I N T E R N A T I O N A L
I N T E R N A T I O N A L
16 Pages Number 73 9th year
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Wednesday, April 19, 2017
Once preposterous, now immediate; Margaret Atwood on ‘Handmaid’s Tale’ NEW YORK - Margaret Atwood did not have any creative control over the latest adaptation of her dystopian novel “The Handmaid’s Tale,” but she was very clear what she didn’t want. “That they not make a sort of soft porn film called ‘Maidens in Leather’ or something, which has always been a temptation to certain kinds of filmmakers,” the Canadian author told Reuters. “The whole thing about such a puritanical society is that sex isn’t supposed to be fun. I’ve seen some people taking a crack at (‘Handmaid’s Tale’) and going in that direction and it was always wrong,” she said. First published in 1985, “The Handmaid’s Tale” imagines a totalitarian near future when fertile women are forced into sexual servitude in a bid to repopulate a world facing environmental disaster. Women are forbidden to read, cannot control money and are forced to wear modesty clothing. Everyone spies on everyone. Thirty years on, the new TV miniseries for Hulu, premiering April 26 and starring Elisabeth Moss as Offred, seems relevant. Atwood, 77, calls it one of her “speculative fiction” novels but said every scenario was drawn from real events - from Puritan society to environmental pollution, infertility, the fight for women’s rights, the Cold War, book burnings and slavery. Even so, the premise of “The Handmaid’s Tale” seemed far-fetched in 1985. “It seemed preposterous even to me. But I don’t mean to say it was preposterous. I didn’t think it was going to happen in that moment,” she said. “When politically inclined people say they want to do such and such, I always believe them, so why be surprised? Then the 2016 U.S. election happened and all this became much more immediate,” she said In an hour-long conversation, Atwood never mentioned Hillary Clinton, U.S. President Donald Trump, nor any political party. Her passions are more fundamental and widespread, ranging from innovations in biotechnology to North Korean literature and the protection of birds. While she is widely regarded as one of the foremost living feminist writers, it is not a label she would choose. Women’s rights and civil rights are inextricably linked, she says, but women have become complacent in the last 20 years. (rtr)
REUTERS/Andrew Kelly/File Photo
The Chainsmokers perform at Z100’s Jingle Ball in Manhattan, New York, U.S. on December 9, 2016.
The Chainsmokers debut atop Billboard 200 chart with ‘Memories...’
LOS ANGELES - Dance-pop DJ duo The Chainsmokers ousted rapper Drake from the top spot on the weekly U.S. Billboard 200 chart on Monday, scoring their first chart-topping album after a slew of hit singles.
REUTERS/Alexandre Meneghini
Canadian writer Margaret Atwood speaks during an interview at a hotel in Havana, Cuba, February 8, 2017. Picture taken on February 8, 2017.
“Memories ... Do Not Open,” the debut full-length album from The Chainsmokers, racked up the equivalent of 221,000 in sales, including 60 million streams of the album and 166,000 copies sold, according to figures from Nielsen SoundScan. The album includes the hit singles
“Paris” and “Something Like This,” following up on the duo’s breakout success with “Closer” last summer. Drake’s “More Life” dropped one spot to No. 2. The Billboard 200 album chart tallies units from album sales, song sales (10 songs equal one album) and streaming activity (1,500 streams equal one album).
New entries in the top 10 of the Billboard 200 chart this week include a cappella group Pentatonix at No. 4 with “PTX Vol IV: Classics,” rapper Joey Bada$$ at No. 5 with “All-Amerikkkan Bada$$” and folk singer Father John Misty at No. 10 with “Pure Comedy.” In the Digital Songs chart, which measures online single sales, former One Direction singer Harry Styles debuted at No. 1 with his solo debut “Sign of the Times” selling 142,000 copies. (rtr)
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Wednesday, April 19, 2017
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A child rides a scooter in Luar Batang area in Jakarta, Indonesia April 18, 2017. The writing on the wall reads: “Burn Ahok.” REUTERS/Beawiharta
“Dirty” Jakarta election looms as religious politics resurfaces
JAKARTA - Luar Batang is one of the Indonesian capital’s oldest neighbourhoods, founded in the 17th century to collect tolls from ships sailing in from the Java Sea when the city was the centre of the Dutch East Indies spice trade. Now, it is being demolished and many of its residents are being evicted to make way for a giant seawall meant to keep Jakarta from sinking under rising sea levels. That has made it ground zero for the election of the city’s governor, dubbed one of the most divisive election campaigns Indonesia has ever seen. The incumbent governor, Basuki “Ahok” Purnama, was cruising towards a decisive election victory last September when he allegedly criticised a verse from the Koran that warns Muslims against allying with Christians and Jews. Hardline Islamist groups responded with mass protests demanding that Purnama, an ethnic Chinese and Christian, be prosecuted. Police eventually did charge him with blasphemy. It was Purnama who ordered the evictions from Luar Batang’s
slums to make way for one of his many infrastructure projects aimed at modernising this clogged and chaotic city. Many of those who filled the streets of Jakarta to protest against him late last year were among the displaced, and violence broke out in Luar Batang after one of those demonstrations. Luar Batang residents had just about given up their fight against evictions when the controversy over the Koran comments erupted, said one woman who did not want
to be named, sitting outside a small shack amid the rubble. “We see it as a gift from God,” she said, describing the slur as a means to bring down Purnama. Continued to page 6 News can also be heard in “Bali Image” at Global Radio FM 96.5 from 9.30 until 10.00 am. Listen to Global Radio FM at http:// globalfmbali.listen2myradio.com or live video streaming at http:// radioglobalfmbali.com and http:// ustream.tv/channel/global-fm-bali.