Edisi 28 Januari 2014 | International Bali Post

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I N T E R N A T I O N A L

16 Pages Number 31 6th year

I N T E R N A T I O N A L

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Tuesday, January 28, 2014

Brokeback Mountain the opera to open in Spain Associated Press Writer

MADRID — It was a short story, then a Hollywood movie. Now the tragic tale of cowboys in love is being reinvented again: Brokeback Mountain — the opera. Ahead of its world premiere in Madrid, author Annie Proulx told The Associated Press that the form of opera presented an opportunity to explore the complexities of the tale in a way neither her own short story nor the movie by director Ang Lee were able to do. Proulx said that she “rejoiced” when composer Charles Wuorinen approached her to write the libretto because she understood that an opera “would give room, which the short story did not,

and which the film was not particularly interested in doing,” to open up the characters involved in the doomed love affair. Wuorinen said he tried to give the menacing nature of the rugged Wyoming landscape a greater presence in the opera than in the short story and cinematic versions. “It is very beautiful as the film shows,” Wuorinen told the AP, “but it is definitely not sentimental, it is not a romantic landscape, it’s a deadly one — it’s dangerous.” This forbidding natural backdrop is represented by Wuorinen’s sometimes atonal style — one that presented the singers with a steep learning curve. “The music is very challenging,

there’s no question about that,” said Canadian bass-baritone Daniel Okulitch, who appears as one of the cowboys in the pair — Ennis Del Mar. Love scenes between Del Mar and fellow cowboy Jack Twist, performed by American tenor Tom Randle — which caused a stir when the movie was first aired — are depicted discreetly on the opera’s minimalist stage, where the starkness of the mountain is presented as a looming projection onto a white background. Wuorinen’s score makes use of a wide range of percussion instruments that convey many sounds, including the wind and rain on the Brokeback Mountain, and the work is in English.

‘Ride Along’ runs over ‘I, Frankenstein’

Entertainment

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Tuesday, January 28, 2014 German TV: Snowden says NSA also spies on industry

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Ukrainian minister threatens state of emergency

Barca and Atletico back on top after easy wins

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Grammy Awards winners Record of the Year (for performers): “Get Lucky” by Daft Punk, featuring Pharrell Williams and Nile Rodgers AP Photo/Gabriel Pecot

Album of the Year: “Random Access Memories” by Daft Punk

In this photo taken on Friday, Jan. 24, 2014, American tenor Tom Randle (Jack Twist), left , Welsh contralto Hillary Summers (Bartender), center, and Canadian bassbaritone Daniel Okulitch (Ennis del Mar), right , perform during the press rehearsal of the production “Brokeback Mountain” at the Teatro Real, in Madrid, Spain.

Song of the Year (for songwriters): “Royals” by Lorde and Joel Little Best New Artist: Macklemore & Ryan Lewis Best Pop Solo Performance: “Royals” by Lorde Best Pop Duo/Group Performance: “Get Lucky” by Daft Punk, featuring Pharrell Williams and Nile Rodgers Best Pop Vocal Album: “Unorthodox Jukebox” by Bruno Mars

Associated Press Writer

Best Dance/Electronica Album: “Random Access Memories” by Daft Punk

NEW YORK — The Kevin Hart comedy “Ride Along” continued to speed through a typically quiet boxoffice frame, while the monster thriller “I, Frankenstein” couldn’t be roused from the dead. Universal’s buddy cop comedy “Ride Along,” co-starring Ice Cube, cruised to the top of the box office again, taking in $21.2 million in its second weekend, according to studio estimates Sunday. The film last week set a January debut record, with $48.6 million over the three-day holiday weekend. For the second weekend in a row, Universal claimed No. 1 and No. 2 at the box office, with the Afghanistan war film “Lone Survivor” earning $12.6 million in its fifth week. With a cumulative total of $93.6 million, the relatively inexpensive “Lone Survivor,” starring Mark Wahlberg, will soon cross the $100 million mark. “I, Frankenstein” had a sizable budget,

estimated at $65 million, yet opened with just $8.3 million. Starring a beefed-up Aaron Eckhart as Mary Shelley’s famous monster in a modern-day setting, the 3-D film wasn’t screened for critics and came into the weekend with little buzz. Lakeshore Entertainment financed the film, which was distributed by Lionsgate. With $13 million in overseas box office,

Best Rock Album: “Celebration Day” by Led Zeppelin Best Rap Album: “The Heist” by Macklemore & Ryan Lewis

“I, Frankenstein” could scare up better business internationally. Two family films trailed “Ride Along” and “Lone Survivor.” The animated squirrel comedy “The Nut Job” made $12.3 million in its second week for Open Road Films. Disney’s juggernaut “Frozen” added $9 million for a 10-week domestic total of $347.8 million.

Paul McCartney, left, and Ringo Starr perform on stage at the 56th annual Grammy Awards at Staples Center on Sunday, Jan. 26, 2014, in Los Angeles. Photo by Matt Sayles/Invision/AP

Beatles family reunion at Grammys Agence France-Presse

LOS ANGELES - The surviving Beatles on Sunday reunited in spirit with their late bandmates at the Grammys as Yoko Ono danced to the jamming of Paul McCartney and Ringo Starr.

AP Photo/Universal Pictures, Quantrell D. Colbert

This image released by Universal Pictures shows Ice Cube, right, and Kevin Hart in a scene from “Ride Along.”

The two living members of the Fab Four were in attendance to receive an award for lifetime achievement for the Liverpool band, widely considered among the most influential acts in music history. As Starr took the stage to join McCartney on his song “Queenie Eye,” Ono -- widow of the late John Lennon -- swayed back and forth in the crowd in her trademark dark shades and black hat.

Their son Sean Lennon, who bears a striking resemblance to his slain father with his glasses and unkempt hair, danced respectfully next to his mother. Olivia Harrison, the widow of fellow late Beatle George Harrison, and the wives of McCartney and Starr were also in attendance at the Staples Center in Los Angeles. Starr, sporting a red-and-black polka dot shirt, also separately performed the song “Photograph.”

Ono and Harrison later took the stage to present the Grammy for album of the year, which went to French electro duo Daft Punk for “Random Access Memories.” Joining in presenting the award, singer Alicia Keys noted that past Grammys for best album went in 1973 to George Harrison’s “The Concert for Bangladesh,” which raised funds for the war-torn new country, and to John Lennon and Yoko Ono for “Double Fantasy,” released just before Lennon’s murder in 1980. beats veterans Meanwhile, New Zealand teen-

ager Lorde on Sunday upset music veterans to win two Grammys with her chart-topping song “Royals.” Lorde, 17, took home awards for song of the year and best solo pop performance at the music industry’s biggest night in Los Angeles. “Thank you everyone who has let this song explode. Because it’s been mental,” she said as she accepted the song of the year award with co-writer Joel Little. Lorde earlier thanked her competitors including Justin Timberlake and Katy Perry who were in the running for best solo pop performance. “This is the one thing that I did

not expect the most about tonight,” Lorde said, saying of her rivals for the Grammy: “I have been so inspired by all of your vocal work at some point in my life, so thank you.” Lorde, whose real name is Ella Yelich-O’Connor, stormed through international charts last year with “Royals,” her genre-defying tale of aspirational luxury. With the song, Lorde became the first act from New Zealand to top the Billboard chart in the United States. Lorde was also nominated for Grammys for best record and best pop vocal album.


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