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New Releases March 2014


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Label of the Month

In honor of CPE Bach’s 300th birthday, hänssler CLASSIC will be releasing an exciting series of recordings dedicated to the music of this wellknown but hitherto neglected Bach son during the first 3 months of 2014. At the beginning there are the so-called “Hamburg” symphonies Wq 182, interpreted with great sensitivity and bite, when necessary, by the Stuttgart Chamber Orchestra under the renowned conductor and former violist of the Berlin Philharmonic, Wolfram Christ. Maestro Christ sees these works as expressive pieces, open to multiple interpretations that invite the listener to experience them as almost Romantic in their gesture and content. Deciding on a fortepiano continuo instrument is not only a historically informed decision, but contributes to a perfectly balanced overall sound.

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098.637 CPE Bach: Hamburg Symphonies Wq 182 The Stuttgart Chamber Orchestra, Wolfram Christ (Conductor)

Total time : 62’59 1 CD PPD : 12,95€


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ACC 24192 L‘ARPA DI PARTENOPE Harp Music from Early Baroque Naples Works by Trabaci, Lambardo, Mayone, et al. Magret Köll, arpa doppia According to the saga, the sirens plunged from the cliffs into the sea after Odysseus failed to lure them to their doom. Parthenope was washed ashore dead from the Bay of Naples and buried there. Ever since, she has been venerated as the patron goddess of the city, and continues to beguile the residents of Naples with her music: «Imagine that you are hearing a wonderful harpist in the fog of the night or from far away, a harpist whom you cannot see. After several brief chords played in order to test the instrument’s tuning, the most graceful and ornate works sound forth ...» The harpist Margret Köll takes this description by Padre Daniello Bartoli from the year 1659 as her point of departure for a tone painting with harp music in Naples during the 16th and 17th centuries. With a great deal of knowledge, she introduces a harp repertoire that has hardly ever been played before, including compositions of Trabaci, de Maque, Mayone and Gesualdo. She interprets them in the light of her wide experience in the field of historically informed performance practice: this is harp music that goes far beyond all the familiar clichés!

ACC 24285 Carl Philipp Emanuel Bach - CONCERTOS for various instruments Il Gardellino ; Jan de Winne, traverso solo Emmaniel Balssa, violoncello solo Marcel Ponseele, oboe solo When people spoke of the «great Bach» during the 18th century, they were not referring to Johann Sebastian but to his son, Carl Philipp Emanuel, one of the chief representatives of the Empfindsamer Stil (Sensitive Style). He was in the service of Frederick the Great for over 30 years as harpsichordist and chamber musician. Bach’s compositions, however, were not particularly appreciated at the rather conservative court – the works of Quantz or the Graun brothers met with greater favour there. Thus Bach composed primarily for the academies in the considerably more open-minded Berlin salons of the nobility and the bourgeoisie. Although works for keyboard instruments are the main focus of his production, over the course of his long career he also wrote more than 50 instrumental concertos in which the entire expressive range of his original music can also be clearly perceived. Just in time for the composer’s 300th birthday, Il gardellino is presenting a small selection of these on this CD. Alongside the Cello Concerto, H. 432 and the Oboe Concerto, H.466, we can also hear the Flute Concerto, H.482/1, a work that was rediscovered in Kiev as recently as 2001.

AECD 1335 Brian Ferneyhough - Complete Works for String Quartet &Trios Arditti Quartet – Claron McFadden On the occasion of its 40th anniversary (1974-2014), the Arditti Quartet, one of the most famous groups in contemporary music, has chosen to record, for the second time — and this is an occurrence sufficiently rare that it bears emphasizing —, the complete string quartets of Brian Ferneyhough. The pieces on these discs immediately weave an auditory spell and well illustrate this composer’s brand of complexity, i.e., writing reputed to be unplayable for the instrumentalists but providing a definite pleasure for the listener, caught up in the headiness of a universe without limits or vanishing point. This 3-CD set will not only be one of the indispensable releases of 2014 but also the best way to apprehend the music of a fundamental composer whose intense writing, emancipated heir of Schoenberg, remains radically expressive, chaotic in appearance but sublimated here by the freedom and excellence of the interpretation.


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AECD 1436 Music for a King : The Winchester Troper, 11th century ; Pierre Chépélov & Joel Rust, 21st century

Total time : 62’59 1 CD

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On Easter Day in the year 1043, King Edward the Confessor was crowned in Winchester Cathedral. Nearly 10 centuries later, the six women’s voices of Discantus bring back to life the nascent polyphonies that were being written at the time in England: between Gregorian chant and organized two-part pieces, here we are at the beginnings of counterpoint and the practice of discantus (descant). These compositions are drawn from the Winchester Tropary, one of the most fabulous musical testimonies of the era, with most of the pieces selected centred on the Paschal period. In mirror are inserted, like two shimmering stained-glass windows framed in the Romanesque stone, two compositions from today, commissioned by the ensemble on texts excerpted from Boethius’s Consolation of Philosophy (c.524). These works, by two young composers – a Frenchman (Pierre Chépélov, born 1979) and a Briton (Joel Rust, born 1989) –, extend the musical exchanges that existed between the great island and the continent throughout the Middle Ages.

Classical Release

Discantus . Brigitte Lesne

Alpha 606 Exploring time with my piano : Rameau, Lully, Loeillet | Godowsky Scarlatti | Tausig Bach | Rachmaninov Sergei Kasprov

Total time : 70’01 1 CD

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For his first recording on the Alpha label, Sergey Kasprov, a young Russian artist trained at the Moscow Conservatory, defies the laws of time. He has in fact chosen to create a dialogue between great Baroque geniuses and Russian Romantics: Rameau, Lully, Loeillet, Bach and Scarlatti revised by Tausig, Godowsky and Rachmaninov. In the tradition of Marcelle Meyer, Glenn Gould or, more recently, Alexandre Tharaud, Sergey Kasprov pulls off the tour de force of freeing himself from ‘Baroque’ interpretative codes and, at the same time, from those of the 19th century, to better get back to the essential. The excellent recording quality attests ideally to the discourse, respectful of the original counterpoint as well as unfailing digital dexterity necessitated by appropriate ornamentation and the amazing sound palette required by late Romanticism, all on a Steinway contemporary with Rachmaninov. A new talent, an Alpha discovery! AN28765 Mozart’s “Happy Medium”: two concertos (K.414 and K.415) KARIN KEI NAGANO with the Cecilia String Quartet Fifteen year-old pianist Karin Kei Nagano, daughter of Maestro Kent Nagano and pianist Mari Kodama, has opened a new chapter in her young and already brilliant career. And she has chosen ANALEKTA to mark this important milestone. The Canadian label is therefore very pleased to announce the release of pianist Karin Kei Nagano’s debut album. Winner of several international prizes, Karin Kei Nagano already displays an outstanding track record: first prize and special jury prize at the International Scriabin Competition (2007); first prize and best interpretation prize at the Berlin International Competition (2007) and first prize at the Anton Rubinstein International Competition (2009-2010). She has also already gone on several international tours. Supported by the incredible Canadian ensemble Cecilia String Quartet, known worldwide for their expressiveness and generous sound, pianist Karin Kei Nagano gives a personal rendition that is as brilliant as it is elegant of two piano concertos by Mozart: K.414 (in A major) and K.415 (in C major).

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You will hear on this new album ten pieces, five of which are original compositions inspired by world music. Above all, this album is meant as a tribute to various artists, such as folk jazz guitarist Nick Naffin, a.k.a “Der Prinz” (hence the album’s title), who died in 2012. The trio pays tribute to him in a brilliant and vibrant way with the piece “Le Renard”, with arrangements made by Marc Morin and Guy Donis. A force to be reckoned with, the trio carries on with the diversity that sets them apart by accumulating more sources of inspiration. Here are three guitarists, Marc Morin, Sébastien Dufour and Glenn Lévesque, “spoiling” themselves by generously spreading their joy of music while revisiting some pieces by influential artists, such as: their favourite band Radiohead’s Weird Fishes (from the album In Rainbows); an offthe-wall instrumental version of Jorane’s Mr. Piment; the legendary Canadian group Rush with their classic Tom Sawyer; and last but not least, Ennio Morricone, whose influence can be heard throughout their album, with the unforgettable music from the famous movie Cinema Paradiso.

AAM002 JS Bach’s St John Passion Academy of Ancient Music

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AN28768 “Der Prinz” - A vibrant tribute! MG3 (MONTRÉAL GUITARE TRIO)

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AeC 002 In Paradiso Raquel Andueza, soprano – Jesús Fernández Baena, theorbo

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In 31 March 2014 the Academy of Ancient Music (AAM) releases the second disc on its new record label AAM Records. Recorded after a sold-out Barbican performance in 2013, the disc offers a rare chance to hear Bach’s St John Passion in the original 1724 version. Tenor James Gilchrist as the Evangelist leads a cast including Sarah Connolly and Matthew Rose. Scored for a small orchestra and containing less elaborate melodic writing than later revisions, the original 1724 version gives an intimacy to this most impassioned and dramatic account of the Passion story. Further tracks available online illustrate the development of the St John Passion throughout Bach’s lifetime, including the chorus which opens the 1725 version – “O Mensch, bewein” – and alternative scorings of the chorus “Wir haben keinen König” with different combinations of wind and stringed instruments. This recording was made possible through the participation of AAM supporters worldwide, who contributed towards a crowdfunding campaign to make up the remaining sum needed for the recording to happen after a significant initial donation – with every gift matched by Arts Council England. In total more than 170 people contributed over £7,000 towards this recording.

Total time : 62’20 1 CD PPD : 12,95€

In Paradiso contains sacred and moral music from the Italian early baroque, for soprano and basso continuo. Here we can find some of the greatest masterwoks from Seicento’s sacred music, like Merula’s “Canzonetta Spirituale sopra alla Nanna” or Ferrari’s “Cantata Spirituale”, combined with some lighter -and never before edited and/or performed- anonymous’ moral songs which warn us about the danger of not being virtuous. Works by T. Merula, C. Monteverdi, B. Ferrari, G. F. Sances, D. Mazzocchi


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A374 Mozart - En Harmonie

Total time : 61’04 1 CD

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Reissue of one of the most successful recording by Zefiro (2004), which seems to have had only very limited release previously: arrangements for 13 instruments (i.e. the same scoring as the Gran Partita) by Zefiro’s oboist leader Alfredo Bernardini of music from the three great Da Ponte operas: Le nozze di Figaro K492, Don Giovanni K527, Così fan tutte K588. “Through the arrangements presented here of the three Mozart operas to librettos by Lorenzo Da Ponte Zefiro wishes to draw attention to the most typical repertoire of the wind ensemble during the Viennese classical period. These new arrangements do not aim to give a modern view of these masterpieces, but rather to evidence that, for its liveliness, expression, sensitivity and sheer artistry, this music will always be actual and close to human nature.” Alfredo Bernardini, from liner notes C5155 GOFFREDO PETRASSI (1904-2003) - Concerto per pianoforte e orchestra ; Partita · Toccata per pianoforte · Invenzioni per pianoforte PIETRO MASSA, piano ; GÖTTINGER SYMPHONIE ORCHESTER ; CHRISTOPH-MATHIAS MUELLER In addition to Luigi Dallapiccola (1904-1975), the Roman composer Goffredo Petrassi (1904–2003) represents a salient figure in the development of Italian music history in the 20th century. His career as a composer began in 1934, when Alfredo Casella conducted his Partita for orchestra at the Festival of the International Society for New Music in Amsterdam. Petrassi’s ensuing recognition led to him taking over central positions in Italy’s music scene of the time. From 1937 to 1940, he was the general director of the Teatro La Fenice in Venice; from 1947 to 1950, he directed the Accademia Filarmonica Romana and from 1954 to 1956 he was head of the International Society for New Music. He commenced his teaching as a member of the Accademia S. Cecilia, and after 1939 he worked as a composition teacher at the conservatoire, where he finally took over the master class for composition in 1960. He died in Rome in 2003 at the age of 98.

C5194 „Far Away“ THOMAS MICHAEL ALLEN, tenor ; CHARLES SPENCER, piano

1 CD PPD : 11,50€

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Zefiro, Alfredo Bernardini

“The general theme of this recording,” observes tenor Thomas Michael Allen, “is of things far away and a sense of being out of place, especially in terms of composers setting texts in languages not their own, or texts about places far from them; a longing for, or fascination with, foreign things or foreign styles.” Indeed, Far Away includes songs by four European composers who were living, or would live, in the United States; an American setting French poems written by an Austrian; a French composer imagining eighteenth-century Italy; and a German in Vienna writing of a man’s longing for his distant beloved. Mr. Allen, too, is “far away.” The American singer has lived and worked in Germany since 1995. The funny thing is that I don’t really feel like I completely fit in here either, but at least here my role is clear: I’m a foreigner.” Estrangement takes many forms.

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With the Auferstehungshistorie (The Resurrection) the complete recording of the works of Heinrich Schütz continues with a further well- known work. The program is supplemented with additional pieces from the Easter cycle. The Dresdner Kammerchor performs under the direction of Hans-Christoph Rademann, together with renowned soloists, four trombonists from the ensembles Instrumenta Musica and the gamba consort The Sirus Viols, under Hille Perl.

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CAR 83256 Heinrich Schütz (1585-1672) - AUFERSTEHUNGSHISTORIE/+ Complete Recording Vol. 9 Hans-Christoph Rademann/Dresdner Kammerchor/Perl/The Sirius Viols/+

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ES 1015 French opera : Victorin Joncières - Dimitri Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet, direction Gabrielle Philiponet : Marina ; Jennifer Borghi : Vanda; Nora Gubisch : Marpha; Philippe Talbot : Dimitri ; Andrew Foster-Williams : Le Comte de Lusace ;
Nicolas Courjal : L’Archevêque Job ; Julien Véronèse : Le Prieur ; Jean Teitgen : Le Roi de Pologne ; Joris Derder : Le Chef des Bohémiens / Un Officier ; Lore Binon : Une Dame d’honneur Victorin Joncières is the epitome of the Romantic artist who, throughout his life, relentlessly overcame the barriers that were set in his path. He never took the easy way out by composing commercial music; he never held an academic or official position. Dimitri, his masterpiece of 1876, reminds us that he was a contemporary of Gounod and also a champion of Wagner. This opera carries on the tradition (begun by Meyerbeer) of spectacular, monumental works. It takes the listener from a monastery near the River Don to a palace in Krakow, and to the castle of Wyksa, then Red Square in Moscow. At that time, Bayreuth, Orange and Béziers were about to turn opera into a popular art with mass appeal. FUG 717 BACH, ALBINONI, FASCH - Suites, Concertos, Overtures Il Fondamento, Paul Dombrecht In 2014, we celebrate the 25th anniversary of the baroque orchestra Il Fondamento. Founded in Belgium by the oboist Paul Dombrecht - renown for his vast knowledge of historical instruments and his interpretation of baroque music -, the ensemble has gained an international interpretation, confronting lessknown works with masterpieces by composers such as Händel, Bach... Fuga Libera celebrates this anniversary with a set of three recordings: orchestral overtures for strings and winds by Johann Heinrich Fasch, oboe concertos by the famous Venetian composer Albinoni, and the orchestral suites by the immortal Johann Sebastian Bach. Enjoy these wonderful recordings, highly acclaimed by the international press (Diapason d’or, R10 Classica, Supersonic pizzicato...)!


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The SWR Vokalensemble Stuttgart is one of the few choirs enjoying an international reputation. Their latest recording has “America” as its subject - and presents a tremendously wide range of forms and expressions, from music written under the influence of European masters to works that boldly explore experiments in aesthetic reorientation. The big names of the U.S. composers are of course represented, including Leonard Bernstein with his single a cappella work, the “Missa Brevis”, Steve Reich with his minimalist “Proverb” and John Cage with some of his late “Number Pieces”. Everything is presented at the highest artistic level, with ravishing sonics that cannot be beat.

093.312 C. P. E. Bach: Works for Violin and Pianoforte Albrecht Breuninger (Violin), Piet Kuijken (Pianoforte) The sonatas of 1763 presented here show not only the composer’s ability to express personal feelings, but are direct precursors of the great creations of Mozart and Beethoven in the field of instrumental sonatas with obligato piano accompaniment. These passionate works anticipate developments that would appear later in the Romantic era. That alone should be enough to want to listen to them. Period instrument experts Piet Kuijken and Albrecht Breuninger bring this music to life with spontanety and a dash of improvisation - just right for these Sturm und Drang works of original genius.

093.313 The Romantics – The most famous works by F. Schubert, H. Berlioz, F. Mendelssohn Batholdy, A. Bruckner, J. Brahms, A. Dvořák, P. I. Tchaikovsky, G. Mahler, E. Eglar Stuttgart Radio Symphony Orchestra (SWR), Sir Roger Norrington (Conductor)

10 CD PPD : 35,30€

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093.306 America – Works by A. Copland, J. Cage, M. Feldman, L. Bernstein, S. Barber Artists: SWR Vokalensemble Stuttgart, Marcus Creed (Conductor), Franz Vitzthum (Countertenor), Andra Darzins (Viola), Tomoko Hemml & Jürgen Kruse (Synthesizer), Markus Stange (Celesta), Franz Bach & Boris Müller (Drums)

Even 30 years ago, Roger Norrington surprised audiences with his historically informed interpretations of Romantic music. Over the past decade working with the Stuttgart Radio Symphony Orchestra (SWR), he has crafted what has been called the «Stuttgart Sound», “Stuttgart sound”, which developed out of Norrington’s conviction of the vibrato-free performance, and which he developed to perfection with the Romantic repertoire. With works from Mozart and Haydn, (of which several CDs are available at hänssler CLASSIC in interpretations by Norrington), the conductor has has discovered the world of the high Romantic period step by step. These 10 CDs present a wide range of controversial music-making, that in addition to the wonderful music also provides plenty of material for future discussions.

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094.225 Géza Anda plays Bartók and Tchaikovsky - Concertos 1973 & 1950 Stuttgart Radio Symphony Orchestra (SWR), Ferdinand Leitner (Conductor), Hans Müller-Kray (Conductor), Géza Anda (Piano) Géza Anda single-handedly helped the Bartók’s Second Piano Concerto attain a truly international breakthrough – in Salzburg in1952 -; this CD offers his first public performance of the work in 1950. This recording allows a fascinating insight into the beginnings of a lifelong passion and shows why Anda was predestined to become the paramount representative of this concerto. Even as a very young man, Anda had performed the Tchaikovsky first, but in later years this most famous of all piano concertos only sporadically appeared on his programs. This recording from 1973 documents a blissful evening; sound, touch and phrasing always remain flexible and differentiated with all the desire of overflowing – life-affirming gestures. A subtle, burnished tone of exquisite beauty and sublime serenity informs his interpretation of the Intermezzo in E flat major, Op 117, No. 1 by Johannes Brahms, performed by Anda as an encore following the Tchaikovsky Concerto, opening up the very poetic essence of this late Brahms work.

094.226 Johanna Martzy plays Mendelssohn and Brahms - Concertos 1959/64 Stuttgart Radio Symphony Orchestra (SWR), Hans Müller-Kray (Conductor), Günter Wand (Conductor), Johanna Martzy (Violin) Johanna Martzy was one of the great violinists of the 20th Century. Her playing was always in the service of the composer’s intentions, avoiding extravagant displays as much as possible, instead performing with an unbridled swing, a soulful tone and flawlessly clear control as the focused medium of her musical energy. These two concerts show her talents at their most flawless. Johanna Martzy had played these works often and took her time before marking her studio recordings for EMI (with Paul Kletzki) – but in terms of creative power, these LIVE performances truly capture the spark of her genius.

098.003 C. P. E. Bach: Complete Works for Piano solo Ana-Marija Markovina (Piano) Throughout Carl Philipp Emanuel Bach’s works for the piano, one cannot help but appreciate his craftsmanship, his complete mastery of composition and his daring and joyful spirit. His style is extremely diverse and original; on one side, he extends elements of the Baroque style further, but at the same time, he moves boldly into the future. It is known that Haydn, Mozart and Beethoven diligently studied his music and were inspired by its inventiveness, harmonic finesse, the unorthodox contrapuntal elegance and richness of surprises. This is a unique publication in commemoration of the Carl Philipp Bach Year and is the best opportunity to meet the multi-faceted CPE Bach. Pianist Ana-Marija Markovina has been playing the works of the Master for over ten years and is now thoroughly versed in his style. One of the most exciting aspects of this important project is Mrs.Markovina’s choice of playing on a modern Concert Grand (Bösendorfer) – an instrument that is truly able to realize all of the subtle dynamic shadings and exquisite delicacies of these extraordinary works. A truly impressive nterpretation and an extraordinary accomplishment!


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The previous two CDs from pianist Michael Rische of the Piano Concertos of Carl Philipp Emanuel Bach have been universally acclaimed for their high degree of musicality and the pianist’s passionate commitment to this composer. And in fact, much of the work of this highly original genius remains to be discovered. The 300th Birthday of Bach’s second son offers an ideal occasion to become better acquainted with this extraordinary and surprising composer. In addition to the solo concertos, this CD also presents the Concerto for 2 Pianos and Orchestra Wq 46. In each work, Carl Philipp Emanuel Bach makes the claim - once again – of his unique place in the history of music, and as evident in these vital, life-affirming performances, is one of the truly great “rediscovered” composers of the past.

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098.027 C. P. E. Bach: Piano Concertos Wq. 22, 43/5, 46 Michael Rische (Piano), Rainer Maria Klaas (Piano), Kammersymphonie Leipzig

098.028 J. A. Hasse, L. Leo, N. Fiorenza, G. A. Piani, F. Sarti, B. Federici, G. P. Telemann, G. Sammartini : Virtuoso Sonatas for Recorder 1707 – 1733 Daniel Rothert (Recorder), Luca Quintavalle (Harpsichord) The music on this extraordinary compilation of late baroque recorder pieces come from a collection of the then Viceroy of Naples, Aloys Thomas Raimund von Harrach, an Austrian diplomat who collected these manuscripts from 1707 to 1733. A part of this collection is now located in New York, and it contains the largest collection of solo flute literature from Naples. Many of these important works on this CD are receiving their first recordings. The two young performers Daniel Rothert and Luca Quintavalle are excellent musicians with a precise knowledge of these unique works and display a sense of joy in presenting this virtuoso repertoire.

098.029 L. v. Beethoven: String Quartets op. 18/2, 18/4, 95 Minetti Quartett The young Austrian Minetti Quartett follow up their first two hänssler CLASSIC releases of works by Haydn and Mendelssohn with works from the pen of the Grand Master of the String Quartet: Ludwig van Beethoven. Two early works from Opus 18, the 4th in the tragic key of C minor and the 2nd in a serene G major, frame the stormy “Quartetto serioso” op 95 in F minor. The unprejudiced naturalness and the multifaceted articulation of these four musicians is presented to fullest advantage in these expressive works, once again showcasing the outstanding musicianship of this young quartet.

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Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling (Conductor), Maria Venuti (Soprano), Keith Lewis (Tenor), Michel Brodard (Basso) Beethoven’s only oratorio is heard here in a passionate and reverential interpretation by Helmuth Rilling and his elite choir, the Gächinger Kantorei Stuttgart. They are joined by a cast of first-rate soloists - Maria Venuti, Keith Lewis, Michel Brodard - and the passionate accompaniment of the Stuttgart BachCollegium Stuttgart makes Beethoven’s setting of the dramatic biblical scene in the Garden of Gethsemane a profound experience.

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098.030 L. v. Beethoven: Christ on the Mount of Olives op. 85

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098.032 R. Schumann: Complete Works for Piano solo Vol. 7 Florian Uhlig (Piano) Volume 7 of what will become the first truly complete recording of Schumann’s piano works presents a hitherto underexposed aspect of his work: those compositions in which he deals with counterpoint. That these pieces are no more dry exercises in fugue becomes more than clear when listening to these two CDs. In his “contrapuntal” works Schumann blends a rigorous style with the Romantic characterpiece in a harmonious way. The studies for the pedal piano are a particularly clear example of how he adapted a Romantic tone to a fugal composition: melancholy, graceful, lyrical and flowing –played here in an arrangement for piano two hands by Florian Uhlig. On this program, there are numerous surprising pieces which help to provide a truly complete overall view of Schumann’s genius in a most beautiful way. 098.033 F. Schubert: Mass A Flat Minor D 678 (Great Choral Work Series) Oregon Bach Festival Chorus & Orchestra, Helmuth Rilling (Conductor), Donna Brown (Soprano), Monica Groop (Alto), James Taylor (Tenor), Michael Volle (Basso)

1 CD PPD : 11,50€

Franz Schubert worked for three years on this beautiful Mass - the last of his settings of the Catholic liturgy. The result is one of the most perfect Masssettings in the entire musical literature. The Oregon Bach Festival Chorus & Orchestra under the direction of Helmuth Rilling hit just the right devotional, balanced tone for this devotional composition, while maintaining an aesthetic suitable for the concert hall.


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Gerhard Oppitz (Piano) Gerhard Oppitz has played all the sonatas of the Viennese master Schubert in the course of his explorations, but he also has taken up many of Schubert’s smaller pieces for the piano, which are less frequently played in concert and are still largely unknown. Here, the composer creates a special intimacy with the listener in these sometimes almost improvised works that provide fascinating insights into Schubert’s creative process. This CD continues Oppitz’s Schubertian dialogue through the juxtaposition of the composer’s great late period Sonata D 958 with many smaller pieces, such as the 10 variations of 1815, written when Schubert was just 18 years of age.

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098.617 F. Schubert: Complete Piano Woks Vol. 11

098.026 Bach, CPE - 300 Years The 300th anniversary of the birth of Carl Philipp Emanuel Bach offers the opportunity to rediscover this extraordinary composer. Never has he seemed more current than today. His music is unique, breathtaking in its expressive power, intense and passionate in both its light and dark mood. he occasion of his 300th birthday is marked by hänssler CLASSIC been heard before. The present CD offers a foretaste of hänssler CLASSIC’s C.P.E. Bach releases: listen to the individualistic, fascinating and exciting works of an original genius, and read a wide-ranging introduction to the creative works of C.P.E. Bach.

BKD 211 “Mozart: Requiem (Levin Edition)” Scottish Chamber Orchestra ; Sir Charles Mackerras conductor ; Susan Gritton soprano, Catherine Wyn-Rogers contralto, Timothy Robinson tenor, Peter Rose bass, SCO Chorus This is Sir Charles Mackerras’ first recording of the Mozart Requiem. His history in conducting Mozart is considerable - he is acclaimed as one of the world’s greatest living Mozarteans. Originally released in 2003, ‘Mozart: Requiem (Levin Edition)’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. This recording of Mozart’s Requiem uses the score prepared by Harvard professor Robert Levin, aiming to improve on Franz Süssmayr’s familiar edition by making the music closer to what Mozart might have written. Upon release this recording was named a ‘Benchmark Recording’ by BBC Music Magazine and was exceptionally well received by the critics.

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BKD216 Mendelssohn: Violin Concerto No.2 Scottish Chamber Orchestra ; Joseph Swensen conductor Acclaimed both as a conductor and violinist, Joseph Swensen combines his considerable talents in this, his first collaboration with the Scottish Chamber Orchestra. Originally released in 2004, ‘Mendelssohn: Violin Concerto No. 2’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. This exceptionally beautiful recording of some of Mendelssohn’s loveliest music showcases Swensen’s skills as a virtuoso violinist with playing of unusual grace. The Hebrides, widely known as Fingal’s Cave, is one of Mendelssohn’s most popular works; its programmatic depiction of the Scottish sea cave has captured the imagination of listeners for many years. The Violin Concerto marks Mendelssohn’s last large orchestral work. Considered an essential work for all aspiring concert violinists to master, it remains one of the most frequently performed concertos. Many regard the ‘Scottish’ Symphony as Mendelssohn’s best orchestral work; once again taking inspiration from Scotland (this time Holyrood Chapel), the symphony contains one of Mendelssohn’s finest scherzos.

BKD224 Brahms: Violin Concerto & Hungarian Dances Scottish Chamber Orchestra ; Joseph Swensen conductor ‘Brahms: Violin Concerto & Hungarian Dances’ is another triumphant success for director Joseph Swensen and the Scottish Chamber Orchestra. Originally released in 2004, ‘Brahms: Violin Concerto & Hungarian Dances’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. The beguiling lyrical melodies of the Violin Concerto belie its formidable technical demands; Swensen proves the master of Brahms’ frequent use of multiple stopping, broken chords, rapid scale passages and shifting rhythms. Playing a 1715 Stradivarius Swensen showcases honeyed tone colours with effortless bravura executing Joachim’s dazzling cadenza with aplomb. Swensen’s authoritative command produces well-characterised and energetic performances in the selection of Hungarian Dances orchestrated by Dvorak, Schmeling and Brahms himself, among others. Guided by Swensen the SCO give dynamic, technically assured and intimate readings overflowing with the subtle touches and flourishes.

BKD287 Mozart: Serenades Scottish Chamber Orchestra ; Alexander Janiczek conductor Director Alexander Janiczek proves the perfect choice to direct the music of his fellow Austrian as he delivers a superb performance in this, his second, recording with the Scottish Chamber Orchestra. Originally released in 2007, ‘Mozart: Serenades’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. A disc of wonderfully atmospheric music impressively and thoughtfully interpreted by the Scottish Chamber Orchestra, this fine example of Mozart’s music embraces each work and delivers an original and unique recording. K.185 also known as the Andretter Serenade is notable for being the first Serenade to include a solo violin, played here by director Alexander Janiczek. The Divertimento, or Concerto, K.113 is significant as the first time Mozart had written for the clarinet, an instrument that was to become highly significant in future compositions.


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Historical performance pioneer, Trevor Pinnock, conducts the Royal Academy of Music Soloists Ensemble in the premiere recording of Anthony Payne’s new arrangement of Bruckner’s second symphony. This is the second in the series which sees Trevor and the Academy perform and record works which are retrospectively reigniting Schoenberg’s vision of performing chamber reductions of symphonic repertoire. This brand new edition was commissioned by Royal Academy of Music Principal Jonathan Freeman-Attwood who asked composer Anthony Payne (of Elgar’s Third Symphony fame) if he would adopt the principles of Schoenberg’s Society in a new version of this symphony. Whilst employing a slightly larger ensemble than the core group used by Schoenberg, this scoring serves to reveal the luminescent appeal of a little-known nineteenth-century masterpiece - whilst also extending Schoenberg’s and his pupils’ practice of refined intimacy. Upon hearing the recording Anthony Payne remarked ‘the arrangement exceeded my most extravagant expectation... performed magnificently under Trevor Pinnock’s direction by one of the finest chamber groups I’ve heard.’

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CKD442 Bruckner: Symphonie No. 2 (arr. Anthony Payne) Trevor Pinnock ; Royal Academy of Music Soloists Ensemble

CKD 455 “Chopin: Piano Concertos” Ingrid Fliter ; Scottish Chamber Orchestra ; Jun Märkl conductor Award-winning pianist Ingrid Fliter makes her Linn debut with a distinctive performance of Chopin’s notoriously difficult piano concertos, featuring the Scottish Chamber Orchestra conducted by Jun Märkl. Since winning the silver medal at the 2000 Frederic Chopin Competition in Warsaw, Ingrid has built a reputation as a first-rate Chopin interpreter. Fliter has previously recorded two all-Chopin discs; her interpretation of the complete Chopin Waltzes received several five star reviews and was named as the Telegraph’s ‘CD of the Week’ and Classic FM Magazine’s ‘Editors Choice’. Chopin’s Piano Concerto No. 1 is a thoughtfully scored composition that allows the piano to shine. The SCO’s beautifully delicate playing perfectly highlights Fliter’s authoritative, yet expressive performance. Fliter carefully and skilfully showcases the range of tones in Chopin’s second piano concerto, from the dramatic introductory chords at the opening of the first movement to the sweetly lyrical second movement where the Scottish Chamber Orchestra’s woodwinds vie for centre stage. Fliter is a breathtaking performer whose performance of Chopin’s commanding chords and lightening speed runs are effortless.

MELCD1002098 Antonio Vivaldi - Five Сoncertos for Bassoon, Strings and Basso Continuo Valery Popov, bassoon ; The State Chamber Orchestra of the Belorussian SSR, conductor Valery Polyansky Firma Melodiya is happy to present a rare gem of Baroque music – concertos for bassoon and strings by Vivaldi. Mostly known for his violin compositions, Vivaldi paid homage to virtually all musical instruments that existed in Italy’s everyday music life of the time. Five bassoon pieces stand out among his numerous concertos for wind instruments. An unusual combination of bassoon and strings inspired Vivaldi to create amazingly plastic and picturesque works. Composed in virtuoso concerto traditions, they demand supreme mastery from a performer. The finesse and elegance of their melodic patterns rooted in Italian bel canto, their strongly pronounced concerto element with a multitude of solo and tutti, forte and piano shades so typical of Vivaldi won’t leave a responsive listener indifferent. Vivaldi’s concertos are performed by Valery Popov.

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MELCD1002099 RUSSIAN CHAMBER MUSIC FOR WIND INSTRUMENTS (VOLUME I) Valentin Zverev (flute) ; Vladimir Sokolov (clarinet) ; Anatoly Demin (horn) ; Sergei Krasavin (bassoon) ; Aleksey Nasedkin (piano) Firma Melodiya presents the first disc from the series Russian Chamber Music for Wind Instruments which includes recordings of rarely performed quintets for piano and wind instruments by Nikolai Rimsky-Korsakov and Anton Rubinstein. Despite the identical line-ups (the quintets were composed for flute, clarinet, bassoon, horn and piano), each of the quintets reflects individual styles of their creators. Rubinstein’s work (1855) belongs to the early period of the prominent Russian pianist, composer, conductor and a future founder of the first Russian conservatory. It is distinguished with a brightly virtuosic, concert and at the same time orchestral nature of the piano part. Rimsky-Korsakov’s quintet was composed in 1876 for a chamber music competition of the Russian Music Society. Its poor premiere was a cause of a long and unjust oblivion of this interesting piece where the part of each instrument is distinguished with convenience of performance and also virtuosity and special colouring of sound. Rimsky-Korsakov who mastered all the wind instruments deeply felt individual nature and capabilities of each timbre.

MELCD 1002102 Anton Rubinstein - The Demon Academic Choir of the USSR All-Union Radio, аrtistic director – Klavdy Ptitsa Symphony Orchestra ; of the USSR All-Union Radio, сonductor – Boris Khaikin Firma Melodiya presents a recording of Anton Rubinstein’s opera The Demon. This wonderful work which was inspired with the poem of the same name by Mikhail Lermontov and then inspired the likes of Mikhail Vrubel and Feodor Chaliapin became a milestone in the history of music theatre. Unfortunately, the opera was almost forgotten by the public and musicians, and only few of its fragments were widely known. It’s only lately that Russian and foreign opera houses have been showing a new interest in it. Rubinstein finished the opera in 1871. One of the greatest pianists of the 19th century nicknamed “tsar of the stage”, a composer and conductor, the founder of the first ever Russian conservatory in St. Petersburg, he stood at the summit of glory and in full possession of his composing mastery. The Demon combined traditions of Russian and West European music art and did justice to the colour of Caucasus. The opera was a great success with the public and accepted enthusiastically even by the composers of The Five, Rubinstein’s ideological “opponents”. “A superb artist”, wrote Modest Mussorgsky in a letter to Vladimir Stasov.

MELCD 1002108 F. Chopin - Etude s. Op . 10 & Op . 25 Vladimir Ashkenazy, piano Frédéric Chopin’s etudes are a unique combination of virtuoso technique and artistic supertasks. It is not without reason that no compulsory programme of any international competition can do without them. Each of the etudes is an ‘exercise’ in one of the types of piano technique while sounding like a bright and image-bearing piece. Twelve etudes of Op. 10 were composed during 1828–1832 and dedicated to Franz Liszt. Twelve etudes of Op. 25 were published in 1836. Nearly all pianists of the world have Chopin’s etudes in their repertoire, but only a few of them have the courage to play both of the opuses in their entirety. Firma Melodiya presents twenty-four etudes by Chopin performed by Vladimir Ashkenazy, one of the greatest pianists of modern times. What makes these recordings especially interesting is that they were made in 1959 by then a 22-year-old pianist.


Firma Melodiya present a set of symphonies by Vadim Salmanov, a remarkable representative of the Leningrad composing school. “He organically combines unconditional sings of the contemporary music language – freshness, simplicity, willfulness, multilayer concepts and genuine harmonicity… Speculativeness and sketchiness are totally alien to Salmanov’s music. One can sense the sincerity of a living feeling and inspired fly of fancy in it…Strictness and manliness are inherent in it.” These words were written by one of the greatest Russian conductors Evgeny Mravinsky who headed the Honoured Collective of the Republic, the Academic Symphony Orchestra of the Leningrad Philharmonic Society, the best symphony orchestra of the USSR, for fifty years. The symphonies performed by the orchestra at the Big Hall of the philharmonic society are featured in this set.

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MEL CD 10 02120 Sergei Prokofiev - Semyon Kotko The All-Union Radio Choir, artistic director – K. Lebedev, сhoir master – V. Kunev; The All-Union Symphony Orchestra, сonductor – M. Zhukov

Total time : 76’44+52’59+52’ 3 CD

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MELCD 10 02119 Vadim Salmanov - Symphonies Nos 1–4 The Academic Symphony Orchestra of the Leningrad Philharmonic Society conducted by Yevgeny Mravinsky

Firma Melodiya presents a recording of one of Sergey Prokofiev’s least frequently performed operas Semyon Kotko. It was the first opera Prokofiev composed after he returned to the Soviet Union. It took him long to find a source for the plot. “I wanted to have living people with their passions, love, hate, joy and sorrow naturally ensuing from the new conditions”, the composer remembered. Prokofiev eventually chose a novel titled “I, Son of Working People” by Valentin Katayev who agreed to rework it into an opera libretto. Vsevolod Meyerhold, a director, old friend and companion, was supposed to stage the new opera but he fell victim to the Stalinist terror. The opera was premiered in 1940 in Moscow and just as it was the case with some other outstanding works of that time was a great success with the public and severely criticized ‘from above’. Even today, bright and figurative music of Semyon Kotko with its genuinely Gogol-esque humour and genre scenes from everyday life of a Ukrainian village, neat descriptions of the characters, passionate dramatism and monumental chorus scenes cannot leave a keen listener indifferent.

MEL LP 0015 Pyotr Tchaikovsky - EVGENY SVETLANOV (Lim Ed. Vol I) The USSR State Academic Symphony Orchestra ; Conductor Evgeny Svetlanov “A symphony is the most lyrical of all music forms,” wrote Tchaikovsky to his friend Nadezhda von Meck. The young composer finished his first symphony in 1866, soon after he moved to Moscow where he became a professor of a newly established conservatory, a cheerless winter road, a Christmas ball and merriment of Shrovetide… Many pages of the symphony titled Winter Dreams are indeed associated with poetic winter landscapes, pictures of snow-covered plains and merriment of the Pancake week. However, the programme of the symphony lacks a specific plotline and does not chain the listener’s fancy carrying him away with a flow of lurical emotions and bright genre images. Tchaikovsky’s Symphony No. 1 is performed by one of the best orchestras of Russia, the USSR State Academic Symphony Orchestra conducted by Evgeny Svetlanov. The recording presented by Firma Melodiya was made in 1967.

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Firma Melodiya presents Mussorgsky’s piano cycle Pictures at an Exhibition performed by Maria Yudina. “She was a pianist of genius. Not “outstanding”, not “talented”, just genius. However, she could hardly be called “a pianist”, Wrote Heinrich Neuhaus about Yudina. “She was much more than just a musician” many who knew her personally would say. A person who combined music, poetry and philosophy, she did not fit ant frames of “styles” and directions. Her rendition of Mussorgsky’s famous cycle Pictures at an Exhibition (better known today as Ravel’s orchestral version) is a real treat for music lovers. The album also features the composer’s piano pieces written shortly before his decease. MEL LP 0020 VIOLIN DUOS (Lim Ed Vol I) Leonid Kogan, violin ; Elizaveta Gilels, violin Firma Melodiya presents a rare collection of violin duet music. Leonid Kogan is one of the greatest violinists of the 20th century. He was often compared with Niccolò Paganini, and his performances from a very young age to his last concerts entranced the audiences in any part of the world. This is a recording of a rare genre of violin duet without accompaniment. The music of German and French baroque – sonatas by Georg Philipp Telemann and Jean-Marie Leclair – is next to a duet by the great Belgian violinist and composer Eugène Ysaÿe. Elizaveta Gilels, a talented violinist, pupil of Pyotr Stolyarsky, Miron Polyakin and Abram Yampolsky, professor of the Moscow Conservatory and pianist Emil Gilels’s sister.

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MEL LP 0022 JOHANNES BRAHMS - YURI BASHMET (Lim Ed Vol I) YURI BASHMET Firma Melodiya presents chamber music by Johannes Brahms performed by Yuri Bashmet and Mikhail Muntian. Two viola sonatas by Johannes Brahms, Op. 120, composed in 1894, signify an actual completion of the composer’s creative life and the epoch of German music romanticism in general. The name of Yuri Bashmet is known to any music aficionado. A viola player, conductor, teacher and tireless public figure, he has been an active performer for almost Total time : 21’14 + 19’53 forty years, a performer of the entire viola repertoire of academic music and 1 LP an initiator of numerous works by contemporary composers. Pianist Mikhail Muntian has been Yuri Bashmet’s constant ensemble partner (along with PPD : 41,20€ Bashmet’s teacher Fyodor Druzhinin, he took part in the premiere of Shostakovich’s viola sonata). Their joint concert performances and recordings are notable for a splendid ensemble partnership, absolute integrity of performing ideas and in-depth comprehension of a musical text. Brahms’s sonatas was recorded in 1984.

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MEW 1369 Roland de Lassus, Biographie musicale vol. III

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Of a decade of Lassus’ activity at the court of Bavaria (1569-1579) marked by a deterioration of relations with his patron Prince Albert V, this recording captures the variety of genres covered by the composer, from the liturgical area (mass, Magnificat) to the free inspiration of the composer: religious and secular motets, Latin and French songs, madrigals, secular and spiritual Lieder, not to mention his only contribution to the purely instrumental field with two-part works that make the link between the different parts.

OMM0093 Philip Glass – How Now/Strung Out Philip Glass This new release from Orange Mountain Music presents Philip Glass’ first concert ever in what the composer considers his “debut.” The concert took place on May 19, 1968 at the Film Makers Cinematheque at 80 Wooster Street in Soho, New York City. The performance was the first “all-Glass” concert ever and featured solo works and duets with visual elements. This recording captures two of the solo works on the program including Glass himself performing How Now for solo organ and Strung Out for solo amplified violin performed by the legendary Dorothy Pixley-Rothchild for whom Glass had previously written a violin concerto for in 1960. It was soon after this concert that Glass started his own ensemble for which he wrote many new works. Consequently many of the works from this ‘pre-Philip Glass Ensemble’ period were not performed for a long time. Strung Out has the sheet music strung out in an L shape and the performer walks along the music as he/she goes farther into the piece. This is the oldest recording of any kind of Glass’ early music.

OMM0094 Philip Glass: Voices for Organ & Didgeridoo Michael Riesman – Mark Atkins Voices for Organ & Didgeridoo was commissioned by the City of Melbourne to relaunch the Melbourne Town Organ in 2001. This piece was the first collaboration between Glass and didgeridoo player Mark Atkins. The two would later work together on ORION. This world premiere recording of the piece is performed and produced by Michael Riesman, organist and music director of the Philip Glass Ensemble.

1 CD PPD : 12,95€

Classical Release

Egidius Kwartet & College ; Peter de Groot, direction

“Initially Voices began as an idea for combining the music of two established musical traditions - the organ representing the European church and art music and the didgeridoo representing the indigenous music of Australia. I knew Mark Atkins only by his recording and was extremely pleased when he agreed to come to New York to work on integrating his didgeridoo playing with the music I composed. We spent about a week together last January, fitting his music into the composition. I think we were both pleased and even a little surprised at how well the two musics came together.”- Philip Glass

The second half of the album is dedicated to a new published edition of Glass works arranged for organ by Riesman including pieces from Powaqqatsi, Glassworks, and Naqoyqatsi. Riesman performs on a privately owned instrument in New York State.

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“Father & Son” is the first complete album of Dimitri and Vladimir Ashkenazy as a duo internationally available. Dimitri Ashkenazy selected some of his favorite fantasies and fantasy pieces, and besides all-time hits such as Schumann’s Opus 73, there is music by the Swiss Romantic Johann Carl Eschmann to discover. A must for every music-lover!

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PMR 0030 Father & Son - Works for clarinet and piano Eschmann, Gade, Nielsen, Reinecke, Schumann Vladimir & Dimitri ASHKENAZY

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PTC 5186 387 Tchaikovsky - Manfred Symphony Russian National Orchestra ; Mikhail Pletnev This recording of Tchaikovsky’s lesser-known Manfred Symphony tops off an outstanding complete recording of the six numbered symhonies. Those familiar with Pletnev’s Tchaikovsky project have impatiently been looking forward to this last recording with high expectations, as the Manfred is rarely performed in concert and a true rarity in the super-audio catalogue (most of the recordings of it are out of print and/or hard to find). And the finished product is sure to exceed all expectations. This is Tchaikovsky as he has never been heard before. Under Mikhail Pletnev’s baton, the Russian National Orchestra exhibits an immense degree of esprit de corps, vitality, rigor and soul. A triumphin sound and poetry.

RAM 1303 REINHARD KEISER – BROCKES-PASSION (1712) ZSUZSI TÓTH (soprano) – JAN VAN ELSACKER (tenor) – PETER KOOIJ (bass) VOX LUMINIS – LES MUFFATTI – PETER VAN HEYGHEN (dir.) The Brockes-Passion can be considered the archetype of the German Passion oratorio. As such, it served as a model and source of inspiration for famous later masterpieces, enjoying uninterrupted popularity throughout the 18th century when no less than 11 composers, including Handel and Telemann, set it to music. The superb version by Reinhard Keiser (1674-1739) is not only the first but also adheres most closely to the great rhetorical power and rich changes of affects of the poet’s text. In German literary history, Barthold Heinrich Brockes (1680-1747) is known above all for his innovative role during the second quarter of the 18th century. In 1712, the year of the BrockesPassion’s first performance, Keiser, fellow citizen of Brockes in Hamburg, was already recognized as the most important opera composer in Germany – and, in some opinions, even in Europe. When the genius of these two great artists combined in a single work, the result could only be spectacular. The tricentennial of its first performance justified a belated but nonetheless dithyrambic tribute, here presented by the singers of the Vox Luminis ensemble and the instrumentalists of Les Muffatti.


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Ulisse all’isola di Circe was the first opera to be staged in the Southern Netherlands. It was first performed in Brussels on the occasion of Philip IV of Spain’s wedding to Maria-Anna of Austria on 24 February 1650 although we know that the spectacle was revived in 1655 at the express wish of Queen Christina of Sweden. Gioseffo Zamponi was most likely born in Rome between 1610 and 1620; he made his career in the Southern Netherlands, entering the service of Archduke Leopold-Wilhelm, governor of the Netherlands, in 1648, for whose establishment he composed sacred music and also played. Ulisse was composed in the new Venetian style and made use of clearly defined character types. The opera not only blends the recitar cantando style with arias but also alternates theatricality with episodes charged with emotion; the splendour of such a rediscovery fired every musician who took part in the work’s resurrection with enthusiasm. Such a large-scale project as this required the participation of all three ensembles that are regularly led by Leonardo Garcia Alarcón. The Clematis ensemble had first presented the first modern performance of the opera in 2006 as part of the Printemps Baroque du Sablon in Brussels.

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RIC 342 Gioseffo ZAMPONI - Ulisse all’Isola di Circe (Drama musicale) CAPPELLA MEDITERRANEA ; CLEMATIS ; CHOEUR DE CHAMBRE DE NAMUR – Les Solistes ; Leonardo GARCÍA ALARCÓN: direction

RIC 344 German Baroque Sacred Music - PASSION-RESURRECTION RICERCAR CONSORT / Philippe Pierlot ; CHOEUR DE CHAMBRE DE NAMUR / LES AGRÉMENS /Guy Van Waas & Jean Tubéry ; LA CHAPELLE RHÉNANE / Benoît Haller ; Greta de Reyghere, James Bowman, Henri Ledroit, Guy de Mey, Ian Honeyman, Paul Agnew, Mark Padmore, Hans Jörg Mammel, Max van Egmond, Bernard Foccroulle With this set, RICERCAR is beginning the rerelease of one of the jewels in its catalogue: the large collection devoted to sacred music of the German Baroque. Each set will group pieces by theme, the first being devoted to music for Passiontide, Easter and funeral cantatas. This long page in the history of music stretches from Schütz to Bach with the first release of a highly moving live recording of Bach’s Johannes Passion by Les Agrémens and the Chamber Chorus of Namur conducted by Guy van Waas.

TC 920701 Giorgio Gaslini (1929) - Flute Works Roberto Fabbriciani, flute ; Massimiliano Damerini, piano ; Orchestra Filarmonica di Roma ; Ezio Monti, conductor Pianist, composer, orchestra conductor borned in Milan, a jazz musician of international fame, Mr. Gaslini has to his credit more than three thousand concerts and a hundred CDs, and is a 10 time Critics Award winner. Also active in contemporary music, after having earned six diplomas at the Milan Conservatory, he has composed symphonic works, operas and ballets for the La Scala Theater and for many other major Italian venues. The flute works by Giorgio Gaslini, born in Milan in 1929, were composed between 1955 and 2011. Their performer and dedicatee is Roberto Fabbriciani, with whom Gaslini has had a long collaboration.

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1C1203 PHILIPPE GAUBERT - Violin, Cello et Piano Jean-Marc Phillips-Varjabédian violin ; Henri Demarquette violoncello ; Marie-Josèphe Jude piano Gaubert... He was a great master of the flute so, yes, of course. But it is often forgotten that he began with the violin, which enabled him to support his family. He truly was a violinist, as attests the Concerto, released three years ago, as well as the Sonata and Quatre Esquisses — two world premieres —, which ideally exploit the instrument’s lyricism and delicacy of colours But the cello is not to be outdone: already present on the orchestral disc, it is present here in highly virtuosic pieces. Finally, another premiere: the Trois Aquarelles in the original instrumentation for violin (indicated before the flute), cello and piano, so this will be a discovery. Need we introduce the artists? It would be impossible to find better for imposing a great and particularly appealing composer whom Timpani has reintroduced. 1C1214 Joseph Guy Ropartz - Complete Sonatas – Volume 1 Nicolas Dautricourt violin ; Juliette Hurel flute ; Raphaël Pidoux violoncello ; François Kerdoncuff piano After the complete Symphonies and the Quartets, here is the first volume — of two —devoted to J.-Guy Ropartz’s six Sonatas: three for violin, two for cello and the last, a Sonatina, for flute. Granted, these are not world premieres but, on the other hand, this is indeed the first time that these monuments of French music have been brought together. Heirs of Franck, they nonetheless set themselves apart with the mark of Brittany. Four top-flight artists share the work: Nicolas Dautricourt, who has become more than a rising star of the French violin, Juliette Hurel, a glory of the French flute, Raphaël Pidoux, well known as the cellist of the Wanderer Trio, and François Kerdoncuff who adds a special note as a Breton...

YAR 44638 Suryodaya - The Coming of Light Badal Roy /Robert Vijay Gupta The charismatic Robert Gupta plays the Nathan Milstein Stradivarius violin from 1716 here in Walt Disney Concert Hall. Not only is Robert superbly talented and the youngest member of the LA Philharmonic, but he is also a Senior TED fellow, executive director of Street Symphony (which brings music to homeless mentally ill people, and the real-life violin teacher of Nathaniel Ayers, the person so sensitively portrayed in the major motion picture The Soloist). This recording traverses time and several continents, from the opening Indian raga for violin in tabla (Raga Jaunpuri), through Medieval Europe with Biber’s famous Pasaccaglia through John Harbison’s Four Songs of Solitude and the Pereira suite written for Robert himself. Badal Roy, famous for his many recordings on Indian drums for Miles Davis and Ornette Coleman, joins his cousin in this audiophile recording. Roy premiers Calcutta Sunrise for tabla solo on the opening track. Roy still wears the same sunglasses and channels the same energy he did in the sixties and seventies. Even before the album’s release, Calcutta Sunrise won the Audio Oasis Award at the 2012 THE SHOW in Newport.


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“I’ve reviewed a fair number of recordings with the clarinet as the headline instrument, but I can only remember one or two that are as satisfying in as many respects as this one, and none more so. Los Angeles Philharmonic veteran clarinetist David Howard has hit every conceivable sweet spot; his playing displays multiple interpretive and technical attributes, his colleagues are equally top-drawer, his program is fascinating and varied, and the recorded sound is the finest I have encountered for a solo clarinet. “…audiophiles will appreciate its tonal accuracy and natural soundstage. The sound is warm and silky without compromising detail. Pick your justification—this is a musthave disc.” -- Fanfare “…nothing else of Brahms—possibly excepting the Trio with French Horn—sends forth such immediate waves of deep, penetrating beauty. Midway in the slow movement David Howard’s solo clarinet unwound its slithering melodic line across the musical spectrum; the strings answered with passionate shivers, and their moonstruck conversation continues to echo in my skull days later. That’s Brahms.” —Alan Rich

Classical Release

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YAR 78874 Steven Stucky MEDITATION AND DANCE ; Galina Ustvolskaya TRIO FOR CLARINET Esa-Pekka Salonen NACHTLIEDER ; Johannes Brahms CLARINET QUINTET IN B David Howard

YAR 79580 Barefoot Joanne Perca Martin Featuring: • Joanne Pearce Martin, skydiver, pilot and international concert pianist, also principal keyboardist of the Los Angeles Philharmonic in Walt Disney Concert Hall. • Solo piano music by John Adams, Chopin, Mozart, Hofmann, Mendelssohn and Gernot Wolfgang. • Recorded in the acoustic miracle of Zipper Hall at Colburn School in Los Angeles, using short stranded silver interconnects designed by Yarlung Records, two Neumann U-47 microphones, customized vacuum tube microphone preamplifiers, no mixer, and recorded directly to two tracks. “…music is as essential in life as the air we breathe. A life without music is unimaginable for me. Whether I’m dressed in evening clothes performing in a concert hall, or barefoot at home playing the piano for our dog, music is always the fabric of my life….” - Joanne Pearce Martin “You’ll hear delicacy, then power, then emotion all skillfully offered by a superb and intelligent musician. Miss Martin caresses the piano, a special Steinway provided for this recording. The sweetness and richness of the sound is captivating…. “It is… intimate giving the sonic picture of a grand piano between your loudspeakers…. Bottom line: this is reference quality piano sound and a must own for audiophiles.

YAR 94004 Chalifour plays the Milstein Stradivarius. Martin Chalifour First recording in Walt Disney Concert Hall. Jason Serinus from Stereophile magazine flew to Los Angeles for the recording sessions: “…an excellent violinist playing five different violins: the famed Nathan Milstein (1716) and Jack Benny Stradivarius, a prized Guarneri (c1730), and two excellent modern violins, one built by Mario and Brenda Miralles, the other by Michael Fischer. …Michael Fremer became a Yarlung enthusiast after hearing discs by Fung and the Janaki String Trio.” --Jason Serinus, Stereophile.com “…Within the first few bars of Chalifour’s violin transcription of Poulenc s flute sonata performed on a 1716 Stradivarius once owned by Nathan Milstein, you’ll know you’re in one of the world’s finest sounding concert halls. …Both Mr. Chalifour’s violin and Joanne Pearce Martin’s piano come through with uncanny timbral accuracy, textural clarity and three-dimensional focus and palpability. The presence of a large, open, delicately reverberant space behind the musicians can be both heard and felt on this acoustically transparent recording.”

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ENJ 9613 “Music for Videogames“ BOoOM

Jazz Release

Gerwin Eisenhauer drums, percussion, electronics, Walter Lang piano, Graeme Stephens guitar, Uli Zrenner-Wolkenstein electric and acoustic bass

1 CD PPD : 12,95€

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It has a long tradition that jazz musicians find inspiration in the pop culture. In bebop days jazz artists experimented with the songs of musicals, Miles Davis in the 70ties and 80ties checked the rock and pop corner (Cindy Lauper, Michael Jackson). For many kids, and young adults the melodies of Video Games have become a new kind of standards. For more than a quarter century mankind plays videogames. First in ice cream parlors on a gigantic screen, later on at home on consoles like Arcade, Nintendo or play stations, and still later on the Gameboy or the Smartphone. In his new project drummer / percussionist Gerwin Eisenhauer has three of his favourite musicians on board: Pianist Walter Lang (with whom leads Trio ELF for over ten years time), upright and electric bass player Uli Zrenner – Wolkenstein, Scottish guitarist Graeme Stephen (voted Best Guitarist in the UK 2012).

BKD 129 Chanson: The Space In Between Barb Jungr Barb Jungr’s original take on the songs of Jacques Brel marked her Linn debut and the beginning of a decade-long recording partnership. Originally released in 2000 ‘Chanson: The Space In Between’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. Barb Jungr opted to use specially commissioned translations by Des de Moor and Robb Johnson for her English language renditions; the songs losing nothing in their careful translation whilst allowing Barb to fully explore and explain the emotions within the songs. ‘Chanson: The Space In Between’ saw Barb turn back to her European roots which had previously been overshadowed in performance by American genres such as blues, gospel and jazz. Particularly notable is Barb’s delivery of Je Ne Regrette Rien (No Regrets). Barb states:’ I wanted to do something very different with it and this version, which is the translation Piaf herself used in English, seemed to me so much more modern than the usual one. A really contemporary «find yourself» song, a ‘Thelma and Louise’ chanson.’

BKD 222 Waterloo Sunset Barb Jungr Critics uniformly adored Barb Jungr’s reflective rendition of Ray Davies’ title track which sets the tone for this engagingly eclectic collection, startling both for its emotional intensity and rich musicality. Originally released in 2003 ‘Waterloo Sunset’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. Barb carves a unique path through many genres of popular music with this collection of classic and original material including songs by Richard Thompson and Bob Dylan; The Independent considers Barb ‘the foremost interpreter of Bob Dylan’s back catalogue’. Described by the Daily Telegraph as a ‘world-class female vocalist’ Barb is also an accomplished songwriter and contributes three original songs: Do You Play Guitar, the album’s elegiac opening track, Written Down In The Dark Again, a disturbing exploration of sex, and Lipstick Lips Lament, a wonderful evocation of classic American song-writing.


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BKD 255 Love Me Tender

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An uncharted journey into the King’s legacy from the undisputed queen of song-styling. Originally released in 2005 ‘Love Me Tender’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. Some of the greatest song writing talents of the fifties, sixties and seventies wrote for the legendary singer Elvis Presley. Barb Jungr, regarded as Britain’s foremost Chansonnier and song stylist takes these songs and embarks on a journey through love, loneliness, obsession and finally, faith. ‘Love Me Tender’ is a tribute to Elvis Presley in the real sense of the word. She is not impersonating him. These tracks are real covers - deconstructions and reinterpretations – making the listener forget the original. ‘Love Me Tender’ falls into the dark sound world usually inhabited by Nick Cave and Tom Waits; unforgettable and highly original. Barb Jungr has won numerous accolades with many industry critics considering her to be the finest songstylist in Britain. She has been compared to her heroine Nina Simone, for her same fearless approach and dedication to personalising songs.

BKD283 Walking In The Sun Barb Jungr ‘Walking In The Sun’ heralded a new direction for one of Europe’s finest voices. With many magical moments all compellingly sung, this is Barb Jungr at her most magnificent. Originally released in 2006 ‘Walking In The Sun’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. Drawing on influences from a wide range of musical traditions, including gospel and the blues, the album is Jungr’s most accessible release to date. Jungr brings her decidedly creative and imaginative style to Carole King’s Way Over Yonder, Jimmy Cliff’s Many Rivers to Cross and, of course, her trademark re-workings of Dylan songs: Trouble in Mind and Blind Willie McTell. There is also a new song by Eric Bibb, Heading Home, which sees the legendary guitarist make a guest appearance on the track.

BKD309 Just Like A Woman (Hymn To Nina) Barb Jungr ‘Just Like A Woman’ is Barb Jungr’s hymn to the late, great Nina Simone. This beautiful, haunting album combines Barb’s compelling arrangements and resolute delivery to bring a fresh perspective on these songs. Originally released in 2008 ‘Just Like A Woman’ has been re-issued as part of Linn’s ECHO series which offers a second chance to enjoy the best of the label’s award-winning catalogue. Named ‘Jazz Album of the Week’ by The Independent, Barb Jungr proves she is a ‘peerless interpreter’ as she makes these songs her own, drawing subtle qualities from the lyrics with a moving lightness of touch to make their message utterly contemporary. Perhaps most famous for her reworkings of Bob Dylan songs Barb has included Ballad Of Hollis Brown, The Times They Are A Changin’ and a soul-meets-reggae influenced Just Like A Woman. Barb has surrounded herself with some of the UK’s finest musicians including Danny Thompson on bass and Mark Lockheart on saxophone and clarinets.

Jazz Release

Barb Jungr

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„It don’t mean a thing if it ain’t got that swing“ – this song and phrase by Duke Ellington isn’t enough for saxophonist Max Merseny from Starnberg, Germany. He wants it to groove and crackle:“ Pure jazz wasn’t my thing”, he says, his music should burst with energy and consequently he embeds his solos and improvisations into a compressed load of soul and funk. Hip-Hop is another element added as Merseny holds. “Whether it’s good hiphop or not, the guys always succeed to have a solid bang behind it.” Already two years ago Max proved that power of soul with his debut “Thank Y’All”. Now he sets the standards a little bit higher with the successor “Everlasting”.

1 CD PPD : 12,95€

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TIP-888 854 2 Max Merseny - Everlasting Max Merseny – alto saxophone; Matthias Bublath – organ, keyboards; Ferdinand Kirner – guitar; Claus Fischer – bass; Felix M. Lehrmann – drums

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ENJ 9725 2 “PWL“ Philipp Weiss – vocals; Walter Lang - piano Deeply rooted into jazz and matured over the years Philipp Weiss and Walter Lang present renditions of selected jazz standards in such a vibrant and passionate manner that will take us to a place of beauty and poetry. Their intimate interaction is both lustrous and easy as well as powerful and orchestral. The audience will experience an evening of chamber music as if Schubert stripped his ‘Winterreise’ of its classical appearance and made it into a jazz extravaganza.

PPD : 12,95€

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YEB 7737 Paul Brody - “Behind All Words/Hinter allen Worten “ Paul Brody’s Sadawi featuring Clueso, Jelena Kuljic, Meret Becker

1 CD PPD : 12,95€

Three radically contrasting voices in a poetic colletion of Rose Ausländers lyrics: Meret Becker actress ( Steven Spielberg to Dani Levy ) and singer ( Einstürzende Neubauten); Jelena Kuljic along with recording for ECM she is well know actor ( Burg Theater, Volksbühne Berlin); Cluseo is one of germany’s most popular young singers; Paul Brody’s Sadawi has three releases on John Zorn’s Tzadik label and has toured around the work;


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YEB 7738 Surely

1 CD PPD : 12,95€

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YEB 7740 Hildegard lernt Fliegen - “The Fundamental Rhythm of Unpolished Brains” Andreas Schaerer – vocals / Matthias Wenger – sax / Benedikt Reising – sax / Andreas Tschopp – trombone / Marco Müller – bass / Christoph Steiner – drums & percussion

1 CD PPD : 12,95€

Since the release of her trio album «Makiko» (enja 9169), Makiko Hirabayashi has received critical acclaim both in Europe where she resides, and in her home country, Japan. The freshness of both her compositions and the trio’s vibrant interplay has caught the ears of many listeners around the world. The trio, featuring drummcr/percussionist Marilyn Mazur (Miles Davis Group 8589, Jan Garbarek Group 91-05) and bassist Klavs Hovman has been her main focus in the recent years, where she established her unique voice through Performances at international jazz festivals and venues around Europe and Japan. Their second album «Hide And Seek» (Enja 9192) received Jazz Audio Disk Award for Best Instrumental Album 2009 and Jazz Melody Award 2009 for its title tune in Jazz Critiquc Magazine, Japan.

Jazz Release

Makiko Hirabayashi piano Klavs Hovman bass Marilyn Mazur drums, percussion

Founded in 2005 by singer and composer Andreas Schaerer, this Swiss sextet has already grown a beard and started to stay out late. Schaerer’s compositions slip through any easy attempts at categorization as easily as a trout squirms free of a fisherman’s hands. The group was finally brought ashore in 2007, when they released their first album. The reviews were glowing, sales were brisk, and the album had to be re-released after being sold out in a couple of months. Since then, the band has traveled thousands of kilometers on the Autobahn, drank many a liter of gas station coffee, and played more solos and refrains than they care to remember. They’ve tickled the fancies of audiences and expert juries alike. In May 2008 the group won the ZKB Jazz Prize. The long and storied list of stages where Hildegard Lernt Fliegen has performed include many a jazz club and cabaret, but also festivals such as Jazznojazz Zürich, Cully Jazz, BeJazz Winterfestival, Offside Festival Geldern, Jazzahead Bremen, London Jazzfestival etc.

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DVD/Blu-Ray Release Eu

2059638 2059634 San Francisco Opera: The Gershwins’®: Porgy & Bess℠ John DeMain conductor · Francesca Zambello stage director ; Eric Owens · Laquita Mitchell · Lester Lynch · Chauncey Packer

Triumphant! A top-notch, sold-out Porgy and Bess. (San Francisco Examiner) • This is the first live recording of The Gershwins’®Porgy and Bess℠ on Blu-Ray Disc! • George Gershwin miraculously melded classical idioms, jazz, blues and spirituals in this quintessentially American masTotal time : 158min terpiece about a crippled beggar, the headstrong woman he loves, and the community that sustains them both 2 DVD for 1 • Eric Owens (Porgy) and Laquita Mitchell (Bess) lead an amaPPD : 20,00€ zing cast pulling the audience into the intricate world of Catfish Picture: NTSC 16:9 Row Sound: PCM Stereo, Dolby • Led by internationally acclaimed conductor John DeMain, Digital 5.1, DTS 5.1 who’s recording of Porgy and Bess in 1976 won a Grammy and Subtitles: English, German, remains a benchmark in the interpretation of this masterpiece French, Japanese, Korean • Including interviews with artists and creative team as bonus Booklet notes: English, German, French (29 mins) • Recorded live in High Definition at the War Memorial Opera House, San Francisco, 2009

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2059848 LEGATO - The World of the Piano Boris Berezovsky | Roland Pöntinen Marc-André Hamelin | Pierre-Laurent Aimard

Legato is bringing us closer to the present renaissance of the piano. A new generation of pianists has made the instrument popular again and is filling concert halls around the world - Renowned documentary film maker Jan Schmidt-Garre presents most fascinating artists with a passion for virtuosity and a willingness to expand the conventional repertoire with indiviTotal time : 466 min dual approaches and fresh ideas - Packaging: Four DVD’s in a luxury slipcase 4 DVD - Content : PPD : 28,13€ DVD 1: Roland Pöntinen – Listening to yourself (Portrait 30 Picture: NTSC 16:9 mins, Concert 75 mins) Sound: PCM Stereo, Dolby DVD 2: Marc-Andre Hamelin – No Limits (Portrait 30 mins, Digital 5.1, DTS 5.1 Concert 90 mins) Subtitles: English, German, DVD 3: Boris Berezovsky – Change of Plans (Portrait 33 mins, French, Spanish Concert 103 mins) Booklet notes: English, German, French DVD 4: Pierre-Laurent Aimard – Not just one Truth (Portrait 30 mins, Concert 75 mins)

Total time : 158min 1 Blu-Ray PPD : 25,10€ Picture: 1080i Full HD 16:9 Sound: PCM Stereo, DTS HD Master Audio 5.1 Subtitles: English, German, French, Japanese, Korean Booklet notes: English, German, French


Great performances from legendary artists of the 20th century, the Classic Archive™ Collector’s Edition – PIANO offers unique insights in the world of music interpretation of the golden age This second part of the edition is dedicated to some of the most outstanding pianists of the past With more than 15 hours of material the edition includes various concerti, recitals, interesting documentaries, some in colour, some in glorious black and white, as well as comprehensive booklet information This collector’s edition makes rare classical archive footage from the years 1950-1978 suitable for Blu-ray Disc lovers

Total time : 945min 1 Blu-Ray (10 DVDs) PPD : 35,30€

DVD/Blu-Ray Release

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3073984 Classic Archive™ Collector’s Edition – PIANO Glenn Gould Arturo Benedetti Michelangeli Georges Cziffra Wilhelm Kempff Aldo Ciccolini Samson François Claudio Arrau Emil Gilels ; Byron Janis Alfred Brendel

Picture : NTSC 4:3 Sound : PCM 2.0 Dual Mono; Dolby Digital 2.0 Dual Mono Subtitles: English, German, French, Spanish

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29 3079658 3079654 J. S. Bach - St. Matthew Passion Werner Güra · Stephen Morscheck · Lucy Crowe · Christine Rice · Nicholas Phan · Matthew Brooks · Bertrand Grunenwald Orchestre de Chambre de Paris ; John Nelson, conductor

The St. Matthew Passion is the third part of ‘The Soli Deo Gloria Collection’ conducted by the American John Nelson who is well known for his interpretations of Romantic works. • This monumental piece, composed by J.S. Bach, recounts the dramatic story of the capture and crucifixion of Jesus Christ, it Total time : 177+52m presents a profound, dramatic, lyrical and contemplative work. • The concert features the excellent Orchestre de Chambre 2 DVD de Paris, as well as two internationally acclaimed choirs: the PPD : 27,50€ Schola Cantorum of Oxford (one of the oldest choirs in the UK) and the Maîtrise de Paris with origins back in the 12th century. Picture: NTSC 16:9 Sound: PCM Stereo, Dolby • Directed by Louise Narboni and filmed twice with 7 HDTV Digital 5.1, DTS 5.1 cameras in the Basilica Cathedral Saint-Denis – a unique, moLanguages: English numental masterpiece of Gothic art. Subtitles: German, French, • The Blu-ray also includes the 52 mins. Documentary “John English, Japanese, Korean Nelson’s Saint Matthew Passion - The Journey” by Louise NarBooklet notes: English, boni as a Bonus - showing intense rehearsals and interviews German, French with John Nelson. http://www.youtube.com/watch?v=q8jV5Rb93eg

Total time : 177+52m 1 Blu-Ray PPD : 25,10€ Picture : 1080i – Full HD, 16:9 Sound: PCM Stereo, DTS HD Master Audio 5.0 Languages: English Subtitles: German, French, English, Japanese, Korean Booklet notes: English, German, French


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DVD/Blu-Ray Release

Total Time : 103+73m 2 DVD PPD: 27,50€ Picture: NTSC 16:9 Sound: PCM Stereo

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3085298 3085294 Murray Perahia - The Complete Beethoven Piano Concertos Academy of St Martin in the Fields ; Conductor Sir Neville Marriner Murray Perahia, winner of the Grammy Award in 1989, 1999 and 2003, is often described as an aristocrat of a piano, is performing Beethoven´s piano concertos 1-5 with eloquent phrasing, beautiful tone and poetic sensitivity, that became a trademark of this extraordinary pianist Beautifully restored, using the finest state-of-the-art technology, Classic Archive features great performances by legendary artists and offers a unique historical glimpse into classical heritage. Perahia’s Beethoven thus, with its formal balance, crystalline textures, eloquent phrasing, unfailingly beautiful tone and spacious grasp of large - scale structure, allows us to eavesdrop on the development of a towering genius as he ushers in the birth of an era

Total Time : 176 min 1 Blu-Ray PPD: 25,10€ Picture : 1080i - 4:3 Sound: PCM Stereo


RIC 258

Domenico SCARLATTI - Stabat Mater VOX LUMINIS

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At the occasion of Vox Luminis’ 10th Anniversary, Ricercar offers you 20% on the PPD of all the references of this group.

PPD: 12,95€ ; 10,36€ RIC 301

Samuel Scheidt (1587 - 1654) - Cantiones Sacræ VOX LUMINIS PPD: 12,95€ ; 10,36€

RIC 311

Heinrich SCHÜTZ - Musicalische Exequien VOX LUMINIS PPD: 12,95€ ; 10,36€

RIC 320

Il concerto delle Viole Barberini ; The Barberini consort of viols ; Frescobaldi, Palestrina, Waesich... VOX LUMINIS/ Ensemble Mare Nostrum

PPD: 12,95€ ; 10,36€ RIC 329

A BAROQUE CHRISTMAS VOX LUMINIS, RICERCAR CONSORT, LA FENICE , CHOEUR DE CHAMBRE DE NAMUR , AKADÊMIA / LA PASTORELLA, SYNTGAMA AMICI, MARE NOSTRUM, ENSEMBLE FAUX BOURDON, LES AGREMENS PPD: 19,80€ ; 15,84€

RIC 332

English Royal Funeral Music VOX LUMINIS

PPD: 12,95€ ; 10,36€ RIC 102

THE FLEMISH POLYPHONY CAPILLA FLAMENCA ; CAPPELLA PRATENSIS ; CONTINENS PARADISI ; DIABOLUS IN MUSICA ; DISCANTUS ENSEMBLE MUSICA NOVA ; ENSEMBLE ORGANUM OLTREMONTANO / PIFFARO ; PSALLENTES / ROMANESQUE ; VOX LUMINIS PPD: 32,00€ ; 25,60€

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Releases 2014 03  
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