Architectural Portfolio

selected works 2013-2023

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Haberlandtgasse 73 [EN]

Daydream

Design Studio Housing Studio Wohnbau ST2016

D A Theory and P

Studio Archit 1 - 18

5 Postcards to the Future [EN] Design Studio Construction Studio Hochbau WT2018 45 - 46

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Kunstschule - Bauen im Bestand [DE]

Design Studio Architectural Philosophy of Technics tekturtheorie ST2020 19 - 32

6 Idea Store [EN]

tudio Building Gebäudelehte ST2014

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Design Studio Spatial Design Großes Entwerfen Raumgestaltung WT2021 33 - 44

7 Mesh. [EN] Design Studio Construction Großes Entwerfen Hochbau ST2016 69 - 80

8 Quartier23 An analogue Vienna. [EN] Design Studio Urban Planning Studio Städtebau ST2016 81 - 98

9 Exhibition Ship(s) for the Art Academies [EN] Masters’ Thesis WT2023 99 - 122

Education: •Afyonkarahisar, Turkey, •Istanbul, Turkey,

•Wien, Österreich,

Matriculation in Int. Baccalaureate

(2003-2007)

Yeditepe University Bachelor’s Degree - Architecture (20 ects towards the Bsc.)

(2008-2009)

Vienna Technical University Bachelor’s Degree - Architecture Master’s Degree - Architecture

(2011-2021) (2021-2023)

Qualifications: •Turkish (mother tongue), English (advanced), German (fluent) •General Architectural Skills •Photography •Graphic Design •Freehand Drawing Experiences: •Trainee at Reimar Herbst Architekten BDA, Berlin, Germany Juni 2015- October 2015 http://www.reimarherbstarchitekten.de

Dipl. Ing.in Elif Hayran, BSc. Birth: 07.11.1989 - Turkey Citizenship: Turkish Adress: Goldeggasse 20/7 1040 Wien

•BIM Planner at Senta International B.V, Oss, Netherlands May 2017- October 2017 http://senta.net •Freelance Architect at Artuner Constructions, Vienna, Austria January 2017 - October 2018 •CAD-Technician at Bacon Gebäudetechnik Vienna, Austria October 2018 - April 2019 https://www.bacon.at •Architectural Designer at opu architekten Vienna, Austria December 2019 - March 2022 https://www.opu-architekten.com

Mobile: +436801125226 Email: elifhayran@gmail.com

Computer Knowledge: •Adobe cc (Photoshop, Illustrator, InDesign) •Archicad •Autocad •Revit •Sketch-up •General BIM Knowledge

HABE

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ERLANDTGASSE 73 Design Studio Housing Studio Wohnbau ST2016

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Habitant [s,m,l] is designed to respond the need of new residences in area of Aspern. Also it is located close to Aspern Seestadt, which is a recently developing project that has a lot of future potential for a new and live urban ambience.

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Habitant [s,m,l] is composed of 15 attached houses.

There are in total 15 dwellings on the side and are in three different sizes. 3x large (274 m2), 5x medium (187 m2) and 7x small (140 m2) in order to be able to correspond to different types of dwellers such as large families, couples etc.

Building codes alows for a maximum 7,5 meters height that corresponds to around two floor height.

And it is allowed to build another 4,5 meters height as a roof floor. An autopark on the basement level is also planned .

The site is positioned longitudinal on north-south axis. Both south and north edges are parallel to main roads. The main idea is to connect these main road with a pedestrian spine. The dwellings are alined along both side of the spine. The entrances are setted back and covered with a screen to provide privacy. Also this semi outdoor space provides shelter for bikes.

The layout of dwellings are composed of L shape plans, which provides privacy and protection from weather conditions for the terraces. Each dwelling has three floors. Entrance floor includes common spaces such as living room,kitchen and courtyard.

Second floor and roof floor includes bedroom spaces. Rough, sustainable and simple materials used for interior to keep it minimalistic.

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Roof Construction: 250 mm black pigmented reinforced concrete 180 mm foam glass 150 mm installation layer 24 mm limewashed spruce boarding

Wall Construction: 250 mm black pigmented reinforced concrete 140 mm extruded polystyrene thermal insulation adhesive 40 mm woodwool thermal insulation lathing 20 mm woodwool thermal insulation 20 mm limewashed spruce boarding

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Flooring: 70 mm cement- and-sand screed separating layer 30 mm glass-wool impact sound insulation 70 mm EPS filling 280 mm reinf. concrete floor

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DAYDREAM

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Design Studio Architectural Theory and Philosophy of Technics Studio Architekturtheorie ST2020

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The Daydream Domain is for disembodied minds and mindless bodes.

Every so often a cluster of innermost thoughts and fantasies erupts from our well hidden sanctuaries.

Broadcasted on the gleaming canvas of “The Daydream Domain”, One finds themselves withdrawn from all physicality, but continiously on the verge of shifting back and forth afresh turning the Déjà-Vu into the Déjà-Révé.

Creating conceptional spaces filled with conceptional objects that trigger or support state of daydreaming.

Analysed under five chapters.

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KUNSTSCHULE// BAUEN IM BESTAND Design Studio Spatial Design Großes Entwerfen Raumgestaltung WT2021

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Küche

Konferenz-Raum

Atelier Räume

Atelier Räume

Empfang Workshops

Lorem

Ausstellungsraum

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Das Schaffen eines Raumes für diskursive künstlerische Praktiken steht im Mittelpunkt des Projektes – Diskurs um Relationen zwischen unterschiedlichen Akteuren sichtbar zu machen, Relationen, die wahrgenommene Grenzen überwinden.

Werkstädte

Die Kunstschule ist inklusiv gedacht und tritt in den öffentlichen Raum, um aktive Teilhabe möglich zu machen.

Café

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Es geht um das Schaffen eines Künstleratelier für die Studierende in der Umgebung, in dem die verschidenen Menschen, die in der Nachbarschaft wohnen zusammen kommen können und einen Ort zu schaffen, der inklusiv gedacht ist, an dem jede:r eine Platz hat.

Wie schafft man nun eine Universität, die einerseits universitätseigene Personen bildet und andererseits eben nicht nur, ihre Wirkkraft auf die (nähere) Umgebung ausdehnt, wieder politisch wird? Was wenn man im Kontext der Universität mehr an selbstorganisierte Strukturen denkt, wenn Hierarchien so gut als geht vermieden werden, wenn Studierende ihr politisches, ihr gesellschaftliches Potenzial nutzen, mit der Öffentlichkeit aktiv in Kontakt treten, um sich ihre Umgebung zu gestalten.

Würde es Sinn machen Disziplinen der Kunst dort unterzubringen, die generell schon in aktivem Kontakt mit möglichen Beobachter:innen stehen, die vielleicht auf den Kontakt zu Außenstehenden angewiesen sind, während sie stattfinden? Disziplinen der Kunst, die bewusst transdisziplinär sind, schon im Feld der Künste, und dann vielleicht generell eine größere Offenheit ausstrahlen? Könnten vielleicht ebenso (geistes-)wissenschaftliche Studien dort stattfinden, damit innerhalb der Studierenden schon verschiedene Menschen zusammenkommen,

Bestand

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Umbau/Auswechslung

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voneinander lernen, Erfahrungen sammeln können und dann eben mit der Öffentlichkeit noch eine nicht unbedingt akademische Herangehensweise oder Perspektive dazutritt?

Straßenseitig sollen sich öffentliche Funktionen ansiedeln bzw. Funktionen mit Nutzungen, die nicht nur für Studierende gedacht sind sondern auch die Umgebung miteinbeziehen und einladen sollen an der Atmosphäre teilzuhaben.

Die angedachte Innenraumerschließung bedindet sich in der südlichen Halle in einem zum Hof offenen Gang und führt von dort über die Schleuse, die den Innenhof von der Heistergasse trennt, vorbei am Veranstaltungssaal, der zum Vorplatz orientiert ist, mitten in die nördliche Halle. Anschließend sind Gemeinschaftsräume in der „Atelier-Halle“ angedacht, die einerseits für ein gemütliches Zusammensitzen genutzt werden könne, aber auch für Diskussionen unter den Stu- dierenden, sowie für Arbeiten in einer offenen Atelieratmosphäre.

Der Weg führt schließlich zu einem Werkstattbereich, der abgekoppelt von dem Rest der Halle, um Schallschutz zu gewährleisten, funktioniert.

Im Eckhaus soll Bibliothek und Verwaltungsgebäuden kommen.

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Café

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Ausstellungsraum

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Design Studio Construction Studio Hochbau WT2018

POSTCARDS TO THE FUTURE

reuserecyc

The construction industry has not only become a major consumer of materials, natural sources; it has also become a source of pollution. We shall reuse building materials as a way for environment protection and sustainable development.

Karlsplatz 13, 1040 Wien, Österreich

Konstruktion und Entwerfen E 253/5

Forschungsbereich Hochbau –

Technische Universität Wien Institut für Architektur und Entwerfen

clerepeat

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IDEA

Design Studio B Gebäud ST2

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STORE

Building Theory delehte 2014

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Typologie des Projekts lässt noch viele unterschiedliche Interpretationen und Weiterentwicklungen zu dank der viele openspace Räumlichkeiten.

Das Gebäude ist auf 1900 m2 Nutzfläche und stehen Räume für Bibliotheksbetrieb, Information, Verkauf, Vermittlung, verschiedenste Kurse, Workshops, Veranstaltungen, Ausstellungen und Gastronomie zur Verfügung. Gerechnet wird mit ca 1700 Besuchern pro Tag. Der Idea Store ist ein Angebot für alle Altersgruppen. Die Architektur kommuniziert diese Offenheit aktiv und gestalterisch einlöst.

Alle Räume und Erschließungen sind barrierefrei geplant.

Das Gebäude bietet höhe Flexibilität und Nutzungsvariabilität.

Der Idea Store soll als Impulsgeber für den umgebenden Stadtraum wirksam werden.

Jeder Student entwickelt sein individuelles Raumprogramm und erstellt einen Entwurf.

Standort: 9,

Kürschnergasse 1210 Wien

Gesamt-Raumprogramm: ca.

1900m2 Nutzfläche bestehend aus ca. 1500m2 BasisRaumprogramm und ca. 400m2 Zusatz-Raumprogramm.

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Der “Idea Store” überträgt den Zusammenhang zwischen inspirierendem Arbeitsumfeld und kreativem Output auf den edukativen Bereich. Was früher eine monofunktionale Bibliothek war, soll im Idea Store eine Lese- Lern- Arbeits- und Experimentier-Raumlandschaft werden, die nicht nur Bücher in Regalen anbietet, sondern sehr viel mehr Aktivitäten initiiert und zulässt. Die wesentlichste programmatische Erweiterung ist ein ausdifferenziertes Kursprogramm für Kinder, Jugendliche und Erwachsene.

Hinzu kommen Serviceund Vermittlungsangebote. Lernen und Weiterbildung wird also umfassend interpretiert und implementiert. Mit variablen Räumen für Veranstaltungen, Ausstellungen, Workshops, etc erfüllt der Idea Store sogar Funktionen eines lokalen Stadtteilzentrums.

Mit dem Idea Store wird eine programmatische und raumdramaturgische Tendenz deutlich.

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Basis-Raumprogramm: ca 1500 m2: UG: Lager, Technische Infrastruktur, Garderobe EG: Eingangsbereich, Wartebereich, Treffpunkt, Informations-Desk, Medien-Ausgabe und Rückgabe, Shop, Anlieferung, etc Raumlandschaft für die Aufstellung von Büchern, Medien, Infomaterial Gallerie: Café, Restaurant, Küche, Lager OG1: open-space Lern- Lesebereiche mit wechselnder Möblierung, Jugend-Bereich, Bibliothek sowie Kinder-Bibliothek OG2: Variabel nutzbares Raum für Informationsveranstaltungen, Kurse, Workshops, Gruppenarbeit, Online Bibliothek, Virtuelles Lernen DG: Konferenzraum ausgestattet mit Technik. Je nach Lärm-Entwicklung einzeln abschließbar. Ausstellungen, Filmvorführungen, Flohmärkte, Party, etc.Einfach anpassbar durch unterschiedliche Möblierung und Raumatmosphäre (Verdunkelung, etc).

Bereich für Buffet/Catering sowie Mitarbeiter-Küche, Office Räumlichkeiten für die Mitarbeitern.

Alle Geschösse sind mit WC sowie ein Lager-putzmittelraum gestattet. Ein Barrierefreies WC ist im UG zu finden.

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MESH. Design Studio Construction Großes Entwerfen Hochbau ST2016 69

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Expanding both museum of natural history & museum of art history Vienna subterraneously for much needed extra exhibiton rooms, storage areas and a conference room.

Aim of the project is creating an subterrean extension for both museum of natural history and museum of art history Vienna, which gives visitors a chance to move freely.

In order to obtain the simple form, the square of Maria-Theresien divided in 20x20 meters grid and each singe grid part is pulled away from each other with a 4 meter distance.

The obtained interspace here serves as open area for the circulation between rooms. Consequently the surface extruded negatively.

Through sinking the grid rooms systematicaly, areas with different levels are obtained.

The deepest level (Ephesos exhibiton) stands at -13 meters under the surface.

After obtaining different level under the ground, those are connected to each other with 4 meter wide ramps.

The top level is used as storage, workshop studios, toilette areas. All other levels serve as common space or exhibition tooms.

The exhibiton rooms and theier connection axis enhance and capture the pattern of central square above the ground.

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1. Bodenbelag - 40mm 2. Kiesschüttung - 90mm 3. Schutzvlies - 5mm 4. Wärmedämmung XPS - 150 mm 5. Abdichtung PKV-5 + EKV-4 - 10mm 6. Gefällbeton - 80mm 7. Stahlbetondecke - 250mm 8. Abgehängte Decke mit Abhängekonstruktion (z.B. Protektor)

1. Bodenbelag - 15mm 2. Estrich - 60mm 3. Trennlage PE-Folie - 5mm 4. Hochverdichtete Mehrschichtespannplatte - 100mm 5. Aluminiumfeinblech - 200mm 6. Stahlbetondecke - 400mm 7. Wärmedämmung XPS - 150mm 8. Stampfbeton - 250mm 9. Fundament

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Austellungsraum KHM 880 m²

Austellungsraum KHM 400 m²

WC 400 m²

Foyer 400 m²

Schätze aus Ephesos 1936 m²

Austellungsraum KHM 400 m²

-11,00 m

Foyer 400 m²

-13,00 m

Austellungsraum NHM 880 m²

-4m -13m -7m

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-11m -4m

Foyer 400 m² Austellungsraum NHM 400 m²

Auditorium 400 m²

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Sonderaustellung KHM 1600m²

Werkstatt 400 m²

Austellungsraum KHM 400 m²

Tapisserien 400 m²

Werkstatt 400 m²

WC 400 m²

Restaurant 400 m²

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Foyer 400 m² Café 400 m²

Shop 400 m² Showroom/WC 400 m² Austellungsraum NHM 880 m²

Austellungsraum NHM 400 m²

Austellungsraum NHM 400 m²

Lager 400 m²

Lager 400 m²

Lager 400 m²

Lager 400 m²

Lager 400 m²

Lager 400 m²

Lager 400 m²

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QUARTIER 23 // AN ANALOGUE VIENNA.

Design Studio Urban Planning Studio Städtebau WT2016 82

In general, the main question how the city should be understood can be asked in tw an architectural composite in interaction with natural conditions; or two: is it an ar basic questions should be asked at the very first encounter and engagement wit the entire time while experie

Under the title “quartier23 - An analogue Vienna.”, the latter question is mainly of experiments to explore specific, but also generalised characteristics of the V suggested. In this project the 23rd district of Vienna, i.e Liesing (a former ind according to their spatial-physical, ecological condition and quality, as well as the the city and their underlying or superficial complexity. The aim is to make statem growing urban landscape

S-Bahn

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Sportplatz & Schule

Breitenfurter Straße

wo ways: one: is the city a natural phenomenon that develops from within itself as rchitectural composition that represents a consciously designed entity. those two th the city. The two questions will be repeatedly asked and answered throughout encing the city within itself.

y tried as an answer as to understand how the city develops and through series Viennese urban structure a more “design and build” oriented project has been dustrial now more suborban district) has been repeatedly visited and analyised eir social conditions. The interest in this project lays in built and unbuilt forms of ments about possible target images and development scenarios of a dynamically e and its concrete form.

Liesingbach

Alt Erlaa

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Revitalizing Liesing with innovative synergy: A sprawling mix of residential and light industrial areas, Liesing begs a new urban development proposal as the population of the district growing in a constant rate due to immigration, growth and more affordable residing possibilities.

By getting urban development right, the area would create jobs and offer better livelihoods; increase economic growth; improve social inclusion; promote the decoupling of living standards and economic growth from environmental resource use; protect local and regional ecosystems; reduce both urban and rural poverty.

In this project a high number of new residential buildings are planned in order to offer a high amont of new housing possibilities and by leaving the ground floor level open for commercial use, the number of shops, cafés, offices, galleries and artist ateliers would also create a kind of unique livelihood and dynamic to the area.

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Analysing the Area

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3 Unterschiedliche Module

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Abbruch

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Concept The targetted area consists mainly of family housings and industrial complexes. In addition to the nearby s-train station (Atzgersdorf), possible spaces for social interaction and new living quarters are designed in order to bring more livelihood to the district. The participation of artists and cultural institutions in the planning of the district’s makeover is proposed to spark the desired development and urbanisation.

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Öffentliche Grünfläche Halb-öffentliche Grünfläche Private Gärten n Spielplatz Sportplatz Öffentlicher Platz Wasser 94

The with red framed a space spanning from t and service businesse provided for artistic a

The area is subdivided development will be m transformation is mor

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area, in detail, will be complemented by a public the train station to the. Around this area restaurants es can settle. Abandoned industrial buildings will be and cultural institutions.

d in six compartments. Each compartments managed separately. This way the procedural re flexible.

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EXHIBITION SHIP(S) FOR THE ART ACADEMIES

Master’s Thesis WT2023 100

The has

Danube, a past

connecting ten that continues

countries to shape

In light of everything, this project propos ships will dock for a period providing stud

By implementing these mobile exhibition s along the Danube. This program will be

This project seeks to harness the diversit and coming artists. This initiative would b

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and five capitals, has the present fostering

always played an important role as a tradind route. It connections between cultural and economical communities.

ses an initiative where two exhibition ships regularly visit cities along the Danube. These dents with an opportunity to showcase their artworks beyond their city or national borders.

ships it is aimed to facilitate exchange and networking among art students from cities coordinated by art schools in Vienna, which serves as a hub, along the rivers course.

ty found along the Danube to promote both transcultural exchange and visibility for up benefit not art students and young artists. Also contribute positively to the entire region.

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(Level Below)

(Level Above)

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Rooms Entrance Level (EE in German) NR EE.01 EE.02 EE.03 EE.04 EE.05 EE.06 EE.07 EE.08 EE.09 EE.10 EE.11 EE.12 EE.13 EE.14 EE.15 EE.16 EE.17 EE.18 EE.19

Name Technical Room Exhibition Room 2 Wardrobe Corridor Corridor Entrance Area Information Office Exhibition Room 1 Anteroom WC Womens’ Restroom Mens’ Restroom Accessible Restroom Café Corridor Corridor Restroom WC Media Library Terrace

Measured Area 17.40 m² 109.20 m² 40.60 m² 9.70 m² 9.60 m² 17.80 m² 19.60 m² 19.10 m² 124.60 m² 2.80 m² 10.70 m² 12.70 m² 4.00 m² 42.10 m² 16.10 m² 16.10 m² 15.20 m² 15.20 m² 41.20 m²

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In the realm of creating forms that go beyond functionality and embrace artistic expression we find inspiration in the timeless wisdom of nature itself. The exhibition ships embody the connection between creativity and the organic world.

The design of the vessels pays homage to the undulations of river waves reflecting the fluidity and constant movement that defines life. Every contour seeks to evoke the yet powerful presence of water going beyond practicality to embrace aesthetics.

As we delve deeper into the creation we encounter an interplay between light and shadow. This dance of illumination partially obscured by the textures of tree leaves creates a mesmerizing and ever changing pattern on the forest floor.

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When we gaze upon the ships facade we are reminded of the branching patterns found in trees. These branches form a web network symbolizing interconnection and unity, among all living things like arteries nourishing life itself.

Wrapped in semi transculent foils the exhibition ships appear cloaked in translucency resembling water itself. The semi-transparent sheen reflects the nature of existence just as ripples on a pond reveal what lies beneath its surface. This architectural choice seeks to uncover hidden beauty.

The way these elements delve into something we celebrate how everything in life is connected the beauty of change and discovering the truths beneath the surface. The exhibition ship becomes more than a place for art, it becomes a space, for reflection and connecting with the world around us.

Surface Water

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Built on push barge Europa II covers a space of 1,150 square meters.

This large ship combines innovative elements to showcase forms of art. It features traditional art exhibition rooms as well as a Digital Exhibition room tfor multimedia installations and interactive exhibits.

Furthermore the ship includes also a Concert area where music performances and cultural events can take place. This versatile space accommodates expressions and serves as a dynamic platform for artists and musicians to share their talents with the public.

Concealed in the background are storage and technical areas that ensure operations behind the scenes. These unobtrusive spaces play a role in maintaining the ships day to day functions In conclusion, this project represents a forward thinking endeavor that intersects art, culture and innovation.

It embodies a vision that aims to empower art students and honor the significance of the Danube River. By converting a push barge into an exhibition ship this project provides a platform, for emerging artists to showcase their creativity and establish connections with established professionals in the art industry.

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The smaller ship, built on top of the push barge SL Blumenau covers a space of approximetaly 355 square meters.

As visitors step aboard they will come across the anteroom and The exhibition room connects directly to anteroom and connects to the café in the back area.

The ship designed to invite guests to embrace a blend of artistry, functionality and aesthetics.

Although compact in size this intimate vessel offers an art experience that fosters connections, with creativity and culture.

It adds its touch to the diverse fabric of artistic creativity.

The selection of the Europa II and SL Blumenau push barges, known for their simplicity, practicality and sustainability reflects consideration for efficiency and adaptability.

These vessels are not merely

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functional, also serve as expressions themselves and reminding us of our interconnectedness.

This project goes beyond art exhibitions by creating a space for introspection, connection and exploration. It nurtures an environment where creativity flourishes effortlessly akin to the flowing Danube River. In doing it promises to rejuvenate the spirits of emerging artists while expanding their visibility, on a wider European scale.

To sum it up „Navigating Artistry“ goes beyond converting a barge into a ship, for exhibitions. It aims to promote cultural connections and embrace the profound significance of change and hidden truths.

The Project exemplifies how art can unite people and cultures offering the potential to make an impact, on the realm of art and imagination.

Rooms Entrance Level (EE in German)

(Level Below)

NR EE.01 EE.02 EE.03 EE.04 EE.05 EE.06 EE.07 EE.08 EE.09 EE.10 EE.11 EE.12

Name Entrance Area Storage Room Information Foyer Wardrobe Exhibition Room Café Corridor Restroom Foyer Women’s Restroom Men’s Restroom Accesible Restroom

Measured Area 4.50 m² 6.30 m² 11.40 m² 11.50 m² 17.30 m² 87.50 m² 13.60 m² 6.80 m² 12.00 m² 6.60 m² 6.00 m² 4.80 m² Total Area:

188.30 m²

Surface Water

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selected works 2013-2023