce of the Police and Crime Commissioner, and multiple Bristol-based sexual assault support services, among others. For reasons echoing the FFLM, the statement explicitly warns against self-testing: ‘It is recommended that you do not take a swab yourself.’
Another allegation claims that Enough misrepresented the SU's reporting processes. Bristol's Students' Union has publicly declined to support Enough, with an SU spokesperson telling Epigram: ‘As previously stated, we do not promote or endorse the Private Limited Company known as Enough. This is based on concerns raised by the NHS, police, and local support services regarding the use of self-swab tests.’
On Monday 26th of May 2025, University of Bristol student Lucy Hobday published an open letter – now signed by 302 students and 13 societies including Dance Soc, LGBTQ+ Soc, and Criminology Soc – requesting that the Students' Union and the University of Bristol take action to ‘protect’ students against self-swab rape test kit company, Enough. Despite stating on their website that ‘70 per cent of Students are already saying ing rape in Bristol’, dissatisfaction It all started with that
200 rapes had been reported
day in
As of 7th of July 2025, @ enoughofenough stands at 924 followers, with the open letter representing what Hobday describes as the ‘entire point’ of what the account is trying to do.
Emphasising their commitment to student safety, the SU added: ‘We are committed to providing an environment where all students are safe and respected. We do not tolerate sexual violence or misconduct. You are not alone, and the right services are on hand to make sure you get the help you need, should you need them. This year we've worked with partners across the city on a campaign to raise awareness of the critical work of SARCs.’
ber. A survey of 252 ducted by the on campus remains. So why is a port on their own terms an Instagram account. Launched
late April this year with a post titled ‘We've had enough of Enough’, the account, @ enoughofenough, now has 22 posts, all of which detail grievances with Enough. Her reasoning for starting the account, Hobday told Epigram, was simple. She explained: ‘I wanted to create an online space to inform students so they could have a full understanding of what they were signing up for if they used an Enough kit.’
But the concerns Hobday has
Speaking to a discontent with Enough's practices and presence on the University of Bristol campus, the letter addresses seven claims against co-founders Tom Allchurch and Katie White.
The first alleges that the company has ‘Targeted drunk students for promotional purposes.’ Hobday told Epigram of her own experiences with this when earlier this year ‘five or six representatives filmed themselves giving me a rape kit when I was too drunk to say no or understand what was going on.’ Once brought to their attention, Enough apologised, telling Epigram that ‘on the few instances where people change their mind or there was any level of miscommunication we apologise and remove.’
Having now met with Hobday alongside the University regarding the contents of the open letter, the SU has pledged to review the issues, saying, ‘We take the concerns that they have raised extremely seriously.’ They plan to meet Hobday for further discussions soon.
The open letter claims Enough to have ‘undermin[ed] student understanding of and trust in their student[s'] union’, leaving students ‘less confident in turning to the SU for support and protection.’
In a video posted on the Enough Instagram account, the company claim the SU ‘suspended 0 perpetrators [of sexual violence].’ An FOI (freedom of information) request from April 2024 reveals that, of all relevant cases since 2021/22, no students have been permanently withdrawn from the University of Bristol on account of sexual misconduct. The SU, however, have ‘separate reporting structures
Their stance is echoed by the University of Bristol, who also work closely with partner organisations across the city to address issues of sexual violence. ‘We care deeply about all our students’, a university spokesperson tells Epigram, ‘and are committed to providing an environment where everyone feels safe and respected.’ The spokesperson also reiterated that the university has no relationship or a liation with Enough
When asked about the video, Enough told Epigram that the ‘small mistake’ has now been corrected in the caption, which now reads: ‘Please note 0 perpetrators suspended refers to the university not the SU.’
The open letter goes further, alleging that Enough has ‘intimidated’ students who questioned the company's mission. Student journalist
Resources for those a ected by sexual assault
At Epigram, we stand with survivors and everyone a ected by sexual violence. Being able to access support is vital, but it can feel daunting if you are already struggling and have no idea where to go to get the help you need. Here’s a list of resources available to anyone who has been a ected by sexual violence.
Within the university: The university's resources and report system are avaliable on the student support section of the university website by entering www.bristol.ac.uk/students/support/health/report-unacceptable-behaviour/sexual-misconduct into your browser.
In the Wider Community: The best place to go if you need support related to sexual abuse is your local SARC, which, in Bristol, is the Bridge. They provide specialist care to everyone, including men, women, LGBT+ people, under-18s, and anyone else who needs it. They can o er emotional, medical, or practical support, including counselling or professionally done forensic medical examinations. The Bridge is run by the NHS, so you will not need to pay for your care. They can also provide emergency contraception or help you anonymously report to the police. Their website is: https://www.thebridgecanhelp.org.uk.
Will White was contacted by Tom Allchurch in March via LinkedIn following Epigram's coverage of Enough, despite having not been involved with the original article himself. In the message, Tom Allchurch cites a slew of statistics regarding sexual violence and its prosecution, noting the ‘4 per cent chance’ Will White's ‘women friends’ had of getting raped.
Tom Allchurch went on to address questions regarding the admissibility of Enough's self-swab kits, stating that such questions are ‘not really controversial’, and that they are being ‘whipped up by the SARCs who are worried about their funding.’
SARCs, or Sexual Assault Referral Clinics, are sexual violence support services typically provided by the NHS. They o er free and confidential support for those who have been raped or sexually assaulted, including forensic medical examinations (if assault has occurred in the past seven days) and the option to store examination evidence –whether or not a survivor chooses to report to police. SARCs can also provide free STI and pregnancy testing, and with over 50 centres across England, they serve as a critical first point of care for survivors.
Responding to Tom Allchurch's claim, one ex-ambassador told Epigram: ‘I think that is a much stronger reflection on Tom Allchurch […] than it is on SARCs.’ She went on to call the statement ‘ignorant’, adding that ‘any concerns that SARCs raised about admissibility are out of genuine concern for the people that would need to use these kits. […] As someone who has gone through a SARC, they are as person-centred as they can be.’
On their website, Enough voices that in the instance where rape or assault has occurred, survivors should ‘go to the police or a SARC first if they want to.’ In their statement to Epigram, Enough cites existing services as being ‘part of the solution, but not all of it’, proceeding to claim that ‘Enough isn't instead of them, it can complement them.’ They continue: ‘SARCs support five per cent of survivors,
23 of the 100 major UK universities do not even have a SARC in their city.’ Bristol, however, does.
The Bridge, Bristol's SARC, provides medical and forensic support while also o ering survivors the chance to speak with a trained professional about their experience, along with referrals for counselling. The Bridge is funded by NHS England and Regional Police & Crime Commissioners for Avon & Somerset, Gloucestershire and Wiltshire Police.
‘My worry’, one student who was formerly involved with Enough told Epigram, ‘is that Enough takes all the spotlight, and there wasn't much spotlight on The Bridge to begin with.’ One ex-ambassador reiterates this concern, telling Epigram her belief that ‘so much of [Enough's] communications is inherently alienating people from existing services.’
She continued: ‘Obviously more could be done in existing services. No one's denying that. But there was never acknowledgement of how much [SARCs] actually do and how much they provide for people who are in need of their services. It was just this kind of like, “Oh, [SARCs] don't agree with us. That's a problem we need to deal with.”’
Despite this, one current ambassador claims that because of Enough, ‘more people now know what a SARC is and how to access one.’ Enough themselves remarked to Epigram that, ‘After having conversations with people who disagree [with the company's mission], it becomes clear that their frustration is with the system.’ They did not comment on the message sent by Tom Allchurch to Will White, nor his remark regarding SARCs.
Further allegations detailed in the open letter allege that Enough: ‘Illegally collected students' phone numbers’, ‘Established a pervasive presence outside of university buildings’, ‘Repeatedly entered student-only areas in order to distribute and display marketing materials’, and ‘Repeatedly entered student-only areas in order to film students.’
‘I've never wanted the account to alienate or ostracise ambassadors from their own student community.’
Responding to the final claim listed, Enough told Epigram: ‘Students have thanked us for being in student hot-spots [...] We only speak to people if they want to have the conversation.’ They did not comment on the presence of Katie White, who is not a University of Bristol student, in a Ucard-access-only area on campus.
In response to the open letter more broadly, Enough issued the following statement to Epigram:
‘We are [in our] early days, wanting to learn, always open to constructive criticism but the individual/group behind this account seem set on destroying Enough. It makes sense to be angry at the situation today, but it perplexes us why that would be directed at one of [the] few organisations making a tangible di erence.
Instead of tearing down a solution which shows hope for survivors, why not direct criticism towards helping us improve?’
In a later statement, Katie White added: ‘Of course there are a few who don't agree, that's their personal opinion and is ok. But the most common question students ask is “How does this not already exist?” They thank the Enough student ambassadors for stopping young women being raped.’
Yet for Hobday, the letter is not about undermining Enough, but about demanding accountability. In discussing her hopes for what the open letter will achieve, Hobday described it as an opportunity for students and societies to have their experiences with Enough addressed – to ‘know that they will be heard’, that ‘change will come from it.’
But Hobday is equally keen on recognising the faces of Enough that most students are familiar with: the student ambassadors. Speaking with Epigram, Hobday clearly expressed that the open letter is not an attack on Enough's former or current ambassadors. ‘I understand that it is goodwill and a passion to help others that has motivated students to join Enough’, she writes,
In anonymous statements from Enough's ambassadors – shared by Katie White with Epigram –the sentiment among the student volunteers leading the campaign on campus is clear: informing students, empowering survivors, and engendering necessary conversations to ensure change.
‘I am one in and amongst the lives of so many survivors who don't fit what is stereotypical’, one ambassador shared in their statement, ‘and Enough has created a voice and a conversation for us.’ Even for student volunteers with no personal experience of sexual violence, a commitment to being part of the conversation remains strong. One ambassador emphasised that, despite not having personal experiences, being part of Enough has made them a ‘more well-rounded person’ and that seeing the di erence the organisation has made is ‘inspiring.’ As another ambassador puts it: ‘I am proud to be associated with Enough.’
Beyond sharing their gratitude for being involved with Enough, several ambassadors also touched on how the organisation addresses criticism. Many see critique as an opportunity for betterment, something which ‘helps [Enough] grow and better serve survivors and communities.’ Another ambassador told Epigram that the group's approach to engagement has ‘evolved’ since they began volunteering, adding that they are keen to ‘take on board the
work collaboratively in pursuit of the same outcome we all want.’
But this philosophy masks a more complicated truth. ‘I often felt like they didn't really listen to the concerns’, one formerly involved student shares with Epigram Expanding on this, they characterised Enough's primary goal as being ‘trying to steam-power ahead with their idea.’ This sentiment was reiterated by another disa liated member who o ered a pointed critique: ‘Just because you think this is the right course doesn't mean it is the right course’
Having elected to leave Enough after finding it to be ‘too much’, the same ex-ambassador described how in ambassador group chats, Enough would ‘post stats of [which volunteer] had been the most like active during the week.’ She explained how this left her feeling that the organisation was losing focus on helping survivors and that, at times, the subject matter ‘didn't feel like it was being treated with the sensitivity that it deserved.’ Expressing a similar sentiment, another formerly involved student shared candidly: ‘I feel exploited by Enough. I really do. I really did.’ It seems that for some former members, there remains a disconnect between Enough's noble goals and its day-to-day operations.
thoughtful and constructive criticism we've received.’
The debate surrounding Enough reveals a fundamental tension in addressing sexual violence: how to pursue urgent, radical action while staying attentive to the very communities it seeks to serve. For Hobday, the focus remains on those who shared their stories. ‘I hope every single person who reached out feels something tangible has come from their bravery’, she tells Epigram While the outcome of the open letter remains to be seen, what's certain is that the voices of students will continue to shape conversations around sexual violence, both on campus and in wider society.
For the ambassadors, listening seems to be about more than just responding to backlash, as one ambassador concludes their statement: ‘Criticism doesn't have to be a bad thing; instead, it can
Epigram's top ten moments from the 2024/25 academic year
Daisy Yates & Reuben Kerbes Senior Digital Editor & Features Sub-Editor 24/25
From landmark interviews to award-winning campaigns, 2024/25 was a year to remember for Epigram. We’ve hosted renowned journalists on campus, handed out over 800 papers in a single day, and even uncovered the story behind Bristol’s most iconic kebab van. With so many highlights to choose from, there's no way we could possibly rank them. So instead, here are ten of our proudest moments from the year: in no particular order, but all equally brilliant.
Getting behind the counter at Jason Donervan
Every student has their Jason Donervan story. Whether it's a post-club pilgrimage or an emotional reunion with cheesy-chips after a deadline, the iconic Clifton Triangle van has become a rite of passage for Bristol students. This year, our Sports Sub Editor Mihai Ro ca sat down with JJ, son of the eponymous Jason, to uncover the story behind the establishment.
Mihai discovered how ‘Jason Donervan’ came to be, tracing the path of Mustafa Durdu (who we all know as Jason), who moved to the UK as a young migrant with a dream of lifting his family out of poverty. Through relentless hard work and determination, Mustafa built his business from the ground up, creating a legacy that would not only provide for his family but also set an example for his son, about the importance of perseverance and giving back.
Epigram's first ever live-blog at fight night
As student fight-nights become more popular, Epigram's Sports team sought to capitalise on these growing events, and wanted to do it in a way that has not been achieved here at Epigram before.
Faniki Deche, our Sports Editor, opted for a live, ‘as-it-happened’ style of reporting, as well as a social media takeover to document the excitement of such an event.
This live-blog style was a huge hit, keeping students who were unable to attend up to date minute by minute, as well as showing a post-event breakdown of what happened, and when.
The success of this style was recognised, and the Sports team have continued on this trend of live-blogging, each met with a resounding victory for Epigram and our outreach!
Coverage of the SU elections
Led by News Editor, Will White, and supported by our very own rising star Sofia Lambis, Epigram's News team worked tirelessly this March to cover the University of Bristol Student Union elections. Kicking o with a special editorial, the team introduced readers to the candidates and examined the key issues shaping student politics this year. As voting opened, our team delved into highlighting manifestos, fact-checking claims, and encouraging students to engage with the process.
The excitement culminated on the 14th of March, with live results night coverage, reporting from Senate House as the new SU Officers were announced. From interviews to real-time updates, this was an all-hands-on-deck moment for Epigram, and one we are very proud of.
Partnership with Watershed
This year our Film&TV section achieved a major milestone by securing an exclusive partnership with Watershed - Bristol's leading independent arthouse cinema. This collaboration awarded contributors access to the early sta screenings, allowing them to review films before they hit general release.
It was the work of Sofia Webster, our Co-Deputy Editor, that made this opportunity possible — but it's the entire section, and any student with a passion for film, who now benefits from this connection.
The partnership not only strengthens Epigram's presence in the local arts scene, but also gives student writers the unique chance to review cinema that falls outside of the mainstream.
Redesign of print and socials
As part of a new direction for Epigram in 2024/25, we hired our fantastic Art Director Julia Mullins, and Deputy Designer Alex Hill. With a clear vision and unstoppable work ethic (we're talking all-nighters that stretched to 7am), they led a full redesign of our print editions and social media presence.
From cover to cover, their work has breathed new life into Epigram, combining sharp visuals with a clean and modern design, and we must admit - it looks bloody gorgeous. Julia and Alex's dedication and creativity this year have elevated our publication to a new standard, transforming it into not just something to read, but to truly admire.
Photo courtesy
Photo courtesy of: Julia Mullins
Photo courtesy of: Annie McNamee
Photo courtesy of: Dylan Gardner
Photo courtesy of: Julia Mullins
Our Break the Mould campaign
This year, Epigram launched ‘Break the Mould’, a campaign spotlighting the unacceptable standard of student housing. With first-hand student testimonies, investigative reporting, and a dedicated print edition, the campaign called on the SU and local authorities to take action. Our petition to introduce a ‘Rent Review’ system, where students can review how e ectively their landlords responded to issues, gained over 600 signatures, and the campaign was featured by titles such as BBC News, The Big Issue, and Greatest Hits Radio!
Epigram also won ‘Best Project or Initiative’ at the Student Publication Awards this April for our work on ‘Break the Mould’! This is an incredible result and a testament to all the hard work that went into this campaign. We are excited to carry on our work campaigning for students next year, so keep your eyes peeled…
As part of a move to make student journalism more accessible for beginners, this year's Epigram team held a series of interactive workshops for new writers. Editors from Music, SciTech, Sports, and Features all hosted classes that broke down the ins and outs of each of their respective sections.
Whether you were a seasoned journalist or a complete beginner, there was lots to learn! From interviewing techniques, writing style, or general conduct practice, no one left without feeling like a more confident journalist.
Not only were they very informative, they also provided a comfortable space for new writers to get acquainted with the teams, and helped reinforce the sense of community we aspire for here at Epigram. With high turnout, great feedback, and a fresh set of editors, you can be sure that this will return next year.
Student Publication Award wins
Leading on from our successes in 2024, Epigram brought home five awards at the yearly Student Publication Association (SPA) awards this year, including Best Publication! Credit is due to everyone that has worked on Epigram, and it couldn’t have been achieved without all of our contributors, editors, and executives. This is something everyone who’s passionate about Epigram should be proud of, but there are some standouts worth commending:
Our Co-Editor-in-Chief, Annie McNamee, won the ‘Billy Dowling-Reid Award for Outstanding Commitment’, and she couldn’t have deserved it more. Juggling her final year of university and Co-EiC is already an achievement, but to bring Epigram to the centre stage with five awards is undoubtedly worth serious commendation.
Not only this, but Epigram also won the prize for best Science Publication/Section. This can be attributed to the quality work done by our SciTech team led by Corin Hadley, who pulled the section from being potentially scrapped, and made it an integral part of Epigram
Sofia Lambis also took a podium, winning ‘Highly commended’ in the SPA’s ‘Rising Stars’ category. She is definitely one to keep an eye out for!
Women in Media careers talks
To celebrate International Women’s Day, Epigram traditionally hosts a 2-day event, honouring some of the brilliant women shaping today’s media landscape. This year, we decided to take it further and expand the conference into a month-long series! Organised and hosted by our incredible Equality and Wellbeing O cer Lily Wheeler, every Wednesday in March we welcomed panels of three inspiring, passionate women who shared their candid insights into navigating an often male-dominated industry. From personal challenges to career-defining moments, the sessions were not only empowering, but also practical, giving attendees the chance to ask any burning questions they have about breaking into the world of media. As part of the event, we were honoured to have welcomed Susanna Reid - presenter of Good Morning Britain and former Epigram Editor - who returned to Bristol 30 years after taking the helm of our paper. Susanna reflected on how Epigram shaped the early years of her journalism career, o ering both heartfelt stories and sharp insights into the realities of working in national broadcast media. Her presence was not only a proud moment for Epigram, but a powerful reminder of where student journalism can take you.
Talk series with Sarah Gordan and Paul McNamee
One of Epigram's most exciting events this year was our free Talk Series, organised by our Managing Director, Livy Naylor. Featuring some of the biggest names in journalism, this series aimed to inspire the next generation of media professionals. It gave students a rare chance to hear directly from industry greats, ask questions, and discover how they too can succeed in the volatile media industry. We kicked o with Sarah Gordon, former Business Editor for the Financial Times, who shared her fascinating career journey - from reporting through the 2008 financial crisis to navigating the digital shift in journalism, all while balancing motherhood. Next was Paul McNamee, Editor of The Big Issue, a publication that prides itself on a ‘hand up’ policy, partnering with those who too often go unheard. McNamee o ered straight-talking advice and useful guidance on how to climb the journalistic ladder, and how to stay true to yourself whilst doing it.
We're honoured to have welcomed these speakers this year. For students dreaming of a future in journalism, this was a chance to get a peek at the inner workings of the industry and come face-to-face with some of the legends in the field.
(From left to right) Photos courtesy of: Bristol SU, Annie McNamee, SPA, Julia Mullins
Words of wisdom for freshers: Five pieces of advice I wish
I had been told
Editor's Choice:
For my first Editor’s Choice of the year, I’ve chosen a piece that cuts through the noise to give freshers quick, honest, and no-nonsense advice from someone who’s been exactly where they are now. Written by a fourth year student of Cellular and Mollecular Medicine who still finds time to contribute to her student newspaper, Megan is clearly doing something right. And don’t be misled by the headline: this isn’t just for those at the very start of their university journey. It’s a must-read for anyone who has ever wondered, ‘am I doing university right?’ and is tired of never getting a straight answer.
Megan Stannett Fourth Year, Cellular and Mollecular Medicine
As a fourth year student who fell victim to the panic masters epidemic, it's only right to share some tips and tricks for the freshers cohort to ensure you get the most out of your time at Bristol.
1. Freshers’ Week is not the be-all and end-all
Having survived 3 years of Bristol Freshers’ Weeks, I can say wholeheartedly that my first-year freshers was the least memorable of them all. The perception of freshers' week as the ‘best week of your life’ is, in fact, a myth that does not define your upcoming uni experience.
It’s a week full of intense emotions –excitement, anxiety, hangxiety, and stress – but this is all a natural part of moving to a new city, finally becoming independent and pursuing
a degree subject you’re (hopefully) passionate about. So know that if your freshers' week doesn’t live up to expectations, trust me, it only gets better. And don’t forget that everyone is in the same boat: being in a new environment, making new friends, and adjusting to adulthood. Given all of this, it makes sense that Freshers' as a fresher can be di erent to what is expected!
Instead of buying the Freshers' wristbands advertised on Facebook and in your accommodation, look on the Bristol Students' Union's website for the o cial uni-organised events.
2. Your first-year flatmates don’t have to be your best friends
Throughout your three (or more) years at Bristol, you will continue to meet new people and make new friends, so don’t freak out if you don’t immediately click with your flatmates. The university
is massive, so getting somewhat unlucky with your first-year accommodation does not mean you’ve been set up for failure. As long as you're happy with the accommodation you're in, there's always alternative ways to socialise with new people outside your flat. Meet your neighbours, go to the Students' Union's 'Give it a Go' events hosted by societies, and start a conversation with someone on your course.
Wherever you go, there will be people just like you wanting to get to know others and mingle as much as possible. And if the flat just isn't the right fit for you and you can't see yourself staying for the rest of the year – you can move! It’s completely ok and happens a lot more than you think. The process is straightforward, and you'll be supported by the University. So, if you find yourself unhappy with your situation, there are always avenues to try again.
3. Bristol accommodation stereotypes are true
Yes, Wills Hall is full of London private school students, and Goldney is a hub for ‘I found myself in Bali’ gap years. This isn't necessarily a bad thing, but take the memes and sometimes harsh stereotypes into consideration when choosing your first-year accommodation. They can be scarily accurate. However, if you find yourself not quite falling into your accommodation's perceived niche, don’t be put o by this. At the end of the day, Bristol has such a diverse student population that there is a group for everyone. Take it more as a guideline to distinguish what you do and don’t want from your first-year
accommodation, and let it help you when making your decision!
4. Take advantage of the freedom that is first year
Don’t spend your days grafting in the library nine-to-five during first year – trust me, you will regret it. All you need is a 40-pass mark to continue to second year, where things start to count, so please use your time wisely. Not to condone skipping university – it is important to attend lectures, bond with coursemates, and get a feel for your degree – but with the year not counting towards your final grade, you have the chance to take advantage of the lack of academic pressure and lighter workload.
Allocate as much time as possible for meeting people, making memories with friends, going to as many societies as possible, and getting to know the city. In hindsight, this will be far more significant to your uni experience than breaking your back over first-year exams that will be forgotten soon enough. In second year, when life begins to skew towards days in the library rather than pints at the pub, you don't want to realise that you wasted your freedom as a fresher by studying instead of socialising.
5. Getting lost in Bristol is the best way to get to know the city
Bristol is such a beautiful city and arguably one of the best locations for university. There will always be endless recommendations for restaurants, shopping, pub gardens and more, but don’t limit yourself to these. The
best way to fully immerse yourself is to get outside and explore the remarkably diverse city that is Bristol.
A common regret among many final years is not branching out to di erent areas like Gloucester Road and the city centre enough, the result of sticking to the student classics like Park Street and the Triangle. This can be applied to eating out, café spots, shopping, pubs, and nights out. Clubbing in Daisy’s on a Friday night is not the peak of Bristol nightlife – and that would actually be o ensive to some.
So, take a walk along the harbourside, go to the pubs down King Street and spend a day exploring the shops and cafes on Gloucester Road. Even if they aren't the ‘popular’ first-year student areas, it doesn't matter; get ahead of the curve and find the areas of Bristol you love rather than conforming to the social norms.
In the end, being a fresher isn't a make-or-break moment, university is a marathon, not a sprint, and the early days are just the warmup. You’ll survive the awkward flat kitchens, the questionable club nights, and the inevitable maze that is the Arts Complex. The real secret is giving yourself room to breathe, try new things, meet people, and occasionally get lost – all without the crushing weight of academic perfection. Bristol will keep surprising you long after the free tote bags and uni merch stop, so pace yourself: you’ve got years of chaos, caffeine and memory making ahead!
After 3 years, I can confidently say that the Bristol experience is unmatched, and I have no doubt you’ll feel the same soon enough.
Editor ................................................... Sam Couriel
The paradox of plenty: When opportunity stops feeling like freedom
As pressures on students increase, are the endless o ers of oppurtunity becoming too much?
Lilian Asal Second Year, Law
With the start of term approaching, Clifton Downs will soon be flooded with seas of stalls. Each society promises fulfilment, skill-building, and lifelong friends. Yet this sheer amount of possibility can create a su ocating paradox. University overflows with chances to lead, campaign, and compete. But is this mountain of opportunities good for our development, or is the constant pressure making us less curious and more robotic?
The abundance of opportunity is necessary to meet the diverse needs of a growing student population. Whilst catering to niches is important, students are left with pressure from peers and a CV-building
culture. Yet, this is only a brutal reflection of the cut-throat hustle culture of the real world. In a society which measures worth by productivity, life after university is less forgiving. In order to avoid burnout, students should selectively seize opportunities. But we all know this is much easier said than done.
This instilled hustle-culture causes a pivot, where opportunity becomes an obligation. I never thought I would start my first year at university and be quickly greeted with an impending fear of unemployment, but when students start mindlessly signing up to prove their capability, university becomes less a time to discover who we are but instead how many lines we can add to a LinkedIn profile. Ironically, I will be reposting this article on my LinkedIn. We must remember to do things for ourselves, or students will be left overloading their schedules for fear of missing out or falling behind. If you reach this stage, I suggest you turn o your LinkedIn notifications for a bit and re-mind yourself for the
fifteenth time this term that comparison becomes the thief of joy.
‘Simply being a graduate is no longer enough'
There’s been a scrambling shift from curiosity-driven to resume-driven participation. It drains our drive, making us lifeless. Such phenomena only adds to the toll on mental health leading to anxiety, burnout, and loss of genuine passion. The replacement of the desire to explore with a mechanical chase for achievement is a normalised tragedy. I’d argue a neglect of the essence of what it means to be human. To be consumed in trying to look impressive instead of utilising the breadth of opportunity to find passion leaves students vulnerable to an increased likelihood of inevitably disliking where they end up after university. We must not let ourselves be habituated to doing things for the sake of them and instead embrace what makes us truly fulfilled.
‘This instilled hustleculture causes a pivot, where oppurtunity becomes an obligation'
the culture of constant optimisation is. Opportunity enriches us and offers new skills, networks, and confidence. Students should not shelter away from exposure, but instead should indulge in the di erent worlds available from student politics, sports, cultural societies, and research projects. It is naive to discount all the ways your career can be enriched by the opportunities at university, yet the intention behind this exposure is crucial. We often find ourselves lost in collecting meaning-less accolades. By carefully cultivating genuine interests, rather than performing, could we not be following our own curiosity to create an income from what we love?
breadth that I truly criticise but careless ill-thought engagement.
Sympathetically, I admit students have very little choice on the matter. Whilst CV-building culture is shamefully shallow, it only serves as a reflection of reality today, where worth is measured by achievement and productivity. Simply being a graduate is no longer enough. Thus, it is too tempting to run on autopilot to collate opportunities in an attempt to distinguish yourself rather than honouring true fascination.
Opportunity itself isn’t the enemy;
Perhaps this is an idealistic utopia only available to a few. The tension between passion and pay comes down to how our society operates. The better paid, better quality of life. Is this not the factual reality of the world we live in? Despite e orts to counteract disparity, income will always remain a harsh determiner of accessibility to healthcare, travel, education, etc.
‘It is painful to watch people forget who they are whilst chasing fairy tales of status and power'
This recognition of worth and congratulating those for productivity may, however, be necessary in a society where anti-intellectualism is on the rise. It is easy to be in our Russell Group bubble where we only speak about burnout and pressure, when really the masses of the next generations are getting lazier, completely consumed by and reliant on technology. The abundance of opportunity is necessary to inspire as the creative begins to die.
Our society operates as a hierarchy of status. This is inevitably going to trickle down into universities where students compete for opportunities, re-flecting the competitive reality of the job market.
When you die do you not want to remember that you’ve done things for your own fulfilment? I thus issue an urgent warning to students, against promethean ambition. It is painful to watch people forget who they are whilst chasing fairy tales of status and power. It appears to me to be a tragic overcompensation of insecurity in character or ability. Whilst exploring new things is one of the main developmental points of university, it is not
I know it can feel overwhelming, but it’s crucial to remember that having so many options is a privilege. Students tend to forget that we have full control and autonomy in what pressure we choose to succumb to. It is a need to prove yourself that causes a dull in excitement from the joys of what it means to have so much available to you.
Life after university can be cold, where abundance in opportunities becomes less available. Selectively engage in what you truly enjoy, while you can. Remember the abundance is not a reflection of you not doing enough, but instead what makes university a developmental place for everyone. I strongly believe an emphasis on depth over breadth and self-discovery can only e ectively come from within.
Photo courtesy of: Jess Cohen
Comment
As pressures on students increase, are the endless o ers of oppurtunity becoming too much?
The summer of 2024 saw us partying to Charli XCX and wearing neon green, but will muted pastels define the summer of 2025? Amelia Edwards explores what the shift to a more traditional aesthetic means for young people today.
Amelia Edwards
Fourth Year, English and Spanish
Last summer, we were throwing out cream blush in favour of smudged eyeliner, ditching Pilates to go clubbing, and blasting ‘360’ from Charli XCX’s iconic album. It was Brat Summer. This year feels di erent, from shifting TikTok trends to the outcome of the US election. Neon green has faded into muted tones, Brat memes have fizzled, and we’re left wondering: where did Brat Summer go?
The fact that we’re even asking says everything about the vacuum this vibrant era left behind. Brat Summer felt a bit like freshers’ week in Bristol - chaotic nights spilling out of packed clubs, dancing under neon lights to hyperpop hits, and going out with strangers you met ten minutes ago at pres - all mirroring the city’s famously wild student nightlife.
On a wider scale, it mixed high-energy club pop nostalgia with Gen Z escapism and became a viral cultural moment. As Kamala Harris launched her US election campaign, the ‘Kamala IS brat’ meme took the internet by storm. Collins English Dictionary even crowned ‘brat’
word of the year. The 2024 trend was all about freedom, maximalism, and most importantly having fun.
This year, summer is all about ‘dilly-dallying’: slowing down, embracing minimalism, and rebelling against hustle culture. A far cry from Brat Summer, this aesthetic is embodied by beige-on-beige colour palettes, linen trousers, and soft lighting. It looks a little
Where did Bra Summer go?
more like student life post-freshers, with its gentle focus on finding balance with a more mundane, practical lifestyle. After all, the day after a night out sees us all return to meal prepping, clean-
Brat
ing our student flats, and taking a walk in Castle Park— though we can’t always dress up coursework deadlines in whimsical pastels.
On a more controversial note, the 180-degree shift away from Brat Summer includes the continuing rise of the ‘tradwife’ trend. Overlapping with ‘cottagecore’, it reflects a romanticised version of the housewife lifestyle. Fuelled on TikTok by influencers like Hannah Neeleman (@ballerinafarm) and Nara Smith (@naraazizasmith), the trend spotlights domestic chores such as baking, gardening, and home decor. It idealises a pre-digital, slower way of life for burnt-out women, tired of being expected to do it all.
The more understated trends of this summer seem to replace material chaos with grounded minimalism. However, with Donald Trump in power in the US and the rise of far-right politics, it’s impossible not to connect the end of Brat Summer with a wider shift in the cultural climate. According to the Electorate Research Survey, the percentage of Republican men who think women should return to their traditional gender roles increased from 28 per
cent in May 2022, to 48 per cent in November 2024. For Republican women, the figure increased from 23 per cent to 37 per cent. Conservative values are on the rise, at least among right-wing groups.
As traditional aesthetics flood our ‘For You Pages’, the question is whether these trends simply mirror wider cultural shifts, or whether online culture is quietly reshaping our political subconscious.
‘Viral trends are embracing a return to a world painted in softer colours and simpler rules.’
If Brat Summer means dancing to club anthems in a world turned too serious, the ‘tradwife’ trend represents a very di erent subculture. Beyond its pastel-and-apron aesthetic, the ‘tradwife’ ideal taps into a wider regression of women’s rights, especially after the US Supreme Court’s overturning of Roe v. Wade in 2022. The idea of becoming a ‘traditional wife’ is a nostalgic (and outdated) echo of an era when women’s primary role was to stay at home and serve their husbands, reinvented as an aesthetic choice rather than the obligation it once was.
In hindsight, last year’s Brat era seems more like a brief, brightly coloured flashback to 2010s hyperpop rather than a permanent shift. If youth culture is trading the colourful, loose feminism of Brat
Summer for nostalgic visions of family life, it may reflect a desire for stability in an era of constant change. From political turbulence to the rising threat of climate change, viral trends are embracing a return to a world painted in softer colours and simpler rules. The result is a feedback loop where political movements shape online trends — and trends, in turn, shape politics — in a cycle that’s speeding up with every scroll.
However, as we await the next big thing to captivate the internet, it’s important to remember that aesthetics can also be just for fun. Whether we’re channelling “dark academia” energy for a study session in Wills Memorial Library, getting ready for a night out at La Rocca, or dressing down to explore Bristol’s Old City, neither our outfits nor our TikTok algorithms define our identity. University is the perfect time to experiment with personal style, mixing and matching di erent aesthetics based on our moods.
And even if Brat Summer is no longer trending, there will always be room for a streak of neon rebellion in our attitudes — and in our wardrobes.
In our 2024 freshers issue we published an article called ‘The art of Brat’ written by Ella Heathcote. If you fancy stepping back in time you can read more about Brat Summer online at epigram.org.uk
Photo courtesy of: Wikimedia Commons
Photo courtesy of: Daisy Yates
How does it feel to be the only South Asian student in an English seminar? Maya Tailor discusses why humanities courses can be unfamiliar and uncomfortable places for South Asians, and what needs to change.
Tailor Features subeditor
Thesmiles of surprise, the raised eyebrows; I remember the impressed, albeit bewildered, look on my relative’s faces when I told them I wanted to study English at university.
As an Indian person, I had always felt the weight of the underlying cultural expectation to enter a high earning field of study (bonus points if it was a STEM-related field!). For them, subconsciously or consciously, a degree in the humanities was a waste of time and money. The career pathway was dreadfully unclear and the content, to them, was too ‘white’ and boring. Alongside this, I didn’t know of any other South Asians who had pursued the humanities. All of these factors made me aware that English would not be the most ethnically diverse course. At the time, I didn’t fully understand the gravity of this. What I definitely didn’t anticipate was how this lack of diversity would manifest itself within the structure and the content of the course.
Having grown up in north London, every classroom I had inhabited from primary school up until sixth form was incredibly diverse. I didn’t know any di erent. To go from this to lectures theatres and seminar rooms that lacked the diversity I was accustomed to was a strange experience. I thought I knew what to expect walking into these spaces, but they bewildered me more than I ever thought they would.
It went beyond feeling nervous. I felt like I didn’t belong in this particu-
lar environment and that it wasn’t made for me. It was unfamiliar and unnerving in a multitude of ways that I didn’t know how to process.
Seminar rooms especially presented me with a unique set of challenges that only solidified the isolation I felt. English is a large enough course that in a majority of my lectures, I could spot the handful of brown people sitting alongside me. However, in some seminars I became conscious of the fact that I was the only person of colour in the room. I’m not entirely sure if my white counterparts were aware of this dynamic, or if it was something that even crossed their mind. Why would it? I was just another face in the room, because this imbalance is non-existent when you’re not the one being weighed down by it.
This weight became pressing as my seminars progressed and we delved into yet more work by prominent white authors of the literary canon. In one of my modules last year, deceptively called ‘Literature 1900-present’, most of the texts prescribed for this module were written by white people, mostly men. This isn’t to say that the English course at Bristol doesn’t have its moments of inclusivity. I’ve read and written about some great writers from across the Global South. But this is precisely the issue. Their works are reduced to moments. A passing comment in a lecture loosely linked to focus writer or text for that week.
Editor ................................................... Sam Couriel
Diversity in the humanities A South Asian critique
larger, compulsory breadth modules. Their works are reduced to a singular optional module. Don’t get me wrong, it is great that this detailed study of the South Asian diaspora is on o er, but by reducing it to one module, it suggests that works like this – and what they represent – are not worthy of being included in the wider field of study. Brown voices need to be studied in both forms in order for a course to be considered inclusive.
The lack of diversity within the English course content is also a reflection of the demographic of the course itself. And by the demographic, I mean both students and tutors. The content is not set in stone, and is constantly being adapted year upon year. The texts that are on o er are chosen by tutors because they either resonate with them or are part of a wider topic in which they specialise. If we acknowledge that there is a systemic lack of diversity within the content, we also need to accept that the content is chosen by an overwhelm-
ingly white teaching panel, for an overwhelmingly white cohort of students. By catering it to such a small worldview, it restricts the opportunities to learn about literature outside of the traditional western canon, and the complexities and histories that come along with it.
So what does this all mean? The fact is that there aren't a huge number of South Asians opting for humanities subjects. According to various studies, it was found that South Asians were far more likely to study Science, Medicine and Engineering compared to their white counterparts, stemming largely from their parent’s desire for social mobility. The issue isn’t the number of South Asians in higher education – it is that they are choosing pathways that will guarantee mobility and higher earning potential. When we also consider that the number of people applying for arts and humanities courses generally is decreasing, it isn’t surprising to see a lack of brown representation in this field of study.
Although this is only one interpretation, it doesn’t change the fact that brown people still enter the arts and humanities. We do exist and we deserve to have our voices and experiences represented in our education. We are a part of lectures and seminars, which justifies the importance of adapting the teaching from a Eurocentric perspective to one that goes beyond this lens. The lack of South Asian voices within the content has only intensified the lack of South Asian people within the demographic of students. It has created this wider culture from which many may feel disconnected, and within which they may feel unwelcome.
I know I have experienced the layers of unfamiliarity that come with navigating such a complicated space. And whilst I can appreciate the small changes being done to the content, I know more can be done to champion South Asian voices and inclusivity.
Writers of colour, especially South Asian writers, are hardly seen in the
Maya
Photos courtesy of: Epigram / Leah Hoyle
Society Spotlight: UBTV
For this month's Society Spotlight, we interviewed UBTV - the University of Bristol's online television station. Known for night-out interviews, exposing the messiness of student life, and covering the university's biggest events, you can count on UBTV to bring Bristol to life on your screen. Here's what UBTV President, Jasper, and Vice-President, Oli, shared about their society:
Annabel Bienfait Community Editor
Can you sum up UBTV in a few words?
For us, UBTV is all about collaboration, creativity, and a good dose of chaos. We've both made some amazing friends through the society, and it's that mix of imaginative ideas and unpredictable fun that hooked us in from the start.
What goes into making a typical UBTV video?
It all starts with an idea — usually sparked in one of our meetings when someone says, ‘Wouldn't it be funny if…?’. From there, we
Epigraph
pull together a crew: presenters, camera operators, and an editor (team size depends on how big the idea is). Once we've nailed the concept, we pick a filming date, grab our gear, and get cracking. Honestly, the magic comes from UOB students themselves, who always seem to have the best stories, quirks, and moments to share.
Any favourite memories from UBTV last year?
We both loved the NASTAs (National Student Television Awards) — a mix of networking with industry pros, going head-tohead with other uni media societies, and
Curated by Ivor Starkey Community Deputy Editor
El Espacio Desconocido by
Georgie Dix
Su luz me encontró entre las llamas apasionadas
De una vida antigua, y un futuro vacío de música: sola, jóven, sin color. Estoy viviendo en el espacio desconocidolas estrellas y la tierra me cubrieron con la realidad para olvidar mi amor, y mi falta; mi cuerpo, y mi falta.
Su alma materna y ojos calientes me van a través Del oscuro. Aquí siento seguro – no caigo y no corro, solo juego con los sueños tuyos, las lágrimas mías - veo vidas de una distancia. Crecen sin yo. Los pies como raíces, los brazos Como un árbol. Verlos mientras me olvidan. Y mi amor. Y mi tristeza.
Your light found me amongst the passionate flames of an ancient life, and a future void of music: alone, young, without colour. I am living in an unknown spacethe stars and Earth covered me with reality to forget my love, and my lack of; my body, and my lack of.
A maternal soul and warm eyes penetrate me through the dark. Here I feel safe – I don't fall nor run, I just play with your dreams, and my tears – I see lives from a distance. They grow without me. Fast as roots, arms like a tree. To see them while they forget me. And my love. And my sadness.
embracing Southampton nightlife in all its chaotic glory (special mentions to Trinity Nightclub and Four Corners).
Lastly, what exciting projects can we look out for this year?
We're bringing back the legendary ‘Stoke Bishop Stories’, launching a brand-new sports section, and levelling up our TikTok and Instagram game alongside our YouTube channel. Plus, we're teaming up with film students again to make more short films — one of our favourite things to do. And trust us, we've got plenty more surprises in store, so keep watching.
An excerpt from ‘The Peacekeeper’ by Sofia Athena Roberts
I spend my days in the groves, counting olives and doves, With roughened hands that know the sun; the touch of love.
I pick them for my wife, my children, and for God above.
We weave them into flatbreads as we sit beneath a netted roof, Debris above our heads.
At times
we are watched in the groves by men in uniform – betrothed to fear, and the idea of a land made barren.
I would take o a branch in my passion, place it in the palm that holds their rifles.
Tell them:
“Taste the fruit of our disciples –no bigger than the size of your bullets, no heavier than the weight of your limits.”
I would give them this If they would only let me.
UBTV is open to all students interested in all aspects of film and television journalism, such as presenting, directing or post-production.
What's on?
Find UBTV at stall 188 at the Freshers' Fair on September 27th. You can also join one of their upcoming ‘Give it a Go!’ sessions (TBA via their instagram @ubtvstation) Or, drop into a UBTV meeting. No invitation needed, everyone's welcome.
Contact:
Instagram: @ubtvstation
(or stalk their personal instas: @jasper.8563 and @oliver.e.may)
Youtube: @UBTV
Email: contact.ubtv@gmail.com
Where?
Find UBTV in The Hawthorns, Woodland Road (opposite Senate House, on campus). This year, they're teaming up with the White Bear pub for their Wednesday socials, so you can find them there too! And, look out for UBTV filming on Wednesday nights, or wandering campus in increasingly questionable costumes!
Photo courtesy of: bristolsu.co.uk
Bristol bucket list!
Bristol is a city brimming with possibilities, and as a fresher, it can sometimes be overwhelming to know where to begin. That's why Alannah Mylechreest has compiled a list of 10 suggestions to add to your Bristol bucket list: all the essentials you should make sure you experience during your time at university.
Alannah
Mylechreest Community Subeditor
See Clifton Suspension Bridge
This is perhaps the most quintessential Bristol activity; a snap of the bridge deserves a spot on every new Bristol student's Instagram story. You'll get the best views if you head up the hill towards the Clifton Observatory, and if you're not scared of heights, definitely make sure to walk across the bridge and look down at Bristol from on high.
Explore St Nicholas Market
1743. From jewellery shops to comic shops, juice bars to Szechuan street food, all tastes are catered for in what has been named one of the top ten best markets in Britain.
Have a
drink at the Bag of Nails pub
Going for a drink with mates is a fundamental part of the student experience, and, without a doubt, Bristol o ers countless places to do that. If you're looking for recommendations, Bag of Nails is well worth a visit. This charming pub at the bottom of Jacob's Well Road is perfect for pet lovers, as you are surrounded by adorable cats whilst you sink your pints. Don't forget to have a cider when you're there – you are in the South West after all!
Visit Bristol Museum and Art Gallery
Bristol is a hub of history and culture, boasting 17 museums in total. The best place to start is at Bristol Museum and Art Gallery, conveniently located on Queens Road, making it the perfect break in between study sessions at Wills. You can find a range of exhibitions on things as diverse as ancient history, geology, or fine art. The best news for your bank account is that entry is completely free!
shops where you can search for bargains. Make sure to keep your eyes peeled for the street art, a Bristol staple, adorning the walls of shops.
6
Dear Agony Aunt...
Cordell Punter Community Subeditor
7 5 4 3 2
Nestled in Bristol's old city is St Nicholas Market, o ering a range of unique shops and eateries. The market contains Bristol's biggest collection of independent retailers and has over 250 years of history, having been running since
Go charity shopping on Gloucester Road
If you're looking to acquire some new threads to wear to lectures but also wanting to stick to a budget, Gloucester Road, a 1.7-mile-long shopping street located in the north of Bristol, is the best place to hit. There's no shortage of charity
Have a picnic on College Green
You likely got a few comments about Skins from friends when you told them you were moving to Bristol, so visiting College Green, one of the most iconic locations found on the show, is a must-do. Be sure to head there with friends when the weather is good and enjoy a picnic together. There are plenty of options nearby to pick up a quick meal deal, but if you fancy something slightly more substantial, check out Pizzarova on the bottom of Park Street and grab a few sourdough pizzas to go.
Watch a film at Watershed
If you're looking to unwind with a film after a long day of lectures and nothing on Netflix is quite cutting it, why not head down towards the Harbourside to Watershed, Bristol's arthouse cinema. You'll be able to watch a wide range of films, from the bigger hits, to foreign flicks, to the occasional throwback film. Don't forget to bring your UCard with you to nab a student discount on tickets.
8
Browse The Last Bookshop
Braving the treacherous mountain known as Park Street is worth it to have a browse around the Last Bookshop, better known as the £5 bookshop due to the low prices it o ers on all its books. If you're looking to save money, and to do something to counteract the impact on your brain from doomscrolling, picking up something new to read for cheap from this shop is a safe bet.
9
Take a day trip to Bath
Although Bristol is packed with stu to do, don't forget to explore outside the city's borders. Only around 10 minutes by train, the gorgeous spa town of Bath is well worth a visit when you have a free day. A popular site for tourists, the city could easily have its own bucket list of things to do too, but some highlights include the Royal Bath Crescent, Bath Abbey, and Pulteney Bridge. Whilst the festive season may seem a long way o at the moment, don't forget to go in December to have a wander around Bath's amazing Christmas market.
10
Pick up a new hobby
You may have heard the cliché that people find themselves during their time at university, but this honestly is true, as there are countless opportunities as a student to find out what kind of things you most enjoy. Bristol's Students' Union is home to over 350 societies, and there really is something for every interest. Attend as many Give it A Go sessions as you can – who knows, you may find something new that you love, or potentially meet some friends for life!
There's too much to do, what shall I pick?
Starting afresh for many in a new city means countless opportunities: clubbing, climbing, a cappella… and as such it can feel overwhelming. Try find a familiar society to you (like tennis) and then another for something you have never done before, but you might just be interested in (maybe film club). The new people you meet in your flat/course for freshers will also provide you with new and di erent experiences. Don't feel pressured, however, to do everything, as you don't want to wear yourself thin. Relax dude.
No one from my school came here, how do I make friends quick?
It's very daunting starting something new with unfamiliar faces, but remember there are also thousands of other people in the same position. Think back to being at school, where your friends a few years prior would have been strangers too. The exact same happens here, so just be open, be yourself, and find your people naturally. The biggest ‘red flag’ is trying to be too pushy or forcing yourselves on others, people will find you and you'll find them.
I'm new to Bristol and love running, but I don't know any routes. Where should I go?
A great question for a runner to answer. Firstly, try out running club as they would provide plenty of examples and, of course, co-runners! Secondly, a great app/website is Komoot which suggests loads of di erent routes (running, hiking, cycling) for whatever level you want. In Bristol itself, I would recommend the Avon path (providing a great view of our river), Clifton downs, and around the floating harbour. All these paths are relatively flat, but if you're into a challenge, then Delph woods and Ashton court estate are a good place to start.
Got a question or problem, or need to get something o your chest? Email us at epigramcommunitysection@gmail.com, or look out for submission boxes on the @epigrampaper_ instagram stories.
Epitome
Freshers: 15th - 21st
Ultimate Freshers
Discount Pass
(Electric Bristol & Document, £21)
14/9-18/9
Guarantee your entry to the o cial moving in party at Electric Bristol and Freshers Finale at Document. Taking place at two iconic Bristol venues and with fellow students only, this is a great place for a first flat night out or to meet people on your course. Avoid the FOMO and book early!
Non-Halls meet-up
(Balloon Bar, Richmond Building, free) 14/9
For those not in student halls it can be a little trickier to meet other students before Uni o cially begins. The SU have booked out the Balloon Bar to help with this for a casual afternoon of getting to know people or even finding potential housemates if you're still in the searching process.
Five films on five consecutive nights in the cinema quality Winston Theatre. Take an
LAWN CHAIR + SPACE CULT CAROUSEL gig
Location: The Lanes, Nelson Street
Date: 20/9 Price: free
German indie darlings land on the UK shores for the first time to kick o the semester of free gigs at The Lanes. Supported ably by emerging synth-psych Bristol artist Space Cult Carousel, this is a great way to get to know one of the most a ordable gig spots in the city.
evening out of the hectic freshers schedule and relax for free. Highlights include Sinners (16/9) and Spirited Away (15/9).
Rivers Art & Music Exhibition
(The Island, free) 15/9-21/9
A multimedia exhibition featuring paintings and original music inspired by water.
Sober Social: Traitors
Murder Mystery Night
(Senate House, free) 15/9
Convinced you'd win The Traitors after watching every year? Come and prove yourself in this murder mystery evening and meet new people in a sober environment.
Robin Hood Comedy Night
(The Robin Hood, free) 16/9
A regular event in one of the most beautiful pubs in the city, enjoy a mix of local comedians and great student price beer!
F*CK ME IT'S FRESHERS (Lakota, £9.59) 16/9
Come meet new people and kick o freshers properly in one of Bristol's veteran nightclubs.
Mario Kart Tournament (Beckford Bar, Senate £2)16/9
This year, we are relaunching ‘Epitome’: the go-to guide of Bristol's best events, student deals, and nights out. From club nights to craft fairs, we aim to help you discover the best of Bristol each month. Get in touch if you have an unmissable event you want to share with our readers.
Zed Law & Jed Dixon Epitome Curators
FUNK ADDICT club night
Location: Jam Jar, St Jude's Date: 20/9 Price: £5-10
‘COOL MUSIC FOR COOL PEOPLE’. For those unfamiliar, FUNK ADDICT is the Northern Soul Club's groovier o ering that takes place on the third Saturday of each month. Surrounded by the psychedelic decoration of the Jam Jar, veteran vinyl DJs spin their collections of funk classics and deep cuts for an audience brimming with talented dancers. Expect live MCing and occasional breakdance circles in this hidden gem of a night. Grab your tickets early to avoid disappointment.
Settle old rivalries in this informal tournament and win free drinks. Join on the Monday or Wednesday if Fifa or F1 is more your style.
Freshers Finale O cial Pre's
(Balloon Bar, Senate House, free) 18/9
Exclusively for those going to Document. Meet people and play drinking games with activities provided.
Mood States exhibition
(Glenside Hospital, free) 17/9
This collection brings together a series of head sculptures to explore the inner recesses of the mind.
The Scribes
(The Canteen, free before 9pm) 19/9
A home-grown talent returns to Bristol for a night of old school hip hop at The Canteen.
Clock Factory Rave
(Clock Factory, Broadmead, £8) 20/9
MPH, Sam Binga, Jaz Imsky, + more. UKG has grown into a worldwide phenomenon and MPH with it. Having sold out LA, Tokyo, and Australia, the UK
5 Affordable lunches near uni
producer is back home and with tickets from £8 this isn't one to miss. A great night for fans of garage and those looking to dip their feet into dance music with something more palatable.
In'sive Music film
(The Cube, Kingsdown, £7) 20/9
A new dive into Bristol's Experimental music scene.
Featuring bands such as Ex Agent and Broadsheets (two personal favourites), the screening will feature live improv and performances from some of the artists involved. An absolute must see for those already invested in the local scene or those who would like to learn more.
Craft and Flea Market Market/ DJ Set
(Bristol Folk House, Park Street free) 21/9
A mix of local artists, craftsmen, and traders converge upon the city centre for this bimonthly fair – perfect to find one-ofa-kind decorations for your uni room. Highlights include the record stalls and, with the event soundtracked by a live DJ set from NicktheJazz, it is an ideal day out for the music a cionado.
Chaya Canteen (fully vegan)
UG25 Opening Ghetts rave
Location: The Underground, Broadmead
Date: 27/9 Price: £16 earlybird
The launch of the Underground 2025 season brings grime heavyweight Ghetts to subterranean Bristol. Support ranges from the grime veteran DJ and producer Sir Spyro, to the rapidly rising Saint Ludo. With a mix of grime and garage, it is the ideal opening rave for a relatively new club and the perfect way to discover a new favourite venue.
21st September onwards
Billy Nomates
(Electric Bristol, £22.50) 24/9
A rising talent in the postpunk/indie rock scene, Billy Nomates brings her new album ‘Metalhorse’ and a host of older hits to Electric Bristol, formerly SWX. Catch her early before she gets too big for Bristol!
Dance Taster Intro Classes (The Island, free)) 27/9 Bristol based 3rd Stage Dance are o ering introductions to a range of dance styles for free. Featuring aerial rope, hoop, floorwork, and contemporary dance, this opportunity to try something new under the guide of highly experienced professionals should not be missed.
Navigating Bristol's art scene without breaking the bank
Editor's Choice:
The new academic year is upon us, a fact either accepted with eager anticipation, with dread (me) (help, it's final year), or with something in-between. Whether you're new to Bristol and looking for guidance on where to find art, or a final year student who is realising it might be good to do something on the weekends that doesn’t involve drinking, now is the perfect time to explore Bristol’s art scene. In this article, Mia Jansa considers student budgeting needs as she guides us through the best of Bristol’s art.
Bristol is home to a diverse and ever-changing art scene which is a privilege to be immersed in, but as a student, it’s not always easy to know where to start, especially when on a budget. I spent a lot of time in my first year attending workshops and events, checking out di erent galleries and getting to know the di erent art communities. To save you the trial and error, Epigram has put together this budget-friendly student guide to the a ordable and welcoming art spaces that Bristol is home to.
Bristol Museum and Art Gallery
Starting with art galleries, the University of Bristol campus is neighboured by two incredible sites. Bristol Museum and Art Gallery, located at the top of Park Street, was my go-to spot during first year
showcases both modern and historic art. The changing exhibitions throughout the year provides constant art inspiration and content. I found that this space brings light to creators who are not often seen in the major galleries, yet definitely belong in them. Located on Queens Road, this gallery is a lovely space which welcomes visitors with varying artistic taste. And once again, entry is free for students - just make sure to bring your student ID!
Arnolfini
Both are great options, however, starting university comes hand in hand with meeting new people. This can be hard when you are just wandering around an art gallery. The Arnolfini, by harbourside, is a great balance between professionally curated spaces and com-
munity participation. They follow in the financial accessibility route by making all exhibitions free.
saved endless time searching for a creative and social activity outside of societies and university life.
University of Bristol's Art
Academy (RWA)
another great spot to visit if you fancy a space that
Furthering their commitment to making the art world accessible to everyone, they also o er monthly portrait drawing classes. There isn’t a set price for tickets for the Portrait Club as it is a donate-what-you-can system. These classes are led by experts who o er support within the workshops, but attendees are encouraged to follow their own style and find inspiration from their fellow artists. I wish I had found this it would have
I found it di cult to participate in anything that wasn’t directly linked to my studies in first year, which also included society-based activities. The Art Society was the first and only social I attended and stuck with. I first went on my own, hoping to make friends - which I did, as everyone was incredibly warm and welcoming - but I fell in love with having an activity that wasn't my pre-reading or going clubbing.
Their socials o er many activities such as decorating t-shirts or mak-
ing collages, the ideal way to fill your week-
with creativity, while meeting likeminded artists. For more relaxed and possibly sober options, the art society host life drawing classes, encouraging those who attend to engage with the human form. I found that it was a great way to ground myself during term time, as it was time away from my studies and my phone, both of which contribute to the never-ending stress of university life.
This society makes it their mission to promote aspiring artists as they curate an annual student exhibition. Anyone can submit their art and have it on display, a beautiful opportunity to gain experience and recognition for your talent!
Local Artists
current world. These themes continue into Minnim’s stamp collection. Many of these pieces I found incredibly entertaining as the designs pair controversial headlines with humorous images, once again turning out of date ideas into satirical, yet aesthetic, art. All of these pieces can be seen on their Instagram page, @minnim_graphixx.
Club
395
nights
I would highly encourage you to keep an eye out for artists who showcase their art in less conventional ways, such as Minnim, a local graphic designer and DJ, capitalising on the lively music scene to display their art through event posters. Their recent satirical postcards feature 1950s-60s gender stereotypes and, at times, misogynistic themes, each one redesigned by Minnim to highlight the controversial messages that were proudly advocated for at the time of their original release, yet can also be relevant in our
If you are looking for an art-centred environment that merges with the music scene, you should find time to check out Club 395’s creative socials. Each Wednesday, this space opens the doors to creators of art or music. This is a community that recognises the lack of free and unrestricted art spaces, so have cultivated a space that aims to preserve the art and music scene within Bristol, while providing a strong sense of community support for those who attend. Bristol is full of creative opportunities, with a mix of formal galleries to more laid-back settings. More and more groups are prioritising community and accessibility, so now is the perfect time to dive in. Keep an eye on platforms like Headfirst and Skiddle for arts events or workshops in the upcoming months. Whatever your art niche is, Bristol has a space for you.
Mia Jansa, Head of Illustration
Society
Photos courtesy of: Mia Jansa
The universal language of online speak: ‘brain rot’ and whatnot
how di erent we really are to previous generations.
As our communication has increasingly become digitalised, phrases have become shorter and the pace of words being produced has accelerated massively. Like many other things, language has been put into a trend cycle, to be consumed, enjoyed, and replaced.
This is not unheard of. Words and meaning are constantly woven to reflect shifts in society, culture, and more recently our relationship with technology.
Phrases easily become dated and expressions from hundreds of years ago have been entirely eliminated from our language. For example, 14th and 15th century writers, like Chaucer and Shakespeare, are probably only halfway intelligible, and old English is almost unrecognisable compared to the modern English spoken today. But some stick, we still use words that Shakespeare coined and popularised in our regular speech (like ‘gossip’, ‘rant’ and, ‘eyeball’ – he's a genius for this one).
But those words kind of make sense right? Their longevity feels justified compared to words like ‘cooked’ and ‘based’ breaching into casual face-to-face conversations outside of their original online spheres. Maybe we don't take internet-born phrases as seriously as literature that's been documented over hundreds of years. We don't, and I'll tell you exactly why that is.
Thou and thee to a simple ‘u’
The first SMS message was sent on December 3 1992 (according to google) and sparked a new world of digital chat rooms like Myspace and MSN messenger. From there the quirks multiplied. Emojis reached widespread popularity in the 2010s, despite being first created in Japan in the late '90s. These inclusions added depth and nuance to digital communication, marking a shift from formal to a ‘keyboard casual’ era of expression. Early acronyms reduced sentences to compact signals and as video content became more popularised, the digital accent of ‘algospeak’ (‘algo’ meaning algorithm –a form of rhythmic uptalk, distinctly Californian in nature) emerged as content creators began reshaping language to avoid moderation filters.
As
words are easy to borrow, certain terms and phrases can very easily get pushed into linguistic normality the same way.
‘It's long been observed that people with covert prestige facilitate changes in language’
Over the past five years, vertical forms of entertainment have eaten up our attention spans, bones and all (I blame lockdown, RIP YouTube). It's easy, accessible, and before you know it you're doom scrolling in bed with your consciousness being dominated by the phone in your hand, mindlessly swiping while you don't process a single thing that's right in front of you.
How is this relevant to language? Previously upheld eloquence has been replaced by e ciency and exposure, online content only amplifies this: whatever's ‘cool’ or trendy leads change, and trends get pushed by algorithms.
Of course, this isn't just about nonsense syllables. In sociolinguistics, it's long been observed that people with covert prestige facilitate changes in language (influence rooted in ‘cultural cool’ rather than institutional authority). Most change happens from the bottom-up in culture. Historically, that's meant young people, working-class communities, Black people, women and queer people have been innovators for expressions that eventually filter into the mainstream. For example, words like ‘gag’ and ‘clock it’ began in black and queer spaces before becoming online staples.
‘Skibidi’ and ‘rizz’ phonetically just sound funny, these types of words are typically interjection and intensifier words that are flexible in meaning, and sometimes used as nonsense filler terms.
I briefly cussed out
Dubai and Elon Musk. But, in a weird way, this language does serve a purpose in creating a sense of community – we consume and push absurd content because it's ironic, and algorithms reward our engagement with it. We giggle at the silly words on our screens as they slowly creep their way into our everyday lexicon. Meaning has easily been compressed, sometimes simplified, and occasionally flattened in the rat race to consume attention.
‘This linguistic shift reflects a larger cultural prioritisation on immediacy’
This linguistic shift reflects a larger cultural prioritisation on immediacy that has reshaped not only language, but the arts and communication more broadly. As a species evolved for face-to-face conversation, our linguistic shifts are now created digitally through audio rather than direct interaction.
Many people on social media see this shift in language as detrimental, often blaming younger generations' consumption of absurd content for a broader cultural decline – amplified by fears around AI and shrinking attention spans (which are completely valid). When I went home for the summer and saw that my five year old sister had a Labubu on her school bag, admittedly
It's not necessarily rotting our brains and the future generations, it's just a new form of language change that reflects the general passivity and speed of our contemporary society. Whether ‘aura farming’ makes it into the Oxford English Dictionary in 100 years will depend on whether we keep saying it until it loses all meaning, which might be the most fitting fate of all in the algorithmic age.
Image courtesy of: Tylah Hendrickson
Tylah Hendrickson examines the linguistic roots of the ‘brain rot’ generation, questioning
Tylah Hendrickson Arts Subeditor
Photo courtesy of:
Unsplash
/ Rayson Tan
Literature column
Column Editors ........... Alexandra Boersma & Ruby Wright
Alex Boersma gives a comprehensive guide of Bristol's best book clubs for freshers and returning students alike.
Alex Boersma Literature Columnist
For bookworm freshers or just those who want to broaden their bookish horizons, here's a little guide to book clubs around Bristol. There are a couple of student-run society book clubs, but also some external book clubs if you want to engage with the wider community or just keep an eye out for books you'd like to tick o that never-ending to-be-read!
Student-led
book clubs
Comparative literature and cultures society book club:
The society’s president explained that the book club focuses ‘on short translated intersectional fiction from around the world, highlighting di erent cultures and lived experiences’ while simultaneously ‘decentering Eurocentric/ Western narratives.’ Past texts include: The Dangers of Smoking in Bed by Mariana Enríquez and Minor Detail by Adania Shibli.
This book club runs monthly so is easy to commit to and gives you plenty of time to read and familiarise yourself with the chosen text alongside your studies.
They make each text easily accessible with a link each month detailing where to access the texts. Each book is chosen by the members themselves so you too will be able to submit a text of your choice and hear others’ thoughts on it.
Their current read, Heart Lamp by Banu Mushtaq, will be discussed at the end of September so keep an eye out. They also have a monthly international film club which pairs nicely with the book club and is perfect if you want a quicker cultural fix!
What's more, they have some great book recommendations on their Instagram so feel free to go have a guilt-free stalk: @complitbristol.
Intersectional feminist society’s book club (ifemsoc):
The intersectional feminist society places lots of emphasis on discussion with their regular discussion groups on feminist topics and their book club takes this one step further. Taking place every other Monday and usually held in Co ee #1 on Whiteladies Road, it's the perfect excuse to buy a drink and rake up those loyalty stamps! Each book tends to have a specific focus, such as ecofeminism, so they cover a wide range of feminist topics and accept recommendations for future reads.
They also make the group very accessible using links in their Instagram bio to link book PDFs and note the chapters in longer texts that the discussion will be focused on for those unable to read a whole book. Previously discussed books include The Vagina Monologues by Eve Ensler and A Thousand Splendid Suns by Khaled Hosseini. Book club posts can be found on their Instagram: @bristolifemsoc.
University of Bristol’s book society book club:
This book club has a brilliant formula in which they host two discussions. The first discussion is in the first half of the month once members are halfway through the book to discuss initial thoughts and see how everyone is getting along and then a second discussion occurs at the end of the month to discuss the book as a whole. There is no strict genre or type of book and their chosen books have ranged from romance novels to political fiction, all chosen democratically by the members. Aside from this, the group also holds Kahoots, pub quizzes and even book themed murder mysteries, making it a great place for freshers to make new friends. The society's treasurer notes he made some of his first friends at the book club
during freshers and describes it as a ‘lovely community’ which ‘encapsulates the fresher's spirit of trying and doing new things’. Membership costs only £3 for the year but you can also pay £1 for single sessions. Past reads include of Achilles by Madeline Miller and Demon Copperfield by Barbara Kingsolver. Keep up to date with them on Instagram: @uob_bookclub.
Local external book clubs
bookhaus book club:
Bookhaus holds four di erent book clubs in their stunning shop on Rope Walk by Wapping Wharf every Thursday evening. On the first Thursday of the month they have a feminist book club which focuses on both fiction and non-fiction that incorporate feminist ideas and themes. The second Thursday of the month holds the ‘weird’ fiction book club which centres around sci-fi, horror, fantasy and graphic literature. The third Thursday is centred around independent publishing which is what it says on the tin and selects di erent indie published books each month to discuss.
This year Epigram is launching a new page for all things literature! We are your first Literature Column Editors, Alex Boersma and Ruby Wright. Alex studies English and Philosophy and is in her third year and Ruby is in her second year studying English and French. As you can probably tell by our courses we both love literature and are very excited to bring the Literature Column to life this year. We plan on publishing interviews, book reviews, book events and recommendations for you all to enjoy. We also plan to start our very own book club and want to embark on literature from around the world as well as look at literature relevant to current issues and celebrations. Feel free to email us at epigram.arts.1@ gmail.com with any ideas and pitches you have or if any articles have provoked any emotions be that positive or negative and we will do our best to help. We can’t wait to embark on this journey and hope you will follow along and enjoy the dose of literature.
The final Thursday of the month is the 'revolutionary' book club which explores texts like the ones associated with the English, French and American revolutions. Annoyingly, the feminist and indie book clubs are currently full but you can join the waiting list by emailing info@ bookhausbristol.com. Each group meets in the shop at 18:30-20:00 leaving plenty of time to still go out with friends! While the book club itself is free, they do ask you to purchase the chosen text from them so prices will range. As it may get a little pricey this could be a great present/wish list idea.
Max Minerva’s translated literature book club:
The lovely lot at Max Minerva’s bookshop run a monthly translated literature book club in the beautiful shop. This book club is completely free to attend though they advise
registering online beforehand and have the option of buying the book from them. This is a great book club if you tried the comparative literature society's book club above and want to delve deeper into translated fiction. Their recent reads include The Little I Knew by Chiara Valerio, translated from the Italian by Alisa Wood and On the Calculation of Volume I by Solvej Balle, translated by Barbara J. Haveland from Danish. The bookshop has a creative range of events
and have also just announced a new contemporary fiction book club which is well worth subscribing to their mailing list to hear more about.
Photo courtesy of: Cecelia Koç
The Song
Film & TV
The Big Picture: An exploration of Bristol's cinema scene
Editor’s Choice:
An insightful and provocative assessement of some of Bristol's finest cinemas, film shops, and the university's very own InFilm society. For anyone new to the city this year, Seth Winkley gives you everything you need to know about these picture places, with a coating of wit and personal misfortune.
What links Bristol to Galway, Cannes, and Sydney? If your immediate answer is ‘harbour cities’, then you are by no means wrong. However, an even better connection — one few of us would know to make — is that they are all designated UNESCO Cities of Film. Having achieved this illustrious status in 2017, Bristol now sits alongside 25 fellow cities celebrated across the globe as part of the larger UNESCO Creative Cities Network. The network promotes an objective of ‘placing creativity and cultural industries at the heart of local engagement and prioritising cross-border cultural collaboration.’
It may initially be surprising to view Bristol upon a higher pedestal than the grand production hubs of Western cinema — notably London and Hollywood — when within the competitive structures of other industries, the city may be used to being refused a seat at the table. Rather, Bristol has art and culture anywhere and everywhere you look — with cinema no
exception — even if you may have to gaze beyond the iconic Banksy murals to locate its inner walls.
Bristol was the birthplace of William Friese-Greene, a pioneer in the field of motion pictures, termed by some the ‘inventor of kinematography.’ Since his innovation in the early 20th century, the cinematic movement in Bristol has experienced fluctuations, but the city’s rich tradition remains cemented within its urban landscape today.
We may recognise Bristol as the home to a host of characters on the small screen — from Wallace and Gromit at Aardman Animations in Spike Island, to Tony’s Bedminster house in Skins — but the silver screen in Bristol equally accommodates a variety of filmic interests.
Watershed, Harbourside
If you find yourself in want of an authentic Bristolian night at the pictures, there is no better place than Watershed. Tucked away
along the harbourside promenade, this relaxed, community-focused cinema showcasing independent films serves as a quiet haven from the bustling chaos of the neighbouring pubs and bars.
Watershed itself has an ambient, artsy cafe and bar, perfected with a balcony overlooking the water. Even if drinks are predictably a tad pricier than V-Shed a few doors down, the inexpensive student prices for screenings are not to be sni ed at: a ticket for ages 24 and under costs only £6 (a drop in the harbour compared to £16 at Everyman Bristol.)
My favourite experience at Watershed has to be convincing my whole flat to watch The Substance (2024), assuming that it would be a standard psychological thriller with a bit of blood thrown in for good measure. In the aftermath, it is fair to say I owed a few people an apology, uttered over the most subdued pint a disco spoons had ever witnessed.
Not a particular fan of horror myself, when friends went to see Nosferatu (2024), I feebly opted instead to watch Nickel Boys (2024) alone. Unfortunately, this choice meant I was met with an equally harrowing experience. Upon entering the cinema, I scanned around the auditorium to discover at least fifteen other identical young men, sitting solo, clutching notebooks revealed from tote bags, scrutinising the screen through wireframed glasses. If you like to be di erent in watching films alone, it will not work at Watershed… at least ten other Bristol students will have the same idea and inevitably the same Letterboxd review.
Odeon, Broadmead
For those amongst us who are less sympathetic to long-sighted pretension, the Odeon cinema in Broadmead is a comfortable, reliable
Second Year, Theatre and English
pick for Bigger-budget films. The most eventful viewing experience I have had there involved listening to the entire Wicked soundtrack sung loudly, three seconds out of tune, by the girls sat behind me. If they came in any earlier it would be considered a spoiler alert.
Everyman, Whiteladies
Beyond Watershed and Odeon, the Everyman cinema on Whiteladies Road remains as the final principle picture-house in contention. Everyman is a luxurious option, programming a range of blockbusters to be enjoyed from the comfort of sofa seating, complemented by a thorough drinks menu and hot food selection served to your seat. On a student budget, perhaps this one can be reserved for special occasions — just do your best to avoid any Coralie Fargeat on a first date (the £15 prawns won't go down as easily).
20th Century Flicks, Christmas steps
Alternatively, if you have a taste for retro cinema, 20th Century Flicks is a quaint, friendly film shop located along the beautiful
Christmas Steps. It stocks thousands of DVDs for rental, complete with a small in-shop cinema screen available for daily bookings.
InFilm Society
Finally, if no cinema, no DVD shop, can satiate an appetite to be more personally involved with the developing Bristol film scene, I would recommend becoming involved with societies the University has to o er. The Film Society has showings, events and discussions, and InFilm, the film-making society, aids the creation and showcasing of student short films. Consider participating in a 'Give It A Go' session when term resumes again.
In a world of increasing technological upheaval — from the fear of streaming service monopolies now superseded by the existential threat from advancing artificial intelligence — it feels more important than ever that we honour the original invention of the cinematic craft. Perhaps by returning to Bristol’s own William Friese-Greene, we may be better able to rediscover the magic of the cinema so widely available to us today, both in the city centre and across the globe.
Subeditor................................ Emma Coleman
Subeditor................................... Olivia Howard
Superman values for student heroism
A review of the summer blockbuster o ering some everyday values necessary at the start of your university journey.
Second year, English Literature
James Gunn's adaptation of Superman has a persistent and necessary optimism to it that overpowers the controversies and criticism that it has faced since its release last July. With the political subtext of the film sparking discourse surrounding real life parallels to the Israel-Palestine conflict, and a lot of fans comparing it to previous adaptations of the character, the film has had a mixed reception.
Freshers comfort shows
Fresh Meat (2011)
Nic Benns
No show better encapsulates the feeling of starting your university life than Fresh Meat. Following the lives of six freshers, this show comedically documents the trials and tribulations of university life - from ‘flatcest’ and partying, to the crippling stress of assignments and deadlines.
With this in mind, what stayed with me most about this film was not its superhero action sequences but its almost post-political advocation for good, and the objective morality of Superman himself.
Despite receiving criticism for its convoluted plot and overcrowded number of characters, the hopepunk tone of Gunn's film is its greatest asset. The film is a good watch for pretty much every group of people because it leaves you with a grounding sense of optimism in spite of its fantastical elements. If you're a student beginning your first term at Bristol, there are a few values from Superman you should keep in mind for your first chapter here: both from the character himself, and the message of the film.
With a lot of representations of masculinity in cinema favouring the brooding, macho stoicism of Batman or Bond, there was something valuable and refreshing in the warmth and kindness of David Corenswet's Superman. The power of a ‘good’ role model is often overlooked for men. The development from Snyder's conflicted and ruminating Man of Steel to Gunn's almost goofy and earnest depiction of the character is not only more loyal to the original comics but is a more positive
Juniper Gardner
Second year, Philosophy & Politics
Overcompensating (2025)
Desiree Akhaven & Daniel Gray Longino
Moving away from home is never easy, especially if it’s for the first time. University is, for many people, a chance to explore yourself and figure out who you truly are. Overcompensating, explores the universal experience, during your time as a fresher, who actually am I?
representation for men in the mainstream media. Superman's open and unabashed love for Lois lane and his inability to cause harm to any living thing, positions him as a strong male lead that men can align with that is both unwaveringly kind, whilst still being masculine. This is a step in the right direction away from hegemonic notions of gender. Superman's kindness is in some ways more powerful than his physical strength and is positioned by Gunn as his most valuable asset.
This restructuring of the values that comprise a superhero makes Gunn's film more impactful to
us audiences as we can actually aspire to benevolence rather than superhuman strength. Gunn has stated that he wrote the fictional Boravian-Jahanpur conflict aspect of the screenplay before the real-life Israel and Palestine conflict hit the mass media. In a sense, this elevates the impact of the political side to the film. His unfailing integrity even in the face of adversity is a value that is increasingly important in modern society
For the full article, go to: epigram.org.uk
To read the full reviews go to epigram.org.uk
Derry Girls (2018) Michael Lennox
Derry Girls is a nostalgic love letter to an era defined by The Cranberries and denim. This, paired with its authentic dialogue and witty writing, makes Derry Girls the perfect show to reminisce about being a teenager before moving into your adult life.
The Good Place (2016)
Michael Herbert Schur
‘Hangxiety’ can be debilitating, especially for potentially your first night out outside your home town. The Good Place is the perfect show for you (and your headache). You will be consoled by the rifeness of conversations on ethics and how it is never too late to become a better person.
Lottie Merchant
Images created by: Felix Glanville/IMDb
Photo courtesy of: IMDb
Photo courtesy of: IMDb
Photo courtesy of: IMDb
Photo courtesy of: IMDb
music
Get to know Bristol's music scene: a history Get to know Bristol's music scene: a history
Situated at a cultural crossroad of politics, art, and sound, eclecticism is at the centre of Bristol and its acclaimed music scene.
Silvie Baker
Second Year, English
For many, the city presents itself as a hub for budding artists and bands hoping to propel themselves into what is widely considered a receptive and vibrant musical community. But where does Bristol's scene stand today, and how did we get here?
What is the Bristol sound?
Upon hearing the expression ‘the Bristol sound’ many anticipate ‘trip-hop’, an experimental subgenre dubbed in Bristol, but can we constrict this ‘sound’ to a single thing?
The trip-hop genre was first defined by Mixmag in 1994, with
If there were any particular major contributions that launched this movement, it can likely be assigned to the cultural influence of the Windrush Generation. The large influx of Caribbean migrants arriving in the UK from 1948 onwards played a pivotal role in shaping the identity of Bristol, channelled specifically through the music scene and the antiestablishment roots of trip-hop.
Revolutionary music
Trip-hop was birthed from the Bristol underground scene in the late 80s and early 90s, where rave culture was unavoidable. Music was being borrowed from the reggae and hip-hop scene, while also keeping roots in the punk and post-punk scene. People had sought a community and found it - a place where there could be pacifism in a time of social conflict.
throwing a Molotov cocktail at the riot police following a police raid on New Years Eve of 1997.
A satirical play on the Wild Wild West, there is an implied underestimation of the Bristol identity that is more resistant than expected. Again, the cartoonish teddy bear holding the Molotov cocktail is a contradiction in itself. Revolution is undeniably entwined with Bristol’s musical history.
Where are we now?
Bristol is still widely noted as a musical city despite a lot of our favourite venues being closed down, such as Motion.
Many in the trip-hop scene have noted one club to be the ‘spiritual home of Bristol’s music scene.’ This club, ‘The Dug Out’, was prevalent in shaping music in Bristol since the 60s, although was sadly closed in the late 80s.
Massive Attack facilitating the first manifestation of the term. From Bristol and formed in 1988, Massive Attack would go on to take Bristol by storm with their debut album ‘Blue Lines’ (1991), jumpstarting this musical phenomenon. Their fusion of dub and reggae, hip-hop and electronica defies strict categorisation – proving the malleability of the term ‘Bristol sound’. Despite the broad definition of trip-hop, everyone had a di erent way of execution.
Another incredible band that thrived under the label were
Portishead: they formed in 1991 in Bristol, only 8 miles away from the eponymous coastal town. Up came a more haunting rendition of the genre, permeated by Beth Gibbons’ powerful and emotive vocals.
Still an amalgamation of genres, Portishead brought an orchestral dimension to the world of triphop, with their music often being described as that of a film noir.
Portishead’s use of vinyl scratches and a signature atmospheric reverb are only a couple of the things that shaped their debut album ‘Dummy’ (1994) into
the magnum opus it is today.
Sampling Isaac Hayes’ ‘Ike’s Rap II’ in their hit ‘Glory Box’ brought an element of soul into the scene.
Coincidentally, and correlating with the trip-hop scene, Tricky sampled this exact song just a year after Portishead in his own song, ‘Hell is Around the Corner’. The range between the two is indicative of just how expansive Bristol’s music scene is, even if typically labelled under a single subgenre.
Robert Del Naja from Massive Attack has noted that this period in particular was ‘a very fertile time for music,’ ‘from punk in ’77 to hip-hop in ’81.’ Rave culture had propelled this – unlicensed parties and raves in abandoned warehouses marked a spirit of resistance and thus a revolutionary era for Bristol’s music scene.
In Stokes Croft stands Banksy’s 1999 ‘Mild Mild West’ – a direct response to Bristol’s rave culture. The mural depicts a teddy bear
Can we keep up Bristol’s musical legacy?
Venues such as Mr Wolfs on St Nicholas Street hold open mic nights every week for new budding artists to perform and share their music.
The Lanes often have free gigs, and other venues are regularly available on the DICE app –an essential if you love gigs
Before playing a single note, Lambrini Girls, SOFT PLAY, and IDLES took to the stage armed with pots and pans. Their clattering protest silenced the square. The giant screens flashed with the messages: ‘STOP STARVING GAZA / USE YOUR VOICE / ISRAEL IS COMMITTING GENOCIDE IN GAZA.’
IDLES – led by Bristol’s own Joe Talbot – boasts an incredible setlist and discography tackling addiction, mental health, and stereotypes of masculinity.
Introducing one song, Joe told the crowd, ‘This one’s about shit drugs –not the good ones,’ before following up with a heartfelt message about struggling with addiction.
A thorough mix of new and old, every track was so loud you could hear it through the ground. ‘Date Night’ and ‘Jungle’ are personal favourites, and I leapt into the madness. ‘Jungle’ belongs to a category of songs I can’t listen to
in the library because I physically cannot keep my feet still. My mates watched on, amused and preparing to drag me back to safety at a moment’s notice.
The cry of ‘HEADS!’ often came too late. Parting the sunshine briefly a man-shaped shadow would loom and suddenly my feeble wrists became the only thing stopping someone crashing to the ground.
I ended up stood next to a girl who looked out of it. I asked if she was okay and she told me she had lost her boyfriend. I gestured to our surroundings and unhelpfully suggested she just pick out a new one.
It wasn’t just the crowd that had this sense of camaraderie; the bands were in on it too. With every one of the acts confidently throwing themselves into the waiting mass, the art of crowd control was as much on display as the music. In particular, Lee Kiernan on guitar had a penchant for crowd surfing.
‘Free! Free! Palestine!’ and ‘Viva Palestina’ rang out between every second song, echoing Bowen’s words from earlier in the day.
Catharsis came just in time, ‘Beachland Ballroom’ was the soft underbelly of their setlist. The vulnerable waltz gives us
the best of Joe’s vocal range and a moment of reflection. When ‘Dancer’, the IDLES - LCD Soundsystem collab from their latest album, ‘TANGK’, played, ‘hip to hip / cheek to cheek’ was literal. We were packed together so tightly the crowd moved like one great beast — I imagine it’s what they pictured in the studio when they made the track.
Joe took a moment to remind us not to believe everything you see online, that there’s still kindness in the world. ‘Danny Nedelko’ hit close to home, the song celebrates immigrants as ‘blood brothers’; ‘He’s made of bones, he’s made of blood / He’s made of flesh, he’s made of love / He’s made of you, he’s made of me.’
Released in 2018, it's just as relevant as ever, eloquently explaining the state of the UK: ‘Fear leads to panic, panic leads to pain / Pain leads to anger, anger leads to hate.’
Joe’s attention was caught by someone at the barrier, requesting to play guitar for ‘Rottweiler’. We did a double-take as the guy who’d been stood beside us during the Lambrini Girls set was welcomed onto stage and handed a guitar. The crowd chanting his name.
For the full article, go to: epigram.org.uk
Essential Fresher's playlist
Pre-drinking in a random flat in your accommodation is a staple of going out in the first few weeks of university. Whether you’re joining the queue for a Thursday night at OMG, or you prefer the cave-like atmosphere of The Crown, this list of top 10 pre-ing bangers will be music to everyone’s ears.
Unfinished Sympathy
Massive Attack, Shara Nelson
Formed in the city and an integral part of its unbeatable music scene, Massive Attack is a must-have artist on any Bristol student’s playlist. The timeless ’90s classic that is ‘Unfinished Sympathy’ is perfect for the beginning of the night, when plans are still shrouded in mystery and optimism.
High Time 4am Kru
You won’t be able to get through first year without hearing a bit of 4am Kru. It seemed like the whole of Bristol was crammed into The Big Top at this year’s Love Saves the Day Festival to hear their insane set. With lyrics primarily focused on partying, ‘High Time’ is well-placed to set the tone for a big night.
Get Busy Sean Paul
This is the perfect time to put your case forward for ending up at OMG. Who doesn’t love a boogie? Or maybe you just really love Sean Paul.
Photo courtesy of: Harvey Belchamber
Natalie Payne
Second Year French, German, Spanish
SciTech
The spoons that spills secrets: how the Berkeley causes drama Berkeley
There's a popular student spoons across from the Will's Library that will share your secrets with the world if you're not careful. How come?
Our editor has been on a mission to find out.
Corin Hadley, SciTech Editor
The blunder
‘… yeah but Corin’s a bit …’
Huh? Say that again? I let my head follow my spinning vision and whip around. I’m back in The Berkeley. A number of double tequila lime sodas too deep again. Someone just whispered some absolute slander about Corin (that’s me) literally in my ear - but there’s no one there.
Instead, across the room between the swaying, swaggering students I pick out a pair of guilty eyes flicking away from mine. My chemistry opp - my name hanging incriminatingly from their lips.
How come, despite being well and truly out of earshot, I could hear that which I should not have?
The Wetherspoon's website didn’t tell me much, just a mention that the popular watering hole had once been a café. The writing on the glass - ‘whispering gallery’ - gave me a lead. I’d seen someone on LinkedIn complaining about the council decreasing the open hours of the city archives
– maybe they’d be able to help.
The archivists
In an email, I gave over the info I had (that is - essentially just a question) and name-dropped Epigram to try score some credibility points.
The archivists did not disappoint. The building the Berkeley now inhabits was created around 1924, when the three buildings between 15 and 19 Queens Road were fused into Messrs Cadena Café. This post-war pleasure palace was renovated significantly, unifying the three buildings into a ParkStreet-top beacon of 20th century luxuries. In the café area, I was told, this elegant dome might have been the centrepiece. The email also mentioned that I could pop in, for free, without an appointment, to dig through the original drawings. How is that a thing you can do for free? I couldn’t say no.
The archivists had been right. The plans showed that the dome would’ve covered the central café area in the arcade, now the nook of booths around the corner. The dome certainly took centre stage, but how had it been designed with acoustics in mind? I still didn’t know how you'd make it do that, or whether people even knew about acoustics in the 1920s.
Whispering waves
They did.
In the 1870s, the (literal) height of cool for a London bourgeoise hangout was to go and chat shit in the upper gallery of St Paul’s Ca-
thedral. The Nobel prize winning physicist Lord Rayleigh was on this scene, and when he had a similar experience to mine in the Berkeley, he neeked out. This man wrote a whole paper on his new discovery - ‘The problem of the whispering gallery’. Unfortunately, that paper is dry and confusing and from 1880, so here’s a rundown:
room, by the time it reached your ear it would be too quiet to hear, but this is not the case. Instead an e ect called resonance allows the wave to retain more of its energy.
You’ll already know resonance intuitively. When a vibrating system (like a sound wave) encounters another object vibrating at just
When a sound is made it has a loudness (amplitude) and a pitch (frequency). The energy of a sound wave is dependent on these (see graphic): When a sound wave travels straight across a room, it bumps into all the things in the way and its energy is dispersed making it too quiet to hear. The Berkeley’s whispering dome lets the sound take a di erent route to your ear, bouncing across the dome over the top of everyone in a series of reflections.
But there’s something else going on as well. When a sound wave bounces o a surface, it loses some of its energy to the surface making it vibrate too. You might expect that if a whispering gallery wave is bouncing many times to cross the
the right frequency, its amplitude (the amount it’s waving) can get way bigger, taking on a lot of the other object’s energy. It’s the same e ect that lets you double bounce your friend on a trampoline.
This e ect will only happen if the ‘natural frequency’ of the surface roughly matches the average frequency of the sound. For the big, hard, sti walls of St Paul's, this frequency is high (fast vibration –think of a tight guitar string) and so the e ect only works with equally high frequency whispers. In the Berkeley however, the dome isn't backed by anything (as I discovered from the plans) so the natural frequency of the glass dome is much lower (the glass 'wants'
Welcome Freshers! We want to hear from you!
Hello and welcome to the Science and Technology section of the Bristol University paper, Epigram.
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to vibrate slower). This is why it can reflect normal speech so well. across the room, into your ear.
An attraction
People have been designing buildings to sound a certain way since medieval times, and the field of modern acoustics was evolving rapidly in the 19th century. It seems very likely the architects of the Messrs Cadina Café hoped their dome would attract visitors. Whispering galleries were probably pretty damn cool then. Discovered 40 years ago by the time Messrs Cadina café was built, it would be kind of analogous to a club now having a 3D printer. I'd go, that sounds sick.
Though it seems to be a general Wetherspoon's policy to buy up old buildings, I wonder whether the ‘whispering gallery’ played a part in the preservation of 15-19 Queens Road. The dome certainly serves the same purpose it always has - I've just spent 1000 words talking about it.
Google reviews for the Berkeley are also filled with references to the stained-glass dome and its peculiar sonic properties. I suppose freaky science-cum-magic doesn't go out of fashion.
That's all well and good, but it does mean that a central pillar of Bristol's nightlife poses patrons the risk of accidentally majorly spilling the tea.
And causing drama - I won't let this one rest @ chemistry opp.
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Fresher's is great, but maybe less so if it makes you a parent by the summer.
Gwen Morgan looks at what options you've got and how they work.
Gwen Morgan Third Year, Biochemistry
You’ve packed all your bags for uni: stationery, décor, towels… condoms? Let’s be honest, Freshers’ week has a certain reputation. Whether or not you choose to get involved, feeling sexually safe and confident is a skill worth mastering. Think of this as your first uno cial assignment: figuring out what safe sex means to you.
“Here's one I tried earlier”
Imagine you’ve had a fun night and your date suddenly leaps up and starts hopping around. Don’t let this get to your head, they may not be celebrating - ancient Greeks believed hopping backwards seven times after sex could prevent pregnancy. Meanwhile, ancient Egyptians were busy making contraceptive paste from honey,
sodium carbonate… and crocodile dung (romantic, right?). History is full of questionable attempts: lemons as diaphragms, CocaCola as spermicide, even drinking liquid lead or mercury. Much to our relief (and their despair), such lengths are neither e ective nor necessary… and neither are weasel testicle garters (unless you’re into that type of thing) - though they’d make a great conversation starter at a medieval costume party. Luckily, modern contraception is not only far less obscure - it’s also far more e ective. No longer must animal bladders be all that stands between you and a flat baby.
The pill, the patch, and the patriarchy
The trajectory of contraception development was undeniably influenced by the patriarchy and outdated traditional values, leaving a burden of responsibility on women. In 1961, British women could get the first hormonal birth control pill, though initially only if they were married. This was overturned in 1967 and emergency contraception eventually became available in 1984. Along the way, creative attempts continued in the form of sponges, pessaries and spermicides
with varying degrees of success. The evolution of male contraception is much shorter and simpler. Linen cloth and animal organ condoms were transformed by rubber in the 1840s and perfected with latex in the 1930s. They remain the primary form of male contraceptive, preventing both pregnancy and infections. There are now many forms of female hormonal contraception: injections, patches, implants and IUDs (both copper and hormonal)
Coming soon
If history shows anything, it’s that human creativity knows no limits when it comes to sex. And innovation isn’t slowing down. On the near horizon we can expect new delivery systems like contraceptive gels, vaginal rings, and skin patches - no more “oops, I forgot my pill”. Beyond this development is in progress for selective hormonal modulators with reduced side e ects, “once a month” pills that inhibit implantation (again less need to remember) and contraceptives
that double as STI protection through built-in antiviral agents. The development of contraception has been heavily influenced by the patriarchy and gender roles, often leaving women to take responsibility for everyone’s reproductive health. Innovators are now looking to make men’s contraception a bit higher tech than what is essentially a plastic bag, beginning a long overdue shift. There are hopes for a non-hormonal pill that blocks sperm production, hormonal gels to inhibit sperm production and sperm duct blocking gels like ADAM or Plan A administered in a reversible but longterm procedure which remains less invasive than many female equivalents. The future looks promising for contraception that is smarter, safer and way less hassle.
Safety first!
Whether it’s for peace of mind, preventing pregnancy, or avoiding STIs, safe sex is about empowerment, not fear. University is a time of
Spiking on our minds
that you got home safe, but how much do you know about spiking?
without your knowledge puts you in the same vulnerable position.
Spiking is alarmingly common. SciTech's deputy editor found out how this cruel practice a ects the brain and might put you in harms way.
Alice Guskov SciTech Deputy Editor
It’s the beginning of the new academic year; the perfect time for meeting new people and exploring new places. But before you run to the pub to celebrate, it is important to know how to stay safe on a night out, possibly for the first time. You probably know the basics: don't wander o on your own, drink responsibly, and text someone
Spiking refers to a person giving another a drug without their knowledge or consent. The most common type is drink spiking where drugs are injected into someone's drink through a thin needle. This could cause the victim to become drunk much faster than expected. The perpetrator might add date-rape drugs such as gamma-hydroxybutyrate (GHB) or Rohypnol (commonly referred to as roofies). These drugs are particularly nefarious because they are colourless, odourless, and unlikely to alter the taste of your drink. Sometimes all that is added is more alcohol. Despite not involving ‘proper drugs’, someone adding more alcohol to your drink
Vapes or cigarettes can also be spiked. Drugs may be added to the e-liquid or tobacco. The e ects of drugs when smoked or inhaled may be much more potent. There could be intent to sexually assault, play a ‘prank’, or no intent behind it at all.
GHB naturally occurs in the brain as a prototype of GABA, a neurotransmitter you may have heard of that blocks chemical messages and produces a sense of calm. GABA blocks these signals by physically slotting into receptors
which are the right shape to accept it. People talk about this kind of bonding as akin to a ‘lock and key’. Because GHB is a similar shape to GABA and has chemical groups in the right place (these act like the little notches in a key), it can bind to GABA receptors in the brain and cause drowsiness and amnesia. GHB is used to ween people o alcohol because of its similar sedative e ects, but when combined with alcohol, these e ects multiply causing the body to shut down completely. Rohypnol also messes around with GABA, encouraging it to bind with its receptors and slow down brain activity. This again results in memory loss and impaired judgment and again, when combined with alcohol, can slow your breathing and be
exploration, and whatever choices you make you deserve to make them safely. Contraception is available for free via Brook services, contraception clinics and sexual health clinics. Condoms are available for free online order from Yuno, in the waiting room of the Student Health Service and as part of the university’s sexual health provisions from the Community Cabinet, located on the 5th floor of Senate House, alongside pregnancy tests. If you have had unprotected sex or your primary method of contraception has failed, emergency contraceptives (pill or copper coil) are available through your GP or sexual health clinics. STI test kits are widely available from free vending machines around Bristol, for women in the Student Health Service waiting room (pink and white striped bags) or by post so that you can test at home. If you’re more comfortable with an appointment ,the Unity Sexual health clinic is a welcoming and confidential environment.
So, date, have some fun, make some questionable decisions… but let's keep the surprises to a minimum and, hey, if you don’t, its okay, at least modern tech has got your back. No fizzy beverages or animal remains will be going anywhere but your mouth.
lethal. As with any other drug, the severity of the side e ects depends on the victim's age, size, and biology, but they generally take 15-30 minutes to take e ect.
Combating spiking means not only looking out for yourself by not accepting drinks from strangers, not leaving your drink unattended, and staying within a group, but also looking out for others. Perpetrators tend to target people who are already drunk and vulnerable, so look out for anyone who’s behavior changes suddenly. This might seem like they’re suddenly more intoxicated than expected.
If you think you or someone else has been spiked, tell someone. This might be bar or event sta initially to help you get medical help as quickly as possible, but it’s worth telling someone in a position of authority (uni/police), even if you have no leads, to raise the alarm about spiking prevalence.
Illustration by: Corin Hadley
Why freshers should try as many
Editor's Choice:
sports societies as possible
September is rolling around once more, and with that the promise of being able to shape your year exactly as you like. We might be a tad biased, but the sports teams at Bristol o er a whole new level to the university experience. Especially after such an inspiring summer of women’s sport, the time has never been better to try something new or pick right back up where you left o !
Arriving at university can feel like stepping into an entirely new world. The timetable is yours to shape, the opportunities are endless, and everyone around you is figuring things out for the first time. One of the easiest ways to find your people and fill your days with something more than lectures and library trips is through sport. Whether you’re chasing competitive glory or just looking for a reason to get outside, Bristol’s sports clubs o er the perfect mix of activity, community, and adventure.
The university has over 70 sports societies, covering everything from familiar team games to niche activities you didn’t know existed. The big-name sports all follow a similar structure: multiple BUCS teams competing against other universities, regular training two or three times a week, and space for players who want the training without committing to weekend fixtures. Rugby union’s five BUCS teams and football’s six are some examples; hockey, netball, basketball, la-
crosse, and others share that same balance of competitiveness, development, and a strong social side.
If you’d like something more relaxed but still structured, intramural sport is one of Bristol’s best options. It’s simple: you gather a
group of mates, dream up a team name that will make people smile, and play weekly fixtures in football, basketball, rugby, netball, badminton, tennis, volleyball or cricket in the summer. The atmosphere is friendly, the rules are light-touch, and the focus is on fun over silverware. It’s also a great way to play with people from your course or accommodation without the commitment of intense training schedules.
Then there’s the treasure trove of sports you might never have considered before but could end up being the highlight of your week. Quadball is a fast-paced mix of tackling, chasing, and sheer chaos, adapted from quidditch for life on the ground. Ultimate frisbee turns a casual park pastime into a sprinting, diving spectacle of skill. Kitesurfing o ers the thrill of harnessing the wind and skimming across the water, with the occasional wipeout for good measure. Korfball blends the tactics of basketball with the inclusivity of men and women competing together on the same team. Even the pool and snooker club has its own quiet drama, built around precision, patience, and the
ball.
One of the best entry points into these clubs is the free ‘Give it a Go’ sessions that run in the first few weeks of term. These provide low-pressure, welcoming introductions where you can try something new, meet the team, and decide if it’s a good fit. Even if you only attend once, you’ve stepped into a new environment, met fresh faces, and learned a little more about what’s on o er.
kind who will be there for you o the pitch as much as on it.
'Sport has a way of turning teammates into close friends'
The benefits go far beyond the sport itself. Training sessions provide a rhythm to your week, giving you a break from lectures and deadlines. Playing in BUCS matches takes you to other cities and campuses, while home fixtures bring the buzz of competition right to your doorstep.
The post-match socials are where much of the bonding happens; themed nights, pub trips, and club traditions that you’ll remember long after the season ends. Sport has a way of turning teammates into close friends, the
You also don’t need to feel tied to one sport. First year is the perfect time to experiment. Play basketball in autumn, join a volleyball intramural team in spring, and try kitesurfing when the weather warms up. You might fall in love with a sport you’ve never tried before, or you might simply enjoy the variety and the memories along the way. Some students even juggle two or three clubs at once, finding that each brings its own group of friends and experiences.
So, when Freshers’ Fair arrives, don’t just wander past the sports stalls: stop, chat, and sign up for a few tasters. Your university experience will be richer for it. Whether you end up chasing a frisbee, mastering a rugby scrum, or perfecting your snooker break, you’ll gain friends, stories, and a place to belong. University is about trying things you’ve never done before, and sport might just be the best place to start.
Ava Featon Sports Sub-Editor
satisfaction of sinking that final
Editor .............................................. Emma Gri ths
Deputy Editor ....................................... Ava Featon
Inclusions and insults: is football’s famously bigoted culture changing?
Football has a stereotype attached to it of laddish chants and exclusive, often hateful environmentsbut why is this, and is this culture changing?
Charlotte
Kerby
Deputy Features Editor
Football is a cherished part of British culture, whether you know the o side rule or not. Get me and the girls a cheeky pint down the pub in front of a Euros game and my weekend plans are set.
how does the football industry fail its spectators and players in terms of its approach to inclusion?
If I’m being really honest, men's football had always been an action-packed excuse to socialise at the pub for me. Nothing beats the drunken excitement of a penalty shoot-out, or an insane last-minute shot on target, but I’m by no means a lifelong fan. The rise of the women’s game, however, has brought out something a bit di erent in me. Ever since the 2022 Euros I have been a stickler for the underdog and I know I’m not alone. The Lionesses make football feel progressive, like the future of football doesn’t
lie in quite so murky waters. So how exactly does the men's game compare? And what is its future?
For many, football fans have a terrible reputation, awash with hooliganism, racism and bigotry. There is the too-often prolific use of homophobic language, racist and nationalist violence from the men's game spectators, and a dearth of LGBTQ+ diversity on the pitch.
It’s not exactly a glowing review, is it? Of course, I’m not claiming the women’s game is immune to all of this, and I'm not claiming the men's game always involves this. But if we really considered the moral standings of the professional football industry in England, would we be so eager to watch a game? Within the men’s Premier League there have been no openly gay male players out during their professional career. Yet, within the 2025 Euros tournament alone the England Lionesses featured plenty. Why?
Prevalent footballer Justin Fashanu, once an England Under 21s player, was the most professionally successful and publicly gay player
the English men’s game had ever seen. His career in England, however, was cut short when his sexuality became known following a coerced media outing in 1991. Fashanu began to coach overseas in the USA, attempting to escape the homophobic and racist dialogue embedded within the British game.
Yet, following an unfounded sexual assault accusation of a 17-yearold, unrelenting homophobic and racist abuse, and horrific coverage in the press, Fashanu spiralled and committed suicide in 1998. Fashanu said before his death that he knew of at least 12 other gay or bisexual players in the Premier League. Yet none spoke out during their career, before or after his death.
The men's football industry in England was not a welcoming place to be. Justin’s own brother John said on Justin's sexuality that ‘I wouldn’t like to change or be in the vicinity of him.’ He also declared that he begged his brother not to publicly come out, o ering to pay Justin the same as what The Sun was o ering so that he did not have to publish the story.
The discriminatory attitudes to Justin's sexuality from his own family only perpetuated silence from gay professional players. No English male player in the top division has come out during his career since.
Whilst this discriminatory abuse dates back to the 90s, homophobic chanting is still very much prevalent today, with Ben Chilwell being called a ‘Chelsea rent boy’ by Millwall fans at a recent game. Whilst the FA intervened and fined the club £15,000, it is unclear what tangible action the club have taken to tackle this behaviour. And, if we’re honest with ourselves, £15,000 for a Championship level club does seem to be more performative than genuinely punitive.
So, what makes the use of homophobic slurs in the football grounds ok for so many people? Why is there an unspoken rule that it's ok in one setting and not in another - and why are Premier League clubs allowing this behaviour to continue?
For the full article, go to: epigram.org.uk
Sport outside the SU: what else Bristol can o er?
If none of the university run sports societies take your fancy, there are so many options in and around the city.
Second Year, Ancient History
Welcome to Bristol! Whether you're a fresh face or returning for another year, Epigram is here to remind you that if society-based sport isn't for you, all is not lost! Here's some of the best physical excercise that the city o ers - that doesn't involve those infamous Wednesday night socials. No matter your skillset, ability or finances, there genuinely is something for everyone!
For those of you taken by the
triathlon craze sweeping TikTok at the moment, why not try out BADTRI? A shortening of Bristol And District Triathlon, this club caters to athletes of all abilities and ages. Hosting an incredible range of sessions, from free cycling groups to cheap intensive training, you don't have to be an apsiring Ironman to take part.
Speaking of seasonal, if Wimbledon whites are your dream attire, look no further than the Redland Tennis Club! O ering competitive, social, one-to-one coaching, and a women's only league, it ticks all the boxes - as well as only being a short walk from campus! However, there is a waiting list for independent memberships, which can make it di cult to hire a court. If you spent far too much time on the monkey bars in playgrounds as a child, then Bristol's vast
climbing scene is perfect for you! My personal favourite venue is the Church, located in beautiful St Werburghs on Mina Road. Part of the The Climbing Academy (TCA), it not only o ers roped tasters, but also intensive beginner courses and personal coaching. You can even gain professional qualifications for both indoor and outdoor climbing with their courses. TCA also holds infrequent women's roped socials for competent lead climbers. Alternatively, if bouldering is more your speed, check out The Mothership instead.
For those of you more comfortable with having your feet firmly on the ground, why not try out Padel? Also located at Redland Tennis Club, there are accessible introductory sessions for beginners to allow you to perfect your skills. At only £11 per month (or free with a
squash or tennis membership!) you get heavily discoutned booking fees and priority.
If this all seems too intimidating, then the group GirlsWhoWalkBristol is the perfect answer! Friendly, free, and exactly what it says on the tin - a girls-only walk around the city we all love,
o ering a change to get your steps in in a sage enviroment that won't require dipping into your dwindling student finance. Sorry men, there's not a GuysWhoWalk yet - unless someone wants to start one?
For more ideas, go to: epigram.org.uk
Photo courtesy of: Charlotte Kerby
Sian Clarke
Photo courtesy of:
EPI-GAMES
by Rachel Shortall
So good it rhymes! (...sort of) - Can you unscramble the following to reveal answers that are each loosely related to an Epigram section?
MY CREATINE
Famous contemporary British artist
(6,4)
REGULAR CROSSWORD
by
TOTS REPS
Demonstrations of dissent
(8)
HI I CODE
Headlining artist who recently pulled out of FORWARDS Festival
(7)
Miles Gilroy
ACROSS
4. What one does in a tent (4)
7. Type of bridge famously found in Clifton (10)
9. Unsure sound (3)
10. Taunt or mock (4)
11. Where Watershed cinema can be located (11)
13. Tom Yum cuisine (4)
14. Alcoholic beverage which Bristol is famous for (5)
17. River connecting Bath and Bristol (4)
18. What is the unit of power? (4) 19. Nope (3)
20. Faceless Bristolian artist (6) 22. Sweet Mediterranean fruits (4) 24. Surname of the Bristol-born physicist considered a founder of quantum mechanics (5)
26. A small amount (3)
28. World famous Bristol theatre (3,3)
31. Namesake of the tower on Brandon Hill (5)
32. Measure of sun-screen efficacy (3)
34. Polite term of address for a woman (4)
35. Someone you may find in Val Thorens (5)
37. ___ Holloway, former manager of Bristol Rovers (3)
38. Engineer behind the GWR (6) 39. Shrek, for example (4) 40. Talks excessively (4) 41. Museum one might visit to learn about Bristol (5)
DOWN
1. Big cat sports brand (4)
2. 19th century passenger ship still found in Bristol's harbour (14)
3. Indian flatbread (4)
5. First name of Jim Carrey's pet detective (3)
6. Electronic band named after their home town, close to Bristol (10)
7. Abbreviation expressing disappointment (3)
8. The Highbury Vaults or The White Harte, for example (3)
10. A famous supersonic one was built in Bristol (3)
12. Grain used for bread, beer, and whiskey (3)
14. Affluent area of Bristol (7)
15. Sounds like a bell, perhaps (4)
16. Bristol's oldest art gallery (3)
19. Russian negative (4)
21. American basketball league (3)
23. Kia Sportage or Volvo XC40, for example (3)
25. Furry friends you can find in Bag of Nails (4)
27. What is the unit of current? (6)
29. The people's princess (5)
30. Of syllables, unstressed followed by stressed (5)
32. Deep breath (4)
33. Short Mercury or Flintoff (4)
34. Famous James, born in Bristol and part of TV trio (3)
36. Greek island less than 5km from Turkey (3)
Highly magnifying device
(8,10)
GIVE IN STATION
Something one might launch to get to the bottom of things
