Page 1

Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor

bravo! Celebrating Robert Spano’s 10th Anniversary Season

September 2010


THE BALLET

TLANTA BALLET

MOULIN ROUGE ATLANTA BALLET PRESENTS

10 | 11


Alyssa Milano, UNICEF Ambassador, actress

24,000 children die every day from preventable causes. i believe that number should be

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lifesaving medicine; food; clean, safe water; education; and protection from violence and exploitation. No child should ever die from a preventable cause. Every day 24,000 do. Help UNICEF get that number to zero.


The arts nourish our hearts and imaginations. For that reason and many more, we’re proud to support the arts in Atlanta.


contents september 2010

14

Jeff Roffman

angela morris

48

features

the music

14 Robert Spano’s Decade of Triumphs

19 The concert’s program and notes

The new season celebrates 10 years of the Spano- Runnicles Partnership.

48 ‘I can’t imagine a day without music’

N  ew Principal Pops Conductor Michael Krajewski reflects on his career and the state of music today.

4 EncoreAtlanta.COM

departments 8 President’s Letter 10 Orchestra Leadership 12 Robert Spano 16 Musicians 28 Contributors 52 Calendar 54 Administration 56 General Info 58 Ticket Info 60 Gallery ASO


PLAN FOR YOUR FUTURE.

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PAINTING, MUSIC, AND PRETENDING. YOU LOVED IT AS KINDERGARTEN, NOW LOVE IT AS CULTURE.

EXPERIENCE the ARTS all OVER AGAIN.

As a child, there was

nothing better than using your imagination. Now there’s nothing better than stimulating it. And there’s no better place than the Woodruff Arts Center to do that. Experience one of the nation’s hottest destinations for visual and performing arts – a dynamic cultural center right in your backyard. Visit us at woodruffcenter.org

IMAGE GOES HERE the HIGH

I the ALLIANCE

JANACEK: GLAGOLITIC MASS ATLANTA SYMPHONY ORCHESTRA

“DALI: THE LATE WORK” HIGH MUSEUM OF ART

“TWIST” AT THE ALLIANCE THEATRE

A spellbinding evening begins with Ligeti’s wondrous Atmosphères, a work that gained wide public attention when heard on the 2001: A Space Odyssey soundtrack. The Bartók is a bristling account of robbery, seduction, sexual longing, and murder, and the mighty Chorus blazes forth in Janácek’s epic Glagolitic Mass.

The first exhibition to focus on Dalí's art after 1940, featuring more than 40 paintings and a related group of drawings, prints and other Dalí objects.

An exciting new musical twist on the Dickens classic set in New Orleans, 1928. An orphan in search of home finds family in the most unexpected places. Directed and choreographed by Debbie Allen.

10.21 10.23

8:00 pm 8:00 pm

8.07.10 - 1.09.11 Image: Philippe Halsman (American, born Latvia, 1906–1979), Dalí’s Mustache, 1953. © Philippe Halsman Archive. Right of Publicity Reserved by Fundació Gala-Salvador Dalí.

9.01.10 - 10.03.10


Welcome to the new season! It is an honor to greet you at the beginning of the Atlanta Symphony Orchestra’s season-long celebration of the milestone 10th anniversary of Music Director Robert Spano and Principal Guest Conductor Donald Runnicles! With so many riches ahead of us, I am incredibly proud to be a part of this esteemed institution at this time and grateful to all the open hearts here and throughout the community who have made my family and me feel at home. The generous outpouring of support is truly humbling. My friend Robert Spano is among America’s most daring and innovative music directors, and unsurpassed as a nurturer of rising star-composers of the 21st century – the bold few who are shaping the future of music. Premiere works by luminaries including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis and Michael Gandolfi happened in Atlanta first, thanks to Robert, and gave rise to the nationally recognized Atlanta School of Composers. This season, members of the school salute Robert with a series of brief fanfares prior to selected concerts, and treasured friends André Watts and Emanuel Ax join him in our opening concerts. You will hear about more “Spano specials” as we go along. I urge you to read the article on Robert on page 14 and a profile of SuperPOPS! fixture and newly appointed Principal Pops Conductor Michael Krajewski (page 48) who makes his debut in October. Take a look as well at our new art gallery, featuring the Orchestra’s four music directors and archival treasures, by long-time contributor Joe deCasseres, located in Fanfare restaurant on the balcony level. In my six months here, I have listened and I have learned from conversations with patrons, concertgoers, kindred spirits, and people from all walks of life. What stands out to me is the uniform pride, love and passion they expressed for this Orchestra. What a powerful foundation to build on! And we will, by growing our presence as Atlanta’s cultural touchstone and keep reaching ever higher to create exceptional experiences for our audiences. Please join me at Symphony Hall during these celebratory times. I’m eager to meet you.

Stanley E. Romanstein President Atlanta Symphony Orchestra

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A MEMORABLE EVENING, ACT TWO

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A MEMORABLE EVENING, ACT TWO

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leadership Atlanta Symphony Orchestra League 2010-2011 Board of Directors Officers Ben F. Johnson, III Chair Vice Chairs Clayton F. Jackson Finance Chair/ Treasurer

Meghan H. Magruder Jeff Mango Belinda Massafra * ASA President Penny McPhee

Stanley E. Romanstein, Ph.D. * Chilton Davis Varner Joni Winston Secretary

Directors Jim R. Abrahamson Pinney L. Allen Joseph R. Bankoff * Jason A. Bernstein Paul Blackney Janine Brown Donald P. Carson Ann W. Cramer Cari K. Dawson Richard A. Dorfman David Edmiston Gary P. Fayard Dr. Robert Franklin Paul Garcia Jim Henry Tad Hutcheson

Mrs. Roya Irvani Clayton F. Jackson D. Kirk Jamieson Ben F. Johnson, III Marsha Sampson Johnson Steve Koonin Mike Lang Donna Lee Lucy Lee Karole F. Lloyd Meghan H. Magruder Jeff Mango Belinda Massafra * Darrell J. Mays Penny McPhee

Galen Oelkers Victoria Palefsky Leslie Z. Petter Patricia Reid Martin Richenhagen John D. Rogers Stanley E. Romanstein, Ph.D.* Dennis Sadlowski Lynn Schinazi William Schultz Tom Sherwood John Sibley Hamilton Smith Thurmond Smithgall Gail R. Starr

Mary Rose Taylor Joe Thompson Liz Troy Chilton Davis Varner Rick Walker Thomas Wardell Mark Wasserman John B. White, Jr. Richard S. (Dick) White, Jr. Joni Winston Patrice Wright-Lewis Camille Yow

Board of counselors Mrs. John Aderhold Robert M. Balentine Elinor Breman Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler Arnoldo Fiedotin Ruth Gershon

Charles Ginden John T. Glover Frances B. Graves Dona Humphreys John S. Hunsinger Aaron J. Johnson Herb Karp Jim Kelley George Lanier

Patricia Leake Mrs. William C. Lester Mrs. J. Erskine Love Carolyn C. McClatchey Bertil D. Nordin Dell P. Rearden Joyce Schwob Mrs. Charles A. Smithgall, Jr.

W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White Neil Williams

Azira G. Hill Dr. James M. Hund

Arthur L. Montgomery

Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.

Mrs. Drew Fuller Mary D. Gellerstedt

* ex officio

10 EncoreAtlanta.COM


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Robert M Spano music Director

usic Director Robert Spano, beginning his 10th season as music director of the Atlanta Symphony Orchestra, is recognized internationally as one of the most imaginative conductors today. Since 2001 he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

angela morris

The Orchestra and audiences together explore a creative programming mix, recordings, and visual enhancements, such as Theater of a Concert — the Orchestra’s continuing exploration of different formats, settings, and enhancements for the musical performance experience — and the first concert-staged performances of John Adams’s Doctor Atomic, in November 2008. The Atlanta School of Composers reflects Mr. Spano’s and the Orchestra’s commitment to nurturing and championing music through multi-year partnerships, defining a new generation of American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis and Michael Gandolfi. Since the beginning of his tenure, Mr. Spano and the Orchestra have performed over 100 concerts featuring contemporary works (composed since 1950), including 13 Atlanta Symphony-commissioned world premieres and three additional world premieres.

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Mr. Spano has a discography with the Atlanta Symphony Orchestra of nine recordings — six of which have been honored with Grammy® awards.  He has led the Orchestra’s performances at Carnegie Hall and Lincoln Center, as well as  the Ravinia,  Ojai and Savannah Music  Festivals.  He has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago, and Philadelphia Symphony Orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year.  In March 2010, Mr. Spano began a three-year tenure as Emory University’s Distinguished Artist in Residence, in which he spends three weeks each year leading intensive seminars, lecturing and presenting programs on science, math, philosophy, literature and musicology throughout the University’s campus.


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Robert Spano’s decade of triumphs

with the

Atlanta Symphony Orchestra

angela morris

by Arthur Bucklaw

In the late 1990s, when Robert Spano was in charge of the adventure-prone Brooklyn Philharmonic, he often was touted as the next big catch for a major orchestra – a smart young maestro with a disciplined baton and bristling energy. He clearly adored the classic repertoire, from Mozart to Bernstein. He was an ace interpreter of the latest modern scores. When the Atlanta Symphony named him music director and Donald Runnicles principal guest conductor, starting officially in the 2001-02 season, the partnership became one of the most watched in the country. Jump ahead 10 years. People are still paying attention. Continued on page 38

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Congratulations! to Robert Spano on 10 years as Music Director of The Atlanta Symphony Orchestra


Robert Spano, Music Director, The Robert Reid Topping Chair * Donald Runnicles, Principal Guest Conductor, The Neil and Sue Williams Chair * FIRST VIOLIN

David Coucheron Concertmaster The Mr. and Mrs. Howard R. Peevy Chair*

William Pu Associate Concertmaster The Charles McKenzie Taylor Chair*

Justin Bruns Assistant Concertmaster The Mary and Cherry Emerson Chair

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll Hancock The AGL Resources Chair

John Meisner Alice Anderson Oglesby Lorentz Ottzen Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith Kenn Wagner Lisa Wiedman Yancich

Sharon Berenson David Braitberg Noriko Konno Clift Judith Cox David Dillard Eleanor Kosek Raymond Leung Ruth Ann Little Thomas O’Donnell Ronda Respess Sanford Salzinger Frank Walton VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

CELLO

BASS

Christopher Rex

Ralph Jones

Principal The Miriam and John Conant Chair*

Principal The Marcia and John Donnell Chair  *

Daniel Laufer

Gloria Jones

Associate Principal The Livingston Foundation Chair

Associate Principal

Karen Freer Assistant Principal

Dona Vellek Klein Assistant Principal Emeritus

Joel Dallow Jere Flint Larry LeMaster Brad Ritchie Paul Warner

Jane Little Assistant Principal Emeritus

Michael Kenady Michael Kurth Douglas Sommer Thomas Thoreson FLUTE

Christina Smith Principal The Jill Hertz Chair*

Robert Cronin

Paul Murphy

Associate Principal

Associate Principal The Mary and Lawrence Gellerstedt Chair *

Paul Brittan The Georgia Power Foundation Chair

Catherine Lynn

Carl David Hall

Assistant Principal

Wesley Collins Marian Kent Yang-Yoon Kim Lachlan McBane Ardath Weck

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant Principal

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michael Krajewski, Principal Pops Conductor Jere Flint, Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair * Norman Mackenzie, Director of Choruses, The Frannie and Bill Graves Chair PICCOLO

E-FLAT CLARINET

TRUMPET

PERCUSSION

Carl David Hall

Ted Gurch

Thomas Hooten

Thomas Sherwood

OBOE

BASS CLARINET

Elizabeth Koch

Alcides Rodriguez

Principal The Madeline and Howell Adams Chair*

Principal The Julie and Arthur Montgomery Chair*

Michael Myers Joseph Walthall

William Wilder

 rincipal P The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson Associate Principal Deborah Workman Patrick McFarland

BASSOON

Carl Nitchie Principal The Walter L. “Buz” Carr, III Chair

Colin Williams

Charles Settle

Elizabeth Burkhardt

Principal The Wachovia Chair

HARP

Associate Principal

Stephen Wilson

Laura Najarian

Associate Principal The Patsy and Jere Drummond Chair

ENGLISH HORN

The Pricewaterhouse Coopers Chair

Patrick McFarland

Juan de Gomar

CLARINET

CONTRABASSOON

Laura Ardan

TROMBONE

Bill Thomas George Curran BASS TROMBONE

Principal The Robert Shaw Chair*

Juan de Gomar

Ted Gurch

HORN

Associate Principal

Brice Andrus

TUBA

William Rappaport

Principal The Sandra and John Glover Chair

Michael Moore

The Alcatel-Lucent Chair

Alcides Rodriguez

Assistant Principal William A. Schwartz Chair*

Susan Welty

George Curran

Principal The Georgia-Pacific Chair

Associate Principal

Thomas Witte Richard Deane The UPS Community Service Chair

Bruce Kenney

TIMPANI

Mark Yancich Principal The Walter H. Bunzl Chair*

William Wilder Assistant Principal

Elisabeth Remy Johnson Principal The Delta Air Lines Chair

KEYBOARD The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY

Rebecca Beavers Principal

Steven Sherrill Assistant Principal Librarian

John Wildermuth Assistant Librarian *C  hair named in perpetuity †Regularly engaged musician Players in string sections are listed alphabetically.

Atlanta’s Performing Arts Publication 17


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ROBERT SPANO, music director & conductor • TWYLA ROBINSON, soprano MONICA GROOP, mezzo-soprano • JOHN MAC MASTER, tenor BURAK BILGILI, bass • ATLANTA SYMPHONY CHORUS

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program Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor

Delta Classical Series Concerts Thursday and Saturday, September 23 and 25, 2010, at 8 p.m. Sunday, September 26, 2010, at 3 p.m.

Robert Spano, Conductor André Watts, Piano John Stafford Smith (1750-1836) (arr. Walter Damrosch) The Star-Spangled Banner Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 9 in E-flat Major, K. 271 (“Jeunehomme”) (1777) I. Allegro II. Andantino III. Rondeau: Presto INTERMISSION Hector Berlioz (1803-1869) Symphonie fantastique, Opus 14 (1830) I. Reveries, Passions (Largo; Allegro agitato e appassionato assai) II. A Ball (Valse: Allegro non troppo) III. Scene in the Country (Adagio) IV. March to the Execution (Allegretto non troppo) V. Dream of a Witches’ Sabbath (Larghetto; Allegro)

“Inside the Music” preview of the concert, Thursday at 7 p.m., presented by Ken Meltzer, Atlanta Symphony Orchestra Insider and Program Annotator. The use of cameras or recording devices during the concert is strictly prohibited.

Atlanta’s Performing Arts Publication 19


sponsors

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra. Delta’s commitment to the communities we serve began the day our first flight took off. For more than 80 years, Delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships. Delta is an active, giving corporate citizen in the communities it serves. Delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of Delta’s currency – our employees time and talent, our free and discounted air travel, as well as our surplus donations. Together, we believe we can take our worldwide communities to new heights!

Major funding for the Atlanta Symphony Orchestra is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council. Major funding for the Atlanta Symphony Orchestra is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council. Solo pianos used by the ASO are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the ASO in honor of Rosi Fiedotin. The Yamaha custom six-quarter tuba is a gift received by the ASO in honor of Principal Tuba player Michael Moore from The Antinori Foundation. This performance is being recorded for broadcast at a later time. ASO concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network. The ASO records for Telarc. Other ASO recordings are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips and Sony Classical labels. Four Seasons Hotel Atlanta is the preferred hotel of the ASO. Trucks provided by Ryder Truck Rental Inc. Media sponsors: The Atlanta Journal-Constitution and WSB 750 AM.

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program Notes on the Program By Ken Meltzer Piano Concerto No. 9 in E-flat Major, K. 271 (“Jeunehomme”) (1777) Wolfgang Amadeus Mozart was born in Salzburg, Austria, on January 27, 1756, and died in Vienna, Austria, on December 5, 1791. In addition to the solo piano, the “Jeunehomme” Concerto is scored for two oboes, two horns and strings. Approximate performance time is thirty-four minutes. First ASO Classical Subscription Performances: January 16, 17 and 18, 1986, Philippe Entremont, Piano and Conductor. Most Recent ASO Classical Subscription Performances: January 29 and 31, and February 1, 2009, Shai Wosner, Piano, Donald Runnicles, Conductor.

A

n his book The Great Pianists (Simon and Schuster, NY, 1963), Harold C. Schonberg, Music Critic Emeritus of The New York Times, offers this description of Wolfgang Amadeus Mozart’s early years: At the age of three he was picking at the harpsichord — not aimlessly, as most babies would, but carefully selecting thirds and other consonances. This amused him for hours at a time. At four he was studying little minuets. At five he was composing them. His ear was so accurate that it was bothered by quarter tones, and so delicate that the close-up sound of a trumpet made him faint dead away. At six he was taken from Salzburg by his father, an eminent violinist, teacher, theoretician and all-around musician, on his first tour. Then tour followed tour. So was spent the childhood of Wolfgang Amadeus Mozart.

During those many tours throughout Europe, the young Mozart dazzled audiences with his own compositions, including several Concertos for piano and orchestra. Mozart composed the first of these works in April of 1767, when he was 11 years old. Ten years and seven more Concertos would follow before the creation of the E-Flat, K. 271. Mozart, then Konzertmeister at the Court of the Prince Archbishop of Salzburg, composed the work in January of 1777. Mozart wrote the Concerto for the visiting French virtuoso, Mlle. Jeunehomme. Little is known of the dedicatee of this Concerto, but given the challenging nature of the solo writing, one must assume Mlle. Jeunehomme was indeed a fine pianist. It should be added that Mozart, too, often played his E-flat Concerto, and to great acclaim.

Atlanta’s Performing Arts Publication 21


Scholars characterize the “Jeunehomme” as Mozart’s first “mature” Piano Concerto. The work’s operatic slow movement, wealth of melodic inspiration and inventive departures from convention all point the way to the glories of Mozart’s later Concertos. For these reasons, the “Jeunehomme” is the earliest of Mozart’s 27 Piano Concertos to maintain an important presence in the concert repertoire.

Musical Analysis I. Allegro — The “Jeunehomme” begins with the first of many surprises. Concertos of Mozart’s time traditionally opened with a purely orchestral exposition of movement’s principal themes. Here, the soloist immediately presents the vigorous opening theme in dialogue with the orchestra. The pianist then defers as the orchestra introduces several engaging melodies. The soloist returns with an extended trill immediately before the close of the orchestral exposition, and then assumes center stage with his own elaboration of the principal thematic material. The brief development interjects a degree of melancholy into this otherwise cheerful movement. The recapitulation begins with another “dialogue” presentation of the opening theme, this time with the roles of the orchestra and soloist reversed. A repetition of the opening theme leads to a cadenza and some brilliant passagework by the soloist to conclude the opening movement. II. Andantino — The slow movement, in the key of C minor, opens with throbbing muted strings providing a somber introduction to the entrance of the pianist. The highly vocal writing for the soloist, coupled with dramatic interjections by the orchestra, recalls the tragic Italian opera seria of Mozart’s time. The mood brightens somewhat with a sudden modulation to E-flat Major, but pathos soon returns with a reprise of the opening section. The strings remove their mutes for the Andantino’s closing measures, intensifying the final outburst by soloist and orchestra. III. Rondeau: Presto—The soloist introduces the scurrying principal theme of the Rondo finale. The orchestra immediately follows suit and in typical rondo form, the principal theme alternates with several contrasting sections. Highly atypical among the contrasting episodes is an extended graceful and subdued Minuet (Menuetto: Cantabile) that offers a striking departure from the Rondo’s general exuberance. After the soloist’s cadenza, the Rondo theme returns. A decrescendo, juxtaposed with a forte exclamation by soloist and orchestra, cap the playful mood of the finale’s closing measures.

Symphonie fantastique, Opus 14 (1830) Hector Berlioz was born in La Côte-Saint-André, Isère, France, on December 11, 1803, and died in Paris, France, on March 8, 1869. The first performance of the Symphonie fantastique took place at the Paris Conservatoire on December 5, 1830, with François-Antoine Habeneck conducting the Orchestra of the Société des

22 EncoreAtlanta.com


program Concerts du Conservatoire. The Symphonie fantastique is scored for piccolo, two flutes, two oboes, English horn, E-flat clarinet, two clarinets, four bassoons, four horns, two trumpets, two cornets, three trombones, two tubas, timpani (two players), bass drum, cymbals, suspended cymbals, snare drum, low bell, two harps and strings. Approximate performance time is fifty-two minutes. First ASO classical subscription performances: February 12 and 13, 1958, Henry Sopkin, Conductor. Most recent ASO classical subscription performances: January 10, 11 and 12, 2008, Donald Runnicles, Conductor.

“I shall marry that woman”

I

n September 1827, Hector Berlioz, then a 23-year-old student at the Paris Conservatory, attended productions by an English touring company of Shakespeare’s Hamlet and Romeo and Juliet. In those performances, Harriet Smithson, a beautiful and young Irish actress, portrayed the tragic heroines, Ophelia and Juliet.

The combination of Shakespeare’s incomparable poetry and Smithson’s riveting stage presence was more than the impressionable Berlioz could bear. The composer recalled that, during the September 11 performance of Hamlet, “A feeling of intense, overpowering sadness overwhelmed me and I fell into a nervous condition, like a sickness of which only a great writer on physiology could give any adequate idea.” Still, the infatuated Berlioz returned on September 15 for Smithson’s performance in Romeo and Juliet: “It was too much. By the third Act, hardly able to breathe — as though an iron hand gripped me by the heart — I knew that I was lost.” Legend has it that after the performance of Romeo, Berlioz proclaimed, “I shall marry that woman and on that drama I will write my greatest Symphony.” In later years, Berlioz emphatically denied that he ever uttered those words. Still, Berlioz, always known for his dry wit, acknowledged, “I did both.” Berlioz was determined that Smithson would take notice of his own artistic talents. At tremendous personal expense, he arranged for a concert at the Conservatory, featuring a program consisting entirely of his own compositions. Smithson neither attended the concert nor, apparently, even knew it had taken place. Not to be deterred, Berlioz then forwarded several letters to Smithson, who finally ordered her maid to refuse any more correspondence from the young composer. When Smithson left Paris in 1829, she and Berlioz still had not met.

The Fantastic Symphony Berlioz soon heard scandalous (and false) rumors that Smithson was carrying on an affair in London with her manager. This news seemed to provide Berlioz with the final impetus

Atlanta’s Performing Arts Publication 23


for a musical depiction of his obsession with the beautiful actress. In February of 1830, Berlioz wrote to his sister, “I am about to commence my grand symphony (Episode in the Life of An Artist), in which the development of my infernal passion will be depicted.” On April 16 of that same year, Berlioz announced that his Symphony was complete. The premiere of the Symphonie fantastique took place at the Paris Conservatory on December 5, 1830, with François-Antoine Habeneck conducting the Orchestra of the Société des Concerts du Conservatoire. In some ways, the premiere fell short of the composer’s expectations. Berlioz hoped for an orchestra of 220 players, but the actual ensemble at the premiere numbered 130. The performance itself, Berlioz recalled, “was by no means perfect—it could hardly be, with works of such difficulty and after only two rehearsals. But it was good enough to give a reasonable idea of the music.” Once again, Harriet Smithson was nowhere to be found. Nevertheless, the drama, innovation and sheer audacity of the young composer’s vision stunned the audience. By the time Harriet Smithson returned to Paris in 1832 and attended a performance of the Fantastic Symphony, it seemed the actress was the only person in the entire city who didn’t realize she was the inspiration for the music. When Smithson discovered the truth, she finally agreed to meet Berlioz. After a brief courtship, the two wed on October 3, 1833. Franz Liszt and Heinrich Heine served as witnesses. However, the marriage became an unhappy one, and in the early 1840s, Smithson and Berlioz separated. Even after the acrimonious conclusion of their marriage, Berlioz acknowledged his artistic kinship with Harriet Smithson, and the profound influence she exercised upon his development as an artist. Toward the end of her life, Smithson suffered paralysis, and died in 1854. After her death, Liszt wrote to Berlioz: “She inspired you, you loved her and sang your love, her mission was fulfilled.” There is no question that Harriet Smithson inspired one of the seminal works in concert music. Composed just three years after Beethoven’s death, the Symphonie fantastique suggested entirely new paths for aspiring composers. The work’s five (not the usual four) movements are unified by a central and repeated motif, known as the idée fixe. Whereas symphonies of the 18th and early 19th centuries are, in the main, abstract works, the Symphonie fantastique attempts to relate a specific (and patently autobiographical) tale. Berlioz portrays that tale on a canvas that radiates the most daring and brilliant orchestral colors. And while some pioneering works make for better study than listening, the Symphonie fantastique continues, almost two centuries after its premiere, to entertain and thrill audiences.

Musical Analysis Berlioz, a gifted and prolific writer, provided the following program notes for his Symphonie fantastique.

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program A young musician of morbidly sensitive temperament and lively imagination poisons himself with opium in an attack of lovesick despair. The dose of the narcotic, too weak to kill him, plunges him into a deep slumber accompanied by the strangest visions, during which his feelings, his emotions, his memories are transformed in his sick mind into musical images. The Beloved herself becomes for him a melody, a cyclical theme (idée fixe) that he encounters and hears everywhere. (Annotator’s note: The idée fixe is introduced approximately five minutes into the opening movement by the flute and first violins.) I. Reveries, Passions (Largo; Allegro agitato e appassionato assai) — At first he recalls that sickness of the soul, those intimations of passion, the apparently groundless depression and intoxication he experienced before he met the woman he adores; then the volcanic love that she inspired in him, his delirious anguish, his furious jealousy, his return to tenderness, his religious consolation. II. A Ball (Valse: Allegro non troppo) — He meets his beloved again in the midst of the tumult of a glittering fête. III. Scene in the Country (Adagio) — On a summer evening in the country, he hears two shepherds piping back and forth a ranz des vaches (the traditional melody of Swiss shepherds for summoning their flocks); this pastoral duet, the peaceful landscape, the rustling of the trees gently rocked by the wind, some prospects of hope he recently found—all combine to soothe his heart with unusual tranquility and brighten his thoughts. But she reappears, he feels his heart tighten, he is smitten with sad foreboding: what if she were to prove false?…One of the shepherds resumes his simple tune; the other no longer responds. The sun sets…distant roll of thunder…solitude…silence. IV. March to the Execution (Allegretto non troppo) — He dreams he has murdered his Beloved, that he has been condemned to death and is being led to the scaffold. The procession advances to the sound of a march that is now somber and agitated, now brilliant and solemn, in which the muffled sound of heavy steps is suddenly juxtaposed with the noisiest clamor. At the end, the idée fixe returns for a moment like a final thought of love, suddenly interrupted by the death blow. V. Dream of a Witches’ Sabbath (Larghetto; Allegro) — He imagines himself at a Witches’ Sabbath, among a hideous throng of ghouls, sorcerers and monsters of every kind, assembled for his funeral. Ominous sounds, groans, bursts of laughter, distant cries that other Atlanta’s Performing Arts Publication 25


cries seem to answer. The Beloved’s melody reappears, but it has lost its noble and timid character; it has become a vulgar dance tune, unworthy, trite and grotesque: there she is, coming to join the Sabbath …A roar of joy greets her arrival…She takes part in the infernal orgy …The funeral knell, a burlesque parody of the Dies irae…the witches’ round…the dance and the Dies irae are heard together.

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program andrÉ watts, Piano

A

ndré Watts burst upon the music world at the age of 16 when Leonard Bernstein chose him to make his debut with the New York Philharmonic in their Young People’s Concerts, broadcast nationwide on CBS-TV. Only two weeks later, Bernstein asked him to substitute at the last minute for the ailing Glenn Gould in performances of Liszt’s E-flat Concerto with the New York Philharmonic, thus launching his career in storybook fashion. More than André Watts 45 years later, André Watts remains one of today’s most celebrated and beloved superstars. A perennial favorite with orchestras throughout the U.S., Mr. Watts is also a regular guest at the major summer music festivals including Ravinia, the Hollywood Bowl, Saratoga, Tanglewood and the Mann Music Center. Recent and upcoming engagements include appearances with the Philadelphia and Minnesota Orchestras, New York and Los Angeles Philharmonics, and the St. Louis, Atlanta, Detroit, Cincinnati, Baltimore, Indianapolis, Seattle and National symphonies, among others. During the 2010-11 season, Mr. Watts plays all-Liszt recitals throughout the U.S. while recent international engagements include concerto and recital appearances in Japan, Germany and Spain. André Watts has had a long and frequent association with television, having appeared on numerous programs produced by PBS, the BBC and the Arts and Entertainment Network, performing with the New York Philharmonic, Boston Symphony, Philadelphia Orchestra, Mostly Mozart Festival Orchestra and the Chamber Music Society of Lincoln Center among others. His 1976 New York recital, which aired on the program “Live From Lincoln Center,” was the first full length recital broadcast in the history of television, and his performance at the 38th Casals Festival in Puerto Rico was nominated for an Emmy Award in the category of Outstanding Individual Achievement in Cultural Programming. Mr. Watts’ most recent television appearances are with the Philadelphia Orchestra on the occasion of the orchestra’s 100th Anniversary Gala and a performance of the Brahms Concerto No.2 with the Seattle Symphony (Gerard Schwarz conducting) for PBS. Mr. Watts’ extensive discography includes recordings of works by Gershwin, Chopin, Liszt and Tchaikovsky for CBS Masterworks; recital CD’s of works by Beethoven, Schubert, Liszt and Chopin for Angel/EMI; and recordings featuring the concertos of Liszt, MacDowell, Tchaikovsky and Saint-Saens on the Telarc label. He is also included in the Great Pianists of the 20th Century series for Philips. A much-honored artist who has played before royalty in Europe and heads of government in nations all over the world, André Watts was selected to receive the Avery Fisher Prize in 1988. At age 26 he was the youngest person ever to receive an honorary doctorate from Yale University and he has since received numerous honors from highly respected schools, including the University of Pennsylvania, Brandeis University, The Juilliard School of Music

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and his Alma Mater, the Peabody Conservatory of Johns Hopkins University. In June 2006, he was inducted into the Hollywood Bowl of Fame to celebrate the 50th anniversary of his debut (with the Philadelphia Orchestra). Previously Artist-in-Residence at the University of Maryland, Mr. Watts was appointed to the newly created Jack I. and Dora B. Hamlin Endowed Chair in Music at Indiana University in May 2004. Recordings available on the SONY Classical, Philips, Angel/EMI and Telarc labels. AndrĂŠ Watts appears by arrangement with C/M Artists New York.

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support Appassionato

Meghan H. Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the southeast. Appassionato was inaugurated in 2000 & welcomes annual givers of $10,000 & above. Appassionato members provide the Symphony with a continuous & strong financial base in support of our ambitionous aritistic & education initiatives.

$50,000+

Mrs. Anne Cox Chambers

Ms. Joni Winston

$35,000+

Robert Spano

Susan & Thomas Wardell

Mark & Rebekah Wasserman

$25,000+ Madeline & Howell E. Adams, Jr. Stephanie & Arthur Blank Mr. & Mrs. Bradley Currey, Jr. Marcia & John Donnell Catherine Warren Dukehart

Lucy R. & Gary Lee, Jr. Terence L. & Jeanne P. Neal* Victoria & Howard Palefsky Mrs. Charles A. Smithgall, Jr. Mr. Thurmond Smithgall

Ray & John Uttenhove Mr. & Mrs. K. Morgan Varner, III Adair & Dick White Ann Marie & John B. White, Jr.* Sue & Neil Williams*

Mr. & Mrs. Paul R. Garcia Charles & Mary Ginden Jim & Pam Henry InterContinental Hotels Group Clay & Jane Jackson Ann A. & Ben F. Johnson III Mr. & Mrs. James C. Kennedy Eydie & Steve Koonin Michael & Cindi Lang Karole & John Lloyd

Meghan & Clarke Magruder Jeff Mango-Verizon Wireless Patty & Doug Reid Dr. & Mrs. Raymond F. Schinazi Marsha Johnson – Southern Company Alison M. & Joseph M. Thompson Camille W. Yow

Mr. James F. Fraser Mary D. Gellerstedt Nancy D. Gould Mr. & Mrs. Robert D. Grathwohl The Graves Foundation Robert Hall Gunn, Jr. Fund Joe Guthridge & David Ritter* Tom & Jan Hough Mr. Tad Hutcheson Roya & Bahman Irvani Robert J. Jones* Anne Morgan & Jim Kelley* Philip I. Kent Mr. & Mrs. Donald R. Keough Amy & Mark Kistulinec Mr. & Mrs. John M. Law Printpack Inc. & The Gay & Erskine Love Foundation Mr. Kenneth & Dr. Carolyn Meltzer

Lynn & Galen Oelkers Mr. & Mrs. Solon P. Patterson* Margaret & Bob Reiser Stanley & Shannon Romanstein Dennis & JoAnne Sadlowski Bill & Rachel Schultz Joyce & Henry Schwob Mr. John A. Sibley III John Sparrow Loren & Gail Starr Irene & Howard Stein Mary Rose Taylor Carol & Ramon Tome* The Michael W. Trapp Family Mike & Liz Troy Turner Foundation, Inc. Mr. & Mrs. Edus H. Warren, Jr. Neal & Virginia Williams

$15,000+ AGCO Corporation, Martin Richenhagen Mr. & Mrs. Paul J. Blackney Janine Brown & Alex J. Simmons, Jr. Mr. & Mrs. C. Merrell Calhoun Mary Helen & Jim Dalton Mr. & Mrs. David Edmiston Gary & Nancy Fayard* Mr. Donald F. Fox $10,000+ Susan & Richard Anderson Ron & Susan Antinori Mark & Christine Armour The Balloun Family* Lisa & Joe Bankoff Barnes & Thornburg LLP The John & Rosemary Brown Family Foundation Dr. Robert L. & Lucinda W. Bunnen The Walter & Frances Bunzl Foundation Cynthia & Donald Carson Shannon & Philip Cave Dr. John W. Cooledge Cari Katrice Dawson Eleanor & Charles Edmondson In memory of Polly Ellis by Admiral James O. Ellis, Jr.

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 29


Patron Partnership

Judy Hellriegel, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

$5,000+ John & Helen Aderhold* Aadu & Kristi Allpere* Anonymous (4) Kelley O. & Neil H. Berman Mr. David Boatwright Breman Foundation Ann & Jeff Cramer* Triska Drake & G. Kimbrough Taylor, Jr. Dr. & Mrs. Carl D. Fackler Rosi & Arnoldo Fiedotin Mr. David L. Forbes

Betty Sands Fuller Sally & Carl Gable Dick & Ann Goodsell Dr. & Mrs. Alexander Gross C. Tycho & Marie Howle Foundation The Jamieson Family Family of Thomas B. Koch James H. Landon Pat & Nolan Leake John & Linda Matthews Penelope & Raymond McPhee*

Brenda & Charles Moseley Margaret H. Petersen John & Kyle Rogers Lynne & Steven Steindel* Peter James Stelling Charlie Wade & M.J. Conboy Gertrude & William C. Wardlaw Fund, Inc. Russell Williamson & Shawn Pagliarini Suzanne Bunzl Wilner

Ms. Cynthia Jeness Hazel & Herb Karp Dr. & Mrs. James T. Laney* Mr. & Mrs. William C. Lester* Deborah & William Liss* Dr. & Mrs. James T. Lowman Gino & Belinda Massafra* Walter W. Mitchell

Dr. & Mrs. Mark P. Pentecost, Jr. Mr. & Mrs. Rezin Pidgeon, Jr. Mr. & Mrs. Joel F. Reeves S. A. Robinson Sandy & Paul Smith Mrs. C. Preston Stephens T & H Yamashita*

John & Michelle Fuller Mr. & Mrs. Edward T. M. Garland Peg Gary Dr. Mary G. George & Mr. Kenneth Molinelli Mr. & Mrs. John T. Glover Carol & Henry Grady Ben & Lynda Greer Steven & Caroline Harless Sally W. Hawkins Mr. & Mrs. John E. Hellriegel Darlene K. Henson In Memory of Carolyn B. Hochman Mr. & Mrs. Daniel H. Hollums Mr. & Mrs. Harry C. Howard Linda & Richard Hubert Dr. William M. Hudson Mr. & Mrs. William C. Humphreys, Jr.

Mr. & Mrs. W. F. Johnston Dr. Maurice J. Jurkiewicz Paul & Rosthema Kastin Mr. & Mrs. John H. Kauffman Mr. & Mrs. L. Michael Kelly Mr. & Mrs. Daniel J. King Mr. & Mrs. J. David Lifsey Mr. & Mrs. Frederick C. Mabry Ruth & Paul Marston Mr. & Mrs. Albert S. McGhee Birgit & David McQueen Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley Richard S. & Winifred B. Myrick Dr. & Mrs. R. Daniel Nable Mr. & Mrs. J. Vernon O’Neal, Jr. Mr. & Mrs. Andreas Penninger Dr. John B. Pugh Realan Foundation, Inc. Mr. & Mrs. Richard L. Rodgers

$3,500+ Julie M. Altenbach Mr. & Mrs. Dennis Chorba Ms. Carol F. Comstock & Mr. James L. Davis* Sally & Larry Davis Jere & Patsy Drummond Dr. & Mrs. C.R. Harper JoAnn Hall Hunsinger $2,250+ Mr. & Mrs. Phillip E. Alvelda* Marian & Paul Anderson Anonymous Jack & Helga Beam Penelope B. Berk Rita & Herschel Bloom Mr. & Mrs. Merritt S. Bond* Margo Brinton & Eldon Park Jacqueline A. & Joseph E. Brown, Jr. Maj. Gen. & Mrs. Robert Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush Mr. & Mrs. Beauchamp Carr Honor C. Cobbs Lucy & John Cook Robert Cronin & Christina Smith Mr. & Mrs. Christopher S. Edmonds

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support $2,250+ (continued) The Gary W. & Ruth M. Rollins Foundation Mrs. William A. Schwartz Elizabeth S. Sharp Morton & Angela Sherzer Dr. Kay R. Shirley Beverly & Milton Shlapak Helga Hazelrig Siegel

Lewis Silverboard Mr. & Mrs. Baker A. Smith Hamilton & Mason Smith Amy & Paul Snyder John & Yee-Wan Stevens Mr. & Mrs. George B. Taylor, Jr. Burton Trimble

Mr. William C. Voss Dr. & Mrs. James O. Wells, Jr. Ms. Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates The Zaban Foundation, Inc.

Paul B., Paul H. & M. Harrison Hackett Carol & Thomas J. Hanner Thomas J. High Mr. & Mrs. Jesse Hill, Jr. Mr. Thomas Hooten Dr. & Mrs. James M. Hund Dorothy Jackson Mary & Wayne James Aaron & Joyce Johnson Veronique & Baxter Jones Lana M. Jordan Mr. Thomas J. Jung Dick & Georgia Kimball* Dr. Rose Mary Kolpatzki Mr. & Mrs. David E. Krischer Tom, Margie, Carla & Patrick Lawson Dr. Leslie Leigh Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. Paul A. Lutz* Barbara & Jim MacGinnitie Mr. & Mrs. James H. Matthews, Jr. Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey John F. & Marilyn M. McMullan Angela & Jimmy Mitchell* Judy & Gregory Moore Carter & Hampton Morris Mrs. Gene Morse

Sanford & Barbara Orkin Keith & Dana Osborn Dr. & Mrs. Bernard H. Palay Mr. & Mrs. Emory H. Palmer Mr. & Mrs. William A. Parker, Jr. Ms. Susan B. Perdew Leslie & Skip Petter Dr. & Mrs. Frank S. Pittman III Provaré Technology Ms. Mary Roemer & Ms. Susan Robinson John T. Ruff Dr. & Mrs. Rein Saral Nancy & Henry Shuford Alida & Stuart Silverman Mr. & Mrs. Raymond F. Stainback, Jr. Dr. & Mrs. Michael D. Stargel Mr. & Mrs. Gabriel Steagall Kay & Alex Summers Elvira Tate Mr. & Mrs. Mark Taylor Mr. & Mrs. William M. Tipping Robert F. Tuve* Mr. J.H. Walker III Jonne & Paul Walter Mr. & Mrs. Terry R. Weiss Drs. Julius & Nanette Wenger David & Martha West Hubert H. Whitlow, Jr. Dorothy & Charlie Yates Family Fund Grace & Herbert Zwerner

$1,750+ Anonymous (2) Mr. & Mrs. William B. Astrop Dr. David & Julie Bakken Mr. & Mrs. Ron H. Bell Leon & Linda Borchers Mr.** & Mrs. Eric L. Brooker Dr. & Mrs. Anton J. Bueschen Mr. & Mrs. Russell E. Butner* Mr. & Mrs. Walter K. Canipe In Memory of Dr. Richard A. Carroll, Sr. Mrs. Hugh Chapman Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Mr. & Mrs. Douglas C. Curling Mrs. H. Frances Davis Brant & Kathy Davis* Elizabeth & John Donnelly Mr. Bruce E. Dunlap Gregory & Debra Durden Ms. Diane Durgin Cree & Frazer Durrett Dr. Francine D. Dykes & Mr. Richard Delay Mary Frances Early Drs. Bryan & Norma Edwards Heike & Dieter Elsner Judge & Mrs. Jack Etheridge Mr. & Mrs. Thomas E. Fullilove* Representative Pat Gardner & Mr. Jerry Gardner Bill & Susan Gibson

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 31


Corporate Sponsors $100,000+

Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor

Holiday Title Sponsor Muhtar Kent President and Chief Operating Officer

Richard Anderson Chief Executive Officer

jerome j. byers, II Atlanta Regional President

Atlanta School of Composers Presenting Sponsor Philip I. Kent Chief Executive Officer

$50,000+ AGCO Corporation and Vendors AT&T The Real Yellow Pages GE Energy UPS

$35,000+ Georgia Natural Gas InterContinental Hotels Group Porsche Cars North America Publix Super Markets Charities

Delta Classic Chastain Presenting Sponsor

Supporter of the Atlanta Symphony Orchestra Chorus

Ralph de la Vega President & CEO of Mobility and Consumer Markets

Jerry Karr Senior Managing Director GE Asset Management

$10,000+

$20,000+ Ryder System, Inc. Sutherland Asbill & Brennan LLP Target Corporation

AlixPartners, LLP Four Seasons Hotel Atlanta The Boston Consulting Group

Foundation and Government Support $250,000+ The Mabel Dorn Reeder Foundation The Wachovia Wells Fargo Foundation The Zeist Foundation, Inc.

$100,000+ The Halle Foundation William Randolph Hearst Foundation The Vasser Woolley Foundation, Inc

$25,000+ Anne & Gordon Getty Foundation Abraham J. & Phyllis Katz Foundation Hellen Ingram Plummer Charitable Foundation League of American Orchestras The Charles Loridans Foundation, Inc. MetLife Foundation The Sara Giles Moore Foundation SunTrust Bank Trusteed Foundation- Walter H. and Marjory M. Rich Memorial Fund SunTrust Foundation

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

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$10,000+

Special Gifts

The Aaron Copland Fund The ASCAP Foundation For Music, Inc. Livingston Foundation, Inc. The Arnold Foundation, Inc. Reiman Charitable Foundation William Randolph Hearst $5,000+ Endowed Fund The Fraser-Parker Foundation William McDaniel Charitable Foundation Robert S. Elster Foundation The Sartain Lanier Family Foundation

Office of Cultural Affairs: Major support is provided by the City of Atlanta Office of Cultural Affairs.

This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The Council is a Partner Agency of the National Endowment for the Arts.


support Henry Sopkin Circle Recognizing planned gifts that benefit the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr. & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Fred & Bettye Betts Mr. & Mrs.* Karl A. Bevins Mr.* & Mrs. Sol Blaine Frances Cheney Boggs* W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman William Breman* James C. Buggs, Sr. Mr. & Mrs. Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Miriam & John A. Conant* Dr. John W. Cooledge Mr. & Mrs. William R. Cummickel* John R. Donnell Dixon W. Driggs* Catherine Warren Dukehart Ms. Diane Durgin Kenneth Dutter Arnold & Sylvia Eaves

Elizabeth Etoll John F. Evans Doyle Faler* Rosi & Arnoldo Fiedotin Dr. Emile T. Fisher A. D. Frazier, Jr. Betty & Drew* Fuller Carl & Sally Gable William H. Gaik Kay Gardner* Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Mrs. Irma G. Goldwasser* Robert Hall Gunn, Jr. Billie & Sig* Guthman Betty G. & Joseph* F. Haas James & Virginia Hale Miss Alice Ann Hamilton Ms. Jeannie Hearn Jill* & Jennings Hertz Albert L. Hibbard, Jr.* Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr. & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Mary B. James Calvert Johnson deForest F. Jurkiewicz* Herb & Hazel Karp Anne Morgan & Jim Kelley Bob Kinsey

James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff Ouida Hayes Lanier Liz & Jay* Levine Jane Little Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Ann Bernard Martin* Mr. Michael McDowell* Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis Vera A. Milner* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Bill Perkins Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram Carl J. Reith* Edith Goodman Rhodes* Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr. & Mrs. Martin H. Sauser Mr. Paul S. Scharff & Ms. Polly G. Fraser Edward G. Scruggs

Dr. & Mrs. George P. Sessions W. Griggs Shaefer, Jr.* Mr. & Mrs. Robert Shaw* Charles H. Siegel* Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Margo Sommers* Elliott Sopkin Elizabeth Morgan Spiegel Daniel D. Stanley* Peter James Stelling C. Mack* & Mary Rose Taylor Jed Thompson Margaret* & Randolph Thrower Kenneth & Kathleen Tice Steven R. Tunnell Mary E. Van Valkenburgh Mrs. Anise C. Wallace* Mr. & Mrs. John B. White, Jr. Richard S. White, Jr. Hubert H. Whitlow, Jr. Sue & Neil Williams Mrs. Frank L. Wilson, Jr. Elin M. Winn* Joni Winston George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12) *Deceased

The Learning Community Atlanta Symphony Youth Orchestra, Talent Development Program, Talent Development Program Endowment, Concerts for Young People, Family Concerts, Conversations of Note

$250,000+

The Wachovia Wells Fargo Foundation The Zeist Foundation, Inc.

$50,000+

GE Energy Abraham J. & Phyllis Katz Foundation

$25,000+

The Coca-Cola Company Mr. & Mrs. Jesse Hill, Jr. MetLife Foundation Monica & John Pearson Hellen Ingram Plummer Charitable Foundation

Publix Super Markets & Publix Super Markets Charities, Inc. Jay & Arthur Richardson SunTrust Bank Trusteed Foundation- Walter H. and Marjory M. Rich Memorial Fund SunTrust Foundation

$5,000+

Mr. & Mrs. Howatt E. Mallinson Dr. Joanne R. Nurss Ms. Margaret H. Petersen Alison & Mike Rand Mr. & Mrs. Johnathan $2,500+ H. Short Elinor Rosenberg Breman** Suzanne & Willard* Shull Mr. & Mrs. Charles B. Ginden Isaiah & Hellena Huntley Links Inc., Azalea City Chapter Tidwell $10,000+ Mr. & Mrs. Raul F. Trujillo Edith H. & James E. Bostic, $1,000+ Mr. Mack Wilbourn Anonymous Jr. Family Foundation Sharon, Lindsay Cree & Frazer Durrett & Gordon Fisher Livingston Foundation, Inc. Aaron & Joyce Johnson Primerica *Deceased Mr. & Mrs. Robert A. Yellowlees Ms. Malinda C. Logan Dr. Margo A. Brinton & Mr. Eldon Park Cynthia & Donald Carson Mrs. Mary C. Gramling

** Scholarships for Atlanta Symphony Youth Orchestra tuition are made possible through the Elinor Rosenberg Breman Fellowship.

Atlanta’s Performing Arts Publication 33


support Atlanta Symphony Associates The volunteer organization of the Atlanta Symphony Orchestra

2010-2011 board Belinda Massafra President Suzy Wasserman, Leslie Petter & Camille Yow Advisors Leslie Petter Parliamentarian Elba McCue Secretary Janis Eckert Treasurer

Ellie Kohler Historian Alison Mimms VP Adminstration Corrie Johnson Nominating Chair Sylvia Davidson ASA Spring Luncheon Sheila Richards & Juanita Jones ASA Night at the Symphony Co-Chairs

Liz Troy ASA Night at VWA (Verizon) Camille Kesler Newsletter Editor Pat King Directory Editor Suzy Smith VP Public Relations Faye Popper VP Youth Education Glee Lamb VP Membership

Nancy Levitt Ambassador’s Desk Judy Schmidt VP Annual Fund Dr. Mary Francis Early VP Outreach Ann Levin & Gail Spurlock Ensemble Co-Chairs Ruth & Paul Marston Decorators’ Show House & Gardens Co-Chairs

Nancy Cox Intermezzo Chair Brooke Merrill Bravo Chair Elba McCue Concerto Chair Joan Abernathy Encore Chair

Events 2010 decorators’ show house & gardens Platinum Atlanta Homes & Lifestyles

Gold Benjamin Moore Paint Boxwoods Gardens & Gifts Comcast Encore Magazine Atlanta 360 Media Soiree Catering & Events

Silver Phipps Plaza Springer Mountain Farms Bronze Bloomingdale’s Buckhead Coach

Flora by John Grady Burns PrePrint Publix Super Markets Charities S&S Rug Cleaners St. Regis Atlanta The Outdoor Lights, Inc.

2009 atlanta symphony ball corporate Sponsors Phoenix AirTran Airways Platinum The Coca-Cola Company Invesco Silver AGL Resources Alston & Bird CISCO King and Spalding Parties to Die For Printpack, Inc. & the Gay & Erskine Love Foundation Siemens Energy & Automation Southern Company St. Regis Atlanta Verizon Wireless

Silver table hosts Amanda & Greg Gregory Bronze Global Payments, Inc. Genuine Parts wine sponsors Savi Urban Market Capasaldo Rosenblum Vineyards Sterling Vineyards National Distributing Company Media sponsor The Atlantan

special contributors Table Hosts Mr. & Mrs. William M. Graves Patty & Doug Reid patrons Mr. & Mrs. Carleton Allen Mr. & Mrs. Charles Allen Ron & Susan Antinori Yetty & Charlie Arp Lyn & Rick Asbill Kimberly & Joel Babbit Mr. & Mrs. Smith Baker Joe & Lisa Bankoff Mr. & Mrs. Paul J. Blackney Stephanie & Arthur Blank Dr. Yamma Brown & Mr. Brandon Culpepper

Mr. & Mrs. C. Merrell Calhoun Mr. & Mrs. Philip P. Cave Dr. & Mrs. Stephen A. Dawkins Richard & Lynne Dorfman Eilleen & Bo Dubose Carla & Carl Fackler Bill & Frannie Graves Harald R. Hansen Merrel & Willem Hattink Jim & Pam Henry Gerry & Patricia Hull Baxter & Veronique Jones Mark S. Lange Mr. & Mrs. Larry Lanier Pat & Nolan Leake Elizabeth Levine Belinda & Gino Massafra Mr. & Mrs. Harmon B. Miller, III Lawrence E. Mock, Jr.

2010 airtran classic golf tournament Presenting Sponsor AirTran Airways Luncheon Sponsor Frazier & Deeter

Team Sponsors Argus Benefits The Coca-Cola Company Doug Reid Turner Construction Verizon Wireless ZWJ Investment Counsel

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Twosome Sponsors Harold Hansen Jones Day

Hole Sponsors Alan Kaplan The Coca-Cola Company Global Payments Gwinnett Chamber Sutherland WSB ZWJ Investment Counsel

Ann Morgan & Jim Kelly Victoria & Howard Palefsky Leslie & Skip Petter Patty & Doug Reid Jay & Arthur Richardson D. Jack Sawyer & William Torres Selig Foundation Thurmond Smithgall Susan & Stuart Snyder Gail & Loren Starr Mr. & Mrs. Howard Stein Steven & Lynne Steindel Mary Rose Taylor Annie-York Trujillo & Raul F. Trujillo Kryst & James Voyles Suzy & Steve Wasserman Adair & Dick White Sue & Neil Williams Joni & David Winston Camille Yow


PROOF

ENCORE August 2010

LIVE ON STAGE FOX THEATRE AT THE

TM & © 2010 Paramount Pictures and TM & © 2010 The Estate of Irving Berlin. All Rights Reserved.

from

November 2–7

January 12-16, 2011

ticketmaster.com 800-982-2787


Patron Circle of Stars By investing $15,000 or more in the Woodruff Arts Center and its four divisions – Atlanta Symphony Orchestra, Alliance Theatre, High Museum of Art and Young Audiences – these outstanding annual corporate campaign donors helped us raise more than $8.6 million in 2008–09. Thank you! Chairman’s Council ★★★★★★★★★★★★★ $500,000+ The Coca-Cola Company ★★★★★★★★★★★ $450,000+ Georgia Power Foundation, Inc. ★★★★★★★★★★ $400,000+ Turner Broadcasting System, Inc. ★★★★★★★★★★ $300,000+ Cox Interests Cox Enterprises (Atlanta JournalConstitution, WSB-TV, Cox Radio Group Atlanta, James M. Cox Foundation) The Honorable Anne Cox Chambers The Sara Giles Moore Foundation UPS ★★★★★★★★★ $200,000+ AT&T The Community Foundation for Greater Atlanta, Inc. Deloitte LLP, its Partners & Employees The Klaus Family Foundation Mabel Dorn Reeder Foundation ★★★★★★★★ $150,000+ Alston & Bird LLP Equifax Inc. & Employees Ernst & Young, Partners & Employees Jones Day Foundation & Employees Kilpatrick Stockton LLP PricewaterhouseCoopers Partners & Employees The Rich Foundation, Inc.

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SunTrust Employees & Directed Funds Florence C. & Harry L. English Memorial Fund Harriet McDaniel Marshall Trust Woolford Charitable Trust Fund ★★★★★★★ $100,000+ AirTran Airways Bank of America Holder Construction Company ING Kaiser Permanente King & Spalding LLP KPMG LLP, Partners & Employees The Marcus Foundation, Inc. Regions Financial Corporation Tull Charitable Foundation The Wachovia Wells Fargo Foundation, Inc. The David, Helen & Marian Woodward Fund ★★★★★★ $75,000+ The Home Depot Foundation The Sartain Lanier Family Foundation, Inc. Macy’s Foundation Toshiba American Nuclear Energy Corp. Westinghouse ★★★★★ $50,000+ AGL Resources Inc. The Partners & Employees of Atlanta Equity Investors Cisco Citi Foundation and Citi businesses of Primerica Citi Smith Barney CitiFinancial Corporate Investment Bank

Coca-Cola Enterprises The Delta Airlines Foundation Frank Jackson Sandy Springs Toyota and Scion GE Energy Kia Motors America, Inc. Kimberly-Clark Corporation The Ray M. & Mary Elizabeth Lee Foundation, Inc. Sutherland Asbill & Brennan LLP Waffle House, Inc. The Zeist Foundation, Inc. ★★★★ $35,000+ Accenture & Accenture Employees Balch & Bingham LLP Lisa & Joe Bankoff Brysan Utilities Contractors, Inc. Mr. & Mrs. Bradley Currey, Jr. Drummond Company, Inc. GMT Capital Corporation The Imlay Foundation, Inc. INVESCO PLC J. Marshall & Lucile G. Powell Charitable Trust SCANA Energy Siemens Industry, Inc. Harris A. Smith Spartan Constructors LLC Troutman Sanders LLP Gertrude & William C. Wardlaw Fund Frances Wood Wilson Foundation, Inc. ★★★ $25,000+ Assurant Atlanta Companies Assurant Solutions Assurant Specialty Property Atlanta Foundation BB&T Corporation BDO Seidman, LLP Bryan Cave LLP Capital Guardian Trust Company


A. D. Correll Crawford & Company DuPont First Data Corporation Mr. & Mrs. Mike Garrett Gas South, LLC Genuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc. Grant Thornton LLP IBM Corporation IntercontinentalExchange Mr. & Mrs. M. Douglas Ivester JPMorgan Private Bank Philip I. Kent Foundation The Blanche Lipscomb Foundation Kelly Loeffler & Jeffrey Sprecher McKinsey & Company, Inc. Mueller Water Products, Inc. Noonan Family Foundation Norfolk Southern Foundation Piedmont Charitable Foundation, Inc. Mary & Craig Ramsey Rock-Tenn Company Shaw Nuclear Services Southwire Company Spectrum Brands Towers Perrin Wal-Mart Stores, Inc. Waste Management Charitable Foundation Yancey Bros. Co. ★★ $15,000+ 22squared, inc. ACE Charitable Foundation AGCO Corporation Air2Web, Inc. Alcatel-Lucent Alix Partners Arcapita Arnall Golden Gregory LLP Atlanta Marriott Marquis Bain & Company, Inc. Julie & Jim Balloun

Beaulieu Group, LLC Katharine & Russell Bellman Foundation Vicki & Gerry Benjamin The Arthur M. Blank Family Foundation Bovis Lend Lease Catherine S. & J. Bradford Branch Bradley-Turner Foundation, Inc. George M. Brown Trust Fund of Atlanta, Georgia Buck Consultants Center Family Foundation Mrs. Bunny Center Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman Chamberlain, Hrdlicka, White, Williams & Martin The Chatham Valley Foundation, Inc. Chubb Group of Insurance Companies Cousins Properties Incorporated DLA Piper Duke Realty Corporation Eisner Family Foundation Exposition Foundation, Inc. Ford & Harrison LLP John & Mary Franklin Foundation, Inc. Georgia Natural Gas Georgia Trane Companies, Inc. James B. Hannan Harland Clarke The Howell Fund, Inc. Hunton & Williams ICS Contract Services, LLC J. Mack Robinson Interests Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation David & Jennifer Kahn Family Foundation Sarah & Jim Kennedy Thomas H. Lanier Family Foundation Lanier Parking Solutions

Barbara W. & Bertram L. Levy Fund Ron Lipham – UC/Synergetic Livingston Foundation, Inc. Lockheed Martin Aeronautics Company Manulife Financial Mohawk Industries, Inc. Morgan Stanley MWV Food & Beverage Northwestern Mutual Goodwin, Wright The Sally & Peter Parsonson Foundation, Inc. Paul, Hastings, Janofsky & Walker LLP Tara Perry Pickard Chilton The Pizzuti Companies Printpack Inc./The Gay & Erskine Love Foundation David M. Ratcliffe Raymond James Financial, Inc. Restaurant Associates Frances & Jesse A. Sasser, Jr. Spencer Stuart Karen & John Spiegel Staples Superior Essex Inc. Mark & Susan Tomlinson Family Fund TriMont Real Estate Advisors, Inc. Turner Construction Company United Distributors, Inc. US Foodservice/Atlanta Vertical Systems Group, Inc./ Atlantic Financial Services, Inc. WATL/WXIA/Gannett Foundation Watson Wyatt Worldwide Weswood Foundation John Wieland Homes and Neighborhoods Mr. & Mrs. James B. Williams Sue & Neil Williams Carla & Leonard Wood The Xerox Foundation *As of May 12, 2010

Atlanta’s Performing Arts Publication 37


Continued from page 14 As The Boston Globe recently observed after Boston Symphony concerts at the Tanglewood Music Festival, “Spano has gone on to become perhaps the most admired American conductor of his generation.”

Principal Cellist Christopher Rex. “Most importantly,

A decade into his music directorship, the Orchestra and the 49-year-old Spano are at that optimal moment in the relationship: The musicians and conductor know each other so well that they make music by instinct. Filling vacancies, he has hired many of the Orchestra’s key players. Yet the bloom of a growing partnership, and the challenging promise of difficult goals almost within reach, remains as fresh as ever.

And Spano has made Atlanta home on many levels, with a loft apartment on Peachtree Street and a secluded cabin in the Blue Ridge Mountains of north Georgia, where he goes for recharging and deep study.

Jeff Roffman

“Robert brings an incredible amount of enthusiasm and excitement to the podium ,which is contagious to the musicians and results in exciting music-making,” says

38 EncoreAtlanta.com

his ego is always subservient to the music.

I’ve found this to be true not only with the Orchestra, but when I’ve had the pleasure of playing chamber music with him.”

He’s made his intellectual home here, too. Last fall, Emory University named him artist-in-residence, a three-year appointment to lecture and perform. The topics cover Spano’s special interests, ranging from philosophy and science to literature, metaphysics and, of course, music. (The post had previously been held by acclaimed novelist Salmon Rushdie.)


PROOF

ENCORE August 2010


Jeff Roffman

Members of the Atlanta School of Composers: (L-R) Michael Gandolfi, Adam Shoenberg, Music Director Robert Spano, Orchestra President Stanley Romanstein, Christopher Theofanidis and Jennifer Higdon.

When he’s not at home, he maintains a full calendar conducting around the U.S. or Europe. A career highlight from the past decade came at the Seattle Opera, where he was immersed (twice) in Richard Wagner’s four-opera epic “Ring” Cycle, adding a richness to his interpretations that hasn’t escaped the notice of critics. Likely the most memorable element of Spano’s Atlanta tenure has been among the most important activities for any arts organization: the creation and nurturing of new works. This is where the future of the art form will be decided; this is where a conductor builds his credentials as a thinker and an “activist” for the art. Spano has planted his flag with the “Atlanta School of Composers,” which, as the conductor explains favors tonal melodies, intense emotions and an underlying awareness of cinematic and world or pop music.

40 EncoreAtlanta.com

Yet for the listener, there’s no strict style to the Atlanta School. Osvaldo Golijov’s Latin dance rhythms and Yiddish sound-world (The St. Mark Passion, Ainadamar) has no apparent relation to the bold Americana of Jennifer Higdon (blue cathedral, On a Wire) – to name just two of the group. Cellist Rex calls this creative diversity “a great morale booster.” More than just playing premieres, the Atlanta School is about what Spano jokingly calls “watering your composers” — treating new works as a garden that needs tending. The latest addition is Adam Schoenberg, whose music satisfies on first listen, yet stands up to repeated performances. Schoenberg will write a brief fanfare to open the 201011 season, one of several Atlanta School fanfares celebrating Spano’s 10th season. Arthur Bucklaw writes about the arts in Atlanta and elsewhere.


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South City Kitchen

Dining Guide Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers. Neighborhood codes: A–Alpharetta, B–Buckhead, IP–Inman Park, OFW–Old Fourth Ward, M­—Midtown, D–Downtown, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, V—Vinings, W–Westside

American Broadway Diner Unique, due to its food and décor, the Broadway Diner serves great food (including authentic Greek cuisine) at awesome prices. Based on a Broadway-style theme, the diner is perfect for families and business people. 620 Peachtree St. NE, (404) 477-9600, thebroadwaydiner.com. M Einstein’s The place that puts a smile on your face. Dining with an emphasis on service, Einstein’s offers innovative competitively-priced cuisine in a warm, accommodating environment. Enjoy a delicious meal on their award-winning patio and sip on their infamous martinis. 1077 Juniper St., 404-876-7925, einsteinsatlanta.com. M Garrison’s A neighborhood destination known for high quality food, generous portions and a comfortable setting. Superb wine and specialty cocktails compliment the highest quality seafood, steaks and creative sandwiches. Their outside dining is perfect for relaxing and people-watching. Vinings Jubilee Shopping Center, 4300 Paces Ferry Rd., 770-436-0102, garrisonsatlanta.com. V Goodfellas Pizza and Wings brings you the finest pizza in the Atlanta area. Using the freshest

42 EncoreAtlanta.com

ingredients, Goodfellas offers everything you need for lunch and dinner — pasta, salads, calzones, subs and, of course, pizza and wings. 615 Spring St. NW, 404-347-7227, goodfellaspizzawings.com. M Hudson Grille is the perfect place to catch a game, to meet friends for a great meal or to enjoy drinks at one of their expansive bars. Four locations: Midtown, 942 Peachtree St. NE, 404-249-9468; Alpharetta, 865 North Main St., 770-777-4127; Perimeter, 4400 Ashford-Dunwoody, 770-3500134; Brookhaven, 4046 Peachtree Rd., 404-2330313, hudsongrille.com. M,A,P,B Joe’s Inside and out on the patio, this hotspot’s nostalgic charm sets the stage for a wholly unique tavern experience. With an accent on congenial good times, Joe’s sassy food servers keep patrons smiling, while the master mixologists behind the bar whip up drinks known for their flavor and potency. Midtown: 1049 Juniper St NE, Atlanta, GA 30309, 404-875-6344; College park: 2144 Sullivan Rd, College Park, GA, 404-844-5000, joesatlanta.com. M Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404.841.2377, lenoxsquaregrill.com. B


Great shows, great music & great stories. Read about Atlanta’s performing arts every month in ENCORE Atlanta. More than a program, it’s your ticket to the arts.

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Available at Classic Chastain, The Woodruff Arts Center and The Fabulous Fox Theatre.

404.843.9800 encoreatlanta.com


Livingston Restaurant and Bar It’s hard to beat the location (across the street from the Fox Theatre in the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404-961-7370, lobbyattwelve.com. M ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-8924111, onemidtownkitchen.com. M Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M

American/steakhouse Cowtippers is known as an avid supporter of the community, whimsy and down right good old-fashioned fun. Home to traditional steak house fare served with creative twists; enjoy huge desserts, 25 types of margaritas, and the best burgers in town. 1600 Piedmont Ave., 404874-3751, cowtippersatlanta.com. M Joey D’s Oakroom Near Perimeter Mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy.com. B Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent.

44 EncoreAtlanta.com

Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy.com. B

American/southern South City Kitchen With a stylish, Southerncontemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Sundays are BBQ Nite. Two locatons: Midtown: 1144 Crescent Ave. 404-873-7358, Vinings: 1675 Cumberland Pkwy. 770-435-0700, southcitykitchen.com. M, V Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures the pure simple flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678.651.2770, ellishotel.com/terrace. D

asian fusion Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B Noodle continues its proven approach to Asian cuisine with a menu that offers fresh, madeto order dishes, house-made curries, and an upscale Pan Asian array of choices at a lower price than you’d typically find in similarly themed establishment. Decatur: 205 E. Ponce de Leon Ave., Decatur, GA 30030, 404-378-8622; Midtown: 903 Peachtree St., Atlanta, GA 30309, 404-6853010; College Park: 3693 Main St., College Park, GA, 30337, (404) 767-5154, noodlehouse.net. M

bakery Sugar Shack From breakfast paninis in the morning, signature sandwiches for lunch and dinner, and amazing cakes, pies, cheescakes, cupcakes and coffee...there is something for everyone at every hour at the Sugar Shack. Life is sweet....


4058 Peachtree Road, Atlanta, GA 30319, 404816-6161, sugarshackatlanta.com. B

brew pub/gormet pub fare Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-870-0805; Buckhead: 3242 Peachtree Rd. NE, 404-2640253, gordonbiersch.com. M, B Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M

creole/cajun Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com. IP

european fusion Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404347-9555, ecco-atlanta.com. M Nikolai’s Roof is an award-winning AAA Four Diamond restaurant and the epitome of fine dining at its best. Delight in the option of a four, six or eight-course tasting menu with wine pairings or an innovative a la carte menu. Enjoy intense flavors and tastes, fresh ingredients and an elegant ambiance with a view overlooking Atlanta’s starlit skyline. 255 Courtland St. NE, (404) 221-6362, nikolaisroof.com. D

italian La Tavola Serving classic Italian cuisine for lunch and dinner in the heart of Virginia-Highland. 992 Virginia Ave., 404-873-5430, latavolatrattoria.com. VH

mediterranean/latin/asian fusion Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects

46 EncoreAtlanta.com

a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404846-2000, h2sr.com. M

MEXICAN Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. Join us weekly for $2 Taco Night every Tuesday, Buck Wild Wednesdays, when certain items are only $1, and Disco Thursday. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave. NE, 404-873-4656, eltaco-atlanta.com.VH

seafood/sushi Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P

spanish/tapas Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH

steak/sushi Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B


B A I LE Y PERF O R MA N C E C E N T E R K E N N E S AW S TAT E U N I V E R S I T Y | School of Music

Measha Brueggergosman soprano

Saturday, October 23, 2010, 8 p.m. | $30 Celebrated soprano Measha Brueggergosman has emerged as one of today’s magnificent performers, and is critically acclaimed by the press as much for her musicianship and voluptuous voice as for her commanding stage presence. More than three billion television viewers from across the globe witnessed her brilliant performance of the Olympic Hymn during the Opening Ceremonies of the 2010 Vancouver Winter Olympic Games.

For tickets call 770-423-6650 baileycenter.kennesaw.edu flourish with us


On the eve of his season debut as the Orchestra’s first-ever Principal Pops Conductor, Michael Krajewski pauses to reflect on his career path and the state of music today

Widely recognized as a humorous and easygoing entertainer and the go-to conductor of the Atlanta Symphony Orchestra’s SuperPOPS! series, there is more to the life of the seemingly happygo-lucky conductor Michael Krajewski than meets the ears. In fact, Michael’s serious side is far more profound than his fans might expect, especially when discussing music. Growing up in Dearborn, Mich., Michael spent his summers listening to the Detroit Symphony Orchestra’s free outdoor concert series, “Symphony Under the Stars.” He enjoyed the familiar, lighter pops repertoire and set his sights on outdoor pops concerts as his conducing career took off.

48 EncoreAtlanta.COM

Michael Tammaro

“I can’t imagine a day without music”

by Sophie Cox

“I enjoyed putting together entertaining programs and talking to the audience, and I also discovered that I seemed to have a knack for conducting pops concerts,” he recalled. “People responded well to my programs and the way I put them across.” Michael relishes his new responsibilities. “I feel very honored that the Atlanta Symphony would choose to create a position around me, and I can’t wait to be ‘wicked,’” he joked, referring to his first concert, “Wicked Divas,” a vocal toast to the Broadway hit musical Wicked, which opens the SuperPOPS! season, Friday and Saturday, Oct. 8-9. The popular conductor leads five pops programs and the annual New Year’s


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Eve concert during the 2010-11 season. He is excited to collaborate with longtime friend Tony Kishman, who starred in Beatlemania and reprises his role as Paul McCartney in the SuperPOPS! valentine to the former Beatle, All You Need Is Love, Feb. 11-12. Michael also looks forward to performing with the Chieftains — the sixtime Grammy-winning Irish musical group — March 11-12. The effusive music-man “can’t imagine a day without music.” His exuberance for music is so contagious that it adds a distinct radiance to an already glimmering Orchestra. On stage, he “channels Tony Bennett, who has had the greatest influence on me as an entertainer. He makes the audience feel like there’s nowhere else he would rather be, which is exactly the way I feel.” Classical music is also a passion of Michael’s. “The Orchestra is part of an extraordinary competitive environment,” he conceded, “and now more than ever, we must remind our audience that a concert performance is a peak experience you can’t find anywhere else. “No matter how good your stereo equipment may be, you just can’t top being in an audience and hearing a big symphony orchestra playing live. We provide a uniquely satisfying environment.”

As a strong supporter of the Orchestra’s many programs in schools and at Symphony Hall, he is troubled by the current climate of budget-based priorities in schools. Sadly, music education is no longer a priority. Much to the dismay of music education advocates, it is unclear whether years from now, elementary-aged students will grow up appreciating Bach, Mozart, Beethoven, and the rest of the classical icons many of us were introduced to at an early age. “We have really dropped the ball in this country in music and arts education in general,” he said. “I don’t think it should be considered extracurricular, but rather part of a student’s basic education.” “Proper music education in school holds the key to attracting a younger audience to the concert hall,” he explained. “If children hold some familiarity with music, they are more likely to want to attend a show. It’s human nature. If people don’t know anything about classical music and have never had any exposure, they simply won’t go.” And if he could only conduct only one piece for the rest of his life? “It would be Gustav Mahler’s Second Symphony, the Resurrection. “There’s so much depth to it,” Michael said. “I don’t think it will ever get stale.” And neither will Michael.

Michael is equally committed to bringing musical joy to younger people, despite a laughing admission that “when I think about young people in a symphony audience, I’m thinking under 60, not 30and 20-somethings, teen and kids!”

50 EncoreAtlanta.com

Sophie Cox is a junior at the University of Georgia. She interviewed new Concertmaster David Coucheron for Atlanta Intown while a summer intern at the Orchestra.


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calendar Sept 30/October 1/2 Thur/Fri/Sat: 8pm Delta Classical Beethoven: Piano Concerto No. 4 Mahler: Symphony No. 1 in D major, “Titan” Robert Spano, conductor Emanuel Ax, piano October 8/9 Fri/Sat: 8pm SuperPOPS! Wicked Divas Michael Krajewski, conductor Jennifer Laura Thompson, Julia Murney, vocalists Atlanta Gay Men’s Chorus October 14/15/16 Thur/Fri/Sat: 8pm Delta Classical Brahms: Symphony No. 2 J. Strauss, Jr.: Blue Danube Waltz Berg: Violin Concerto Donald Runnicles, conductor Julian Rachlin, violin a season of bravos! on sale now at the box office

October 21/23 Thur/Sat: 8pm Delta Classical Ligeti: Atmosphères Bartók: Suite from The Miraculous Mandarin Janácek: Glagolitic Mass Robert Spano, conductor Twyla Robinson, soprano Monica Groop, mezzo-soprano John McMaster, tenor Burak Bilgili, bass Peter Marshall, organ Atlanta Symphony Orchestra Chorus

October 24 Sun: 1:30 & 3:30pm Halloween Jere Flint, conductor

Family

November 4/6/7 Thur/Sat: 8pm Delta Classical Sun: 3pm Dvo˘rák: Symphony No. 9 Mozart: Adagio in E Major for Violin and Orchestra Mozart: Rondo in C Major for Violin and Orchestra Mozart: Symphony No. 25 in G minor Itzhak Perlman, conductor and violin November 11/13 Thur/Sat: 8pm Delta Classical Smetana: The Moldau Shostakovich: Symphony No. 10 Haydn: Sinfonia Concertante in B-flat Hugh Wolff, conductor David Coucheron, violin Christopher Rex, cello Elizabeth Koch, oboe Carl Nitchie, bassoon November 12 Fri: 8pm Idina Menzel

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staff Administrative Staff Executive Stanley E. Romanstein President Aysha H. Siddique Manager of Board & Community Relations Evans Mirageas Director of Artistic Planning ADMINISTRATION John Sparrow Vice President for Orchestra Initiatives & General Manager Rachel Trignano Assistant to the VP for Orchestra Initiatives & General Manager Julianne Fish Orchestra Manager Nancy Crowder Operations/Rental Events Coordinator Kelly O’Donnell Artist Aisstant Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor Jeffrey Baxter Choral Administrator Ken Meltzer ASO Insider & Program Annotator Russell Williamson Orchestra Personnel Manager Susanne Watts Assistant Orchestra Personnel Manager Paul Barrett Senior Production Stage Manager Richard Carvlin Stage Manager Lela Huff Assistant Stage Manager

FINANCE & ADMINISTRATION Donald F. Fox Executive Vice President for Business Operations & Chief Financial Officer Susan Ambo Controller Kim Hielsberg Director of Financial Planning & Analysis April Satterfield Senior Accountant Peter Dickson Staff Accountant Michael Richardson Venues Analyst Stephen Jones Symphony Store Manager Galina Rotbakh Symphony Store Sales Associate

advancement & learning Sandy Smith Interim VP for Institutional Advancement & Learning Tammie Taylor Assistant to the Interim VP for Institutional Advancement & Learning Stephanie Malhotra Director of Development & Learning Services Rebecca Abernathy Development Services Coordinator

MARKETING & CONCERT PROMOTIONS Charles Wade Vice President for Marketing & Symphony Pops Alesia Banks Director of Customer Service & Season Tickets Nellie Cummins Group & Corporate Sales Associate Meko Hector Office & Marketing Coordinator Major & Planned Giving Jennifer Jefferson Jessica Langlois Director of e-Business Director of Leadership Gifts & Interactive Media & Planned Giving Melanie Kite Andrea Welna Subscription Major Gifts Officer Office Manager Meredith Jackson Shelby Moody Prospect Research Officer Group & Corporate Sales Coordinator Annual, Institutional & Volunteer Services ASO PRESENTS Seth Newcom Database Administrator Corey Cowart Clay Schell Vice President, Programming Corporate Relations Robert Phipps Manager Publications Director Trevor Ralph General Manager and Senior Toni Paz Melissa A. E. Sanders Director of Individual Giving Senior Director, Director of Operations Communications Maya Robinson Holly Clausen Patron Partnership Director of Marketing Karl Schnittke Gifts Officer Publications Editor Keri Musgraves Sarah Levin Promotions Manager Robin Smith Volunteer Project Manager Group & Corporate Lisa Eng Sales Assistant Ashley Krausen Graphic Artist Special Events Coordinator Russell Wheeler Chastain Park Amphitheater Group & Corporate Learning Community Tanner Smith Sales Manager Melanie Darby Program Director Christina Wood Director of Education Verizon Wireless Director of Marketing Programming Amphitheatre at Sandy Smith Encore Park Director of Development Katie Daniel Barbara Saunders VIP Sales Manager Learning Community Jenny Pollock Gifts Officer Operations Manager Lindsay Fisher Rebecca Gordon Learning Community Box Office Manager Specialist; Ensembles Coordinator

54 EncoreAtlanta.com


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general info LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons. SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements. SYMPHONY STORE The ASO’s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to t-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings — private rentals available. Call 404.733.4860. IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 Box Office TTD Number 404.733.4303 Services for People 404.733-5000 with Special Needs 404.733.4800 Lost and Found 404.733.4225 Symphony Store 404.733.4345


ticket info

prior to the concert, tickets will be held at CAN’T ATTEND A CONCERT? If you can’t use or exchange your tickets, the box office. please pass them on to friends or return Woodruff Arts Center Box Office them to the box office for resale. To donate Mon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon– tickets, please phone 404.733.5000 before 8 p.m. The box office is open through the concert begins. A receipt will be mailed intermission on concert dates. No service to you in January acknowledging the value charge if tickets are purchased in person. of all tickets donatedFELD for resale ENTERTAINMENT during Please note: All single-ticket sales are final. b No.: the year.TO147878 No refunds or exchanges. All artists and Ad Size: 6.75’’ x 4.875 gagementSINGLE City: Atlanta TICKETS programs subject to change. Section: ENTERTAINM Promo Ad dia: Call 404.733.5000 FELD ENTERTAINMENT GROUP DISCOUNTS ertion Date(s): Mon.–Fri., 10 a.m.–8 p.m.; Sat.–Sun., FELD TO147878 FELD ENTERTAINMENT ENTERTAINMENT Job No.: Groups of 10 or more save up to 15 percent TO147878 Noon–8 charge applies. Phone Job No.: p.m. Service Ad Size: 6.75’’ x 4.875’’ Atlanta Engagement City: TO147878 Job No.: on most ASO concerts,Ad subject tox 4.875’’ ticket Size: 6.75’’ Atlanta Engagement City: on orders a best-available basis. Section: Ad Media: are filled 6.75’’ x 4.875’’ Ad Size: ENTERTAINMENT Atlanta Engagement City: Promo Section: ENTERTAINMENT availability. Call 404.733.4848. Promo Ad Media: Insertion Section: ENTERTAINMENT Media: Date(s): Promo Ad www.atlantasymphony.org Insertion Date(s): Insertion Date(s): Order any time, any day! Service charge GIFT CERTIFICATES applies. Allow two to three weeks for delivery. Available in any amount for any series, For orders received less than two weeks through the box office. Call 404.733.5000.

OCT.

The magic begins at $6! The magic begins at $6! The magic begins at $6! Disney/Pixar Disney/Pixar characters Disney/Pixar characters and characters artwork and artwork © and Disney/Pixar. artwork © Disney/Pixar. © Disney/Pixar. Mr. Potato Mr. Potato HeaD Mr. Potato HeaD and Mrs. and HeaD Mrs. Potato andPotato Mrs. HeaDPotato HeaD are trademarks are HeaD trademarks areoftrademarks Hasbro of Hasbro andofare and Hasbro used are and with usedare permission. with used permission. with©permission. Hasbro. © Hasbro. all© rights Hasbro. all rights reserved. allreserved. rights reserved.

Disney/Pixar characters and artwork © Disney/Pixar. Mr. Potato HeaD and Mrs. Potato HeaD are trademarks of Hasbro and are used with permission. © Hasbro. all rights reserved.

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OCT. OCT. OCT. 13 17 13 -- -17 13 17 13 -UP 17 SAVE $8 TICKETS ON TICKETS SAVE UP TO TO $8 ON

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SAVE $4 $8 ON TICKETS: $22*SAVE $26 -$14 $18--$6 $10 *SAVE $4 ON TICKETS: $26 - double $18 discounts.) - $10 +(Offers *+ exclude VIP and Club seats. No *SAVE ONRinkside, TICKETS: $26 -$14 $18 $10 SAVE $4 $8 ON TICKETS: $22--$6 + SAVE $8 ON TICKETS: $22$6 *++SAVE (Offers exclude VIP and Club$14 seats. No$14 double-discounts.) $8 ONRinkside, TICKETS: $22- $6 REGULAR TICKET PRICES: $75 Rinkside $50 VIP + + * *(Offers exclude Rinkside, VIP and VIP Cluband seats.Club No double (Offers exclude Rinkside, seats.discounts.) No double discounts.) Club PRICES: Seats - $75 $30 Rinkside - $22 - $14 REGULAR$35 TICKET - $50 VIP REGULAR$35 TICKET PRICES: $75 Rinkside $50 VIP Club SeatsPRICES: - $30 - $22 - $14 REGULAR TICKET $75 Rinkside-- $50 VIP 3 WAYS TO$35 REDEEM: Club Seats - $30 - $22 - $14 1. WAYS Online at Ticketmaster.com use savings BUZZ4 $35 Cluband Seats - $30code - $22 - $14 3 TO REDEEM: 2. Call 1-800-745-3000 BUZZ4 3 TO REDEEM:and mention 1. WAYS Online at Ticketmaster.com and usecode savings code BUZZ4 3. Online Visit a at Ticketmaster.com Retail Location and BUZZ4 mention BUZZ4 1. and usecode savings code code BUZZ4 2. Call 1-800-745-3000 and mention

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gallery A Wiz-bang summer! The Wizard of Oz, on screen and in concert, capped the Orchestra’s summer season at Verizon Wireless Amphitheatre at Encore Park in Alpharetta. The annual collaboration with Turner Classic Movies was doubly entertaining with the three finalists from the Orchestra’s “Songster 2010” competition, who sang “Over the Rainbow” prior to the concert.

And the winner is … (Left to right) TCM host Ben Mankiewicz congratulates the finalists: Christina Lewis, Rebekah Dossou and Joseph Brewer. Ms. Dossou took home the prize as the first place winner.

On the yellow brick road with Dorothy and pals, and Jere While the Tin Man, Dorothy and the Scarecrow contemplated their journey, Jere Flint and the Orchestra heightened the excitement with the thrilling score.

60 EncoreAtlanta.com 60 EncoreAtlanta.com

Jeff Roffman photos

Rainbow sunset A gorgeous sunset relaxed the audience before the “Songster 2010” finalists, took the stage.


4TH ANNUAL | AtlantaArtsFestival.com

SEPTEMBER 18 & 19, 2010

ATLANTA ARTS FESTIVAL

Featuring 200 of the country’s finest painters, sculptors, photographers, leather and metal craftsmen, glassblowers, jewelry designers, wood turners and ceramicists.

Enjoy a beautiful weekend in Piedmont Park with fine art, festival food and live entertainment. Atlanta's News, Weather and Traffic Station Depend On It!


ACT I, SCENE I A Smoky Granite Mica ES 350 sits proudly, center stage.

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Vehicle shown with optional equipment. Lexus reminds you to wear seatbelts, secure children in rear seat, obey all traffic laws and drive responsibly. Š2009 Lexus.

Encore Atlanta September 2010 ASO  

Encore Atlanta is the official show program for The Fox Theatre, Atlanta Symphony Orchestra (at Woodruff Arts Center and Verizon Wireless Am...

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