Exit 11, Issue 03

Page 25

Mumbai in Slumdog Millionaire: Ethnicized or Globalized? SA NA E L G A M A L

Danny Boyle’s acclaimed film Slumdog Millionaire, set in one of the slums in Mumbai, India, narrates the life of Jamal, an uneducated orphan who, despite all odds, emerges from the slum and wins 20 million rupees in the famous Indian television show Who Wants to Be a Millionaire? Through a series of gripping flashbacks, the film not only explains how Jamal knew the answers, but also serves as a lens to inspect the cultural foundation and urban landscape of Mumbai. The concept of globalization, commonly defined as the process entailing the interconnectedness between nations and the spread of practices and people between countries, is vividly integrated in the film. Globalization is portrayed as an indispensable aspect of Mumbai’s transformation, with numerous scenes serving to point to its significance in shaping new Mumbai. However, an anti-Muslim riot scene, which shows Hindu nationalists fiercely attacking a Muslim community in the slum, depicts violence stemming from religious unrest in globalized Mumbai. The scene showcases the puzzling, contradictory, and dual nature of Mumbai’s transformation – the growing ethnic discrimination and religious intolerance, and the simultaneous transformation from just another one of India’s cities, to India’s promising candidate for global city status. The riot scene in the film adds another layer of complexity to the projected image of Mumbai as a city. Taken together, this scene and the film as a whole articulate the contradiction that communicates a cracked and refracted image of globalization, dismissing the simplistic onesided image of development that is often associated with globalization, and replacing it with one that has greater multifacetedness and complexity. The anti-Muslim riot scene is the predominant optic through which the phenomenon of ethnic violence can be thoroughly investigated. It begins as an idyllic, laughter-filled scene, with Muslim mothers washing clothes as they watch their children play in the water. This peaceful setting sharply contrasts what follows, where a group of rod-carrying Hindu rioters sprints in

MUMBAI IN SLUMDOG MILLIONAIRE: ETHNICIZED OR GLOBALIZED?

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Articles inside

Creativity within Silence – Cameron Wehr PHOTOGRAPH: The City’s Life – Am Silruk

16min
pages 155-166

The Paratha, Abu Dhabi and Migration – Abhyudaya Tyagi

17min
pages 144-154

Performing Family – a Utopian Vision – Nuraishah Shafiq

14min
pages 136-143

PHOTOGRAPH: The Arabian Dream Mareya Khouri Smelly Sounds – Phonetic Symbolism in Scent – Lachlan Pham

13min
pages 127-135

How do we maintain our sense of cultural identity in new environments? Meg Nakagawa

16min
pages 115-126

The Air is Delicate” (Macbeth 1.6.10): The Role of Olfactory Design in Punchdrunk’s Sleep No More – Rayna Li

17min
pages 104-114

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist – Omar Hussein

12min
pages 96-103

The Virtual Circus: A Comparison of Appropriation of The Black Body in 19th & 20th Century Freak Shows and Contemporary Instagram Trends – Tatyana Brown

23min
pages 81-95

Kosovo: Convenient Humanitarian War? – Maja Wilbrink

23min
pages 64-80

Praying to Progressive Gods: The Liberating Role of Violence – Luis Rodríguez

9min
pages 59-63

No Simple Code: Google and the Exploitation of Altruism – Mary Collins

11min
pages 44-49

Representations of the Maasai: Jimmy Nelson’s fantasy – Mareya A. Khouri

15min
pages 50-58

Ancestors: Our Blood-Related Strangers – Amy Kang PHOTOGRAPH: Before They Sail Away Usman Ali

9min
pages 34-43

Mumbai in Slumdog Millionaire Ethnicized or Globalized? – Sana Elgamal

8min
pages 25-29

Absence and Uncertainty: A New Form of Terror – Runyao Fan

6min
pages 30-33

How to Build a Fire- The Power of Poetry in “This Big Fake World” – Mary Collins

8min
pages 20-24

PHOTOGRAPH: Mina Fish Market Sebastian Kalos Introduction – Marion Wrenn PHOTOGRAPH: Timbers of the Gulf Sara Almarzooqi

5min
pages 13-19
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