A Letter from the General Manager
DEAR SAENGER THEATRE GUESTS,
As the curtain rises on CHICAGO for one last razzle-dazzle run, I want to extend my sincerest thanks for being part of an unforgettable season here at the historic Saenger Theatre. Whether you’ve been with us for every standing ovation or this is your first visit this season, we are so grateful to share these magical moments with you.
What a journey it’s been! From the powerful ballads and breathtaking performances to the standing ovations that shook our chandelier (we checked, it’s still secure), this season has been one for the books. And tonight, with CHICAGO closing out the season in true Broadway fashion, we’re already turning the spotlight to what’s next—and let me tell you, it’s a blockbuster lineup!
Get ready, because our 2025/2026 Broadway in New Orleans Season is our most dazzling yet. Here’s a little sneak peek of what’s coming:
Kimberly Akimbo – A quirky, heartwarming, and Tony Award-winning gem that proves growing up is optional.
A Beautiful Noise: The Neil Diamond Musical – Sweet Caroline? You bet. It’s a feelgood celebration of the music icon who had the world singing along.
Back to the Future: The Musical – Great Scott! Buckle up for a high-voltage ride through time with Marty, Doc, and a DeLorean that hits 88 mph on stage.
Hell’s Kitchen – Inspired by Alicia Keys’ own coming-of-age story and packed with her chart-topping hits, this new musical is on fire.
Hadestown – The underworld never sounded so hauntingly beautiful. An epic journey to the depths and back—pure Broadway gold.
Water for Elephants – Romance, spectacle, and a traveling circus brought to life with stagecraft that’ll leave you breathless.
The Phantom of the Opera – Yes, he’s back beneath the chandelier. The music of the night will echo once more through the Saenger.
The Great Gatsby – A sparkling new musical adaptation of Fitzgerald’s classic— drenched in jazz, glitz, and unrequited dreams.
SIX – The six wives of Henry VIII take the mic and remix history in this modern pop-concert phenomenon. Divorced. Beheaded. LIVE.
The Book of Mormon – Still hilariously irreverent. Still brilliantly written. Still one of the hottest tickets in town.
Monty Python’s Spamalot – A laugh-out-loud musical quest with killer rabbits, coconut horses, and just a flesh wound of satire.
And here’s the best part—new subscriptions are ON SALE NOW!
Subscribers save over 20%, which means more musicals, more magic, and more money in your pocket for intermission snacks (we see you with that double wine order).
7-show packages start at just $285, and if you’re craving more curtain calls, 8-show packages start at only $320.
Don’t miss your chance to lock in the best seats and the best prices of the season. Join us for another year of laughter, love, drama, and Broadway brilliance—right here in the heart of New Orleans.
See you at the theatre, David Skinner
General Manager, Saenger Theatre
New Orleans, LA
Featuring Taylor Lane as Velma Kelly and the ensemble of Chicago The Musical. Photo Credit: Jeremy Daniel
FROM HEADLINES TO FOOTLIGHTS: The True Crime Behind Chicago
STORY BY Broadway.com Staff
Before Chicago became a razzle-dazzle smash hit musical, it was a sharp satire inspired by true events. Long before Roxie Hart and Velma Kelly took the stage, their real-life counterparts stood trial in 1920s Chicago, capturing headlines and public fascination. The musical’s tale of “murder, greed, corruption, violence, exploitation, adultery, and treachery—all those things we all hold near and dear to our hearts” (as the opening line states) finds its roots in a time when the courtroom was treated like theatre and criminals became overnight stars.
The Real Roxie and Velma
In the spring of 1924, Beulah Annan was accused of shooting her lover, a man named Harry Kalstedt, in her Chicago apartment. The two had been drinking, and Beulah later claimed he threatened to leave her. According to police reports and press coverage, after the shooting, she turned on a foxtrot record and played it over and over while sipping cocktails and waited for her husband to return home.
Beulah’s beauty and calm demeanor became the story. She posed for photos, wore stylish clothes to court, and gave the press plenty to write about. Her husband, Albert, paid for her defense and stood by her side throughout the trial. Beulah was ultimately acquitted, and the very next day, she left Albert, declaring him “too slow.”
Just weeks earlier, another woman stood trial on similar charges. Belva Gaertner, a former cabaret singer, had been found behind the wheel of a car with a gun in her lap and the body of her lover, Walter Law, slumped beside her. The details were lurid: a night of gin, jealousy and a deadly end. Belva claimed she had no memory of the shooting. Her defense suggested Law may have taken his own life.
Like Beulah, Belva drew the press in with her looks, confidence and flair for drama. She, too, was acquitted. At the time, many noticed a pattern. If you were young, attractive and knew how to charm a jury, you might just get away with murder.
Maurine Dallas Watkins Sees a Story
These trials became front-page news across the country, and the Chicago Tribune assigned a young reporter named Maurine Dallas Watkins to cover them. Watkins
Roxie Rocks Chicago featuring Ellie Roddy as Roxie Hart. Photo Credit Jeremy Daniel
was new to the job but had a sharp eye for character and a strong sense of irony. Her articles often emphasized the performative nature of the courtroom and the way defendants like Beulah and Belva manipulated their image.
Watkins, who had studied playwriting at Yale, eventually left journalism behind but held on to the material she had gathered. In 1926, she wrote a stage play titled Chicago, loosely based on the trials she had covered. Her central character, Roxie Hart, was a fictional version of Beulah Annan, and Velma Kelly, originally portrayed as another inmate rather than a co-lead, was inspired by Belva Gaertner.
The play premiered on Broadway that same year and offered audiences a darkly comic look at how crime, media and ambition often intersect. Watkins’ version included a slick-talking lawyer named Billy Flynn, a fame-hungry murderess at the center of a media storm and a justice system easily swayed by a pretty face.
Reinvention with Jazz and Fosse Flair
Nearly 50 years later, legendary director and choreographer Bob Fosse saw new potential in Watkins’ play. Along with composer John Kander and lyricist Fred Ebb, he reimagined Chicago as a musical set to a sizzling jazz score and structured like a vaudeville revue. This format allowed each number to function like an act in a variety show, giving the audience a sense that what they were watching onstage mirrored what the press and public had made of the original stories.
The musical opened on Broadway in 1975, with Gwen Verdon as Roxie Hart, Chita Rivera as Velma Kelly and Jerry Orbach as Billy Flynn. The production leaned into its stylized presentation, blending humor, sensuality and cynicism into a tale that felt both of its time and timeless.
The characters remained rooted in the same themes Watkins had explored: ambition, manipulation and the hunger for fame. But with Kander and Ebb’s
All That Jazz Hotcha- Featuring Taylor Lane as Velma Kelly and the ensemble of Chicago The Musical. Photo Credit: Jeremy Daniel
sensational score and Fosse’s signature staging, the story became something more: a full-blown showbiz spectacle that made its audience complicit in the very media circus it satirized.
A Revival and a Record
In 1996, Chicago was revived with a stripped-down production that let the music and story take center stage. With minimal sets, sleek costumes and the orchestra placed visibly onstage, the revival reminded audiences that the material did not need embellishment. It was already bold and completely captivating.
Since then, Chicago has played to millions around the world. It became the longestrunning American musical in Broadway history, and its influence has only grown. A 2002 film adaptation, starring Renée Zellweger, Catherine Zeta-Jones and Richard Gere, brought the story to new audiences and won the Oscar for Best Picture, proving that the tale of Roxie and Velma still had plenty of life.
Still the Name on Everybody’s Lips
Why does Chicago continue to resonate? In part, because its themes never go out of style. We still live in a world where headlines can launch careers, courtroom drama can double as entertainment, and where the line between celebrity and criminal is sometimes uncomfortably thin.
What began as a journalist’s eye on two sensational trials has become a cultural phenomenon. From the streets of 1920s Chicago to center stage and beyond, the story behind Chicago is one of transformation. Crime became theatre. Theatre became legend. And the rest, as they say, is show business.
For more information and features, head over to Broadway.com.
Roxie and Her Boys- Featuring Ellie Roddy as Roxie Hart and the ensemble of Chicago The Musical
Photo Credit: Jeremy Daniel
KIMBERLY AKIMBO CREATORS DAVID LINDSAY-ABAIRE AND JEANINE TESORI ON HOW THE PLAY GREW UP TO BE A MUSICAL
STORY BY Darryn King
After Shrek the Musical opened on Broadway in 2008, playwright and lyricist David Lindsay-Abaire and composer Jeanine Tesori knew they wanted to collaborate on another project. When it came to deciding what it would be, Tesori literally pulled it off the shelf.
Written in 2000, Lindsay-Abaire’s play Kimberly Akimbo was about a teenage girl with a rapid aging disease. The play premiered in 2001 at South Coast Repertory in California before an Off-Broadway run in 2003 at Manhattan Theatre Club. “She said, ‘I think this one sings,’” Lindsay-Abaire told Broadway.com Managing Editor Beth Stevens on The Broadway Show.
Premiering Off-Broadway in 2021 at Atlantic Theater Company ahead of its 2022 Broadway transfer, the resulting musical certainly did sing—to the tune of five Tony Awards including for Best Musical, Best Book of a Musical and Best Original Score. (These were Lindsay-Abaire’s first Tony wins; Tesori previously won for her score for Fun Home.)
As Tesori explained, Lindsay-Abaire’s story of a young girl trapped in the body of a much older woman—whatever its biological implausibility—felt emotionally true. “When my grandmother was in her late eighties, she would look at the mirror and she would say, ‘God, I’m so surprised I’m not 12,’” she said. “It’s about how we stay the children we were.”
Emily Koch and Laura Woyasz in the National Tour of Kimberly Akimbo
Photo by Patrick Gray, KabikPhotoGroup.com.
It was also a story, Tesori felt, with the right, rich balance of tragedy and comedy, beauty and absurdity. “That’s what life is, so much of the time,” said Tesori.
The long process of creative development began with a complete rewrite. “One of the things that we are deeply invested in is looking at work like you didn’t write it at all,” said Tesori. “We sat in this room and we started at page one—and I mean: Punctuation. Stage directions.”
For Lindsay-Abaire, revisiting and reexamining Kimberly’s story two decades later was a lot like seeing his life flash before his eyes. “Whoever I was 20 years ago, that’s who wrote that play,” he said. “My concerns were whatever they were at the time; I connected more with the teenage characters. And now, all these years later, I’m a dad with two boys and I have a different relationship with child and parent stuff. To reinvestigate it from this new place is a pretty major thing.”
Ultimately, Kimberly Akimbo the musical feels like something different than Kimberly Akimbo the play. “That’s just the magic of music and what Jeanine brought to it,” said Lindsay-Abaire. “It’s a completely different animal—it’s more dimensional and it’s more emotional.”
For extended cuts of this interview and others, head over to Broadway.com.
Skye Alyssa Friedman, Pierce Wheeler, Darron Hayes and Grace Capeless in the National Tour of Kimberly Akimbo.
Photo by Joan Marcus
Carolee Carmello and Jim Hogan in the National Tour of Kimberly Akimbo
Photo by Joan Marcus
Lyrics by Fred Ebb
Chicago Razzle Dazzle II LLC presents
CHICAGO
Music by John Kander
Based on the play by Maurine Dallas Watkins
Book by Fred Ebb & Bob Fosse
Original Production Directed and Choreographed by Bob Fosse Starring
Taylor Lane Ellie Roddy Connor Sullivan Andrew Metzger
Also Starring
Illeana “illy” Kirven D. Fillinger
Lindsay Lee Alhady Timothy Scott Brausch Faith Jordan Candino
Christopher Cline Teryn Cuozzo Josh England Roberto Facchin Serena Kozusko
Zoie Lee Eliza Levy Chase McFadden Ryan McInnes Emiliano Morales
Simeon Rawls Angelliz M. Rosado Ramos Brad Weatherford Christina Youngblood
Scenic Design
John Lee Beatty
Supervising Music Director
Robert Billig
Associate Costume Designer
Donald Sanders
Script Adaptation
David Thompson
Booking Engagement
The Booking Group
Production Stage Manager
Lauryn Elizabeth
General Manager Ryan Parliment
Costume Design William Ivey Long
Music Director/Coordinator
Cameron Blake Kinnear
Wig & Hair Design Bernie Ardia
Associate Conductor Andy Chen
Assistant to the Choreographer
Chelsea James
Production Supervisor Bethany Sortman
Lighting Design Ken Billington
Sound Design Scott Lehrer
Orchestrations Ralph Burns Vocal Arrangements Rob Fisher
Makeup Designer
Justen M. Brosnan
Casting ARC
Patrick Maravilla
Senior Company Manager
Marc Ciemiewicz
Associate Producer
Lauren L. Sobon
Brian J. Enzman
General Management APEX Touring
Re-creation of Original Production Choreography Gregory Butler
Dance Music Arrangements Peter Howard
Tour Marketing & Press
Anita Dloniak
Melissa A. Hazek
Tour Company Manager Jessica Fernando
Production Manager
Russell A. Thompson
Executive Producer William T. Prather
Re-creation of Original Production Direction David Hyslop
Choreographer Original New York Production Ann Reinking in the style of Bob Fosse
Director Original New York Production Walter Bobbie
Based on the presentation by City Center’s Encores!
CAST
(in order of appearance)
Velma Kelly ...................................................................................................... TAYLOR LANE
Roxie Hart ........................................................................................................ELLIE RODDY
Fred Casely .................................................................................... BRAD WEATHERFORD
Sergeant Fogarty ............................................................................ CHRISTOPHER CLINE
Amos Hart ............................................................................................ ANDREW METZGER
Liz ELIZA LEVY
Annie CHRISTINA YOUNGBLOOD
June ANGELLIZ M. ROSADO RAMOS
Hunyak LINDSAY LEE ALHADY
Mona FAITH JORDAN CANDINO
Matron “Mama” Morton ................................................................. ILLEANA “illy” KIRVEN
Billy Flynn ............................................................................................ CONNOR SULLIVAN
Mary Sunshine ................................................................................................ D. FILLINGER
Go-to-Hell-Kitty ....................................................................................................... ZOIE LEE
Harry ..................................................................................................... ROBERTO FACCHIN
The Doctor JOSH ENGLAND
Aaron SIMEON RAWLS
The Judge JOSH ENGLAND
The Bailiff TIMOTHY SCOTT BRAUSCH
Martin Harrison ROBERTO FACCHIN
Court Clerk............................................................................ TIMOTHY SCOTT BRAUSCH
The Jury................................................................................................. CHASE MCFADDEN
THE SCENE: Chicago, Illinois. The late 1920s.
UNDERSTUDIES
Understudies never substitute for a listed player unless a specific announcement for the appearance is made at the time of the performance.
For Roxie Hart- CHRISTINA YOUNGBLOOD, ELIZA LEVY
For Velma Kelly- ELIZA LEVY, CHRISTINA YOUNGBLOOD
For Billy Flynn- SIMEON RAWLS
For Amos Hart- JOSH ENGLAND, RYAN MCINNES
For Matron “Mama” Morton- ANGELLIZ M. ROSADO RAMOS, SERENA KOZUSKO
SWINGS
Teryn Cuozzo, Serena Kozusko, Ryan McInnes, Emiliano Morales
DANCE CAPTAINS
Serena Kozusko, Ryan McInnes
TAYLOR LANE
ELLIE RODDY
ANDREW METZGER
LINDSAY LEE ALHADY
CHASE MCFADDEN
JOSH ENGLAND
D. FILLINGER
ROBERTO FACCHIN
ZOIE LEE
ELIZA LEVY
SERENA KOZUSKO
TIMOTHY SCOTT BRAUSCH
ILLEANA “illy” KIRVEN
CHRISTOPHER CLINE
CONNOR SULLIVAN
FAITH JORDAN CANDINO
EMILIANO MORALES
RYAN MCINNES
TERYN CUOZZO
MUSICAL NUMBERS
Overture ......................................................................................... The Band and Company
“All That Jazz” Velma and Company
“Funny Honey” Roxie
“Cell Block Tango”........................................................................................ Velma and Girls
“When You’re Good to Mama” ....................................................
Matron “Mama” Morton
“Tap Dance” Roxie, Amos and Boys
“All I Care About” Billy and Girls
“A Little Bit of Good” Mary Sunshine
“We Both Reached for the Gun” .................. Billy, Roxie, Mary Sunshine and Company
“Roxie” ............................................................................................................Roxie and Boys
“I Can’t Do It Alone” Velma
“My Own Best Friend” Roxie and Velma
INTERMISSION
Entr’acte The Band
“I Know a Girl” ................................................................................................................ Velma
“Me and My Baby” ........................................................................................Roxie and Boys
“Mister Cellophane” Amos
“When Velma Takes the Stand” Velma and Boys
“Razzle Dazzle” ....................................................................................... Billy and Company
“Class” .........................................................................Velma and Matron “Mama” Morton
“Nowadays” Roxie and Velma
“Hot Honey Rag” Roxie and Velma
Finale ......................................................................................................................... Company
Original choreography for “Hot Honey Rag” by Bob Fosse
ORCHESTRA
Music Director and Conductor: CAMERON BLAKE KINNEAR
Associate Conductor: ANDY CHEN
Piano and Assistant Conductor: BRENT C. MAULDIN
Reed 1: JASON WHITMORE
Reed 2: HEATHER KRIESEL
Reed 3: CLAY STEINER
Trumpet 1: JORDAN WEBB
Trumpet 2: WILL ESPOSITO
Trombone: ANDY SHARKEY
Banjo/Mandolin/Ukulele: TRAVIS WELCH
Tuba/Bass: GARRETT SULLIVAN
Percussion: JASON CHAFATELLI
The photographing or sound recording of any performance or the possession of any device or such photographing or sound recording inside the theater, without the written permission of the management, is prohibited by law.
WHO’S WHO IN THE CAST
TAYLOR LANE (Velma Kelly) is honored to bring this iconic role to life as a proud Chicagoan! National Tour: Jesus Christ Superstar. Regional: Goodspeed Opera House (Randy Skinner’s 42nd Street); Marriot Theatre, Paramount Theatre; Porchlight Music Theatre (Judy Turner, A Chorus Line); Cincinnati Playhouse in the Park. Infinite love and gratitude to my friends and family, and a special thanks to ARC Casting and Take3Talent. @taylorroses
ELLIE RODDY (Roxie Hart). National tour debut! Ellie is elated to paint the town(s) with the legacy of Chicago! Originally from Orlando, FL, she’s now a New York resident. Favorite credits include Sherrie (Rock of Ages), Anytime Annie (42nd Street), Rizzo (Grease), and Magenta (Rocky Horror Live!). SO eternally grateful for my friends, my family, Resolute Artists Agency, and my funny honey, Ash. @ellieroddy_
CONNOR SULLIVAN (Billy Flynn). Thrilled to return for a second year in the cell block! Favorite credits include performing at Walt Disney World and for Disney Cruise Line, and all the shows he performed in the basement with his siblings growing up. HUGE thanks to the Chicago creative team, ARC, and APEX! @connorpsully
ANDREW METZGER (Amos Hart) is honored to play such a dream role! Recent credits: Genie (Disney’s Aladdin: A Musical Spectacular, Disney Cruise Line - Fantasy); Cowardly Lion (The Wizard of Oz, Lythgoe Family Productions); Uncle Fester alongside Teri Hatcher as Morticia (The Addams Family, 5-Star Theatricals). Special thanks and love to Mackenzie and Indy! @andrewmetzger_actor andrewmetzger.net
ILLEANA “illy” KIRVEN (Matron “Mama” Morton) (she/her) is delighted to continue her Chicago journey. Last seen on the 25th Anniversary International Tour in South Korea and 25th Anniversary North American Tour. With 100s of shows on her resume, here are a few favorites: Caroline in productions of Caroline, or Change, Deloris Van Cartier in Sister Act, the Narrator in productions of Joseph and the Amazing Technicolor Dreamcoat. Illy dedicates her shows to her one-of-a-kind, beautiful angel Mama, Mildred. Enjoy the show. @321illy
D. FILLINGER (Mary Sunshine). National tour debut and overjoyed to be part of this incredible legacy! Hails from small town Cullman, AL. Special thanks to God, my parents, Aunt Robin, mentors Lindsay Troha, Dr. Kenning, Dr. Richardson, Chelsea Reynolds, & best friends Nic and Daylan. Dedicated to my late brother, Nicholas— #4Nic. @drewfillinger
LINDSAY LEE ALHADY (Hunyak). Recent credits include Bandstand (The REV Theatre Company), Crazy For You (Asolo Repertory Theater), A Christmas Story (John W. Engeman Theater), Chicago and Disney’s The Little Mermaid (The Lexington Theatre Company), and Singin’ in the Rain (Lyric Theater of Oklahoma). Thank you to Bloc Talent! Love to Mom, Dad, and Jamilee.
TIMOTHY SCOTT BRAUSCH (The Bailiff/ The Clerk). National Tours: My Fair Lady Regional: North Carolina Theatre. Elon University, BFA in Music Theatre. Love to my family, friends, PMA and my dance mentors without whom I would be nowhere. timothyscottbrausch.com @timothyscottbrausch
FAITH JORDAN CANDINO (Mona) is ecstatic to be returning to Chicago on tour! Regional: Crazy For You (Ogunquit Playhouse), West Side Story (VA Rep), A Chorus Line (City Springs), Pelagius (Legacy Theatre), Norwegian+Regent Cruise Lines, Awakening (inaugural cast). Film: Hallmark Channel, LionsGate, Apple TV+, Warner Bros. Love to Mom+Dad, my dreams are a reality because of you. Love to friends, ARC Casting, APEX, and Resolute Artists Agency. @curlycandino
CHRISTOPHER CLINE (Sergeant Fogarty). National tour debut! Most recently seen in Mamma Mia! on Royal Caribbean Cruise Line. From New Jersey, Christopher is a recent graduate of the University of Miami. Big thanks to the team, my family, & voice coach, Edgar! @christopherccline
TERYN CUOZZO (Swing) (she/her). National tour debut! BFA Musical Theatre Coastal Carolina University. Credits: Cabaret (Sally Bowles), La Cage (Collette), Steel Magnolias (Shelby). Thank you to the entire Chicago family, @ccutheatre and her team at Avalon Artists Group. Love to Mom, Dad and Alexa! @teryncuozzo
JOSH ENGLAND (The Doctor/The Judge/ Amos Hart Understudy) is beyond excited to be making his national tour debut in Chicago! Based in NYC, originally from Michigan. Regional: Carousel, Damn Yankees, A Chorus Line, 42nd Street, West Side Story, Cabaret. TV/Film: “The Marvelous Mrs. Maisel,” “Gossip Girl.” BFA, Oakland University. Love to ARC Casting, Mom, Dad and all of his friends and family! @josh_england_
ROBERTO FACCHIN (Harry/Martin Harrison) is from Málaga, Spain. Recent credits include the Antonio BanderasBaayork Lee production of A Chorus Line (Mark), Broadway hit CATS (Alonzo), Anastasia (Ensemble/Von Rothbart), West Side Story (Chino), Cocktail Hour with Ballets With a Twist and Orphan Train with Covenant Ballet Theatre. If you want to learn more about his work, you can visit his website. Robertofacchin.com
SERENA KOZUSKO (Swing/Dance Captain/ Matron “Mama” Morton Understudy) (she/her) is thrilled to make her national tour debut in this dream show! Recently: Carousel (The Wick), Hello, Dolly! (Pioneer Theatre), Grease (Cha-Cha, MT Wichita), Joseph…Dreamcoat (Potiphar’s Wife, Arizona Broadway). Vail, CO native, University of Utah alum. Huge thanks to ARC, the Chicago team, and her wonderful friends/family! @heyitsseray
ZOIE LEE (Go-To-Hell-Kitty). Kansas City, MO native. Previous credits: Anastasia National Tour, Jersey Boys (NCLH), Regent Splendor (NCLH), Cedar Fair Ent. at Worlds of Fun. Studied Music Theater at AMDA. Zoie is grateful for the opportunity to be a part of this show’s legacy. Chicago was a pivotal show in her life, and is honored to share this story now! Razzle Dazzle ‘Em!
ELIZA LEVY (Liz/Roxie Hart & Velma Kelly Understudy) (she/her) is a recent graduate of Cincinnati College Conservatory of Music, and is currently making her national tour debut with this wonderful production! She would like to thank the team at Henderson & Hogan, all of her teachers, friends, and family! Love you to the moon and back! @eliza_levyy
CHASE McFADDEN (The Jury) is thrilled to be back in the cell block. He has been performing with the tour on and off since 2022.
Big thanks to my family, Greg, and Gary. @unofficialchase
RYAN McINNES (Swing/Dance Captain/ Amos Hart Understudy) (he/him). National tour debut! Regional: Engeman Theater, Arts Center of Coastal Carolina. Proud recent graduate of Point Park University with a BFA in Musical Theatre. Endless thanks to Mom, Dad, Meaghan and this incredible team. Biggest thanks for supporting live theatre! @_ryanmcinnes
EMILIANO MORALES (Swing) is thrilled to be a part of Chicago The Musical National tour debut! Regional: Frozen (NSMT), Usurpations (Theatre Row), Othello: Santiago (Guthrie Theatre), Bright Star (FPAC). Texas State University BFA in Musical Theatre. My infinite gratitude to my family, mi mamá, Kaitlin Hopkins, and Señor C.A. Rust. Orgullosamente Mexicano. @emilianomoraless
SIMEON RAWLS (Aaron/Billy Flynn Understudy) is thankful to be making his national tour debut! Regional: Chicago (Arts Coastal), Beautiful (Virginia Rep), Disney’s Beauty and the Beast (Engeman). Many thanks to Avalon Artists Group! Love always to mum, my mentors, Miss Peggy, Claire, and my support circle. This one’s for us, we did it. @simeonrawls
ANGELLIZ M. ROSADO RAMOS (June/ Matron “Mama” Morton Understudy). Born in Puerto Rico. Trained in Beyond Dance Studio with Michi and Solimar Arzola and graduated from AMDA. Credits: On Your Feet!, Puerto Rico and On Your Feet! National Tour. “Thanks to God, my family and friends. Chicago was my biggest dream, and now I get to do it every night.” @angelliz.rosado
BRAD WEATHERFORD (Fred Casely). National tour debut! Regional: Fulton Theatre, Casa Mañana, Arkansas Rep, Argyle Theatre, Playhouse on Park, The Palace Theatre. Other credits: Christmas at Carnegie Hall, The Dome St. Louis. Many thanks to Jim and the MTA family, ARC Casting, and his family and friends for their love and support.
CHRISTINA YOUNGBLOOD (Annie/Roxie Hart & Velma Kelly Understudy) from Toledo, Ohio. Ball State Musical Theatre BFA. Regional: 42nd Street (Winnie; Arrow Rock), West Side Story (Graziella;
Porthouse). Love to Mom, Dad, MSA, Kooky Cardinals, and the cast of 2013 Fame Jr. Dedicated to Michael Elliott. @Xtinayoungblood
JOHN KANDER & FRED EBB (Music, Book, Lyrics). The John Kander and Fred Ebb collaboration of four decades created what many would consider Broadway standards and contemporary classics: Flora, the Red Menace, Cabaret (Tony Award), The Happy Time, Zorba, 70, Girls, 70, Chicago, The Act, Woman of the Year (Tony Award, Best Score), The Rink, Kiss of the Spider Woman (Tony Award, Best Score) and Steel Pier. Their collaboration also transferred itself to movies and television as they wrote original material for the Academy Awards, “Liza With a Z” (Emmy Award), HBO’s “Liza Minnelli’s Stepping Out” (Emmy Award), Funny Lady (Oscar nominated for “How Lucky Can You Get”), Lucky Lady, New York, New York, Stepping Out and Chicago (Oscar nominated for Best Song). In the mid ’80s the song “New York, New York” became the official anthem of New York City. At the time of the unfortunate death of Mr. Ebb, Kander and Ebb had several projects in different stages of completion waiting in the wings: All About Us, Curtains and The Scottsboro Boys. Life goes on.
BOB FOSSE (Book). First director in history to win Oscar, Tony and Emmy awards in one year (1973) for the film Cabaret, the musical Pippin and the TV special “Liza With a Z.” He won the first of eight Tonys as choreographer for The Pajama Game, followed by directing and choreographing Redhead, Little Me, Sweet Charity (stage and film), Chicago, Dancin’. Other choreography: Damn Yankees, New Girl in Town, How to Succeed…, Big Deal. Film: My Sister Eileen, The Pajama Game, Damn Yankees. Director: Lenny (Oscar nom.), All That Jazz (Oscar nom.), Star 80
WALTER BOBBIE (Director) directed the New York productions of Bright Star, Venus in Fur, The Landing, Golden Age, School for Lies, Irving Berlin’s White Christmas, Chicago, The Submission, Cabin Pressure, The Savannah Disputation, New Jerusalem, High Fidelity, The Other Woman, The Marriage of Bette and Boo, Sweet Charity, Twentieth Century, Footloose, Durang/ Durang, For Whom the Southern Belle
Tolls and A Grand Night for Singing. He was Artistic Director of City Center Encores! where he also directed Fiorello!, Chicago, Tenderloin, Golden Boy, No, No, Nanette and Zorba, as well as the Carnegie Hall concerts of South Pacific and Carousel. Mr. Bobbie served for 12 years on the Board of the Stage Directors and Choreographers Society. He is the recipient of Drama Desk, Outer Critics Circle and Tony awards.
ANN REINKING (Choreographer). 1997 Tony Award, Best Choreography for Chicago, as well as Drama Desk, Outer Critics Circle, Astaire and NY Drama Critics awards. Other credits include: director, co-choreographer for Fosse (1998 Tony Award for Best Musical), Tony nomination for Best Director in a Musical, Fosse. Nominations for Tonys in four different categories: Best Actress, Best Supporting Actress, Best Choreographer, Best Director (won the Tony for Best Choreography), as well as Tony nominations for her leading performances in Dancin’ and Goodtime Charlie, won the Lawrence Olivier Award for Fosse, recipient of Theatre World, Clarence Derwent and Outer Critics Circle awards for her work as Maggie in Over Here!. Film credits: Movie Movie, All That Jazz, Annie, Micki and Maude. Recent choreography: Sondheim Suite for Pacific Northwest Ballet, Suite Kander for Missouri State Ballet, Ritmo & Ruido for Ballet Hispanico, Legends for Joffrey Ballet of Chicago, The Threepenny Opera for Williamstown Theatre Festival, Nilsson/ Schmillson for Seattle’s Spectrum Dance Theatre, “Bye Bye Birdie” for ABC-TV, national tour of the revival of Applause Co-choreographed The White City and Light In The Dark/Thodos Dance Chicago. Choreographed The Harrison Tribute/American Ballet Theatre. She is the recipient of the National Broadway Theatre Award for Best Choreography, Fosse, 2001, the Drama League Award for Distinguished Achievement in Musical Theatre 1999, Musical Hall of Fame Award 1999, Dance Library of Israel Award 1998, Distinguished Artist Award 1998, School of American Ballet Artistic Achievement Award 1997, National Art Club Award for Service to the Arts 1995, Governor’s Award—Ambassador of the Arts for
the State of Florida 1994, Honorary Doctorate from Florida State University, Dance Magazine Award, Ford Foundation Scholarship for the San Francisco Ballet Company and the Robert Joffrey Scholarship with the Joffrey Ballet.
JOHN LEE BEATTY (Set Design).
Broadway: Plaza Suite, Junk, Disgraced, Venus in Fur, After Midnight, The Nance, Other Desert Cities, The Color Purple, A Delicate Balance, The Heiress, The Sisters Rosensweig, The Most Happy Fella, Burn This, Ain’t Misbehavin’, Talley’s Folly, Fifth of July, among 100 others. Off-Broadway: Sylvia, The Substance of Fire, Lips Together, Teeth Apart, A Life in the Theatre, many seasons at MTC, Circle Rep, Lincoln Center and Encores. Major regional theaters, film, opera, TV and the circus. Multiple Tony, Obie, Drama Desk and Outer Critics Circle awards. Graduate: Brown and Yale.
WILLIAM IVEY LONG (Costume Design). Mr. Long is currently represented on Broadway by Chicago (now in its 28th year!) and on tour and internationally by Chicago and Beetlejuice. In addition to his countless design credits for opera, ballet, modern dance, theatre, television and film, he has been nominated for 18 Tony Awards, winning six times. He was inducted into the Theater Hall of Fame in 2005. www.williamiveylong.com
KEN BILLINGTON (Lighting Design) has over 100 Broadway shows to his credit, including the original Sweeney Todd, Waitress, Sunday in the Park With George (2008 and 2017), Act One, The Drowsy Chaperone and Footloose. His TonyAward lighting for Chicago has been seen in 36 countries. Other projects: Hugh Jackman Back on Broadway, the Radio City Christmas Spectacular, Fantasmic! at Disneyland and award-winning architectural lighting for work at NYC’s Tavern on the Green and Feinstein’s/54 Below. Ken is a member of the Theater Hall of Fame.
SCOTT LEHRER (Sound Design). Theatre credits: Gypsy with Audra McDonald, Plaza Suite, Into the Woods, To Kill A Mockingbird, The Piano Lesson, The Music Man with Hugh Jackman, Carousel, Hello, Dolly! with Bette Midler, Shuffle Along..., Fiddler on the Roof, The King and I, A Raisin in the Sun with Denzel
Washington, Mike Nichols’ productions of Betrayal and Death of a Salesman, Lucky Guy with Tom Hanks, Richard Nelson’s Rhinebeck Panorama, South Pacific (first Tony Award for Sound), and over 60 NY City Center Encores! including Chicago. Recordings include An American in Paris (Grammy nomination), Loudon Wainwright III’s High Wide and Handsome (Grammy) and Meredith Monk’s Mercy. A graduate of Sarah Lawrence College, he has taught at Bennington College, Hunter College and NYU.
ROBERT BILLIG (Music Supervisor) has been music director, conductor and/or supervisor for Broadway, Off-Broadway and national touring musical productions for over 45 years. A graduate of New York University with a BA in Music, he has been music director/conductor of the original Broadway productions of Les Misérables, Miss Saigon, Man of La Mancha (2002 revival), Singin’ in the Rain and The Best Little Whorehouse in Texas. Other Broadway productions he has conducted include Chicago, Wicked, Song and Dance and My One and Only National tours include Wicked, The Drowsy Chaperone, Young Frankenstein, Les Misérables (25th anniversary production), Chicago and most recently, Hello Dolly! Off-Broadway he was music director and vocal arranger for the original production of Little Shop of Horrors and provided the vocal arrangements for the film version of the show. In addition, he was Musical Director for Disney’s Geppetto. Mr. Billig’s other conducting credits range from intimate nightclubs to international symphony orchestras and everything in between.
DAVID HYSLOP (Re-Creation of Original Production Director). Over 20 Broadway credits including Chicago, Priscilla Queen of the Desert, Democracy, The Rocky Horror Show, Bobbi Boland, The Blue Room, Jekyll & Hyde, Diary of Anne Frank, An Ideal Husband, and A Few Good Men. Associate Director for eight national tours of Chicago as well as Priscilla Queen of the Desert and Peter Pan 360. Much love and gratitude to all the people who influenced and guided me early on at The Pacific Conservatory of the Performing Arts, The American Conservatory Theatre and The Actors Studio.
GREGORY BUTLER (Re-creation of Original Production Choreographer) is currently the associate choreographer for Broadway’s six time Tony Award-winning Chicago The Musical. He has been on the creative teams that have mounted productions around the world including Denmark, Moscow, Korea, Amsterdam, Argentina, Germany and the U.S. He has also restaged numbers from Chicago for various television and award shows including “Dancing With The Stars,” “Let’s Make a Deal,” “The Today Show,” “The Rosie O’Donnell Show,” “Good Morning America,” “CBS Morning Show,” “The Helene Fischer Show,” “The Tony Awards” and “The Bambi Awards.” Through his involvement with Chicago, Gregory has been honored to work with a host of celebrated stars such as Brandy Norwood, Usher, Rita Wilson, Melanie Griffith, Patrick Swazye, Jennifer Holiday, Patti LaBelle, George Hamilton, Erika Jayne, Chita Rivera, Lisa Rinna, Harry Hamlin, Angelica Ross, Melora Hardin, Louis Gossett Jr. and Christie Brinkley, to name a few. In 2013, Gregory had the honor to choreograph Chicago for the “Musical Under The Stars” series at the iconic and historic Hollywood Bowl, which was directed by Brooke Shields. He is also an accomplished actor/singer/dancer having performed on and off broadway, national tours, tv/film, stock and regional theater. Gregory can be seen in the Emmy nominated documentaries Pamela: A Love Story and Pretty Baby: Brooke Shields He choreographed the recently released film The Last Showgirl, directed by Gia Coppola, starring Pamela Anderson and Jamie Lee Curtis. Facebook: Gregory Butler Twitter: @GregKButler Instagram: @Gkbut
BERNIE ARDIA (Wig & Hair Design) is still enjoying a 50-year career, starting in television. Mr. Ardia has designed and coordinated well over 100 productions. He is very happy to once again be a part of this tour of Chicago which he dedicates to his dear friend the legendary, Chita Rivera. Other credits: Ragtime, The Kennedy Center; Cameron Mackintosh’s Les Misérables; Kiss of the Spider Woman; Andrew Lloyd Webber’s Starlight Express in Las Vegas; and Cinderella with Eartha Kitt. Mr. Ardia
is proud to have had his name mentioned recently on TCM for his contribution to the John Waters: Pope of Trash exhibit at the Academy Museum in Los Angeles. He has worked with many talented performers, including Ramin Karimloo, Jeanne Cooper, George Wendt, Mary Wilson, Lynda Carter, Melody Thomas-Scott, Makenzie Philips and even Judge Judy! He is also the author of Barbra Streisand in New York City, and currently presents a new book, At Sea With Patrick Dennis: My Madcap Mexican Adventure with the Author of Auntie Mame, published by Rattling Good Yarns. #atseawithpatrickdennis
JUSTEN M. BROSNAN (Makeup Designer). “The Creation of Beauty is Art”- Ralph Waldo Emerson. Award-Winning Makeup Designer + Artist. Broadway: Hairspray The Musical, The Drowsy Chaperone, Legally Blonde The Musical and more. Thank you to Rosie, Chita, Bernie & The Source.
DAVID THOMPSON (Script Adaptation). Broadway productions include the librettos for The Scottsboro Boys (Tony and Drama Desk Award nominations, HullWarriner Award), Steel Pier (Tony nomination) and Thou Shalt Not. Off-Broadway: And the World Goes ‘Round (Drama Desk and Outer Critics Circle awards), Flora, the Red Menace (Drama Desk nomination). Regional: McCarter Theatre’s A Christmas Carol. Television: “Sondheim: A Celebration at Carnegie Hall,” and “My Favorite Broadway.” Thompson is a graduate of Northwestern’s Medill School of Journalism.
CAMERON BLAKE KINNEAR (Music Director/Conductor/Music Coordinator) National Tours: Chicago, How The Grinch Stole Christmas. Regional: premiere of Frank Wildhorn’s Wonderland, Disney’s When You Wish, Rock of Ages, Sister Act, Ghost, La Cage aux Folles, Gutenberg!, The Musical, 1940’s Radio Hour, Ring of Fire, Sweet Charity, Big River, Urinetown, Assassins, All Shook Up, His Eye Is On The Sparrow, Mary Poppins, The Music Man, Crazy for You, Fiddler on the Roof, Rent. Cruise Lines: Swing!, Legends In Concert. ANDY CHEN (Associate Conductor) (he/him) is thrilled to continue for a second year with Chicago! Recent credits: Iolanthe, Little Women, Bright Star, Singin’
in the Rain. He holds an MM in Music Direction from Arizona State University. Much gratitude to Payton and family. @andychenonkeys
THE BOOKING GROUP (Tour Booking Agency) has represented 28 Tony Awardwinning Best Musicals and Plays. Current tours include The Book of Mormon, Chicago, Come From Away, Dear Evan Hansen, Hadestown, Hamilton, Mamma Mia!, Mean Girls, MJ The Musical, Mrs. Doubtfire, Parade, Pretty Woman, Six, Some Like It Hot, Tina: The Tina Turner Musical and The Wiz. ARC (Casting). 150+ productions across the globe & 13 Artios Awards for Casting. Broadway/NY Past & Current Productions include: Othello, Gatsby, Life of Pi, Chicago the Musical, Disney’s The Lion King & Beauty and the Beast, Hadestown, Lost in Yonkers, Great Comet of 1812, Christmas Spectacular Starring the Radio City Rockettes, 39 Steps, Pippin, La Cage aux Folles. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/U.K.: Hadestown, Sister Act, Menier Chocolate Factory. Tours: 1776, Hairspray, Waitress, Urinetown, Girl From The North Country, Finding Neverland, Into the Woods, We Will Rock You. Regional: A.R.T., Berkeley Rep, Bay Street, Goodspeed, Ogunquit Playhouse, Hollywood Bowl, McCarter, Signature. ARC, Part of RWS Global. www.castingbyarc.com @castingbyarc
CHELSEA JAMES (Assistant to the Choreographer) is elated to be a member of the creative team for this current production of Chicago! Credits include: Chicago Broadway (Swing), Chicago National Tour (Dance Captain/Swing), Hairspray! (Amber Von Tussle), and CATS (Dance Captain/Syllabub). As both a performer and choreographer’s assistant, she is incredibly grateful to have the support, trust and opportunity to be a part of a show with such a profound legacy. Endless thanks to her fiancé, family and the Chicago team for the love!
MARC CIEMIEWICZ (Senior Company Manager) For almost 35 years, Marc has worked as an actor, director, stage manager, company manager, and production manager from coast to coast. Tours: Yeston and Kopit’s Phantom, It’s Swingtime!,
Joseph and the Amazing Technicolor Dreamcoat (directed and choreographed by Andy Blankenbuehler), Footloose 10th Anniversary Tour, The Wedding Singer, Finding Neverland, Chicago, Hairspray, and the national and international tours of The Wizard of Oz. Marc holds a BFA and an MFA in Musical Theatre from Shenandoah Conservatory and San Diego State University respectively.
JESSICA FERNANDO (Tour Company Manager). Originally from Melbourne, Australia, Jessica is an Orlando-based director, producer, and performer. Prior to joining the national tour of Chicago, she served as the Assistant Company Manager for the national tour of PAW Patrol Live! The Great Pirate Adventure. Her work as a producer and director has garnered international recognition, with numerous awards from prestigious festivals including the Toronto International Film Festival and the Sundance Film Festival. Jessica is a proud member of Actor’s Equity. For more information, visit: www.jessicafernando.com.
LAURYN ELIZABETH (Production Stage Manager). National Tours: Chicago, Wild Kratts Live! 2.0. Regional Theater: Seven Cousins For a Horse (Thrown Stone Theatre, World Premiere), Honk! (Revival Theatre). Cruise Lines: MSC Meraviglia (Rock Circus & House of Houdini) IPSM Regent Navigator Other past adventures include a season of Summer Nights Block Party and Witch of The Woods (Busch Gardens Williamsburg). Orchestra Stage Manager at Fisher Center (The Orchestra Now) Family. Friends. None of this would be possible without you. I love you older sister.
BETHANY SORTMAN (Production Supervisor). Tours: Chicago (Cell block and 25th Anniversary Tour), Summer: The Donna Summer Musical, Finding Neverland, Wizard of Oz (U.S. & International), Cabaret. Regional and ‘Stock favorites: Anything Goes, 42nd Street, Mary Poppins, Spamalot, Young Frankenstein, White Christmas, A Chorus Line, A Christmas Story, Rock of Ages and more. Other past adventures include a season of Celtic Fyre (Busch Gardens Williamsburg), many years of PSM’ing Gateway’s Haunted Playhouse and serving as the Company Manager for The Gateway and Argyle Theatre. Love and a pebble for DH.
BRIAN J. ENZMAN (Associate Producer) has 37 years of experience in the entertainment industry. He has been involved in over 400 productions from A Chorus Line in 1987 to the recent national tours of Hairspray, Cabaret, Once, The Musical and Summer: The Donna Summer Musical. As resident director, credits include: Evita, Yeston and Kopit’s Phantom, Les Miserables, The Civil War, Jekyll & Hyde, The Drowsy Chaperone, South Pacific, Hello Dolly, Best Little Whorehouse in Texas, Cabaret, Gypsy, Mame, The King and I, Damn Yankees, Music Man and Annie, to name a few. Brian is a graduate of Millersville University in Lancaster, Pennsylvania.
LAUREN L. SOBON (Associate Producer). Recent credits include Associate Producer for the 2020-2023 national tours of Chicago, Associate Producer/Casting for Hairspray, Director for the 2021 tour of Summer: The Donna Summer Musical, Artistic Producer/ Casting Director for the 2020 national tour of Finding Neverland, 2019 international and 2018/2019 national tours of The Wizard of Oz as well as the 2017 national tour of Pippin. She was the Director and Artistic Producer for the 2016 national tour of Million Dollar Quartet. Choreographer and Associate Producer for the 2014 national tour of Fiddler on the Roof
RUSSELL A. THOMPSON (Production Manager) has been the Production Manager for multiple national touring productions and the international tours of Chicago, Cabaret and Hairspray. Mr. Thompson was the Lighting Designer & Production Manager for the international and national tours of The Wizard of Oz, Summer: The Donna Summer Musical, Finding Neverland, Once, Pippin, Million Dollar Quartet, Memphis, Seven Brides for Seven Brothers, Hair, Fiddler on the Roof, All Shook Up, Footloose, The Wedding Singer, and Beehive: The 60’s Musical Thompson’s other designs include Jesus Christ Superstar, On Your Feet!, Joseph and the Amazing Technicolor Dreamcoat, Mamma Mia!, Jersey Boys, Rock of Ages, A Bronx Tale and CATS. He also designed the world premiere of Around the World in 80 Days and the regional premiere of The Civil War
APEX TOURING, LLC (General Management) is the producer of the current tour of Chicago, being presented by Chicago Razzle Dazzle II LLC. Now in its eighth tour season, APEX has produced recent national tours which include Hairspray, Summer: The Donna Summer Musical, Once and Finding Neverland APEX was honored to be the first company to bring a live production to the Kingdom of Bahrain and the Middle East with the international tour of The Wizard of Oz, which also performed across China. APEX produced the 2018 tour of Cabaret and 2017 tour of Pippin. APEX has been created to serve the ever-expanding need for high quality, Broadway-caliber touring productions around the world. APEX looks forward to many years of producing Broadway’s brightest new shows.
WILLIAM T. PRATHER (Executive Producer) is the Executive Producer and Founder of APEX Touring. He is a second-generation theatre producer following in the footsteps of his parents, Tom and Debbie Prather, who produced live theatre for over 58 years. A graduate of the School of Hotel Administration at Cornell University, he returned to the family business in 1993 after spending a couple of years in the corporate world. As an Executive Producer, Prather has worked on successful tours including Footloose, The Wedding Singer, BLAST, Fiddler on the Roof, Seven Brides for Seven Brothers, Memphis and Million Dollar Quartet CITY CENTER’S ENCORES! GREAT AMERICAN MUSICALS IN CONCERT. City Center, a not-for-profit theatre founded in 1943 as Manhattan’s first performing arts center, is home to many of America’s leading dance companies, education programs and popular engagements.The award-winning series Encores! was created in 1994 to revisit rarely heard scores, of which Chicago is one.
STAFF FOR CHICAGO
EXECUTIVE PRODUCER
WILLIAM T. PRATHER
GENERAL MANAGEMENT
APEX TOURING
GENERAL MANAGER
RYAN PARLIMENT
PRODUCTION MANAGER
RUSSELL A. THOMPSON
ASSOCIATE PRODUCERS
LAUREN L. SOBON
BRIAN J. ENZMAN
CHIEF FINANCIAL OFFICER
RACHELLE WINESETT
TOUR MARKETING AND PRESS
ANITA DLONIAK
MELISSA A. HAZEK
TOUR BOOKING and ENGAGEMENT MANAGEMENT
THE BOOKING GROUP
Meredith Blair Richard Rundle Brian Brooks
CASTING
ARC
Duncan Stewart, CSA Mark Brandon, CSA
Patrick Maravilla, Jarrett Reiche, Kendra Lucas
Kyle Coker, Devi Peot, Jaron Cole
Ryan Stana, CEO RWS Global
Ryan Saab, SVP RWS Global
SENIOR COMPANY MANAGER MARC CIEMIEWICZ
TOUR COMPANY MANAGER
JESSICA FERNANDO
PRODUCTION SUPERVISOR BETHANY SORTMAN
PRODUCTION STAGE MANAGER
LAURYN ELIZABETH
PRODUCTION STAFF
Head Carpenter ........................................ Aaron Collins
Assistant Stage Manager Elspeth Bustard
Carpenter/Rigger Starrett Pattison
Lighting Programmer ................................... David Arch
Production Electrician Elizabeth Marquis-Silva
Head Electrician ......................................... Dallas LaFon
Electrician Kelcie Nutile
Electrician Hope Honaker
Production Audio ......................................Colin Braeger
Head Audio Adam Visconti
Audio .....................................................Conor Gregersen
Head Props Tori Powers
Head Wardrobe/Wigs Paisley Finlayson
Swing Technician ........................................... Daisy Luna
Vice-President of Marketing Denise S. Trupe
Payroll Services............................Paycom Payroll, LLC
Legal Council Littler Mendelson, P.C.
Banking........................................................... Chase Bank
Insurance Maury, Donnelly & Parr, Inc.
Art Design
KellyAnne Hanrahan & EJZ Design
Production Photography ....................... Jeremy Daniel
Web Design The Beardy Boys
Merchandising ....................................... Creative Goods
Trucking Stage Call
Busing On the Road Coach
Concierge............................................... Road Concierge
CREDITS
Scenery built and painted by Hudson Scenic Studios.
Lighting equipment from PRG Lighting. Sound equipment by PRG Audio.
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General Manager
Deputy General Manager
Senior Marketing Director
Director of Marketing - Broadway
SAENGER THEATRE
An ATG Entertainment Venue
David Skinner
Jacques Jackson
Kym Martinez
Emily Walker
Digital & Marketing Manager..........................................
Marketing Coordinator
Director of Group Sales
Box Office Manager
Assistant Box Office Manager
Box Office Representatives
Director of Operations
Assistant Director of Operations
Building Engineer
Office Manager
Alexis Manuel
Marjorie Barber
Katy Tackett
Paddy Brennan
Mason Burch
Francis Carter, Lisa Cooks, Glenda Griffin, Janelle Jefferson, Sean McCreavy, Alexis Rey, Tim Sowell
E.P. Miller
Bernard Annis
Kevin Jackson
Alexandra Oster
House Artist Angelie Alciatore
Porters............................................
Benjamin Adams, Keith Carter, Terrence L’Herisse, Wendy Koster, Beverly Showers, Renard Fournette, Jonique Johnson
House Security Sinatra Jones, Thomas Smith, Joe Smith, Deron Toledano, Phil Williams
Technical Director
Scott Stewart
Assistant Technical Directors Erin “Jade” Crowley, Tony Tardieu
Director of Theater Services. Jennifer Hayes
Assistant Director of Theater Services Chanel Gusman
Senior House Manager Kerri Brunson, Amanda Davis
House Managers
JoAnn Bland, Tanya Bondy, Alena Boucree, Nathaniel Brooks Jr., Vanessa Chavis, Robert Cheramie, Mary Davis, Zelda Davis, Joshua Dudley, Tracy Duplessis, Elionder Harmon, Angela Jackson, Lindell Lee, Elizabeth McGill, Cynthia Moore, Natalie Polk, Henri Reed, Kenyetta Sewell, Lillie Shelburne, Kimberly Smith, Seritha Spadoni, Evelyn Stanley, Catina Stewart, Michelle Stokes, Rachel Swords, Trellis Thomas, Cordelia Townsend, Kimberly Townsend, Dwyn Turner
Event Security Natisha Beardon, Richard Colar, Carolyn Craft, Da’Shawn Elliott, Erander Guss, Charles Haley, Monique Jackson, Natoshia Lowe, Stacey Mason, Darlene Richardson, Thomas Shelburne, Daniel Terrebonne, Alex Thompson, Joseph Washington, Tracy Washington, Arthur Watson
IATSE House Crew ...................... Glenn Gandolini (Steward), John Davi, John Dunn, Jay Barocco, Chuck Golden, Brantley McClendon
Director of Food & Beverage. Dean Phillips
Deputy Director of Food & Beverage Tianne “Tank” Morales
Director of Parking Keyvon Scott Safety Officer. Joe Maumus
ATG ENTERTAINMENT
Group Executive Leadership Team
Chief Executive Officer
Group Content & Creative Director
Ted Stimpson
Michael Lynas
Chief Operating Officer and UK CEO..................................................................................................................................... Nick Potter
Chief Financial Officer
Chief Human Resources Officer
Chief Product & Technology Officer
Chief Marketing Officer
John Oldcorn
Sofia Fleming
Richard Zubrik
Chief Legal Officer...............................................................................................................................................................
CEO Central Europe
CEO North America
Phil Lloyd
Lisa Butler
Joachim Hilke
Lori Hotz
Creative Director Jordan Roth
ATG ENTERTAINMENT North America
Lori Hotz, Chief Executive Officer, North America Kristin Caskey, Chief Content Officer, North America
Content & Creative
Erica Schwartz, VP, Theatrical Programming
Bee Carrozzini, Producer, ATG Productions
Jason Miller, SVP, Music, Comedy and Event Programming
Jacob Porter, Gemma Kaneko, Jenn Sonick, Chris Wise, Erik Newson, Kevin Couch, Sammy Ma, Obed De la Cruz, Amy Bizjak, Alexandra Tamez
Finance
Nicolas Larrain, Chief Financial Officer
Victoria Griffin, Maryse Jean-Pierre, Jennifer Diaz, Sean Park, Matt Yates, Frank Morales, Rachel Hirsch, Rocio Ruiz, Devon Bacon, Shi Li, Joanne Rodriguez, Carmen Tran, Sophia Piatt, Melissa Hernandez, Edgar Martinez, Andrew Cribb, Jaime Tierney, Rolando Marin, Stephen Gonzalez
Ticketing & Revenue Management
Mitchell Klein, VP, Ticketing
Jessica Bettini, Ben Simpson, Leslie Stonebraker, Lauren Vadino
Danielle Covington, Danielle Doherty, Robert Gallo, Annie Grieco, Morgan Hogenmiller, Ginou Lilavois, Molly McNutt, Madeline Osborn, Mallory Sims, Ryan Sparks, Kimi Thompson
Marketing, CRM & Data Analytics
Stephen Santore, VP, Marketing & Sales
Justin Sullivan, Oliver Marley, Mara Cohen, Erin Choi,
Julianne DuPree, Taylor Howard, Christine Savoie, Alex Python
Food & Beverage
Alana McKenna, Interim Head of Hospitality
Steven Luquis, LP Morano, Maurice Bensmihen
Property & Operations
Sandra Toste, VP, Property and Operations
William Abraham, Russell Buenteo, Ieuan Evans, Peter Flemister, Adam Hodzic, Rasim Hodzic, Tristan James, Susan Law, Ronnie Mewengkang, Terrell Ramrattan, Fernando Rosado Jr., Alberto Vargas Jr.
Human Resources
Lisa Hauptman, VP, Human Resources
Walter J. Angulo, Phoenix Berry, Evangelina Hernandez, Norma Hernandez, Isabelle Komuves, Benjamin Lara, Ken Roach, Dominique Saunders
Corporate Support
John Rogers, General Counsel
Josh Fuhrer, VP, Business Development
Rainier Koeners, VP, Regional Venues
Jordan Gatenby, VP, Broadway Venues
Sally Shen, Chief of Staff
Jessica Owens, Tanner Bolin, Morgan Brandt, Ashley Klein
