Exit 11, Issue 03

Page 96

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist Fighters OM A R HU SSE I N

Enshrined in Article 15 of the United Nations Universal Declaration of Human Rights (UDHR) is ‘the right to a nationality’ and protection from being ‘arbitrarily deprived’ of one’s nationality (UN General Assembly 1948). However, the UDHR has always been an aspirational document, not because it is not legally binding (indeed, many of its principles have been formalised in international treaties such as the International Covenant on Civil and Political Rights) but because, as Hannah Arendt believed, ‘human rights have never been universal’ (Boucher 2011: 223). History is littered with debates regarding who qualifies as truly human and, consequently, is entitled to human rights. Arendt held the stance that one’s membership in humanity and their claim to possessing human rights is uniquely contingent on their status as a citizen of a political community. Hence, citizenship represents the ‘right to have rights’ (Arendt cited in Boucher 2011: 222). By including an individual in a moral community which stems from the political collective (Dossa 1980: 319), citizenship enters one into the plurality of humanity, thus protecting their rights from desecration. Without the status of citizenship, so to speak, one is only human in the most basic sense: ‘nothing more than a savage’ (Boucher 2011: 222). Arguably, the deprivation of citizenship designates an individual as external to the political framework which dictates the humane treatment of its members. Arendt argued that the Nuremburg Laws ‘systematically transformed [Jews] from political beings into natural creatures without any legal claims’ and this created the prerequisite conditions for the Holocaust to take place in isolation from ‘moral law and justice’ (Dossa 1980: 320). Whilst Arendt’s emphasis on citizenship as a condition to claiming the possession of human rights is problematic in its implication that those who

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EXIT 11


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Articles inside

Creativity within Silence – Cameron Wehr PHOTOGRAPH: The City’s Life – Am Silruk

16min
pages 155-166

The Paratha, Abu Dhabi and Migration – Abhyudaya Tyagi

17min
pages 144-154

Performing Family – a Utopian Vision – Nuraishah Shafiq

14min
pages 136-143

PHOTOGRAPH: The Arabian Dream Mareya Khouri Smelly Sounds – Phonetic Symbolism in Scent – Lachlan Pham

13min
pages 127-135

How do we maintain our sense of cultural identity in new environments? Meg Nakagawa

16min
pages 115-126

The Air is Delicate” (Macbeth 1.6.10): The Role of Olfactory Design in Punchdrunk’s Sleep No More – Rayna Li

17min
pages 104-114

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist – Omar Hussein

12min
pages 96-103

The Virtual Circus: A Comparison of Appropriation of The Black Body in 19th & 20th Century Freak Shows and Contemporary Instagram Trends – Tatyana Brown

23min
pages 81-95

Kosovo: Convenient Humanitarian War? – Maja Wilbrink

23min
pages 64-80

Praying to Progressive Gods: The Liberating Role of Violence – Luis Rodríguez

9min
pages 59-63

No Simple Code: Google and the Exploitation of Altruism – Mary Collins

11min
pages 44-49

Representations of the Maasai: Jimmy Nelson’s fantasy – Mareya A. Khouri

15min
pages 50-58

Ancestors: Our Blood-Related Strangers – Amy Kang PHOTOGRAPH: Before They Sail Away Usman Ali

9min
pages 34-43

Mumbai in Slumdog Millionaire Ethnicized or Globalized? – Sana Elgamal

8min
pages 25-29

Absence and Uncertainty: A New Form of Terror – Runyao Fan

6min
pages 30-33

How to Build a Fire- The Power of Poetry in “This Big Fake World” – Mary Collins

8min
pages 20-24

PHOTOGRAPH: Mina Fish Market Sebastian Kalos Introduction – Marion Wrenn PHOTOGRAPH: Timbers of the Gulf Sara Almarzooqi

5min
pages 13-19
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Exit 11, Issue 03 by Electra Street - Issuu