OHIO THEATRE COLUMBUS, OHIO
JUNE 2025
Dear Broadway Patrons,
I probably don’t need to tell you, as you’re likely as excited about them as I am, but it’s coming up on Tonys time!
The Tony Awards is one of the biggest nights for Broadway, showcasing the very best musicals and plays from the past year. It’s an exciting and entertaining night that you don’t want to miss. (I’m here to remind you that the Tony Awards will be broadcast Sunday, June 8 on CBS from 8-11 pm!).
Not only are the Tonys delightful and fun, but they are also an important indicator of which shows will mount touring productions. The awards give us a sense of which shows we’re likely to bring to Columbus in coming seasons. As an obvious example, you’re all set to see the quirky and uplifting Kimberly Akimbo, which won five Tonys in 2023, including Best Musical. In 2025/2026, we’ll have The Outsiders, winner of Best Musical in 2024, and Water for Elephants, one of the other Best Musical nominees in 2024.
At CAPA, one of our goals is to bring a broad variety of performing art to Columbus so people don’t have to go to other cities to experience the art they want. When we’re talking about Broadway, that means getting the best productions here as soon as we can. We’re always pushing to give you, our Broadway audiences, shows here as early as possible in their touring “lives.”
Since CAPA is a member of the Broadway League, we have a vote for the Tony Awards. I consider it a privilege to represent Columbus in each year’s voting process. But we’re just one of 831 eligible voters, so I’m waiting just like you to hear the winners announced on June 8.
No matter who wins, I can assure you we’ll be working hard to make sure you’ll be able to see them soon right here in Columbus.
Thanks, as always, for coming.
Chad Whittington President & CEO CAPA
President–Midwest
Leslie K. Broecker
Vice President–Midwest
Genevieve Holt
President & CEO
Chad Whittington
Executive Office Manager
Maggie Taylor
EVP & Chief Strategy Officer
Elfi Di Bella
VP of Marketing & Sales
Peter Keiser
Broadway Manager
Elizabeth Lamont
Broadway Marketing Manager
Lisa A. Minken
Art Director
Sara Maassel
Communications Manager
Jim Fischer
Digital Marketing Manager
Abby Valencic
Video Production Manager
& Motion Graphics Editor
Lydia Miller
VP of Programming
Rich Corsi
Programming Manager
Oliver Pontius
Director of Ticketing
Rhea Shaffer
Assistant Director of Ticketing
Roger Whitaker
Group Sales & Education
Ticketing Specialist
Joe Calmer
Director of Regional Marketing and Public Relations
Elizabeth Truitt Armstrong
Broadway Ticketing Specialist
Beth Hayes
VP of Operations
Jason Gay
Senior Director of Operations
Nate Riley
Volunteer Coordinator
Kristen Paige
Ohio Theatre Dir. of Operations
Charles Hammerle
Ohio Theatre Head Carpenter
Henry Bateman
KIMBERLY AKIMBO CREATORS DAVID LINDSAY-ABAIRE AND JEANINE TESORI ON HOW THE PLAY GREW UP TO BE A MUSICAL
STORY BY Darryn King
After Shrek the Musical opened on Broadway in 2008, playwright and lyricist David Lindsay-Abaire and composer Jeanine Tesori knew they wanted to collaborate on another project. When it came to deciding what it would be, Tesori literally pulled it off the shelf.
Written in 2000, Lindsay-Abaire’s play Kimberly Akimbo was about a teenage girl with a rapid aging disease. The play premiered in 2001 at South Coast Repertory in California before an Off-Broadway run in 2003 at Manhattan Theatre Club. “She said, ‘I think this one sings,’” Lindsay-Abaire told Broadway.com Managing Editor Beth Stevens on The Broadway Show.
David Lindsay-Abaire and Jeanine Tesori (Photo: The Broadway Show)
Premiering Off-Broadway in 2021 at Atlantic Theater Company ahead of its 2022 Broadway transfer, the resulting musical certainly did sing—to the tune of five Tony Awards including for Best Musical, Best Book of a Musical and Best Original Score. (These were Lindsay-Abaire’s first Tony wins; Tesori previously won for her score for Fun Home.)
As Tesori explained, Lindsay-Abaire’s story of a young girl trapped in the body of a much older woman—whatever its biological implausibility—felt emotionally true. “When my grandmother was in her late eighties, she would look at the mirror and she would say, ‘God, I’m so surprised I’m not 12,’” she said. “It’s about how we stay the children we were.”
It was also a story, Tesori felt, with the right, rich balance of tragedy and comedy, beauty and absurdity. “That’s what life is, so much of the time,” said Tesori.
The long process of creative development began with a complete rewrite. “One of the things that we are deeply invested in is looking at work like you didn’t write it at all,” said Tesori. “We sat in this room and we started at page one—and I mean: Punctuation. Stage directions.”
For Lindsay-Abaire, revisiting and reexamining Kimberly’s story two decades later was a lot like seeing his life flash before his eyes. “Whoever I was 20 years ago, that’s who wrote that play,” he said. “My concerns were whatever they were at the time; I connected more with the teenage characters. And now, all these years later, I’m a dad with two boys and I have a different relationship with child and parent stuff. To reinvestigate it from this new place is a pretty major thing.”
Ultimately, Kimberly Akimbo the musical feels like something different than Kimberly Akimbo the play. “That’s just the magic of music and what Jeanine brought to it,” said LindsayAbaire. “It’s a completely different animal—it’s more dimensional and it’s more emotional.”
David Lindsay-Abaire and Jeanine Tesori at the 2023 Tony Awards (Photo by Emilio Madrid for Broadway.com)
When CAPA reopened the Ohio Theatre in 1969 after (literally) saving it from the wrecking ball and then overseeing a massive renovation project, among the first programs to be offered was a summertime series screening classic films. This was, in part, a nod to the theatre’s early days as a movie house.
This summer, CAPA hosts the 56th annual Summer Movie Series, and while the definition of “classic” might have changed as time has marched on, the intent of the series has not.
The 2025 series will run June 13-August 24 and feature 28 films over seven weeks. Highlights include 10 series premieres, six films marking significant anniversaries of their original releases, a silent film with live musical accompaniment, and two Saturday mornings of classic cartoons.
Because you’re our Broadway fans, you’ll be thrilled to learn that you can see Julie and Christopher on the big screen (in the 60th anniversary of its original theatrical release!) this summer before The Sound of Music comes to town as part of our 2025-
JOIN US FOR THE CAPA SUMMER MOVIE SERIES
The Princess Bride
26 Broadway in Columbus season. Other song and/or dance offerings this summer include Guys and Dolls, Top Hat, and, after a fashion, The Blues Brothers.
True classics, including the uproarious Arsenic and Old Lace and the sweeping Gone With the Wind, continue the tradition of classic film as the emphasis of the series. And because we know classic movie fans can’t get enough, there are two Hitchcock features on this summer’s schedule, Marnie and Spellbound.
Remember that part of the meaning of “classic film” changing? Favorites like The Princess Bride and The Shawshank Redemption will be screened this summer. And Moonstruck, featuring the magnificent and cherished Cher. (Movies are subject to change without notice.)
As always, Ohio Theatre organist Clark Wilson (or a member of our very talented team of organists) will provide pre-show entertainment at the console of the Ohio Theatre’s treasured “Mighty Morton” theatre organ presented by Ice Miller 30 minutes prior to each screening. Wilson will also provide the soundtrack for our silent film offering, Safety Last!
Select films will be audio-described for visually impaired persons at no extra charge. Audio description allows patrons to hear a scene-by-scene narration of the on-screen action while they listen to the movie dialogue. Visit capa.com for a list of audio-described movie screenings for the 2025 series.
In addition, ListenWIFI, an assistive listening app that patrons can download to their personal cell phones, is available at all screenings. When coupled with the patron’s headphones or ear buds, the app provides high-quality audio streamed directly to the patron and can be adjusted for volume preference.
Also, as part of the 2025 CAPA Summer Movie Series, CAPA will offer a revealing look at the historic Ohio Theatre with free, one-hour-long, guided tours, complete with a light show and organ demonstration by Clark. For tour dates and other information about the 2025 CAPA Summer Movie Series, visit www.capa.com/capa-summer-movie-series.
Single tickets ($5) and CAPA Summer Movie Series 10-packs ($40), good for any film in any combination, are on sale now. Tickets can be purchased in-person at the CAPA Ticket Center (39 E. State St.), online at www.capa.com, or by phone at (614) 469-0939. Ticket 10-packs will be available through Sunday, August 3.
For more information or to purchase showcase tickets, visit CAPAMarqueeAwards.com.
DAVID STONE
ATLANTIC THEATER COMPANY
JAMES L. NEDERLANDER LACHANZE
JOHN GORE PATRICK CATULLO AARON GLICK
present
Book & Lyrics by Music by DAVID LINDSAY-ABAIRE JEANINE TESORI
Based on the play by DAVID LINDSAY-ABAIRE
Starring CAROLEE CARMELLO
MIGUEL JIM EMILY LAURA GIL HOGAN KOCH WOYASZ
GRACE SKYE ALYSSA DARRON PIERCE CAPELESS FRIEDMAN HAYES WHEELER
JANET SARAH LYNN
REGENE SEVEN MARCUS BAILEY BRANDON DICKINSON MARION ODON PHILLIPS RYON SPRINGMAN
Scenic Design
Costume Design
Lighting Design Sound Design DAVID ZINN SARAH LAUX JEANETTE OI-SUK YEW KAI HARADA
Hair, Wig & Makeup Design
Video Design Casting J. JARED JANAS LUCY MACKINNON THE TELSEY OFFICE CRAIG BURNS, CSA
Orchestrations
Additional Orchestrations
Music Coordinator
JOHN CLANCY MACY SCHMIDT ANTOINE SILVERMAN
Production Stage Manager
General Management SHAWN PENNINGTON JUSTIN T. SCHOLL 321 THEATRICAL MANAGEMENT
Marketing & Press
Tour Booking
Company Manager
Production Management
Producing Associate PHILLIP ALEMAN THE ROAD COMPANY JUNIPER STREET TIMOTHY BLOOM PRODUCTIONS, INC.
Music Supervisor CHRIS FENWICK
Choreographed by DANNY MEFFORD
Directed by
JESSICA STONE
Kimberly Akimbo was developed, in part, at the 2017 Sundance Institute Theatre Lab at the Sundance Resort. World premiere produced by Atlantic Theater Company, New York City, 2021.
CAST
(in order of appearance)
Kimberly CAROLEE CARMELLO
Seth ....................................................................................................... MIGUEL GIL
Delia ........................................................................................ GRACE CAPELESS
Martin .......................................................................................... DARRON HAYES
Teresa........................................................................ SKYE ALYSSA FRIEDMAN
Aaron ....................................................................................... PIERCE WHEELER
Buddy ................................................................................................... JIM HOGAN
Pattie ........................................................................................... LAURA WOYASZ
Debra ................................................................................................... EMILY KOCH
STANDBYS AND UNDERSTUDIES
Standbys and understudies never substitute for the listed players unless a specific announcement is made at the time of the appearance.
Standby for Kimberly—JANET DICKINSON. Understudy for Buddy—BRANDON SPRINGMAN; Understudy for Pattie/Debra—SARAH LYNN MARION; Understudy for Delia/Teresa—BAILEY RYON; Understudies for Seth/Aaron/Martin—REGENE SEVEN ODON, MARCUS PHILLIPS.
Dance Captain ............................................................................... BAILEY RYON
SETTING
1999. Before kids had cell phones. Somewhere in Bergen County, NJ
THERE WILL BE ONE 15-MINUTE INTERMISSION.
Scan here for any updated cast replacement announcements for this performance
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches.
CAST
Carolee Carmello
Miguel Gil
Jim Hogan
Emily Koch
Laura Woyasz
Grace Capeless
Skye Alyssa Friedman
Darron Hayes
Pierce Wheeler
Janet Dickinson
Sarah Lynn Marion Regene Seven Odon
Marcus Phillips
Bailey Ryon
Brandon Springman
Celebrating the magic that the arts bring to life.
The power of the arts lies in their ability to inspire, amaze and delight. We’re proud to support Broadway in Columbus and all it brings to our community.
of Parramatta. Off-Broadway/New York: I Can Get It for You Wholesale, The Gospel According to Heather, Notes From Now, Love Around the Block. TV/Film: “FBI: Most Wanted” and “American Idol.” All the love! Instagram: @darronhayes_
PIERCE WHEELER (Aaron) recently finished his junior year at New York University after traveling with the National Tour of Dear Evan Hansen Pierce is overjoyed to collaborate with such generous creatives and a beautiful cast, especially with this story. Gargantuan thanks to his family, friends, mentors, and The Telsey Team for their support! @pierce_wheeler
JANET DICKINSON (Kimberly Standby). Broadway: Anastasia, Bullets Over Broadway, How The Grinch…, Happiness at Lincoln Center. Little Dancer (Mary Cassatt) - The Kennedy Center/World Premiere. Chasing Rainbows - Flat Rock/ World Premiere. Tours: Billy Elliot (Mrs. Wilkinson), 9 To 5: The Musical. Off-Broadway: Fat Camp, Forbidden Broadway’s Rude Awakening. TV: “High Maintenance,” “Billions,” “Feud: Capote vs the Swans.” Janet is originally from Bemidji, MN. Love to Doug and the team at Carson/Kolker. Something funny is happening on Instagram @Anticstasia.
SARAH LYNN MARION (u/s Pattie, Debra). First National Tour! OffBroadway: Ordinary Days. Regional: Kinky Boots, Beehive, All Shook Up. TV: “Law & Order SVU,” “High Maintenance.” BFA University of Michigan. Jimmy Award winner. Don’t take yourself too seriously. @sarahlynnmarion
REGENE SEVEN ODON (u/s Seth, Aaron, Martin). National Tour Debut! This is for Mommy Rose. Eternally grateful for Take3Talent, Rebel, and The Prep. Thanks to Michelle, Natasha, Shannon, Jimmy, Nicky, and Theresa. Endless love to Mama, Papa, Jilian, Jillaine, and my friends. @regeneodon
MARCUS PHILLIPS (u/s Seth, Aaron, Martin). Recent/favorite credits: Spring Awakening (East West Players), The Prom (First National Tour), Dog Man: The Musical (National Tour). BFA in Theatre & Film, #longliveL7! Love, hold, and listen to one another. @who.is.marcus
BAILEY RYON (Dance Captain, u/s
Delia, Teresa). Broadway/National Tour: OBC Matilda The Musical (Matilda - Tony recipient). How the Grinch Stole Christmas! (Cindy-Lou Who). James Madison University BA: Musical Theatre. Thanks to my friends and family! Representation: Evolve Talent Management. www.bailey-ryon.com
BRANDON SPRINGMAN (u/s Buddy). An Anagram for Thankful is “Flunk Hat.” First National Tour of Come From Away. Regional: Sacramento Music Circus, Paramount Theatre, Marriott, Chicago Shakespeare, Drury Lane. Thanks to Stewart Talent. For my Family & Michelle.
DAVID LINDSAY-ABAIRE (Book, Lyrics, Original Play) is a playwright, screenwriter, lyricist and librettist. He received Tony Awards for Best Score and Best Book of a Musical for his work on Kimberly Akimbo. Other Broadway credits include Rabbit Hole (MTC, Pulitzer Prize); Good People (MTC, NY Drama Critics Circle Award for Best Play, Horton Foote Prize); Shrek with Jeanine Tesori (Kleban Award for Lyrics); High Fidelity with
Tom Kitt and Amanda Green. OffBroadway: at ATC, Kimberly Akimbo (Lortel, NYDCC, OCC and Drama Desk awards for Best Musical); at MTC, Ripcord, Kimberly Akimbo (the play), Wonder of the World, Fuddy Meers; at Soho Rep, A Devil Inside Film: The Family Fang, Rise of the Guardians, Rabbit Hole, Oz the Great and Powerful, Poltergeist, Inkheart, Robots. Member: Dramatists Guild, WGA, ASCAP. David is also, along with Tanya Barfield, co-director of the playwriting program at The Juilliard School.
JEANINE TESORI (Music) is a composer of musical theatre, opera and film. She is a two-time Tony Award winner for Best Score, for Kimberly Akimbo with David Lindsay-Abaire and for Fun Home with Lisa Kron. Her other musicals include Caroline, or Change (with Tony Kushner); Shrek (David LindsayAbaire); Thoroughly Modern Millie (Dick Scanlan); Violet (Brian Crawley); and Soft Power (David Henry Hwang), which was her second work after Fun Home to be a finalist for the Pulitzer Prize in Drama. Her operas include A Blizzard on Marblehead Neck (Tony Kushner); The Lion, The Unicorn and Me (J.D. McClatchy); and Blue (Tazewell Thompson). Her latest opera, Grounded (George Brant), marks Tesori as one of the first women, along with Missy Mazzoli, to be commissioned by the Metropolitan Opera and opened the 2024-2025 season. In addition to her work as a composer, Tesori is the founding artistic director of New York City Center’s Encores! OffCenter series, the supervising vocal producer of Steven Spielberg’s West Side Story and a lecturer in music at Yale University. Proud member of the Dramatists Guild.
JESSICA STONE (Director) worked as an actress on and off Broadway, in television and film before transitioning to directing. Her directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for the Williamstown Theatre Festival. She has since been nominated for two Tony awards for her work on Broadway in Kimberly Akimbo (2023) and Water for Elephants (2024). In addition, both productions garnered nominations for Best Musical, with Kimberly Akimbo taking home the prize. She has directed all over the
country at such theatres as The Old Globe, A.C.T., Shakespeare Theatre Company, Huntington Theatre Company, Two River Theater and Williamstown Theatre Festival. Productions include As You Like It, Kate Hamill’s Vanity Fair, Barefoot in the Park, Dancing at Lughnasa, Bad Dates, Ken Ludwig’s Robin Hood! (world premiere), Ripcord, Bad Jews, Arms and the Man, Vanya and Sonia and Masha and Spike, Charlotte’s Web, June Moon, Last of the Red Hot Lovers, The 25th Annual Putnam County Spelling Bee and Absurd Person Singular. As a performer her Broadway credits include Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying and Grease.
DANNY MEFFORD (Choreographer) choreographed three Tony Award winners for Best Musical: Kimberly Akimbo, Dear Evan Hansen (also Olivier, Best Musical) and Fun Home. Direction: a national tour of Shrek and three upcoming projects: The 25th Annual Putnam County Spelling Bee at the Kennedy Center, The Gorgeous Nothings and The Fitzgeralds of St. Paul Choreography highlights: Titanic, Love’s Labour’s Lost, February House, Miss You Like Hell, Bloody Bloody Andrew Jackson, The Sound of Music and Good Person of Szechwan. TV: theatrical sequences for “Rise” on NBC, “Dickinson” on AppleTV+, and “Fleishman is in Trouble” FX. MFA in Acting from Brown University/Trinity Rep.
DAVID ZINN (Scenic Design). Broadway: scenic design for Stereophonic, The Notebook, Jaja’s African Hair Braiding, Funny Girl, The Minutes, Diana, Torch Song, The Humans; scenic/costume design for Choir Boy, The Boys in the Band, SpongeBob SquarePants, Amélie, Fun Home, The Last Ship; costume design for Enemy of the People, Almost Famous; A Doll’s House, Part 2; Airline Highway; …the vibrator play; Xanadu. Also: Playwrights Horizons, Atlantic Theater, The Public Theater, NYTW; National Theatre and Young Vic (U.K.); Theater Basel; and the Berlin Staatsoper. Tony, Obie, Drama Desk, Hewes awards.
SARAH LAUX (Costume Design). Broadway: Prayer for the French Republic, The Band’s Visit, Fully Committed, The Humans. Selected
MAR 17-22, 2026
JUN 9-14, 2026
MAY 15-17, 2026
OHIO
OHIO
Off-Broadway: Dead Outlaw (Audible); Wish You Were Here (Playwrights Horizons); The Wanderer (Paper Mill Playhouse); Prayer for the French Republic (MTC); Kimberly Akimbo, This Ain’t No Disco, The Band’s Visit (Atlantic Theater Company); Jerry Springer: The Opera (New Group, Obie Award); A Play Is a Poem (Taper Theatre); Before the Meeting (WTF). Film: Not Okay, The Sixth Reel, Freakshow. Television: “High Fidelity,” “Godfather of Harlem” S2-4
JEANETTE OI-SUK YEW (Lighting Design). Award-winning designer for theatre, dance, opera, musicals, music performances and large-scale immersive installation. The NY Times described her designs as “clever” and “inventive.” Credits include: The Thanksgiving Play (Broadway), The Connector (MCC), King Lear (Shakespeare Theatre Company), Manahatta (The Public), Gloria: A Life (Daryl Roth Theatre), Cullud Wattah (The Public), Golden Shield (MTC), The Nosebleed (LCT3), American (Tele)visions (NYTW), Oratorio for Living Things (Ars Nova), Snow in
Musical Becoming (A.R.T.), Walden (Theaterworks), Blue (Detroit Opera), Theatre of the Mind (with David Byrne). www.jeanetteyew.com
KAI HARADA (Sound Design). Broadway: Once Upon a Mattress; The Days of Wine and Roses; Merrily We Roll Along (Tony Nomination); Spamalot (co-design); New York, New York (Tony Nomination); Kimberly Akimbo; The Old Man and the Pool; Mister Saturday Night; Head Over Heels; The Band’s Visit (Tony Award, Drama Desk Award); Amélie; Sunday in the Park With George; Allegiance; Gigi; Fun Home; On the Town; First Date; Follies (Tony, Drama Desk Nominations); and Million Dollar Quartet. West End: Crazy For You; Million Dollar Quartet. Many other musicals worldwide.
J. JARED JANAS (Wig, Hair, and Makeup Design). Broadway: Our Town, Once Upon a Mattress, Mary Jane, Prayer for the French Republic, Purlie Victorious, Good Night, Oscar, Sweeney Todd…, Ohio State Murders, & Juliet, Kimberly Akimbo, Topdog/ Underdog, How I Learned to Drive, American Buffalo, Jagged Little Pill, Frankie and Johnny in the Claire de
Bandstand, Indecent, Sunset Boulevard, The Visit, The Real Thing, Lady Day at Emerson’s Bar & Grill, Motown, Peter and the Starcatcher, The Gershwins’ Porgy and Bess.
LUCY MACKINNON (Video Design) is a projection designer and video artist who lives in Brooklyn. She is a two-time Tony Award nominee whose Broadway design credits include The Notebook, Kimberly Akimbo, A Christmas Carol, How I Learned to Drive, Jagged Little Pill, The Rose Tattoo, Lifespan of a Fact, Six Degrees of Separation, and Deaf West’s revival of Spring Awakening
THE TELSEY OFFICE (Casting). With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. thetelseyoffice.com
JOHN CLANCY (Orchestrations). Broadway: Kimberly Akimbo (Tony nom.), Mean Girls (Tony nom.), 1776 (2022 revival), Fun Home (Tony/ Drama Desk noms.), Diana, The Prom, Tuck Everlasting, Shrek (Tony/Drama Desk noms.), Cats 2016 (dance arr.). Off-Broadway/regional: The Karate Kid, The Notebook, The Secret Life of Bees, Gun & Powder, Becoming Nancy, Soft Power (dance arr.), The Fortress of Solitude, Jasper in Deadland, Just So.
MACY SCHMIDT (Additional Orchestrations) is an honoree of the Forbes 30 Under 30 list for her work as founder/CEO of The Broadway Sinfonietta, an all-women and majority women-of-color orchestra. Broadway: Tina. U.K./international: RIDE, Monsoon Wedding, Disney’s Beauty and the Beast, Ratatouille: The TikTok Musical macyschmidtmusic.com | CAA
CHRIS FENWICK (Music Supervisor). Music director: Soft Power (Pulitzer finalist), Sunday in the Park With George (2017 Broadway revival), Fun Home (Tony Award, Best Musical; Pulitzer finalist), the original productions of Michael John LaChiusa’s Giant, Los Otros, Queen of the Mist and See What I Wanna See. Music supervisor: Once on This Island (Tony Award, Best Revival); Good Night, Oscar (Goodman Theatre).
Founding music director, City Center Encores! Off-Center. Music director for Patti LuPone at Carnegie Hall and more.
ANTOINE SILVERMAN (Music Coordinator). Thrilled to be involved in his eighth production with Jeanine Tesori including Fun Home and Caroline, or Change. Other shows include The Secret Life of Bees, Spider-Man, Tuck Everlasting, Paradise Square, Assassins (CSC) and many more.
LEIGH DELANO (Music Director). Broadway: Kimberly Akimbo, Some Like It Hot, Spamalot, Once Upon A One More Time. Regional: Gun & Powder (Paper Mill Playhouse), American Prophet (Arena Stage), Grace (Ford’s Theatre), Catch Me If You Can (Arena Stage), Gun & Powder - Premiere (Signature Theatre), Once Upon A One More Time (Shakespeare Theatre).
STRANGE CRANIUM (Electronic Music Design). Billy Jay Stein, CEO and founder. Hiro Iida, lead designer. Credits: Beautiful: The Carole King Musical (Grammy Award); The Radio
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City Rockettes NY Spectacular; MJ; Kimberly Akimbo; 1776; Paradise Square; Caroline, or Change; Diana; Tootsie; Mean Girls; The Band’s Visit; Fun Home; Spider-Man; Hairspray; Amélie; Tuck Everlasting; The Rocky Horror Show; Jekyll & Hyde. www.strangecranium.com
RYAN EMMONS (Associate Director). Broadway: Water for Elephants, Kimberly Akimbo, Groundhog Day, Matilda, Ghost. National Tours: Matilda and Miss Saigon. Ryan is co-artistic director of the indie theatre ensemble No.11 Productions and teaches at IAMT. Gratitude to Jane, Brandon and Beckett! www.ryanemmonsdirects.com
BRITTNEY GRIFFIN (Associate Choreographer). Credits include Kimberly Akimbo on Broadway, Dreamgirls International Tour (Associate Choreographer/Director). Film: Bolden, A Jazzmans Blues (Netflix). Special thanks to Mom, Dad, Danny, and Lucille. Love you Darius.
ARABELLA POWELL (Production Supervisor). Broadway: Kimberly Akimbo, The Lion King; What the Constitution Means to Me; The Rose Tattoo; John Leguizamo’s Latin History…, Ghetto Klown and Sexaholix; Eve Ensler’s The Good Body; Kat and the Kings. Select Off-Broadway: Kimberly Akimbo, Richard II. WNYC/Public; Théâtre de Complicité’s Mnemonic; Trumbo; Tap Dogs West End & international tour. Program member, Open Stage Project.
SHAWN PENNINGTON (Production Stage Manager). Broadway: Wicked, Next to Normal, Sondheim on Sondheim. First National Tours: MJ, Come From Away, Bright Star, Fun Home, If/Then, Peter and the Starcatcher, Rock of Ages. Regional: Gypsy (The Muny), Up Here (La Jolla Playhouse). Love to Mom & Mark.
GEOFF MAUS (Stage Manager). First National Tours: MJ, Come From Away, Bright Star, Fun Home, Matilda. Other (selected): The Woodsman, Come From Away-Lincoln Memorial. Training: Juilliard, Indiana University of Pennsylvania. Proud AEA member.
MAYA BHATNAGAR (Assistant Stage Manager). Tour: MJ. Broadway: Almost Famous, Dancin’, Prima Facie. Off-Broadway: Merrily We Roll Along (NYTW). Graduate of Shenandoah University. Love & thanks to family, friends, mentors, educators –
especially Shawn, Geoff, & the full company.
JUSTIN T. SCHOLL (Company Manager). Tour: MJ the Musical, Beetlejuice, The Band’s Visit, Miss Saigon. International: Shrek, Beauty & the Beast. Broadway: Lady Day…. Board Certified member of ATPAM. Love to Mom, Dad, Sydney, Hops Alexis and Cookie.
JUNIPER STREET PRODUCTIONS (Production Management) formed in 1998, JSP has managed more than 100 Broadway, Off-Broadway and National Tours. Currently: & Juliet, Buena Vista Social Club, Death Becomes Her, Good Night, and Good Luck, Harry Potter, Hell’s Kitchen, John Proctor is the Villain, MJ: The Musical, Moulin Rouge, Picture of Dorian Gray, Romeo & Juliet, Shucked, Some Like It Hot, Stereophonic, The Great Gatsby, The Outsiders. www.juniperstreet.com.
321 THEATRICAL MANAGEMENT (General Management). Credits include Wicked (worldwide); Purpose; Death Becomes Her; The Outsiders (Tony Award for Best Musical); Kimberly Akimbo (Tony Award for Best Musical); Gutenberg! The Musical!; Suzan-Lori Parks’ Topdog/Underdog (Tony Award for Best Revival of a Play); A Strange Loop (Tony Award for Best Musical); Is This a Room; Dana H.; What the Constitution Means to Me; The SpongeBob Musical; War Paint; Oh, Hello on Broadway; Fully Committed (Broadway revival and original OffBroadway); Fun Home (Tony Award for Best Musical); If/Then; Peter and the Starcatcher; Bring It On: The Musical; Sister Act; Traces; Next to Normal; The 25th Annual Putnam County Spelling Bee; The Vagina Monologues; Man of La Mancha; The Graduate; I Love You, You’re Perfect; and Bat Boy.
DAVID STONE (Producer) is currently represented on Broadway by Purpose and around the world (on stage and screen) by Wicked. He has also produced Kimberly Akimbo, Topdog/ Underdog, The Boys in the Band, War Paint, If/Then, Next to Normal, The 25th Annual Putnam County Spelling Bee, Three Days of Rain, Man of La Mancha, The Vagina Monologues, Fully Committed, Lifegame, The Diary of Anne Frank, Full Gallop, The Santaland Diaries and Family Secrets David serves on the boards of The Broadway League and Broadway
Cares/Equity Fights AIDS and the advisory board of Second Stage Theatre. David has lectured on theatre at Yale, Princeton, Columbia and his alma mater, the University of Pennsylvania.
ATLANTIC THEATER COMPANY
(Producer). Neil Pepe, artistic director; Jeffory Lawson, managing director. Our aim is singular: to empower simple and honest storytelling that fosters greater understanding of our shared world. Founded as an ensemble of impassioned students in 1985, we have grown into a Tony Award and Pulitzer Prize-winning Off-Broadway company and world-renowned Acting School. As a producer of compelling new works from emerging and established artists, we are committed to uncovering and celebrating all storytellers.
JAMES L. NEDERLANDER (Producer). Credits: Tammy Faye; The Outsiders; Kimberly Akimbo; An Enemy of the People; Some Like It Hot; Titanique; MJ; Mr. Saturday Night starring Billy Crystal; Tina: The Tina Turner Musical; The Lehman Trilogy; My Fair Lady; The Band’s Visit; On Your Feet!; The Elephant Man; I’ll Eat You Last; Next to Normal; The Color Purple; The 25th Annual Putnam County Spelling Bee; Movin’ Out and many others.
LACHANZE (Producer) is thrilled to continue to serve on the producing team for Kimberly Akimbo. LaChanze has also served as producer on the lauded Topdog/Underdog (Tony Award), Here Lies Love, and Jaja’s African Hair Braiding (Tony Award nomination) and is currently a producer on The Outsiders (Tony Award). As an actor, LaChanze has starred in The Color Purple (Tony Award), Once on This Island (Tony Award nomination), Trouble in Mind (Tony Award nomination), Summer: The Donna Summer Musical (Tony Award nomination), If/Then, A Christmas Carol and many others. With over 38 years of experience on Broadway, LaChanze is committed to producing theatre that transforms, transcends and inspires. She is the proud president of Black Theatre United, an advocacy organization dedicated to protecting Black bodies, Black talent, and Black lives on and off our stages.
JOHN GORE (Producer) has won 20 Tonys, an Olivier, and an Emmy
Award. He is a British producer who is Chairman, C.E.O., and sole owner of the John Gore Organization family of companies, including Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox. com, Broadway Brands, and Group Sales Box Office. The company has produced shows on Broadway, in London’s West End, Japan, China and presents in 48 cities across North America. Presentations include The Phantom of the Opera, Disney’s The Lion King, Wicked, The Book of Mormon and Hamilton. Recent U.S. productions include Hell’s Kitchen, Stereophonic, Kimberly Akimbo, MJ, and Moulin Rouge! The Musical.
PATRICK CATULLO (Producer) is a Tony and Olivier-award winning producer. His recent credits include Merrily We Roll Along, An Enemy of the People; Here Lies Love, Illinoise and Gutenberg! The Musical. Patrick has also produced Kimberly Akimbo; Mike Birbiglia: The Old Man & The Pool; David Byrne’s American Utopia (for which he received a Special Tony Award as well an Emmy nomination); Girl From the North Country; Fleabag; Network; The Boys in the Band; War Paint; 1984; Nick Kroll and John Mulaney’s Oh, Hello on Broadway; Fully Committed; Gypsy (West End revival); The Elephant Man; Hedwig and the Angry Inch; If/Then; Next to Normal; and The 25th Annual Putnam County Spelling Bee. Education: Yale.
AARON GLICK (Producer) is a Tony and Olivier Award-winning producer. Broadway, Touring and West End Credits include: A Wrinkle in Time (Arena Stage, Upcoming), Next to Normal (West End), Hello, Dolly! (West End), Sweeney Todd (Tony Nomination), Kimberly Akimbo (Tony Award), What the Constitution Means to Me (Tony Nomination), & Juliet (West End only), The Boys in the Band (Tony Award), Fully Committed, Gypsy (Olivier Award), and The Old Man and the Old Moon. Aaron is also a producer with David Stone and has worked on such shows as: Three Days of Rain, The 25th Annual Putnam County Spelling Bee, Wicked, Next to Normal, If/Then, War Paint, and the Tony-Winning Topdog/ Underdog. Aaron is a Full Member of the Broadway League, a graduate of Marymount Manhattan College, and the recipient of Hal Prince’s T Fellowship.
STAFF FOR KIMBERLY AKIMBO
GENERAL MANAGEMENT
321 THEATRICAL MANAGEMENT
Nina Essman Rachel Kaufman
Amy Merlino Coey Marcia Goldberg
DIRECTOR OF TOURING
Ken Silverman
COMPANY MANAGER
Justin T. Scholl
ASSOCIATE DIRECTOR
Ryan Emmons
ASSOCIATE CHOREOGRAPHER
Brittney Griffin
PRODUCTION MANAGEMENT
JUNIPER STREET PRODUCTIONS
Hillary Blanken Hannah Wilson Z Zurovitch
Guy Kwan Ana Rose Greene Victoria Bullard
Ross Leonard Sadie Alisa Abby Filiaggi
Carolyn Bonaccorsi Chris Childs
Laura Zamsky Burkett Horrigan
MARKETING & PRESS REPRESENTATIVE ALEMAN PR
Phillip Aleman Justin O’Neill
LEGAL COUNSEL KLARIS
Doug Nevin Edward Klaris
Brandon Taylor
TOUR BOOKING THE ROAD COMPANY
Stephen Lindsay Brett Sirota
Shawn Willett Natalie Rine
Gracie Lewis Quinn Wasson
AnaBella Kalish Jacob Hoffman Shane Parksmith trc.nyc CASTING THE TELSEY OFFICE
Craig Burns, CSA
Jimmy Larkin
PRODUCTION STAGE MANAGER SHAWN PENNINGTON
Stage Manager ..................................... Geoff Maus
Assistant Stage Manager Maya Bhatnagar
Assistant Company Manager J. Kenneth Anthony
Stone Productions Assistant Grant Albright
Associate Scenic Designer .......... Teresa L. Williams
Associate Lighting Designers Alex deNevers, Kirk Fitzgerald
Lighting Assistant Zijun (Neil) Wang
Associate Sound Designer ................. Isabella Curry
Associate Video Designer Dylan Uremovich
Associate Costume Designer Jessica Worsnop
Costume Shopper ........................... Michelle Ridley
Associate Hair and Makeup Designer Eric Miralles
Production Assistants
Production Carpenter Chad Woerner
Advance Carpenter Jack Anderson
Production Electrician............................ Eric Norris
Production Sound Mike Wojchik
Advance Sound Douglas Graves
Production Props Supervisors JR Goodman, Ray Wetmore
Assistant Production Props Jennifer A. Kramer
Production Video Supervisor Chelsea Zalikowski
Moving Light Programmer Bridget Chervenka
Advance Video Supervisor ........... Alexandra Lenihan
Video Programmer Ido Levran
Head Carpenter Blair Carper
Assistant Carpenter Flyman Chris “Lucky” Haugh
Assistant Carpenter Deck ................ Chad Fenimore
Head Electrician Kathleen Cole
Assistant
Electrician Followspot .............. Gabrielle Blackburn
Assistant Electrician Video Javier Calderon
Head Sound Joy Cheever
Assistant Sound Kayla Chen
Head Props.................................... Kendall Barbera
Assistant Props Serena Slie
Crew Swing Keefe Kennedy
Wardrobe Supervisor Katherine Kraus
Assistant Wardrobe Supervisor ......... Meredith Scott
Hair & Makeup Supervisor Jakey Hicks
Advertising Serino Coyne
Online Marketing Situation Interactive
Broadway Publicist ....................... Tom D’Ambrosio
Community Engagement &
Culture Strategist Alexander Consulting Group/ Christina Alexander
321 Theatrical Founding Partner Nancy Gibbs
321 Theatrical Finance Director KeriAnne Murphy
321 Theatrical Business Manager Rebecca Peterson
321 THEATRICAL MANAGEMENT
Michael Altbaum, Kendall Booher, Yang-Yang Chen, Maddy Cohen, Theresa Cooper, Katherine Engel, Madison Goldberg, Marissa Gonzales, Jason Haft, Jen Harris, Logan Craig McDonald, Mike McLinden, Esmé Maria Ng, Emily Powell, Steve Quinn, Eric Rothstein, Jenelle Russell, Roseanna Sharrow, Spencer Smith, John Tupy, Emily Witham, Michelle Yard, Jasmine Zang
Accountant WithumSmith+Brown/ Robert Fried, CPA; Karen Kowgios, CPA
Banking City National Bank
Payroll Service .......................... Checks & Balances
Insurance Claudia Kaufman/Elena Sleys AON Insurance Services, Inc.
Production Photographer Joan Marcus
Video Footage ...................................... HMS Media
Physical Therapy Neurosport
Merchandise The Araca Group
Housing Debco Travel, Inc.
Travel .............................................. Premier Travel
kimberlyakimbothemusical.com @akimbomusical
SPECIAL THANKS
Olivia Gordon, Olivia McQuerry
Annie MacRae, Pamela Adams, Camron Parker, Stephanie Hernandez, Alejandra Izquierdo, Tyler Siems, Ken Benson
CREDITS
Scenery built and painted by Global Scenic Services and PRG Scenic Technologies, a division of PRG Broadway LLC. Lighting equipment provided by PRG Broadway. Sound equipment provided by Masque Sound. Video equipment provided by 4Wall Entertainment. Props provided by More Good Productions, R.Ramos Upholstery, and BrenBri Properties. Custom pregnancy padding by Sarah M. Reever. Kimberly costumes built by Colin Davis Jones Studios.
ATLANTIC THEATER COMPANY BOARD OF DIRECTORS
Chair Olaf Olafsson
Vice Chair Carol Auerbach
Treasurer .............................................. Kevin R. Lyle
Secretary Betsy Pitts
Chris Boneau, Joy Bunson, Jennifer Danielson, Suzanne Friend, Clark Gregg*. Wolf Hengst, Hilary Hinckle*, Blair Husain, Roger E. Kass, Jane King, Scott Korf, Katie Leede, Monique Long, Mary McCann*, Ilona Nemeth Quasha, Hilary Edson Polk, Mahlet Seyoum, Michael Slosberg, Mary Turner Minard, Claudia Wagner, Manny Weintraub, Joanne R. Wenig, Susi Wunsch *Atlantic Theater Company Ensemble members
Kimberly Akimbo was rehearsed at Baryshnikov Arts Center.
Kimberly Akimbo is dedicated to the memory of Darius Barnes, our friend and collaborator.
THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.
The musicians employed in this production are members of the American Federation of Musicians.
The Director and Choreographer are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY , a national theatrical labor union.
The designers at this theatre are represented by United Scenic Artists Local USA 829 of the International Alliance of Theatrical Stage Employees.
Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).
ATPAM, the Association of Theatrical Press Agents & Managers represents the Press Agents and Company Managers employed on this production.
DRAMATISTS GUILD
The writer/s of this production are members of the national trade association of professional playwrights, composers, lyricists, and liberettists.
This production is produced by a member of The Broadway League in collaboration
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