Exit 11, Issue 03

Page 64

Kosovo: Convenient Humanitarian War? MAYA WILBRINK

‘This is probably the first war ever fought that is not being fought in the name of interests, but in the name of principles and values...[a war] fought for ethical reasons.’1 Referring to NATO’s 1999 Operation Allied Force in Kosovo, Czech Prime Minister Vaclav Havel nobly declared the ‘first ever ethical war’.2 Havel’s words served to frame NATO’s mission in Kosovo as humanitarian intervention, with the righteous purpose of saving the Kosovars Albanian and preventing genocide. In global politics, military humanitarian intervention is legally mandated by chapter VII of the United Nations Charter, which permits its use in response to threats to peace, if approved by the Security Council.3 Indeed, given President Milosevic’s regime’s oppressive treatment of the Kosovar Albanians and the real threat of genocide, the situation in Kosovo certainly was a threat to peace that warranted response. However, despite the legitimate humanitarian justification, the morality of the execution of the intervention remains contentious. By choosing airstrikes as the means of intervention, NATO chose the most convenient option for themselves. Whilst ensuring the safety of ally lives, the airstrikes increased the immediate danger for the Kosovars by hastening Milosevic’s ethnic cleansing. Philosopher Judith Butler’s understanding of frames as constructions of social political reality provides a means to process the moral hypocrisy evident between NATO’s humanitarian justification and the execution of the airstrike campaign. In Frames of War, Butler posits that these frames may be broken or exposed at any time if reality no longer aligns with the frame’s 1  Václav Havel, NATO, Europe, and the Security of Democracy: Václav Havel - Selected speeches, articles, and interviews 1990 – 2002, ed. by Luboš Dobrovský (Prague: Theo Publishing Pardubice, 2002), 96. 2 Ibid   3  United Nations, Charter of the United Nations (1945), 9-11.

62

EXIT 11


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Creativity within Silence – Cameron Wehr PHOTOGRAPH: The City’s Life – Am Silruk

16min
pages 155-166

The Paratha, Abu Dhabi and Migration – Abhyudaya Tyagi

17min
pages 144-154

Performing Family – a Utopian Vision – Nuraishah Shafiq

14min
pages 136-143

PHOTOGRAPH: The Arabian Dream Mareya Khouri Smelly Sounds – Phonetic Symbolism in Scent – Lachlan Pham

13min
pages 127-135

How do we maintain our sense of cultural identity in new environments? Meg Nakagawa

16min
pages 115-126

The Air is Delicate” (Macbeth 1.6.10): The Role of Olfactory Design in Punchdrunk’s Sleep No More – Rayna Li

17min
pages 104-114

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist – Omar Hussein

12min
pages 96-103

The Virtual Circus: A Comparison of Appropriation of The Black Body in 19th & 20th Century Freak Shows and Contemporary Instagram Trends – Tatyana Brown

23min
pages 81-95

Kosovo: Convenient Humanitarian War? – Maja Wilbrink

23min
pages 64-80

Praying to Progressive Gods: The Liberating Role of Violence – Luis Rodríguez

9min
pages 59-63

No Simple Code: Google and the Exploitation of Altruism – Mary Collins

11min
pages 44-49

Representations of the Maasai: Jimmy Nelson’s fantasy – Mareya A. Khouri

15min
pages 50-58

Ancestors: Our Blood-Related Strangers – Amy Kang PHOTOGRAPH: Before They Sail Away Usman Ali

9min
pages 34-43

Mumbai in Slumdog Millionaire Ethnicized or Globalized? – Sana Elgamal

8min
pages 25-29

Absence and Uncertainty: A New Form of Terror – Runyao Fan

6min
pages 30-33

How to Build a Fire- The Power of Poetry in “This Big Fake World” – Mary Collins

8min
pages 20-24

PHOTOGRAPH: Mina Fish Market Sebastian Kalos Introduction – Marion Wrenn PHOTOGRAPH: Timbers of the Gulf Sara Almarzooqi

5min
pages 13-19
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Exit 11, Issue 03 by Electra Street - Issuu