Edition Friday, May 18, 2018 | Internasional Bali Post

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I N T E R N A T I O N A L

16 Pages Number 114 10th year

I N T E R N A T I O N A L

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Friday, May 18, 2018

Romancing the maid: Indian film tackles taboo As a child, Rohena Gera never understood why her family’s live-in nanny, the “woman she loved like a second mother” was kept at arm’s length by her Indian family. “I didn’t understand why this person who took care of me, who I loved... was so separate.” In a country where millions of servants sleep on the floor of the homes they work in, the idea that a “master” might fall for the meek low-caste woman who is there to cook and scrub for him seemed “inconceivable”, she said. But that is the premise of Gera’s new film, “Sir”, an upstairsdownstairs love story of a kind she says has never been seen in an Indian movie. That the maid is a widow -- whose lives can be severely circumscribed in India -- adds another layer of taboo to the tenderly told tale which premiered at the Cannes film festival Monday. Young property developer Ashwin and his maid Ratna may live “under the same roof but they are in completely different worlds,” said Gera. “They do not even speak the same language,” with him coming from the English-speaking Mumbai elite and her a poor villager. Even if by some miracle he married her, his family and friends might object to sharing a table with her. Nor would she “be able to sit on a sofa

with his sister”, Gera told AFP. - Class and caste system “Indian society is pretty rigid. It not so much the caste system as class these days which plays out as caste... And we accept it. No one is doing anything actively to challenge it.” The director saw the divide more starkly when she returned from college in the US. “You see these dramatic inequalities but I didn’t know what to do about it. “I couldn’t be holier than thou because I am part of the problem,” Gera admitted. So rather than making “some preachy story or tell people what to think”, instead she spun a subtly revealing study of thwarted love. It is more Bergman than Bollywood, but as Gera joked, “it does have two dance numbers”. “As you get older, you begin to realise how love operates, how we allow ourselves to love who we love,” said the filmmaker, whose documentary “What’s Love Got To Do With It” was about arranged marriages. “They are both victims in a way. He is in his gilded cage of privilege but he can’t live his dreams.” Ratna the maid, played by rising star Tillotama Shome, is in some ways freer than him, Gera claimed, fired by a fierce determination to make the best of her circumstances. “People not familiar with India might think, ‘Oh my god, she sleeps on the floor in this little tiny room,” but in Indian terms she is in a relatively privileged situation for a maid, the director insisted.

- ‘Widows seen as cursed’ “She is earning money and she has her dreams. She is not judging where she sleeps. It is not so different to what happened in England and Europe a few generations ago.” Following those dreams as a widow sets her apart in a country where patriarchal attitudes have become more entrenched under the ruling Hindu nationalist Bharatiya Janata Party. Widows are still seen as cursed or bringers of bad luck by some, Gera said. “They are denied a lot of joy and from wearing certain colours... Even in the supposedly progressive cities I have friends whose mothers lost their husbands in their forties and they never really moved on. You can’t date in India if you are a widow and you have a child. “For a widow to have desire is seen as preposterous.” “I don’t know how people will take that,” said Gera, who hopes the film will be seen widely in India. “I think it will make some people extremely uncomfortable, which isn’t a bad thing. But I think it will give others hope,” she said. But in the film Ratna -- who has been brought up to be docile and deferential, anticipating her employer’s every whim -- manages not just to free herself but also her master, without losing her dignity. The film was warmly received by critics, with The Guardian calling it a “delicately observed and attractive drama with some great Mumbai cityscapes and an excellent performance from Shome”. The French press was equally smitten by the actress best known for “Monsoon Wedding”. With two Indian women directors selected for Cannes for the first time ever this year, Indian indie cinema seems to be on the up. “It is a good year for Indian women at a very bad time for Indian women,” Gera said dryly. “Our voices need to be heard.” (afp)

Black actresses brave downpour to protest at Cannes CANNES - Sixteen black and mixed race actresses staged a glamorous red carpet protest at the Cannes film festival Wednesday to denounce everyday racism in the French industry. Led by “Bamako” star Aissa Maiga, they also launched their new book “Being black is not my job” (“Noire n’est pas mon me-

tier”), denouncing the prejudice they have suffered from directors and casting agents. But the heavens opened as they stepped out onto the red carpet from their cars wearing spectacular gowns by Balmain’s mixed-race designer Olivier Rousteing. Their march follows hot on the heels of an historic red carpet

demonstration Saturday by 82 Hollywood stars, women directors, producers and scriptwriters, led by Cate Blanchett, demanding equal pay and status. “I was moved to act by the spirit of the times,” Maiga told AFP, who said quotas “could be a possible option” for combatting the lack of black faces on screen, even if that

would spark vehement opposition in France. One of the actors who took part, Nadege Beausson-Diagne, said in the book that she had been asked if she spoke “African” at a casting. She was also told, “You can’t play her, she’s a lawyer” and “Luckily you have fine features and you are not negroid, not too

black...” The actress, who appeared in France’s biggest ever film at the box office, “Welcome to the Sticks” (“Bienvenue chez les Ch’tis”), said she was also told she was “not African enough to be African” and that “for a black, you are really very intelligent. You should have been white.” (afp)

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Friday, May 18, 2018

FRANCK FIFE / AFP

Atletico Madrid’s French forward Antoine Griezmann (C) celebrates with the trophy with his family, (from L-R) his brother Théo Grizemann, his wife Erika Choperana, his baby Mia Griezmann, his father Alain Griezmann and his mother Isabelle Lopes, after the UEFA Europa League final football match between Olympique de Marseille and Club Atletico de Madrid at the Parc OL stadium in Decines-Charpieu, near Lyon on May 16, 2018.

Griezmann fires Atletico Madrid to Europa League title

LYON - Antoine Griezmann was the hero for Atletico Madrid as the French striker scored twice in their 3-0 win over Marseille in Wednesday’s Europa League final in Lyon, allowing his club to win the trophy for the third time in nine seasons. It is Griezmann’s first major title with Atletico, and a fitting way to bow out if he leaves at the season’s end, with Barcelona tipped as his next destination. Griezmann -- brought up in Macon, just 70 kilometres from Lyon -- scored once in each half, his lethal finishes coming either side of Marseille losing Dimitri Payet to injury, the French team’s captain coming off in tears. Griezmann now has 29 goals

this season, although it was Gabi’s late strike that sealed the victory. “This is a reward for me after I left home aged 14, for all the work I have put in, the suffering,” said Griezmann, who has spent his whole career in Spain but had only previously won one Spanish Super Cup. Atletico’s triumph comes after agonising defeats to Real Madrid in the Champions League finals of 2014 and 2016. They had previ-

ously won the Europa League in 2010 and again in 2012, the latter coming just six months after Diego Simeone’s appointment as coach. Simeone, who had to watch from the stands due to a touchline ban, called the victory a reward for his side’s hard work and even expressed hope that Griezmann could be convinced to stay. “This was just confirmation of what Griezmann has been doing year after year,” said the Argentine. “I hope he is happy with us. I have no doubt that there are certain things that could make it more likely that he stays. “He has played three finals with

us, has won two, and so that shows that he is not far away from his objective of regularly playing finals. “We are not far away in sporting terms from teams who are more powerful than us.” Marseille had been desperate to win the second European trophy in their history, on French soil, 25 years after beating AC Milan in the inaugural Champions League final. But it was a flat night for their huge support, who threatened to ruin the occasion by lighting flares and setting off firecrackers at one end of the stadium, with some even being thrown onto the pitch towards the end. The game carried

on regardless, with Rudi Garcia’s side well beaten. “We let our chance go in the first half. Firstly, we had the best chance to go ahead, and secondly an error from us meant we fell behind,” said Garcia. “The scoreline is harsh but the better team won.” (afp) News can also be heard in “Bali Image” at Global Radio FM 96.5 from 9.30 until 10.00 am. Listen to Global Radio FM at http:// globalfmbali.listen2myradio.com or live video streaming at http:// radioglobalfmbali.com and http:// ustream.tv/channel/global-fm-bali.


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