Virtual Ubiquity

l met Lisa in october 2002. She became one of the 13 portraits belonging to Journey Tales: Fire, installed in several Morelia venues and later in Rechberghausen, Germany, on the 2004 Summer.

Lisa’s portrait somehow becameEl retrato de Lisa significó a whole conceptual and spiritual journey on itself, so l decided to turn it into another project after the german artshow. Lisa would show the ubiquity l sensed, her eyes would be mine as well as those of the spectator. The memory of those places and moments, along with the human contacts they allowed, would become an artwork that was an intervention action as well as a photographic series She could be in every place at the same time, as l somehow was.

M 茅 x i c o Journey tales: Fire September 13, 2003 Centro Hist贸rico, Morelia

DĂ­a de la Mujer, Morelia

Sw ia t ve l He

er z i

nd a l

The alps: engiadina bassa

Germany-south

Germany-north

holland

North of Spain

South of Spain

England

cymru-wales north

cymru-wales south

back into England

It started on october 4th 2002, in George Perkins Ward, London St. Thomas Hospital.

It also ended here, where the first and last photo were taken.

Lísa’s portrait was lost at Gatwick Airport, in september 2004.

for

Lisa Grier

elizabeth ross Coed Hills, Vale of Glamorgan, Wales September 19, 2005 www.elizabethrossmx.com