Conservation Labor

c ons er v at i on

L ABOR ( Af t erMi er l eLader manUkel es)

Ant honyWar ni ck El s ewher e2017

Warnick' s work at Elsewhere was the conservation of Ay o Janeen Jackson's p ieces, Black Lights Matter and A Comp ilation of Comp lications. Through viewing labor as a p olitical tool, artists can utilize this to call better futures into being. This p ublication is a product of a discussion and collaboration with Warnick, Elsewhere, and the Greensboro community.

T ak eamomentt ot hi nkofs omeonewi t hi n ands omeoneout s i deofyourl i f ewhos e i nvi s i bl el aborgoesunnot i c ed.

Whoar et hey?

Whatdot heydo?

Whatk i ndofi nvi s i bl el abordoyou exec ut edai l y? ( Phys i c al ,Emot i onal ,what ev eryouar e c omf or t abl es har i ng)

Whatwoul dhappeni fyouort heper s on youdes c r i bedchos et onol onger exec ut et hei ri nvi s i bl el abor ?