Atlanta Alliance Theatre, The Covenant, October 2025

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OCT 8–NOV 9, 2025

The South knows how to keep a secret. Simmering beneath the heat, whispered in church pews, carried in the music of front porches and juke joints. York Walker has written a play that captures both the beauty and terror of that inheritance that swells until rumor feels more powerful than fact. Where the line between gospel and gossip is perilously thin — and once crossed, there is no turning back.

In a 1930s Georgia town, where faith collides with desire, where longing stirs beneath the hymns, and where the smallest spark of suspicion can set a community ablaze is a story of gothic beauty and shadowed menace. But it is also a warning. Because when we stop believing one another, when truth itself becomes negotiable, what remains to hold us together?

What thrills us about this play is not only its Southern Gothic mystery, but its insistence that we reckon with how fear still shapes our communities. That we look at the ways we both protect and police one another. That we ask: What do we sacrifice in the name of belonging? And at what cost to our humanity?

Tonight, we invite you to lean in — to the beauty of the language, the rhythm of the music, and the pulse of a story that refuses to stay buried.

COVENANT PLAYWRIGHT YORK WALKER HOPES AUDIENCES WALK AWAY HAVING SEEN THEMSELVES

As it is written on the page, Covenant, by York Walker, opens in darkness. Then, a little bit of light breaks through — a flicker and crack of a small flame, until it grows to reveal Ruthie; a young, black girl, in a blue dress, with pockets in the front.

“Everybody got a secret,” are the first words from Ruthie’s mouth.

When Walker sat down to write this play, Ruthie, he said, was the first image he had.

“The idea sort of came to me. She was surrounded in darkness, and had on this period-looking dress,” he said. “And so, I was like, ‘Okay, this is a character, clearly, and it’s going to be about her.’”

Prior to Covenant , he’d written another play that, in his own words, was just basic. It wasn’t bad. And he wouldn’t exactly say that it was boring. It was just very basic, straightforward, inspired by the late, great August Wilson, and set in a house in the ‘60s. After writing that play, he became interested in genre and what it looked like to have Black people and Black queer people show up in different genres. That led him to wonder, what does it look like to have a horror play on stage with Black people in it?

“And not have any white folks in it. And to have none of the horror coming from white people. That, I think, is what makes this play different,” he said. “I was terrified because I wasn’t sure that any of this was going to work. But I think by the time I started working on this play, I was at least brave enough to try to see.”

As he wrote, he remembered the myth of Robert Johnson. Born in Hazelhurst, Mississippi in 1911, Johnson played several juke joints throughout the South, and allegedly only had one hit record, Tarraplane Blues . His music, which included only 29 recorded songs, spoke to the experiences of bitterness and oppression he and other Black sharecroppers and descendants of enslaved Africans faced in the South.

After his wife and child died during birth, the loss is said to have been what pushed him into stardom. The rumor is, Johnson disappeared for roughly 18 months. When he re-emerged, he had a musical ability that could only be due to something supernatural. As a result, many claimed Johnson sold his soul to the devil in exchange for his talents. He later died at the age of 27 from pneumonia caused by poisoning.

The myth, said Walker, lends itself to horror.

“Black folks don’t mess with the devil. We don’t mess with spirits. None of that stuff. All these things work well together in terms of creating a horror play for Black people. I threw them all in the same pot. As I started writing, the characters started to be who they wanted to be without me,” he said. “When I’m writing something, what’s in the back of my mind is who am I and who am I writing this for? I think about Toni Morrison and the conversations she would have about the white gaze and feeling like when she was reading books, she could hear the author talking to white readers. I think it just helps to be specific about that in your writing. Like I said, Black folks, we don’t mess with the devil. But being aware of who I was writing it for, being aware of my art, and trying my best to take care of Black people in the writing of it, that was very intentional.”

Anytime he writes something, Walker said, the experience feels like a collaboration between his intention and something bigger.

“It’s like there’s a world where the play is already written,” he said. “I’m trying to pull from that thing to build it.”

Playwright York Walker

He thinks back to his experiences of being in the movie theater and seeing Jordan Peele’s Get Out or Us . The experience: everyone in the theater collectively talking back to the screen and that whole situation, really opened something for him and made him interested in what that would be like in the theater.

“I wanted to create a story that was interesting and compelling, and character-driven, that also could work on stage and not be corny, because horror, I feel like, could very easily go left on stage,” he said. “Even movies very easily can be terrible and not be scary at all.”

What hopes does he have for audiences in Atlanta who come to see Covenant ? He said he tries to shy away from dictating what he wants people to walk away from his work with.

“I think it’s going to be different depending on what you bring to it. If you grew up in a religious household like me, you will bring something specific to the experience. You’ll probably walk away from it very differently from somebody who didn’t grow up with religion at all,” he said. “If you had a very religious mother or grandmother, you’ll see that person in the play. It may or may not trigger. Everybody will, more than likely, have a different experience of it. What’s most important to me is that, especially for Black people, they feel seen. That’s the biggest thing for me. When I go to the theater, I just want to walk away feeling like I’m a little less alone in the world, a little less alone in my experience. That doesn’t necessarily mean that I walk away from the play feeling like, ‘Oh, it’s a happy ending. I’m going to be okay.’ Sometimes it doesn’t end that way. But I’m still grateful to have recognized myself on stage. Sometimes that’s enough.”

Stage Manager Barbara O’Haley, Jennings Hertz Artistic Director and Production Director Tinashe Kajese-Bolden, and Managing Director Brandon Kahn at the first rehearsal for the Alliance Theatre’s 2025/26 Season production of Covenant. Photo by Anna Walters.

THE MAGICAL EFFECT OF SOUND DESIGN

Growing up, my favorite Halloween pastime was hiding behind the front door and surprising trick or treaters with a homemade cassette tape recording. My Dad and I were foley artists of sorts and created from scratch a mix tape, much to the delight of the friends and neighbors whose “TRICK OR TREAT” when the door opened was met with recorded heavy footsteps, evil deranged cackling, and blood curdling witches’ screams. Our house was the hit of the neighborhood (even my husband remembers it as terrifying). And we didn’t just stop at sound design; we really engaged in the make believe. There was purple haze in the foyer, and my Mom, Dad, and I were dressed as a witch, a ghost and a scarecrow, respectively.

In the theatre world, behind every great production is a team of designers who with their director carefully builds the physical world of the play. And often, because of auditory design’s capacity to tell story well and create great emotional impact for an audience, the work of the sound designer is the secret sauce between a show being good and a show being great.

That is certainly the case with Melanie Chen Cole’s design in Covenant, a story that tells the story of a charismatic musician named Johnny who, as rumor tells it, made a deal with the devil to become the superb guitarist he is. Covenant’s playwright grounds us in a musical motif by way of Johnny’s devil music, “Sailed Away,” and the slippery sexiness of the song invites our ears to engage fully in the aural experience Cole has created for the production.

Cole says, “At times, the environmental aspects of rural early Fall Georgia becomes the score. How can the cicadas fade into the background or support an intense moment? And how can they morph into something more sinister as the play develops? We are in an intimate space so it can all feel so REAL. Because there are big visual gestures, I am also exploring moments of the loss of sound, the loudness of silence.”

Cole worked with foley artist Caleb Foley and guitarist Michael Grieve to help bring the sound design to life, diving into the 1930s and honoring the period, while bringing a modern sensibility to the piece, accentuating distortion and the element of surprise. Since the actors aren’t using microphones, careful attention must be paid to the creation of richness for the ears, without depending on volume. When asked about her research process, Cole says, “I like to hand off a Spotify playlist to my director so we can learn together how we talk about sound, taking particular note of mood changes and the instruments used in the music. I then sketch the entire show, similar to a costume designer’s work, using clips for scene transitions.”

All of this meticulous and careful attention to the sound design of this production does more than create a suspenseful and often “thriller” environment; it deepens the impact of an audience’s experience. And what more does theatre ask of its audience than to listen well for a couple of hours and give into the make believe.

Sound Designer Melanie Chen Cole

ALLIANCE THEATRE

TINASHE KAJESE-BOLDEN

Jennings Hertz Artistic Director

BRANDON

CHRISTOPHER MOSES

Jennings Hertz Artistic Director

present

BY YORK WALKER

SCENIC & LIGHTING DESIGN JIYOUN CHANG

SOUND DESIGN MELANIE CHEN COLE

ORIGINAL MUSIC JUSTIN ELLINGTON

CASTING

JODY FELDMAN

CLAIRE BURKE, CSA

XAVIER RUBIANO, CSA

COSTUME DESIGN SHILLA BENNING

SPECIAL EFFECTS DESIGN KATIA CARMICHAEL GABRIELLE IRVING

STAGE MANAGEMENT BARBARA GANTT O’HALEY*

DIRECTION TINASHE KAJESE-BOLDEN

HERTZ SERIES SPONSOR

“Covenant” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

World Premiere Produced in New York City by Roundabout Theatre Company as part of Roundabout Underground at the Harold and Miriam Steinberg Center for Theatre on October 26, 2023 Originally workshopped and developed in the 2021 Pacific Playwrights Festival as part of The Lab at South Coast Repertory.

Scenic construction for the 2025/26 Season is generously supported by The Home Depot Foundation.

*BRITTANY DENEEN

*ALAYSIA RENAY DUNCAN

CAST

Violet

Ruthie

*DEIDRIE HENRY Mama

JEMARCUS KILGORE Johnny “Honeycomb” James

*JADE PAYTON Avery

UNDERSTUDIES

ISAIAH COWAN Johnny “Honeycomb” James JADÉ DAVIS Avery

ANJIL JETER Mama

MAKALLEN KELLEY

DANIELLE MONTGOMERY

*BARBARA GANTT O’HALEY

STAGE MANAGERS

Violet

Ruthie

Stage Manager

SAMANTHA HONEYCUTT Stage Management Production Assistant

PRODUCTION AND DESIGN ASSISTANCE

CANDY MCLELLAN DAVISON Kenny Leon Directing Fellow, Associate Director

YUA WATANABE Assistant Scenic Designer

JAKE GUINN Fight Choreographer

LAURA MORSE MS, LPC, CPCS Mental Health Consultant

JACQUELINE SPRINGFIELD

BRANT ADAMS

BRAD RAYMOND

MARC BALDWIN

MEREDITH A. MOORE

. Dialect Coach

Casting Assistant

Vocal Coach

. Guitar Coach/Additional Music & Guitar

Movement Consultant

HAYLEE SCOTT Production Management Lead

FOR THIS PRODUCTION

JOY DIAZ Light Board Operator

MONICA SPEAKER, GRACIE COKER Wardrobe

ERIN CHANEY Wig Crew

AARON VOCKLEY Production Audio Engineer

GRAHAM SCHWARTZ, ALLISON LOURENS Audio Engineers

AMEER HASHEM Automation Stagehand

NIC STEPHENSON

SPECIAL THANKS

Avery Sharpe

Properties Stagehand

Jeremy Chernick at J&M Special Effects

THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/ OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: https://concordtheatricals.com/resources/protecting-artists

*Denotes a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

The Alliance Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and the Society of Stage Directors and Choreographers, an independent national labor union. The Alliance Theatre at the Woodruff is a member of Theatre Communications Group (TCG), the national organization for the American theatre, and is a member of the League of Resident Theatres (LORT), the International Association of Theatre for Children and Young Audiences (ASSITEJ/USA), The Atlanta Coalition of Theatres, the Atlanta Chamber of Commerce, the Atlanta Convention and Visitors Bureau, and the Midtown Alliance.

Photos may be taken in the theater before the performance and following the performance. If you share your photos, please credit the designers.

Photos, videotaping or other video or audio recording of this production is strictly prohibited, is a violation of United States Copyright Law, and is an actionable Federal Offense.

This production is approximately ninety-five minutes long and has no intermission.

ISAIAH COWAN (u/s Johnny “Honeycomb” James) [he/him] is thrilled to join the cast of Covenant at the Alliance Theatre! Favorite credits include Jackie in “Chicago PD” on NBC, Benedick in Much Ado About Nothing (Harrison Arts Center), and Gay Man in Issa Rae’s “Rap Sh*t” on HBO Max. He holds a bachelor degree in Sociology with a minor in Theatre from Florida Atlantic University and has also received a signed honor certificate from President Barrack Obama. Isaiah would love to thank his friends and family for always supporting him. Find him on social media: @IsaiahCowan

JADÉ DAVIS (u/s Avery) [she/ her] is from Maryland and graduated from Boston University with a BFA in Theater Arts. Her favorite credits include: Luanne in Rooted at The Horizon Theater, Half Empty: Half Full as Lilia at The Hudson Guild Theater, and Oberon & Hippolyta in A Midsummer Nights Dream at The Kraine Theater. She’s incredibly grateful for the wide variety of roles she’s had the opportunity to play. Jadé would love to thank her friends and family for always supporting her. Find her on social media: @rising_icon

BRITTANY DENEEN (Violet) [she/her] is excited to join the cast of Covenant in her debut at the Alliance Theatre! Her recent credits include Emilia in The Dark Lady (Synchronicity Theatre), Nina in Sunset Baby (Actors Express), and she is thrilled to reunite with Tinashe after playing Nana in School Girls: Or; The African Mean Girls Play (Kenny Leon’s True Colors Theatre). When she isn’t on stage, Brittany can be found narrating audiobooks and playing with her dog Paisley. She wishes to thank her family and friends for their unwavering support and God for everything else! Follow her journey on instagram @brittanyy_deneen

ALAYSIA RENAY DUNCAN

(Ruthie) is thrilled to be making her Alliance Theatre debut in Covenant! Alaysia is a Brooklyn based actress and multi-hyphenate. She recently made her Off-Broadway as the lead in the new play Pas de Trois, or the Dancing Witch Play by Aaliyah Warrington at the Lynn F. Angelson Theatre at Classic Stage Company, leading her to win SheNYC’s award for Best Leading Actor in a Play. Her short film ABSTRACT marked her

directorial debut, and was backed by Emmy-award winning production studio, Wavelength Productions, through their WAVE Grant. Additional Performance Credits: Enid Hoopes (Legally Blonde, Arrow Rock Lyceum Theatre), Bulda (Frozen, Arrow Rock Lyceum Theatre), Perdita (The Winter’s Tale, Utah Shakespeare Festival), Anne Boleyn (Henry VIII, USF), Petra/Others (The Taming of the Shrew, USF), Ensemble/Shirelles Swing (Beautiful: The Carole King Musical, Engeman Theater). With the goal of running her own production company, her work, both on the stage and screen, aims to expand the type and quality of representation Black women and girls have in the media. Representation: Baker Management. BFA Acting, Ithaca College. Love to family & friends in MN, NY, & beyond.

DEIDRIE HENRY (Mama) is so excited to be back at her Theatre Home and to join this incredible cast.

Regional: Everybody (Alliance Theatre), To the Yellow House (LaJolla Playhouse), Lady Day at Emerson’s Bar and Grill (Actor’s Theatre of Louisville, Portland Center Stage), It Can’t Happen Here (Berkeley Rep), A Streetcar Named Desire (Portland Center Stage), American Night (Yale Repertory), Raisin in the Sun (Mark Taper, Kirk Douglas Theatre), Parade (Mark Taper, Center Theatre Group), Ballad of Emmett Till (Goodman), Yellowman (Berkeley Rep), As You Like It, Three Sisters, Wit, Hamlet, Seven Guitars, Much Ado About Nothing (Oregon Shakespeare Festival), Blues for an Alabama Sky (Alliance Theatre, Hartford Stage, Arena Stage, Huntington) Film/TV: “Handmaid’s Tale,” “Game of Silence,” “BOSCH,” to name just a few. It’s great to be back home.

ANJIL JETER (u/s Mama) is thrilled to join the cast of Covenant at the Alliance Theatre! Favorite credits include: Alea in Split Second with Impact Theatre, Bernice in The Piano Lesson with New African Grove Theatre, and Vera in Smoke on the Mountain with Marietta New Theatre in the Square. She holds a Master’s Degree in Social Work from The University of Alabama. A fun fact is, she enjoys watching “Big City Greens.” Anjil would love to thank her friends and family for always supporting her. Find her on social media: sIG @anjilrenee

JEMARCUS KILGORE (Johnny “Honeycomb” James) [he/him] is thrilled to join the cast of Covenant at the Alliance Theatre!

Favorite credits include Eddie Souther in Sister Act (The Aurora Theater), Ensemble/Lion US in The Wiz (The Aurora Theater), and The Collision Project (2018) here at The Alliance Theatre. You can also see him on your TV screens as Spyder in “BMF,” Montel in “Black Lightning,” and Ezra Greene in “All’s Fair,” coming to Hulu this November! Jemarcus would love to thank his friends and family for always supporting him and teaching him that his dreams are possible. Find him on social media: @jemarcus_kilgore

MAKALLEN KELLEY (u/s Violet) [she/her] is thrilled to be a part of Covenant at the Alliance Theatre!

Favorite credits include Charity in The Wash (Synchronicity Theatre and ArtFarm), u/s Miriam in Jaja’s African Hair Braiding (True Colors Theatre Company), u/s Sade in Furlough’s Paradise (Alliance Theatre), u/s Marion in cullud wattah (Actor’s Express), and u/s Luna in Oh, to be Pure Again (Actor’s Express). She holds a B.F.A from the University of Southern Mississippi and was a former acting apprentice at Actor’s Express during their 2022-2023 season. Makallen would love to thank her friends and family for their endless support. Find her on social media: @makallenkelley

DANIELLE MONTGOMERY (u/s Ruthie) [she/her] is thrilled to join the cast of Covenant at the Alliance Theatre! She previously performed as Olivia in Twelfth Night with Contemporary Classics Theatre. Danielle thanks her friends and family for always supporting her. Find her on social media: @daniellemontgomry

JADE PAYTON (Avery) [she/her] You may have seen me as Venetia in “Glamorous” (Netflix) or Camae in The Mountaintop (Alliance Theatre). I was also blessed to originate Avery Off-Broadway in 2023, and I am humbled by the responsibility of re-imagining her now. We have both grown so much since then! Avery is the jewel of my artistic legacy (so far) and there are facets to her spirit that could ONLY be found in Georgia. Thank you Atlanta and Alliance for the opportunity to discover them. “The South got something to say.” - Andre 3000

YORK WALKER (Playwright) is a writer based in Harlem, New York. He is currently a member of Lena Waithe’s Hillman Grad Mentorship Program. His work includes The Séance (Winner of the John Singleton Short Film Competition, 48 Hours…in Harlem), Covenant (Roundabout Theatre, Fire This Time Festival, Access Theatre’s 4 Flights Up Festival), White Shoes (Fire This Time Festival), Summer Of ’63 (The Actors Company Theatre’s New TACTics Festival, Actor’s Theatre of Louisville’s Apprentice Reading Series), and Of Dreams To Come (American Conservatory Theatre’s New Work Series). York received his MFA in Acting from the American Conservatory Theatre in San Francisco.

TINASHE KAJESE-BOLDEN (Director, Jennings Hertz Artistic Director) began her tenure at the Alliance in 2016 as the BOLD Associate Artistic Director, assuming her current role in 2023. Originally from Zimbabwe, Kajese-Bolden combines her commitment to great art, deep education and community empowerment with an agile enthusiasm and unflappable, calm energy to inspire new possibilities. Kajese-Bolden honed her directing and producing skills as a freelance director working in regional houses across the country and on set. As a director and actor, she fosters deep ongoing collaborations with playwrights and has mounted innovative and critically acclaimed productions that merge elegant, theatrical designs with complicated human stories. A Princess Grace Award 2019 Winner for Directing, and Map Fund Award recipient as a director and actor, she has worked on and Off-Broadway as well as recurring roles in the Marvel universe “Guardians of the Galaxy: Holiday Special,” Suicide Squad, “Hawkeye,” and CW’s “Valor,” “Dynasty,” HBO’s “Henrietta Lacks,” Ava Duverney’s “Cherish the Day,” among others. Up next, she is developing a new Opera, Forsyth County is Flooding (with the Joy of Lake Lanier), and proudly serves on the ARTS-ATL Artist Advisory Council. “My mission is the pursuit of what connects our different communities and how we create art that liberates us to imagine a more inclusive future.”

CANDY MCLELLAN

DAVISON (Kenny Leon Directing Fellow, Associate Director) (she/her) is an Atlanta-based actor, director, choreographer, and teaching artist. Her recent directing credits include Hot Jambalaya

(Dad’s Garage), The Color Purple (Aurora Theatre), Petite Rouge (Synchronicity), Wait Until Dark, Dragons Love Tacos, and She Persisted (GA Ensemble Theatre), The Niceties, The 25th Annual Putnam County Spelling Bee, and It’s a Wonderful Life: Live Radio Play (Stage Door Theatre), and Operating Systems (LSU). Candy is passionate about storytelling across stage and screen. IG: @candymcloveme.

JIYOUN CHANG (Scenic & Lighting Design) is grateful to return to the Alliance Theatre, where she previously designed Bina’s Six Apples and A Tale of Two Cities, and is honored to collaborate with director Tinashe Kajese-Bolden on Covenant. She is a lighting designer who enjoys working across a wide range of stories in theatre and opera. Her recent opera credits include Factotum, a new production at Lyric Opera of Chicago, and Il Trovatore at Houston Grand Opera. On Broadway, her work includes Stereophonic, Jaja’s African Hair Braiding, and Slave Play, among others. Jiyoun engages each project with emotional clarity and a sense of shared ownership, bringing a personal sensitivity to the work — always in service of the story. She values collaboration and believes deeply in the power of storytelling to connect artists and audiences alike. Originally from Seoul, Korea, Jiyoun studied lighting design at the Yale School of Drama.

SHILLA BENNING (Costume Design)

Regional Theatre: Furlough’s Paradise, The Wondrous Realities of Jasmine Star Kid, Shakespeare’s R&J, Working - Alliance Theatre. Pipeline - Cleveland Playhouse. Mudrow, Bonez - People’s Light Theatre. Pipeline, Skeleton Crew - Actors Theatre of Louisville. Film: Fantasy Football, Do Revenge, Dear Evan Hansen, Like A Boss, What Men Want, SuperFly, Night School, Almost Christmas, Ride Along, Kevin Heart: Laugh At My Pain, Shaq’s All Star Comedy Jam, Reluctant Fundamentalist, One Missed Call, Madea Goes To Jail, Zombieland, Footloose. Television: “Teacup,” “Brockmire,” “Bigger,” “Survivors Remorse,” “Being Mary Jane,” “Media,” “The House of Payne,” “The Originals,” “The Vampire Diaries,” “Drop Dead Diva,” “Dancing With The Stars.” Recording Artist: Eryka Badu, Ciara, Lil Bow Wow, Andre 3000. Bronze Lens Film Festival Women’s Superstar Award Recipient.

MELANIE CHEN COLE (Sound Design) (she/her) is a San Diego based sound designer. Alliance Theatre credits: The Mountaintop and Everybody. Regional theatre credits: Alabama Shakespeare Festival, Alley Theatre, Cincinnati Playhouse in the Park, Cleveland Playhouse, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, Indiana Rep, La Jolla Playhouse, the McCarter, Milwaukee Rep, Northern Stage, The Old Globe, PlayMakers Rep,

South Coast Rep, Studio Theatre, and the Utah Shakespeare Festival. Education: MFA in Theatre and Dance from UC San Diego. melaniesound.com, @melaniechencole.

JUSTIN ELLINGTON (Original Music) [he/him] is honored to join the creative team of Covenant at the Alliance Theatre, where his previous credits include Millions, Topdog/Underdog, and King Hedley II, and multiple TYA productions including CLASS of 3000. His recent sound design work encompasses Othello on Broadway (2025), Our Town on Broadway (2024), and McNeal on Broadway (2024). Other notable projects include for colored girls who have considered suicide / when the rainbow is enuf (Broadway), Pass Over (Lincoln Center Theater), and Pipeline (Lincoln Center Theater). His designs have earned multiple award nominations, including Tony and Drama Desk Awards. Raised in Atlanta, Justin graduated from Tri-Cities High School, where his passion for music and storytelling first began. His work extends beyond the stage, with experience in film, television, and commercial music production. He is passionate about the intersection of music and storytelling, crafting immersive soundscapes that deepen narrative impact. He also serves as a lecturer in Sound Design at the David Geffen School of Drama at Yale University, mentoring the next generation of theatrical sound artists.

KATIA CARMICHAEL & GABRIELLE

IRVING (Special Effects Design) have been collaborating for three years on various projects and are excited to team up on Covenant as co-designers! Gabby last worked at the Alliance for BUST This is Katia’s first time at the Alliance. The two are based in New York City and work on a variety of practical special effects for theater and live events.

JODY FELDMAN (Casting) began her theater career as an actress in Atlanta before moving into administration as the Assistant General Manager at Frank Wittow’s Academy Theatre. It was at the Academy that Jody realized the importance of theatre to a city’s cultural values and identity. Feldman started her career at the Alliance as casting director in 1991 and added producer to her title and responsibilities in 2001. She has cast and produced more than 250 productions at the Alliance, encompassing a range of world premieres that include The Last Night of Ballyhoo by Alfred Uhry, Blues for An Alabama Sky by Pearl Cleage, The Geller Girls by Janece Shaffer, In the Red and Brown Water by Tarell Alvin McCraney, more than 20 years of Kendeda National Graduate Playwriting Competition-winning plays, such world and regional premiere musicals as Aida; The Color Purple; Sister Act: The Musical; Bring It On: The Musical; Tuck Everlasting; Ghost Brothers of Darkland County; Harmony, A New

Musical; The Prom; Trading Places, Maybe Happy Ending, and exciting new plays developed specifically for children and families, which is integral to the expansion of audience and mission for the Alliance. Jody is most proud of the thriving Alliance community engagement and partnerships that recognize theatrical work as a catalyst for civic conversation and connection.

THE TRC COMPANY (Casting) Led by partners Claire Burke, Kevin MetzgerTimson, Xavier Rubiano, and Peter Van Dam. Broadway: Mamma Mia!, Dead Outlaw, BOOP! The Musical, Stephen Sondheim’s Old Friends, Buena Vista Social Club, Death Becomes Her, Left on Tenth, The Outsiders, SIX, Aladdin. National Tours: The Phantom Of The Opera, Water for Elephants, Beauty & The Beast, The Wiz, Back To The Future, Les Misérables. The TRC Company is proud to continue the casting legacy of Tara Rubin Casting and Johnson-Liff Casting

BARBARA GANTT O’HALEY (Stage Management) [she/her] is proud to be a part of this female-powered production team for Covenant. Previous Alliance credits include: Milo Imagines the World, Doctor De Soto, Something Moving: A Meditation on Maynard, Into the Burrow: A Peter Rabbit™ Tale, Slur, Tell Me My Dream, Courage, Grimm Lives of the In-Betweens, ASM: A Tale of Two Cities, The Hot Wing King, Everybody. Other Atlanta credits include: Big Fish, Lady Day at Emerson’s Bar and Grill, Simply Simone, In the Heights, The Hunchback of Notre Dame, Perfect Arrangement, Indecent, Ms. Bennet: Christmas at Pemberley, The Wickhams, Our Town, 110 in the Shade, Pitmen Painters (Theatrical Outfit); Support Group for Men (Horizon Theatre), as well as My Fair Lady, Cats (Atlanta Lyric Theatre). Proud Member AEA. Proud Mama to Ellie and Keeva.

SAMANTHA HONEYCUTT (Stage Management Production Assistant) studied Stage Management at the University of North Carolina at Greensboro before beginning her career working across the country. Her credits include: Year of the Rooster, When January Feels like Summer, and Five Times in One Night (Ensemble Studio Theater). Legally Blonde, Cabaret, Hello, Dolly!, My Fair Lady, and Music Man (Cape Playhouse). Frankenstein, Hairspray, Penny Candy, American Mariachi, Supreme Leader (Dallas Theater Center). Angry, Raucous and Shamelessly Gorgeous (Hartford Stage), and Trading Places, Everybody, A Gift of Love with Adam L. McKnight, Hot Wing King, The Boy Who Kissed The Sky, Water For Elephants, Into the Burrow: A Peter Rabbit™ Tale, Furlough’s Paradise, The Preacher’s Wife, The Mountaintop, The Reservoir, and Milo Imagines the World

CHRISTOPHER MOSES (Jennings Hertz Artistic Director) has been working in

professional theatre for twenty years and in 2022 was given the Governor’s Award for Arts in Humanities for his body of work. In January of 2011, Chris took on the position of Director of Education at the Alliance Theatre, overseeing the Alliance Theatre Institute (twice recognized as an Arts Model by the Federal Department of Education), Theatre for Youth & Families, and the Acting Program. Since taking over this position, Chris has expanded the reach and impact by making the Alliance Theatre Education department a vital resource for advancing the civic agenda of Atlanta. This work is accomplished through deep and sustained partnerships with social service organizations throughout the city. Under his leadership, the Alliance launched its Kathy & Ken Bernhardt Theatre for the Very Young program, which provides fully interactive professional theater experiences for children of all abilities from ages newborn through five years old; the Alliance Teen Ensemble, which performs world premiere plays commissioned for and about teens; the Palefsky Collision Project, where teens produce a new work after colliding with a classic text; expanded the Alliance’s summer camp program to include over 3,000 children in multiple locations across Atlanta; and Alliance@ work, a professional development program designed for the business sector — the latest offering of which uses theatre practice to create a culture of civility in the workplace. In 2014, Chris added the title Associate Artistic Director, and has continued to expand the Alliance’s education offerings. During his tenure in this position, the Alliance has produced over a dozen world premiere plays for young audiences, including Pancakes, Pancakes! by Ken Lin, The Dancing Granny by Jireh Breon Holder, Max Makes a Million by Liz Diamond, and The Incredible Book Eating Boy by Madhuri Shekar. Currently, the Alliance serves over 100,000 students pre-k—12 each season, as well as over 4,000 adults through its extensive education offerings. In 2023, he was named Artistic Director of the Alliance Theatre.

BRANDON KAHN (Managing Director) joined the Alliance Theatre in 2025 as Managing Director following his role as General Manager at Houston’s Alley Theatre since 2018. As General Manager, Brandon worked closely with the Artistic Director and Managing Director in handling the dayto-day operations of the Theatre. During his time at the Alley, Brandon focused on improving operational systems to enhance the workplace environment for all of those involved. Brandon was instrumental in multiple transfer productions from Born with Teeth that will play in the West End this fall, Cambodian Rock Band which was a multi-city co-production, and the recently announced Off-Broadway transfers of Thornton Wilder’s The Emporium and Torera. Brandon came to the GM role from Williamstown Theatre Festival in Massachusetts, where he served

over six seasons as Producing Manager, Associate Line Producer, and Resident Production Stage Manager. During his time at Williamstown, three productions moved to major New York City not-forprofits, including Martyna Majok’s Pulitzer Prize-winning play Cost of Living, and five productions transitioned to Broadway. Prior to Williamstown, Brandon worked as a freelance stage manager for ten years where he worked on five Broadway shows, six Off-Broadway shows and many regional productions. He holds a Bachelor of Fine Arts degree from the University of North Carolina School of the Arts and a Master of Fine Arts degree in Theatre Management and Producing from Columbia University. Additionally, Brandon has lectured at Columbia University and University of North Carolina School of the Arts. Brandon is on the Board and serves as Secretary for the League of Resident Theatres (LORT). He has served on multiple committees for LORT, including planning multiple conferences and serving as a mentor in the LORT EDI Mentorship Program. He completed the Business/ Civic Leadership Forum with the Center of Houston’s Future. His wife Jennifer is

Founder of SCENERY BAGS, and they have two boys, Hudson and Judah.

ACTORS’ EQUITY ASSOCIATION (AEA)

Founded in 1913, AEA is the U.S. labor union that represents more than 51,000 professional actors and stage managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. www.actorsequity.org

Covenant is a Black Southern Gothic fantasy thriller which I realize is a lot of descriptors for a single experience. However, all of them are necessary to really capture what this play truly is. In fact, the only other piece of art I can remember that explores similar themes in a similar way is the recent Ryan Coogler smash-hit movie Sinners. Both pieces are so incredibly timely and spoke to me on a personal level as someone who has deep small-town, Bible Belt roots. Covenant reminded me that me, my life, and I don’t exist in a vacuum. None of us do. Whether direct or not, for better or for worse, all of our experiences are inherited from those who came before us and the ones who are walking on Earth with us now. As a Black American man, all the implications that come with that is terrifying to think about even without adding in the occult. Then York Walker did just that!

This play proved to be scarier than I originally expected and not just from the expert craftsmanship by Walker. Ironically, I was actually most horrified by the everyday, culturally specific situations rather than the fantastical or visceral elements that often accompanied them(though they scared me too). Covenant takes place in small-town Georgia in the 1930s, and although I haven’t lived in the ‘30s, I think many facets of small-town culture has continued on for the past century practically the same. Especially Black, Southern, small-town culture. Especially the problematic things of Black, Southern, small-town culture. I’ve seen the horrors of family favoritism. I’ve seen the insidiousness of contrived religious practice that destroys self and community. I’ve seen the tragedy of a small town eviscerating the spirit of someone who needs to leave but can’t. It seems to me that small towns tend to bring out a special existential angst I believe all humanities feel, and I’d be surprised if Walker didn’t have that in mind while creating this piece.

Sinners was one of the most discussed movies of 2025, and I think Covenant has similar vigorous conversation surrounding it because it’s perfect timing for one of the scariest times in human history. Truth is constantly undermined. Justice is constantly thwarted. There is a seemingly supernatural evil that’s reverberating throughout the country. Yet it is at this very moment when this show reminds us that the supernatural evil doesn’t need to come from hell but could come from our family, our friends, or the worst — ourselves. It’s a mirror that shows us the ugly truth of when we do not or cannot take the time to untangle our webs of traumas by truly loving our neighbors as ourselves.

Alliance Theatre Sets Wonder Free.

And what delights during performances ignites a brighter future. You can invest in better tomorrows by supporting access for youth to experience world-class theatre on a stage that’s all their own. Now is the time.

Introducing The Goizueta Stage For Youth And Families,

a transformative new space designed to inspire young audiences year-round. Research shows that early access to live theater can significantly combat critical issues like low literacy rates and the urgent youth mental health crisis. To fulfill this promise, the Alliance Theatre is launching a $10 million Imagine Endowment to expand our capacity to serve more young people and sustain these enriching experiences in perpetuity. With this endowment, the Goizueta Stage will be a beacon of accessibility, welcoming children from all backgrounds and removing economic, geographic, and physical barriers to ensure that every child can engage with the magic of theatre for generations to come.

Support The Imagine Endowment

For more information about the Alliance’s Imagine Campaign or to make an endowment contribution, please contact:

Trent Anderson, Director of Development trent.anderson@alliancetheatre.org (404) 733-4710

Scan here to learn more, contribute, or view our full donor listing alliancetheatre.org/imagine

Thank You To Our Leadership Donors

Kenny Blank, Campaign Chair

Anonymous

Ms. Kristin Adams

James Anderson

Liz Armstrong

Ms. Evelyn Ashley & Mr. Alan B. McKeon

The Bailey Family

Alba C. Baylin

Ken Bernhardt

Lisa Bigazzi Tilt

Francis & Elizabeth Blake

Brian & Jennifer Boutté

Roxanne & Jeffrey Cashdan

Bruce Cohen

LeighAnn & Chad Costley

Ann & Jeff Cramer

The Dozen Dimes Foundation

Dean DuBose & Bronson Smith

The Robert S. Elster Foundation

Katie & Reade Fahs

Ellen & Howard Feinsand

Lou & Tom Glenn

Rand & Seth Hagen

Dr. And Mrs. John B. Hardman

Jennifer & Quill Healey II

The Hertz Family Foundation, Inc.

Jocelyn J. Hunter

Tad & Janin Hutcheson

West & Katie Johnson

Jane Jordan Casavant

John Keller

Jesse Killings

The Michael & Andrea Leven

Family Foundation

The Billi Marcus Foundation

Ms. Denny Marcus & Mr. Andre Schnabl

Phil & Caroline Moïse

Starr Moore & James Starr Moore

Memorial Foundation

The Naserian Foundation

Allison & Shane O’Kelly

Cindy & Gary Reedy

Patty & Doug Reid

Bob & Margaret Reiser

Jane E. Shivers

The SKK Foundation

Mr. & Mrs. E. Kendrick Smith

Rosemarie & David Thurston

Rebekah & Mark Wasserman

Ramona & Ben White

Suzy Wilner

Amy & Todd Zeldin

The Woodruff Arts Center’s unprecedented $67 million capital campaign will bring new life to our campus, expand access to our proven educational programming, and secure our place as Atlanta’s center for the arts. Scan the QR code to learn more about Experience Atlanta, Experience Woodruff.

$1,000,000+

Anonymous

The Coca-Cola Foundation

James M. Cox Foundation

Delta Air Lines

The Goizueta Foundation

Douglas J. Hertz Family Foundation

$500,000 - $999,999

Acuity Inc.

Anonymous

$250,000 - $499,999

Bank of America

Chick-fil-A Foundation |

Rhonda & Dan Cathy

The Fraser-Parker Foundation

$100,000 - $249,999

A Friend of the Woodruff Arts Center

Liz and Frank Blake

Stephanie Blank*

Thomas and Aimee Chubb

Ann and Jeff Cramer*

$10,000 - $99,999

Ann A. Adams

Anonymous

Yum and Ross Arnold

Ken Bernhardt and Cynthia Currence

Tony Conway, Legendary Events

Johnson and Margaret Cook

Cousins Properties

Lee and Warren Culpepper

Mike and Nancy Doss

Mike and Mindy Egan

Vicki Escarra

Candace Steele Flippin

Georgia Council for the Arts

Cultural Facilities Grant

Patrick Gunning and Elizabeth Pelypenko

Rand and Seth Hagen

Terrence Hahn

Philip Harrison and Susan Stainback

The Home Depot Foundation

The Imlay Foundation

Sarah and Jim Kennedy

The Marcus Foundation

Norfolk Southern

PNC Bank

Cisco Systems, Inc.

Georgia Power Foundation

The Fay S. and W. Barrett Howell Family Foundation

Phil and Jenny Jacobs

Margaret and Bob Reiser*

Emerald Gate Charitable Trust

John H. and Wilhelmina D. Harland

Charitable Foundation, Inc.

Hearst Foundations

Joia M. Johnson

S. Jack and Michal Hart Hillman

Julia Houston

Robin and Hilton Howell

The Kilberg Family Foundation

KPMG LLP

The Dennis Lockhart and Mary Rose Taylor Memorial Fund

Alfredo Martin

The Barry & Jean Ann McCarthy Family*

John F. McMullan**

Richard and Wimberly McPhail

Kavita and Ashish Mistry

Pat Mitchell and Scott Seydel

Hala and Steve Moddelmog*

Kent and Talena Moegerle

Kenneth Neighbors and Valdoreas May

Galen Oelkers

Chuck and Kathie Palmer

Mark and Jennifer Pighini

Experience Atlanta, Experience Woodruff is supported in part by Georgia Council for the Arts through appropriations of the Georgia General Assembly and support from the National Endowment for the Arts.

Patty and Doug Reid Family Foundation*

The Tomé Foundation

Robert W. Woodruff Foundation

The Zeist Foundation, Inc.

Kelin Foundation

Truist Trusteed Foundations: Harriet McDaniel Marshall Trust, The Florence C. and Harry L. English Memorial Fund and the Woolford Charitable Trust

Sartain Lanier Family Foundation

The Selig, Lewis, Shoulberg Families

Truist Charitable Fund

Kathy Waller and Kenneth Goggins*

The Rockdale Foundation

Lauren and Andrew Schlossberg

Tim and Lauren Schrager

Family Foundation

June and John Scott

Southface Institute

Dave Stockert and Cammie Ives

The Mark and Evelyn Trammell

Foundation, Inc.

Tull Charitable Foundation

D. Richard Williams & Janet Lavine

David, Helen, and Marian

Woodward Fund

The Vasser Woolley Foundation, Inc.

Patrick and Susan Viguerie

Sally and Mel Westmoreland

John Wieland

John and Ellen Yates

*Denotes additional support for the Alliance Theatre’s Imagine Campaign ** In memoriam

SYNOPSIS

Avery is desperate for a way out of her small Georgia town. When her childhood friend Johnny returns after making a name for himself as a blues star, Avery may have found her chance. But Johnny’s sudden fame leads to gossip that he made a deal with the devil to attain his newfound musical genius, and before long it becomes clear that he’s not the only one in town with a secret. A suspense-filled thriller that delivers one devilish twist after another, Covenant explores the gripping power of belief and the thin veil between rumor and truth.

GET SOCIAL

Connect with us and other audience members on your Alliance Theatre experience. Share your comments and photos on Facebook , Instagram , X , and TikTok with hashtags #CovenantPlay and #AllianceTheatre. Plus, search your social media platforms with those hashtags for fun, behind-the-scenes content from our cast, crew, and creative team.

www.alliancetheatre.org

Founded in 1968, Alliance Theatre is the leading producing theater in the Southeast, reaching more than 165,000 patrons annually. The Alliance is led by Jennings Hertz Artistic Directors Tinashe Kajese-Bolden and Christopher Moses, and Managing Director Brandon Kahn. The Alliance is a recipient of the Regional Theatre Tony Award® for sustained excellence in programming, education, and community engagement. In January 2019, the Alliance opened its state-of-the-art performance space, The Coca-Cola Stage at Alliance Theatre. In January 2026, the Alliance will open the new Goizueta Stage for Youth & Families on the campus of the Woodruff Arts Center to expand its programming and commitment to excellent productions for family and student audiences of all backgrounds. Known for its high artistic standards and national role in creating significant theatrical works, the Alliance has premiered more than 140 productions including eleven that have transferred to Broadway. The Alliance education department reaches more than 90,000 students annually through performances, classes, camps, and in-school initiatives designed to support teachers and enhance student learning. The Alliance Theatre values community, curiosity, collaboration, and excellence, and is dedicated to representing Atlanta’s diverse community with the stories we tell, the artists, staff, and leadership we employ, and audiences we serve.

OUR MISSION

To expand hearts and minds onstage and off.

OUR VISION

Making Atlanta more connected, curious, and compassionate through theatre and arts education.

| boardofdirectors

OFFICERS

Chair

E. Kendrick Smith

Vice Chair

Allison O’Kelly

Treasurer

Matthew Kent

Secretary

Jennifer Boutté

Immediate Past Chair

Jocelyn Hunter

Ex-Officio

Brandon Kahn

Tinashe Kajese-Bolden

Hala Moddelmog

Christopher Moses

LIFETIME DIRECTORS

Rita Anderson

Ken Bernhardt

Ann Cramer

Linda Davidson

Howard Feinsand

Laura Hardman

Hays Mershon

Victoria Palefsky

Helen Smith Price

Bob Reiser

Jane Shivers

H. Bronson Smith

Ben White

BOARD OF DIRECTORS

Kristin Adams

Norman Adkins

Kimberly Ajy

James Anderson

Farideh Azadi

Deisha Barnett

Alba Baylin

Maggie Blake Bailey

Bridget Blake

Kenny Blank

Terri Bonoff

Jennifer Boutté

Traci Bransford

Kristen Burke

Jeff Cashdan

Madeline Chadwick

Bruce Cohen

LeighAnn Costley

Joe Crowley

Kelly Estrella

Katie Fahs

Reade Fahs

Rick Gestring

Richard Goerss

Lila Hertz

Jocelyn Hunter

Malvika Jhangiani

Alexander Johnson

Jane Jordan Casavant

Anne Kaiser

Tinashe Kajese-Bolden

John Keller

Matthew Kent

Andjela Kessler

Jim Kilberg

Jesse Killings

Carrie Kurlander

Allegra Lawrence-Hardy

Jean Ann McCarthy

Alan McKeon

Dori Miller

Hala Moddelmog

Phil Moïse

Christopher Moses

Allison O’Kelly

Jackie Parker

Anne Rambaud Herren

Stephanie Ray

Patty Reid

Margaret Reiser

Matthew Richburg

Robyn Roberts

Maurice Rosenbaum

Mike Schleifer

Steve Selig

Mital Shah

Bill Sleeper

E. Kendrick Smith

Chandra Stephens-Albright

Charlita Stephens

Mark Swinton

Julie Teer

Lisa Bigazzi Tilt

Richard Valladares

Benny Varzi

Rebekah Wasserman

Cristel Williams

LaNeah Williams

Wai Wong

Todd Zeldin

ADVISORY BOARD

Advisory Board Co-Chair

Laura Hardman

Advisory Board Co-Chair

Phil H. Moïse

Andrew Barrow

Allison Bass

Chris Brodnan

Maranie Brown

Carol Caines

La’Keitha Carlos

Haley Casola

LaMya Clinton

Jovan Davis

Mamie Dayan-Vogel

Joy Dyess

Brandon Fleming

Allen Fox

Liz Gillespie

Emmanuel Glaze

Jeff Graham

Aulona Graham-Simms

Erica Greenblatt

Dr. Lindsey Hardegree

Campbell Hastings

Donovan Head

Adrienne Hundley

P. Kimberleigh Jordan

Debraleigh Jowers

Jodi Kalson

Dr. Laura Kelly

Ellie Knight

January LaVoy

Jennifer Lee

JoJasmin “Jo” Lopez

Tre’Von McKay

Elizabeth McLean

Robbie Medwed

Aprille Moore

Jane Morgan

Susan Sim Oh

Pedro Pavón

Kama Pierce

Kat Reynolds

Michelle Robinson

Peggy Roth

Daniella Sandino

Sarah Anne Smith

Issa Solís

Natalie Sowell

Alicia Thompson

Joanne Truffelman

Tracey Underwood

Ana Urrego

Abby Vankudre

Christopher Walker

Melinda Weekes-Laidlow

Jennifer Weizenecker

Joni Williams

ALLIANCE SPONSORS

Alliance Sponsors are businesses, corporations, and institutions that have supported the work of the Alliance Theatre. We thank them for their generosity and support.

$500,000+

Chick-fil-A Foundation | Rhonda & Dan Cathy

Lettie Pate Evans Foundation

Robert W. Woodruff Foundation

$250,000+

Anonymous

The Coca-Cola Company

Georgia Department of Early Care and Learning

Shubert Foundation

WestRock

$100,000+

Accenture

Bloomberg

Chestnut Foundation

Delta Air Lines, Inc.

Helen Gurley Brown Foundation

Georgia Power

The Home Depot Foundation

John H. and Wilhelmina D. Harland Charitable Fund

Norfolk Southern

PNC

The Rich’s Foundation

The Harold & Mimi Steinberg Charitable Trust

Truist

Zeist Foundation

$50,000+

City of Atlanta Mayor’s Office of Cultural Affairs

Edgerton Foundation

Georgia Council for the Arts

Georgia Natural Gas

Google

Kendeda Fund

King & Spalding

Liz Blake Giving Fund

Molly Blank Fund of the Arthur M. Blank Family Foundation

National Endowment for the Arts

Wellstar Foundation

Warner Bros Discovery

$25,000+

Anthem

AT&T Foundation

Bank of America

Cadence Bank

Fulton County Board of Commissioners

Graphic Packaging

The Imlay Foundation, Inc.

The Marcus Foundation

Johnny Mercer Foundation

Kaiser Permanente

National Vision

Northside Hospital

Peach State Health Plan

Regions Bank

Southwire

$10,000+

AEC Trust

Affairs to Remember

Alexander Babbage

Alston & Bird

Black Leadership AIDS Crisis Coalition, powered by AIDS Healthcare Foundation

Thalia & Michael C. Carlos Foundation

Cisco

Do a Good Day Foundation

First Horizon

George M. Brown Trust of Atlanta

Georgia-Pacific

John & Mary Franklin Foundation

Publix Super Market Charities

SCANA Energy

South Arts

The Harold & Mimi Steinberg Charitable Trust

$5,000+

American Institutes for Research

Anonymous

Frances Wood Wilson Foundation

Osiason Educational Foundation

Perkins&Will

By attending our theater, you have made a powerful statement about how important the arts are to you. Make another statement of support louder than any standing ovation. Visit alliancetheatre.org and click on Donate.

| annualfund

Individual, foundation, and corporate donors contribute more than $10 million to the Alliance Theatre so that we are able to present exceptional theater and educational programming to our community. We are deeply grateful for your support. To find out more about the benefits of giving or to make your gift, visit us at alliancetheatre.org/waystogive or call 404-733-5157.

Listed below are pledges and gifts to the Alliance Theatre Annual Fund.

PREMIERE SUPPORT

Spotlight $100,000+

Mr. James E. Gay*

Dan & Garnet Reardon

The SKK Foundation

Artistic Director’s Circle $50,000+

Starr Moore & the James Starr Moore Memorial Foundation

Chairman’s Circle $25,000+

The Antinori Foundation Around the Table Foundation

Ms. Stephanie Blank

Ann & Jeff Cramer

Heidi & David Geller

David & Carolyn Gould

Jocelyn J. Hunter

Mr. & Mrs. Douglas Ivester

Jesse Killings

Daniel Marks & Keri Powell

Rosemarie & David Thurston

Leadership Circle $15,000+

Maggie Blake Bailey & Andrew Bailey

Brian & Jennifer Boutté

Martha & Toby Brooks

Jane Jordan Casavant

Roxanne & Jeffrey Cashdan

Katie & Reade Fahs

Ellen & Howard Feinsand

Doris & Matthew Geller

Anne & Scott Herren

Doug & Lila Hertz

Mr. Matthew D. Kent & Mr.

Joseph C. Miller

Jane & J. Hicks Lanier

Kristie L. Madara

Barry & Jean Ann McCarthy

Phil & Caroline Moïse

Allison & Shane O’Kelly

Victoria & Howard Palefsky

Patty & Doug Reid

Bob & Margaret Reiser

Patricia & Maurice Rosenbaum

Mr. George Russell, Jr. & Mrs. Faye SampsonRussell

Linda & Steve Selig

William & Margarita Sleeper

Dean DuBose & Bronson

Smith

Mr. & Mrs. E. Kendrick

Smith

Mark Swinton

Richard & Melissa

Valladares

Ramona & Ben White

Amy & Todd Zeldin

Director’s Circle

$10,000+

Ms. Kristin Adams

Mr. & Mrs. Norman Adkins

Kimberly & George Ajy

James Anderson

Ali & Farideh Azadi

Deborah L. Bannworth & Joy Lynn Fields

Alba C. Baylin

Ken Bernhardt & Cynthia Currence

Dr. M. Brian Blake & Dr. Bridget Blake

Terri Bonoff & Matthew Knopf

Judge JoAnn Bowens

Traci Bransford

Mr. Adam Burke & Mrs. Kristen Wood Burke

Madeline Chadwick

Mr. & Mrs. Thomas C. Chubb III

Mr. Bruce R. Cohen

Ezra Cohen Charitable Fund

Miles & Nicole Cook

LeighAnn & Chad Costley

Joe Crowley & Phil Mack

Kelly Estrella

Feldman, Bagen, and Bressler Families

Wyche Fowler & Becky

Hendrix

Viki Freema

Marsha & Richard Goerss

Malvika Jhangiani & Dipankar

Bandyopadhyay

Alexander Johnson &

Susan Somersille Johnson

Anne & Mark Kaiser

John C. Keller

Andjela & Michael Kessler

Mr. James Kieffer

James & Lori Kilberg

Brian & Carrie Kurlander

Evelyn Ashley & Alan McKeon

Dori & Jack Miller

Jeffrey Miller

Paul Pendergrass & Margaret Baldwin

Diane & Mark* Perlberg

Matt Richburg

Robyn Roberts & Kevin Greiner

Ms. Mital Shah

Dr. & Mrs. Dennis Lee Spangler

Lynne & Steve Steindel

Lisa Bigazzi Tilt

Carol & Ramon Tomé Family Fund

Benny & Roxanne Varzi

Ms. Kathy Waller & Mr. Kenneth Goggins

Mark & Rebekah

Wasserman

Ms. Cathy Weil

Suzy Wilner

R. Wai Wong

BENEFACTORS

$5,000+

Anonymous

Mr. & Mrs. Hugh S. Asher

Mr. & Mrs. Marc Balizer

Lisa & Joe* Bankoff

Deisha Barnett

Mr. & Mrs. Roland L. Bates

Stephen & Candy Berman

Natalie & Matthew Bernstein

Franklin & Dorothy Chandler

Ann & Jim Curry

Diane Durgin

Kathy & Jason Evans

Emanuel & Stacy Fialkow

Dr. Cynthia J. Fordyce & Sharon Hulette

Dr. & Mrs. Marvin Goldstein

Janin & Tad Hutcheson

Jason & Laurie Jeffay

Dr. & Mrs. John Lee

Mr. & Mrs. Bob A. London

Burrelle Meeks

Wade Rakes & Nicholas Miller

Mr. & Mrs. Norman J. Radow

Ms. Barbara Schlefman

Alan & Cyndy* Schreihofer

Charlita Stephens & Delores Stephens

Susan & Alan* Stiefel

Russ & Cam Still

Maria-Ruth Storts

Chuck Taylor & Lisa Cannon-Taylor

Mr. & Mrs. Glenn Weiss

Bryan & Carrie Williams

$2,500+

Anonymous (2)

Sajjad Ali & SaraBeth

Samuels

Dr. & Mrs. Raymond Allen

Mr. & Mrs. W. Kent Canipe

Candace Carson

Melodie H. Clayton

Rita & Ralph* Connell

Marcia & John Donnell

Karen & Andrew

Ghertner

Mr. David F. Golden

Shauna Grovell

Mr. Jefferson T. Hancock

Laura & John Hardman

Wes & Ariana Hargrave

Henry & Etta Raye Hirsch

Heritage Foundation

Monique & Justin Honaman

Linda & Richard Hubert

Mr. & Mrs. Wyatt T. Johnson

Lloyd & Mary* McCreary

Clair & Thomas Muller

Joan Netzel & John Gronwall

Sam & Barbara Pettway

Don & Rosalinda

Ratajczak

Ms. Kristin L. Ray

Mr. & Mrs. Jonas Reisinger

Dana Rice

Mr. & Mrs. Mark

Rosenberg

Jane & Rein Saral

Ms. Donna Schwartz

Kashi Sehgal

Mr. & Mrs. S. Albert

Sherrod

Mr. David C. Shih

Brian Shively & Jim Jinhong

Henry N. & Margaret P. Staats

Chandra StephensAlbright & Warren Albright

Mrs. Anuja Stites & Dr.

John Stites V

Kathy & Ronald* Tomajko

Ms. Mary Anne Walser

Kim Boldthen & Carolyn

Wheeler

Ms. Karen E. Willenken

Cristel Williams

Zaban Foundation

$1,500+

Judge Gregory A. Adams & Wanda C. Adams

Mr. E. Scott Arnold

Ms. Johanna Brookner

Aubrey & Carol Bush

Mark & Ansley Callaway

Susan Callaway

Gail Crowder & Claude Wegscheider

Celeste Davis-Lane

Tim & Tina Eyerly

Sandeep Goyal & Taylor

England

Della & Theo Guidry

Warren M. Gump

Louise S. Gunn

Mrs. Elaine L. Hentschel

Mr. & Mrs. J. Michael

Hostinsky

Ashley & Elton James

Mr. Amble Johnson & Ms.

Amy Coenen

Boland & Andrea Lea Jones

Debraleigh & Jon Jowers

Mark Keiser

David Long & Starane

Shepherd

Judith Lyon

Greg & Gillian Matteson

Burt & Ruth Mirsky

Dennis & Debra Murphy

John & Helen Parker

Mr. & Mrs. Armond

Perkins

Peg Petersen

Dr. Denise Raynor

Daniel Regenstein

Dr. & Mrs. Fredric

Rosenberg

Ms. Lili Santiago-Silva & Mr. Jim Gray

Jay Small

Dr. & Mrs. Kenneth G. Taylor

Julie Teer

Valerie & Anthony

Thomas

Stan & Velma Tilley

Dana & Obi Ugwonali

Ms. Avril Vignos

Mamie Dayan-Vogel & Steven Vogel

Linda Williams

William & Nancy Yang

Judy Zaban

PATRONS

$1,000+

Anonymous

Mr. William Allin

Jill Blair

Stephanie Carter

Dr.* & Mrs. S. Wright

Caughman

Susan & Edward Croft

Dr. Marla Franks & Rev.

Susan Zoller

Drs. Cathie & Hugh

Hudson

Randy & Connie Jones

Ivory D. Kimbrough

Anna & Hays Mershon

Fabienne Moore

Alexander Rohrer

Deborah W. Royer

Steve & Stephanie Schramm

Mr. & Mrs.* Charles B. Shelton III

Jane E. Shivers

Ms. Amy Speas

Tim & Maria Tassopoulos

Judith & Mark Taylor

Lynne Winship

ALLIANCE THEATRE MONTHLY SUSTAINER SOCIETY

We would like to thank our donors who have committed to giving us a recurring monthly donation to the Alliance Theatre Annual Fund. Join today: www.alliancetheatre.org/sustainer

Dr. & Mrs. Marshall Abes

Mr. Faraz Ahmed

Mr. E. Scott Arnold

Dr. Evelyn Babey

Allison Bass

Christine Brodnan

Maranie Brown

Dr. Deloris Bryant-Booker

Dean Jordan & Lee Burson

Brandon Bush

Karen & Harold Carney

Mr. Quentin David Cashman

Elizabeth Corrie

Christopher Cox & Draco Bohannon

Gray & Marge Crouse

Nash Ditmetaroj

Malaika Dowdell

Joy & David Dyess

Les Flynn

Christine & Andrew Fry

Emmanuel Glaze

Caroline Gold

Erica Greenblatt

Bryant Gresham & Alexander Bossert

Ms. Jo Ann Haden-Miller & Mr. William Miller

Lindsey E. Hardegree

Ms. Linda Hare & Mr. Gerald Barth

Becca Hogue

Steven & Kimberly Hoovestol

Karen Jones

Kelley J. Jordan-Monné

Mr. & Mrs. Andrew Kraft

Dr. Andrea W. Lawrence

January LaVoy

Joyce Lewis

Ms. Lauren Linder & Mr. Jonathan Grunberg

Christian & JoJasmin Lopez

Stephen Lynch

Alison Main

Heather & Jim Michael

Lori & Jonathan Peterson

Ms. Kendrick Phillips

Marion Phillips

Marc & Jean Pickard

Deborah G. Robinson

Mr. Howard Rowe

Barbara Schreiber

Tom Slovak & Jeffery Jones

Sarah Anne Smith

Charles Thompson

Abby Vankudre

Ms. Stephanie Van Parys & Mr. Robert A. Cleveland

Dr. Kimberleigh Jordan Vaughn

Ben Warshaw

Caitlin Way

Elizabeth Wiggs Cooper & Larry Cooper

| matchinggifts&legacysociety 30

MATCHING GIFT COMPANIES

Many companies offer a matching gifts program for employees and retirees. You can double, or even triple, your gift at no additional cost to you simply by asking your employer! Think of how much further your donation can go.

We would like to thank the following companies who have matched contributions to the Alliance Theatre Annual Fund. To find out more about matching gifts, contact us at ATGiving@alliancetheatre.org.

AIG Corporation

American Express

Aon Risk Solutions

The Arthur M. Blank Family Foundation

AT&T

Bank of America/Merrill

BlackRock

Bryan Cave-Powell

Charles Schwab & Co., Inc.

Chubb Charitable Foundation

The Coca-Cola Company

Deloitte

Equifax Inc. Foundation

John and Mary Franklin Foundation

LEGACY SOCIETY

GE Energy

Georgia Power

Goldman Sachs Matching Gift

Goldstein

Google

Hearst Foundations

Home Depot Foundation

Honda Motor Co.

IAC, Inc

IBM

JPMorgan Chase

Kimberly-Clark

Lynch

MacArthur Foundation

Macy’s Foundation

McDonald’s Corporation

McMaster-Carr Supply

Microsoft Corporation

Norfolk Southern Corporation

Principal Financial Group Foundation

Prudential Financial

Publix Super Markets

Salesforce.com, Inc.

Sprint

Truist

Thrivent Financial for Lutherns

Veritiv Corporation

Verizon Corporation

The Walt Disney Company

Wells Fargo

Yahoo!

Celebrating our supporters who have made a legacy gift to the Alliance Theatre.

The Legacy Society celebrates individuals who have made a planned gift to the Alliance Theatre. Making a planned gift is a wonderful way to show your support and appreciation for the Alliance Theatre and its mission, while accommodating your financial, estate planning and philanthropic goals. With smart planning, you may increase the size of your estate and/or reduce the tax burden on your heirs. Just as important, you will know that you have made a meaningful and lasting contribution to the Alliance Theatre.

To learn more about the Legacy Society, please contact us at ATGiving@alliancetheatre.org.

Anonymous

Rita M. Anderson

Roland & Linda Bates

Kathy* & Ken Bernhardt

Anne & Jim Breedlove

Ezra Cohen

Ann & Jeff Cramer

Susan & Edward Croft

Sallie Adams Daniel

Linda & Gene* Davidson

Terry & Stacy Dietzler

Diane Durgin

Elizabeth Etoll

Ellen & Howard Feinsand

Dorie Gallagher

James Edward Gay*

Laura & John Hardman

Nancy* & Glen* Hesler

P.J. Younglove Hovey

David A. Howell*

William & Debbie Hyde

Lauren & David Kiefer

David Kuniansky

Virginia Vann* & Ken Large

Edith Love*

Lauren & John McColskey

Anna & Hays Mershon

Caroline & Phil Moïse

Winifred & Richard*

Myrick

Victoria & Howard Palefsky

Armond & Sharon Perkins

Jan Pomerantz & Everett Wilcox

Helen M. Regenstein*

Margaret & Robert Reiser

Betty Blondeau-Russell*

Tricia & Neal Schachtel

Debbie* & Charles Shelton III

Jane E. Shivers & Bill Sharp

Roger Smith & Christopher Jones*

Ron* & Kathy Tomajko

Lee Harper & Wayne Vason

Terri & Rick Western

Ramona & Ben White

* deceased

ARTISTIC

Jennings Hertz Artistic Directors Tinashe Kajese-Bolden, Christopher Moses

Producer & Casting Director

Producing & Casting Assistant

Distinguished Artist in Residence

Director of New Work

BOLD Producing Associate

Director of Community & Internal Engagement

Jody Feldman

Brant Adams

Pearl Cleage

Amanda Watkins

Abrianna Belvedere

Daviorr Snipes

Spelman Leadership Fellows Kerrington Griffin, SaRee Grimes

Reiser Lab Artists Round 11

Director of Production

Ryan Jones, Kirsten King, Tadiwa Nashe, Lee Osorio, Lilliangina Quiñones, Maria Sager, Vauren Morris, Ian Sawan, and Alejandra Ruiz

Production Management

Associate Directors of Production

Costume and Wardrobe Director

Costumes

Associate Costume Shop & Wardrobe Director

Design Assistant

Drapers

Crafts Master

1st Hands/Stitchers

Wardrobe Supervisor

Wardrobe

Wig Master

Director of Lighting & Projections

Lawrence Bennett

Courtney O’Neill, Haylee Scott

Laury Conley

Melanie Green

Summer Barnes

Tonja Petersen, Cindy Lou Who

Diana L. Thomas

Brett Parker, Tae Lingle, Fae Riemann-Royer

Hauzia Conyers

Monica Speaker

Lindsey Ewing

Electrics

Associate Director of Lighting & Projection

Staff Electricians

Props Department Director

Properties

Props Department Associate Director

Steve Jordan

Rochelle Riley

Joy Diaz, Neil Anderson

Suzanne Cooper Morris

Kimberly Townsend

Props Artisans Parker Ossmann, Bruce Butkovich

Scenery

Technical Director

Associate Technical Director

Shop Supervisor

Lead Welder

Carpenters

Charge Scenic Artist

Scenic Artist

Director of Audio

Associate Director of Audio

Sound

Rigel Powell

Joseph Corbin, Luke Robinson

Patrick Conley

Chris Seifert

Mikaela Dalke, Marlon Wilson

Kat Conley

Amanda Nerby

Michael Carrico

Aaron Vockley

Sound Engineers Emma Mouledoux, Graham Schwartz

Stage Management

Stage Managers Liz Campbell, R. Lamar Williams, Barbara Gantt O’Haley

Stage Management Production Assistants

National Vision Stage Management Fellow

Stage Operations

Stage Operations Manager

Assistant Stage Operations Manager

Crew Chief

Automation Stagehand

Properties Stagehand

Flyperson

EDUCATION

Dan Reardon Director of Youth & Families

Naserian Foundation Head of

Early Childhood Programs

Head of Secondary Curriculum & Partnerships

Education Accounting Assistant

Administrative & Adult Program Manager

Camp Administrative Manager

. Samantha Honeycutt, Myah Harper, Ashley Dickey

Xiaonan “Chloe” Liu

Scott Bowne

Kate Lucibella

Roy Sockwell

John Victor Mouledoux Jr.

Nic Stephenson

Nathan Peters

Olivia Aston Bosworth

Hallie Angelella

Liz Davis

Isabella Aguilar Irias

Robert Hindsman

Jayson T. Waddell

Alliance@Work Creative Director J. Noble

Head of Elementary School Programs

Youth Programs Manager

Artist in Residence & Teen Program Manager

Resident Artist & Allyship Program Director

Head of Education Advancement

Education Production Coordinator

Teaching Artist Liaison

Institute Program Coordinator

Childcare Fellow

Teaching Artists

Abigail D’Aguillo, Adaline Ellison, Addison Peacock, Alanna Gordon, Alayna Price, Alec Harrison, Alexa-Grace Lindley, Alexander Sharpe, Alisha Simmons, Amanda Przygonska, Amber Williams, Andrea Epps, Andrea Washington, Andrés Rondón, Aneela Desai, Angel Rivera, Annabeth de Ocampo, Anna Oakley, Annie Hagearty, Ann Rhodes, Ann Richmond, Anshula Phadke, Aretta Baumgartner, Arion Hendricks, Aryianna Brewer, Ashley Alves, Ashton Graham, Audrey Myers, Austin English, Autumn Stephens, Ayanna Palmer, Ayla Altman, Baleigh Reed, Barry Mann, Benjamin Coleman, Bernard Gilbert, Brandon Holman, Brandon Smith, Brie Wolfe, Brittani Powell, Brooke Dixon, Brooke Edmunds, Brooke Fleurimond, Cait Cortelyou, Caitlin Slotnick, Caleb Vaughn, Cameron Woods, Carole Gilley, Caroline Donica, Caroline Stewart, Cat Amy, Chakendra Fennell, Chandler Smith, Charlie Edwards, Chase Anderson, Chelcy Cutwright, Chelsea Brown, Chloe Campbell, Chloe Lomax, Chloe Taylor, Christazja Rivers, Christian Magby, Christie Miller, Christopher Noyes, Christopher Ward, CJ Perkins, Clayton Landey, Connor Lamkin, Coral Brito, Coriana Raynor, Courtney Moors-Hornick, Cymiah Alexander, Da’Quan Cooney, Danielle Montgomery, Davan Glynn, Davis McDaniel, Deja Holmes, Derrick Robertson, Ebony Tucker, E Haeberlin, Elaina Walton, Elizabeth Garapic, Elizabeth Gardner, Ellie Tinley, Emily Eliasen, Emily Gray, Emily LaPollo, Erika Miranda, Erin Taylor, Ethan Davis, Ethan Escobar, Eva St. Clair, Gabriel Ocasio, Garrett Shedd, Gerome Stephens, Gloria Martin, Goldie Hatch, Gracie Tipton, Gregory Hernandez, Haley Smith, Hananya Allen, Hannah Chatham, Hannah Wheeler, Harriet Bass, Hayden Weiss, Helena Denton, Hollie Rivers, Hope Clayborne, Imani Banks, Isaac Breiding, Isaac Hohl, Izabel Dorst, Ja’Kyah Jackson, Ja’Siah Young, Jackson Baughman, Jacob Guinn, Jacob Martinez, Jade Roman, Jamiyah Smith, Janae Willock, Janie Kelly, Jasmine Thomas, Jazzë Lewis, JD Myers, Jeilianne Vazquez, Jenna Morris, Jeremiah Hobbs, Jeremy Blanding, Jessenia Ingram, Jhye Smith, Jocline Oliphant, John Doyle, Jo-Jo Steine, Jonathan Eddie, Jontavious Johnson, Jordan Hood, Jordan Rehm, Jordan Rivers, Jordyn Nelson, Juliana Hurtado, Julia Walters, Julissa Sabino, Justis Searcy, K’lah Morgan, Kaciah Jung, Kadence Gary, Kai Chisholm, Kalekidane Gizaw, Kalixta Easterwood, Kamille Burel, Kamryn Jones, Kamryn Loy, Kana Nagata, Karen Aguirre, Kate Jordan, Kate Varner, Kate Walsh, Katherine Hunt, Kathryn Steele, Katie Galbreath, Katie Wickline, Kayla Davis, Kayla Pettigrew, Kendall Brisco, Kennedy O’Neil, Kenya Perry, Kera Alleyne, Keshawn Morgan, Kim Baran, Kirk Campbell, Kirsten King, Koyahn Smith, Kristen Freeman, Kristian Martinez, Kyle Kiesler, Kyle Philson, Lacea Weakland, Laurel Burrington, Lauren Alexandra, Lauren Curtis, Leah Leonard, Leah Thomas, Lee Bertram, Lexi McKay, Lex Martin, Lia Marianes, Lizzie McDonald, Lola Oresegun, Lon Bumgarner, Louise Javelona, Luanna de Barros, Luiza Penha, Maddy Roberts, Madilyne Bagnoche, Maia Eaton, MaRah Williams, Marc Collins, Marcia Harper, Maria Scott, Marielle Martinez, Marissa Ciccone, Marissa Kovach, Marquelle Young, Martha Thomas, Mary Claire Page, Mary Patterson, Maurice Figgins, Max Kountz, Maya Diaz, Megan Carr, Megan Wartell, Mekhi Woods, Michelle Stover, Milner Patterson, Miracle Bennett, Molly Tucker, Morayo Otujo, Morgan Rysdon-Moulitsas, Moriah Baskett, Naiya Banks, Natalie Byman, Natalie Kasper, Nazia Fant, Nevaeh Riddle, Niani Braxton, Nicholas Taylor, Nicole Price, Nicolette Emanuelle, Noah Vega, Olivia Dantzler, Olivia Watts, Olivia Williams, Patricia de la Garza, Patrick Lacey, Paully C, Peter Pavlovsky, Rahul Daswani, Razaria Denae, Reid Gilbard, Reuben Haller, Ricardo Aponte Alvarez, RJ Siegler, Robin Colwell, Roman Hicks, Rosemary Newcott Marquardt, Ryan Dinning, Sabrina Booker, Saheim Patrick, Sam Hartsook, Samuel Yates, Sara Fanucchi, Sarah Anderson, Sarah Wallis, Scott Depoy, Selena Prewitt, Shaniya Horton, Sharon Foote, Sharrell Luckett, Shelby Folks, Shelby Terry, Sheree Pickett, Skye Pugh, Sof Delgado, Sophia Sapronov, Sophie Biel, Stephen Ruffin, Suehyla El-Attar, Sylvie Oechsner, Ta’Marion Freeman, Tafee Patterson, Taloria Merricks, Tapley Cronier, Terence Lee, Tomi Fawehinmi, Tom Zhang, Tori Luttrell, Trinitee Armstrong, Tyler Grubbs, Tyshawn Gooden, Uchenna Ukonu, Vallea Woodbury, William Allen, William Amato, William Sabonis-Chafee, Willow Lockridge, Wynne Kelly, Wyn Thomas, Xavier Mikal, Zuri Petteway

Teen Ensemble Members

Ava M. Graham, Zara Smith, Sasha Williams, Muhamed Jatta, Izzy Bregman, Aliyah Brailsford, Jefferson Hall II, Ana Sofia Keber-Diaz, Elyse Tindall, Anastasia Baker, Alysa Carr, Elliott Elliott, Ellie Bernard, Ja’Kyah Jackson, Kassidy Eno, Chelsea Smith, Jax Millarker, Noah Vazquez, Raven Jackson, Isaiah C. Phipps, Aja Najib, Cate Waide, Rachel Morrison, Ivey Nemorin, Sydney Yuhas

MANAGEMENT

Managing Director Brandon Kahn

Company Manager Laura Thruston

Assistant Company Manager Sara Cook

Administration & Finance

Director of Finance

Controller & Head of Administration

Staff Accountant

Accounting Coordinator

Accounts Payable Lead

Associate Director, Data Operations & Strategy

Development

Director of Development

Associate Director, Corporate Partnerships

Manager, Board Relations & Special Events

Associate Director, Strategic Institutional Advancement

Valerie Thomas

Elecia Crowley

Jasmine Burton

Julie Hall

Sharette Driver

Christina Dresser

Trent Anderson

Natalie Adams

Kailan Daugherty

Collins Desselle

Manager, Development Operations & Institutional Giving Tanesha Ferguson

Director of Individual Giving

Manager, Individual Giving

Marketing & Patron Services

Director of Marketing & Communications

Rebecca Pogue Fields

Robyn A. Rogers

Sam Provenzano

Maya Lawrence

Kristen Silton

Jay Williams

Blake Fountain

Katie Wolff

Nicko Gonzalez

Edward McCreary

Lindsay Ridgeway-Baierl

Kathleen Covington

Manager of Web & Digital Communications Anna Birtles

Social Media Manager Ashley Elliott

Manager of Design & Creative Felicity Massa

Manager, Digital Storytelling

Marketing & Public Relations Manager

Associate Director, Data Operations & Strategy

Anna Walters

Mashaun D. Simon

Danielle Hicks

Senior Manager of Patron Experience Genesis Gates

Box Office Manager Andi Stanesic, James McCune

Patron Services Coordinators Maiya Moran, Sydney Michelle

Patron Services Associates Thelma Mitchell, VonDerrick Taylor

Season Ticket Concierge Ken McNeil

Education Sales Coordinator

Quintara Johnson

Group Sales & Student Matinee Manager Jocelyn Rick

Group Sales & Student Matinee Coordinator Chelsea Street

Lead Front of House Managers Robyn E. Sutton-Fernandez, Johnathan Bottisti

House Manager Barbara O’Haley

Encore Magazine Announces Exclusive Partnership

with The Kennedy Center

Encore Magazine is thrilled to announce its new role as the exclusive publisher of all program books for the John F. Kennedy Center for the Performing Arts.

Broadway Theatre and Dance Performances, The Washington Opera The National Symphony Orchestra and POPS!

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