Commercial Decoration- Carrington Hotel

15-47 Katoomba St Katoomba, Blue Mountains NSW

PRESENTED BY: Ella Gharesoufloo

The library

83

The Verandah 83

Grand Dining Room

MAIN ENTRY 83

Champagne Charlies - Cocktail bar

The ballroom

The Carrington lounge

© TAFE NSW reproduced with the permission of Denny Lee

BLUE MOUNTAINS: Katoomba

Katoomba is one of the largest towns in the Blue Mountains, located 110 kilometres west of Sydney, at an altitude of 1,017 metres.

Found in 1879, the town was originally called Kedumba. In its early years Katoomba laid no claim to the importance it later achieved among the mountain towns. Following the completion of the railway line to Mt Victoria in May 1868, the area was known as The Crushers, which was the name of the railway platform and nearby quarry established to supply rail track ballast.Trains from the west found The Crushers a convenient place to stop and adjust their loads before the steep descent to Penrith.Towards the end of the 1870s this ORQHO\ PRXQWDLQ RXWSRVW EHJDQ WR FKDQJH GUDPDWLFDOO\ 7KH RIÀFLDO name change to Katoomba occurred in 1878. Katoomba is translated as 'place of many waterfalls’, while some research now suggests that this is the name for the edible blechnum fern root that was an important Aboriginal plant staple collected from the Blue Mountains valleys.The 1880s and 1890s saw the beginnings of an era of hotels and guest houses in Katoomba and the upper mountains. Shops, schools and a local newspaper appeared and in 1889 the town was gazetted as a municipality.

Originally a coal mining site, Katoomba later became a tourist attraction destination because of its dramatic scenery, steep cliffs, eucalyptus forests, waterfalls, and villages with guesthouses, galleries and gardens.The largest tourist attraction is called scenic world.

The population of the blue mountains is not particularly large with 79.260 people

Part 1: GEOGRAPHICAL SITE ANALYSIS

BLUE MOUNTAINS: Oroginal Inhabitants $XVWUDOLDQ $ERULJLQDOV ZHUH WKH ÀUVW WR LQKDELW WKH %OXH 0RXQWDLQV KRZHYHU LW LV GLIÀFXOW WR GHWHUPLQH KRZ IDU EDFN LQ KLVWRU\ WKLV RFFXUUHG Evidence of the Daruk tribe who inhabited the area in ages past can be seen through Aboriginal art carved into rock. Remarkably preserved today is WKH DQFLHQW URFN FDUYLQJ NQRZQ DV ´WKH ÁLJKW RI WKH *UHDW *UH\ .DQJDURRµ which is located at the foot of Hawkesbury Lookout, Hawkesbury Heights (near Winmalee).The upper Blue Mountains, including Katoomba, is the traGLWLRQDO ODQG RI WKH *XQGXQJXUUD SHRSOH DQG LQWHUPLWWHQW ,QGLJHQRXV KDELtation of the upper mountains dates from around 22,000 years ago.- 3.6 % of the blue mountains’ population are to be aboriginal.

With a history steeped in culture, art, stories of the dreaming and an intuiWLYH UHVSHFWIXO UHODWLRQVKLS ZLWK WKH ÁRUD DQG IDXQD RI WKH ODQG WKH *XQGungurra and Durag people’s ongoing connection to their separate regions of WKH PRXQWDLQV PHDQV WKDW WKHUH LV VWLOO D VLJQLÀFDQW QXPEHU RI WUDGLWLRQDO sites in recorded existence today.There are also many Indigenous communities still residing in the Blue Mountains, as the ‘Traditional Owners of the land’.

Red Hands Cave; one of the best examples of Aboriginal art in the Blue Mountains. Although it’s thought to have been painted between 500 and 1600 years ago, one can still see the vibrant, earthy colours of red, yellow and white, which combine to make an overwhelming collage. Another is Lyrebird Dell, where you’ll discover a large sandstone cave that has a long association with the traditional Aboriginal land owners of the area.

Originally a coal mining site, Katoomba later became a tourist attraction destination because of its dramatic scenery, steep cliffs, eucalyptus forests, waterfalls, and villages with guesthouses, galleries and gardens.The largest tourist attraction is called scenic world.

The population of the blue mountains is not particularly large with 79.260 people

Part 1: GEOGRAPHICAL SITE ANALYSIS

BLUE MOUNTAINS: Tourism The visitors of the 1880s and 1890s were primarily from the privileged classes who saw in Katoomba, at just over 1,000 meters above sea level, something resembling an Indian hill station.They stayed LQ JUDFLRXV FRPIRUW DW VW\OLVK HVWDEOLVKPHQWV OLNH 7KH *UHDW :HVWHUQ +RWHO ODWHU UHQDPHG 7KH &DUrington,The Leura Coffee Palace, later The Ritz and The Balmoral.They sought the mysteries of nature among the cool fern walks and glens; they had money and leisure and Katoomba not only offered a retreat from the summer heat and dirt of the city, but also from the pressures of the political and business world of Sydney.Travellers on the Western Road availed themselves of more modest estabOLVKPHQWV VXFK DV *HRUJH %LOHV·V ÀUVW OLFHQVHG LQ By the end of the nineteenth century, economic and social changes were occurring in the wider $XVWUDOLDQ FRPPXQLW\ ZKLFK EHJDQ WR SURGXFH D PRUH DIÁXHQW DQG PRELOH PLGGOH FODVV 9LVLWRUV whose preference was less palatial accommodation arrived and the patronage of the rich and famous moved elsewhere. Lord Carrington, for example, moved his entourage to the southern highlands. As the war clouds began to gather in Europe, Katoomba was entering its boom period and in the interwar optimism of the 1920s there were over 60 guesthouses operating in the town.

7KH PRWRU FDU DOVR UHYROXWLRQLVHG WRXULVW DFWLYLW\ DQG WRXULVW FRDFK ÀUPV ÁRXULVKHG ZLWK VRPH JXHVW KRXVHV HYHQ PDLQWDLQLQJ WKHLU RZQ ÁHHW 7R WKH KROLGD\ PDNHUV DQG KRQH\PRRQHUV ZKR ÁRFNHG WKHUH during the 1920s and 1930s, Katoomba was the holiday capital of the state.They spent the days touring the sights in charabancs and putting roses in their cheeks in the bracing mountain air, and in the evenings danced, roller-skated and attended the latest moving pictures.

Its affordability and its natural charms also made Katoomba a popular place for people escaping the QLQH WR ÀYH ZRUN UHJLPH WKURXJK SXUVXLQJ WKH FUHDWLYH OLIH By the 1960s- and 1970s-day trippers travelling by car or bus replaced the long stay tourists.With tourism the only industry, the local economy suffered as lower cost overseas travel become possible and the popularity of the coast drew visitors away.The arrival of supermarkets forced many of the old-style shop keepers out of business, to be replaced by coffee shops, galleries and souvenir shops.

The old hotels and guest houses gradually lost patronage and many fell into disrepair. Some were demolished, others were converted to nursing homes and hostels and a few remain.Yet despite these FKDQJHV WKH HFRQRPLF DQG RWKHU EHQHÀWV RI SUHVHUYLQJ WKH H[WHQVLYH RULJLQDO EXLOGLQJ IDEULF RI .DWRRPED KDYH ÀQDOO\ EHHQ DFNQRZOHGJHG Due to its proximity to Sydney, its scenic surroundings, affordability, events and galleries, resorts and luxurious accommodations, Katoomba has been a great destination for visitors from different generations, baby boomers, millennials, generation x and z, different nationalities and different classes.

Red Hands Cave; one of the best examples of Aboriginal art in the Blue Mountains. Although it’s thought to have been painted between 500 and 1600 years ago, one can still see the vibrant, earthy colours of red, yellow and white, which combine to make an overwhelming collage. Another is Lyrebird Dell, where you’ll discover a large sandstone cave that has a long association with the traditional Aboriginal land owners of the area.

Originally a coal mining site, Katoomba later became a tourist attraction destination because of its dramatic scenery, steep cliffs, eucalyptus forests, waterfalls, and villages with guesthouses, galleries and gardens.The largest tourist attraction is called scenic world.

The population of the blue mountains is not particularly large with 79.260 people

Part 1: GEOGRAPHICAL SITE ANALYSIS

Carrington Hotel: Historical background

In 1879, Blue Mountains was founded by Blaxland Wentworth and Lawson. 3 years later, in 1882, Carrington Hotel was designed by John Kirkpatrick and Bosser. In 1883, ¶*UHDW :HVWHUQ· ZDV EXLOG IRU WKH DUULYDO RI WKH .LQJ DQG WKH 4XHHQ ,Q $UW Noveau was introduced in the design of this 4 story Victorian hotel. In 1911, stained glass windows were introduced. Due to the recession in 1985, the Carrington Hotel was closed to be reopened in 1998 after 7 years of renovations. In 2000, Olympics brought many tourists to this area resulting in the introduction of Internet and new technologies. In 2016, the hotel underwent new 2 story parking.

0RGLÀFDWLRQV DQG GDWHV 1882 - construction commenced 1883 - construction completed 1887-1889 - additional wing, dining hall, two drawing rooms and music rooms 1904-1911 - various alterations, redecorations, including lavatories, baths and water FORVHWV RQ HDFK ÁRRU 1911-1912 - new Main Street bar, motor garage at rear and new driveways 1912-1913 - construction of stone and wrought iron gates to Katoomba Street, front terrace, steps and balcony, stained glass to verandah, pine trees removed and garden redesigned DWWLF EHGURRPV HQODUJHG ÁDW URRI WHUUDFH EXLOW DGGLWLRQDO EHGURRPV DW southern end, dining room enlarged, lift installed.Western end of original north wing demolished and new wing added with 23 bedrooms.Walls removed to create cocktail lounge and ballroom.

V ÀIWK IURQW JDWH HQWU\ SRVW UHPRYHG WR ZLGHQ HQWU\

5HSDLQWLQJ OLJKWLQJ FDUSHW DQG GRRUV DQG ÀUHSODFHV UHVWRUHG 2002 - front garden redevelopment for Carrington Place town square, lowering of JURXQG OHYHOV RI ROG WHQQLV FRXUW WR SURYLGH ÁDW DUHD QHDU VWUHHW SDUW GHPROLWLRQ RI front wall to build new entry steps, new side entries off driveways, new paving and planting of lower front garden, new lighting, new public artworks boom period and in the interwar optimism of the 1920s there were over 60 guesthouses operating in the town.

Part 2: EXISTING INTERNAL SPACES - SITE ANALYSIS

Carrington Hotel: Locality Analysis

Old City Bank Brasserie

Katoomba Street

Park Street

Nepean Community College

College Lane

Blue Mountain Cultural Centre TAFE NSW

Commercial Decoration | BRIEFS 1 - 4 ASSESSMENT 2021 RESOURCE ID DCE | COMMERCIAL DECORATION AE_Pro_1of1_V01_2021

MSFID5016 - Develop decoration proposals for complex sites MSFID5027 – Research and recommend colour applications and finishes MSFID5028 - Research and recommend artwork

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Carrington Hotel: Sense of Arrival

Verandah 9HUDQGDK LV ORFDWHG RQ WKH JURXQG ÁRRU ,W LV D EDOXVWUDWHG EDOFRny with arched leadlight windows separating the piazza from the internal verandah.

Reception Reception is located on the right had side upon entrance, with a large reception desk and a staff room right behind the reception area.

Part 2: EXISTING INTERNAL SPACES - SITE ANALYSIS

Carrington Hotel: Wine & Dine Grand Dining Room Built in 1887, The Grand Dining Room was extended in the early 20th Century to accommodate the growing popularity of the Blue Mountains with Sydney’s elites and the subsequent increasing numbers of visitors.For over a century, countless people have celebrated honeymoons, birthdays, anniversaries and intimate dinners under the vaulted ceiling of this splendid room. The Grand Dining Room has also traditionally been the venue for special celebrations such as Christmas and New Year festivities The Grand Dining Room today is very close to the 1886 original, with some necessary concessions to modern convenience and comfort including air-conditioning! The current carpet is a direct replication of the original linoleum, uncovered during the last renovation; the tables, reproductions of the originals.

The famous silver cabinet contains a significant collection of silver serving pieces, monogramed by the various hotel owners including Goyder, the initials JSMT (Joynton Smith Management Trust), Hotel Imperial and Arcadia Hotel (owned by Sir James Joynton Smith).

Champagne Charlies French Champagne merchant Charles Heidseick was nicknamed Champagne Charlie in the 1850s. Nowadays the moniker is used for anyone who lives a metropolitan “Champagne lifestyle”, enjoying the finer things in life. Historical accounts noted that Carrington hotel’s “ Lord Carrington was a notorious Champagne Charlie due to his penchant for drinking champagne every morning at breakfast.

Champagne Charlies offers traditional and contemporary cocktails. During the day we offer barista coffee, Devonshire tea and casual dining with the Carrington All Day Menu available seven days a week 11.00 am - 4.30 pm Children’s menu available on request.

The Carrington lounge Adjoining the Grand Dining Room, the Lounge features an open fireplace, lounge seating and heritage decor.This space can be used for pre-dinner drinks or a casual cocktail.

The Lounge can be utilised for morning and afternoon teas or networking events.

The Library smallest function venue is panelled in wood and offers a large open fireplace, lounge seating, natural light & access onto the verandah & piazza. The Library can accommodate up to 50 people for a cocktail style event, 40 people theatre style and 30 for a sitdown dinner.

The Ballroom Spacious and flooded with natural light, this mid sized function venue offers; a small stage, plush carpet, chandeliers and access onto the verandah & piazza. The Ballroom can accommodate up to 120 people theatre style and 90 for a sit-down dinner. In 2015, the Ballroom hosted the Dalai Lama for a private meeting for 100 guests during his Ocean of Wisdom tour of Australia.

Part 2: EXISTING INTERNAL SPACES - SITE ANALYSIS

Carrington Hotel: Revive

Colonial Guest Rooms Colonial Rooms offer an old world experience. Situated on the first floor in the North wing, these rooms were built in 1927 and offer Art Deco style bathrooms with bay window seats and most have stained glass features. No views are available from these rooms.

Press metal and other architectural features in different colour schemes and pallets are some considerations in the design.

Premier Guest Rooms with Balcony Located on the first floor, the Premier Balcony rooms offer something special, opening through French doors onto the first floor shared balcony with valley views across Katoomba & Leura townships. These rooms feature new ensuites with walk in showers and are all air-conditioned.

Lord Carrington Suite The signature suite of The Carrington Hotel offers access to the first floor shared balcony with views across Katoomba to the Jamison Valley. The luxurious Lord Carrington Suite contains two bedrooms with a separate lounge area, walk-in wardrobe, large ensuite with two person corner spa and bathrobes, flat screen television and DVD player.

Sir James Joynton Smith Suite This elegant suite is named in honour of Sir James Joynton Smith, owner of the Carrington from 1911 to 1943, responsible for some of the hotel’s favourite architectural details, the stained glass dome at the entrance to the Grand Dining Room and the Art Noveau internal verandah stained glass. Joynton Smith is also responsible for bringing electricity to Katoomba, building the power station and the Carrington’s famous chimney and establishing our first bank, now The Old City Bank Bar and Brasserie.Located on the first floor of The Carrington Hotel, this two room Suite also offers direct access to the first floor shared balcony with views across Katoomba towards the Jamison Valley.

Featuring a four poster bed, separate lounge area with pullout sofa bed, large ensuite with a claw foot bath & antique shower.

Part 2: EXISTING INTERNAL SPACES - SITE ANALYSIS

Carrington Hotel: Art, Colour & Finishes

Part 2: EXISTING INTERNAL SPACES - SITE ANALYSIS

Carrington Hotel: Target Market

Day visitors : locals such as baby boomers to read newspaper, chat, drink, have food, socialise etc./ Parents and their children for a catch up with other parents and entertain their children Tourists and visitors to use the bar, café, restaurant or just simply to visit this historical hotel. This group of visitors mostly are attendees of local events, art museums and galleries (art lovers), those who care about sustainability, generation x and z (young visitors), or those who love experiencing a grand style

operators: All hotel staff such as chefs, waiters, receptionists, owners, cleaners, directors are ultimate clients as they engaged with all aspects of the hotel on a daily basis.

Hotel Guests Middle to high income guests who appreciate a grand style of traditional accommodations Weddings and parties

Part 1: Client/Target market board

Carrington Hotel: Return Brief

To Carrington Hotel Stakeholders Thank you for choosing Mr Build & Mrs Design to assist with redecoration of the historical Carrington Hotel. It is our pleasure and pride to be involved in this exciting project.

Please see below the summary of our comments, services and deliverables based on the site analysis and internal analysis.

The Target Market As a growing sector, tourism industry is now more than before focused on identifying the needs of the ever-growing travellers who want to make sure that their accommodation is well configured and can meet their every need and will expect to find technology that also matches their expectations. Based on our research, the main clientele of Carrington Hotel is identified as families and business executives who enjoy the beauty of the Blue Mountains and want to experience a grand style of accommodation and dining by using the services of your business. Clients have contemporary taste, are in middle to high income bracket, and are concerned with current issues of sustainability.

Local Events Each year, many people are attracted to visit the area due to myriad local events in the Blue Mountain, which makes it is an important consideration in the design of the hotel. Some of the most important events are the ones hosted by the Scenic Work (e.g. Dinosaur Valley), Winter Magic Festival, annual Blue Mountains Musical Society performance, annual Blue Mountain Film Festival, to name a few.

Local Art Venues and Museums Blue Mountains is home to many art galleries and museums to attract visitors to the area. Hawkesbury Regional Museum is one of Australia 's oldest settlements-the third on mainland Australia after Sydney and Parramatta. It is the only publicly run, professionally staffed museum in the Hawkesbury and, indeed, in the wider area including the Blue Mountains, Penrith, Hills and Blacktown local government areas. Other cultural venues are the Penrith Regional Art Gallery and Lewers Bequest, the Blue Mountains City Art Gallery, and the Norman Lindsay Gallery.

In consideration of your preference and the brief, the new interior design scheme will be inspired by contemporary, local, and indigenous art and sustainable design that embraces new material technologies and cradle to cradle design principles where possible, to attract more local customers and tourists to the hotel through immersive experiences that are unlike any other in the Blue Mountains. We also understand the structural integrity of the buildings needs to be maintained. As recommended, only Resene Low VOC paints would be used for all internal areas. Only commercially rated materials and products are to be specified.

Our services and deliverable: You have also requested that each area/brief be inspired by art and to have a unique concept, experience, colour and finishes palette. The aim is to attract new and different clientele to the hotel. Accordingly, our services are to include researching the existing materials, researching and including in the proposal, emerging quality materials, artwork, and interior decoration finishes and fittings for the nominated internal spaces, design of interior design and decoration concepts, space planning, 3D visualisations for the 3 nominated commercial zones of the hotel, materials schedule and specifications (for the revive space accommodation) only, artwork selection, proposing ideas for re purposing the rooms to engage the local community.

Timeframe: to be completed by 23 June 2021.

Budget: TBC

Mr Build & Mrs Design is looking forward to working with you on this project.

Please contact us in case we can assist you further.

Kind regards, Ella (Mrs Design)

Design Considerations We will provide interior design services for three areas of the Carrington Hotel in Katoomba, NSW including a contemporary POP-UP outdoor interior made from a converted shipping container. The design services will focus on analysing the project brief, researching a range of options with international appeal, and developing decoration proposals for three areas within the site.

Part 2: Return brief

Concept Development: Research & Brainstorming

Victorian Futurism For clients who are modern and independent in thinking, drawn to beauty and understanding of glamour, yet adventurous in their taste and not afraid to embrace contraction and spontaneity!

Futurism: focusing on progress and modernity, it sought to sweep away traditional artistic notions to replace them with an energetic celebration of the machine age! Urban landscapes, new technologies such as train, car, airplanes. Speed, violence, working classes. Italy based, Futurism anticipated the aesthetics of Art Deco as well as influencing Dada and German Expressionism. Key features of this movement are movement and dynamism through some techniques like blurring, repetition, and the use of lines of force.

Victorian art: Art nouveau was heavily influenced by the fine arts and included stained glass, painting, bas relief and finely crafted wood and metal, both in architecture and interior design. natural world as the source of inspiration, the motifs sourced on the plants, creatures and everything natural. A revival of traditional British textile arts, in needlework, emproidery, carpet knotting, weaving, woodblock painting. Emergance of stained-glass windows. Arts and Crafts movement. Art nouveau: Popular in the late 19th century; whiplash curves; nature-inspired designs; finely crafted metal and wood. Think Rivendell or signs for the Paris Metro.

Arts and Crafts: Popular in the mid-19th century; handcrafted and artisan-made wood, pottery, tile and stained glass; nature motifs done simply; rectilinear forms. Think William Morris and bungalow style.

Victorian DNA

Accessible Glamour

(Sense of Arrival)

(Wine & Dine)

Time Step

Bellows Booth

(Rest & Revive)

(Pop-up)

Part 1: Concept board

Concept Development: Concept Model

This model shows how victorian themes and futuristic themes can meet to make a unique artwork!

Having a box with a circle at the centre the idea of a photo booth is demonstrated. By using folded paper, put vertically next to the box, it is tried to break the normal image of an acardeon vitage camera and lead the viewer to a more conceptual and abstract model.

By adding irregular, sharp angled, and colourful pieces of cut plastic folders, the attempt is to show the futuristic art which is about speed, movenment, colours, modernins and irregularities. The colours on a white background seems like screamimg colours! Old victorian area is the background -although muted- but a firm foundation of the more modern futuristic representation of art!

Part 2: Concept Model

Concept Development: Branding Board

Sense of Arrival Victorian DNA

Part 3: Branding boards

Concept Development: Branding Board

Experience Accesible Glamour

Part 3: Branding boards

Concept Development: Branding Board

Revive Time Step

Part 3: Branding boards

Concept Development: art selection and colour shceme

Pop-Up Blollows Booth

Part 3: Branding boards

Task 4 art selection and colour shceme

Sense of Arrival Victorian DNA Dome shaped skirt Knots and ringlets in hair style Silk and velvet in clothes Many trimmings Black lace Underskirt (underlay) White muslin pelerines Draped bodice and belted waist Linen or cotton apron gigot sleeves Dominance of embroidery and ornamental decorations in architecture, fashion, art etc

Young Woman with Flowers (Le Poupée Japonaise), c 1918. Private Collection

Art Schemes and Colour Application

Task 4 art selection and colour shceme

Wine & Dine Accesible Glamour

Art Schemes and Colour Application

Task 4 art selection and colour shceme

Rest & Revive Time Step

1913 Unique Forms of Continuity in Space Artist: Umberto Boccioni

A man strides powerfully forwards, his form aerodynamically deformed by the speed at which he is traveling. As art critic Barry Schwabsky writes, “The fluid, rippling forms that make up this strange body are not its own; what Boccioni shows us, I believe, is the air moving around and about it as the body steps forward, seemingly against some great resistance. Boccioni’s man has no shape of his own, but is molded instead by those forces in the face of which he de terminedly proceeds”. Geometrically rendered, helmeted and faceless with massive thighs and shoulders but armless, the figure seems both superhuman and robotic, a kind of machine man of the modern age. In exaggerating the dynamism of the body, Boccioni’s form becomes a metaphor for progress acting against the forces of traditionalism and a testament to the role that machinery will play in the new age that he has envisaged.

Nyunmiti BURTON Amata, South Australia Ngayuku Ngura 2020 (detail) synthetic polymer paint on Belgian Linen In the 37th year of the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA), the 2020 Telstra People’s Choice Award goes to South Australian artist Nyunmiti Burton for her painting Ngayuku Ngura (2020).

‘I am painting my country; this is Irrunytju or Wingellina in Western Australia. It’s the story of Minyma Kutjara – two women who are travelling to Docker River. This is the story my mother has given me,’ explains Burton.

Art Schemes and Colour Application

Task 4 art selection and colour shceme

Pop-up Bellows Booth

Nyangatja Watarru is about a special place called Watarru [in South Australia]. Watarru is my home. Anangu tjuta (people) are moving around, between waterholes and creeks, looking for food. They search in the daytime, walking slowly and patiently around my country, trusting that they will find something to bring back to the children who are waiting at camp.

When the water dries up at one place, they move on to the next waterhole. If there’s no water, they keep walking until they find something. Knowing where to find the water is special knowledge.

Beryl Jimmy, 2017

Art Schemes and Colour Application

Refine + design Present Concepts

Grand Dining Room (Experience) Veranda (Sense of Arrival) Lord Carrington Room (Revive)

Refine + design Bubble Diagrams and Ideation Sense of Arrival

Verrandah

Part 1: Bubble diagram exploration for each area (at least two different options for each)

Refine + design Bubble Diagrams Wine & Dine

Grand Dining Room

Part 1: Bubble diagram exploration for each area (at least two different options for each)

Refine + design Bubble Diagrams Rest & Revive

Lord Carrington Suite

Part 1: Bubble diagram exploration for each area (at least two different options for each)

Refine + design Bubble Diagrams Pop-Up

Pop-up Booth

Part 1: Bubble diagram exploration for each area (at least two different options for each)

TASK 7 | Select + specify | ARRIVE

FURNITURE ART AND LIGHTING/ COLOUR AND FINISHES

TASK 7 | Select + specify | ARRIVE

PERSPECTIVE 1 & 2

FLOOR PLAN & ELEVATION

TASK 7 | Select + specify | Experience

FURNITURE ART AND LIGHTING/ COLOUR AND FINISHES

TASK 7 | Select + specify | Experience

PERSPECTIVE 1 & 2

FLOOR PLAN & ELEVATION

TASK 7 | Select + specify | Revive

FURNITURE ART AND LIGHTING/ COLOUR AND FINISHES

TASK 7 | Select + specify | Revive

PERSPECTIVE 1 & 2

FLOOR PLAN & ELEVATION

TASK 7 | Select + specify | Pop-Up

FURNITURE ART AND LIGHTING/ COLOUR AND FINISHES

TASK 7 | Select + specify | Pop-up

ELEVATION

Floor Plan

FLOOR PLAN Level 2

FLOOR PLAN Level 1

TASK 7 | Select + specify | Pop-up

PERSPECTIVE 1 & 2

PERSPECTIVE 1 PERSPECTIVE 2

END OF DOCUMENT

Commercial Decoration | BRIEFS 1 - 4 ASSESSMENT 2021 RESOURCE ID DCE | COMMERCIAL DECORATION AE_Pro_1of1_V01_2021

MSFID5016 - Develop decoration proposals for complex sites MSFID5027 – Research and recommend colour applications and finishes MSFID5028 - Research and recommend artwork

38