Elizabeth Laman Portfolio and Work Sample 2025

Elizabeth Laman

Selected Works 2019-2024

ACADEMIC, PROFESSIONAL, AND PERSONAL WORKS ELIZABETHNLAMAN@GMAIL.COM 412-552-9151

TABLE OF CONTENTS

ACADEMIC

01 JOHN C. HIRSH LIBRARY

PROFESSIONAL pg. 3 - 9

COMMUNITY LIBRARY AND MARKET HALL

06 PETER BECKER HEALTH CENTER

pg. 21

MASTER PLANNING STUDY

CMU, PRAXIS 2 | SPRING 2024

RLPS ARCHITECTS | 2024

Displayed in EX-CHANGE Exhibition and Publication

02 co-VERGE

pg. 10 - 12

REFUGEE AND GRADUATE STUDENT HOUSING

07 SARAH REED SENIOR LIVING

pg. 22

MEMORY CARE RENOVATION STUDY RLPS ARCHITECTS | 2024

PITT, DESIGN STUDIO 3 | SPRING 2021 HAAARCH!!! 2022 Finalist

03 SALVAGED STUDIO

08 MOSAIC APARTMENTS pg. 13 - 17

pg. 23 - 24

LGBTQ+ AFFORDABLE SENIOR HOUSING ROTHSCHILD DOYNO COLLABORATIVE | 2023

ARTIST-IN-RESIDENCE PROGRAM CMU, PRAXIS 1 | FALL 2023

04 COSMOLOGICAL WALL-MAKING

09 SECOND HARVEST THRIFT STORE pg. 18

pg. 25 -26

AIA DESIGN PITTSBURGH AWARDS SUBMISSION ROTHSCHILD DOYNO COLLABORATIVE | 2022

CASE STUDY OF THE WEST BANK BARRIER CMU, UNREASONABLE ARCHITECTURE | FALL 2024

Featured in forthcoming publication Inventory of Unreasonable Wall-Making

05 CASE STUDIES

MATERIALITY AND CONSTRUCTION SYSTEMS CMU, “M+CS” | SPRING 2024

pg. 19 - 20

PERSONAL

10 & OTHER STORIES

pg. 27 - 30

ILLUSTRATIVE AND PHOTOGRAPHIC WORK

2

01 JOHN C. HIRSH LIBRARY

COMMUNITY LIBRARY AND MARKET HALL

Site: Sursum Corda, Washington D.C. Course: Praxis 2, Carnegie Mellon University Year: Spring 2024, 14 weeks Co-taught by Matthew Huber Carnegie Mellon University, Special Faculty mzh@andrew.cmu.edu Professor Azadeh Sawyer Carnegie Mellon University, Track Chair BPD asawyer@andrew.cmu.edu Jeffrey Davis Carnegie Mellon University, Adjunct Faculty jdavis@andrew.cmu.edu Completed in collaboration with Connor Gates and Claire Laux.

Over the past 50 years, Sursum Corda has seen a lot of changes. Because of the recent shifts in housing developments, the local community of families with young children, students of all ages, as well as larger community-based groups seek a place to gather and learn from one another.

A new library on the northside of the neighborhood hopes to serve as one large “resource hub” that not only brings awareness to site context and material resource use, but also local intellectual ones.

To further this purpose, we named the library after John C. Hirsh, an academic professor at Georgetown University who led a 20-year mentoring program providing literacy tutoring to children in Washington D.C. His work exemplifies community engagement, which our project aims to emulate.

3

Exterior Rendering + Water Collection Site Process Diagram

The parti of the project was heavily influenced by the conditions of the site which is around 20,000 square feet of underutilized green space. The site offered a challenge with its topography, sloping about 7 and half feet from the north to the south. It’s because of this topographical change that we saw potential in creating a form that would “open up” towards Sursum Corda to encourage a welcoming and inclusive environment. Additionally, we believed that combining the function of a library with a market space would benefit and strengthen our idea of resource sharing within the project.

To keep it the most inclusive space, the market hall was embedded into the site. This required excavating some of the earth and re-circulating the material into the design of the facade. The excavation led to the creation of several rain gardens, which help to control and mitigate stormwater runoff and provide a natural habitat for native plant species and pollinators. Above the market space is a floor mainly dedicated to connecting and circulating the community to the floating library programs above it.

Sketchbook design iterations for massing and communication of program.

4

All of the programmatic characteristics are finally sheltered by a large roof canopy supported by this structurewhich we studied through small models. This canopy serves the dual purpose of collecting and directing water throughout the site and the surrounding neighborhood. It also provides the building and the south plaza with some shade and a more thermally comfortable walkway along New York Ave. We explored the interior occupant experience through virtual reality models as well. Scan the QR Codes for a 360 Image.

Above: Interior VR Models of Library Space and Market Hall + Long Section

Above: Rendered Floor Plans

5

To promote resource conservation, the remaining wood materials such as bark, branches, and mass timber scapes are reintroduced in the building’s facade. This facade is a rainscreen assembly that utilizes composite panels consisting of a mixture of wood particles and cement, and is meant to integrate into the color of the neighboring brick buildings.

Above: Timber Extraction Diagam + Ecological Material Study

6

To create the illusion of a “floating” concept, the primarily mass timber building, which is made from yellow pine, is anchored to the site using large glulam columns that come to a point in the market space. Unlike conventional materials such as concrete, this material sequesters carbon, is renewable, and is locally sourced around the Washington D.C. area. Structurally, to avoid the need for additional glulam members on the outside edges of the building, the project uses tensioning cables to balance the loads and demasses the amount of timber needed.

DOOR DETAIL

WALL DETAIL 2 0’-2.5” : 1’-0”

Above: Sketchbook Soffit Detail + Door Detailing + Sketchbook Structural Connections

7

INITIAL DAYLIGHT SIMULATION (SDA)

ITERATIVE DAYLIGHT SIMULATION (SDA)

ITERATIVE DAYLIGHT SIMULATION (SDA)

GRAPH SHOWING ANNUAL SOLAR EXPOSURE - FINAL SIMULATION

BENCHMARKING - DAYLIGHT

50 %

10 %

sDA

300 LUX/50%

DAYLIGHT BENCHMARKING - DAYLIGHT INITIAL DAYLIGHT SIMULATION (ASE)

ITERATIVE DAYLIGHT SIMULATION (ASE)

ITERATIVE DAYLIGHT SIMULATION (ASE)

50 %

EXCEssIVE DIRECT sUNLIGHT

10 %

Spatial Daylight Autonomy (sDA) describes the percentage of floor area that receives at least 300 lux for at least 50% of the annual sDA occupied hours.

Annual Solar Exposure (ASE) describes the percentage of floor area that receives over 1000AsE lux for at least 250 hours of the annual occupied hours.

DAYLIGHT

EXCEssIVE DIRECT sUNLIGHT

300 LUX/50%

ASE LEGEND

Spatial of floorDAYLIT NEVERDaylight DAYLIT Autonomy (sDA) describes the percentageMOSTLY area that receives at least 300 lux for at least 50% of the annual occupied hours. 30% 50% 70% 90% 10%

Annual Solar Exposure (ASE) describes percentage of floor area # OF GLAREthe HOURS that receives over 1000 lux for at least 250 hours of the annual occupied 250 500 750 1000 0 hours.

BENCHMARK

BENCHMARK

ASE LEGEND 87%

NEVER DAYLIT 75% 30%

10%

50%

An sDA valueMOSTLY of 75%DAYLIT indicates a space in which daylighting is “preferred” by occupants.

70% 90% An sDA value between 55% and 74% BENCHMARK indicates a space in which daylighting is “nominally accepted” by occupants.

55%

ITERATIVE DAYLIGHT SIMULATION (LUX)

ITERATIVE DAYLIGHT SIMULATION (LUX)

87% 75%

55%

THERMAL ANALYSIS ITERATION 12

Spaces with ASE values exceeding 10% # OF GLARE HOURS will likely result in visual discomfort.

0

250

500

20% BENCHMARK

16.8%

An sDA value between 55% and 74% indicates a space in which daylighting is “nominally accepted” by occupants.

Our design achieves an sDA value of 87%.

16.8% 10%

750

1000

Our design achieves an ASE value of 16.8%.

These spaces receive more light in the winter months, which is beneficial, and are Spaces with ASE values exceedingspaces.

10% dominant in entry and circulatory will likely result in visual discomfort.

10%

An sDA value of 75% an indicates a space Our design achieves sDA value of in which daylighting is “preferred” by 87%. occupants.

THERMAL ANALYSIS ITERATION 12 FINAL DAYLIGHT SIMULATION (SDA)

1000 LUX/250HRs

SDA LEGEND

SDA LEGEND

INITIAL DAYLIGHT SIMULATION (LUX)

AsE 1000 LUX/250HRs

20%

ITERATION 1

ITERATION 2

FINAL SIMULATION

Our design achieves an ASE value of 16.8%.

These spaces receive more light in the

THERMAL ANALYSIS winter months, which is beneficial, and are dominant in entry and circulatory spaces.

ITERATION 21

THERMAL ANALYSIS

FINAL SIMULATION ITERATION 1 ITERATION 2

FINAL SIMULATION

THERMAL ANALYSIS FINAL SIMULATION

THERMAL ANALYSIS ITERATION 21

FINAL DAYLIGHT SIMULATION (ASE) Skylights were used to increase daylight into the ground level.

This design iteration utilizes clerestory windows for the second floor

This design iteration has glazing as the primary envelope. To improve thermal efficiencies, an exterior shading structure is utilized.

The final design maintains the clerestory windows but includes casement windows scattered throughout the facade of the second floor.

Skylights were used to increase daylight into the ground level.

This design iteration utilizes clerestory windows for the second floor

This design iteration has glazing as the primary envelope. To improve thermal efficiencies, an exterior shading structure is utilized.

The final design maintains the clerestory windows but includes casement windows scattered throughout the facade of the second floor.

GRAPH SHOWING SPATIAL DAYLIGHT AUTONOMY - FINAL SIMULATION

GRAPH SHOWING ANNUAL SOLAR EXPOSURE - FINAL SIMULATION

Daylighting and Thermal Analyses

8

Above: Process Study Models + Section Model (0’-1/4” = 1’-0”), Handcut and constructed with basswood.

Above: Section Model (0’-1/4” = 1’-0”); Views from Community Market Space, Structural Tension Cables, and Facade Study

9

02 co-VERGE

REFUGEE AND GRADUATE STUDENT HOUSING

Site: Central Oakland, Pittsburgh, PA Course: Design Studio 3, University of Pittsburgh Year: Spring 2021, 14 weeks Co-taught by Chris Guignon University of Pittsburgh, Adjunct Faculty cguignon@gbbn.com Emily Pierson-Brown University of Pittsburgh, Adjunct Faculty e.pierson@perkinseastman.com Completed in collaboration with Han Bui Graphics and renderings produced by myself

This project was selected to be featured in HAAARCH!!! in 2022, the University of Pittsburgh’s annual showcase of architecture projects and research.

To strengthen community growth and a sense of belonging within the neighborhood of Oakland, we developed a space that promotes refugees, graduate students, and local residents to meaningfully interact with each other while also employing passive design strategies for urban living. co-VERGE is a lowrise, high-density social housing project that utilizes porches to strengthen our notion of community.

This program includes space for City of Asylum, a Pittsburgh-based organization that protects endangered literary writers and artists and celebrates creative expression.

10

View from interior courtyard.

Our design places an emphasis on shared space to develop an environment that focuses on the coexistence of multiple groups. The inclusion of an artist’s in-residence program through City of Asylum was to promote their mission of building a just community.

Above: Ground Floor Plan Below: Site Section

The opportunities created are intended to link social sustainability with environmental sustainability—bridging the full array of cultural, social, and emotional diversity within Central Oakland.

11

INITIAL MASS

01. NOTCH main entrance from site forces to define central courtyard

02. CARVE pedestrian circulation paths derived from main entrance

03. INSCRIBE private courtyard space based on circulation patterns

04. DEFINE porches and community centers to promote connectivity

05. CONNECT residences to develop community ties

06. SHIFT massing to accommodate for views, sun exposure, and prevailing winds

07. SLOPE surfaces for rainwater management

08. OPEN sight-lines into spaces below and allow sunlight penetration

FINAL MASS

light wells solar panels

cross-ventilation through units RAINWATER MANAGEMENT Sloped roofs direct rainwater to underground cistern for harvesting via permeable surfaces

surfaces offer shade to spaces below

Passive design principles were also implemented to create a climate-responsive design.

Entry from Meyran Ave.

Sloped roofs to shed rain and snow, effective window placement to maximize cross-ventilation, photovoltaic panels to generate electricity, and the inclusion of deciduous trees offer shade in the summer are just a few examples of strategies utilized.

12

03 SALVAGED STUDIO

ARTIST-IN-RESIDENCE PROGRAM

Site: Chateau, Pittsburgh, PA Course: Praxis 1, Carnegie Mellon University Year: Fall 2023, 14 weeks Co-taught by Professor Sarosh Anklesaria Carnegie Mellon University, M.Arch Track Chair sanklesa@andrew.cmu.edu Professor Jonathan Kline Carnegie Mellon University, Studio Professor jkline@cmu.edu Completed in collaboration with Mackenzie Sorton Graphics and renderings produced by myself

After the construction of State Route 65, the Pittsburgh neighborhoods of Manchester and Chateau became divided, resulting in significant challenges for the Chateau community, including disinvestment, restricted accessibility, and abandonment.

Through the adaptive reuse of an existing system of underutilized warehouses, we intend to create an artist-in-residence program to provide makers and researchers the opportunity to cultivate creativity and enhance the dialogue and exchange with each other and the local community. Our aim is to use making to form a nexus for collaboration and connection–bridging the gap between Chateau and Manchester–allowing the community to engage and participate in the creative process through transformed materials.

13

Collages as a way of expressing ideas for intervention

Collage depicting the site’s “wicked problems”

Our Artist-in-Residence Program aims to positively re-establish Chateau’s neighborhood identity. By repurposing and revitalizing existing structures, we’re encouraging a celebration of Pittsburgh’s industrial heritage while reimagining a vibrant and sustainable future for the community.

By approaching our intervention as a palimpsest—a framework wherein our proposal is built upon existing elements, we sought to preserving fragments of it to facilitate a just transition in urban regeneration.

These notions helped us to develop a program centered around the exchange of ideas, the care and protection of community members, collaboration among local neighbors, and fostering learning and creativity.

Creating a program through a lens of transitional justices and social regeneration

14

FORM DEVELOPMENT

Revitalizing Creativity Through adaptive reuse, an artist residency emerged within an existing network of underutilized industrial buildings, transforming the space into a vibrant hub for creative expression.

Creating Spaces for Activities The center of the warehouse block was a metal structure, and it was deconstructed to open up the ground plane and create a collaborative, outdoor space. The materials from the deconstruction can be transported to our neighboring site to be transformed into materials for the artists.

Occupying Voids Voided structures were introduced to add light throughout the spaces.

They also serve as the baseline for the circulation, collaboration, and studio spaces.

Creating a Canopy A roof canopy connects the voids and serves as a nucleus of the site, designed with an awareness of environmental factors.

Elevating the Ground Plane The major circulation naturally rose to the third floor so the community could interact with the artists and the light shining through the void.

Frontal Axonometric

15

Salvaged Studio cultivates a community engaged in transition design, where artists utilize industrial waste as a medium of making. This demonstrates the potential of waste not only to the Chateau community but also to similar inner-city neighborhoods and Rust Belt cities.

By repurposing these remnants that have defined the region, they aim to celebrate and breathe new life into the unique character of the region.

The public engages in the artists’ work, and together, the artists and the public create a culture in which waste is never unused, but instead salvaged for a new life.

Approach into primary void, which serves as a community exhibition space.

Above: Iterative void and canopy sketches

16

Physical Concept Study Model

Final Physical Section Model Physical Model Exploration Voided structures were introduced to add light throughout the spaces, and a roof canopy, designed with an awareness of environmental factors, was added to connect the voids and serve as a nucleus of the site. The major circulation naturally rose to the third floor so the community could interact with the artists and the light shining through the void.

Acryilc Subtractive Study Model 17

04 COSMOLOGICAL WALL-MAKING CASE STUDY OF THE WEST BANK BARRIER

Site: West Bank, Palestine Course: Unreasonable Architecture, Carnegie Mellon University Year: Fall 2024, 14 weeks Taught by Professor Tuliza Sindi

Carnegie Mellon University, Curator for Public Programs and Director of Publications and Special Faculty

tsindi@andrew.cmu.edu

This project is set to be included in an forthcoming publication (Spring 2025) titled Inventory of Unreasonable Wall-Making through the PJ Dick Traching Grant.

Landscapes, when formulated by humans, are not static, but become constantly shaped and reshaped by the movements of people, resources, and ideas. The dynamic nature of landscapes reveals how histories, identities, beliefs, and social values converge and evolve. Mobility is intrinsic to the conception and formation of human landscapes in cosmological terms, as it shapes its physical and social outcomes, and dictates spatial and material access and constraints.

Through spatial practice, whether in the formal sense or not, practitioners embed ideologies of mobility that govern belonging and non-belonging.

This study examines the West Bank Barrier in Palestine as a space for protest and resistance. Since its construction in 2002, it has transformed into a site where artists, both local and international, challenge its presence through graffiti.

18

05 CASE STUDIES

MATERIALITY AND CONSTRUCTION SYSTEMS

Site: Various Locations Course: M + CS, Carnegie Mellon University Year: Spring 2024, 14 weeks Taught by Professor Jeremy Ficca Carnegie Mellon University, Associate Professor jficca@cmu.edu

These short drawing exercises centered around conventional construction methods and buildings that utilize some unique adaptions to standard practices. I studied four, canonical works of architecture and created these wall section isometrics from found construction details, drawings, and photography.

Straw Bale Social Housing Nogent-Le-Rotrou, France NZI Architects

19

Daycare Centre Palais de l’Alma, 2022 Paris, France Atelier Regis Roudil Architectes

Student Building in Braunschweig, 2022 Braunschweig, Germany Gustav Dusing & Max Hacke

20

06 PETER BECKER COMMUNITY HEALTH CENTER MASTER PLANNING STUDY

PRIMROSE PATH

15

MAINTENANCE

12

Firm: RLPS Architects

7 8

9 10

STUDIO

11

1

NEW

10

1 NEW

11

2

STUDIO

STUDIO

Project Type: Continuing Care Retirement Community

M E C H A N I C A L

16 1 BDRM

37'-6" 1

3

NEW 3 HOUR FIRE SEPARATION

64 SF

STUDIO

Site: Harleysville, PA

96 SF

LAUND

3

17

1

EXISTING

EXISTING

12

2

1 NURSE

ST.

227 SF

Project Status: In Progress

45 SF

SUPPLIES

VEST

ST

186 SF

77 SF

PARLOR

41 SF

TLT.

TLT.

67 SF

67 SF

2

8

CL. 21 SF

7

3 21 SF

4

CL. 21 SF

17

MED 52 SF

270 SF

3

DINING

EXISTING

CHARTING 105 SF

440 SF

1

LOUNGE 224 SF

ADMIN

PANTRY

LIFT STOR.

109 SF

278 SF

52 SF

52 SF

391 SF

116 SF

357 SF

NURSE 79 SF

DINING

Completed in collaboration with Dustin Julius and Max Winters.

PRIVATE DINING

STAFF LOUNGE

SPA

LIVING

151 SF

NURSE

241 SF

3

STAFF

DINING

250 SF

873 SF

LOCKERS

60 SF

58 SF

1

19

STUDIO

SERVICE

LIFT STOR.

8

45 SF

45 SF

STUDIO

1

7

PT/OT 812 SF

6

EXISTING TLT

EXISTING

TBD

TBD.

209 SF

259 SF

LARGE ACTIVITY 633 SF

18 CL.

2

5

1 BDRM

3

ST

171 SF

55 SF

NEW EXT. DOOR

17

LIVING 626 SF

NEW EGRESS STAIR

EXISTING

1 BDRM

105 SF

468 SF

NURSE

659 SF

606 SF

OFFICE

BEAUTY SALON

ENTRY LOBBY

ACTIVITY

2

1

2

1

40 SF

1

19

NEW 3 HOUR FIRE SEPARATION

PANTRY 232 SF

TOILET

845 SF

EXISTING

PANTRY

9

J.C.

18

LIVING

CL.

STUDIO

1

NEW 1 HR FIRE/SMOKE

47 SF

1

STUDIO

1

SUPPORT

C O U R Y A R D

1,839 SF

15 16

LIN.

6

45 SF

264 SF

152 SF

PREP KITCHEN

1

5

PANTRY

Design Phases: Vision and Master Planning

25'-0 " PARK ING

SUPPORT

9

4

25'-0 " BUILD ING

169 SF

288 SF

PAVILION

17 PC ROOMS

13

STUDIO

LOUNGE

C O U R Y A R D

STUDIO

6

14

13

LOUNGE

COURTYARD ACCESS

5

12

COUPLES

C O U R Y A R D

STUDIO

11

3

12 BED SN NEIGH.

C O U R Y A R D

CHERRY BLOSSOM COURT

14

10

19 ROOM PC MC

TULIP TERRACE

3

12

3

EXISTING

1

3

39 SF

16 CL. 45 SF

ARTS & CRAFTS ROOM

STUDIO

504 SF

4 EXISTING

1

ASTER AVE

EXERCISE

SWEET WILLIAM WAY

993 SF

EX. MEDICAL SUITE

2

1,360 SF

EXISTING

PAVILION

2 EXISTING 350 SF

EXISTING ANSUL SYSTEM LOCATION

COOK LINE

Located in Harleysville, PA, this continuing care retirement community project focused on enhancing resident-centered care across Skilled Nursing, Memory Care, and Personal Care wings. The design prioritized functionality, comfort, and a sense of community. The Memory Care wing saw the addition of 12 beds, housed in a newly constructed 6,900-square-foot space with a secure courtyard and dedicated activity areas. These enhancements aimed to improve quality of care while fostering an inviting and supportive environment for residents.

I primarily focused on visualization efforts and assisted with the layout and planning of the Skilled Nursing and Personal Care wings.

2

GRAB N' GO

2

EXPO COOKING/ LUNCH COUNTER

4

5

2

96 SF

3

4

13

5

12

19 BED SKILLED NEIGH.

6

EX. OFFICE

EX. OFFICE

2

3

NEW 3 HOUR FIRE SEPARATION

3

NEW 1 HR FIRE/SMOKE

2

10

3 EXISTING

MULTI PURPOSE ROOM

7

1

6 UNIT ADDITION 1

8

NEW 1 HR FIRE/SMOKE

EXISTING DRIVE

2,615 SF

2

WALKER STORAGE UNDERNEATH

FAMILY RM.

Room

EX. OFFICE

EXISTING

4

Room 101 SF

CONSIDER ELIMINATING EXISTING 2 HOUR FIRE WALL

WOMEN'S

6

8

EX. OFFICE

2

CHEF'S TABLE

WALKER STORAGE UNDERNEATH

24 SEATS

3

EXISTING

2

11

42 SEATS

1

LARKSPUR LANE

26 SF

EXISTING

14 SEATS DIGITAL ORDERING

14

NURSE

9

7

15

3

EXISTING

MEN'S

3

LIN. 28 SF

2

EX. ADMIN SERVER STATION

FINISHING/HOLDING

EXISTING

10

D/W

HOLDING FROM PREP KITCHEN

WESTVIEW COURT

11

5

6

12 BED SKILLED NEIGH.

EX. GREEN HOUSE

4

WOMENS

MENS

216 SF

204 SF

WALKER STORAGE UNDERNEATH

9

COMM. 97 SF

CAFE/EVENT BOH 147 SF

24 SEATS

EX. CARD ROOM

BOARDROOM

337 SF

494 SF

CAFE 117 SF

2 PC LOUNGE

5

GIFTS DISPLAY

7

8

6

2

15

EXISTING

EXISTING

NEW PACKAGE ROOM

2

RECEPTION

REWORKED ENTRY

ACCENT/SIGNAGE

ENTRY LOBBY 663 SF

CHAPEL

549 SF

2,370 SF FIREPLACE

EX. ADMIN

1 VESTIBULE

1

252 SF

14

2

2 16

17 13 3

4

5

8 6

RIDGEVIEW

12

9

7

10

11 18

23

22

21

20

19

14 NEW SPACES

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07 SARAH REED SENIOR LIVING MEMORY CARE RENOVATION STUDY

Firm: RLPS Architects Site: Erie, PA Project Type: Memory Care Community Project Status: Renovation Proposal Design Phases: Vision Planning Completed in collaboration with Max Winters and Kristin Novak.

Terrace exploration.

View looking into the kitchen and dining area.

Sarah Reed Senior Living in Erie, PA, sought to expand its memory care offerings with a new 13-bed wing designed to provide residents with a safe and supportive environment. The main goal was to create functional spaces that foster comfort and independence. A key component was improving access to outdoor spaces as well as communal neighborhood conditions.

My primary focus was developing unit typologies and arrangements, as well as designing the overall layout of the 13-bed memory care wing.

Additionally, my team and I worked on redesigning the outdoor terrace to create a secure and accessible community space, offering residents a safe opportunity to connect outside.

Floor plan of 13-bed memory care renovation.

22

08 MOSAIC APARTMENTS LGBTQ+ AFFORDABLE SENIOR HOUSING

Firm: Rothschild Doyno Collaborative Site: South Oakland, Pittsburgh, PA Project Type: PHFA Multifamily Senior Housing Project Status: Under Construction Design Phases: Schematic Design Construction Documentation Completed in collaboration with Dan Rothschild, Nick Rebeck, Nickie Chenug, Walt Haim

Sitting on a triangular site at the gateway to Pittsburgh’s Oakland neighborhood, the Mosaic Apartments offer inclusive, affordable housing specifically designed for LGBTQ+ seniors. This project was of particular interest to me due to my passion for its profound social impact, as it provides a safe and supportive community for an often marginalized group. The thoughtful integration of accessible design and communal spaces also sparked my interest in senior living, highlighting the importance of creating environments that promote dignity, connection, and well-being for aging populations.

This development is set to be the region’s first LGBTQ+ senior living facility and will contain 48 units of affordable housing. The project has several different funding sources including LIHTC and is slated for completion in the fall of 2025.

Photograph by Joe Wahy

23

UNIT 2.2 1060 SF

UNIT 1.2

UNIT 1.1

UNIT 1.1

UNIT 1.1

694 SF

642 SF

642 SF

642 SF

UTILITY

TRASH UP

ELEC. HALL LOUNGE UNIT 1.1

UNIT 1.1

UNIT 1.1

UNIT 1.1

UNIT 1.1

646 SF

646 SF

646 SF

646 SF

661 SF

BALCONY

Top: Fifth Floor Plan Bottom: Forbes Ave. + Craft Ave. Elevations OAKLAND PRIDE HOUSING

3

3.5

4

5

6

7

1 A301

8

CB2

SF

A

SIXTH FLOOR 55'-8" 1 A415

10'-6"

CB2

2

1

CB2

2

A301

A

1

3 A

A

CB2

A

3.5

A301

A

A

CB2

A

A

A

A

A

3'-8"

CB2 MP1

CB1

CB1

CW SF10

A

CB2

A

A

CB2

5

A

A

CB1

A

A

A

A

A

A

CB2

A

A

3

6

A

CB2

A

A

A

A

A

A

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A

CB1

CB1

CB1

CB1

CB1

CB1

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A

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A

A

FORBES AVENUE ELEVATION

SF

A

A

A

A

A

A

A

A

A

A

CMU

CMU

CMU

CMU

CMU

CMU

CMU

CMU

CMU

CMU

A

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SF9

A

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CMU

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CMU

A

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A

A

FORBES AVENUE ELEVATION

A

A

BR

A

A

5

A

A

CMU

CMU

CMU

4

A

A

CMU

CMU

CMU

3.5

A

A

CMU

CMU

3

A

A

2

CMU

T/PARAPET 68'-1 3/4" TRUSS BEARING 64'-5 3/4" A

A

A

B

B

A

A

EXPOSED CONCRETE BLOCK TO BE COVERED

BY FUTURE ARTWORK A A A B

A

1

CMU

13'-8"

BR

6

B

A

CMU

A

LOUVERED BRICK VENTS

CMU

A

A

A

1 A202

B

FORBES AVENUE ELEVATION 1

E

E

D

C

D

E

E

B.4

A302 MP1

2 A302

D

1

B.6

C

BR

D

BR

D

BR

D

A

A

A

A

D

C A303

SITE SECTION

D

MP2

PITTSBURGH, PA

2 E

MP2

E

A303 A

C

D

E

E

A

C

D

E

E

A

D

A

D

C

B

CB2

D

MP1

A

E

E

E

E

SF7

A

A

A

A

COILING OVERHEAD DOOR

MP1

CRAFT AVE ELEVATION

A

SF7

SF6

D

B

D

C

BR

3 A418

MP2

MP2

2

1

D

A303

C

A303

B.6

B.4

B

A.6

1

A

A302

2 A415

A.1

2

E

D

C

B

E

A

MP2

A

B

D

BR

AD

CB2

CB2

AD

A

A

CB1 SF7

SF6

SF7

CRAFT AVE ELEVATION A303

D

3 A418

D

D

H

2

DATE

END OF DRAWING NOTES

COILING OVERHEAD DOOR

A

FOURTH FLOOR

NO. DESCRIPTION MATERIAL KEY

A

B

A301

6

5

B

A

A

A

4

A

A

A

B

3.5

B

A

3

A301

A

2

A

A301

A

1

A

B

BR

FOURTH FLOOR 34'-8" FIFTH FLOOR 55'-8"

A

A

B

B

A

A

A

A

A

A

A

A

B

B

A

A

A

A

A

MP2

A

B

B

A

A

A

A

B

B

A

A

A

A

MP2

A

A

B

A

B

MP2

A

A

A

B

B

A

A

A

A

A

A

B

B

A

A

A

A

A

B

A

A

A

B

B

A

A

A

A

A

A

B

B

A

A

A

A

A

B

NO.

10'-6" 10'-6"

REVISIONS

D

1

DESCRIPTION

SECOND FLOOR 24'-2" FIFTH FLOOR 55'-8" DATE

A

MP2

A

C

A303 A

B.6

B.4

B

A.6

1 A302

A

2 A415

A

A

B

B

A

A

A

A

A

A

A

A

B

B

A

A

A

A

A

A

A

A

B

B

A

A

A

A

A

MP2

A

B

B

A

A

A

A

B

B

A

A

A

A

B

B

A

A

A

COURTYARD ELEVATION

2 SECOND A201 1/8" =FLOOR 1'-0" 24'-2"

BR

SF

MP2

A

A

FIRST FLOOR 0"

BR

A

A

A

B

B

A

A

A

A

A

A

B

B

A

A

A

SF8

SF

MP2

SF

A

A

B

A

A

A

B

A

A

A

SF8

SF8

B

SF8

A

A

COURTYARD ELEVATION

A

B

A

BR MP2

D

A

D A

A

A

A.1

WEST ELEVATION

D

BR

D

D

D D

TITLE

D

D

D

MP1

SF8

SF8

D

D

MAY 10, 2023 GROUND FLOOR 0"

ELEVATIONS

D

BR

SF8

SF8

D

D

D

D

H

D

A201 WEST ELEVATION

2 A202

1/8" = 1'-0"

WEST ELEVATION

HALL

UNIT 1.1

UNIT 2.1

HALL

UNIT 1.1

UNIT 2.1

HALL

UNIT 1.1

UNIT 1.1

HALL

UNIT 1.1

OFFICE

HALL

UNIT 1.1

FIFTH FLOOR 55'-8" NOT FOR END OF DRAWING NOTES

NO.

REVISIONS CONSTRUCTION DESCRIPTION

DATE

This drawing, including its electronic form, is an Instrument of Service for use solely with respect to this Project. The Architect is the author and sole owner of said Instrument of Service and retains all common law, statutory and other reserved rights, including copyrights.

FOURTH FLOOR 45'-2"

© ROTHSCHILD DOYNO COLLABORATIVE 100% DESIGN DEVELOPMENT

TITLE

MAY 10, 2023

ELEVATIONS

BR

D

DRAWING

THIRD FLOORA202 NOT FOR 34'-8" CONSTRUCTION

This drawing, including its electronic form, is an Instrument of Service for use solely with respect to this Project. The Architect is the author and sole owner of said Instrument of Service and retains all common law, statutory and other reserved rights, including copyrights.

SECOND FLOOR 24'-2"

© ROTHSCHILD DOYNO COLLABORATIVE 100% DESIGN DEVELOPMENT

TITLE

DRAWING

UNIT 1.1

CB1

D

D

MP2

H

A201

GROUND FLOOR 0"

D

This drawing, including its electronic form, is an 13'-8" Instrument of Service for use solely with respect to this Project. The Architect is the author and sole owner of said Instrument of Service and retains all common law, statutory and other reserved rights, including copyrights.

100% DESIGN DEVELOPMENT

CB2

H

H

DATE

BRICK; 2-2/3" x 12", Black Brick, Stack Bond CONCRETE HIGH DENSITY CEMENT BOARD - 6 COLOR HIGH DENSITY CEMENT BOARD - 1 COLOR CONCRETE MASONRY UNIT METAL PANEL; B.O.D: 18" X 8'-0", Arconic Pre-painted 2mm Heavy-gauge Alum. Natural Brushed Aluminum Gray METAL PANEL; B.O.D. 8" X 8'-0", Atas Opaline OPF .03 Alum. Mix of 3 Standard Colors

T/PARAPET 68'-1 3/4"

D

D

H

DRAWING FIRST FLOOR

PRINTED 5/12/2023 11:37:32 AM

Right: 1. Diversity is Colorful Sketchbook Page [Walt Haim] 2. Right Entry Approach 3. Forbes Ave. Elevation 4. Latidutional Building Section

D B

MARCH 10, 2023SECOND FLOOR 2 24'-2" NOT FOR A202 1/8" = 1'-0"

© ROTHSCHILD DOYNO COLLABORATIVE

D

REVISIONS MATERIAL KEY DESCRIPTION NO. BR C CB1 CB2 CMU MP1

H

100% SCHEMATIC DESIGN

TITLE

D

SF8

A

This drawing, including its electronic form, is an Instrument of Service for use solely with respect to this GROUND FLOOR THIRD FLOOR Project. The Architect is the author and sole owner of 34'-8" said Instrument of Service and retains 0" all common law, statutory and other reserved rights, including copyrights.

SF8

MP1

BR

© ROTHSCHILD DOYNO COLLABORATIVE

B

ELEVATIONS CONSTRUCTION

SF8

BR

1/8" = 1'-0"

BR

B

MP2

FIRST FLOOR 13'-8"

COURTYARD ELEVATION

10'-6" 13'-8"

MP2

A

D

CB2

10'-6"

MP2

10'-6"

C

D

H

FIRST FLOOR

13'-8"

BR

BR

H

NOT FOR 13'-8" FOURTH FLOOR CONSTRUCTION 45'-2"

SECOND FLOOR 13'-8" THIRD FLOOR 34'-8"

2 A201

BR

END OF DRAWING NOTES

BR

10'-6"

MP2

PRINTED 5/12/2023 11:37:32 AM

THIRD FLOOR 24'-2" FOURTH FLOOR 45'-2"

A

B

BRICK; 2-2/3" x 12", Black Brick, Stack Bond CONCRETE HIGH DENSITY CEMENT BOARD - 6 COLOR THIRD FLOOR HIGH DENSITY CEMENT BOARD - 1 COLOR T/PARAPET CONCRETE MASONRY UNIT 34'-8" 68'-1 3/4" METAL PANEL; B.O.D: 18" X 8'-0", Arconic Pre-painted 2mm Heavy-gauge Alum. Natural TRUSS BEARING Brushed Aluminum Gray 64'-5 METAL PANEL; B.O.D. 8" X 8'-0", Atas 3/4" Opaline OPF .03 Alum. Mix of 3 Standard Colors 8'-9 3/4"

TRUSS BEARING 64'-5 3/4"

BR C CB1 CB2 CMU MP1

10'-6"

A

10'-6"3'-8"

A

10'-6"

10'-6" 10'-6"

10'-6" 10'-6"

8'-9 3/4" 10'-6"3'-8"

10'-6"

7

BRICK; 2-2/3" x 12", Black Brick, Stack Bond CONCRETE HIGH DENSITY CEMENT BOARD - 6 COLOR HIGH DENSITY CEMENT BOARD - 1 COLOR CONCRETE MASONRY UNIT METAL PANEL; B.O.D: 18" X 8'-0", Arconic Pre-painted 2mm Heavy-gauge Alum. Natural Brushed Aluminum Gray METAL PANEL; B.O.D. 8" X 8'-0", Atas Opaline OPF .03 Alum. Mix of 3 Standard Colors

H

B

1

BR

A

During my work on the Mosaic Apartments project, I focused on designing the unit plans for all 48 apartments, making sure that each layout prioritized comfort, accessibility, and aligned with PHFA requirements. I was also involved in developing both the interior and exterior building elevations, as well as detailing building assemblies and reflected ceiling plans. In addition to design work, I also helped in preparing and delivering client presentations, clearly communicating the design vision and ensuring that it resonated with the client’s goals and the needs of the community. This project in particular truly sparked my passion for senior living, and helped me to me to explore how thoughtful design can enhance quality of life, foster community, and meet the evolving needs of aging populations.

FIFTH FLOOR T/PARAPET 45'-2" 68'-1 3/4"

FORBES

MATERIAL KEY BR C CB1 CB2 CMU MP1

1/8" = 1'-0"

REVISIONS A202 45'-2"1/8" = 1'-0" 3

B

CB2

CRAFT AVENUE ELEVATION

END OF DRAWING NOTES

1 SIXTH FLOOR A201 1/8" = 1'-0" 55'-8"

A.6

1

B

BR BRICK C CONCRETE T/PARAPET CB1 HIGH DENSITY CEMENT BOARD 68'-1 3/4" FLOOR SECOND 1 COLOR 24'-2" TRUSS BEARING CB2 HIGH DENSITY CEMENT BOARD 64'-5 3/4" 6 COLOR CMU CONCRETE MASONRY UNIT CW CURTAIN WALL MP1 METAL PANEL 1 FIFTH FLOOR FIRST 55'-8" 13'-8" MP2 METAL PANEL 2 SF STOREFRONT 8'-910'-6" 3/4"

1 A301 CMU

D

MATERIAL KEY

CW1

7BR

C

B

THIRD FLOOR 34'-8"

EXPOSED CONCRETE BLOCK TO BE COVERED BY FUTURE ARTWORK

A

SF9

A

D

DRAWING NOTES

FIRST FLOOR 13'-8" FOURTH FLOOR 45'-2"

2 A417

1/8" = 1'-0"

8

GROUND FLOOR 0"

A

10'-6"

10'-6"

A

BR

B

10'-6"

A

A303

OAKLAND PRIDE HOUSING

A

TRUSS BEARING 64'-5 3/4"

10'-6"

BR

PITTSBURGH, PA

2

D

MP1

SECOND FLOOR 24'-2" FIFTH FLOOR 55'-8"

C

FIRST FLOOR 0"

1 A201

A

MP1

10'-6"

13'-8"

A

A

C A303

THIRD FLOOR 34'-8" T/PARAPET 68'-1 3/4"

10'-6" 10'-6"

A

A

1

B.6

3'-8"

10'-6"

A

CW2

A

B

A.1

10'-6"3'-8"

A

A

GROUND-MOUNTED BIKE RACKS

3'-8"

DRAWING NOTES

8'-9 3/4"

10'-6"

10'-6"

A

SF

SECOND FLOOR 24'-2"

8'-9 3/4"

B

PITTSBURGH, PA FOURTH FLOOR 45'-2"

A

A

2 A302

TRUSS BEARING 64'-5 3/4"

OAKLAND PRIDE HOUSING

A

SF

B.4

FIFTH FLOOR 55'-8"

A

A

SF

1 A302

T/PARAPET 68'-1 3/4"

CB1

A

SF

SECOND FLOOR 13'-8"

THIRD FLOOR 34'-8"

PRINTED 3/14/2023 10:44:39 AM

A

THIRD FLOOR 24'-2"

10'-6"

FOURTH FLOOR 45'-2"

PRINTED 5/12/2023 11:37:27 AM

CB2

A

7

A301

A

A

MECHANICAL VENTS

CB1

CB1

A

FOURTH FLOOR 34'-8"

FIFTH FLOOR 55'-8"

FIRST FLOOR 13'-8"

CB2

A

VARIED COLOR PANELS FOR DYNAMIC FACADE

8'-9 3/4"

10'-6"

TRUSS BEARING 64'-5 3/4"

CB2

A

4 A

FIFTH FLOOR 45'-2"

T/PARAPET 68'-1 3/4"

B

DRAWING NOTES

8'-9 3/4"

A

A.6

10'-6"

8'-9 3/4"

CB1

DRAWING NOTES

TRUSS BEARING 64'-5 3/4"

A

PITTSBURGH, PA

10'-6"

3'-8"

T/PARAPET 68'-1 3/4"

A.1

OAKLAND PRIDE HOUSING

VARIED COLOR PANELS FOR DYNAMIC FACADE

CRAFT

2

3'-8"

1

MAY 10, 2023

COMMUNITY ROOM

ELEVATIONS

COURTYARD

DRAWING

FIRST FLOORA202 13'-8"

FORBES AVE

GROUND FLOOR 0"

PARKING

24

xx 09 SECOND HARVEST COMMUNITY THRIFT STORE

Firm: Rothschild Doyno Collaborative Site: Sharpsburg, Pittsburgh, PA Project Type: AIA Design Pittsburgh Awards .........................Submission Completed in collaboration with Kim Rullo, Robert Tuñón, Nickie Cheung, Katie Johnston, Mike Gwin, and Dan Rothschild.

While at Rothschild Doyno Collaborative, I had the opportunity to lead the team organizing and editing the Second Harvest submission for the 2022 Design Pittsburgh Awards. In leading the team, I had my first taste of delegating tasks, organizing meetings, and efficiently coordinating between markups and edits. Second Harvest is a signal of a regenerating community building the ground work for a sustainable vision and vibrant hopeful future.

This project received the Social Impact in Design Award in 2022 from AIA Pittsburgh, as well as an Architectural Excellence Design Merit Award in 2023 from AIA Pennsylvania.

Photograph by Joe Wahy

25

Opening the Store

A Resilient Sharpsburg

Once a photo lab that limited natural light into the interior, the renovated building allowed daylight to fill every corner of Second Harvest and created a warm, inviting environment for shoppers, staff, and volunteers.

The Sharpsburg Community Vision Plan guided the team to create a resilient, sustainable, and healthy home for Second Harvest.

The Six Lenses of the Sharpsburg Community Vision Plan

3 1 Thrift Store affordable goods

4

Photovoltaic Panels

2 Community Corner space to gather

7

3 Volunteer Workshop sorting of donations

5

4 Staff Offices operations

Social Equity

Meeting people’s diverse needs

Community Free Fridge

Affordable Goods & Employment Opportunities

REVISIONS NO.

PRINTED 8/17/2022 2:07:05 PM

Exterior before

“In the wake of a great loss for Sharpsburg, neighbors came together to respond to the closing of the community’s beloved thrift store. The former thrift store was not only an essential access point to affordable goods for the community’s residents, but it was also a place where locals frequented to meet one another. Concerned community members responded by forming a new organization, purchasing a property, and undertaking a major renovation to transform the existing building into a site that ensured dignity in the second-hand goods retail experience.

DATE

N

6

Remediated Existing Building

Permeable Pavers & Rain Collection

7 Free Fridge public access to food

Accessible Ramp & Bike Stations

This drawing, including its electronic form, is an Instrument of Service for use solely with respect to this Project. The Architect is the author and sole owner of said Instrument of Service and retains all common law, statutory and other reserved rights, including copyrights.

Edible Garden

© ROTHSCHILD DOYNO COLLABORATIVE APPROVED FOR CONSTRUCTION PERMIT SET

Mitigating stormwater flooding

Energy

Generating energy on-site

Air Quality

Improving health and well-being

Mobility

Providing accessible infrastructure

MAY 15, 2020

TITLE

Unnamed

FLOOR PLAN 1/8" = 1'-0"

DRAWING

SK3

Interior before

Interior after

Residents donate to the Community Free Fridge

Engaging Residents

Second Harvest’s roof photovoltaic system

The bike repair station promotes multi-modal transit

Community Partnership

Meaningful Service

Second Harvest brought together local artists and Sharpsburg residents to create uplifting artworks that expressed compassion and empathy as the community navigated the global pandemic.

Residents contributed throughout the design process

The store sells affordable goods to residents and its revenue is reinvested in the community by creating living-wage jobs.

The building is home to this positive exchange.

INVITE

EMBRACE

CELEBRATE

job. We’re always cooking or eating something in the store.

“It’sI lovelikethiswe’re a family.

“

The front parklet emerged from a request by nearby neighbors who envisioned an outdoor public space with sustainable features and amenities

DESCRIPTION

2

6 Front Parklet outdoor public space

Addressing food insecurity

Water

1

5 Entry Porch inviting main entrance

Food

Visitors painted messages of kindness on tiles

Local youth helped to create the community mosaic

Phyllis, store retail manager

Community Impact

The pandemic struck but it only deepened the community’s commitment to bringing a welcoming space that served the essential needs of all Sharpsburg’s residents.”

519

Individual volunteers

7 - 83

Volunteer age range

3,438

A group of teenagers hosted by The Positive Painting Project painted “You Belong” canvases to display in the store

Community members participated in a series of glass mosaic workshops

Volunteer hours

15,000+

5 Full-time

individual sales

living wage positions

$340,000

3 Part-time

first year’s store revenue

living wage positions

26

10 & OTHER STORIES ILLUSTRATIVE WORKS AND PHOTOGRAPHIC WORKS

Title: Pont Alexandre III Medium: Ink on Paper, 18” x 24” Year: Summer 2018

27

ACADEMIC PROJECTS

ABOVE

Title: Nicholas Lochoff Cloister Medium: Archival Ink on Bristol, 7” x 7” Instructors: Dr. Jennifer Donnelly, Jozef Petrak Course: Foundations Studio, University of Pittsburgh Year: Fall 2019 RIGHT

Title: Texture and Form Study I Medium: Graphite on Paper, 18” x 24” Instructors: Kenneth Batista Course: Drawing Studio I, University of Pittsburgh Year: Summer 2019

28

ARCHITECTURAL THINKING

29

OBSERVATIONAL SKETCHES

30

Thanks!

ELIZABETHNLAMAN@GMAIL.COM 412-552-9151