EnQi Wong Design Portfolio

por tfolio

ENQI WONG

About Me When I design, I aim to compose a unique visual-

physical diary; a way of translating and making tangible my own experiences within the dense, urban

landscapes I have immersed myself in whilst growing

up in Malaysia and Vietnam. I am currently in my third year of studying BA Architecture at the Manchester

School of Architecture where I have been exploring the harmonisation of design and experiences through my

architectural projects. Often before I start my projects, I ask myself a question: “How can my design for this

brief enhance the experiences of people? How can it help the community?”. With this, this portfolio is my

diary, a diary of the questions I’ve asked myself before projects, and the outcomes.

contents : the questions leading each project

01 h ow c a n w e d e si g n a sp a c e t h a t opens ambiguity and flexibility of f u n c t i o n ?

02

h ow can rest aurant d es ign e n hance t he expe riences of p e o p le and aid t he com m u nity?

03

to what extent can architecture merge f u n c t i o n w i t h p ublic e n g a g e m e n t fo r e n v i r o n m e n t a l i mp a ct?

04 how can we “weav e” t h e co m m u nity to gether ?

05 m i sc e l l a n e o u s

(personal works, sketches & studies)

01

Enabling the Unscripted

“what if architecture never finished building itself?”

Manchester School of Architecture | Final Year 3 Thesis Project

In a world where buildings are often scripted into obsolescence, this

project embraces a philosophy that aims to “enable the unscripted”.

Every decision is informed by a commitment to responsiveness from

architecture to environment, from structural logic to social engagement; it envisions a built fabric that adapts to community needs, yet is open to the unknown and unscripted.

Anchored by a focus on the University of Manchester’s educational programme and amplified by the historical presence of the Grade 2 listed Holloway Wall on site, this project is crafted with disassembly

and reconfiguration in mind to support unscripted phases of occupants that evolve and adapt as needs arise.

Here, boundaries blur between architecture, people, and the making of the city, held always in a state of flux.

1 2 3 4 5 6 7 8

9 10

roof

1 2 3 4 5 6 7 8

glazing

9 10

floor

11 12 13 14 15 16

0

zinc-roof sheet (20mm) breather membrane (~1mm) rigid wood fibre board (100mm) double roof sashimono beams (200/200mm) vapour control layer (~1mm) osb board (20mm) rafters (100/100mm) treated timber interior lining (18mm)

double-glazed windows sashimono beams (200/200mm)

treated timber flooring (20mm) vapour control layer (~1mm) cross-lateral floor joists (100/100mm) rigid wood fibre board (100mm) breather membrane (~1mm) treated timber boards (20mm)

1

5

“ Each citizen is enabled to join the creative process, feel free to use city space for any purpose, and develop his environment according to his will. ” — Marco Casagrande, on the 'Third Generation City' and urban acupuncture

11

12 13 14 15 16

1

2

5

9

construction sequence

1-4 5-9

site & foundations setup

10-12 13

floor & roof assembly

primary structure &

envelope installation

fitting-out, finished & modular adaptation

4

3

6

7

10

11

12

13

8

“Natural materials bring nature back into the city. Every piece of timber is unique in tone an

grain. That’s a humanising effect” - Kevin Flanangan, 2025

stop motion video of joints in action

1:5 physical model exploring the joining experience of beams and columns

Extended Play

02

how can restaurant design enhance the experiences of people and aid the community?

Harrison School of Design Competition | Awarded 2nd place!

My concept heavily represented my passion for keeping peoples’ experiences at the centre of my focus when

designing. The concept was initially developed after

finding out about the noise abatement notice that was handed to the Night & Day Cafe in Northern Quarter, Manchester. With this, I made “sound” and “experiences” the core focus of this project.

It inspired me to design a space that not only celebrates

live music but also addresses the challenge of noise

complaints with innovative sound-oriented insulation.

This concept aims to extend the life of restaurants

with a rich musical atmosphere, providing a platform for emerging local talent while offering a unique,

immersive dining experience to music enthusiasts/ guests.

“EP” short for extended play, refers to a musical recording that is

typically shorter than a full album. Our restaurant aims to attract both music and food enthusiasts by featuring local artists who showcase a

brief yet captivating segment of their musical journey, much like an EP offers a taste of an artist’s work.

brand assets

final floor plan scale 1:100 at a3 (scaled to fit page)

integ

1

radial symmetry and ro

2

6

flow o

4

5 3

1

2

3

Restaurant Dining Area Entrance Bar Counter

4

5

6

Kitchen Extra storage or cool room Toilet

concave

grated wall seatings that accentuate curved space

otational feature of stage maximises coverage

of food & beverages does not disrupt guest views

e arrangement to improve patreon experience

Stockpor t Sieve

03

to what extent can architecture merge function with public engagement for environmental impact?

Manchester School of Architecture | Year 2 Semester 2

The concept fo

design incorpo

trash collected Going beyond

reusable sheet

and actively pa

Inspired by the

design to creat

ocuses on CLEANING RIVER GOYT, and creating a “sieve” to stop trash that flows on the river. This sieve

orates a versatile feature where the metal mesh sieve seamlessly slides into the facade of a building, where

d can be picked off it as well as enclosing open spaces when not in use.

mere cleanup, the concept incorporates on-site waste sorting, cleaning and transforming plastics into

ts. These reusable sheets will be used in the design workshop, empowering residents to craft new products

articipate in sustainable practices.

e arches of the bridges that enclose the site, I’d like to incorporate the use of geometric arches in my

te a connection between my design and the infrastructure on site.

site analysis: study on the flow of the river this study helped me better understand the possible direction of plastics that flow on the river.

flow

still

eddy

obstruction

0

4

20

40m

04

Weaving the Community Together

how can we “weave” the community together?

Manchester School of Architecture | Year 2 Semester 1

Immersing myself in Stockport’s history, I embarked on

a journey to intertwine architecture with the cherished art of crocheting. As a homage to Stockport’s profound connection with textiles, I sought to amplify the existing

sense of community through the rhythmic activity of

crocheting. Hence, “weaving the community together”.

I engaged firsthand with the vibrant community (Bob

from Bob’s Buttons at the Stockport Market Hall), allowing their stories and passion for crocheting to shape the very fabric of my architectural vision. I

began to epxlore how the art of crocheting becomes not just a craft but a cornerstone in fostering a sense

of togetherness within the architectural tapestry of Stockport.

programme: a co-living concept The exposed brick facade that resembles crochet stitches brings

a unique texture to the walls, and helps to represent the creative workspace that draws on Stockport’s entrepreneurial nature in the textile industry.

climate emerge

solar panel

ency strategies

technology

solar gain

windows

05 miscellaneous

other personal works, sketches & studies

“webbed connections in our mind” an installation that portrays the human connections

we experience, showcased through the interconnecting

network of threads that emerge from a clay sculpted bust.

BA3 TECHNOLOGIES PART A: BUILDING CASE STUDY

Office Building in Ferrara by Mario Cucinella Architects DESCRIPTION THEORIES & VALUES •

Mario Cucinella’s work is ingrained in bioclimatic architecture, emphasising

•

The building demonstrates that energy-efficient buildings can be realised

energy efficiency, climate responsiveness, and human well-being.

without highly complex building services if suitably designed. The key to

the climate concept of the new-build is its roof construction consisting of

SPECIAL & EXEMPLARY DESIGN FEATURES

These innovative and sustainable design features earned the building recognition at the 2009 MIPIM Architectural Review Future Projects Awards in the Sustainability category:

•

Dynamic façade with adjustable louvres and shading fins that optimise energy performance by adapting to the sun’s

•

300m² photovoltaic system on the roof and façade produces renewable energy, covering 10% of the building's energy

112 light shafts, the southeast-facing, sloped surfaces of which are partly

covered with fixed glazing that can be shaded with external roller blinds and partly with photovoltaic modules.

•

path.

needs. After deducting this amount of electricity, the primary energy requirement is 119 kWh/m2a – which, according to the energy certificate, is around 55% less than an average new office building in Italy would normally consume.

The double skin façade enhances thermal insulation and reduces HVAC load, while 112 timber chimneys improve natural ventilation and light distribution.

ANALYSIS MASSING & ARRANGEMENT (1:500)

TYPICAL MODULE (1:50

Green inner courtyards create

a microclimate, reducing harsh

Roof heights vary to not

temperatures in the summer as well

shade one another, thus

During which the

as shading interiors with trees.

maximising natural light

through the shaft and into interiors.

earth-quake-proo

tightened after th

Emilia-Romagna i

Building is positioned diagonally

the building had

on the property to maximise

with glued lamina

sunlight intake for the winter and

equilateral six-me

summer months.

Orientation of the building takes advantage of prevailing wind

the light shafts m

timber frame elem

Roof overhangs from the east, south and

direction for natural cross ventilation

tie rods between

west facades to shade from the harsh

as a passive cooling strategy.

horizontal bracing

summer sun and prevent overheating.

building cores.

Lower angled winter sun is still let in through gaps in the roof shaft.

Natural light com

the outer glazing

CONSTRUCTION STRATEGY (1:500)

office rooms in th

STEP 5 Prefabricated light shafts with timber stud and joist frames are installed atop the glulam structure, likely with galvanised metal screens to prevent corrosion. The

deck’s interior contains a 200mm double fibreboard panel, braced by OSB panels on both sides for stability and ease of transport. OSB boards, being lightweight and available in large quantities, simplify installation and reduce on-site construction time.

In the Winter, shafts remain closed to allow warm air to move up the shaft and re-enter. Solar heat

accumulates in the roof and gets

pumped back inside the building.

Thermal energy produced from

STEP 4 Timber stud walls (the main support system) are constructed with a layer of

insulation in between, with white plaster boards layered on top to allow light to

reflect in interior spaces and to match the impregnated white dye in the light shaft interior.

multipurpose groundwater-based units.

In the Summer, solar chimney

effect expels air in the upper part of the building, thus avoiding the

The glass stick-type curtain wall system, made of pre-cut metal profiles,

STEP 3 is assembled on-site to form the structural frame. It is lifted by crane and

installed directly onto the facade. Steel elements are added to connect the wooden components to the reinforced concrete foundation, compensating for the lack of massive cores.

building of heat inside the building.

Cooling energy is produced from

multipurpose groundwater-based

units, and also naturally coming in from the central courtyards.

STEP 2 A 400mm x 400mm column and 6m x 6m glulam frame superstructure support the prefabricated timber light shafts. Steel brackets secure the structure

to the ground, while cross-bracing between columns ensures stability and

11m 4m

horizontal support, maintaining its lightweight design.

The ground is excavated, and reinforced concrete foundations with void formers are added

STEP 1 to prevent damp infiltration. Given the area’s clay soil, foundations are set at 1.5m depth to mitigate ground movement. A 600mm crawl space with dome-shaped void formers ensures ventilation and further protection against rising damp.

aa

The light shafts alter in height to fit the climatic context of th

seasonal functions. The 4m double-glazed tempered glass pro

around the Po Valley and increasing daylight in.

EVALUATION ENVIRONMENTAL PERFORMANCE

ENVIRONMENTAL QUALITY

FABRIC - EMBODIED CARBON & CIRCULARITY

Venturi effect, enabling effective natural ventilation by

connection the outside through the inclusion of the

such as the integrated water drainage void that prevent flooding and allow for venti

The tower’s height and narrow cross-section optimise the drawing hot air upwards and out, which reduces its reliance on

mechanical cooling. Whilst the extensive glazing increases solar gain, if combined with dark finishes or black-painted surfaces

(especially on the roof), it would have further enhanced passive heating during Winter. However, it may cause overheating in Summer, therefore needs further care. Overall, the building

showcases energy-efficency through form and ventilation, whilst being a climate-responsive design.

The building provides spaces that have strong visual

The material choices suggest medium-to-high emboided carbon, however, the buildi

green courtyards; blurring the boundary between the

long-term adaptability and protection. The design also prioritises maximum use of

maximise natural light for optimum working comfort,

water through pipe water heating in the roof.

interior and exterior to create a closer connection and health and wellbeing. The building’s form ensures air movement and temperature regulation, which aligns well with principles of indoor environmental quality.

appropriate to the context, such as the PVC panels that supply 1/10 of the energy loa

SUSTAINABLE WATER CYCLE

The building is made majority of wood with an on-site dry construction system, redu There is also a separate rainwater harvesting system and condensate reuse system

flushing and irrigation. Moreover, the drainage channels that border the exterior of

risks given the climate, and the drainage voids exemplifies a proactive response to w fabric-first manner that aligns with the Sustainable Outcomes Guide.

ENQI WONG

22585231 FLUX

CONTEXT The building is situated in a suburban area of

Ferrara, along Via Bologna, a major thoroughfare connecting the city center to its outskirts. This

area is characterised by a mix of commercial and residential developments, indicating a setting

that is neither strictly urban nor rural. The design of the headquarters itself features distinctive

chimney-shaped roofs, reflecting a contemporary

architectural approach that harmonises with the

local humid subtropical climate and surrounding environment.

TYPICAL STRUCTURAL BAY (1:20)

0)

LIGHTING

•

e Italian regulations for

skylight: double glazing (12 mm

tempered glass + 16 mm cavity +

of construction were

2× 6 mm compound safety glass in

he earthquake that hit to prove its flexibility

ated timber columns in an

etre grid, which support

made of prefabricated

ments. Diagonal steel the columns provide

g, as there are no massive

he building

adjusted with operable blinds

VENTILATION & HEATING

• •

ventilation flap

•

50–60 mm gravel plastic

•

effect

•

ventilation system in ceiling duct &

250 mm EPS thermal

VAV system

• •

•

roof shaft for air extraction & stack

heating equipment, duct-work, pipework and air-conditioning system

sealing membrane insulation

vapour barrier

ca. 100 mm light-weight concrete, to falls

• •

(HVAC)

mes in to the building from

g and inner courtyard to all

aluminium frame)

•

in 2012, the structure of

separation layer

40 mm timber boards

CLADDINGS (EXTERNAL)

• •

50/30 thermally treated fir battens

• • •

diffusion-open membrane

• •

LININGS & DECORATION (INTERNAL)

• •

30/30 thermally treated fir counter battens

12mm OSB board

ceramic floor tiles

22 mm OSB board

2× 100 mm mineral wool thermal insulation

PRIMARY STRUCTURE

• •

22 mm OSB board with sealed joints 30/30 mm battens

200/600mm glulam beam

400/400mm glulam column

SECONDARY STRUCTURE & ADDITIONAL SUPPORT

• •

steel supports, timber stud & joist frames aluminium stick-type facade system

CONTINUOUS INSULATION (continuous thermal line)

11m

FOUNDATION LAYERS

WATER/DRAINAGE SYSTEM

he site with

ovides 360 views

•

38 mm calcium sulphate raised access

• • • • • • •

430 mm cavity

floor

60 mm screed separating layer PE foil 80 mm EPS thermal insulation sealing membrane

50 mm reinfored concrete

300 mm plastic void formers 200 mm lean concrete

ing’s fabric-first approach

ilation, demonstrates its

f on-site renewables that are

ads and solar panels to heat

PLASTIC VOID FORMERS

OPERABLE BLINDS

VENTILATION FLAP

DRAINAGE CHANNEL

HEATING, COOLING & ENERGY

rising damp from the high ground-

control the atmosphere

are controlled by a switch

the aluminium capping from

by three groundwater heat pumps, one

To protect the building against

ucing water consumption. that provides water for

the building minimises flood

water management in a

water level in Po Valley, the

architects inserted dome-shaped void formers between 2 layers

of concrete to prevent this and

promote air-flow and ventilation.

Allows users to manually while reducing lighting

loads simultaneously. The

striking red textile awnings

also helps to shade the light shafts.

Electronic ventilation flaps to allow for extra passive ventilation to occur,

whilst giving users the

autonomy to control their environment.

The drainage channel borders the curtain wall frame, so the incoming rainwater is immediately directed off

the surface to the channel,

preventing flooding & overspill.

Space heating and cooling is provided of which is reversible and thus also

suited for cooling. The heat and cold

enters the interior via fan convectors underneath the wooden beams that span from column to column.

BA3 TECHNOLOGIES PART C: DETAIL STUDY

Prototyping LOGIC OF THE EXPERIMENT

PROCESS + REFLECTIONS

CRITERIA

VERSION 1 – BOLTING METHOD

FIRMNESS & STABILITY +

SMOOTHNESS + EASE OF

REUSABILITY + VARIATION IN

Ensuring that the construction

Testing whether the system is quick,

Testing whether the modular

DURABILITY OF CONSTRUCTION system ensures solid, long-lasting connections that withstand

structural loads and repeated assembly.

CONSTRUCTABILITY

has tool-free assembly methods

to improve on-site efficiency and

reduce construction time, as well as understanding how intuitive it is.

DESIGN

elements support panel

swapping and future adaptability,

ERGONOMIC SCALE

use and flexible design updates.

are easily transportable and

enabling sustainable material

MODELLING THE STUCTURAL FRAMEWORK

1

2

3

Layering the MDF, which aims to mimic the layers of glulam beams & columns.

Constructing the raised columns, where the ground floor beams slot into using sashimono joinery methods.

Columns are then tightly slotted into the lower half of the column with sashimono joinery.

MODELLING THE STANDARDISED FLOORING

1

2

3

Cutting into the beams where floor joists would be slotted into.

Carving into the beam with correct joist depth, using a chisel and a saw.

Inserting insulaiton between joists & bolting the inner floor panel on top.

STANDARDISED LAYERS OF THE WALL ENVELOPE In order to keep the testing consistent, the layers of the wall envelope have been standardised, each consisting of:

TIMBER FINISH (INTERIOR) RIGID INSULATION: WOOD FIBRE BOARD STUD WORK TIMBER PANELS (EXTERIOR)

Distributed into panels that

allows for ease of just 2-3 people needed per panel.

VERSION 2 – SLOTTING METHOD

Ne

Slots from above (needs to be light

en

enough to lift from a scissor lift).

DOWEL & GROOVE SLOTS

Weak

drilled hole on the beams.

might snap

Vertical dowel slots into a pre-

dowel that off easily.

VERSION 3 – HOOKING METHOD

ERGONOMIC SCAL

Distributed into 2

are easily transpo

slotted into one a

Additio

needed

Big gap between the

framework & envelope rather than exactly

recessed due to hook placement on beam.

CONCLUSIONS & JUSTIFICATION EASE OF CONSTRUCTABILITY

In terms of sequence, all methods require relatively the same effort, however, I believe the slotting

method to be the most intuitive once the beams,

as the hooking method leaves the

recessed (taking up at least 400mm

side of the room). No additional m

columns and studworks were pre-cut. It also does

are needed for the slotting meth

brackets or bolts. With that said, given the compact

build up, it allows the lifting to be

not require any additional material, such as steel space of the building fragment, the bolting and

slotting method both offer enough internal space

keeping the sequence simpler. Wit

the insulation takes up most of th and can be adjusted accordingly.

ENQI WONG

22585231 FLUX

SEQUENCE FOR THIS ATTACHMENT METHOD:

Additional material

needed for this method.

1

CRITERIA C-CHANNEL

Main difference in this attachment method is the addition of a

c-channel where the insulation and in tightly.

eeds to be light

The stud walls and columns have a groove cut into it

to all the wall envelope to

CRITERIA

another.

causes wastage.

stacked and fixed sequentially, making the build intuitive.

The additional c-channel adds another type of material needed and adds weight and bulk.

Panels can be easily removed and replaced, supporting high reusability.

Bolt holes are permanent on the beams & columns, and may result in a more industrial aesthetic.

The c-channel system also accommodates different thicknesses and types of panels, allowing for varied façade finishes or insulation setups. However, a different system is needed for glazing.

3

4

REFLECTIONS

• •

Held the envelope securely in place if the grooves were cut precisely to the tongue or dowel.

• •

Fast and tool-free once the parts are prepared.

Any slight misalignment can cause looseness or gaps, and repeated use may wear down the slots or lead to splitting in thin materials. The dowel was also a weak point of the structure.

No additional material needed, however mistakes during slotting can lead to significant material waste, as seen in testing when panels cracked due to tight tolerances.

Walls have to be slotted from above (needs to be developed in order to be ensure it’s light enough).

Modular and supports easy panel swapping.

Same language between the envelope attachment and the structural framework joinings.

SEQUENCE FOR THIS ATTACHMENT METHOD:

d for this method.

1

CRITERIA

FRENCH CLEAT/Z-BRACKET HOOKS

Inspired by how cladding is attached, I designed the wall to be hooked onto the beams.

2

3

5

4

REFLECTIONS

• •

Stable under load and resists dislodgement

• •

Easier to assemble compared to bolts.

•

Reusable and adaptable. The panels can be hooked on and off without damaging the frame or

•

The system supports future variation or experimentation with different envelope materials. Its

The angled cut design uses gravity and friction to secure the panels in place without mechanical fasteners. It offers a solid and reliable hold.

While it still requires precise angled cuts, there’s more tolerance in fitting. No tools are needed for assembly once prepared, and panels can be quickly mounted or removed.

envelope. However, needs to be precise in order for the wall to sit flush with the structural beam. modular logic fits well with sustainable design goals.

STABILITY

ADAPTABILITY

OVERALL

slotting method coming second, however, the

different variations, however, it was quite hard to position

a balance of stability and adaptability, while

e walls

The bolting method was most secure, with the

materials

dowel carved into the bottom of the stud work

he weight

Simple assembly process: it allowed components (e.g. insulation boards, external panels) to be

2

• • •

Splitting & inaccuracy

onal material

e feasible;

misalignment of bolt holes caused instability.

slot into.

ortable and

th a simple

The wall envelope stayed aligned under pressure.

1

2 panels that

hod as well,

• •

SEQUENCE FOR THIS ATTACHMENT METHOD:

LE

m on each

REFLECTIONS Bolted joints with c-channel felt rigid and held the envelope securely in place. However, the

• • •

TONGUE & GROOVE SLOTS

4

3

•

•

stud works were slotted then bolted

nough to lift.

2

was weak and snapped off during the assembly of the physical model. To resolve this, having

a separate dowel/peg method that is inserted instead of carved out, helps to strengthen the integrity of this slotting method.

The hooking method allows for a unique way of adapting

the hooks in order for it to sit flush with the beams, which led me to understand how difficult it’d be on a bigger

scale. The slotting method, also unique and interesting, would allow for variation such as a glazing profile to be slotted in if needed, whereas the bolting method would need a different system instead of a c-channel.

Overall, the slotting method was deemed to be being an intuitive construction method that

also keeps the same language throughout the

building fragment. With this, the weight needs

to be developed to ensure it can be lifted on an ergonomic scale, as well as the rigidness of the dowel to ensure longevity.

thank you

FOR C ONSIDERING MY APPLICATION

EnQi Wong

+44 7308864447 wongenqi1608@gmail.com

(pronounced: en-chee)

4 Gramercy House, 14 Chorlton Street,

PART 1 A R CHI T E CT UR A L A S S I STA NT

www.linkedin.com/in/enqi-wong-a7b1b0239

M1 3HW

education

experience

2022 - PRESENT

JUL 2024 - PRESENT

manchester school of architecture , manchester , uk

manchester student society of architecture , uk . chair / president

Bachelor’s Degree in Architecture (Expected Graduation Date: July 2025)

•

2019 - 2021

international school ho chi minh city , hcmc , vietnam

•

International Baccalaureate (IB) Diploma (40/45)

Higher Level Visual Arts, Design Technology & Maths AI (6,6,6)

•

architectural intern

•

Demonstrated proficiency in 3D architectural modeling by utilising

•

Led the adoption of AI midjourney applications and integration into

subgroups and weekly school-wide events to enhance student

Partnered with Shelter England and The Royal Photographic Society of Great Britain to host a university-wide photography

competition, involving a panel of esteemed judges and culminating in an address and exhibition showcasing the 50+

Rhino to create interior design models for typical toilet units.

•

the company’s architectural workflow.

submissions received internationally.

Raised £500 in 2 months aided towards providing care packages for Manchester’s homeless community, through the organisation of fundraisers.

Converted static floor plan PDF files into dynamic and layered AutoCAD format, improving document usability, accuracy and interoperability.

honours & awards AUG 2024

APR 2022 - JUL 2022

2nd place in harrison design competition , uk

capitaland ( vietnam ), ho chi minh city , vietnam

For the “Extended Play” project; a conceptual design of a restaurant

design management intern

•

Coordinating and mediating the diverse activities of 9

co - lead of uk non - profit organisation

konzepte asia sdn . bhd ., kuala lumpur , malaysia

•

student opportunities for over 1,200 students.

woah : without a home , manchester , uk .

DEC 2023 - JAN 2024

•

external organisations to expand the network and improve

NOV 2022 - JUN 2024

professional experience

•

Achieved over 10 new partnerships with professionals and

engagement.

Honours: Balanced Learner Award

•

click here to view myportfolio!

with a focus on branding, experiential dining

Orchestrated the on-site conceptual interior design setup and pre-

curation of staging elements for the advertising of a prestigious

JUNE 2024

luxury condominium project.

Pitched different types of wood as a construction and design

balanced learner award

Delivered on-site event management support to the Sales and

excellence and extra-curricular involvement, embodying holistic

material, with a focus on sustainability and their aesthetic potential.

Awarded out of 100 students in the IB Programme, for academic

Marketing team, ensuring seamless execution while engaging with high-profile clients.

Engaged

actively

in

interdisciplinary

meetings;

fostering

collaboration among architecture, interior design, and landscape teams to enhance project cohesion.

growth.

additional • Extra-curriculars: Deputy Head Prefect of Prefectorial Affairs, •

languages & skills english

(native)

mandarin

( conversational)

cantonese

( conversational)

University Futsal Team, Football (Varsity Team), Dance.

Volunteering: Rise Against Hunger event and led the event of providing care packages for Manchester’s homeless community.

autocad

revit

indesign

enscape

rhino

photoshop

3 years

2 years

3 years

6+ months

2 years

3 years

google microsoft workspace office suite

7 years

5 years