I N T E R N A T I O N A L
I N T E R N A T I O N A L
16 Pages Number 21 7th year
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Friday, January 16, 2015
Box-office hits seem assured of a snub in Oscar nominations
Entertainment
increasingly exists apart from the regular business of the movies, in its own hifalutin, red-carpeted realm. Among the things to look for Thursday will be the fate of the late-chargers of this season: “Selma” and “American Sniper,” both of which are only now hitting theaters nationwide. Guild awards have been particularly tough on Ava DuVernay’s “Selma.” Though acclaimed by critics and energized by contemporary relevance, the civil-rights drama has been subjected to scrutiny for its Lyndon Johnson portrayal. Many were surprised by its absence in nominees by the acting, directing and producing guilds, which many have attributed to the movie’s late arrival and lack of available DVD screeners for the guilds. Eastwood’s “American Sniper,” however, has been strongly supported by the guilds (whose mem-
AP Photo/IFC Films
This image released by IFC Films shows Patricia Arquette and Ellar Coltrane in a scene from the film,”Boyhood.”
berships overlap considerably with the academy) and appears poised for a big box-office haul when the Navy SEAL drama expands nationwide this weekend. Either could potentially join the top contenders or fade away. Richard Linklater’s comingof-age “Boyhood” has been the season’s unsurpassed front-runner, most recently taking best drama at the Golden Globes. “Birdman” is seen as its chief rival (Hollywood loves movies about itself), though it was upset by Wes Anderson’s old Europe caper “Grand Budapest Hotel” at Sunday’s Globes. “The Imitation Game,” the World War II thriller starring Benedict Cumberbatch, could do especially well Thursday, since it offers the kind of handsome, well-rounded production that tends to chalk up nominations. The year’s other British prestige project about a genius mathematician, the Stephen Hawking tale “The Imitation Game,” should also hear its name read repeatedly. Adding a layer of mystery is how many best-picture nominees will make the cut, since there can be anywhere between five and 10. In the three years since the expansion of the category, there have been, oddly enough, nine movies nominated each year. On the fringe this year is a trio of indie dark horses: the jazzy psychodrama “Whiplash,” the creepy Jake Gyllenhaal thriller “Nightcrawler” and the tragic wrestling drama “Foxcatcher.” These are the films that could add a dose of darkness to the category’s more mainstream favorites. (ap)
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Friday, January 16, 2015
Groups urge Thailand not to send prisoners on fishing boats
UAE score after 14 seconds, beat Bahrain 2-1
US, Iran hopeful on speeding up nuclear talks
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World Heritage site
HOLLYWOOD - Unless David Fincher’s “Gone Girl” or Christopher Nolan’s “Interstellar” unexpectedly crash the party, the most certain thing absent at Thursday’s Oscar nominations will be major box-office hits. When the nominations to the 87th annual Academy Awards are unveiled at 8:30 a.m. EST from the Samuel Goldwyn Theater in Beverly Hills, Calif., none of the expected best-picture candidates will have grossed $100 million. Presenters Chris Pine, J.J. Abrams, Alfonso Cuaron and motion picture academy President Cheryl Boone Isaacs will announce all 24 categories in a press conference streamed live on www. oscars.org and broadcast on ABC’s “Good Morning America.” This year’s modestly sized but much-beloved favorites — “Boyhood,” ‘’Birdman” — have been largely locked in place throughout much of Hollywood’s ever-expanding awards season, where statuettehunting campaigns span months and are feverishly chewed over by Oscar prognosticators. As studios have focused more and more on easily marketed blockbusters, Oscar season
WEATHER FORECAST 23 - 32 Dps
Rob Latour/Invision/AP, File
In this Sat., Jan. 10, 2015 file photo, Nicole Kidman, left and Paddington Bear arrive at the Los Angeles Premiere of Paddington at the TCL Chinese Theatre, in Los Angeles. The movie releases in U.S. theaters on Jan. 16, 2015.
Nicole Kidman shows her silly side in ‘Paddington’ BEVERLY HILLS, Calif. — Nicole Kidman knows most people don’t consider her a comedic actress. In her 31-year career, her roles have ranged from the morose to the deliciously sadistic. There are a few straight comedies in her resume, but Kidman is the first to admit that she just doesn’t get many offers to do that type of work. She’s won an Oscar. She’s worked with Stanley Kubrick, Jane Campion, and Lars Von Trier. So how did she end up in a modest role as a delightfully villainous taxidermist in the children’s film “Paddington” with a relatively unknown director at the helm? The answer is simple: She was asked. “The desire to run the gamut and be diverse is something you’re taught at drama school,” said Kidman on a recent afternoon at the Beverly Wilshire Hotel. “We’re trained in Shakespeare and then we’re trained in Noël Coward and we’re trained in mime classes. But a lot of times you’re not given the opportunity to explore the things
that you’ve cultivated.” For director Paul King, it was a no-brainer. But it wasn’t Kidman’s 1996 romantic fantasy romp “Practical Magic” that he was thinking of. He’d seen Gus Van Sant’s “To Die For” and knew Kidman had to be his Millicent. In the film, out Friday, Millicent is a leather-clad, stiletto-wearing femme fatale who will stop at nothing to stuff the iconic talking bear from Darkest Peru and put him in a museum. “He wrote it for me. I’m not sure if that’s a flattering thing or not,” Kidman laughed. King, who had mostly worked in British television, knew it was a long shot. “You should never write for an actor because they’ll just say no. But I did have her in mind,” he said. Despite all the warnings that Kidman was “never” going to say yes, as soon as she heard the name “Paddington,” she jumped. Kidman had grown up reading Michael Bond’s books in Australia and it just struck a nerve. (ap)
Land conversion remains toughest challenge
GIANYAR - Subak Pulagan, near the Pakerisan watershed river, Tampaksiring, Gianyar, has been awarded recognition as a World Cultural Heritage Site. However, despite having received this honour, the area is still under threat of land conversions, and ensuing environmental damage. This threat is quite real, as demonstrated by a dialogue which took place on Tuesday (Jan 13) between the UNESCO representatives who visited Subak Pulagan and the chief farmer of Subak Pulagan, Sang Nyoman Astika. On behalf of the subak members, Astika asked the UNESCO representatives about the possibility of building a house on this agricultural land, saying that because one family had grown, space in their house compound was no longer sufficient. Cristal Backley, one of the UNESCO representatives, could not approve or refuse the request. This Australian woman simply conveyed that she had only come to have a closer look at the condition
of the Subak that has been selected by UNESCO. She did add that Subak members should be proud of preserving this water system as it has been recognized as an official World Heritage for its historical and traditional value. Gamini Wijesuriy, another UNESCO representative, admitted that her party could not limit any changes nor could they give an answer as to whether building would be allowed or not. However, she was very impressed with the
existence of Subak in Bali, saying “I just hope that with this recognition from the world, the Subak system can be preserved”. Meanwhile, the government of Gianyar has been attempting to maintain the sustainable nature of the area, free from environmental degradation and land conversions. “To address worries about land use in 2015, the Gianyar government has exempted farmers from land and property taxes,” said the First Assistant to Gianyar government,
Cok Rai Widiarsa P., who received the UNESCO representatives who had come to conduct a site inspection of Subak Pulagan. It was also added that to maintain the UNESCO award his party had already provided assistance for farmers in the form of free rice seeds and fertilizer, as well as scholarships for all poor students. The inclusion of Subak as a World Cultural Heritage Site by the United Nations Educational, Scientific and Cultural Organization (UNESCO) took about 12 years. “This is certainly a source of pride for the people of Bali and Indonesia in general,” said Widiarsa. According to him, this recognition would provide motivation for the people of Bali to preserve the
subak organization as a cultural heritage based on Tri Hita Karana (concept related to harmony in environmental, social and spiritual relations). Preservation of the watershed areas of Pakerisan River is divided into three zones. The core zone includes the land within 100 meters from the mouth of the river, the supporting zone is land within 200 meters from the river and the development zone is land starting at 300 meters away from the river. “These three zones need to be preserved to avoid environmental damage,” he added. (kmb35) News can also be heard in “Bali Image” at Global Radio FM 96.5 from 9.30 until 10.00 am. Listen to Global Radio FM at http:// globalfmbali.listen2myradio.com or live video streaming at http://radioglobalfmbali.com and http:// ustream.tv/channel/global-fm-bali.
IBP/Puspa
The file photo shows Jatiluwih rice field at Tabanan. Same as Subak Pulagan, Tampaksiring, Gianyar, Jatiluwih also awarded as UNESCO world heritage. The recognition should provide motivation for the people of Bali to preserve the subak organization as cultural heritage based on Tri Hita Karana (balance concept related to environmental, social and spiritual aspect).