Exit 11, Issue 03

Page 44

“No Simple Code”: Google and the Exploitation of Altruism M A RY C OL L I NS

A Google ad appears on the TV screen. The scene is set with a contemplative piano chord as a combination of numbers and letters printed on cream-colored paper appears in frame. As audiences across the US prepare to be mesmerized between chips and dip and football-related small talk, the chord changes and the advertisement cuts to another picture of a similar code. It is not obvious what context the codes are in or what they mean—they are simply there. Then the narrator begins to speak in a calm, soothing voice. He reassures the consumers by telling them that for most people, these codes won’t mean anything. As he speaks, the soft piano chords continue in the background, and with each chord shift another picture of a code shows up. Some are typewritten, some are printed, some are red, some are black. In many of them the grainy texture of the paper is evident, while in others the background is smooth. The narrator slowly reveals the significance of the codes, explaining that only 7% of viewers will understand what they mean. He describes how this 7% of people will have made big sacrifices in their lives, spending time away from loved ones and putting themselves in difficult and dangerous situations. Images of soldiers from different ethnic backgrounds can be glimpsed as the narrator states that this 7% does what they do to keep “the rest of us” safe. As the montage comes to an end, the ad’s branding is revealed for the first time: a Google search bar pops up, and the phrase “job search for veterans 12B” is typed into it before our eyes. Immediately, three well-paying jobs pop up below the search term, showing off Google’s search capabilities—all redeemed through the conveniently-placed caveat that “no simple code can define who you are.” But what message is this ad really conveying? This advertisement was created by Google in partnership with ad agencies Essence and PHD to be aired during the 2019 Super Bowl. The agencies pride themselves on their revolutionary advertising approaches which attempt to extend the limits of what an advertisement can do and be—Essence claims

42

EXIT 11


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Creativity within Silence – Cameron Wehr PHOTOGRAPH: The City’s Life – Am Silruk

16min
pages 155-166

The Paratha, Abu Dhabi and Migration – Abhyudaya Tyagi

17min
pages 144-154

Performing Family – a Utopian Vision – Nuraishah Shafiq

14min
pages 136-143

PHOTOGRAPH: The Arabian Dream Mareya Khouri Smelly Sounds – Phonetic Symbolism in Scent – Lachlan Pham

13min
pages 127-135

How do we maintain our sense of cultural identity in new environments? Meg Nakagawa

16min
pages 115-126

The Air is Delicate” (Macbeth 1.6.10): The Role of Olfactory Design in Punchdrunk’s Sleep No More – Rayna Li

17min
pages 104-114

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist – Omar Hussein

12min
pages 96-103

The Virtual Circus: A Comparison of Appropriation of The Black Body in 19th & 20th Century Freak Shows and Contemporary Instagram Trends – Tatyana Brown

23min
pages 81-95

Kosovo: Convenient Humanitarian War? – Maja Wilbrink

23min
pages 64-80

Praying to Progressive Gods: The Liberating Role of Violence – Luis Rodríguez

9min
pages 59-63

No Simple Code: Google and the Exploitation of Altruism – Mary Collins

11min
pages 44-49

Representations of the Maasai: Jimmy Nelson’s fantasy – Mareya A. Khouri

15min
pages 50-58

Ancestors: Our Blood-Related Strangers – Amy Kang PHOTOGRAPH: Before They Sail Away Usman Ali

9min
pages 34-43

Mumbai in Slumdog Millionaire Ethnicized or Globalized? – Sana Elgamal

8min
pages 25-29

Absence and Uncertainty: A New Form of Terror – Runyao Fan

6min
pages 30-33

How to Build a Fire- The Power of Poetry in “This Big Fake World” – Mary Collins

8min
pages 20-24

PHOTOGRAPH: Mina Fish Market Sebastian Kalos Introduction – Marion Wrenn PHOTOGRAPH: Timbers of the Gulf Sara Almarzooqi

5min
pages 13-19
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Exit 11, Issue 03 by Electra Street - Issuu