Emilie Chiofalo Architecture Portfolio 2025

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(631) 538-8591

eqc5435@psu.edu

New York, New York

SKILLS

Architecture Student with 3+ years of experience seeking full-time

Architectural Designer position

Passionate about space architecture, sustainability, cultural performing arts and community engagement

EDUCATION

Pennsylvania State University

B.Arch - Bachelor’s of Architecture with honors

University Park, PA

Expected Graduation: May 2026

Pantheon Institute

Architecture - Study Abroad Rome, Italy

Fall 2024

AWARDS

Premio Piranesi Competition Winner

Dean’s List 2021-2024

Academic Excellence Scholarship

Merrill Lynch Honors Scholarship

Arts and Architecture Brock Honors

SKILLS

EMILIE CHIOFALO

AIAS, APX, NOMAS

PROFESSIONAL WORK EXPERIENCE

Architecture Design Intern

Enspire Design Group | Long Island, New York

05/2024-08/2024

05/2023-08/2023

Drafted using AutoCad and Revit residential and commercial buildings to develop schematic and construction drawings

Participated in residential client meetings to discuss project scope, requirements, and initial concepts for renovation and new construction projects.

Evaluated architectural feasibility through site analysis, surveys, and cross-referenced with relevant building codes to ensure compliance.

Architecture Design Intern

Serenella Interiors | Long Island, New York

05/2021-08/2021

Designed interiors for high-end residential projects, assisted in project coordinated with wholesale vendors and contractors to ensure client satisfaction.

Theater Planning Intern

DLR Group | New York, New York

06/2025-Present

Produced construction drawings in Revit across performing arts projects from schematic design through design development, coordinating MEP systems, auditorium seating layouts, and technical documentation.

Assisted with schematic design and feasibility studies for performing arts buildings, analyzing spatial requirements, programmatic needs.

Conducted community engagement site visit in Manhattan to develop presentation plans and renderings in Rhino, Twinmotion, and Photoshop.

LEADERSHIP

AdobeSuite

Class President B Arch 2026 - Leison between students and faculty

Beehive Student Tutors - Co-Director and Technology Tutor

NOMAS Competition Designer 2023, 2025

AIAS THON Dancer and Freedom by Design

Tour Guide - College of Arts and Architecture

Alpha Rho Chi - Professional Events Chair

TABLE OF

Hill District, Pittsburgh, Pennsylvania

3rd Year Studio - 14 weeks

New York, New York

2nd Year Studio - 8 weeks

Pantheon Institute Study Abroad Program

4th Year Studio - 14 weeks

Team Project: NOMAS Competition 2023

GREENHOUSE STATION 44

Hill District, Pittsburgh, Pennsylvania

Professor: Laia Celma

3rd Year Studio

14 Weeks

Greenhouse Station 44 re-imagines the traditional firehouse as a biophilic sanctuary that supports both first responder wellbeing and community vitality in Pittsburgh’s Hill District. The design’s central glassenclosed atrium serves multiple vital functions: regulating firefighters’ circadian rhythms through natural light exposure, providing year-round access to nature that supports mental health, and creating an inviting community space that offers respite from harsh winters. Natural ventilation and high thermal mass walls work in concert with the interior vegetation to create a sophisticated passive system that purifies air and moderates temperature throughout the seasons. By thoughtfully integrating these sustainable strategies with spaces for both emergency response and public gathering, the project demonstrates how architecture can simultaneously serve critical infrastructure needs while nurturing the holistic health of its occupants and the broader community.

firefighters - circadian rhythm - civic service - biophilia

Adjacency Diagram
Atrium View - First Floor
Atrium View - First Floor

BENEFITS OF GREENHOUSE STATION 44

• For firefighters, exposure to nature during the day is the best way to regulate circadian rhythmn

• The Hill District experiences cold winters

• The garden atrium acts as green space lacking in the winter months

• The attracts the community to the buisness incubator featured in the project

• Interior trees purify and recycle air

• Glass membrane surrounds insulated programs

• Circulation spaces are thermally regulated exclusively by bioclimatic systems

• Exposure to nature is soothing and relieves stress, and improves mental health

• The atrium at the center allows firefighters to naturally receive these benefits

• Heat is capured by high thermal mass walls during the day and released at night

PUBLIC BATH HOUSE

New York, New York

Professor: Benay Gursoy

2nd Year Studio

8 Weeks

Drawing inspiration from water’s universal ability to connect people, this bathhouse design creates an urban sanctuary where New York’s diverse community and visitors converge in shared moments of tranquility. The architectural centerpiece features dramatic suspended pools that appear to float within the space, creating an ethereal atmosphere that transforms the act of bathing into a contemplative experience. Through a gradient of thermal experiences, from invigorating cold plunges to soothing hot pools, visitors move through the space in a fluid journey that mirrors water’s natural flow, while the design’s delicate balance between public and private spaces allows for both quiet reflection and gentle social interaction.

Section Perspective

SITE BOUNDARIES

Design Sequence Diagram

Italy .03

THE OBELISK

Rome,

Partner Team: Emilie Chiofalo and Jenna Senger

4th Year Studio - Rome, Italy Study Abroad

Professor: Edoardo Cappella 12 Weeks

The Vatican: Silence and Spectacle exhibition reveals the dual nature of papal influence through architectural intervention, specifically examining how the Catholic Church exerts power over Rome’s urban landscape. The project centers on a modern architectural pavilion with a central obelisk, symbolizing the Vatican’s historical urban planning strategies, particularly the creation of straight roads that dramatically reshaped the city’s fabric during Pope Sixtus V’s reign. The pavilion’s design dramatically contrasts “spectacle” and “silence” through its spatial organization, with the ground floor showcasing the Vatican’s urban planning power and the upper level revealing hidden institutional narratives. A translucent fabric and steel structure surrounds the obelisk, creating an ethereal space that serves as both a visual beacon and a storytelling device. After the exhibition’s conclusion, the site transforms into a dynamic public piazza with the obelisk remaining as a permanent urban intervention, reflecting the ongoing architectural legacy of papal urban design.

SECONDARYAXIS

Design Sequence Diagram

Central Staircase View

AFTER JUBILEE

DURING JUBILEE

Via Di Campo Marzio View
Silence Exhibition View
During Jubilee
After Jubilee
Spectacle Exhibition View
First Floor Plan - Spectacle Exhibition
Second Floor Plan - Silence Exhibition

Pueblo, Colorado .03

TRAIN STATION

3rd Year Studio

14 Weeks

Pueblo, Colorado’s historical relationship with the Arkansas River, employing forms that echo the original street patterns while creating intuitive pathways for modern travelers informs this design language. Rising from the landscape, the station’s rammed earth walls, crafted from local soil, stablish a profound connection to the indigenous building traditions of the region, while the mass timber structure celebrates the area’s longtime relationship with its forested mountains. The design eliminates visual barriers through strategic material transitions and transparent facades, creating welcoming spaces that guide visitors naturally through the terminal. This transportation hub not only serves as a functional nexus for rail and bus travel but stands as a testament to environmentally conscious design principles, where traditional materials are re-imagined through modern construction techniques to create a sustainable vision for public transit architecture.

ADJACENT BUILDINGS

EXTERIOR WALLS

BEAM GRID
PUEBLO GRID
SITE

Entrance

Train Platforms

Drop Off
West B. Street

.04

NOMAS COMPETITION - THE RIBBON

Portland, Oregon

NOMAS Competition 2023

Large-Scale Student Team: Emilie Chiofalo, Anushka Ramproop, Victoria Monroe, Misael Marin, Matthew Petras, Andrew Petras, Rachel Lipzits, Ian Landers, Alexandrea Warren, Charell Walters, Sarah Rasan, Kahree James, Jeremy Lynn, Ana Montenegro 35 weeks

The “ribbon” flows through the site as a unifying architectural gesture, weaving together the programs and diverse communities of Portland through an inclusive design that considers both residents and the broader public. This mixed-use development honors Portland’s Black community and creates pathways to wealth through thoughtfully integrated mixed-income housing, while vibrant commercial, retail, and community spaces work in concert to address historical housing inequities. The design’s fluid form guides the site’s evolution toward a just and joyful future by sustaining and growing the community through deliberate strategies that restore Portland’s cultural identity. In its role as a bridge between institutional and residential neighbors, the project fosters meaningful dialogue between Legacy Emanuel Medical Center and the community, transforming a complex historical relationship into an opportunity for connection.

Our team worked diligently on this project every Monday night over summer break, bringing landscape architecture and architecture students’ visions to life.

Courtyard Perspective
Ribbon Plan
Balcony Perspective

Complex Perspective

Apartment Program Diagram

Business Incubator Program Diagram

Apartment Roof Perspective

Apartment Hallway Perspective

ALBANIA COOPERATIVE GARDEN
LILLIS ALBANIA PARK PLAZA
LEGACY EMANUEL MEDICAL CENTER
GREEN SPACE

C-LOUNGE CHAIR Sustainability and Craft

Partner Team: Emilie Chiofalo and Jack Cirani

Professor: Matthew Kennedy

1st Year Studio

6 weeks

The C-Lounge chair showcases wood’s flexibility through laminated curves that provide ergonomic support. This lounge chair was designed for someone to lay with a book or laptop in their lap comfortably, we modeled this after our own tendencies to do work on the couch. Made from 1/16” strips of locally sourced red oak, layered and bonded over precise form-work, it highlights the potential of wood lamination. This process demonstrates craftsmanship and material efficiency while informing applications in mass timber and CLT construction. The chair functions as both furniture and a statement on sustainable design.

Exploded axonometric

Scale: 2” = 1’

01 Laminated foot rail, red oak (1/16” plies, 1” x 2” profile)

02 Laminated head rail, red oak (1/16” plies, 1” x 2” profile)

03 Lateral brace, red oak (solid, 1” x 2” x 14”)

04 Lateral brace, red oak (solid, 1”x 2” x 18”)

05 Laminated seating panels, red oak (1/16” plies, 1/2” x 2” x 18”)

06 Laminated seating panels, red oak (1/16” plies, 1/2” x 2” x 22”)

07 Laminated neck support panel, red oak (1/16” plies, 1/2 x 2” x 22”)

08 Laminated seat support panels, red oak (1/16” plies, 1/2” x 2” x 18”)

09 Laminated knee support panel, red oak (1/16” plies, 1/2” x 2” x 18 “)

10 Laminated foot support panel, red oak (1/16” plies, 1/2” x 2” x 18”)

11 Laminated rail connection panels, red oak (1/16’ plies, 1/2” x 2” x 22”)

12 Epoxy coated bronze countersunk deck screw, pre-tapped hole, 1-1/4” length, 1/16” radius

13 Wooden dowel, 2” length, 7/32” radius

14 Wooden dowl, 2” length, 3/32” radius

Lef t to Right: Back elevation, Front Elevation

Plan

Section A-A’

Side elevation

Scale: 2” = 1’

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