Ugly Lies the Bone at the Alliance Theatre by Encore Magazine

Recipient of the Regional Theatre Tony Award®

September 16–October 9, 2016 Series on the Hertz Stage

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7 Between Us 10 Program Note 13 Program 20 discover us. discover you. 22 About the Alliance Theatre 23 Board of Directors 24 Sponsors 26 Annual Fund 29 Woodruff Circle 30 Staff

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feature 8 Blasting Off Lindsey Ferrentino — Space Coast native, in-demand playwright — returns to the Alliance, her professional launching pad. By Julie Bookman

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between us

Every play has its own origin story. And from the origin story comes its sense of inevitability. I didn’t know the origin story of Ugly Lies the Bone when I first read it, nor that playwright Lindsey Ferrentino talks about a wholly visceral response she had when reading the story that first brought this play to her heart. But I do know that in first reading, this play pulsed with the kind of “this story HAS to be told” vibrancy that makes you sit forward and pay the closest of attention. (A writer told me once that in his weekly phone conversations with his father, his dad would say “So, you writing down any plays?” This particular playwright loved that question, and the implication that he didn’t so much have to think up the plays — he just had to write them down.) Ugly Lies the Bone is a play that Lindsey Ferrentino so clearly and palpably had to write down. Had to write, had to live with, had to birth, had to share. Her sense of urgent and compassionate curiosity about the physical and psychic healing process of a young veteran ticks like a fast clock and makes this one of the more necessary pieces of work we’ve had the gift of sharing with you in a long time. That it also gives all of us the opportunity to step into the shoes of a member of our military and by so doing, to more fully understand the sacrifice and strength that life requires is the even greater gift. Know that you are about to meet a writer the New York Times cited for her dauntless conviction, and a heroine of dauntless courage. We thank Lindsey Ferrentino for being the former, and we thank all of our men and women, currently and formerly in military service, for inspiring the latter.

Susan V. Booth Jennings Hertz Artistic Director

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BLASTING OFF Lindsey Ferrentino — Space Coast native, in-demand playwright — returns to the Alliance, her professional launching pad.

indsey Ferrentino grew up in a loud and boisterous family of storytellers and professional comedians in a tight community along Florida’s Space Coast. A large and sunny sign said “Welcome to Merritt Island … Where Dreams are Launched.” Her most visceral childhood memories are of watching shuttle launches from her roof. “Rockets that literally shook my house,” she recalls. “Schools would stop, cars would pull off the highway. Whether you were in a bank or a grocery store — everyone would pause their life for a brief moment, stand together and silently look at the sky.” When NASA ended its shuttle program, Ferrentino’s hometown took a hit. For her, the loss of that “very American dream,” that frontier spirit, came at a great cost and had a ripple effect on how people interacted. “If you take away that communal hope, that capacity to explore, what is next? What does the next dream for our country look like?” Ferrentino’s Ugly Lies the Bone explores 8 ENCOREATLANTA.COM

those questions, though the playwright admits that the answers remain elusive. Ferrentino, who just turned 28, has completed 10 full-length plays. This season her work is being seen coast to coast and beyond, from the Goodman Theatre’s New Stages Festival in Chicago to South Coast Repertory in California, and from the New Works Lab at New York’s Playwrights Horizons to the National Theatre in London. Her big year takes off here, at the Alliance Theatre, “the first theater to ever treat me like a professional,” says Ferrentino, the only two-time finalist in the Alliance/Kendeda National Graduate Playwriting Competition (with Magic Man in 2014 and this February with Moonlight on the Bayou). Ferrentino has master’s degrees in playwriting from both Hunter College and Yale. Most recently, she’s been in residence at London’s National Theatre, where she was commissioned to write the book and lyrics for a new musical, and took part in casting and design sessions for a British production of Ugly. She’s floored that it’ll be staged in a

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By Julie Bookman

LEONARD J. DEFRANCISCI

theater with 900 seats (the Hertz has 200). At the center of Ugly is Jess, a combat veteran who returns to her Florida home after a third tour in Afghanistan. She’s disfigured from severe burns that leave her in constant pain. She turns to virtual-reality treatment for therapy — or, more precisely — to distract herself from the agony. Ugly juxtaposes Jess’ hopes and prospects with the declining possibilities of her hometown. The play took root a few years ago, when Ferrentino was applying to Yale. Right after her Yale interview, she recalls, she was on a train and reading on her phone when she came across a GQ magazine article. It profiled a burn-survivor soldier with chronic pain who was a perfect candidate for Snow World, the pain-distracting virtualreality experiences. Ferrentino was overcome with “that feeling of needing to run but being trapped on a train.” Ugly Lies the Bone, described as haunting and hopeful, had its world premiere last year at New York’s Roundabout Underground, with Mamie Gummer (Meryl Streep’s daughter) as Jess. Writing for The New York Times, critic Charles Isherwood called Ferrentino brave and said she’s a “writer of dauntless conviction.” He described Ugly as a “bracing drama that confronts an achingly topical issue with hardheaded honesty.” Rex Reed, writing in the New York Observer, called Ugly “a play of small moments that hide big emotions.” Ferrentino considers herself a sentimental and nostalgic person “who hates

sentimentality and nostalgia.” Her central concern when writing a play is, “Does it speak to America here and now, and is it a story I can personally crawl inside?” She’s interested in “stories of people fighting to carve out a place for themselves in the world, to find and redefine home.” Playwright Sarah Ruhl (Eurydice, In the Next Room or the vibrator play) is a mentor and friend who has described Ferrentino’s approach as “looking at the sun without burning your eyes.” With each play, Ferrentino says, she’s “looking at the sun more and more closely” but doesn’t always want the audience to know what sun she’s looking at. Most of her plays are autobiographical in some way, she says, because you can take the girl out of Florida, but “Oh, you cannot take the Florida out of the girl.” “I pretend to be a two-master’s-degreestoting playwright but would always rather be in cutoff shorts, flip-flops, saying ‘y’all’ and adding ‘ass’ to the end of words.” Florida doesn’t fit the Southern stereotype, she says: “You know, sticky porches, lemonade, slow-moving fans.” Her home, she says, was fast, bright and “gloriously” tacky, a culture dominated by water sports, where people hunt alligators, fish for sharks (“horribly gruesome”) and go “mudding” — speeding through muddy swamps to get their trucks good and dirty. Ferrentino creates people who speak their minds. Her characters don’t lie or cover things up. It’s more like, “Here is the truth about me and what I think of you, so we can move on.” A ALLIANCETHEATRE.ORG

program note Lindsey Ferrentino: Working with determination toward excellence

someone from Louisiana’s Gulf Coast would understand the region with such depth: the oil industry, the pull of the sea, the permeable boundary between the real and the magic that defines Louisiana and its dialect. But Lindsey, one of the most rigorous researchers and redrafters in American theater, has for a third time made us select her as one to watch. It is not surprising that Lindsey’s breakout play, Ugly Lies the Bone, shows the struggles of extreme effort and determination. The drama centers around private battles with pain and despair as a soldier, indeed a warrior in the more classical sense of the word, returns to civilian life. Representations of veterans as victims are sometimes the easy choice for playwrights. Lindsey deftly represents the warrior spirit and drive as alive and well, although in a period of recovery. Even if Lindsey wasn’t an Alliance/Kendeda alum, this is a play that perfectly embodies the Alliance’s mission of “expanding hearts and minds.”

Thanks to everyone in Atlanta’s veteran and veteran services community who gave generously of their time and knowledge to help us work accurately on this show. Special thanks to Command Sergeant Major Gretchen Evans, Veteran Outreach Coordinator, Emory’s Veterans Program; Cavalry Troop Commander Garrett Cathcart, Southeast Regional Director, Team Red White and Blue; Howard Rose, CEO & Co-founder and Ari Hollander, CTO & Co-founder, DeepStream VR; and Dr. Barbara Rothbaum, PhD, ABPP, Director of Emory’s Veterans Program and Trauma & Anxiety Recovery Program. The company would like to thank the veterans in the audience for the sacrifices they have made for our country and for the bravery, courage and strength they have exhibited both abroad and at home. We are honored to be able to tell this story. 10 ENCOREATLANTA.COM

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By Celise Kalke

he Alliance Theatre first met Lindsey Ferrentino in February 2014 — the 10th anniversary of the Alliance/ Kendeda National Graduate Playwriting Competition. It’s fitting that we met her during an anniversary year, because she is a milestone kind of writer. Her play Magic Man detailed with devastating emotional and linguistic accuracy the cumulative effects of gang-related shootings of children on Chicago’s South Side. Lindsey read about a funeral home that specialized in children’s funerals, and instead of sighing in horror, educated herself about the issue, the place and the time, and wrote a haunting and deeply sad play. To write Magic Man, she found tapes of neighborhood residents talking, listened to them and transcribed them over and over until the unique dialogue of the specific place lived in the muscles of her hands and her imagination. The play seemed authentic because Lindsey trained herself with the determination of an athlete to sound like the South Side of Chicago. The Alliance didn’t recognize her second Alliance/Kendeda finalist play, Moonlight on the Bayou, as a Lindsey Ferrentino play; she’s from Florida and, we thought, only

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After the Show Stay after the show to learn about how virtual reality therapy is being used in pain management and the treatment of PTSD. Then, experience “SnowWorld” for yourself in the form of “COOL” by DeepStream VR at one of the stations in our lobby.

thank you to our healthcare and technology partners whose generous donations make this VR experience possible: Virtual Reality Installation DeepStream VR AVA Direct HTC Corporation NVIDIA Corporation

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THE ALLIANCE THEATRE Susan V. Booth, Jennings Hertz Artistic Director presents

LINDSEY FERRENTINO Presented by special arrangement with SAMUEL FRENCH, INC. SET DESIGN

ALEXANDER WOODWARD PROJECTION DESIGN

SHAWN BOYLE

COSTUME DESIGN

LIGHTING DESIGN

SYDNEY ROBERTS CASTING

JODY FELDMAN & HARRIET BASS

LIZ LEE

SOUND DESIGN & ORIGINAL MUSIC

KATE MARVIN

DRAMATURG

STAGE MANAGER

CELISE KALKE

LIZ CAMPBELL

DIRECTED BY

JESSICA HOLT

Ugly Lies the Bone was developed during a residency at the Eugene O’Neill Theatre Center’s National Playwrights Conference in 2014. Preston Whiteway Wendy C. Goldberg Executive Director Artistic Director Woodward/Newman Award Winner Developed and Produced by the Bloomington Playwrights Project Chad Rabinovitz, Producing Artistic Director This play received a developmental workshop by the Theatre Program of Fordham University in October 2014. World Premiere Produced in New York City by Roundabout Theatre Company (Todd Haimes, Artistic Director; Harold Wolpert, Managing Director; Julia C. Levy, Executive Director; Sydney Beers, General Manager) as part of Roundabout Underground at the Harold and Miriam Steinberg Center for Theatre on October 13, 2015 HERTZ STAGE SERIES SPONSORED BY

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* HUGH ADAMS . . . . . . . . . * JULIE JESNECK . . . . . . . . . * MEGAN McFARLAND . . . . . * WENDY MELKONIAN . . . . . * LEE OSORIO . . . . . . . . . . .

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CAST . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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. . . Kelvin . . . . Jess Voice/Mom . . . Kacie . . . Stevie

UNDERSTUDIES CARLEE AVERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jess/Kacie LYNN GRACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Voice/Mom JEREMIAH PARKER HOBBS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelvin/Stevie STAGE MANAGEMENT * LIZ CAMPBELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager BRITNEY DEROSA . . . . . . . . . . . . . . . . . . . . . . . Stage Management Production Assistant

PRODUCTION AND DESIGN ASSISTANCE MAXWELL BOWMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Projection Assistant KAYLEE KEHNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Prosthetic/Makeup Designer DAVID STERRITT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fight Coach REBEKAH SUELLAU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant to the Director

FOR THIS PRODUCTION JENNIFER NAKAHARA . . . . . . . . . . . . . . . . . . . . . . Programmer/Light Board Operator JONESIA SMITH-WILLIAMS . . . . . . . . . . . . . . . . . . . . . . . . . . . Additional Run Crew KRISTIN VON HINEZMEYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Engineer JORDAN VENETIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Makeup Artist/Wardrobe SETTING PLACE: Titusville, the heart of Florida’s Space Coast TIME: The end of NASA’s shuttle program, the end of an era SPECIAL THANKS Lindsey Ferrentino Vincent T. Schicchi

*Denotes a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The Alliance Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and the Society of Stage Directors and Choreographers, an independent national labor union. The Alliance Theatre at the Woodruff is a member of Theatre Communications Group (TCG), the national organization for the American theatre, and is a member of the League of Resident Theatres (LORT), the International Association of Theatre for Children and Young Audiences (ASSITEJ/USA), The Atlanta Coalition of Theatres, the Atlanta Chamber of Commerce, the Atlanta Convention and Visitors Bureau, and the Midtown Alliance. The videotaping or other video or audio recording of this production is strictly prohibited, is a violation of United States Copyright Law and is an actionable Federal Offense. ___________________________________________________________________________________

Cameras and recording devices are absolutely prohibited in the theatre. Cellphones are extremely disturbing and should be silenced before the performance begins.

The videotaping or making of electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly prohibited, a violation of the author’s rights and actionable under united states copyright law. For more information, please visit: www.samuelfrench.com/whitepaper

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profiles HUGH ADAMS (Kelvin) is delighted to appear on the Hertz Stage. Various Atlanta credits include Charlie’s Aunt, Sisters of Swing, Sleuth (Georgia Ensemble Theatre); The Meantime, Pinter’s Kaleidoscope, Peer Gynt, Slapping Bernard (Theater Emory); The Mystery of Irma Vep (Actor’s Express); Bash, Out of Order, The Caretaker (Theatre in the Square); Canterbury Tales, Shadow of a Gunman, Under Milkwood (Theatre Gael); Macbeth, Comedy of Errors (Georgia Shakespeare); Twelfth Night, The Crucible (Shakespeare Tavern Playhouse); Freeze! (7 Stages). TV/film: CNN Presents – “Eyewitness to Murder – The King Assassination,” “Dumpster Baby,” “Jinx’d.” Be Sweet, Hodag. CARLEE AVERY (U/S Jess/ Kacie) is thrilled to make her Alliance Theatre debut. This is her first acting credit in Atlanta and she couldn’t feel more blessed. After receiving her B.F.A. from Webster University’s Conservatory of Theatre Arts in St. Louis, Mo., and working in California, she’s officially back home and chasing her dreams. University credits: A Midsummer Night’s Dream, Dinner With Friends, Top Girls, Uncommon Women and Others. Love to my family and friends who continue to remind me that my dreams are worth fighting for! LYNN GRACE (U/S Voice/Mom) is new to Atlanta and grateful to be involved with the Alliance. An alumna of the Burt Reynolds Institute, Lynn has had the privilege of working with Tony Award winners Jose Quintero, William Mastrosimone and Charles Nelson Reilly. Favorite credits include Richard III, You Can’t Take It With You, Marvin’s Room, The Grapes of Wrath, As You Like It, The Pajama Game, 42nd Street and Noises Off.

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JEREMIAH PARKER HOBBS (U/S Kelvin/Stevie) Jeremiah is so excited to be a part of this gorgeous piece of work. Previous Alliance credits: Tell Me My Dream (Jeremy), Knuffle Bunny (Dad). Other 2016 credits: Peter and the Starcatcher (Peter), Into the Woods (Milky White, et. al.), A Midsummer Night’s Dream (Puck). For Julissa, my inspiration. JULIE JESNECK ( Jess) is thrilled to return to the Alliance. Other Alliance credits: The Heart Is a Lonely Hunter. Broadway: Rock ’n Roll. Off-Broadway: Working Theater, Mint Theater, Minetta Lane, The Actors Company Theatre, The Play Company, Roundabout, Ensemble Studio Theatre, Drama League, Cherry Lane, HERE. Regional: The Christians (Syracuse Stage & the Wilma); Dancing at Lughnasa (Portland Stage); Cyrano de Bergerac (Chicago Shakespeare); Fallen Angels (Shakespeare Theatre of NJ); Grace, or The Art of Climbing and The Trip to Bountiful (Denver Center). She also has regional credits at the Folger, Pioneer, Capital Rep, Intiman, Alabama Shakes, Old Globe, Trinity Rep, Actors Theatre of Louisville, San Jose Rep. TV/film: “The Affair,” “Person of Interest,” “Law & Order,” “Empire Falls” (HBO), Feeling Tall, Fishy Business. Training: Juilliard. MEGAN McFARLAND (Voice/ Mom) was last seen on the Alliance stage in A Christmas Carol. Other Alliance credits: Heartbreak House, Brigadoon, Hans Christian Anderson and The Music Man. She has performed with Georgia Ensemble, Georgia Shakespeare, the Shakespeare Tavern Playhouse, Coconut Grove Playhouse, Virginia Stage, Theatre Emory and in a co-production of Memphis the Musical with Aurora Theatre and Theatrical Outfit, for which she won a Suzi Bass Award. Film/TV/web series: The Offspring, On the Lam, Skin Deep. Scenic art: Converse Opera’s Suor Angelica, Dido and Aneas, Così fan Tutte and The Mikado. She directed Titus Andronicus and Laundry and Bourbon for Theatre Converse.

profiles WENDY MELKONIAN (Kacie) Alliance Theatre: James and the Giant Peach, Seussical, Class of 3000, Sister Act!, A Christmas Carol. Regional: Sister Act! (Pasadena Playhouse); Men Are From Mars Women Are From Venus (Dallas Center of the Arts). Favorite Atlanta credits: Into the Woods and I’m Not Rappaport (Aurora Theatre); In the Next Room (Synchronicity); Book Club Play (Horizon); Becky’s New Car (Georgia Ensemble); The Sound of Music (Atlanta Lyric); Great American Trailer Park Musical (Actor’s Express). She sings cabaret with Libby Whittemore a few times a year and is represented for TV/film by People Store. She earned a master of music degree in vocal performance from the Boston Conservatory and is happy to be a member of AEA. For Mom and Dad. LEE OSORIO (Stevie) is thrilled to make his Alliance debut. Other Atlanta credits: Significant Other (Actor’s Express), Romeo and Juliet (Shakespeare Tavern Playhouse). Off-Broadway: Bullet for Adolf (directed by Woody Harrelson). Favorite regional credits: Middletown (Trinity Rep), Pride and Prejudice (Cape Fear Regional Theatre), Great Expectations (Book-It Repertory), Yellow Face (ReAct Theatre). M.F.A. from Brown/Trinity Rep. www.leeosorio.com ACTORS’ EQUITY ASSOCIATION, founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. Equity seeks to foster the art of live theater as an essential component of our society. LINDSEY FERRENTINO (Playwright) Ugly Lies the Bone was a New York Times Critic’s Pick and played a sold-out, extended off-Broadway run at Roundabout Theatre Company. Lindsey has upcoming productions at the National Theatre in London and Roundabout Theatre Company. This year she will be part of the Goodman’s New Stage Festival, Atlantic Theatre Company’s Amplified Reading Series and Playwrights Horizon’s New

Works Lab. She is the recipient of the Paul Newman Drama Award, Laurents Hatcher Citation of Excellence, a finalist for the Susan Smith Blackburn and two-time finalist for the Alliance/Kendeda National Graduate Playwriting Competition. She is under commission for new plays from Roundabout, the Geffen, South Coast Repertory, a new musical for the National Theatre and an original TV pilot for Big Beach Films. B.F.A., NYU; M.F.A., Hunter College & Yale. JESSICA HOLT (Director) is thrilled to share this story with Atlanta audiences after spending the past year as the Alliance Theatre’s Phil Kent Directing Fellow. She most recently directed Significant Other by Joshua Harmon (Actor’s Express). Originally from San Francisco, Jessica was an artistic associate at Magic Theatre, where she directed Bright Half Life by Tanya Barfield and “Act 5” of The Lily’s Revenge by Taylor Mac. She received her M.F.A. in directing at the Yale School of Drama, where she directed The Seagull by Anton Chekhov; Twelfth Night; Dead Ends by Ryan Campbell; and The Children by Phillip Howze. While at Yale, she also served as co-artistic director of the Yale Summer Cabaret, programming and directing a season of contemporary American plays. She has developed, produced and directed work with the Ground Floor at Berkeley Rep, Bay Area Playwrights Festival, Alliance Theatre, Bay One Acts Festival, Theater Emory, Cutting Ball Theater, Berkeley Playhouse, Magic Theatre, New Conservatory Theater Center and Piano Fight. She is a 2016 national directing fellow with the Eugene O’Neill Theater Center, National New Play Network, the Kennedy Center and SDCF. ALEXANDER WOODWARD (Set Designer) is thrilled to design at the Alliance for the first time. Recent credits include The Moors at Yale Rep, for which he received a Connecticut Critics Circle nomination for outstanding scenic design, and the world premiere of Orpheus ...(Williamstown Theatre Festival). Other credits include The Children, Don Juan, Othello (Yale), Fingers & Toes (New York and Florida), Once Five Years Pass, Dixon Family Album, Schmoozy Togetherness (Williamstown Theatre Festival),

ALLIANCETHEATRE.ORG 17

profiles Ruby Place Nest on the Ground (Signature Theatre), 13 Things About Ed Carpolotti (59E59), 1940s Radio Hour (Cortland Repertory Theatre), What I Thought I Knew and the world premiere of Waiting for Spring (Kitchen Theatre Company), Oblomov (Wellfleet Harbor Actors Theater), And a Child Shall Lead (HERE Arts Center) plus more than a dozen shows with Yale Cabaret and numerous assistant and associate credits in New York and across the country including the Tony-nominated designs for Bullets Over Broadway, A Gentleman’s Guide to Love and Murder, The Assembled Parties and Present Laughter. M.F.A., Yale School of Drama. Donald M. Oenslager fellow and proud member of United Scenic Artists Local 829. SYDNEY ROBERTS (Costume Designer) is an award-winning costume designer who has been designing for Atlanta and regional theaters for many years. She designed last season’s Tell Me My Dream and The Lion, the Witch and the Wardrobe at the Alliance. Elsewhere in Atlanta: True Colors Theatre Company (American Buffalo), Theatrical Outfit (Moxie) and Theatre Emory (As You Like It), among others. Awards: Suzis for costume design/musical, Mary Poppins (Aurora Theatre); James and the Giant Peach and Shrek the Musical (design team for a TYA show, Alliance Theatre); and a Drammy for The Devils at Portland Center Stage in Oregon. Sydney has taught costume design at the University of Tennessee at Chattanooga and Emory and Oglethorpe universities. She is a member of USA 829. LIZ LEE (Lighting Designer) always enjoys her work at the Alliance. Previous designs include Ethel; The C.A. Lyons Project; Steel Magnolias; In Love & Warcraft; The Whipping Man; God of Carnage; Sleuth; Cuttin’ Up; Tick, Tick … Boom! and Topdog/Underdog. Liz is based in Atlanta, where she is producer and resident lighting designer at the Center for Puppetry Arts. Upcoming projects there include The Adventures of Mighty Bug and Pete the Cat.

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KATE MARVIN (Sound Designer & Original Music) is a New York-based sound designer, composer and musician. Recent designs include Happy Days, Elevada (Yale Repertory Theatre); He Left Quietly (Toronto Summerworks Festival); Chimpanzee (St. Anne’s Warehouse Puppet Lab); The Tempest, Uncle Vanya, Second Language, Pozhar or Time Machine Ignition (Target Margin Theater); A Doll’s House, Faustus, Set in the Living Room of a Small Town American Play, Three Seagulls or Masha Masha Masha (Theater Reconstruction Ensemble). Kate is the associate artistic director of Theater Reconstruction Ensemble and an associate artist with Target Margin Theater and Little Lord. M.F.A., Yale School of Drama. SHAWN BOYLE (Projection Designer) is delighted to work at the Alliance Theatre on Lindsey Ferrentino’s Ugly Lies the Bone. Additional credits include peerless, Elevada (Yale Repertory Theater); Bird Fire Fly, Thunderbodies (Yale School of Drama); Pierrot Lunaire (Yale Cabaret); La Bôite à Joujoux, Spiegel im Spiegel (Yale School of Music); The Nutcracker (Grand Rapids Ballet); The Witches of Eastwick (Ogunquit Playhouse); City of Angels (Goodspeed Musicals); Lover’s Tale, The Who’s Tommy, K2, Red Remembers (Berkshire Theatre Group); Singin’ in the Rain and My Mother’s Lesbian Jewish Wiccan Wedding (Merry-Go-Round Playhouse). He holds a B.F.A. from Mason Gross School of the Arts at Rutgers University, an M.F.A. from Yale School of Drama and is a member of United Scenic Artists 829, Projection and Lighting. He’s on the faculty at the University of Central Florida. ShawnEdwardBoyle.com LIZ CAMPBELL (Stage Manager) Recent Alliance credits include Pancakes, Pancakes!; A Christmas Carol; Tiger Style!; The Lion, the Witch and the Wardrobe; Knuffle Bunny: A Cautionary Musical; James and the Giant Peach; Shrek the Musical; Charlotte’s Web; and The Wizard of Oz. Local credits include Dreamgirls, Peter Pan, Monty Python’s Spamalot, Ragtime and Joseph and the Amazing Technicolor Dreamcoat (Atlanta Lyric Theatre); True Love Lies, Charm School, The Bluest Eye and The Syringa Tree (Horizon

profiles Theatre); Dividing the Estate, It’s a Wonderful Life, Confederacy of Dunces and Big River (Theatrical Outfit). She holds a B.F.A. in theater from Niagara University. Member of Actors’ Equity Association. Love to Ali and Maggie.

Brothers of Darkland County and Harmony, A New Musical. Jody is most proud of the thriving Alliance engagement activities and partnerships that recognize theatrical work as a catalyst for community conversation and connection.

ROUNDABOUT THEATRE COMPANY (Todd Haimes, Artistic Director) the awardwinning, not-for-profit company was founded in 1965. Since then Roundabout has been recognized for its varied work on five stages on and off-Broadway, reaching more than 700,000 theatergoers and 18,000 students each year. Roundabout fulfills its mission each season through the production of classic plays and musicals; development and production of new works by established and emerging writers; educational initiatives that enrich the lives of children and adults; and a subscription model and audience outreach programs that cultivate and engage all audiences. Roundabout Underground, the company’s program for early-career playwrights, was launched in 2007. Ugly Lies the Bone, Lindsey Ferrentino’s first play with the company, marks the 10th play in the Roundabout Underground program. More information on Roundabout’s mission, history and programs can be found at roundabouttheatre.org

SUSAN V. BOOTH ( Jennings Hertz Artistic Director) joined the Alliance Theatre in 2001 and has initiated the Palefsky Collision Project for teens, the Alliance/ Kendeda National Graduate Playwriting Competition, local producing partnerships and regional collaborations as well as commercial partnerships on projects including Tuck Everlasting; Ghost Brothers of Darkland County; The Color Purple; Bring It On: The Musical; Twyla Tharp’s Come Fly Away With Me; Sister Act: The Musical; Bring in ’ da Noise, Bring in ’ da Funk and Jesus Christ Superstar GOSPEL. As a director, she has worked at the Goodman, La Jolla Playhouse, New York Stage and Film, Actors Theatre of Louisville, Northlight Theatre, Victory Gardens, Court Theatre and many others. She holds degrees from Denison and Northwestern universities and was a fellow of the National Critics Institute and the Kemper Foundation. She has held teaching positions at Northwestern and DePaul universities and serves as adjunct faculty at Emory University. She is a past president of the board of directors for the Theatre Communications Group, the national service organization for the field, and is a trustee of Denison University. Susan is married to Max Leventhal and is the proud mother of Moira Rose Leventhal.

JODY FELDMAN (Producer and Casting Director) began her theater career acting in Atlanta before moving into administration as the assistant general manager at Frank Wittow’s Academy Theatre. Jody is the producer and casting director at the Alliance, where she started in 1991 as casting director. While here, she has cast and produced more than 200 LORT B, D and TYA productions, encompassing a range of world premieres including The Last Night of Ballyhoo by Alfred Uhry, What I Learned in Paris by Pearl Cleage, Broke by Janece Shaffer, In the Red and Brown Water by Tarell Alvin McCraney and more than 10 years of winning plays in the Alliance/Kendeda National Graduate Playwriting Competition, plus such world and regional premiere musicals as Tuck Everlasting, Aida, The Color Purple, Sister Act: The Musical, Bring It On: The Musical, Ghost

ALLIANCETHEATRE.ORG 19

discover us. discover you. discover us. discover you. Kudos to Ugly Lies the Bone playwright Lindsey Ferrentino who, through her writing, allowed me to see the tragedies of war from a lens that we don’t often see — that of a woman. A woman who, we learn in the play, was beautiful before she decided to serve her country and was sent to war, and now faces the everyday reality of what is gone — her beauty replaced by constant pain. At first you’re saddened by what has happened to her, but in the end you get the awesome opportunity to witness how a virtual-reality tool helps her progress beyond her focus on her pain and gain strength. Thank you to the Alliance Theatre for having the courage to bring to the stage an issue that highlights the everyday struggles and triumphs of our wounded warriors. Donna Bowman U.S. Army Veteran / Alliance Theatre Advisory Board Member

synopsis: Jess is a newly discharged soldier who returns to her hometown of Titusville, Fla., with more than the emotional scars of war. Badly burned over most of her body, Jess turns to a new virtual-reality therapy to escape her physical and emotional pain. At the same time her sister Kacie shoulders the burdens of caretaking while working in a community hard hit by both a recession and the closing of the Space Program. This play beautifully portrays bravery on many fronts.

Connect with us and other audience members on your experience at the Alliance. Share your comments and photos on Facebook, Instagram and Twitter with hashtags #UglyLiesTheBone and #AllianceTheatre. Plus, search your social media platforms with those hashtags for fun, behindthe-scenes photos from our cast, crew and creative team.

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facebook.com/alliancetheatre instagram.com/alliancetheatre

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about the alliance theatre The Alliance Theatre is Atlanta’s national theater, expanding hearts and minds on stage and off. Founded in 1968, the Alliance Theatre is the leading producing theater in the Southeast, reaching more than 165,000 patrons annually. The Alliance delivers powerful programming that challenges adult and youth audiences to think critically and care deeply. Under the leadership of Susan V. Booth, Jennings Hertz Artistic Director, the Alliance Theatre received the Regional Theatre Tony Award® in recognition of sustained excellence in programming, education, and community engagement. Known for its high artistic standards and national role in creating significant theatrical works, the Alliance has premiered more than 100 original productions including Tony Award® winners The Color Purple by Alice Walker, Aida by Elton John and Tim Rice, and Alfred Uhry’s The Last Night of Ballyhoo. The Alliance has developed and premiered important American musicals with a strong track record of Broadway, touring, and subsequent productions, including the world premieres of Sister Act: The Musical, Twyla Tharp’s Come Fly Away, Bring It On: The Musical, Stephen King and John Mellencamp’s Ghost Brothers of Darkland County, the world premiere of the new musical Tuck Everlasting, and most recently, Born for This: the BeBe Winans Story. The Alliance also creates and nurtures the careers of artists through the Alliance/Kendeda National Graduate Playwriting Competition, producing the world premiere for the competition winner as part of the regular season, and the Reiser Atlanta Artists Lab, providing developmental support and production resources for three performing arts projects each year. The Alliance’s dedication to providing access to the arts is reflected in its commitment to creating new work for all ages, and to bringing that work into classrooms and communities across Atlanta and throughout the region. More than 50,000 students each year experience age-specific professional performances and participate in acting classes, drama camps, and in-school initiatives through the Alliance Theatre Acting Program and Education Department. The Alliance’s groundbreaking Kathy and Ken Bernhardt Theatre for the Very Young performances offer professionally-produced, fully interactive theater for infants and toddlers; the Palefsky Collision Project invites high school artists to create and perform new civic-minded theater based on a classic text; and community acting classes and skill-building workshops engage professional artists, young actors, business leaders, and curious learners of all ages. Twice recognized by the U.S. Department of Education for leadership in arts education, the Alliance Arts for Learning Institute equips classroom teachers with theatrical techniques that link directly to school curriculum and have been empirically proven to improve student learning. These programs include Georgia Wolf Trap Early Learning Through the Arts and Dramaturgy K–12, in which students create research material that informs Alliance productions and prepares peer audiences. The work produced by the Alliance allows locally based artists the chance to create on a nationally watched stage, building and sustaining Atlanta’s artistic community. The vision of the Alliance Theatre is to be a beacon of leadership for the national field, while remaining deeply rooted in and reflective of our local Atlanta community. MISSION Atlanta’s national theater, expanding hearts and minds on stage and off. VISION The Alliance will lead the national field by deeply engaging with its local community, modeling radical inclusion and catalytic experiences on our stages, in our classrooms, and throughout Atlanta. alliancetheatre.org or 404.733.4650

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facebook.com/alliancetheatre instagram.com/alliancetheatre

board of directors officers

Chair Reade Fahs Immediate Past Chair Victoria Palefsky Treasurer Steve Chaddick Fran Rogers

lifetime directors

Rita Anderson Ken Bernhardt Frank Chew Ann Cramer* Linda Davidson Laura Hardman* Hays Mershon Richard S. Myrick Helen Regenstein Bob Reiser Jane Shivers Sally G. Tomlinson Ben White

directors

Kristin R. Adams* James Anderson* Kenny Blank Laura Brightwell Peter Carter Jeffrey S. Cashdan Steve Chaddick* Tena Clark Leigh Ann Costley Allison Dukes Fred Ehlers Daryl Evans Reade Fahs* Howard Feinsand* Andrea Freeman Richard Goerss* Pat Gunning Virginia A. Hepner^* Lila Hertz* Jocelyn Hunter* Erika James Christopher M. Jones

Anne Kaiser* John Keller Lauren Kiefer* Mary Jane Kirkpatrick Malinda Krantz Alan McKeon* Dori Miller Hala Moddelmog* Phil Moise* Jane Morgan^ Maureen Morrison Victoria Palefsky* Paul Pendergrass Scott Pioli Helen Smith Price Sean Reardon Patty Reid Margaret Reiser* Fran Rogers* Maurice Rosenbaum Bobby Rosenbloum Surishtha Sehgal Steve Selig Pam Sessions Mark Silberman Chris Sizemore Bill Sleeper Bronson Smith E. Kendrick Smith Karen Spiegel Chandra Stephens-Albright Charlita Stephens-Walker Jill Thomas Rosemarie Thurston Benny Varzi Rebekah Wasserman Brad Watkins Cynthia Widner Wall Jill Wilson Paul Wrights Todd Zeldin

advisory board Advisory Board Chair Laura Hardman* Vice Chair Phil Moise* Joel Alvarado

Shean L. Atkins Maurice Baker Shana Basnight Paul Bianchi Danny Blumenfeld Keith Arthur Bolden Donna Bowman Heidi Boykin Kristen Wood Burke Tarsha Whitaker Calloway Madison Cario Sona Chambers Andrew Chang Greg Changnon Caren Cook Emily Decker Angela Edmond Lisa Ramirez Ellinger David Felfoldi Cindy Fowler Patsy Garrett Matt Geller Karen Gentry Barbara Goldman Henry Gonzalez September Gray Lauren Linder Grunberg Nancy Halwig Janet Stovall Harrell Heather Vincent Holley Rita Izaguirre Michael Kaluzny Rachelle Kuramoto Mark Lee Carolina Margarella Santiago Marquez Carol Meadows Ryland McClendon Darryal McCullough Liza McSwain Dori Miller Marjorie Mitchell Dedi Mohr Michelle Morgan Valerie Mosley Joan Netzel Gail Oâ&#x20AC;&#x2122;Neill Michael Parver Kendrick Heather Phillips

Kathy Portnoy Almeera Jiwa Pratt Chris Schneider Jennifer Schwartz Ron Segal Jibran Shermohammed Nancy Silverboard Robert D. Simmermon Susan Stiefel Chuck Taylor Natasha Trethewey Alexandra Tucci Shawn Tylka Nse Ufot Leanne Van Dyk Avril Vignos Charmaine Ward Amanda Watkins Ellen Adair Wyche * Executive Committee Member ^ Ex-officio

volunteer leadership

President, STARS Jane Morgan Chairman, Theatre Advocates Joan Milsap Chairman, Theatre Educators Myra Medlin & Faye Windham Chairman, Theatre Ushers Mary Wellington Chairman, Hospitality Susan Stiefel

ALLIANCETHEATRE.ORG 23

sponsors Alliance Sponsors are businesses, corporations and institutions that have supported the work of the Alliance Theatre. We thank them for their generosity and support.

★★★★★★★ $250,000+ The Coca-Cola Company Anonymous

The Andrew W. Mellon Foundation Wells Fargo Foundation

★★★★★★ $100,000+ The Arthur M. Blank Family Foundation AT&T Delta Air Lines, Inc. The Edgerton Foundation The Home Depot

The Kendeda Fund The Shubert Foundation Spray Foundation, Inc. Turner

★★★★★ $50,000+ Carter’s Fulton County Board of Commissioners North Highland PNC

R. Howard Dobbs, Jr. Foundation Wal-Mart Foundation The Zeist Foundation

★★★★ $25,000+ Atlanta Foundation Camp-Younts Foundation City of Atlanta Mayor’s Office of Cultural Affairs Georgia Power

Oscar G. & Elsa S. Mayer Family Foundation Publix Super Markets Charities, Inc. The Rich Foundation The Harold & Mimi Steinberg Charitable Trust

★★★ $10,000+ The Abraham J & Phyllis Katz Foundation Accenture Allstate Foundation Alston & Bird Cartoon Network Georgia Council for the Arts

Georgia Natural Gas Georgia-Pacific Corporation Greenberg Traurig Hire Profile National Endowment for the Arts NCR Foundation

State Bank & Trust Company Sutherland Asbill & Brennan, LLP The Mark & Evelyn Trammell Foundation Frances Wood Wilson Foundation

William and Eva Fox Foundation John and Mary Franklin Foundation Jones Day King & Spalding The Rockdale Foundation

Theatre Communications Group Theatre Forward Thompson Hine United Distributors

★★ $5,000+ Aon Risk Solutions Arby’s Foundation Blue Cross Blue Shield of Georgia CKKO Foundation DeepStream VR

By attending our theatre, you have made a powerful statement about how important the arts are to you. With the 2016/17 Season, the Alliance Theatre turns 48. Help us celebrate the power of great theatre for 48 years by making another statement of support louder than any standing ovation. Visit our website at alliancetheatre.org and click on Donate.

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sponsors TURNER VOICES, Turnerâ&#x20AC;&#x2122;s signature corporate

philanthropic program, is committed to meaningful corporate citizenship in the communities where we operate and our employees live and work. With a focus on the arts and culture, fostering creativity, and innovative youth leadership, Turner leverages our people and products to engage in and support our local community.

Cast and company flowers sponsored by

Official Hotel

Offiicial Research Partner

Foxgloves & Ivy

Official Advertising Agency

Official Digital Advertising Agency

restaurant partners

government

Major funding for this organization is provided by the Fulton County Board of Commissioners

This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency the National Endowment for the Arts.

Major support is provided by the Mayorâ&#x20AC;&#x2122;s Office of Cultural Affairs.

ALLIANCETHEATRE.ORG 25

annual fund Individual donors contribute more than $2 million to the Alliance Theatre so that we are able to present exceptional theater and educational programming to our community. We are deeply grateful for their support. To find out more about the benefits of giving or to make your gift, visit us at alliancetheatre.org/donate or call 404-733-4710. Listed below are pledges and gifts to the Alliance Theatre Annual Fund and special events for the 2015/16 and 2016/17 seasons from June 1, 2015 through July 15, 2016.

$100,000+ Spray Foundation, Inc. $50,000+ Starr Moore and the James Starr Moore Memorial Foundation Mr. & Mrs. H. Bronson Smith $25,000+ Barbara & Steve Chaddick Ann & Jeff Cramer Katie & Reade Fahs David & Carolyn Gould Stephen & Marjorie Osheroff Victoria & Howard Palefsky Dan & Garnet Reardon Mark & Evelyn Trammell Foundation Sally G. Tomlinson $15,000-$24,999 Stephanie Blank Susan Booth & Max Leventhal Linda & Gene Davidson Mr. Fredric M. Ehlers & Mr. David Lile Mr. & Mrs. Howard Feinsand Doris & Matthew Geller Marsha & Richard Goerss Jocelyn J. Hunter John C. Keller Mr. & Mrs. David E. Kiefer David & Mary Jane Kirkpatrick Malinda Krantz Jane & Hicks Lanier Hala & Steve Moddelmog Phil & Caroline Moïse Bob & Margaret Reiser Linda & Steve Selig Charlita Stephens-Walker, Charles* & Delores Stephens $10,000-$14,999 Ms. Kristin R. Adams Chandra Stephens-Albright & Warren Albright The Balloun Family Laura Brightwell Mr. & Mrs. Peter Carter Mr. & Mrs. Jeff Cashdan The Frances and Beverly DuBose Foundation, Inc Mr. & Mrs. Joseph W. Evans Mr. Patrick J. Gunning Virginia Hepner & Malcolm Barnes Doug & Lila Hertz Andrea & Boland Jones

Mrs. Leslie Joyce James & Lori Kilberg Mr. & Mrs. Angus Morrison Travis Reed & Michael Kriethe of Harry Norman Realtors Patty & Doug Reid Patricia & Maurice Rosenbaum Mr. & Mrs. Bobby Rosenbloum Ms. Pam Sessions & Mr. Don Donnelly Mark & Linda Silberman Mr. & Mrs. Chris Sizemore Dr. & Mrs. Dennis Lee Spangler Karen & John Spiegel Tim & Maria Tassopoulous Rosemarie & David Thurston Mr. Ramon Tomé & Ms. Carol Tomé Waffle House Mark & Rebekah Wasserman Mr. & Mrs. Bradford L. Watkins Ramona & Ben White Suzy Wilner Mr. & Mrs. Monte Wilson Paul Wrights Amy & Todd Zeldin $7,500-$9,999 James Anderson Mr. & Mrs. William Dukes Mr. & Mrs. Adam Fuller Mr. & Mrs. John S. Markwalter, Jr. Mr. Alan B. McKeon & Ms. Evelyn Ashley Dr. & Mrs. R. K. Sehgal Mr. Christopher Jones & Mr. Roger Smith $5,000-$7,499 Gene G. Abel, M.D. & Nora Harlow John & Lynn Ayers Kathy & Ken Bernhardt Mr. & Mrs. W. Kent Canipe Franklin & Dorothy Chandler Ezra Cohen Charitable Trust Mr. & Mrs. Chad Costley Eve & Bob Eckardt Dr. & Mrs. Norman Elliott John & Cindy Ethridge Karen & Andrew Ghertner Erin & John Heyman Mrs. Anne H. Kaiser Paul & Rosthema Kastin David L. Kuniansky Lubo Fund Richard S. & Winifred B. Myrick Scott, Dallas, & Mia Pioli Anna & Hays Mershon

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Mr. & Mrs. Solon P. Patterson Bill & Rhonda Rowland Alan & Cyndy* Schreihofer Mr. & Mrs.* Charles B. Shelton III Henry N. & Margaret P. Staats Lynne & Steve Steindel William & Margarita Sleeper Sharon & David Schachter Chuck & Lisa Cannon-Taylor Mr. & Mrs. Benny Varzi Susan & Tom Wardell $2,500-$4,999 Elaine & Miles Alexander Dr. & Mrs. Raymond Allen Arcus Capital Partners Ellen Arnovitz Karen Beardslee & Susie McGinnis Ron & Lisa Brill Charitable Trust Sara & Alex Brown Frank Buonanotte Frank & Mary Anne Chew Mark & Ruth Coan Susan & Ed Croft Ann & Jim Curry Mr. & Mrs. Edward C. Dobbs Marcia & John Donnell Bo & Eileen DuBose Diane Durgin Eierman Foundation Ms. Elizabeth R. Etoll Diane & Daryl Evans Kathryn T. Farley, PhD Jody & Michael Feldman Viki & Paul Freeman Mr. & Mrs. John D. Fuller Dr. Cynthia J. Fordyce & Sharon Hulette Heidi & David Geller Mrs. Carrie G. Hall Burch & Mark Hanson Dr. & Mrs. John B. Hardman Ariana L. Hargrave Henry & Etta Raye Hirsch Foundation Mr. & Mrs. J. Michael Hostinsky Linda & Richard Hubert Mr. Wayne S. Hyatt Jason & Laurie Jeffay Samuel B Kellett, Sr. Foundation Leslie D. Leigh M.D. Kristie L. Madara Daniel Marks & Keri Powell Mr. Walter W. Mitchell Dedi & Julian Mohr June M. Morrison Susan & David Peterson Sam & Barbara Pettway

Helen M. Regenstein Nancy & Charlie Rigby Charlotte & Tom Shields Brian Shively & Jim Jinhong Sonny & Jeanne Seals Nancy & Gerald Silverboard Mr. & Mrs. E. Kendrick Smith Linda & Mason Stephenson Karen & Alex Stickney Susan & Alan Stiefel Mr. Russell B. Still In honor of Carol Jones Maria-Ruth Storts Michael & June Tompkins John Vaught & Karen Gentry Cynthia Widner Wall & James A. Wall J.M. Wilkerson Construction Company Lynne Winship The Zaban Foundation John & Kathy Zamer $1,500 - $2,499 Judge Gregory A. Adams & Wanda C. Adams Diane & Kent Alexander Theodore & Andrea Altholz Mr. & Mrs. Brian Anderson Elizabeth & John Bacon Mr. & Mrs. Roland L. Bates Mark & Pam Bell Mr. & Mrs. John Benator Jeff Bergstrom John Haupert & Bryan Brooks Mrs. Lucinda W. Bunnen Aubrey & Carol Bush Candace Carson Melodie H. Clayton Susan & Tom Callaway Brad & Sally Currey Phil Delanty Mr. & Mrs. David E. Dermer Diane & Roman Deville Ralph & Ree Edwards Mindy & Mike Egan Tim & Christina Eyerly Andrew & Wendie Fisher Linda M. Garrett Mr. & Mrs. Taylor Glover Lynne & Jack Halpern Valerie Hartman Richard & Dorothy Hines Stephen & Taylor Horne Dr. Joyce F. Houser Adrienne Hudson Kay H. & Burke C. Jones Mark Keiser Dr. William A. Kiser

annual fund $1,500 - $2,499 cont’d Steven & Sheri Labovitz Conchita Heyn & Robert Lichtefeld Gary Lovett Linda L. Lively & James E. Hugh, III Mr. & Mrs. Nathan Metzger Janice & Tom Munsterman Debbie & Lon Neese Bill & Carey Peard Peg Petersen Karen Porch Erin Quinn Don & Rosalinda Ratajczak Dr. Denise Raynor Rebecca & John Reeves Dr. Susan Rifkin & Mr. David Rifkin The Elster Foundation Peter & Alice Rogers Dr. & Mrs. Fredric Rosenberg Mr. & Mrs. Mark Rosenberg Sam Schwartz & Lynn Goldowski Smith, LLC Mr. Scott Sorrels Ms. Martha B. Stephens & Ms. Linda B. August Jim & Janie Stratigos Dr. & Mrs. Alan Sunshine Dr. & Mrs. Kenneth G. Taylor Kathy & Ron Tomajko Ms. Natasha Trethewey Penn & Sally Wells Barbara A. White Sharon Adams Michael & Andrea Barrett Mr. & Mrs. Billy Bauman

Shirley Blaine Mr. & Mrs. Francis S. Blake Thomas Brown Family Charity David Cofrin & Christine TrybaCofrin Ralph & Rita Connell Bryan & Barbara Fields Mr. & Mrs. William C. Fowler Mr. & Mrs. John J. Gillin Mr. & Mrs. Frank S. Goodman James & Vicki Griffiths Warren M. Gump Mr. Walter Henderson Mrs. Elaine L. Hentschel Bruce & Elizabeth Herman Mark Hobson P.J. Younglove Hovey The International Council of Fine Arts Deans Suzanne & Thad King Lucy Kinnaird Mrs. Elizabeth Levine In honor of Billy Levine Richard Long & Sheri Easton-Long William McKay Jim & Jo McLean Carol & Dart Meadows Ann Starr & Kent Nelson Joan Netzel & John Gronwall Mr. & Mrs. Paul Ollinger Mr. Thomas Pinckney Dr. Jerry & Mrs. Linda Richman Roger & Lynn Ritvo in honor of Ken McNeil Neil & Susan Sandler Chris Schneider Elizabeth Wallace & Christopher Scislowicz

Jane E. Shivers Philip Slaughter Ms. Avril Vignos Vogel Family Foundation Mr. Kevin Warren Adrienne Whitehead Sue S. Williams Melody Wilder Wilson Ms. Amy Winokur William & Nancy Yang * Deceased

Alliance Theatre Staff Giving We would like to thank the following Alliance Theatre & Woodruff Arts Center staff members who have contributed to the 2015/16 Alliance Theatre Annual Fund. Brooke Beall Jessica Boatright Susan V. Booth Scott Bowne Kristen Buckley Jamie Clements Kat Conley Patrick Conley Megan DeWitt Christina Dresser Jody Feldman Jim Hubbert Rachel Jones Megan Kier Kyle Longwell

Liz Lyons Michael Lyons Deb Mayberry Suzanne Morris Victor Mouledoux Christopher Moses Margo Moskowitz Patrick Myers Rosemary Newcott Mary Alice Nichols J. Noble Courtney O’Neill Willie Parks Thomas Pinckney Rebecca Pogue

Mike Schleifer Amy Schwartz Brian Shively Vincent Simons Paige Smith Matthew Tanner Laura Thruston Bret Torbeck Caitlin Way Cindy Lou Who Jackalyn Williams Jennifer Williford Michael Winn

ALLIANCETHEATRE.ORG 27

annual fund legacy society The following are members of the Legacy Society who are ensuring the future strength of the Alliance Theatre through planned gifts to benefit the Theatre. The Legacy Society is the special recognition group for those who have included the Theatre in their estate plans. For more information about making a planned gift to benefit the Alliance Theatre, please contact Caitlin Way, Associate Dir. of Development, Board/Major Gifts at 404-733-4757 or caitlin.way@ alliancetheatre.org. Rita M. Anderson Anonymous Betty Blondeau-Russell Jim & Anne Breedlove Ezra Cohen Ann & Jeff Cramer Mr. & Mrs. Edward S. Croft, III Sallie Adams Daniel Linda & Gene Davidson Howard & Ellen Feinsand Laura & John Hardman Glen E. & Nancy Hesler

P.J. Younglove Hovey William C. Hyde Lauren & David Kiefer Virginia Vann* & Ken Large Anna & Hays Mershon Mr. & Mrs. John McColskey Phil & Caroline Moise Richard S. & Winifred B. Myrick Victoria & Howard Palefsky Jan Pomerantz Helen M. Regenstein Margaret & Bob Reiser

Neal & Tricia Schachtel Mr. & Mrs.* Charles B. Shelton, III Jane E. Shivers Wayne & Lee Harper Vason Rick & Terri Western Ramona & Ben White

* deceased

matching gift companies We would like to thank the following companies who have matched contributions to the Alliance Theatre Annual Fund. Please visit alliancetheatre.org/match to find out if your employer will match your contribution. American Express AIG Corporation Aon Risk Solutions AT&T Bank of America/Merrill Lynch Bryan Cave-Powell Goldstein Charles Schwab & Co., Inc. Chubb Corporation The Coca-Cola Company Deloitte Equifax, Inc.

GE Energy Georgia Power Home Depot Foundation Honda Motor Co. IBM Corporation JPMorgan Chase Kimberly-Clark Foundation Macyâ&#x20AC;&#x2122;s Foundation McDonaldâ&#x20AC;&#x2122;s Corporation Microsoft Corporation Neiman Marcus

Norfolk Southern Corporation Plum Creek Prudential Financial Publix Super Markets Sprint SunTrust Foundation Time Warner, Inc. Verizon Corporation Yahoo! Wells Fargo

Do you appreciate live theatre, enjoy meeting new people and trying new things? If so, then get involved with one of the largest volunteer forces in the arts. The Alliance Theatre volunteer STARS program offers a wide range of opportunities, which includes advocating for live theatre, ushering for Alliance productions, participating in and staffing fundraising & hospitality events, and assisting Alliance staff members with daily office tasks. STARS is composed of three committees working together on fundsaving and fund-raising projects to benefit the theatre. The three committees are the Theatre Advocates, the Theatre Educators, and the Theatre Ushers. For more information on becoming a volunteer, please contact Michael Winn at Michael.Winn@ alliancetheatre.org.

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THE WOODRUFF CIRCLE Woodruff Circle members each contribute more than $250,000 annually to support the arts and education work of the Woodruff Arts Center, Alliance Theatre, Atlanta Symphony Orchestra, and High Museum of Art. We are deeply grateful to these 38 partners who lead our efforts to ensure the arts thrive in our community.

$1 MILLION+

$500,000+ A Friend of the Atlanta Symphony Orchestra (2) The Andrew W. Mellon Foundation Bank of America Chick-fil-A Foundation / Rhonda and Dan Cathy Georgia Power Foundation, Inc. The Home Depot Foundation The Marcus Foundation, Inc.

Spray Foundation, Inc. SunTrust Foundation SunTrust Bank Teammates and The SunTrust Trusteed Foundations: Florence C. and Harry L. English Memorial Fund Thomas Guy Woolford Charitable Trust

Terra Foundation for American Art Wells Fargo

$400,000+ Abraham J. & Phyllis Katz Foundation The Douglas J. Hertz Family PwC, Partners & Employees

Patty and Doug Reid The Rich Foundation The Sara Giles Moore Foundation

$300,000+ Mr. and Mrs. C. Merrell Calhoun The Community Foundation for Greater Atlanta, Inc. Deloitte, its Partners & Employees Forward Arts Foundation

Mr. and Mrs. Donald R. Keough King & Spalding, Partners & Employees UPS Mr. and Mrs. Edus H. Warren, Jr. Mr. and Mrs. Leonard Wood

$250,000+ EY, Partners & Employees Invesco Ltd.

KPMG LLP, Partners & Employees wish Foundation

Woodruff Circle & Patron Circle donations made: June 1, 2015 â&#x20AC;&#x201C; May 31, 2016 Beauchamp C. Carr Challenge Fund Donors

ALLIANCETHEATRE.ORG 29

alliance theatre staff ARTISTIC Jennings Hertz Artistic Director . . . . . . . . . . . . . . . . . . . . . Susan V. Booth Sally G. Tomlinson Artistic Director of Theatre for Youth and Families . . . . . . . . . . . . . . . . Rosemary Newcott Producer & Casting Director . . . . . . . . . . . . . . . . . . . . . . . . Jody Feldman Director of New Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Celise Kalke Playwright in Residence . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pearl Cleage Yale Directing Fellow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leora Morris Artistic Support Associate . . . . . . . . . . . . . . . . . . . . . . . . . Emily Kleypas Kenny Leon Fellow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Olivia Matthews Literary Intern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Isabelle Kelley Spelman Interns . . . . . . . . . . . . . Ciara Jones, Maya Lawrence, Janerica Smith Yale Theatre Management Fellow . . . . . . . . . . . . . . . . . . . . . Melissa Rose Reiser Lab Artists . . . . . . . . . . . . . . . . . . . . Justin Anderson, David De Vries, Patricia Henritze, Matt Huff, Derreck Kayongo, Hank Kimmel, Vynnie Meli, Mary Lynn Owen, Naima Carter Russell, Kendall Simpson

Properties Properties Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Liz Lyons Master Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . Suzanne Cooper Morris Props Artisan and Buyer . . . . . . . . . . . . . . . . . . . . . . . .Kimberly Townsend Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bruce Butkovich Scenery Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle Longwell Assistant Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . Megan Kier Shop Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Conley Lead Welder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Lyons Lead Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . John Victor Mouledoux Jr. Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . Manny Abreo, Cassie Garner Charge Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kat Conley Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brooke Beall

Production Management Sound Director of Production . . . . . . . . . . . . . . . . . . . . . . . . . . . .Victor W. Smith Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . Clay Benning Assistant Production Manager . . . . . . . . . . . . . . . . . . . . Margo Moskowitz Production Sound Engineer . . . . . . . . . . . . . . . . . . . . . . . . .Michelle Jarvis Sound Engineers . . . . . . . . . . . . . . . . .Kristin von Hinezmeyer, Emma Lipsitt, Costumes Holly O’Reagan Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jeff Cone Stage Management Assistant Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . April Andrew Resident Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bret Torbeck Design Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jordan Jaked Carrier Alliance Stage Managers . . . . . . . . . . . . . . . . . lark hackshaw, Liz Campbell, Barbara O’Haley, R. Lamar Williams Drapers . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julie Kennedy, Cindy Lou Who Craftsmaster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Diana L. Thomas Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . Jayson T. Waddell Stitchers/1st Hands . . . . . . . . . . Laury Conley, Lyudmila Fesenko, Brett Parker Stage Management Production Assistants . . . . . Britney DeRosa, Kara Procell Wig Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lindsay Ewing Wardrobe . . . . . . . . . . . . . . . . . . . Hauzia Conyers, Katy Munroe, Niki Traxler Stage Operations Stage Operations Manager . . . . . . . . . . . . . . . . . . . . . . . . . . Scott Bowne Crew Chief . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vincent Simons Electrics Staff Electricians . . . . . . . . . . . . . . . . . . . . . . . . . .Gabby Ide, Steve Jordan, Stagehand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deb Maberry Steven Love, Jennifer Nakahara Flyman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Willie Parks Properties Stagehand . . . . . . . . . . . . . . . . . . . . . . . . . . . Courtney O’Neill Additional Run Crew . . . . . . . . . . . . . . . . . . . . . . . . Jonesia Smith-Williams EDUCATION Dan Reardon Director of Education & Associate Artistic Director . . . . . . . . . . . . . . . . . . . Christopher Moses Alliance Arts for Learning Institute Director . . . . . . . . . . . . Barbara O’Brien Database & Content Manager . . . . . . . . . . . . . . . . . . . . . . Christina Dresser Administrative Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel Jones Family Programs Manager . . . . . . . . . . . . . . . . . . . . Olivia Aston Bosworth Early Childhood Program Manager . . . . . . . . . . . . . . . . . . . Kristen Buckley Kathy and Ken Bernhardt Theatre for the Very Young Coordinator & Family Programs Assistant . . . . . . . . . . . . . . . . . . . Corinne Weintraub Teen & Adult Programs Manager . . . . . . . . . . . . . . . . . . . . . . . Sarah Wallis Institute Program Coordinator . . . . . . . . . . . . . . . . . . . . Mary Alice Nichols Institute Program Coordinator . . . . . . . . . . . . . . . . . . . . . . Rebecca Pogue Education Sales & Customer Service . . . . . . . . . . . . . . . . . . . . Nicole Kang Communications Specialist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .J. Noble Education Technical Director . . . . . . . . . . . . . . . . . . . . . . . . Kevin Bunch Teaching Artists . . . . . . . . . . Abyss, Nikki Adkins, Karen Aguirre, Isake Akanke Slaughter, Ricardo Aponte, Olivia Aston Bosworth, Kim Bowers Rheay Baran, Kati Grace Brown, Danye Brown, Kyle Brumley, Daniel Burns, Amy Cain Lucas Kirstin Calvert, Kara Cantrell, Taryn Carmona, Katie Causey, Greg Chagnon, Hannah Church, Jaehn Clare, Steve Coulter, Nakeisha Daniel,

Teaching Artists (cont.) . . . . . . . Benjamin Davis, Theresa Davis, Shelli Delgado, Jorge Donoso, John Doyle, Rachael Endrizzi, Jessica Espinoza, Sharon Foote, Daryl Funn, Allison Gardner, Trevor Goble, Neeley Gossett, Al Hamacher, Robert Hindsman, Jeremiah Parker Hobbs, Catherine Dee Holly, BJ Hughes, Rachel Jones, Ameenah Kaplan, Adam King, David Kote, LeeAnna Lambert, Clayton Landey, Bethany Lind, Nicole Livieratos, Cara Mantella, Gloria Martin, Marielle Martinez, Tiffany McGettee, Bryan Mercer, Karin Mervis, Sarah Newby Halicks, Donal Noonan, Mary Emily O’Bradovich, Lee Osorio, Tafee Patterson, Tawny Powell, Eric Prather, Julie Puckett, JL Reed, Rebeca Robles, Julissa Sabino, Viviana Sawyer, Linda Sherbert, David Sterritt, Barry Stewart Mann, Suzanne Stroup, Ebony Tucker, Jeremy Varner, Jose Miguel Vasquez, Rachel Wansker, Andrea Washington, Davia Weatherill, Corinne Weintraub, Stephanie Willis, Vallea E. Woodbury, Melissa Word Teen Ensemble Members . . . . . . . . . . . . . Sherifa Abudulai, Ampith Anderson, Gillian Baker, Caroline Caden, Austin Geter, Kyla Hunter, Jalexis James, Isabel Jordan, Taylor McKinney, Alexis Mpezo, Jade Nixon, Justice Pate, Jordan Powell, Laughton Berry, Adirah Robinson, Rachael Simpson, Marquavious Smith, Ever Taylor, Evita Walch, Amira Williams

MANAGEMENT Managing Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Schleifer Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Thruston Off-Campus Season Producer . . . . . . . . . . . . . . . . . . Donya K. Washington Management Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emika Abe Administration & Finance Director of Finance & Administration . . . . . . . . . . . . . . . . . . . Brian Shively Manager of Information Resources . . . . . . . . . . . . . . . . . . . . . Jim Hubbert Accounting Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julie Hall Management Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Patrick Myers Administration/Education Associate . . . . . . . . . . . . . . . . . . Elecia Crowley Development Director of Development . . . . . . . . . . . . . . . . . . . . . . . . . . Jamie Clements Associate Director of Development, Board Relations & Major Gifts . . Caitlin Way Associate Director of Development, Individual Giving & Special Events . Paige Smith Grants Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Collins Goss Development Manager, Board Relations & Special Events . . . . Megan DeWitt

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Marketing Director of Marketing . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica Boatright Content Strategist . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kathleen Covington Creative Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Talia Bromstad Digital Media Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Maley Group Services Manager . . . . . . . . . . . . . . . . . . . . . . . . . Thomas Pinckney Group Services Coordinator . . . . . . . . . . . . . . . . . . . . . . . . Daviorr Snipes Group Services and Education Sales Coordinator . . . . . . . . . . Elisia’ Parker Community Engagement Manager . . . . . . . . . . . . . . . . . . . . .Michael Winn Brand Marketing Manager . . . . . . . . . . . . . . . . . . . . . . . . . . .Holland Baird Brand Marketing Coordinator . . . . . . . . . . . . . . . . . . . . . . . . Grace Madden House Managers . . . . . . . . . . . . . . . . Dana Hylton Calabro, Christina Dresser, Ken McNeil, Margo Moskowitz, Brittany Smith Patron Experience Manager . . . . . . . . . . . . . . . . . . . . . . . . . Danielle Hicks Senior Ticket Agent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ken McNeil Audience Development Strategist . . . . . . . . . . . . . . . . . . . . . . Chris Walker

We believe joint pain shouldnâ&#x20AC;&#x2122;t slow you down. At WellStar, we believe you deserve better-quality living. The WellStar Musculoskeletal Network is an extensive team of experts who specialize in the treatment of bones, muscles and joints. WellStar surgeons use advanced technology and techniques to expertly diagnose and treat hip and knee pain. And, our team of rehabilitation and therapy specialists will be there every step of the way to get you back to health. With convenient access to some of Georgiaâ&#x20AC;&#x2122;s best joint replacement surgeons, why would you trust anyone else with your hip and knee pain?

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