I N T E R N A T I O N A L
I N T E R N A T I O N A L
16 Pages Number 62 9th year
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Thursday, March 30, 2017
Drake ends Sheeran’s Billboard 200 reign, smashes streaming record NEW YORK - Drake ended Ed Sheeran’s two week reign atop the Billboard 200 album chart on Monday, selling a monster 505,000 copies of his new album “More Life,” according to figures from Nielsen SoundScan. The Canadian rapper, the world’s best-selling artist of 2016, took the No. 1 spot, setting a new streaming record and bringing home the biggest U.S. sales week for any album since his 2016 release “Views.” Nielsen said 257,000 units were earned from streaming, beating Drake’s previous record-setting 163,000 streaming units for “Views.” The Billboard 200 album chart tallies units from album sales, song sales (10 songs equal one album) and streaming activity (1,500 streams equal one album). Drake’s new release pushed British singer-songwriter Sheeran’s “Divide” into second place on the Billboard 200 with some 118,000 units sold. Rapper Rick Ross landed in the No.3 spot with his new album “Rather You Than Me.” Sheeran however remained top of the digital songs chart, which measures online single sales, thanks to “Shape of You,” which sold another 97,000 units in its 11th week on the chart. (rtr)
Siwer Mas, one of the beautiful Ogoh-Ogoh made by The Balinese from Banjar Tainsiat, Denpasar. The Hindus in Bali do Ogoh-ogoh parade before the Nyepi celebration.
The swashbuckling film sees the return of Johnny Depp as Captain Jack Sparrow.
IBP/net
First reactions to ‘Pirates of the Caribbean 5’ at CinemaCon
LAS VEGAS — The Walt Disney Studios unveiled the films while also redeeming its lagging fifth installment in their “Pirates of the Caribbean” franchise reputation. Gizmodo writer Germain Lussier “Dead Men Tell No Tales” Tuesday night at CinemaCon in wrote that “Dead Men Tell No Tales” Las Vegas.
Photo by Arthur Mola/Invision/AP, File
In this Oct. 8, 2016 file photo, Drake performs onstage in Toronto. Drake’s new album “More Life” has broken the U.S. record for the number of streams from a single album in one week.
Initial reactions from those in attendance, including press, theater owners and exhibitors, were largely positive, celebrating a return to form for the franchise and the well-done VFX. Official reviews are under embargo until May 22. The swashbuckling film sees the return of Johnny Depp as Captain Jack Sparrow and Geoffrey Rush as Barbossa and introduces a new young cast including Brenton Thwaites and Kaya Scodelario. Javier Bardem plays a ghostly villain with a vengeance
as they all search for the trident of Poseidon on the high seas. Orlando Bloom also returns as Will Sparrow, who hasn’t been in a “Pirates” film since 2007’s “At World’s End.” “Dead Men Tell No Tales” is the first “Pirates” film since 2011’s “On Stranger Tides” and the first to be directed by Joachim Rønning and Espen Sandberg. To date, the franchise has grossed over $3.73 billion worldwide for the studio, and there is some pressure on this fifth film to continue the enormous successes of the previous
was the best since the first, adding that, “while that isn’t saying much, it does occasionally capture that magic.” Collider.com editor in chief Steven Weintraub praised the action set pieces and said it was better than the fourth. Slashfilm.com editor Peter Sciretta called it a “pleasant surprise.” “Continues the legacy, focuses on the characters and the world,” Sciretta wrote. “Pirates of the Caribbean: Dead Men Tell No Tales” hits theaters on May 26. (ap)
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Thursday, March 30, 2017
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Commercialization of ogoh-ogoh and pengerupukan meaning NIGHT of Pengerupukan or the Nyepi Day’s Eve is usually graced by Balinese Hindus with a unique and sacred tradition, namely parading ogoh-ogoh or papier mâché demon throughout their respective village. However, over the times, many Balinese people do not know in-depth about the function of ogoh-ogoh on the pengerupukan. Ida Pandita Mpu Jaya Prema Ananda said that ogoh-ogoh is a symbol of bhuta kala or demon presented with offerings in the tawur kesanga, so that at the beginning the ogoh-ogoh was very much made sacred by the Hindus. In the past, people did not make ogoh-ogoh because at that time they were already satisfied with the ritual implementation without excessive symbol. However, when Bali is advanced and the art is developed, it is considered necessary to make
the symbol of bhuta kala functioned to only visualize when priests officiate over caru ritual. When the caru offerings are ‘savored,’ the ogohogoh was moved in order that bhuta transforms into gods (in the concept known as bhuta ya, dewa ya). “Apparently a group of young people is not satisfied with the ogohogoh that is just moved around the tawur kesanga. With the reasons of expensive cost in the making, they consider it necessary to parade it around. Right now, we see the
ogoh-ogoh is paraded around on the streets of village. Moreover, in some places the tawur kesanga is held at one of the corners while the ogoh-ogoh is placed at the opposite corner. Seemingly there is no relation between the ogohogoh and tawur kesanga. Tawur kesanga may be organized in the morning, while the ogoh-ogoh is paraded in the afternoon. A worrying thing is that the ogoh-ogoh is consecrated (dipasupati) and then paraded around the village until it becomes damaged, but it is forgotten to burn physically and psychically (dipralina). No wonder, there are many mass clashes in Bali, the bhuta kala is alive and nobody burns and transforms it into god,” said Ida Pandita Mpu Jaya Prema Ananda on Wednesday (Mar. 22).
Moreover, ogoh-ogoh develops into commercialization. Some people think that the ogoh-ogoh is not associated with tawur kesanga, so that the ogoh-ogoh is made modern and no need to be in the form of bhuta kala, such as a café girl riding a motorcycle and other forms. However, Ida Pandita Mpu Jaya Prema Ananda assessed that the ogoh-ogoh must remain to have nuance of ritual commercialization as it is related to Nyepi celebration denoting a major feast day of Hinduism. Moreover, every year the Hindu Dharma Council gives a warning that ogoh-ogoh must still be in the form of bhuta kala, not a symbol of religious figures. Nevertheless, the warning must be added that the ogoh-ogoh must be associated with tawur kesanga and
then burned after using. “Do not put the ogoh-ogoh into carnival. On that account, I have ever suggested that the fondness of Balinese people to make ogoh-ogoh is organized on other days, such as on the anniversary of the city of Denpasar. Well, at that time people can make ogoh-ogoh in any version. However, Balinese people seem uncomfortable to make ogoh-ogoh beyond Nyepi. It is hard for them to ask for donations unless in the name of religion,” he concluded. (win)
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