PORTFOLIO
Emma Connolly
SKILLS
Revit 2024
Rhino 3D
Illustrator
InDesign
Photoshop
EDUCATION
Bachelor of Science in Architecture
University of Colorado Denver
2021-2024
Masters in Architecture
Arizona State University 2024-2026 (work in progress)
CONTACT
emma.connolly1228@gmail.com
www.linkedin.com/in/emdconnolly
EXPERIENCES
Adobe Student Ambassador
Adobe: Feb 2023- Present
- Advanced Knowledge of Adobe Creative Suite
- Social Media Content Creator
- Adobe Apps Beta Tester
- CU Denver Adobe Club President
Student Worker
ASU Hayden Library Makerspace: Oct 2024- Present
- Advanced knowledge in model making
- Software knowledge for laser cutting, 3D printing, etc...
- Resource and provided help for other students
Student Assistant
University of Colorado Denver CAP: Dec 2023- May 2024
- General Office Duties
- Assist with Meetings and Events
- Provide Various Support for the College of Architecture & Planning
Event DJ
A Music Plus: Feb 2023- Aug 2024
- Public Speaking
- Equipment and Serato Proficiency
- Extensive Musical Knowledge
RiNo RESTORATION
The RiNo Art District is being revamped. There has been an increasing presence of art and a new vibrancy to the area. On this specific site art can be seen in almost every direction, yet, the site feels dead. It is empty and there is no vegetation. Introducing the smith and the gardener is in the attempt to solve this issue. The gardeners’ purpose is to introduce new life to an area that is potentially dying. They will help this area come alive and thrive the way the surrounding area is. They will coexist with the smiths to filter out some of the toxins that they create . The smiths serve the purpose of making tools. Throughout their process, they create pollutants. The idea that the two thinkers seem to be polar opposites makes one think about how they would interact with one another and how that interaction challenges the design of spaces that one, the other, or both occupy.
WORKSPACE
FINISHING ROOM
COMMUNITY FLEX SPACE LOBBY
SCAVENGER SYSTEM
FORGE
WELLNESS ROOM
GYM LAUNDRY ROOM
COMMUNAL AREA
GARDENER’S BEDROOM
SMITH’S BEDROOM
KITCHEN
GARDEN
SOUTH UNROLLED SECTION
WEST
THE HUB AT GRANT PARK
Community refers to a group of individuals who share common interests, values, or characteristics and often live in close proximity to one another. They play a crucial role in providing a sense of belonging, fostering collaboration, and enhancing overall well-being. The Grant Park neighborhood in Central City South Phoenix is a vibrant cultural hub, but there is a notable lack of community centers despite the surrounding recreation. This absence limits opportunities for residents to gather, share their diverse cultures, and access vital resources. Community centers could serve as vital spaces for education, recreation, and social support, fostering stronger connections among the rich tapestry of residents. The purpose of The Hub is to draw in the community and inspire cultural creatives by providing a vibrant environment for innovation and expression. Incorporating art studios, performance spaces, and gathering areas will foster connections and encourage the
studios, spaces, and gathering exchange of ideas among diverse individuals.
SOUTH ELEVATION
FLOOR PLANS
1A - 1 Bedroom + 1 Bathroom
2A - 2 Bedrooms + 1 Bathroom
2B - 2 Bedrooms + 1 Bathroom
2C - 2 Bedrooms + 1 Bathroom
2D - 2 Bedrooms + 1 Bathroom + Den
BESSEMER REVIVAL
The objective was to create a platform for the community members of Bessemer to share their history and highlight current events. The people of Bessemer Colorado went through it all. They may be strong but they are a healing community and it is apparent from the desolate feel of its surroundings. The lily pad was used as a figurative and literal means to convey life and resilience for the community. The structure is “floating” on these lily pads. Throughout their tough history and suppression they are rising above and improving the means of their past. Ivy is used to signify faith, loyalty and dedication. The people of Bessemer are very loyal to one another. The ivy here grows on everything in reminder of their fight and the ability to face adversity alongside one another.
SITE PLAN
GATHERING
EVENT CENTER
MEDIA CENTER
GATHERING
PROGRAMMATIC
DARK ROOM
CAFE
LILY PAD WALKWAY
PRIVATE OFFICES
GALLERY
ARCHIVE
KITCHEN
LOBBY
EAST ELEVATION
STEREOTOMIC OBJECT
Forms based on the stereotomic language of architecture, by definition, have more mass than void. My stereotomic object was built up in layers to appear as though it is truly a subtractive form. The areas that were voided had the intention of showing the beauty in simplicity. That is the main reason every form that was subtracted was a rectangular prism. The interconnected areas were created with the purpose to show how simple things can look on the surface but how complicated they can be on the inside.
TECTONIC OBJECT
Tectonic objects have more voided space than massing. This is an example to show how simple things can quickly become more complex. Unlike the stereotomic object, which was focused on light, the tectonic object used lots of shadows. Instead of having many small passages to guide light, other voids were held up by supports related to the tunnels. Since this relationship was inversed, the light/ shadow relationship was as well.
SHELTER FROM APATHY
Lots of times, students especially, are swept away and role along with the flow of life without much thought at all. I wanted to create a space where people can reflect upon themselves and what is going on around them. Each one of these spaces represents a different emotion in the form of a reflection pod. Each one is a different size and color in an attempt to evoke a specific response that is different from the way it would otherwise be perceived. Putting a literal lens on life to hopefully open the eyes of the occupant in terms of the rest of their day-to-day life.
STRUCTURE + DETAIL DRAWINGS
The purpose of detail drawings is to represent the intricate elements of wall construction with clarity and precision. Each drawing highlights a specific wall assembly, illustrating the relationship between materials such as framing, insulation, cladding, and finishes. I am learning to effectively communicate how each component fits together, ensuring both functionality and aesthetics. The drawings also demonstrate my attention to detail in terms of dimensions, material specifications, and construction techniques. Through these wall details, I have aimed to convey a comprehensive understanding of structural integrity, thermal performance, and design cohesion. Below is a structural concept model of the Centre Pompidou-Metz showing my perception of the advanced structural membrane.
CONCEPT MODEL
BRICK VENEER DETAIL STRUCTURAL
CONTRARY CONNECTIONS
Architecture constructs spaces, shaping our physical environment. In parallel, film provides a way of viewing those spaces in time. The two art forms intersect, with cinema utilizing spatial cues from architecture to evoke emotions in viewers. As we watch films, we become users of these cinematic spaces, experiencing them through the lens of storytelling. Cinema, by its very essence, is an illusion. It transports us to imagined worlds, blurring the boundaries between reality and representation. To challenge this oddly accepted ideal, this cinema closes the gap between the real and the imaginary. This is done using the three moves of our diagram to collect, disperse, then connect. Here they are not represented as polar opposites but rather coexist to create a journey instead of an escape by making the cinema be considered inside and outside the city.
The use of reflective (blue) versus absorptive (white) materials helps guide the user around the site. This contrast supports the three moves shown below: collect, gather, and disperse.
ADAPTIVE DENVER
The COVID-19 pandemic swiftly reshaped Denver’s downtown landscape and office spaces. Once bustling streets and vibrant office buildings transformed into quiet, deserted areas as lock-downs and remote work mandates took hold. The heart of the city, typically pulsing with energy, experienced a significant decrease in foot traffic as businesses closed their doors or adapted to remote operations. Vacancy rates soared in office buildings, reflecting the shift to telecommuting and the economic challenges faced by many companies. The pandemic forced a reevaluation of traditional office setups, leading to discussions about the future of work and the necessity of flexible arrangements.
