Encore - December 2009

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Zac Efron Stars in Me and Orson Welles Special Events Guide

At the Met with the New York Philharmonic A Town Called Panic showcases the art of claymation


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“

BEST OF THE SEASON!� — David Cote, Time Out New York

A PLAY BY THORNTON WILDER

DIRECTED BY DAVID CROMER

“WONDERFULLY INTIMATE!� — Charles Isherwood, The New York Times

“ENTHRALLING!� “SHATTERING!� — Ben Brantley, The New York Times

— Frank Rich, The New York Times

“MIRACULOUS AND REVOLUTIONARY!� — John Heilpern, New York Observer

“THE BEST SHOW IN NYC, IF NOT AMERICA!� — Terry Teachout, The Wall Street Journal

5P SFBE GVMM SFWJFXT BOE TFF TDFOFT GSPN UIF QMBZ WJTJU 0VS5PXO0GG#SPBEXBZ DPN Tues – Fri @ 7:30, Sat @ 2:30 & 7:30, Sun @ 2:30 & 7:30

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Broadway Close Up

A Special Presentation

Striking 12 THU, DEC 31, 2009 8 PM A brilliantly funny cross between a rock concert and a holiday show for people who don’t like holiday shows, Striking 12 is about a grumpy guy who stays at home on New Year’s Eve, until reading “The Little Match Girl” changes his life. TICKETS: $40

“...artfully crafted and engaging.” - The New York Times MERKIN CONCERT HALL at Kaufman Center 129 W. 67th St. merkinconcerthall.org 212 501 3330

miss Don’t p: lose U way C ini r d Broad n sa d Ales Gerar ! 7 c on De


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Editors Lisa LeeKing (NYC), Olga Belogolova (LA), Helen Cooper (Boston)

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Contributing Writers Debra Griboff, Melynda Fuller, Williams R. Cole, Laura Scott, Brian Schimpf, Mary Staub, Meryl Cates, Sarah Shanok, Todd Simmons Art Director John B. Fakorede Graphic Designers Katharine Sherman, Janice Olson Web Programmer Jose Burgos, Jr. Photographer Erin Gleeson Marketing Manager Natasha Huang Marketing Associate Jonathan Valdez Operations Manager Emily Holmes Sales Coordinator Charlie Rhyner Finance Nery Solorzano 501 5th Ave., 3rd Flr., New York, NY 10017

-PDBUFE BU .FUSP5FDI $FOUFS BU UIF DPSOFS PG +BZ 4USFFU BOE .ZSUMF "WFOVF 1SPNFOBEF )0634 5VFTEBZ UP 4BUVSEBZ BN ± QN 7JTJU 5IFBUSF %FWFMPQNFOU 'VOEµT 5,54 #PPUI GPS EJTDPVOUT PG VQ UP PGG TBNF EBZ FWFOJOH BOE OFYU EBZ NBUJOFF QFSGPSNBODFT PG #SPBEXBZ 0GG #SPBEXBZ NVTJD EBODF BOE #SPPLMZO QFSGPSNJOH BSUT FWFOUT www.metrotech.org

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A holiday feast for the entire family. The Met’s seasonal presentation is irresistibly delicious! Perfect for kids 8 and older (and grown-ups who aren’t afraid of the dark).

HANSEL and GRETEL 8 PERFORMANCES ONLY!

DEC 14, 17, 19 eve, 21 mat, 24, 28 mat, 30 mat JAN 2 mat

SPECIAL HOLIDAY PRICING — $99 ORCHESTRA SEATS! metopera.org/Hansel | 212-362-6000

LISTEN TO METROPOLITAN OPERA RADIO 24/7 ON

PHOTO: KEN HOWARD/ METROPOLITAN OPERA


“ONE OF THE BEST MOVIES ABOUT THE THEATER I’VE EVER SEEN.” –Roger Ebert, Chicago Sun-Times

“A FILM WITH WINNING PERFORMANCES. IT’S A BLAST!”

–Patrick Goldstein, LOS ANGELES TIMES

“THERE’S ONE GREAT REASON TO SEE THE MOVIE, AND THAT’S CHRISTIAN MCKAY’S PERFORMANCE AS WELLES.” –Owen Gleiberman, ENTERTAINMENT WEEKLY

“A MUST FOR ADMIRERS OF TERRIFIC ACTING.” –Kirk Honeycutt, THE HOLLYWOOD REPORTER

CINEMANX AND ISLE OF MAN FILM INASSOCIATIONWITH FRAMESTORE FEATURES AND HART/LUNSFORD PICTURES PRESENTVISUAL A CINEMANX AND DETOUR FILMPRODUCTION A RICHARD LINKLATER FILM EFFECTS MUSIC COSTUME HAIR & MAKE-UP BEN CHAPLIN CLAIRE DANES ZAC EFRON ZOE KAZAN EDDIE MARSAN CHRISTIAN MDIRECTOR CKAY KELLY REILLY JAMES TUPPER ME & ORSON WELLES SUPERVISOR ROB DUNCAN SUPERVISOR MARC MAROT DESIGNER NIC EDE DESIGNER FAE HAMMOND PRODUCTION OF LINE ASSOCIATE COCASTING LUCY BEVAN EDITOR SANDRA ADAIR ACE DESIGNER LAURENCE DORMAN PHOTOGRAPHY DICK POPE BSC PRODUCER RICHARD HEWITT PRODUCERS JESSICA PARKER SARA GREENE PRODUCERS HOLLY GENT PALMO VINCE PALMO ANDREW FINGRET PRODUCED DIRECTED EXECUTIVE SCREENPLAY BASED ON THE BY RICHARD LINKLATER ANN CARLI MARC SAMUELSON BY RICHARD LINKLATER PRODUCERS STEVE CHRISTIAN JOHN SLOSS STEVE NORRIS ED HART BRUCE LUNSFORD BY HOLLY GENT PALMO VINCE PALMO NOVEL BY ROBERT KAPLOW BASED ON THE BOOK ME AND ORSON WELLES BY ROBERT KAPLOW PUBLISHED BY PENGUIN BOOKS USA SOUNDTRACK AVAILABLE ON DECCA RECORDS, A UNIVERSAL MUSIC COMPANY.

www.meandorsonwellesthemovie.com

© CinemaNX Films One Limited 2009

EXCLUSIVE ENGAGEMENTS

NOW PLAYING

COR. HOUSTON & MERCER STS. 800-FANDANGO #2707

COMING SOON TO A THEATER NEAR YOU


The Flamenco Side of Kind of Blue />?I ?I J>; <?D7B 9ED9;HJ I;H?;I E< J>; 0EBB Damm Barcelona International Jazz Festi L7B FHEK:BO 9E FH;I;DJ;: M?J> %7PP .J7D dard. The festival seeks to promote both jazz and Barcelona, as well as their relation ship and its byproduct. A Flamenco Side of Kind of Blue was specially commissioned for the festival by the quintet and serves as the cornerstone for the eclectic festival. Tickets to Chano Domínguez Flamenco Quintet: The Flamenco Side of Kind of Blue are available for $30 and may be purchased at www.jazzstandard.com where you can find more information on this and many more Jazz Standard concerts. > December 3–6 at the Jazz Standard, 116 E. 27th St.

PHOTO :Chano

BY HELEN COOPER – In the world of jazz, imitation really is the best form of flat tery. Artists are constantly looking for ways to reinvent previously composed works. The Chano Domínguez Flamenco Quintet, performing December 3–6 at the Jazz Stan dard, may have found a way to reinvent the wheel. Presenting The Flamenco Side of Kind of Blue, The Chano Domínguez Flamenco Quin tet puts their own spin on the 1959 Miles Davis milestone. The staging will be per formed by a unique flamenco/jazz combo under the direction of the brilliant pianist Sebastian Domínguez Lozano, better known as Chano Domínguez. With Mario Rossy on bass, Blas Córdoba on cantaor, Israel “Piraña” Suárez on cajón, and Tomasito performing dance and the palmas, the week end gig will prove to be one of the most unique experiences at the Jazz Standard this year.

Domínguez

> Chano Domnguez concert at the Jazz Standard


Before Getting Engaged > Michael Batshaw’s practical advice for those considering “I Do� BY HELEN COOPER – “One hardly ever hears, ‘I wish I had gotten engaged earlier.’� So be gins Michael Batshaw’s new book, 51 Things You Should Know Before Getting Engaged. Batshaw, a psychotherapist and former clini cal director of HAN wrote the book because of a firm belief that people are not properly prepared for the complexities that come with committed adult relationships. With a coun JHO M?:; :?LEH9; H7J; E< D;7HBO ?J I >7H: to argue with him. The book itself aims to help readers deter mine whether they have found “the one,� and to make changes that will ensure a solid, healthy relationship before anyone gets down ED ED; AD;; .FB?J ?DJE <?<JO ED; C?D? 9>7FJ;HI 51 Things offers practical advice to anyone in an imperfect relationship (hint: according to 51 Things, no one—and no relationship—is perfect). The beauty of the book is in its simplicity. Some of the advice offered may seem obvious

(#17 – “Patience is a virtue. No really, it is.�) and some may seem blunt (#22 – “Marriage is a business. Money is a real issue.�) but Bat shaw’s book offers that it is the simple rela tionship elements that can make or break a partnership—and that are often overlooked. 79> C?D? 9>7FJ;H >;7:?D= EH QJ>?D= JE know�) is followed by an explanation and an ecdotal advice, an approach that makes Bat shaw’s book seem less clinical and more down to earth. 51 Things You Should Know Before Getting Engaged is a gem of a book; it’s a practice in practical work toward a better rela tionship and could just be your ticket toward a sound, and healthy, “I do.� 51 Things You Should Know Before Getting Engaged is part of the Any Number of Things series, released under Turner‘s new imprint, Trade Paper Press. The series is available at in dependent book stores, Borders, Barnes & No ble, Amazon.com or direct from the publisher at turnerpublishing.com.


The Art of Claymation 87I;I 7D: E<J;D 7HC;: M?J> J>;?H IJ7D:7H:

Panique au village (A Town Called Panic), a

issue rifle or, bow and arrow accessories.

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Directors Stéphane Aubier and Vincent Patar,

ation, was the first film of its kind to be select

who also voice Cowboy and Horse, respective

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ly, oversee this surreal world of chaotic charac

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of the same name, begun in 2003. Starring a

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plastic cowboy, Native American and horse, ap

on a journey to the center of the earth, where

propriately named, Cowboy, Indian, and Horse,

they uncover a world of evil underwater char

who share a house, managing their unlikely,

acters, before fighting their way back home to

yet familial dynamic, as everyday activities in

their happy Hamlet.

evitably evolve into adventures in an otherwise quiet, mountain town.

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man’s Wallace & Gromit, but is a little edgier and

the cooking, cleaning and disciplining, eagerly

as a result has been assigned the fitting disclaimer,

seeks the affections of Madame Longrée, the

“Occasional bad language in the subtitles, but

lovely local music teacher who is conveniently

otherwise entirely appropriate for children.” Calm

also a horse. Cowboy and Indian bicker and

down, it’s otherwise entirely appropriate for adults,

fight like brothers, but each night end up in a shared room sleeping peacefully, side by side in

too. > December 16–29 at Film Forum, 209 W.

twin beds—still attached to their green plastic

Houston St.

PHOTO :

BY SARAH SHANOK – This year, Belgian film

A scene from A Town Called Panic. [by Zeitgest Films]

> A Town Called Panicc is a surreal world of chaotic characters


Cream of the Crop

semble the best pieces of art from the best artists in a cohesive collection that displays the talent at hand. The same strategy applies when assembling the lineup for MMArtists in Concert. Each year the Metropolitan Museum of Art draws together an impressive collection of musical artists in the MMArtists in Concert. The series, lauded as the best that chamber music has to offer, will feature an impressive assemblage of musicians once again, when they perform at the Met on Friday, December 18 at 7:00pm. Organized by Edward Arron, the group’s artistic coordinator, will feature Colin Jacob sen, violin; Nicholas Cords, viola; Edward Arron, cello; Jeremy Denk, piano; and Jee won Park, piano, performing two works by (;D:;BIIE>D 7HH7D=;: <EH F?7DE <EKH >7D:I violin, and cello: The Hebrides Overture, Op. 26; and Ruy Blas, Op. 95; Gubaidulina’s

String Trio; and Fauré’s Piano Quartet No. 1 in C Minor, Op. 15. The concert is the second of the series of two this year, with both including original music by composer Sofia Gubaidulina. What makes the MMArtists in Concert is the special blend of classic and contemporary music fea tured. This melding between traditional and current makes the performance accessible in a way not typical of chamber music—and makes for a truly one of a kind experience. For performance details on the MMArtists in Concert, or to purchase tickets, please visit www.metmuseum.org or visit the Concerts & Lectures box office located inside the Museum’s main entrance at 82nd Street and Fifth Avenue. > December 18 at the Metropolitan Museum of Art, 1000 Fifth Ave.

PHOTO :

BY HELEN COOPER – A curator’s job is to as

Pianist Jeremy Denk [by J. Henry Fair]

> MMArtists in Concert blend classic and contemporary music


New York Philharmonic Makes CONTACT > This winter a new series brings new composers to audiences

New York Philharmonic

works include: Game of Attrition by Arlene Sierra, MACUNAÍMA by Arthur Kampela, and new works 8O (7H9 D:HZ 7B87L?; 7D: ';? '?7D=

The concert, and the CONTACT T series itself, will serve as a once in a lifetime opportunity for 9B7II?97B CKI?9 BEL;HI 7D: D;M B?IJ;D;HI JE ;NF;H? ence music that has never been heard before—a revitalization of one of classical music’s biggest (and greatest) players. For more information about the New York Philharmonic’s CONTACTT concert at the Met, visit www.metmuseum.org > December 19 at the Metropolitan Museum of Art, 1000 Fifth Ave.

PHOTO :

BY HELEN COOPER – />; );M 2EHA +>?B>7HCED ic has a new music director this season, and he’s ready to make changes in a bold way. At 42, Alan "?B8;HJ ?I OEKD=;H J>7D CEIJ 9B7II?97B CKI?97B :? rectors. He is also the son of two former violinists at the Philharmonic. This dichotomy of attributes is just a small example of the new direction Gilbert has hinted at with his inaugural program. *<J;D DEJ;: <EH ?JI IJ7KD9> H;J7?D?D= E< JH7:? tionalist musical notions, The New York Philhar monic is taking a turn for the innovative with its CONTACT CKI?9 I;H?;I J>?I M?DJ;H />; I;H?;I ?I ?D T tended to introduce audiences to new composers 7D: 9ECFEI?J?EDI EF;D?D= J>; :EEH JE 9EDJ;C porary music in a classical world. The CONTACTT series will feature a concert presented at the Metropolitan Museum of Art on Saturday, December 19 at 7:00pm. New York +>?B>7HCED?9 ECFEI;H ?D -;I?:;D9; (7=DKI Lindberg will conduct the program, consisting of four New York Philharmonic commissioned works in their world premiere engagements. The


Samurai Cinema > Throne of Blood plays at The Met BY HELEN COOPER – CKI;KC I FH?C7HO E8 @;9J?L; ?I 7I 7 Q:;FEI?JEHO <EH 9EBB;9J?D= 7D: :?I playing objects having scientific or historical or artistic value” according to the dictionary nestled between a collection of short stories and graphic novel on my book shelf. An art museum is often thought of as only containing paintings, prints, I9KBFJKH; 7D: EJ>;H JH7:?J?ED7B C;:?KCI E< 7HJ?I tic expressions. The Metropolitan Museum of Art is dedicated to highlighting the inclusivity of the definition, and has included the medium of film in its hallowed halls. Airing Friday, December 4th at 6:00 pm at the Grace Rainey Rogers Auditorium, Throne of Blood (1959) will be shown as an accompanying piece in conjunction with the exhibition “Art of the Samurai: Japanese Arms and Armor, 1156 – 1868,” October 21, 2009 – January 10, 2010. The film, the final of three classic samurai films by Akira Kurosawa (1910 – 1998), one of Japan’s greatest filmmakers and the master of the genre. Star Toshiro Mifune’s unparalleled performance

still defines for Western audiences the essence of what it meant to be a samurai. Throne of Blood d at The Met is not only a :?L;HI?R97J?ED J>; :;RD?J?ED E< 7HJ 8KJ 7 ED; E< 7 A?D: EFFEHJKD?JO <EH 7HJ BEL;HI JE :?I9EL;H a historical time period and group of people J>HEK=> J>; CKB? B;DI;: F;HIF;9J?L; E< CKBJ?FB; mediums. Throne of Blood d will be introduced by Donald J. La Rocca, Curator, Department of Arms and Armor. !EH CEH; ?D<EHC7J?ED EH JE FKH9>7I; J?9A ets to this or any event at The Met, please visit www.metmuseum.org. > December 4 at the Metropolitan Museum of Art, 1000 Fifth Ave.


Facinating Ada is ‘ Absolutely Miraculous’ JHEKF; ?D L7H?EKI ?D97HD7J?EDI F;H<EHC;: ED five continents, enjoyed six West End runs, re corded eight albums, published two books and garnered five award nominations: three Oliviers, one Drama Desk and one Perrier. Noted for its sassy scores, the group has also written songs for various British radio and TV shows and has been the subject of several BBC documentaries. Recently, a Fascinating Aïda official YouTube Channel was created, which showcases various past performances and details upcoming events. Many critics attribute their longevity to im peccable comic timing and taut writing. Their songs skewer social pretentions, religion, romance and sex. Whether observational, deeply sentimental or acidly funny, Fascinat ?D= ]:7 C7HH?;I FE?=D7D9O JE H7PEH I>7HF satire. For Americans, it’s an opportunity to see an extraordinarily entertaining produc tion. The Mail on Sunday summed up their talents best: “See them before you die, oth erwise your life will have been meaningless.” > December 16 – January 3 at 59E59 Theaters, 59 E.59th St.

PHOTO :

BY DEBRA GRIBOFF – The phenomenal Fasci nating Aïda has been described as “Ab Fab meets Noel Coward,” but their talents defy explanation. This British comedy group/sa tiric cabaret act, starring Dillie Keane, Adele Anderson and Liza Pulman, offer a perfect melding of intellect, art and social com C;DJ7HO 7BB :ED; ?D J>H;; F7HJ >7HCEDO

Their current show, Absolutely Miraculous, opens Dec. 16 at 59E59, part of the impres sive Brits Off Broadway Festival. The show has been described not as a comeback, but a cel ebration of their 25th (and a bit) birthday. They deliver new songs accompanied by their trade mark beautiful harmonies and intricate rhymes. Among their most popular tunes, “Shattered Illusions,” “Herpes Tango,” “Lieder” and “Ta boo,” are standouts, and have some very fa mous fans. Patti LuPone has recorded “Look Mummy No Hands” and “Shattered Illusions” on her album Matters of the Heart, while Bette Midler has made “Shattered Illusions” a staple. Keane, a noted actress in her own right, was the founder of the original 1983 troupe. The

Fascinating Aïda

> British comedy troupe visits New York


December 2009 SUNDAY

MONDAY

TUESDAY

WEDNE

1 The Contenders film collection: At the MoMA. Screening of The Hurt Locker followed by Q&A with director.

6

7

8

13

14

15

The Manhattan Transfer: At the SOPAC 4pm and 7pm

Quartetto Gelato, A Christmas Concert: At the Medieval Sculpture Hall. 6:30 and 8:30pm

20

21

27

28

22

Superior Donuts: At 7pm (Wednesday’s through Saturday’s at 8pm. Wednesday and Saturday at 2pm, and Sunday at 3pm through April 2010).

29

Nationwide Me and Orso Starring Cla and Zac Eff


ESDAY

THURSDAY

2

premiere of on Welles: aire Danes fron.

9

FRIDAY

SATURDAY

3 A Streetcar Named Desire: Starring Cate Blanchette. At Belle Reve Gala at BAM Harvey Theater. 8pm

10

4 Concerts and Lectures Series screening of Akira Kurosawa’s Throne of Blood. At the MET.

11

5 The Nutcracker: At SOPAC.

12

Triptych: At Carnegie Hall. 8pm Through Dec. 13.

16

17

18 MMArtists in Concert: At the MET. 7pm

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24

30

31

PHOTO :

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19 CONTACT: The New York Philharmonic’s New Music Series with Magnus Lindberg, Conductor: 7pm

26

Doug Elkins & Friends Fräulein Maria [by Steven Schreiber]


SHOPPING

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Saying “I Love You� with a Gift Our annual gift guide has you covered, from fashion and gadgets to a food tour and sun salutations! BY LISA LEEKING – Selecting a present dur ing the holiday season can be complicated, but we’ve made your holiday shopping easier with EKH >7D: I;B;9J;: B?IJ E< >EB?:7O =?<JI 1>E what and where of holiday shopping! FOR THE DESIGNER Stainless Steel Wallet Slim, functional and fashionable, this wallet is made by weaving 25,000 flexible, stainless steel treads together. We tested it ourselves and after two months of use, the strong as steel 4 1/4� by 4 1/3� money holder hasn’t stretched or stained nor was it affected by the salty air at the beach, which is more than I can say for my husband’s drill bits. Perfect for the man who likes to carry IJT TUBTI JO UIF GSPOU PS CBDL QPDLFU t +66+-2/: $-25/66/: <2 $<

It’s no doubt that New Yorkers love Apple. Now you can talk, Twitter and rock out longer with Novothink’s solar powered Surge cases made <EH ?+>ED; " 7D: " . 7D: I;9ED: =;D;H7J?ED ?+E: JEK9> />; Q:KH78B; B?=>JM;?=>J >7H: I>;BB 9EDIJHK9J?ED M?J> IE<J JEK9> =H?F JI?:; I;9J?EDIU H;FB79;I OEKH EB: 97I; M?J> 7D ;9E <H?;D:BO L;H sion that allows you to power up while walking around the city, biking or vacationing at the beach. Available in a variety of colors, $69.95. t www.novothink.com FOR SUNDAY AFTERNOON LOVERS His & Hers Bialetti Stovetop Espresso Makers There’s nothing more romantic than an after noon in bed with your lover, the paper and a fantastic tasting cup of %E; !EH JHK; 9E<<;; 7<? cionados, the stovetop varieties are the way to go. For her, look to the KEH :? (EA7 7D 7BK minum pot designed to specially brew espresso by extracting the finest essence of the bean, or “the heart,� producing J>; 8;IJ <B7LEH FEI sible, $69.95. For him, try the stainless steel (KI7 ?D EH 9KF


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Give the yogi in your life the power to advance with Lara Baumann’s new book and DVD, which J7A;I OE=7 JE J>; D;NJ B;L;B 8O JO?D= 8H;7J>; synchronized movements of vinyasa with the three Ayurvedic doshes. As you learn to create different daily practices, you’ll balance your mind, body and soul. Or learn first hand during a retreat in Goa, Thailand or Ibiza, www.larayoga. com for info. More retreats held in gorgeous worldly locations by acclaimed teachers can be L?;M;: ?D "H;7J 2E=7 -;JH;7JI 7 F7=; 8EEA that editor Angelika Taschen’s hand selected. Baumann also stars on the cover. $29.95 and $39.95. FOR ADVENTURESS FOODIES Rum & Blackbird Tasting Tours of Hells Kitchen Instead of gathering in a restaurant this holiday season, walk and eat your way through Hell’s Kitchen with food savvy Moira Campbell. Former restaurant publicist and Culinary Institute of American alum, Campbell leads tasting tours through the neighborhood she loves the best.

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Theater Becomes Film Becomes Theater the Broadway premiere of Shakespeare, a H; ;DL?I?ED?D= E< Julius Caesar. After casting the determined young actor Richard Samuels (Zach Efron) as Lucillus, Welles (Christian McKay) proves himself equally charismatic and cruel, a sort of svengali of the stage, as he attempts to stake his place in the world of directing. />; CEL?; =?L;I L?;M;HI 7 8;>?D: J>; I9;D;I look at what goes into the preparation of a theatrical production. It is as much coming of age love story (along the way, Efron’s Richard <7BBI <EH .ED@7 %ED;I 7 =KD= >E EB:;H FHE:K9J?ED assistant played by Claire Danes) as it is long poem to the theater. Movie viewers have rarely been given this kind of a peek into the world of the stage, and to granted access into a seminal moment in American Theater. Beyond the breadth and depth of the historical context, the acting in the film is truly captivating. Danes is infectious as the unapologetically determined Sonja. And Efron, most well known

PHOTO :

BY HELEN COOPER – “Hello my dear, how are you?,” rolls a thick, inviting Lancashire accent. The man on the other end of the phone line is Christian McKay, the acting force behind the title character in Richard Linklater’s newest film Me and Orson Welles. The actor and the film have a bit in common. They are both refreshing throwbacks to a time and place when cultural appreciation of the arts and hopeful, earnest gazing into the future simultaneously existed. They both exist in the analogous yet dissimilar worlds of theater and film. They are both absolutely delightful. In a modern age when the movie industry has taken over as the king of entertainment, it isn’t often that we are reminded of a time when theater was the biggest kid on the block. Me and Orson Welles gives moviegoers a glimpse into a week in 1937—a historical precipice that in hindsight would act as the last gleam of theater’s reign before Tinstletown took strong hold in the 1940’s. In the film, Orson Welles is presenting

Christian McKay in Me and Orson Welles

> Me and Orson Welles’ star Christian McKay impresses audiences


Christian McKay and Zac Efron in Me and Orson Welles PHOTO :

for his turn in the Disney franchise High School Musical, is effective as a leading man. But it is McKay who steals the show. Discovered while FEHJH7O?D= 1;BB;I ?D 7 ED; C7D IJ7=; I>EM (9&7O ?I IFEJ ED 7I J>; B;=;D:VM7J9>?D= >?I passion and prowess is like being transported in a time machine. It doesn’t hurt that the actor bears a striking resemblance to Welles. “I was filming in Morocco and a woman who had seen Orson once when he filmed a scene of Othello there in the 1950’s said that I looked like him,” McKay chuckles. When I speak with McKay, he is spending time in the countryside of Kent—a far cry from the dusty streets of New York, 1937 depicted in Orson. But it doesn’t take long for him to be transported to the world of Welles himself. He is a veritable encyclopedia of information on the man, having studied his life and work extensively. “I’m sort of a new student of film—I started with Orson’s films and I’ve expanded and am learning so much.” McKay is that very special blend of intelligent and effusive—the kind of man who can disguise a lesson plan in an anecdote. When questioned about his future in film, and whether theater is his true home, his response speaks volumes. “I studied at The Royal Academy of Dramatic Art, so I’m conditioned to think I’d be an actor in the theater,” McKay’s accent turns Aristotelian and >?I I;B< :;FH;97J?D= D7JKH; FHEL;I ;D:;7H?D= “But really, I’d be happy doing anything so long as it’s creative.” If Me and Orson Welles is any indication, McKay’s future looks bright and ripe with creativity. The star, and the film, reminds us of the best that both film and theater can be, and proves how affecting a production (and performance) can prove to be on an audience. > Me and Orson Welles premieres in November, 2009


The Art of Movie Magic imagery and swirls of dark colors. From the ice and

fans have religiously watched The Nightmare

topiary sculpture scenes of Edward Scissorhands

Before Christmas during a holiday season that

to Jack Skellington’s song “What’s This?” in The

stands as a bridge between spooky Halloween and

Nightmare Before Christmas, Burton is not limited

joyous Christmas. Now Jack Skellington fans have

to dark and dismal images but is earnest in telling

even more to cheer about.

the story of the outcast in a unvaried environment

This holiday season at MoMA, a tribute exhibition

attempting to break free. His stories have heart,

to Tim Burton will be presented, containing

and Burton shows viewers that we are not limited

the director’s original conceptual artwork—an

and if our heart’s desires branch outside of what

opportunity for Burton fans to see inside the

we know, we should pursue them.

filmmaker’s mind. Fans will also be able to see the

From devoted fans who know his earliest works

sources of Burton’s inspiration, including James

such as Beetlejuice (1988) and Edward Scissorhands

Whale’s 1931 Frankenstein as well as other films.

(1990) by heart, to those who have recently

Many mediums will be available for viewing, such

discovered him through his interpretations of

as Burton’s personal drawings and paintings, some

children’s book Charlie and the Chocolate Factory

E< >?I IJEHO8E7H:I 7D: CEL?D= ?C7=; <EHC7JI J>7J

(2005), and the renowned musical Sweeney Todd

bring the director’s wild ideas to fruition. And for

(2007), this exhibition will be something worth

the big movie buffs, props, costumes and puppets

the while. Any devoted followers of his films—in

will be also be on display.

a genre completely of their own—will to want to

Tim Burton is known for his dark imagery, but only true fans can really understand that there is a

check out the exhibition at MoMA this winter. > November 22, 2009 – April 26, 2010 at

sense of light and hope hidden between the twisted

Museum of Modern Art, 11 W. 53 St.

PHOTO :

BY DIANA PREZIOSI – Since its release in 1993,

Tim Burton

> Tim Burton Retrospective at MoMA


Visions of Parodies Dance in Your Head tive dance steps and characters. Elkins began his 97H;;H 7I 7 8H;7A :7D9;H 7D: >7I D;L;H 7BBEM;: that freedom and flow to escape his perfor mances. An accomplished choreographer, his Fräulein Maria premiered in 2006 to critical and 7K:?;D9; 799B7?C )EJ;: <EH ?JI <?D; M;7L; E< >?F hop, ballet, stomping, stepping and voguing, and command of humor and creativity, Fräulein Maria is accessible and candid. The performances are directed by Barbara Karger and Michael Preston, and performed by both original cast members and some new ones. On the weekends there will also be matinee performances of Nut/Cracked, a contemporary translation of The Nutcracker, which has had six consecutive seasons of touring and over 150 per formances. With discounts and family packages available, the “Holiday Extravaganzaâ€? is a great way to rethink the classics, while you reinvent your own holiday traditions. > December 10–20 at Dance Theater Workshop, 219 W. 19th St.

PHOTO :

BY MERYL CATES – In the city, the holidays I?=D7B 7 I>?<J ?D J>; 7HJI I9;D; />; J?C; >EDEH;: musicals and performances emerge year after year as the heavyweights, the crowd pleasers, and the holiday custom. The various Nutcrackers and spectaculars are as symbolic as the season itself, but just downtown there is a thriving new tradition: one that will, instead, leave visions of parodies dancing in your head. Doug Elkins & Friends’ Fräulein Maria works Rodgers and Hammerstein’s famed The Sound of Musicc story and soundtrack into something seasonably fresh, memorable, and always silly (in a good way). At Dance Theater Workshop ;9;C8;H T 7D: T J>; ;II?; M7H: winning performance will be paired with David Parker and The Bang Group’s Nut/Cracked d for a Holiday Extravaganza FHE=H7C :ED; J>; :EMD town way. Fräulein Maria ?D9EHFEH7J;I 7BB E< J>; H;9E=D?P 78B; IED=I B?A; Q E -; (?U 7D: Q.?NJ;;D "E?D= ED .;L;DJ;;D U 8KJ ;NFH;II;I J>;C M?J> ?DL;D

Doug Elkins & Friends in Fräulein Maria, Dance Theater Workshop

> Fräulein Maria and Nut/Cracked at Dance Theater Workshop


DINING

End of the Year Best Eats Der Schwarze Kolner (710 Fulton St.) will soon be

en economy has brought about positive changes to

the Brooklyn equivalent of the East Village’s Zum

the restaurant world; more pizza pies, discounted

Schneider L; M?J> ?JI

FH?N RN; :?DD;HI 7D: CEIJ ?DJ;H;IJ?D=BO 7D ?DJ;H;IJ

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?D <EE: 97HJI D: :?<<;H;DJ ;7J;H?;I >7L; 8;;D <E

star chef Daniel Boulud opened downtown DBGB

cusing on the same aspects: handcrafted cocktails,

Kitchen & Bar EM;HO >?I

elaborate craft beer offerings, and a deeper under

ďŹ rst restaurant, “That places almost equal emphasis

standing of what it means to eat local.

on beer and wine.�

Original creations featuring antioxidants like

1; 9EKB:D J 8; CEH; J>7DA<KB <EH J>; ?DDEL7

Açai and pomegranate juice, plus tropical fruits and

tive food carts popping up around Manhattan and

teas, are showing up at Flatiron Lounge (37 W.

Brooklyn. Sure a NY hotdog sometimes satisďŹ es

J> .J

J>; 9EDJ;CFEH7HO ;9E

a craving, but it’s the hearty cod, pork and veal

chic Asian cuisine eatery Pranna (79 Madison Ave.,

schnitzels and bratwursts served from the $-273<

7D: J>; IJKDD?D= Hotel Delmano

zel & Things truck (www.schnitzelandthings.com)

?D 1?BB?7CI8KH= ;HHO .J

and the perfectly crispy Belgian wafes cooking

No longer is beer just for pubs! Beer Table (427

with bacon from the yellow Wafels and Dinges

J> L;

?D +7HA .BEF; >7I 8;;D

truck that has us salivating (www.wafelsanddinges.

leading the way with an impeccable list of craft,

com). Since these restaurants are on wheels, your

BE97B I;7IED7B 7D: 87HH;B 7=;: 8;;HI M>;H;7I !EHJ

best bet is to get updates with Twitter to see when

Greene’s summer opening of the German beer bar

they’ll be passing through your ‘hood!

PHOTO :

BY LISA LEEKING – )E ED; 97D :;DO J>7J EKH <7BB

DBGB Kitchen & Bar

> A look at restaurant openings and trends in eating from 2009


'$1& 3# 7 This Park Slope treasure is a favorite for chicken wings, catfish burgers, beef-on-weck, pulled pork, microbrews, hot sauces, and sports games. Tasty vegetarian dishes are also available. Come enjoy the best burger in town in a fun, friendly atmosphere. (Citysearch)

$ 6#11# 3# 7

Voted top wine bar in New York City two years running by Zagat’s Night Life Guide, the Stonehome Wine Bar is conveniently located just two blocks from BAM. Stonehome “gives the culinary as much attention as the oenonoligal� (New Yorker) with a seasonal new American menu and a 200 bottle list. 35 wines are offered by the glass. Dinner reservations are recommended (open daily at 5pm).


$ 6#11# 3# 7

A short walk from BAM, this stylish and relaxed restaurant features Tapas, a raw bar and salads and Entrees from across the Mediterranean. Sangrias, an interesting and affordable wine list, full bar and friendly, professional service have made this a neighborhood favorite. Open seven days.

-/1* ," 3# 7 This local Fort Greene spot respects the simple things, like getting chicken tortilla soup, salads, tacos and enchiladas just steps from home. It also respects that a fresh lime margarita, offered frozen, on the rocks, salted, or flavored with fresh fruit, could just make your night.

#) * 3# 7 iCi has the open-all-day, everyman appeal of Balthazar, the streamlined style of Bouley. (New York Magazine). The menu changes with the seasons, using exclusively fresh, naturally grown ingredients of the highest quality from the local farms and markets.

1& 3# 7

Alchemy is a pub-style restaurant on the north end of 5th Ave. in Park Slope with a small, creative menu, seasonal specials and outstanding selection of beer, wine and cocktails. We provide a warm, welcome atmosphere to enjoy anything from a relaxed pint to a four course meal.


'$1& 3# 7

“Fantastic,� savory cooking at relatively gentle prices explains why this oh-so-popular Park Slope Venetian is always packed. (Zagat)

2*1-, 1 7 Aqualis Grill is a Mediterranean-inspired seafood restaurant that serves a variety of seafood starters and main courses. In addition, Aqualis offers a Prix-Fixe menu that includes a threecourse meal with wine for only $25 between 5:00 and 7:30 pm. Closed Monday.

1 /)0 3# Born from the desire to forge a pleasant and friendly dining establishment with fresh, locally grown produce, Flatbush Farm features an eclectic selection of ales, wines, and spirits. An endeavor of wonderful simplicity: eat heartily, drink merrily. Lo, now is come our joyfullest feast!

* 1 20& 3# 51 World-famous restaurant for over 55 years. Voted No. 1 “The Best Cheesecake in N.Y.� Overstuffed deli sandwiches, skyscraper desserts, blintzes, broiled steaks and fish, 10 oz. steakburgers and more. Open daily: breakfast, lunch and dinner.


Music, Art & Dance at the SCHOOL OF THE ARTS

! #$ $$ $ !# ' $ % # $ ( #) !%! # " ) ! # % #! # " !" " ! ! & % # # &$ #& $! & !#

NEW STUDENTS ENROLL NOW & SAVE 20%!

(Use Code ES)

*

Lexington Avenue at 92nd Street *Mention discount code ES at the Box OfďŹ ce or call 212.415.5500. Some restrictions apply; discount excludes private music lessons. Offer cannot be redeemed online.

An agency of UJA-Federation


$ 6#11# 3# 7 Scopello, named after a small village in Sicily, is a place you can immerse yourself in a spectacular natural setting, ancient history and delicious wholesome foods. Our menu features the freshest produce, fish and meats, homemade pastas and bread, with ingredients imported from Italy...

$ 6#11# 3# The wunderbar authentic Viennese dishes at chef Thomas Ferlesch’s charming Fort Greene Austrian bistro are worth traveling for; it recalls a homely corner of old Europe, and the location and personable service are both perfect for a BAM night.

ENCORE PRESENTS

Much Ado About Autumn Encore is your ticket to see some of the best performing arts events for free. This fall, through our Encore Insiders, newsletter you could win dinner and a show for two. Theater, dance, music, film—the free performances change from week to week. Enter now at encoremag.com for your chance to win. Also follow us at twitter.com/encoremag.


Shakespeare’s Globe, London

Love’s Labour’s Lost By William ShakespearE ‘Shakespeare’s Globe is far and away the most thrilling theatre in london’ Time Out LONDON

December 8 21 Michael Schimmel Center for the Arts Pace University, Manhattan

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119 West 23rd Street, New York, NY 10011

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