I N T E R N A T I O N A L
16 Pages Number 91 11th year
I N T E R N A T I O N A L
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Wednesday, May 8, 2019
Modern sculpture meets ancient Greece in unique island exhibition DELOS - A stone’s throw from the Greek island of Mykonos lies Delos, an uninhabited islet a world away from its neighbour’s glamorous nightlife. It is there, on an island best known for its archaeological treasures, that British contemporary artist Antony Gormley is showing 29 of his sculptures. Gormley is perhaps best known for his gigantic Angel of the North, a 20-metre high steel work that since 1998 has been an unmissable landmark in its home at Gateshead, northern England. But this new exhibition -- including five works specially created for the event -- sets his contemporary work among the remains of ancient Greece. “It’s an extraordinary responsibility,” Gormley told AFP at the opening. “It’s an amazing privilege to occupy a site that hasn’t been occupied by a living artist (for) over
two thousand years -- that’s a bit of a challenge isn’t it?” The archaeological finds on Delos date back as far as the 3rd millennium BC up to the Hellenic era of classical Greece. Its UNESCO World Heritage listing describes it as an “exceptionally extensive and rich” site, reflecting its past as a cosmopolitan port. The exhibition is intended as a dialogue between contemporary civilisation and the past, says Elina Kountouri, who heads up NEON, the non-profit that organised the show along with London’s Whitechapel Gallery. A mark of the respect accorded to the site is that none of Gormley’s sculptures have been placed inside the ruins of the ancient sanctuaries of the Greek gods Apollo and Artemis. According to Greek myth, Delos is where the two gods -- brother and sister -- were born. (afp)
LOUISA GOULIAMAKI / AFP
The statue “Another time XV” by British artist Antony Gormley, part of his exhibition “Sight”, overlooks the island of Mykonos at the archeological site of the island of Delos.
Mexican-American singer Lila Downs confronts immigration debate in new album
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Wednesday, May 8, 2019
NEW YORK - Long an advocate for rural communities in her native Mexico, singer Lila Downs is now adding inflections of cumbia and electro to her signature brand of folk -- and taking on the hot-button issue of immigration. The Grammy-winning Mexican-American’s just-released ninth studio album offers a defiant celebration of diversity while challenging US President Donald Trump’s hardline stance on immigration, something Downs calls a “responsibility.” After performing with the likes of folk legend Joan Baez on the USMexico border to raise funds for migrant refugees, Downs decided to cover the iconic song “Clandestino,” an immigrant anthem originally by indie darling Manu Chao. “If we don’t fight for children, what will become of us?” the 50year-old says in her cover of the hit, referring to the White House’s immigrant detention policies that saw children separated from their parents. “Immigration must always be looked at from a human point of view,” she told AFP while in New York to promote “Al Chile,” her album that dropped Friday. “We must pay tribute to these people, make them songs,” she said, shaking her colorful traditional shawl as the breeze sent her long dark hair into ripples, the
AFP
Reuters journalists Wa Lone (centre L) and Kyaw Soe Oo (centre R) gesture outside Insein prison after being freed in a presidential amnesty in Yangon on May 7, 2019. Don Emmert / AFP
Mexican-American singer-songwriter Lila Downs Empire State Building towering over the skyline. - Half and half Downs -- who is embarking on a tour that will take her to San Jose, Los Angeles, San Francisco, Seattle and later Spain, Peru and Colombia -- now lives in Mexico’s southern city Oaxaca but grew up between Mexico and the United States. The daughter of an American filmmaker and biologist whose mother is Mixtec, an indigenous group in southern Mexico, Downs says it’s her job to speak up on behalf of migrants as a performer of mixed descent. “It’s a responsibility as a Mex-
ican-American to talk about these issues,” she said. “My whole career has been like that, partly because I am half and half and I wanted to unite the two worlds.” Trump’s discourse, she said, is precisely “the opposite of what I’ve tried to do my entire life.” But despite its sometimes weighty content, the album that includes a collaboration with US singer Norah Jones -- who sings in English and Spanish -- also celebrates life and is perfect for a party, Downs said. “It has a lot of heart on some subjects, but it’s mostly for enjoyment” -- something for “the waist down,” she laughed. (afp)
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Myanmar press freedom ‘suffocating’ despite Reuters reporters’ release
Media freedom advocates praised the surprise release of Reuters reporters in Myanmar but stressed the pair should never have been jailed in the first place and called for sweeping reforms of paralysing press laws. The Pulitzer Prize-winning reporters walked free from Yangon’s Insein prison Tuesday after more than 500 days behind bars as part of a large presidential amnesty following a global campaign calling for their release. Wa Lone and Kyaw Soe Oo were sentenced to seven years in prison under the draconian Official Secrets Act last year after probing a massacre of 10 Rohingya Muslims in Rakhine state. The killings occurred in the conflict-wracked region of Myanmar that has been largely offlimits to journalists since an army crackdown forced some 740,000 members of the stateless Rohingya minority to flee to Bangladesh. But as the world cheered the sud-
den release Tuesday, media watchdogs cautioned against celebrating the move as a new chapter for Myanmar’s tainted press freedom record. Nicholas Bequelin of Amnesty International called the case against the Reuters reporters “a travesty of justice from start to finish”. He said there were still “a range of repressive laws used to detain journalists, activists and any perceived critic” in place. “Until these laws are repealed, journalists and activists remain under a permanent threat of detention and arrest.” The United Nations on Tuesday echoed Amnesty’s fears after welcoming the pair’s release. “The situation for freedom of expression (in Myanmar) is dire,” the UN human rights office spokes-
woman Ravina Shamdasani said in Geneva. She added that “no positive progress has been observed” since the rights office issued a set of recommendations last year aimed at improving free speech in Myanmar. Myanmar is ranked 138 out of 180 countries for press freedom by Reporters Without Borders, and critics say it employs colonial-era legislation to target journalists and activists. That includes a roster of legislation such as the State Secrets Act and laws on unlawful association and incitement. A telecommunications law passed in 2013 has also been used to target reporters and government critics. There are currently almost 130 prisoners behind bars in Myanmar
either convicted or awaiting trial for politically motivated reasons, according to the Assistance Association for Political Prisoners in Yangon. - ‘Face-saving’ release The Reuters saga is not the first time Myanmar has courted unwanted attention for press freedom issues. On June 2017 three journalists from two independent news outlets -- the Irrawaddy and Democratic Voice of Burma -- were arrested by the military at a checkpoint after reporting from an ethnic armed group-controlled area. They were charged with unlawful association and held for 10 weeks before the military dropped the case. Another journalist Swe Win faces an ongoing case of online defamation that has dragged on for almost two years and which requires him to make frequent trips to another city
hours away to attend hearings. Wa Lone and Kyaw Soe Oo’s release does little to change Myanmar’s “suffocating media environment”, said Matthew Bugher of Article 19, a freedom of expression organisation. “If the government was serious about media freedom, it could start by reforming the repressive colonial-era law that was used to charge the two men, as well as a whole host of other laws that stifle independent journalism and free speech,” he added. Continued to page 6
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