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CONTENT

CINDERELLA | APRIL 2019

ENCOREATLANTA.COM AMP SALES PUBLISHER Tom Casey tomcasey@encoreatlanta.com VICE PRESIDENT OF REVENUE STRATEGY Patti Ruesch patti@encoreatlanta.com DIRECTOR OF MARKETING & SOCIAL MEDIA Stephanie Smith stephanie.smith@encoreatlanta.com BUSINESS DEVELOPMENT DIRECTOR — SANDY SPRINGS Heather Propst heather@encoreatlanta.com AMP CREATIVE EDITORIAL editor@encoreatlanta.com PRODUCTION MANAGER Mark F Baxter mark.baxter@encoreatlanta.com

6 FEATURES 6 Vogueing for Doggies

Philanthropic fashion instructor leashes canines to couture for a cause.

40 Fox Fun Facts

The Egyptian Ballroom, Grand Salon, and Spanish Room were all originally Shriner meeting spaces. Here are some other fun facts.

DEPARTMENTS 13 Program 34 Information 36 Etiquette/Staff 4

38 Friends of the Fox

DIGITAL MANAGER Ian Carson ian.carson@encoreatlanta.com PRODUCTION ASSISTANT Whitney Stubblefield whitney.stubblefield@encoreatlanta.com ENCORE ATLANTA is published monthly by American Media Products Inc. PRESIDENT Tom Casey CHAIRPERSON Diane Casey GENERAL MANAGER Claudia Madigan CONTROLLER Suzzie Gilham 8920 Eves Road, #769479 Roswell, GA 30076 Phone 678-837-4004 Fax 678-837-4066

Copyright 2019 AMP Inc. All rights reserved. Reproduction in whole or in part is strictly prohibited. Encore Atlanta is a registered publication of AMP Inc. The publisher shall not be liable for failure to publish an ad, for typographical errors or errors in publication. Publisher reserves the right to refuse any advertising for any reason and to alter advertising copy or graphics deemed unacceptable for publication.

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


Vogueing for

Philanthropic fashion instructor leashes

6

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


Doggies

canines to couture for a cause.

THE DOGGIES ON THE CATWALK FOUNDATION and its philanthropic founder, E. Vincent Martinez of Fashionado, are once again set to present an unforgettable evening of fashion, cocktails, bites, and four-legged friends — all for a great cause. On Saturday, June 1, 2019, some of Atlanta’s most notable personalities and influencers will don the latest trends from SAKS Fifth Ave with loving pups in tow thanks to Canine Assistants, a non-profit organization which educates service dogs and connects them to children and adults with physical disabilities or other special needs. Past catwalk models have included Simply Buckhead's Joanne Hayes, Monica Kaufman Pearson, Q100’s Bert Weiss, Rob Marciano GMA, Tracye Hutchins of CBS Atlanta, Christine Pullara of “Atlanta & Co.,” Evelyn Mims of WXIA TV, Actress Sharon Conley, Actress Catherine Dyer, RHOA’s Cynthia Bailey, from the Falcons/ CNN Coy Wire & Brian Finneran and Cynthia & Molly from Lifetime's “Double Divas.”

ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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VISION The vision of the Doggies on the Catwalk Foundation is two-fold. They are a 501(c)3 that provides financial assistance to non-profit organizations whose mission is to enhance the lives of individuals living with disabilities and other special needs, and to those organizations who provide safety and loving homes to animals in need. In addition to supporting non-profit organizations, the Doggies on the Catwalk Foundation is committed to providing educational assistance through the form of scholarships for college level fashion design students. MISSION Through the use of the element of fashion, the Doggies on the Catwalk Foundation supports the efforts of those making a difference in the lives of individuals living with disabilities and animals in need. It is also our mission to facilitate the career advancement of college students in fashion design programs through the Fashionado SEAM Grant.

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ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


VALUES • The importance of being an advocate for those living with disabilities and special needs. • The power of the human-animal bond and support finding loving homes for pets in need and those in need of service animals. • The desire for students to be able to follow their dreams of obtaining a higher education and for them to know financial assistance is not a barrier.

ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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GOALS • To supply funding for 501(c)3 organizations which provide assistance to those living with disabilities and pets in need. • To award scholarships to deserving fashion design students through the Fashionado SEAM Grant. • To partner with corporations, foundations, and individuals who support and stand behind our mission and values. • To raise funds and awareness through the annual Doggies on the Catwalk event. 10

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


ENCORE ATLANTA: You and your husband Alex Page are always so stylishly dressed, yet you make it seem so effortless, and you both look incredibly comfortable in anything you wear. What are your top three fashion tips for men and for women? E. VINCENT MARTINEZ: Confidence, fit, and stay away from trendy — good advice (we live by) and offer to men and women. Also, good shoes will elevate any look and take you far. EA: Are you a predictor of trends? EVM: When you consider that the looks presented by designers at fashion weeks are six months ahead and if you follow fashion, then yes, I suppose we’re all trend forecasters. EA: As a growing number of fashion houses opt to use only plant-based and synthetic materials — no real fur, leather, feathers — what’s on the horizon for animal-friendly fashion? EVM: Stella McCartney leads by example and has done so for more than two decades. Technology has paved the way for faux textiles to feel “real” and as the bigger names within the fashion world begin to adopt this approach we’ll see a mass acceptance and embracing of faux materials and sustainable fashion. With that said, I’m not sure leather is going away anytime soon. EA: Boxers or ... Bichons? EVM: Both!! We are equal opportunity dog lovers! ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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BENEFACTORS CANINE ASSISTANTS: Canine Assistants is dedicated to the education of service dogs and the people they assist, so that they may enhance and improve the lives of one another. We use Bond-Based Choice Teaching to create trusting relationships between people and animals. Our clients include those with mobility difficulties, and those who have medical concerns such as epilepsy, diabetes, and cancer. Our service dogs also work in hospitals and other care facilities, and in schools and other educational institutions. We do not charge for our services, but rather rely on the generosity of those who understand that aiding the well-being of one benefits us all. FIX GEORGIA PETS: Georgia has a pet overpopulation crisis. Fix Georgia Pets works in the highest-need communities across the state to end pet overpopulation and stop senseless euthanasia. By focusing on reducing the pet population through spay/neuter programming, 12

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


Fix Georgia Pets reduces the number of pets that end up in shelters across the state. Georgia cannot end overpopulation and stop senseless euthanasia without focusing efforts on spay/neuter programs in the highest risk communities. PALS ATLANTA: It is the mission of Pets Are Loving Support, Inc. (PALS) to provide ongoing care and support to the pets of Atlanta area persons living with disabilities due to HIV/ AIDS, terminal illnesses, and the elderly. With this help, pets and owners may remain together to share the healing power of love and companionship which flows from the humananimal bond.

Join Doggies on the Catwalk June 1, 2019 | 7-9 p.m. Tickets available at DoggiesontheCatwalk.org

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Russ Belin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vice President Arnesha Redding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ticketing Manager Marc Finkbeiner . . . . . . . . . . . . . . . . . . Regional Sales Operations Manager Jennifer Colson . . . . . . . . . . . . . . . . . . . . . . . . . . .Director of PR & Marketing Kevin Ogle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sales & Promotions Manager Vanessa Webber . . . . . . . . . . . . . . . . . . . . . . . . Sales & Promotions Associate Terry Romanoli . . . . . . . . . . . . . . . . . . . .Director of Corporate Partnerships For media inquiries, please contact Jennifer Colson, 678.278.7380.

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THE MAGIC CONTINUES ALL SEASON AT THE FOX THEATRE

TH E ST OR Y OF FR

AN KIE VA LL I & TH

E FO UR SE AS ON S

MARCH 22 - 24, 2019

APRIL 5- 7, 2019

JUNE 25 - 30, 2019

APRIL 23 - 28, 2019

AUGUST 6 - 11, 2019


WORK LIGHT PRODUCTIONS STEPHEN GABRIEL, EXECUTIVE PRODUCER PRESENTS

RODGERS + HAMMERSTEIN’S

MUSIC BY RICHARD RODGERS LYRICS BY OSCAR HAMMERSTEIN II NEW BOOK BY DOUGLAS CARTER BEANE ORIGINAL BOOK BY OSCAR HAMMERSTEIN II SCENIC DESIGN

COSTUME DESIGN

ANNA LOUIZOS

WILLIAM IVEY LONG

LIGHTING DESIGN

SOUND DESIGN

KENNETH POSNER

NEVIN STEINBERG

HAIR AND WIG DESIGN

MUSIC DIRECTOR AND CONDUCTOR

PRODUCTION STAGE MANAGER

CASTING

PRODUCTION MANAGER

TOUR BOOKING AGENCY

PAUL HUNTLEY

JASON STYRES, C.S.A. TOUR PRESS & MARKETING

ALLIED TOURING

RYAN SIGURDSON

PORT CITY TECHNICAL PRODUCER

NANCY GABRIEL

NICK L. VOIGHT

THE BOOKING GROUP

COMPANY MANAGER

MICHAEL COGLAN

GENERAL MANAGER

ANIÈLE FORTIN

TOUR ORCHESTRATIONS

BILL ELLIOTT

BASED ON THE ORIGINAL ORCHESTRATIONS BY

DANNY TROOB

MUSIC ADAPTATION AND ARRANGEMENTS

DAVID CHASE MUSIC SUPERVISION

GREG ANTHONY RASSEN TOUR CHOREOGRAPHED BY

LEE WILKINS

ORIGINALLY CHOREOGRAPHED BY

JOSH RHODES TOUR DIRECTED BY

GINA RATTAN ORIGINALLY DIRECTED BY

MARK BROKAW ORIGINALLY PRODUCED ON BROADWAY BY

ROBYN GOODMAN, JILL FURMAN, STEPHEN KOCIS PRODUCED BY SPECIAL ARRANGEMENT WITH RODGERS & HAMMERSTEIN AN IMAGEM COMPANY ORIGINAL BROADWAY CAST RECORDING ON GHOSTLIGHT RECORDS

ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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CAST (in order of appearance)

Ella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAITLYN MAYSE Woodland Creature . . . . . . . . . . . . . . . . . . . . . KAYLENE SNARSKY, BETH ANDERSON Topher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUKAS JAMES MILLER Lord Pinkleton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARLOS MORALES Sebastian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER SWAN Marie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ZINA ELLIS Jean-Michel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NIC CASAULA Madame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SMITH Gabrielle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIE GIRARD Charlotte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOANNA JOHNSON Fox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BETH ANDERSON Raccoon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAYLENE SNARSKY Footman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TYLER EISENREICH Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GAGE MARTIN Lady of Ridicule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KAYLENE SNARSKY Knights, Townspeople, Lords & Ladies of the Court, Peasants . . . . . . . . . . . . . . . .LEYLA ALI, BETH ANDERSON, EMILY APPLEBAUM, JOHN BARSOIAN, MAXWELL CARMEL, TYLER EISENREICH, MARISSA LEVESQUE, GAGE MARTIN, MANDY McDONELL, SCHUYLER MIDGETT, GRAY RANDOLPH, KAYLENE SNARSKY SWINGS KYLE CARESS, ERICA MESSONNIER, VICTORIA NEWHUIS, JOHN PETERSON DANCE CAPTAIN VICTORIA NEWHUIS ASSISTANT DANCE CAPTAIN JOHN PETERSON UNDERSTUDIES Understudies never substitute for listed performers unless a specific announcement is made at the time of the performance for Ella—MANDY McDONELL, VICTORIA NEWHUIS for Topher—JOHN BARSOIAN, MAXWELL CARMEL for Lord Pinkleton—MAXWELL CARMEL, NIC CASAULA for Sebastian—JOHN BARSOIAN, NIC CASAULA for Marie—EMILY APPLEBAUM, KAYLENE SNARSKY for Jean-Michel—KYLE CARESS, GRAY RANDOLPH for Madame—NATALIE GIRARD, KAYLENE SNARSKY for Gabrielle—BETH ANDERSON, MANDY McDONELL for Charlotte—BETH ANDERSON, SCHUYLER MIDGETT for Fox—ERICA MESSONNIER, VICTORIA NEWHUIS for Raccoon—ERICA MESSONNIER, VICTORIA NEWHUIS for Footman—KYLE CARESS, JOHN PETERSON for Driver—KYLE CARESS, JOHN PETERSON THERE WILL BE ONE 20-MINUTE INTERMISSION. The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theater, without the written permission of the management, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages. 18

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


MUSICAL NUMBERS ACT I

Overture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Prologue Rocky Glen “Me, Who Am I?” . . . . . . . . . . . . . . . . . . . . . . . . . Topher, Sebastian, Lord Pinkleton, Knights, Pages Outside the Cottage “In My Own Little Corner” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ella Throne Room of the Royal Palace Town Square “Now Is the Time” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jean-Michel “The Prince Is Giving a Ball” . . . . . Lord Pinkleton, Townspeople, Madame, Charlotte, Gabrielle, Ella, Marie Inside the Cottage “Cinderella March” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Outside the Cottage “In My Own Little Corner” (Reprise)/“Fol-De-Rol” . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ella, Marie “Impossible” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marie, Ella Flight to the Castle “It’s Possible” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marie, Ella Ballroom “Gavotte” . . . Sebastian, Topher, Lord Pinkleton, Madame, Charlotte, Gabrielle, Lords & Ladies of the Court “Ten Minutes Ago” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Topher, Ella “Cinderella Waltz” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra “Ten Minutes Ago” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . Topher, Ella, Lords & Ladies of the Court Palace Steps

ACT II

Entr’acte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Palace Steps “Stepsister’s Lament” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Charlotte, Ladies of the Court Forest “The Pursuit” . . . . . . . . . . . . . . Topher, Lord Pinkleton, Lords of the Court, Pages, Ella, Footman, Driver Inside the Cottage “When You’re Driving Through the Moonlight” . . . . . . . . . . . . . . . . . Ella, Madame, Charlotte, Gabrielle “A Lovely Night” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ella, Madame, Charlotte, Gabrielle “A Lovely Night” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ella, Gabrielle Forest “Loneliness of Evening” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Topher, Ella Throughout the Kingdom “The Prince Is Giving a Ball” (Reprise) . . . . . . . . . . . . . . . . Sebastian, Lord Pinkleton, Heralds, Madame Inside the Cottage “There’s Music in You” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marie Palace Steps “Now Is the Time” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jean-Michel, Gabrielle “Do I Love You Because You’re Beautiful?” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Topher, Ella Palace “Ten Minutes Ago” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Topher, Ella, The Company Royal Gardens “Finale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marie, The Company

ORCHESTRA Music Supervisor—GREG ANTHONY RASSEN Music Director/Conductor/Keyboard—RYAN SIGURDSON Associate Music Director/Keyboard—DEAN BALAN Keyboard—MONA SEYED-BOLORFOROSH Reeds—KENNETH ADVOCAT, MICHAEL BRINZER Trumpet—MICHAEL STEPHEN MEZA Trombone—SCOTT CHO Percussion—TIM NWRANSKI Music Copying—SCOTT McCRAE Electronic Music Designer—CHRIS GURR Additional orchestrations by Bill Elliott, Doug Besterman and Larry Hochman. Additional lyrics by Douglas Carter Beane and David Chase. ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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KAITLYN MAYSE

LUKAS JAMES MILLER

ZINA ELLIS

SARAH SMITH

CARLOS MORALES

NIC CASAULA

NATALIE GIRARD

JOANNA JOHNSON

CHRISTOPHER SWAN

LEYLA ALI

BETH ANDERSON

EMILY APPLEBAUM

JOHN BARSOIAN

KYLE CARESS

MAXWELL CARMEL

TYLER EISENREICH

MARISSA LEVESQUE

GAGE MARTIN

MANDY McDONELL

ERICA MESSONNIER

SCHUYLER MIDGETT

VICTORIA NEWHUIS

JOHN PETERSON

GRAY RANDOLPH

KAYLENE SNARSKY

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ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


“#1 Children’s Museum in the US!” – TravelingMom.com

A

OF

POSSIBILITIES

BUY ONLINE & SAVE! childrensmuseumatlanta.org • 404.527.3693 275 Centennial Olympic Park Dr • Atlanta, GA Major support is provided by the Mayor’s Office of Cultural Affairs.

Major funding for this organization is provided by the Fulton County Board of Commissioners.

Georgia Power Foundation, Inc.


BIOS KAITLYN MAYSE (Ella) is delighted to be returning to the forest! Recent credits: Disney’s Beauty and the Beast (Belle), Into the Woods (Rapunzel), 1776 (Martha Jefferson), Oklahoma! (Ensemble/Swing). B.F.A. Indiana University— Bloomington. “Love to friends, family and the entire Cinderella team for teaching me that it’s possible! For my parents and Cody.” Kaitlynmayse.com. @kaitlynmayse.

Story (national tour), Jimmy in Flashdance: The Musical (national/international tours) and Gus in Saturday Night Fever (Maine State Music Theatre). Proud NYU graduate. “For Mom!” Instagram: @NicCoolKidCasaula. NATALIE GIRARD (Gabrielle, u/s Madame) is thrilled to make her national tour debut! Credits include Christmas in Columbus (H. Berry), Heathers: The Musical (H. Chandler), Rock of Ages (Ensemble) and 9 to 5 (D. Rhodes). Ohio native and Wright State University graduate. “Love and thanks to friends, family and the Cinderella and Work Light family!” @natgirard.

LUKAS JAMES MILLER (Topher). Regional: Girlfriend (Signature Theatre); The Little Mermaid (Charleston Stage); Freaky Friday, Mamma Mia! (Virginia Musical Theatre); Pippin (Greenbrier Valley Theatre); 1776, The Addams Family, Sherlock Holmes & The West End Horror (Cortland JOANNA JOHNSON (Charlotte) is thrilled to tour with Cinderella! Favorite past roles include Repertory Theatre); A Chorus Line, Little Shop of Horrors (The Huron Playhouse). Education: James Sister Mary Patrick in Sister Act, Gertrude McFuzz in Seussical and Paulette in Legally Blonde. Madison University, 2017, musical theater. “All my love to family, friends, The Roster and the entire Cinderella and Work Light family!” ZINA ELLIS (Marie) is thrilled to make her Proud Utah native and Utah State alum. national tour debut with the Cinderella team! @joanimaljohnson. Favorite credits include Rona Lisa Peretti in …Spelling Bee, Claire in Ordinary Days and Phoebe CHRISTOPHER SWAN (Sebastian). National Meryll in The Yeomen of the Guard. “Love to tours: A Christmas Story: The Musical (first my family and friends.” B.A. Yale University. nat.), Guys and Dolls, My Fair Lady. Favorite Zinaellis.com. regional: Othello (American Stage), Rabbit Hole (Florida Rep), Race (Ocean State) and SARAH SMITH (Madame). National/ the one-man, multi-character This Wonderful international tours: Mamma Mia! (Rosie), The Life (Hippodrome). A graduate of The Boston Phantom of the Opera (Carlotta). Regional: Into Conservatory, he dedicates his performance to the Woods (Witch), Urinetown (Pennywise), The Hoppi! Tempest (Prospera), Lend Me a Tenor (Maria), …Spelling Bee (Rona), Joseph… (Narrator). LEYLA ALI (Ensemble). Originally from “Gratitude to Nikki Grillos, Joy Dewing and Melbourne, Australia, Leyla is a Performing the Work Light team. Love to my family, the Arts Institute graduate, inspired by live theater BFB’s and Harrison for keeping me weird.” from a young age. Her experience includes Sarahsmithnyc.com.@Sarahnycsmith. performing in Japan, Singapore and on the high seas around the world. Most recently, she had CARLOS MORALES (Lord Pinkleton). her U.S. stage debut in Saturday Night Fever at National tours: 42nd Street 2015–16 (Doc, Cortland Repertory Theatre. Mac, Thug), 42nd Street 2016–17 (Andy Lee). Regional: 42nd Street (Ensemble/Asst. BETH ANDERSON (Ensemble, u/s Gabrielle, u/s Choreographer). From this bio, one might assume 42 is the answer to life, the universe and Charlotte) is thrilled to join the cast of Cinderella! National tour: Joseph…Dreamcoat. Other favorite everything. “Love you, Mom!” credits: Nikola Tesla Drops the Beat, an EDM Musical NIC CASAULA (Jean-Michel, Ensemble, u/s Lord (Ensemble); The Mystery of Edwin Drood (Rosa Bud); and The Little Mermaid (Ariel). “Thanks to Pinkleton, u/s Sebastian). “It’s possible!” Favorite the creative team, family and friends for the love credits include Julius Caesar (Shakespeare in the and support!” Park/The Public Theater), Santa in A Christmas 22

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


BIOS EMILY APPLEBAUM (Ensemble, u/s Marie) is thrilled to be making her national tour debut! Previous credits: Bye Bye Birdie (Goodspeed Opera House). Rider University B.F.A. M.T. graduate. “Thanks to the Cinderella team, as well as my teachers and family. Endless love and thanks to my parents for their constant love and support. It’s possible!”

MARISSA LEVESQUE (Ensemble). B.A. in dance—Dean College. Principal in MOQ Live original productions, including Wild (Peta) and Pirates (Maddy). Dance Captain on Disney Dream. Danced for H&M, Speedo, Macy’s, Backstreet Boys. “So grateful for this opportunity! Special thanks to my Mom, Dad and my teacher Donna Coco.” @mlevesque1484.

JOHN BARSOIAN (Ensemble, u/s Topher, u/s Sebastian) is thrilled to be returning to the forest after a wonderful year! National tour: Ragtime (Ensemble). Off-Broadway: Fiorella (Ensemble). Other roles include Mary Poppins (Bert), A Man of No Importance (Breton Beret) and The Drowsy Chaperone (Robert Martin). A huge thank you to friends and family for their love and support! @barsoysauce.

GAGE MARTIN (Driver, Ensemble) is grateful to be making his national tour debut in Cinderella. Gage was last seen in a workshop called We Are Here directed by Oliver Awardwinner Steven Hoggett. He’d like to say thank you to his family and friends for their love and endless support!

KYLE CARESS (Swing, u/s Jean-Michel). National tour debut! Select regional credits include Dance Captain for Grease, Spamalot (Studio Tenn); and Dance Captain/Rocky in Damn Yankees (Highlands Playhouse). Proud graduate of Belmont University, M.T. 2018. “Much love to my friends, family and teachers!” kylecaress.com. @kyle_caress. MAXWELL CARMEL (Ensemble, u/s Topher, u/s Lord Pinkleton). National tour debut! Regional: Anastasia (Hartford Stage), Newsies (John W. Engeman Theater), Grease (Royal Caribbean), Only Anne (Goodspeed Musicals), Mamma Mia! (Palace Theatre, N.H.), A Little Night Music (New London Barn Playhouse). “Thanks to my family for their constant love and support!” B.F.A. musical theater, The Hartt School. IG: @maxwellcarmel. TYLER EISENREICH (Footman, Ensemble) is thrilled to be returning to Cinderella for another season! Credits include Rodgers and Hammerstein’s Cinderella (national tour, Fox/Footman). Dancer aboard the Regent Seven Seas Explorer (Norwegian Creative Studios), Hairspray (Brad/ Link u/s, New Theatre Restaurant). Love and gratitude to Mom, Dad, Lauren, Zach and Matt. IG: tylereisenreich.

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MANDY McDONELL (Ensemble, u/s Ella, u/s Gabrielle). National tour debut! Regional: Fiddler on the Roof (Chava), Oliver! (Charlotte), The Rocky Horror Show and Mamma Mia! at Pioneer Theatre Company; Mary Poppins at Alabama Shakespeare Festival and Utah Shakespeare Festival. San Jose, Calif. native. University of Utah graduate. “Gratitude to my family, friends, educators and the Cinderella team!” ERICA MESSONNIER (Swing) is thrilled to be returning to the forest! She is a graduate of Point Park University with a B.F.A. in dance. Favorite credits: Grease (u/s Marty, Ensemble), Seussical (Bird Girl), Viking Ocean Cruise Line (Principal Dancer). “Thank you to Gregg Baker Management, friends and family for your love and support.” SCHUYLER MIDGETT (Ensemble, u/s Charlotte) is thrilled to be joining Cinderella! Favorite credits: Shrek The Musical (national and first international tour), How the Grinch Stole Christmas (Nashville and national tour), Love/ Sick (Off-Broadway). Lover of dogs, coffee and photography. Thanks to Hugh, Daniel, Chandler and Mom for all the love and support. VICTORIA NEWHUIS (Dance Captain, u/s Ella, Swing) is delighted to be returning to Cinderella! Favorite regional credits: A Chorus Line (Bebe) and 42nd Street (Ethel u/s Dorothy). Thanks to The Boston Conservatory for the B.F.A., her family for their endless love and

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


2019 /20 SEASON TICKETS on sale now!

2019 /20 ALLIANCE SERIES on the COCA-COL A STAGE

SEP 5 – OCT 6, 2019

JAN 18 – FEB 16, 20 20

APR 2 2 – MAY 17, 2020

From Kinky Boots director Jerry Mitchell, this huge-hearted new musical weaves a story of family bonds, first loves, and the courage it takes to find your own spotlight.

Looking past our era of technology-driven isolation, this awardwinning musical imagines a magical and bittersweet reawakening to the things that make us human.

Winner of the 2017 Pulitzer Prize for Drama, Sweat is a topical reflection of the present and poignant outcome of America’s economic decline.

Join us this season for 2 musicals, 3 world premieres, and more! SE ASON TICK E T HOL DERS get the BES T SE ATS at the BES T PRICES !

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BIOS support, and her fiancé Joe, for putting up with the long distance wedding planning. victorianewhuis.com. @toriaeliza. JOHN PETERSON (Swing) is thrilled to be on tour for the first time with this magical production of Cinderella! Regional credits: Mamma Mia!, Newsies, Oliver!, Fiddler on the Roof (Pioneer Theatre Company); and Mary Poppins (Alabama Shakespeare Festival). South Jersey native, University of Utah B.F.A. Endless thanks to his amazing, supportive family! @johnnpeterson.

RACHEL HAMILTON (Assistant Stage Manager) is thrilled to be with Rodgers + Hammerstein’s Cinderella! Off-Broadway: Elephant & Piggie’s “We Are in a Play!” Tours: Darius & Twig, Elephant & Piggie’s…. Regional credits: The Kennedy Center, Olney Theatre Center, Round House Theatre, Studio Theatre, Shakespeare Theatre Company, Folger Theatre, Signature Theatre (Va.), Mosaic Theater Company of D.C. Rachel is a proud native of Portland, Maine!

RODGERS + HAMMERSTEIN (Music, Lyrics & Original Book). After long and highly distinguished careers with other collaborators, GRAY RANDOLPH (Ensemble, u/s Jean-Michel). Richard Rodgers (composer, 1902–79) and Oscar Hammerstein II (librettist/lyricist, 1895– National tour debut! An Austin, Texas native, 1960) joined forces in the early ’40s to create the Gray holds a B.F.A. from The University of Oklahoma. Regional credits: Singin’ in the Rain, A most successful partnership in the American Christmas Carol, Gypsy, Heathers, The Rocky Horror musical theater. Oklahoma! (1943), the first Rodgers & Hammerstein musical, was also the Show, Pryor Rendering world premiere. Thanks first of a new genre, the musical play, blending to the creative team and Jason Styres, CSA. Rodgers’ sophisticated style of musical comedy Twitter/IG: @GrayRandolph. (which he had perfected in a 25-year partnership with lyricist Lorenz Hart) with Hammerstein’s KAYLENE SNARSKY (Ensemble, u/s Madame, innovations in operetta (conceived in u/s Marie) is thrilled to be making her national collaboration with such composers as Sigmund tour debut! Favorite credits: A Chorus Line Romberg, Vincent Youmans, Rudolf Friml and (Cassie); Hello, Dolly!; Mamma Mia!; Chicago; and Jerome Kern). Over the next 16 years, R&H Legally Blonde (Brooke). Recent OCU graduate wrote eight more Broadway musicals: Carousel, (B.S. dance management). “Endless love to Allegro, South Pacific, The King and I, Me and Juliet, my family, friends, teachers, Avery and the Pipe Dream, Flower Drum Song and The Sound of entire Cinderella cast and crew.” @kaytothelene. Music. They wrote one movie musical, State Fair, kaylenesnarsky.com. subsequently adapted to the stage, and one for television, “Cinderella.” First broadcast live RYAN SIGURDSON (Music Director). Returning for a second season of R+H’s Cinderella. with Julie Andrews in 1957, remade with Lesley Regional: Forever Plaid, A New Brain, …Spelling Bee, Ann Warren (1965), and again with Whitney Spring Awakening, Singin’ in the Rain, Fiddler on the Houston and Brandy (1997), R&H’s Cinderella made her Broadway debut in 2013. Roof, Chess, Assassins, Chicago, Everybody Goes to Mitzi’s, Just So, The Apple Tree, Ankles Aweigh, Billy DOUGLAS CARTER BEANE (New Book). Bishop Goes to War. Education: M.M. orchestral Musicals: The Band Wagon (Encores), Cinderella conducting, CCM. (Tony nom., Best Book), Lysistrata Jones (Tony nom., Best Book), Sister Act (Tony nom., Best NICK VOIGHT (Production Stage Manager) Book) and Xanadu (Tony nom., Best Book; is thrilled to be back in the forest with the Drama Desk Best Book; Outer Critics Circle Cinderella family! Favorite credits: Broadway: Best Musical). Plays: Shows for Days (Lincoln Production Assistant, Disney’s The Lion King; Center), The Nance, The Little Dog Laughed (Tony tours: Motown: The Musical, The Golden Horseshoe, Poodleful; regional: Wagon Wheel Center for the nom., Olivier nom., GLAAD Media Best Play), As Bees in Honey Drown (Outer Critics Circle Arts, Quintessence Theatre, Maine State Music Award), Mr. & Mrs. Fitch, Music From a Sparkling Theatre, Riverside Theatre (Vero Beach, Fla.). Planet, The Country Club, Advice From a Caterpillar,

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ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


A GREAT GETAWAY Just a short drive from Atlanta, you’ll find unique shopping, delicious food and beverage, outdoor recreation and the brand new Great Wolf Lodge, now open for business. Just off I-85, you’ll Be Surprised by all we have to offer. Plan your journey our way at visitlagrange.com or contact us at visit@lagrangechamber.com.


BIOS The Cartells. Opera: Die Fledermaus (Met). Revues: White Lies, Mondo Drama. Screenplays: To Wong Foo, Thanks for Everything! Julie Newmar; Advice From a Caterpillar. TV: “The Nance” (PBS). Upcoming: Fairycakes, Robin Hood. Life: Husband Lewis Flinn, son Cooper, daughter Gabrielle. MARK BROKAW (Original Broadway Director). Broadway: Rodgers + Hammerstein’s Cinderella, The Lyons, After Miss Julie, The Constant Wife, Reckless, Cry-Baby. New York premieres include works by Douglas Carter Beane, David Auburn, Lynda Barry, Eric Bogosian, Charles Busch, Julia Cho, Lisa Kron, Kenneth Lonergan, Craig Lucas, Nicky Silver, Paula Vogel and Wendy Wasserstein. Regional includes Yale Rep, Guthrie, Seattle Rep, Center Theatre Group, Huntington, La Jolla, Steppenwolf, Sundance Theatre Lab, Kennedy Center Sondheim Celebration and the O’Neill Theater Conference. He has directed at London’s Donmar Warehouse and Menier Chocolate Factory, Dublin’s Gate Theatre and the Sydney Opera House. Mark is the artistic director of the Yale Institute for Music Theatre. Artistic associate: Roundabout Theatre. GINA RATTAN (Tour Director). Director: Struck (Theatre Raleigh), Fully Committed (Theatre Workshop of Nantucket), Evita (LTAC, winner CTG Award, Best Musical), Jesus Christ Superstar (Pace Univ.), O Beautiful (The Univ. of Illinois), Sweet Tooth (Fringe NYC), How Deep Is the Ocean? (NYMF), Twelfth Night (Old Globe). Associate director: Angels in America (Broadway); Matilda The Musical (Broadway); “Peter Pan” and “The Sound of Music” (Live on NBC); Soul Doctor (Broadway); Rodgers + Hammerstein’s Cinderella (Broadway); Billy Elliot (Broadway); Show Boat (Royal Albert Hall, London). ginarattan.com. JOSH RHODES (Original Broadway Choreographer). Broadway credits include Bright Star, It Shoulda Been You, First Date and Rodgers + Hammerstein’s Cinderella (Outer Critic Circle, Astaire Award and Drama Desk nominations). Other stage credits include Company starring Neil Patrick Harris, Sweeney Todd starring Emma Thompson and Sondheim’s 80th Birthday Concert for The New York Philharmonic and PBS. Steve Martin’s Bright Star (Old Globe). 28

Broadway: Three Generations (Kennedy Center), On the Town (L.A. Philharmonic), Working (Old Globe, the Broadway Playhouse in Chicago and the Drama Desk Award-winning production at the Prospect Theater in New York). LEE WILKINS (Tour Choreographer). Broadway Associate Choreographer: Bright Star, It Shoulda Been You, First Date, Cinderella. Other: Carousel (English National Opera), Big River (NYC Encores!), Guys and Dolls (Old Globe and Asolo Rep.), Paint Your Wagon (5th Avenue Theatre), Company (Avery Fisher Hall). Television choreography: “The Late Show with Stephen Colbert” (CBS), “The Hatfields and McCoys” (NBC pilot) and “Alpha House” (Amazon Studios). Direction/choreography: The Little Mermaid (Casa Mañana), First Date (Straz Center). GREG ANTHONY RASSEN (Music Supervisor). Drama Desk winner and Tony nominee for Bandstand, Broadway 2017. Other Broadway credits include An American in Paris, Bullets Over Broadway, The Little Mermaid, The Book of Mormon, R&H’s Cinderella, A Chorus Line (revival). Arranger/orchestrator: New York Pops, Boston Pops, Philly Pops, Indianapolis Pops; Ashley Brown, Sierra Boggess, Jeremy Jordan, Norm Lewis, Darren Criss, Liz Callaway, Julia Murney, André Previn. TV: “The Late Show with Stephen Colbert,” “Live with Kelly & Michael,” “The View.” Upcoming: André Previn, Concerto for Orchestra. greganthonymusic.com. DANNY TROOB (Original Orchestrations). His career as a musician includes composing, orchestrating and conducting. Some early credits: Pacific Overtures, The Baker’s Wife (Dance Music), Big River (Music Supervision, Drama Desk Award winner). Orchestrated the animated features Beauty and the Beast, Aladdin and Pocahontas. More recently, Newsies and Aladdin on Broadway, The Little Mermaid worldwide and Dr. Zhivago, opening on Broadway in 2015. It is a thrill to have a Richard Rodgers score to orchestrate. BILL ELLIOTT (Tour Orchestrations). Tonywinner An American in Paris, Tony nomination Nice Work If You Can Get It, Encores! Lady Be

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


BIOS Good, Chichester Festival Damsel in Distress. Additional orchestrations: Cinderella, Anything Goes 2011 revival. Grammy nomination co-producer of Nice Work… cast album; Emmy nomination, Music Director Michael Feinstein, PBS Special “The Sinatra Legacy”; orchestra arrangements for Josh Groban, Sutton Foster, producer and arranger of Michael Feinstein’s Concord albums, The Sinatra Project and The Good Life; prolific arranger for the Boston Pops, New York Pops, Hollywood Bowl orchestra and other orchestras. Arrangements for TV and film include “Introducing Dorothy Dandridge,” “Northern Exposure,” Wedding Crashers. DAVID CHASE (Music Adaptation and Arrangements) has been Music Director, Supervisor and/or Arranger for nearly 30 Broadway productions (most recently: Nice Work…, How to Succeed…, Anything Goes, Billy Elliot, Evita). Music Director/Arranger for NBC’s live broadcasts of “The Sound of Music” and “Peter Pan.” Also: Guys and Dolls (West End), Boston Pops (Twelve Days of Christmas), Kennedy Center Honors (Barbara Cook). Upcoming: Finding Neverland. Musical training: Biology degree from Harvard University. ANNA LOUIZOS (Set Designer) received Tony nominations for The Mystery of Edwin Drood (2014), In the Heights (2008) and High Fidelity (2007). Broadway: Honeymoon in Vegas, Rodgers and Hammerstein’s Cinderella, The Performers, Irving Berlin’s White Christmas, Avenue Q, Curtains, Baby It’s You!, All About Me, To Be or Not to Be, Steel Magnolias, Golda’s Balcony. Off-Broadway: Sons of the Prophet; Speech and Debate; Altar Boyz; tick, tick…BOOM! Regional: Irving Berlin’s Holiday Inn; Fly, the Musical; It Shoulda Been You; Disney’s Aladdin; Winnie the Pooh; and The Perfect Day. Art direction: “Sex and the City” (HBO). WILLIAM IVEY LONG (Costume Designer) won the 2013 Outer Critics Circle, Drama Desk and Tony awards for Rodgers + Hammerstein’s Cinderella. 70 Broadway shows, 13 Tony Award nominations, 6 wins. Mr. Long was inducted into the Theater Hall of Fame in 2006 and elected Chairman of the American Theatre Wing in 2012. williamiveylong.com.

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KENNETH POSNER (Lighting Designer) has more than 50 Broadway play and musical theater credits. He designs extensively OffBroadway, for resident theaters and touring productions throughout the United States as well as internationally. Selected Broadway credits: Kinky Boots, Pippin, If/Then, Hairspray, Catch Me If You Can, Dirty Rotten Scoundrels, Legally Blonde, The Coast of Utopia—Shipwrecked, Other Desert Cities, Harvey and Wicked. He is the recipient of the Tony, Drama Desk, Outer Critics’ Circle and OBIE awards. NEVIN STEINBERG (Sound Designer) was nominated for a Tony Award for his work on the Broadway production of Cinderella. Recent Broadway: Dear Evan Hansen, Bright Star, Hamilton. Nevin is Audio Consultant for Carnegie Hall’s Isaac Stern Auditorium. Over 30 Broadway productions with Acme Sound Partners and five additional Tony nominations: The Gershwins’ Porgy and Bess, Bengal Tiger at the Baghdad Zoo, Fences, Hair, In the Heights. PAUL HUNTLEY (Hair/Wig Designer). Londonborn Paul Huntley has worked on hundreds of Broadway shows, including the original productions of Amadeus, Cats, Evita, Les Misérables, The Producers and Hairspray. A recipient of Drama Desk and Tony awards, his recent projects include The Mystery of Edwin Drood, The Heiress and Nice Work If You Can Get It. ALLIED TOURING (Tour Marketing and Press) is a full-service engagement management agency representing Broadway tours and other live touring events across North America. Current tours: The Book of Mormon; Roald Dahl’s Charlie and the Chocolate Factory; Rodgers + Hammerstein’s Cinderella; Hello, Dolly!; Kinky Boots; The Play That Goes Wrong; Rent 20th anniversary tour; Rock of Ages; School of Rock; Something Rotten!; Irving Berlin’s White Christmas. Upcoming tours: Ain’t Too Proud, Clue—Live On Stage!, The Lightning Thief, Clint Black’s Looking for Christmas, Mean Girls, SpongeBob SquarePants. THE BOOKING GROUP (Tour Direction) (TBG) is Broadway’s premiere booking agency, representing more than 18 Tony Awardwinning best musicals and plays since its

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


Now offering weekly tours!

Inspiring Early Learners through 12th grade

Schedule a visit at thewalkerschool.org

MAY 3-12, 2019

JUL 12-21, 2019

404-477-4365 www.CitySpringsTheatre.com ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM

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BIOS inception in 1996. TBG has booked several long-running tours such as the “Best Musical of the Century” The Book of Mormon, the most Tony Award-winning musical in history Mel Brooks’ The Producers, the worldwide hit Mamma Mia! and the groundbreaking musical Rent. TBG is committed to bringing the best of Broadway to North America and beyond. JASON STYRES, CSA (Casting) Broadway: A Gentleman’s Guide to Love & Murder, Dames at Sea, Disney’s The Lion King, Nice Work If You Can Get It. Off-Broadway: Puffs, Midnight at the Never Get (York), Pedro Pan, Neurosis, among others. National tours: A Gentleman’s Guide…, The King and I, Fiddler on the Roof, The Lion King, Irving Berlin’s White Christmas. Film/TV: How You Look at It, Carousel (PBS), Six by Sondheim (HBO), “SYTYCD.” Seven-time Artios nominee, NY Board Member of the Casting Society of America. MICHAEL COGLAN (Company Manager) joined the Work Light Productions’ family in 2017. Tours: Rent (international), 42nd Street, Dr. Seuss’ How the Grinch Stole Christmas! The Musical, The Producers, My Fair Lady (national and international), Hair, Aida (international). Off Off-Broadway: Transport Group. Regional: Williamstown Theatre Festival, NYSAF, Bard SummerScape, Center Theatre Group. ROBYN GOODMAN (Original Broadway Producer/Aged In Wood) produced two Tony Award-winning musicals, Avenue Q and In the Heights. Also, Altar Boyz; tick, tick…BOOM!; High Fidelity; American Idiot; and West Side Story. Plays include Bengal Tiger at the Baghdad Zoo, Metamorphoses, Red Light Winter, Steel Magnolias and 50 productions as Founder/Artistic Director of Second Stage Theatre. Currently she is the Consultant and Artistic Producer of the Underground Series at Roundabout Theatre Company and Executive Producer of The Bucks County Playhouse.

Heiress, Seminar, West Side Story, The Drowsy Chaperone, Sly Fox and Fortune’s Fool. OffBroadway credits include On the Line and Adult Entertainment. Jill also produces the hip-hop comedy group Freestyle Love Supreme, both a live show and a TV series, currently airing on the Pivot Network. In 2011 Jill received the Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing. Member: National Board of Review of Motion Pictures. STEPHEN KOCIS (Original Broadway Producer) is Vice President of Aged In Wood, LLC, a Broadway production company which has been involved in such hits as Avenue Q and In the Heights (both recipients of the Tony Award for Best Musical). Other Broadway credits include Bengal Tiger at the Baghdad Zoo, American Idiot, Barefoot in the Park (Assoc. Prod.) and Steel Magnolias (Assoc. Prod.). Off-Broadway: Altar Boyz; tick, tick…BOOM! General Manager: The Performers. He is also a Producer at the historic Bucks County Playhouse in New Hope, Pa., celebrating its 75th Anniversary season. WORK LIGHT PRODUCTIONS (Producer) is dedicated to creating and producing live entertainment. Current productions: Rodgers + Hammerstein’s Cinderella, Rent 20th anniversary tour, Something Rotten!, Irving Berlin’s White Christmas. Currently developing Clue, a new stage play based on the Paramount movie. Upcoming: 2016 Olivier Award-winning production of Jesus Christ Superstar, Bandstand and Ain’t Too Proud. Produced Julie Andrews—The Gift of Music with performances at The Hollywood Bowl and London’s O2 Arena. Other recent touring productions include the Tony Awardwinners American Idiot, In the Heights and Avenue Q. WLP is led by founding partner and President Stephen Gabriel and Vice President Nancy Gabriel. worklightproductions.com.

JILL FURMAN (Original Broadway Producer) received the 2008 Tony Award for Best Musical for In the Heights and 2016 Tony Award for Best Musical for Hamilton. Other Broadway credits include Rodgers + Hammerstein’s Cinderella, The 32

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


STAFF PRODUCTION STAFF FOR CINDERELLA GENERAL MANAGEMENT WORK LIGHT PRODUCTIONS Stephen Gabriel  Nancy Gabriel  Scott Seay  Anièle Fortin Kevin Greene  Michael Coglan  Courtney King  Carolyn Smith TECHNICAL SUPERVISION PORT CITY TECHNICAL Rhys Williams  Mackenzie Foster Tom Klonowski  Rossella Human  Susie Prueter  Ilana Olken PRODUCTION Assistant to the Choreographer . Emilie Renier Associate Set Designer . . . Adam Karavatakis Associate Lighting Designer . . . . John Viesta Assistant Lighting Designer . Alexandra Christie Associate Sound Designer . . . .David Thomas WIL Studios - Director . . . . . Donald Sanders Associate Costume Designer . . . . Tom Beall Assistant Costume Designer . Brian B. Johnson Assistant Hair & Wig Designer . Giovanna Calabretta CASTING JASON STYRES, C.S.A. Casting Associate . . . . . Andrea Zee, C.S.A. TOUR PRESS AND MARKETING ALLIED TOURING Marya K. Peters  Andrew Damer Anne Dailey Meyer  Jacqueline Smith Jessica Cary  Sarah Dahlberg  Jennifer Gallagher  Meghan Kastenholz  Scott Praefke  Anne Waisanen  Shae Woodward TOUR BOOKING AGENCY THE BOOKING GROUP Meredith Blair Brian Brooks  Rich Rundle www.thebookinggroup.com Legal Counsel . . . . Levine Plotkin Menin, LLP, Loren Plotkin, Hailey Ferber Accounting . . . . . . . WithumSmith+Brown Robert Fried, CPA, Karen Kowgios, CPA, Anthony Moore, CPA Controller . . . . . Galbraith & Co Kenny Noth Merchandising . . . . . . . . The Araca Group Creative Services . .Allied Integrated Marketing/ Debbie Allamong, Doug Blemker, Eric Stormoen Insurance . . . . . . . Maury, Donnelly and Parr Bob Middleton

Banking . . . . . . . . . . . . Signature Bank Tomas Kasulka, Margaret Monigan Payroll . . . . . . . . . . PEOPLE/Kim Merhar Travel Agent . . . . . . . . . . . . Road Rebel Trucking & Hauling . . . . . . . Janco Limited Company Manager . . . . . . Michael Coglan Production Stage Manager . . . . Nick L. Voight Assistant Stage Manager . . . Rachel Hamilton Production Assistant . . . . . Alexandra Golden Dance Captain . . . . . . . . Victoria Newhuis Assistant Dance Captain . . . . John Peterson Head Carpenter . . . . . . . . . . . Will Klein Assistant Carpenter/Flyman . Gustavo Santiago Head Electrician . . . . . . . Mitchell Girgasky Assistant Electrician . . . . . . . .Nyle Farmer Head Sound . . . . . . . . . . . Em Gustason Assistant Sound . . . . . . . Thomas Stephens Head Props . . . . . . . . . . John Mark Zink Head Wardrobe . . . . . . . . Stephen Lieboff Assistant Wardrobe . . . . . . . Vanessa Soto Assistant Wardrobe . . . . . . Joanna Anthony Head Hair and Makeup . . . . . . . Aria Durso Production Electrician . . . . . Heather Hunter Production Sound . . . . . . . . . Jeff Human Production Hair . . . . . . . . . . . Liz Printz Stitchers . . . . . . . . . . . . Vanessa Soto, Stephen Lieboff, Lauren Rismiller Production Photography . . . . . Carol Rosegg CREDITS Lighting equipment from Christie Lighting. Sound equipment from PRG Audio. Carriage, horses and pumpkin by Costume Armor. Costumes by Euro Co Costumes Inc., Jennifer Love Costumes, Parsons-Meares Ltd., Prince Armory, Tricorne Inc, Dallas Theater Center Costume Shop, Deanna Rowe, Katrina Patterns. Millinery by Rodney Gordon Millinery. Dance shoes by TO Dey, LaDuca, World Tone. Undergarmets and hosiery by Bra*Tenders. Custom painting by Jeff Fender Studio. Custom jewelry by Lawrence Vrba. Special thanks to David Kaley. Props by Prop n Spoon and BrentBri Properties. Scenery by Hudson Scenic, Show Motion, and TTS Studios. Rigging by Port City Equipment Rental. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. United Scenic Artists represents the designers and scenic painters for the American Theatre. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

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FOR YOUR INFORMATION THE THEATER A fully restored 1929 “movie palace,” the Fox Theatre, with 4,665 seats, is a multipurpose facility, housing Broadway shows, ballets, comedies, concerts, movies and private corporate events. PRIVATE EVENTS The Fox Theatre has three private rental spaces, accommodating 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. To book your “Fabulous Fox” evening, please call 404-881-2100 or visit us at www.foxtheatre.org. TICKET OFFICE The Fox Theatre Ticket Office is in the arcade entrance to the theater. It is open for walk-up ticket sales 10 a.m.-6 p.m. Monday-Friday and 10 a.m.-3 p.m. Saturday. It is not open on Sundays unless there is a performance. On event days, the Ticket Office opens two hours before show time. Doors to the Fox open one hour before show time. Tickets for all performances may be purchased online at www.foxtheatre.org, at all Ticket Alternative outlets and at all Atlanta-area Whole Foods Markets, by calling 855-285-8499 or visiting the Fox Theatre Ticket Office in person during regular box-office hours. GROUP SALES The Fox Theatre Group Sales Department offers discounts to groups for most Broadway shows. It is open 9 a.m.-5 p.m. Monday-Friday. Call 404-881-2000 or email foxgroup@foxtheatre.org. CONCESSIONS Concession stands are located in the Spanish Room, main lobby and on the mezzanine lobby level. RESTROOMS Restrooms are located off the main lobby (downstairs), mezzanine lobby levels and the Gallery level. Accessible restroom facilities are in the Spanish Room; accessible/Family restrooms are located through the office door in the main lobby. TOURS Fox Theatre Tours are conducted at 10 a.m., 1 1 a.m., noon and 1 p.m. Mondays and Thursdays. Saturday tours are at 10 and 11 a.m. Tours are guided by Fox employees well-versed in the Fox’s history, current events, awards and upcoming shows. Tour tickets are available at the Fox Theatre Ticket Office or online at www.foxtheatre.org. Special tours can range from backstage to architectural to a school or college group. Please call 404-881-2100 to schedule your group tour. LOST AND FOUND Lost and found items are turned in to the event staff’s office. To check on lost items, please call 404-881-2119. Lost and found items will be retained for 30 days. EMERGENCY INFORMATION In the event of an emergency, and for your safety, please follow the directions provided by the Fox Theatre staff.

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SMOKING In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas. ABOUT ACCESSIBILITY The Fox Theatre strives to make events accessible to all guests. If you need assistance during your visit please ask for one of our Event Staff members. The Fox Theatre offers the use of wheelchairs, listening devices and booster seats at no additional charge. Our ambassadors will assist you to special restroom accommodations. Note: Steep steps lead to all seats on the upper levels. For assistance or more information, please call the Event Staff’s office at: 404-881-2100. TICKETS To purchase accessible seating at the Fox Theatre please call 404-881-2016 from 10 a.m. to 6 p.m. Monday-Friday or 10 a.m.-3 p.m. Saturday. A Ticket Office associate will be happy to help you. Ticket buyers may also visit the ticketing site at www.foxtheatre.org. ELEVATORS Elevators are at the north end of each lobby and are available during all performances. They make it possible to access each lobby without using the stairs. Patrons should be aware that access to upper seating areas do involve stairs. PARKING Parking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Ticket Office or by calling 855-285-8499. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned lots operating in the Fox Theatre district. PERFORMANCE NOTES All patrons, regardless of age, must have a ticket to be admitted to the theater. Not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance. • L atecomers will be seated at the discretion of management in conjunction with the wishes of the producers. • Please turn off all pagers and cellphones before each performance. • Camera and recording devices are strictly prohibited. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) MARQUEE CLUB PRESENTED BY LEXUS A stunning 10,000 square feet of exclusive space located on the northeast side of the theatre, the Marquee Club has access to the fabulous rooftop terrace overlooking the iconic Fox marquee and Peachtree Street. The Marquee Club is the perfect way to elevate your experience at the Fox. The club can be accessed through one of the annual membership options or on a per-event basis, as space allows. Entry to the club must accompany a ticket to the proceeding performance. For more information on club access, visit foxtheatre.org/MarqueeClub or call 404-881-2127.

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG


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ETIQUETTE

THE FOX THEATRE 660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org

1. Please arrive early. Latecomers may not be

seated until intermission.

2. T  ake care of personal needs (water, restroom use) before the performance begins. 3. Please silence or turn off all electronic devices, including cellphones, beepers and watch alarms. We encourage you to share your experience via social media but please refrain from doing so or texting during performances. The glow from your device is distracting. 4. Most shows do not allow photography of any kind. Flash photography inside the theater is never allowed. It distracts those around you and endangers the performers. 5. The overture is part of the performance. Please cease talking at this point. 6. Dear lovebirds, when you lean your heads together, you block the view of those behind you. Please consider those seated behind you when choosing whether to wear a hat or what hairstyle you choose. 7. Please refrain from talking, humming or singing along with the show, except when encouraged to do so by the artists or show. 8. Please wait for an appropriate moment to dig something out of your pocket or bag.

STAFF Allan C. Vella. . . . . . . . . . . . . . . . . . . . . . . . President & C.E.O. Adina Alford Erwin . . . . . . . . . . . . Vice President & C.O.O. Jeff Quesenberry. . . . . . . . . . . . . . Vice President & C.F.O. Jamie Vosmeier. . . . . . . . . . . . . . . . . VP of Sales and Marketing Nancy Lutz. . . . . . . . . . . . . . . . . Director of Special Events Lucy Lawler-Freas. . . . . . . . . . Director of Programming Shelly Kleppsattel. . . . . . . Booking & Contract Manager William Renshaw. . . . . . . . . . . . . . . . . . Director of Finance Rachel Bomeli. . . . . . Director of Events & Public Safety David Simpson. . . . . . Director of Ticket Sales & Service Shelby Moody. . . . . . . . Corporate Group Sales Manager Aly Knight Grubb. . . . . . . . . . . . . . . . Director of Marketing Andrew Chatwood. . . . . . . . . . . . . . . . Marketing Manager Amanda Blank . . . . . . . . . . . . . . . . . . . . . . . . Media Manager Laura Zimbrick. . . . . . . . . . . . . . . . . Corporate Partnership Premium Seating Manager Leigh Burns. . . . . . . . . . Director of Fox Theatre Institute Andy Arnold. . . . . . . . . . . . . . . . . . . . . . . . . Security Manager Amy Smith. . . . . . . . . . . . . . . . . . . . . Director of Production Lisa Marie Malovoz. . . . . . . . . . . . . . . Production Manager Gary Hardaway. . . . . . . . . . . . . . . . . . . . . . . Head Carpenter Larry Watson. . . . . . . . . . . . . . . . . . . . . . . . . . . . Head Flyman Scott Hardin. . . . . . . . . . . . . . . . . Head Props/Projectionist Ray T. Haynie. . . . . . . . . . . . . . . . . . . . . . . . . Head Electrician Cary Oldknow. . . . . . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Head Audio

BOARD OF DIRECTORS Edward L. White . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chairman Keith O Cowan . . . . . . . . . . . . . . . . . . . . . . . . . Vice Chairman Clara Axam, Robyn Barkin, Beauchamp Carr, Renee Dye, Sheffield Hale, John Holder, Walt Huntley, Edward Hutchison, Craig Jones, Jay Myers, Glen Romm, Howard Smith

EMERITUS MEMBERS John Busby Jr., Anne Cox Chambers, Pat Connell, Rodney Cook, Ada Lee Correll, Richard Courts, Jere Drummond, Richard Flinn, Julia Grumbles, Steve Koonin, Charles Lawson, Starr Moore, Joseph Myers, Edgar Neiss, Carl Patton, Sylvia Russell, Nancy Simms, Preston Stevens, Clyde Tuggle, Carolyn Wills

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9. Go easy with the perfume and cologne, many people are highly allergic. 10. If you need assistance during the show, please go to your nearest volunteer usher. If additional assistance is needed, the usher will get the appropriate person to further help you. 11. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress or before the actors have taken their final bows is discourteous. Please wait until the bows are over and exit with the rest of the audience. 36

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FRIENDS OF THE FOX Members of the Fox Theatre’s Friends of the Fox program help support the Fox Theatre Institute, the theater’s community engagement arm. The Fox Theatre’s legend lives on through their generosity, supporting the theater, the city of Atlanta and communities across Georgia. To learn more about the Friends of the Fox membership program, please visit www.foxtheatre.org/support-us, email membership@foxtheatre.org, or call 404.881.2023.

The Fox Theatre would like to thank the following Friends of the Fox who have given at the Legend ($10,000), Marquee ($5,000), Encore ($2,500) and Entourage ($1,000) levels: Legend Mr. James Dougherty Drew Eckl & Farnham Jessica & Royce Pedersen

Ripple IT Janice & Gary Sloan

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Encore John R. Adams Blake’s on the Park Mr. & Mrs. Douglas Borenstein Budget Rent a Car Atlanta Mary Ann & John Busby George Butler Cathy & Mayson Callaway Citizen Lanier Holdings Colgate Crib Mattress Concierge Services of Atlanta Michael Crew

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Entourage Active Production & Design Inc. Allied Integrated Marketing Allied International Cleaning Services, Inc. Broadway in Atlanta Harold Brody & Donald Smith

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ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG

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FOX FUN FACTS The Fox Theatre Ballrooms The Egyptian Ballroom, Grand Salon, and Spanish Room were all originally Shriner meeting spaces. Here are some other fun facts: • The Egyptian Ballroom was reserved for Shriner ceremonies and celebrations and the adjoining Grand Salon served as their library. • The 7,500-square foot Egyptian Ballroom’s original floor is hard rock maple. A custom-designed carpet with Egyptian symbols of the afterlife and resurrection now protects the maple floor.

• Depicted on the Egyptian Ballroom’s balcony is a scarab, or dung beetle, which was the symbol for the sun god Ra, who was thought to ward off evil. It is surrounded by the wings of Osiris, god of the underworld, afterlife, and resurrection. • Above the Egyptian Ballroom’s stage stretch the gilded and glazed wings of Osiris. A plaster intaglio panel of Ramses II subduing an enemy is the focal point of the stage.

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• Although the symbols painted in the Egyptian Ballroom are actual hieroglyphics, when put together, they do not form any real phrases.

ATLANTA’S HISTORIC FOX THEATRE | FOXTHEATRE.ORG

PHOTO COURTESY OF THE FOX THEATRE

• In the 1970s, the walls of the Egyptian Ballroom were covered with several coats of paint obscuring the original stenciled designs. As years of paint were removed, vivid Egyptian symbols for life and rebirth were revealed.


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ENCORE ATLANTA :: FOX THEATRE :: APRIL 2019 :: CINDERELLA  

In this issue, the timeless tale of Cinderella graces the stage at the Fox Theatre and the Doggies on the Catwalk Foundation prepares for it...

ENCORE ATLANTA :: FOX THEATRE :: APRIL 2019 :: CINDERELLA  

In this issue, the timeless tale of Cinderella graces the stage at the Fox Theatre and the Doggies on the Catwalk Foundation prepares for it...