Exit 11, Issue 03

Page 127

Smelly Sounds: Phonetic Symbolism in Scent L A C HL A N P HA M

Stinky. Musty. Stench. Dusty. Stale. All these words describe a scent and contain a /st/ consonant cluster. One might also astutely discern the distinctively negative connotation shared amongst these words, perhaps going so far as to associate a sense of subtle yet inescapable displeasure that accompanies exposure to these scents. This correlation between the sounds of a word and its connotation may initially seem purely coincidental. However, it would be unjust and wholly unscientific to dismiss such a relationship based on an intuition. After all, the concept of phonetic symbolism, which refers to the nonarbitrary connection between semantics and speech sounds, is a well-demonstrated phenomenon in several languages including English. Granted, its occurrence is most prominent in – and mainly limited to – lexical fields relating to hearing itself such as onomatopoeia, but the reach of phonetic symbolism has been found to extend into the sense of sight. The same may potentially apply to olfaction until proven otherwise which naturally leads us to the hypothesis: Individual phonemes of scent words contribute meaningfully to their connotation. From the outset, the hypothesis for this investigation is perfectly set up for disproof. In applying the oft-inapplicable phenomenon of phonetic symbolism and examining an already tenuous relationship between scent and sound, I was fully prepared to find nothing of statistical significance and, in many regards, this study finds that there is indeed insufficient evidence to support the hypothesis. Nevertheless, any socio-linguistic paper would be incomplete with a merely cursory foray into the immensely multifaceted realm of connotation. Ultimately, connotation relies on a complex amalgamation of context and lived experience and whilst the sounds of scent words may not necessarily share a direct causative link with connotation,

PHONETIC SYMBOLISM IN SCENT

125


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Creativity within Silence – Cameron Wehr PHOTOGRAPH: The City’s Life – Am Silruk

16min
pages 155-166

The Paratha, Abu Dhabi and Migration – Abhyudaya Tyagi

17min
pages 144-154

Performing Family – a Utopian Vision – Nuraishah Shafiq

14min
pages 136-143

PHOTOGRAPH: The Arabian Dream Mareya Khouri Smelly Sounds – Phonetic Symbolism in Scent – Lachlan Pham

13min
pages 127-135

How do we maintain our sense of cultural identity in new environments? Meg Nakagawa

16min
pages 115-126

The Air is Delicate” (Macbeth 1.6.10): The Role of Olfactory Design in Punchdrunk’s Sleep No More – Rayna Li

17min
pages 104-114

You’re Not One of Us: Britain’s Problem with Returning Foreign Terrorist – Omar Hussein

12min
pages 96-103

The Virtual Circus: A Comparison of Appropriation of The Black Body in 19th & 20th Century Freak Shows and Contemporary Instagram Trends – Tatyana Brown

23min
pages 81-95

Kosovo: Convenient Humanitarian War? – Maja Wilbrink

23min
pages 64-80

Praying to Progressive Gods: The Liberating Role of Violence – Luis Rodríguez

9min
pages 59-63

No Simple Code: Google and the Exploitation of Altruism – Mary Collins

11min
pages 44-49

Representations of the Maasai: Jimmy Nelson’s fantasy – Mareya A. Khouri

15min
pages 50-58

Ancestors: Our Blood-Related Strangers – Amy Kang PHOTOGRAPH: Before They Sail Away Usman Ali

9min
pages 34-43

Mumbai in Slumdog Millionaire Ethnicized or Globalized? – Sana Elgamal

8min
pages 25-29

Absence and Uncertainty: A New Form of Terror – Runyao Fan

6min
pages 30-33

How to Build a Fire- The Power of Poetry in “This Big Fake World” – Mary Collins

8min
pages 20-24

PHOTOGRAPH: Mina Fish Market Sebastian Kalos Introduction – Marion Wrenn PHOTOGRAPH: Timbers of the Gulf Sara Almarzooqi

5min
pages 13-19
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Exit 11, Issue 03 by Electra Street - Issuu