Ekin Sancak - Architectural Portfolio 2020

PORTFOLIO BY

EKIN SANCAK

EXPERIENCES

EKIN SANCAK ekinsancak@gmail.com +90 545 4043644 +39 389 5439585 Ankara, TR Milano, IT Berlin, DE link to online portfolio:

issuu.com/ekinsancak

EXTRA CURRICULAR EXPERIENCES

2020 February - March

Interior Space Organizer ArtContact International Contemporary Art Fair November 2020, Istanbul

2020 January - February

Firca Art Gallery Sections - Exhibition Stands Organizer ArtAnkara International Contemporary Art Fair March 2020, Ankara

2019 April - July

Working Student AARCH - MI, Milano

2016 July - September

Architectural Design Office Internship Baraka Architecture, Istanbul

2015 June - August

Architectural Design Office Internship Eray Carbajo / Inanc Eray Architects, Istanbul

2014 June - August

Construction Site Internship - Dolphin Office Building Construction Tepe-Tesan Partnership, Ankara

2013 June - July

Architectural Documentation Internship, METU, Ankara Masonry and Timber Construction Internship, Gazi University, Ankara

EDUCATION 2017 - 2019 Sept

Dec

2011 - 2017 Sept

July

2007 - 2011 Sept

July

Politecnico di Milano School Of Architecture Urban Planning Construction Engineering MSc Architecture - Built Environment - Interiors (GPA 103/110) Thesis Project: Museum of Cultural Communion Middle East Technical University, Ankara Faculty of Architecture B.Arch - Architecture (GPA 3,02/4.00) Ankara Ataturk Anatolian High School Mathematics - Science

SOFTWARE SKILLS Autodesk Autocad

Vectorworks

Autodesk Revit

Archicad

Rhinoceros

Lumion

Grasshopper

Adobe Photoshop

V-Ray

Adobe Illustrator

Sketchup

Adobe InDesign

October 2018

45th Artistic Anniversary of Master Artist Aydin Ayan - Retrospective Exhibition Volunteer Assistant Curational Designer Assistant Exhibition Catalogue Editor

July 2018

60th Anniversary of Turkey - Myanmar Diplomatic Relations Exhibiton Assistant Curational Designer

March 2017

ArtAnkara International Contemporary Art Fair Volunteer Sales and Exposition Representative Assistant Catalogue and Installation Designer

2011 - 2017

Firca Art Gallery Volunteer Assistant Manager Several Exihibition Event & Organizations

LANGUAGES Turkish

Native

English

Advanced Proficiency Level

Italian

B1 (Intermediate) Level

German

Basic

AWARDS 2015 August

2nd Honorable Mention (Eray Carbajo / Inanc Eray Architects) Bornova Municipality Building Competition

2019 June

Participation YAC - Rwanda Chapel Competition

INTERESTS Architecture

Furniture

Public Thresholds

Visualization

Interiors

DIY Furniture Design

Computational Design

Illustration

Museography

Model Making

Mathematics

Digital Arts

Exhibition Design

Installation Design

Mind Developers

Plastic Arts

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

While the word “border” indicates a philosophical or physical distinction, especially about geo-political and geographical areas, borders generally come up together with thresholds between them. The shared destiny of being neighbours and being fullfilled with shared trades, crafts and professions, it had become inevitable for France and Italy to overlap and interact throughout their history. Susa, as the border between these two countries and/or cultures makes one see the effect and realization of the concept of border.

Being more than just a linear element, borders are also thresholds between the two bodies they separate from each other.

2019 Spring - Fall Semester Prof. Alessandro Rocca

MASTER’S DEGREE PROJECTS

Located close and connected to the New International Train Station, The Museum of Cultural Communion of Susa deepens and reflects the values that these two bodies has created as a result of their interactions, cooperations and political borders. The permanent exhibition presents an informative narration.

Representing studies that was held by remarkable French and Italian institutions, the museum draws a journey through four topics; history, cinema, wine and gastronomy.

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

2019 Spring - Fall Semester Prof. Alessandro Rocca

Site Plan

Another major approach to define Susa, is its quality as a valley. The valley as a geographical formation, is considered with its very dense cross section. A valley creates a relief-like spatial perception. Rather than the curvilinear path it creates from a plan view, what is hidden as a value beneath the surface is questioned and led for a reverse operation; a subtractive approach as the relationship with the mountain is handled.

The landscape identity, the dinamic effect of the hills and hillsides, mountains and mountainsides are taken into consideration as a value to be discovered through this architectural process. Section contour of the site is redefined by penetrating through earth and creating openings within this density.

MASTER’S DEGREE PROJECTS

The museum consists of three different concepts of architectural spaces such as the lightwell, the cave, the “vitrin” gathered around courtyard and gallery spaces.

The “vitrin”, as the entrance volume of the museum, is the part that brings the visitor to the underground level to start the journey that will end up at an upper level of the mountain.

The cave impersonates the vivid, instant, interactive and temporary actions and events; the space below the dome is lightened mostly by artificial ligh. While it is not physically seperated from the open free space at the under ground level, the hanging beams and the flooring underlines its distinction.

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION

The light-well, as the permanent, still and constant volume, serves the introvert, observant exhibition experiences; lightened through the daylight mostly, which also is a permanent physical value.

DAYLIGHT STILL CONSTANT PERMANENT INTROVERT

ARTIFICIAL LIGHT ENTER VIVID SERVE INSTANT FUNCTION TEMPORARY EXTROVERT

STRUCTURAL SYSTEM DIAGRAM

France | Italy

THESIS PROJECT

2019 Spring - Fall Semester Prof. Alessandro Rocca

MASTER’S DEGREE PROJECTS

Section GG’

C’

D’

E’

F’

H’ Storage Tech. Room

Ticket Desk

Offices

G

G’

Gift Shop

Permanent Exhibition -Archeology and History

C

H

D

E

F

Sculpture Garden

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION

C’

D’

E’

F’

H’

Ground Floor Plan

Storage Tech. Room

France | Italy C’

D’

E’

F’

H’

Cloak Desk

Storage Tech. Room

G

G’

THESIS PROJECT G

G’

D

E

F

Basement Floor Plan

Lobby

Cafe

2019 Spring - Fall Semester

C

Temporary Exhibition Hall

H

Permanent Exhibition -Cinema Section

Prof. Alessandro Rocca C

MASTER’S DEGREE PROJECTS

C’

H

D

D’

E

E’

F’

H’

F

Permanent Exhibition -Wine and Viniculture

Storage Tech. Room

Ticket Desk

Offices

G

G’

Permanent Exhibition -Archeology and History

Sculpture Garden

Section EE’ C’

Section DD’ Gift Shop

D’

E’

Section CC’ F’

Section BB’ H’

Section AA’

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

2019 Spring - Fall Semester Prof. Alessandro Rocca

MASTER’S DEGREE PROJECTS

The permanent exhibition is installed in the lightwell volume and presents an informative narration. It draws a journey through four topics; cinema, history, wine and gastronomy by representing studies that had been held by Italian and French institutions.

The fixtures of the wall surface that is in front of the circulation core and is facing to the translucent facade, are reflecting the gridal façade of this translucent wall and representing general information about each section of the museum.

Section HH’ 1/50

Marble Floor Tile 2mm Concrete Slab 30mm Hanger for Lighting Fixture

Translucent Concrete Tiles 20mm Hanger for Lighting Fixture Tee-Beam For Concrete Tiles

Marble Floor Tile 2mm Concrete Slab 30mm Hanger for Lighting Fixture

Translucent Concrete Tiles 20mm Hanger for Lighting Fixture Tee-Beam For Concrete Tiles

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

2019 Spring - Fall Semester The cinema section is holding a collection that the Cinema Museum of Torino prepared as a temporary exhibition. It is a collection of posters and photos from the movies of Pathé, the movie production company, narrating the strong cooperation between Lyon and Torino during the 20th century and how they led the European cinema together. In order to emphasize the strength and stability of the two long retaining walls, the display armatures are installed with an offset from the wall surface, and the lighting fixtures with offset from them.

Prof. Alessandro Rocca

Linear Floor Partition

Marble Floor Finishing

MASTER’S DEGREE PROJECTS GROUND FLOOR - CINEMA - PARTIAL PLAN AND SECTION 1/50

Linear Floor Partition

Marble Floor Finishing

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

2019 Spring - Fall Semester Prof. Alessandro Rocca

MASTER’S DEGREE PROJECTS

FIRST FLOOR - ARCHEOLOGY- PARTIAL PLAN AND SECTION 1/50

The history and archeology section consists of an exposition of the archeological artifacts from excavation sites of Susa, representing its character also as a connection and communication hub between Italy and southern France throughout the history. Display cascets and the same type wall-fixed armatures are located parallel to the central gallery space, leading to the sculpture garden located at the exterior courtyard.

DISCOVERING MOUNTAINSIDES ON A BORDER: MUSEUM OF CULTURAL COMMUNION France | Italy

THESIS PROJECT

2019 Spring - Fall Semester SECOND FLOOR - VINICULTURE - PARTIAL SECTIONS 1/50

Wine section represents how the viniculture of world’s two biggest wine makers interacted and inter-developed together through the history. The collection represents traditional and contemporary winemaking tools and techniques and how they developed through this interaction of two countries. The highlight piece is a major wine region map covering one floor height between these two floors.

The gastronomy section as the final one and located on the highest level, is representing a study by Academia Barilla. A collection of cooking books written in 19th century in Italy and France that were translated between two languages with reinterpretations of some techniques. The books are represented in cascets and panels are again placed with offset from the structural wall surface. Replicas of each book are let for the visitors to view and read across the peaceful mountain view.

Prof. Alessandro Rocca

MASTER’S DEGREE PROJECTS

THIRD FLOOR - GASTRONOMY - PARTIAL SECTION 1/50

PROJECT VENICE GIARDINI A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

PROJECT: GIARDINI OF VENICE Politecnico di Milano Architecture Design Studio . winter term . 2018/2019

THEMATIC DESIGN STUDIO

2018-2019 Fall Semester M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

Colleagues Nadezda Vozzhaeva Anton Schwingen MASTER’S DEGREE PROJECTS

As the Giardini of Venice is remained closed and the residents of the city of Venice are locked out during the winter period, the architectural topic of re-using Giardini Pavillions is given.

Studying the Britisih Pavillion, the first step which is “Mapping” the pavillion building is managed and the architectural potentials are documented. As the next step, abstraction of various “Porosity” examples are studied and adapted in an architectural way and scaled to the Britisih Pavilion. Being two bases of this step; weave and transportation hub are selected and developed parallel to the architectural potentials of the building. This formal study which is focuing on connecting the city of Venice to the Giardini through the British Pavilion, is considered as a suitable match with a new use as a working place.

Creating a “home-office” environment with a further variety of working spaces, this alternative usage for British Pavilion is defining options between summer and winter organizations. During 12 months of the year, the building and the Giardini is remained alive and vivid, still keeping the emphasize of exhibition spaces.

PROJECT: GIARDINI OF VENICE Politecnico di Milano Architecture Design Studio . winter term . 2018/2019

WEAVING

Professor: Bostjan Vuga Professor:Alioscia Mozzato Tutors: Marta Bertani, Luca Negrini, Stefano Passamonti

Students:Anton Schwingen, Ekin Sancak, Nadezda Vozzhaeva Content: British pavilion

ABSTRACTION

Professor: Bostjan Vuga Professor:Alioscia Mozzato Tutors: Marta Bertani, Luca Negrini, Stefano Passamonti

CHAPTER 2: Prototyping

Students:Anton Schwingen, Ekin Sancak, N Content: British pavilion

BLAST FURNACE

ABSTRACTION

DIAGRAM TRANSPORT HUB / KNOT

ABSTRACTION

PROJECT VENICE GIARDINI A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

THEMATIC DESIGN STUDIO

2018-2019 Fall Semester M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

Colleagues Nadezda Vozzhaeva Anton Schwingen MASTER’S DEGREE PROJECTS

PROJECT VENICE GIARDINI A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

THEMATIC DESIGN STUDIO

2018-2019 Fall Semester M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

Colleagues Nadezda Vozzhaeva Anton Schwingen BACHELOR’S DEGREE PROJECTS

ANKARA

4.65

0.00

A

A

B

B

B

B -0.50

10.90

A

A

15.30

12.20

A

A

13.80

A

12.80 3.15

2.60

GROUND FLOOR PLAN

15.30

13.80

PROJECT VENICE GIARDINI B

B

B

10.90

A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

FIRST FLOOR PLAN

10.90

15.30

12.20

A

A

M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

13.80

A

A

Colleagues Nadezda Vozzhaeva Anton Schwingen

12.80

MASTER’S DEGREE PROJECTS 10.90

15.30

SECOND FLOOR PLAN

B

13.80

B

B

A

2018-2019 Fall Semester

B

B

B

THEMATIC DESIGN STUDIO

THIRD FLOOR PLAN

VOLUMETRIC DISTRIBUTION

B

0.00

PROJECT VENICE GIARDINI A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

THEMATIC DESIGN STUDIO

2018-2019 Fall Semester M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

Colleagues Nadezda Vozzhaeva Anton Schwingen MASTER’S DEGREE PROJECTS

SUMMER USE

WINTER USE

PROJECT VENICE GIARDINI A Re-Use Project of Giardini Pavilions to Discover Use Potentials During Winter -Through a Porosity Study-

THEMATIC DESIGN STUDIO

2018-2019 Fall Semester M.Arch. Bostjan Vuga Dr. Alioscia Mozzato

Colleagues Nadezda Vozzhaeva Anton Schwingen MASTER’S DEGREE PROJECTS

PALLADIO | SCARPA

An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

«IL NASCONDINO» DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

2018-2019 Fall Semester Prof. Pier Federico Caliari

Colleagues Bengisu Bilekli Victoria Lacroix MASTER’S DEGREE PROJECTS

The four books (Quattro Libri) is a guide to good practice of architecture, where Palladio explains how a building should be built. Palladio’s designs are regarded as the incarnation of this architectural knowledge, but his works are not. There are differences, conflicts and contradictions between the description of architectural practice in the four books and the reality. Having themselves represented by pure materials of marble, stone with pure colors as white, yellow grey; the Palladian villas from exterior, are hiding the language of their joyful, colorful, picturesque interiors. Andrea Palladio was convinced that architecture spoke for itself and did not require any ornamentation through painting. However, in many of his villas the wall and ceiling surfaces are adorned by paintings and frescoes that are works of various artists such as Paolo Veronese, Alessandro Vittoria, Battista Franco, G.Batitista Zelotti, G.Antonio Fasolo. These visual elements of interior surfaces became not only ornaments but also optical illusions that are enriching the interior space perception. The interior spaces play between architectural elements such as pediments, continuous entablatures, doors, windows and painted elements; real figures and painted figures, real landscapes and painted landscapes.

It is understandable but surprising for the reader of four books that there is no referring to any of the paintings, frescoes, trompe l’oils since all of them were painted after Palladio finished his work. Being dedicated to Palladio’s imaginary fifth book, which is representing the pieces of art that are inseparable from his architecture, this exhibition installation plays with painted and real architectural elements (gates, arches, doors...) from Palladian villas, this time in Carlo Scarpa’s methods.

The exhibiton installation takes place in Basilica Palladiana at Vicenza and consists of a collection of frescoes, paintings from Palladian villas.

Almost all of these visual ornamental elements of the walls and ceilings have one strong thing in common: an architectural element on the very front, framing the background view. This optical illusion is creating a sense of depth and a three dimentional perception over a two dimentional element; that is the walls of rooms.

C

A

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Plan 1/200

PLAN - EXHIBITION INSTALLATION - BASILICA PALLADIANA

DESIGN OF MAJOR EXHIBITIONS AND MUSEALIZATION

For the exhibition, selected paintings from various Palladio villas are installed on panels around a walking path, serving various different point of views. The architectural elements such as arches, balustrades, doors, gates are installed as seperate pieces from the paintings, not as optical illusions, but real solid three dimentional elements.

As the highlight piece of the exhibition, a real scale replica of the central volume of Villa Rotonda is installed at the end of the walking path. This time the Rotonda is expressed without any ornaments, paintings or frescoes; plain pure geometry and white material as Palladio decribed his definition of architecture in his books Quattro Libri. At the same time, this ornamental visual elements on the walls of the real Rotonda are projected over the walls of this white pure replica, showing the two seperate perceptions of the architectural volume; with and without ornaments.

PALLADIO | SCARPA

An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

2018-2019 Fall Semester Prof. Pier Federico Caliari

Colleagues Bengisu Bilekli Victoria Lacroix MASTER’S DEGREE PROJECTS

Lighting detail 1/50

PALLADIO | SCARPA

An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

Explanations

Frescoes

LED

SECTION A - EXHIBITION INSTALLATION - BASILICA PALLADIANA

AA Section 1/200

DESIGN OF MAJOR EXHIBITIONS AND MUSEALIZATION

DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

2018-2019 Fall Semester Prof. Pier Federico Caliari

Outside of the path for explanations; lighting from floor Inside of the path for frescoes; LED light placed inside the frames next to the frescoes.

Colleagues Bengisu Bilekli Victoria Lacroix

LIGHTING DETAIL

DESIGN OF MAJOR EXHIBITIONS AND MUSEALIZATION

MASTER’S DEGREE PROJECTS SECTION B - EXHIBITION INSTALLATION - BASILICA PALLADIANA

BB Section 1/200

DESIGN OF MAJOR EXHIBITIONS AND MUSEALIZATION

COLOUR PALETTE

LOGOTYPE

INSPIRATION

PALLADIO | SCARPA

RGB I 199 188 208

An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

RGB I 194 129 73

2018-2019 Fall Semester Prof. Pier Federico Caliari

Colleagues Bengisu Bilekli Victoria Lacroix

RGB I 79 127 113

Paolo Veronese Bacchus,Vertumnus and Saturn Frescoe at Villa Maser

MASTER’S DEGREE PROJECTS

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QUATTRO

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LIBRI

LIBRI

LIBRI An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

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PALLADIO | SCARPA

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E UN PAIO DI OCCHIALI

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20 cm YOU ARE ARE YOU HERE HERE

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DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

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1 1 Salone Centrale Centrale Salone Villa Villa Caldogno Caldogno Caldogno, Caldogno, Veneto Veneto 1543-70 1543-70

5 5 Muse With With Tambourine Tambourine Muse Villa Villa Barbaro Barbaro Maser, Maser, Veneto Veneto 1560-61 1560-61

9 9 Noble Man Man In In Hunting Hunting Attire Attire Noble Villa Villa Barbaro Barbaro Maser, Maser, Veneto Veneto 1560-61 1560-61

Painter Painter Giovanni Antonio Antonio Fasolo Fasolo Giovanni

Painter Painter Battista Pittoni Pittoni Battista

Painter Painter Battista Pittoni Pittoni Battista

2 2 1 Landscape Landscape Salone Centrale Villa Barbaro Barbaro Villa Villa Caldogno Maser, Veneto Veneto Maser, Caldogno, Veneto 1560-61 1560-61 1543-70

6 6 5 Illusory Door Door Muse WithIllusory Tambourine Villa Barbaro Barbaro Villa Villa Barbaro Maser, Veneto Veneto Maser, Maser, Veneto 1560-61 1560-61 1560-61

10 10 9 Sala Sala Centrale Centrale Noble Man In Hunting Attire Villa Malcontenta Malcontenta Villa Villa Barbaro Venezia, Veneto Veneto Venezia, Maser, Veneto 1560-61 1560-61 1560-61

Painter Painter Painter Battista Pittoni Giovanni Battista Antonio Pittoni Fasolo

Painter Painter Painter Battista Pittoni Pittoni Battista Battista Pittoni

Painter Painter Painter Battista Pittoni Pittoni Battista Battista Pittoni

3 3 2 Figures Behind Behind The The Parapet Parapet Figures Landscape Villa Barbaro Barbaro Villa Villa Barbaro Maser, Veneto Veneto Maser, Maser, Veneto 1560-61 1560-61 1560-61

7 7 6 Girl In In The The Doorway Doorway Girl Illusory Door Villa Barbaro Barbaro Villa Villa Barbaro Maser, Veneto Veneto Maser, Maser, Veneto 1560-61 1560-61 1560-61

11 11 10 Stanza Del Del Pastor Pastor Fido Fido Stanza Sala Centrale Villa Caldogno Caldogno Villa Villa Malcontenta Vicenza, Veneto Veneto Vicenza, Venezia, Veneto 1560-61 1560-61 1560-61

Painter Painter Painter Battista Pittoni Pittoni Battista Battista Pittoni

Painter Painter Painter Battista Pittoni Pittoni Battista Battista Pittoni

Painter Painter Painter Giovanni Antonio Antonio Fasolo Fasolo Giovanni Battista Pittoni

4 4 3 Bacchus, Vertumnus, Vertumnus, Saturn Saturn Bacchus, Figures Behind The Parapet Villa Barbaro Barbaro Villa Villa Barbaro Maser, Veneto Veneto Maser, Maser, Veneto 1560-61 1560-61 1560-61

8 8 7 Stanza Grande Grande di Levante Levante Stanza Girl In ThediDoorway Villa Malcontenta Malcontenta Villa Villa Barbaro Venezia, Veneto Veneto Venezia, Maser, Veneto 1560-61 1560-61 1560-61

12 12 11 Sala Dell’Olimpio Dell’Olimpio Sala Stanza Del Pastor Fido Villa Barbaro Barbaro Villa Villa Caldogno Maser, Veneto Veneto Maser, Vicenza, Veneto 1560-61 1560-61 1560-61

Painter Painter Painter Battista Pittoni Pittoni Battista Battista Pittoni

Painter Painter Painter Battista Fronco Fronco Battista Battista Pittoni

Painter Painter Painter Battista Pittoni Giovanni Battista Antonio Pittoni Fasolo

4 Bacchus, Vertumnus, Saturn Villa Barbaro Maser, Veneto 1560-61

8 Stanza Grande di Levante Villa Malcontenta Venezia, Veneto 1560-61

12 13 13 Dell’Olimpio SalaSala Interna Centrale Sala Interna Centrale Barbaro Villa Capra Capra Villa “LaRotonda” Villa “LaRotonda” Maser, Veneto Vicenza, Veneto Vicenza, 1560-61 1567-92 1567-92

Painter Battista Pittoni

Painter Battista Fronco

Painter Painter Battista Pittoni Alessandro Maganza Alessandro Maganza Giovanni Battista Battista Maganza Maganza Giovanni Anselmo Canera Canera Anselmo 13 Sala Interna Centrale Villa Capra “LaRotonda” Vicenza, Veneto 1567-92

2018-2019 Fall Semester

Painter Alessandro Maganza Giovanni Battista Maganza Anselmo Canera

VILLA BARBARO 1565-1592, Vicenza, Veneto Artists Paolo Veronese Alessandro Vittoria VILLA BARBARO 1565-1592, Vicenza, Veneto VILLA MALCONTENTA 1565-1592, Vicenza, Veneto Artists Paolo Veronese Painters Alessandro Vittoria Battista Franco Giambattista Zelotti VILLA MALCONTENTA 1565-1592, Vicenza, Veneto VILLA CALDOGNO 1565-1592, Vicenza, Veneto Painters Battista PaintersFranco Giambattista Zelotti Giovanni Antonio Fasolo Giovanni Battista Zelotti VILLA CALDOGNO 1565-1592, Vicenza, Veneto VILLA CAPRA “LA ROTONDA” 1565-1592, Vicenza, Veneto Painters Giovanni Antonio Fasolo Painters Giovanni Battista Zelotti Alessandro Maganza Giovanni Battista Maganza VILLA CAPRA “LA ROTONDA” Anselmo Canera 1565-1592, Vicenza, Veneto Painters Alessandro Maganza Giovanni Battista Maganza Anselmo Canera

EXHIBITION BOOK - INDEX AND COLLECTION PAGES

Prof. Pier Federico Caliari VILLA BARBARO Bacchus, Vertumnus and Saturn

Figures Behind The Parapet

1. VILLA CAPRA “LA ROTONDA”

VILLA BARBARO Bacchus, Vertumnus and Saturn

Colleagues Bengisu Bilekli Victoria Lacroix MASTER’S DEGREE PROJECTS

This This ceiling ceiling fresco, fresco, which which has has lent lent its its name name to to the the room room (Stanza (Stanza di di Bacco), Bacco), has has been been variously variously interpreted. interpreted. As As a a symbol symbol of of all-creative Nature, the vegetation all-creative Nature, the vegetation god god Bacchus, who is pressing the juice from Bacchus, who is pressing the juice from grapes into a chalice, refers to grapes into a chalice, refers to the the agricultural use of the villa.

However, the agricultural use of the villa. However, the combination combination with with Saturn Saturn is is unusual. unusual.

This ceiling fresco, which has lent Bacchus, Together with Bacchus, who its nameTogether to the roomwith (Stanza di Bacco), who has appears here in the form as appears here ininterpreted. the form of of Apollo Apollo as leader leader been variously As a symbol of of the muses, the old Roman god, in of the muses, the oldthe Roman god, lost lostgod in all-creative Nature, vegetation reverie as he listens to the music, seems to reverie as he listens to the music, seems to Bacchus, who is pressing the juice from be an allusion to the harmony of the be an allusion to the harmony of grapes into a chalice, refers to the spheres. spheres. agricultural use of the villa. However, the combination with Saturn is unusual.

Figures Behind The Parapet

Bacchus, Vertumnus Vertumnus and and Saturn Saturn (detail), (detail), Stanza Stanza di di Bacco, Bacco, Ceiling Ceiling Fresco Fresco Bacchus,

Figures Behind Behind The The Parapet Parapet (detail), (detail), Sala Sala Dell’Olimpio, Dell’Olimpio, Vault Vault Fresco Fresco Figures

Bacchus, Vertumnus and Saturn (detail), Stanza di Bacco, Ceiling Fresco

Figures Behind The Parapet (detail), Sala Dell’Olimpio, Vault Fresco

Together with Bacchus, who appears here in the form of Apollo as leader of the muses, the old Roman god, lost in reverie as he listens to the music, seems to be an allusion to the harmony of the spheres.

1. VILLA CAPRA “LA ROTONDA”

In the the “Sala “Sala dell'Olimpo” dell'Olimpo” of of Villa Villa In Barbaro, Veronese Veronese configured configured the the lower lower Barbaro, part of of the the vault vault as as a a loggia, loggia, and and standing standing part the balustrade balustrade of of this this loggia loggia are are various various the figures dressed dressed in in contemporary contemporary clothing. clothing. figures The prevailing prevailing interpretation interpretation of of the the The woman woman in in patrician patrician garb garb is is that that she she is is Giustinia Giustiniani, the wife of Giustinia Giustiniani, the wife of Marcantonio Barbaro; the simply Marcantonio Barbaro; the simply dressed dressed In the “Sala dell'Olimpo” of Villa older woman next to her is then the wet older woman next toconfigured her is then wet Barbaro, Veronese thethelower nurse of Giustinina's children.However, nurseof the of vault Giustinina's children.However, part as a loggia, and standing there are this therebalustrade are many manyof arguments arguments against this the this loggia against are various identification. identification. figures dressed in contemporary clothing.

The prevailing interpretation of the woman in patrician garb is that she is Giustinia Giustiniani, the wife of Marcantonio Barbaro; the simply dressed older woman next to her is then the wet nurse of Giustinina's children.However, there are many arguments against this identification.

There, in in the the Central Central Hall Hall of of Villa Villa Capra Capra There, “La Rotonda” Rotonda” are are magnificent magnificent frescos frescos “La and stuccoes stuccoes which which represent represent religious religious and scenes, and and even even an an allegory allegory about about Paolo Paolo scenes, Almerico’s life, life, the the first first owner. owner. The The Almerico’s round central central hall hall is is the the most most round spectacular, with balconies and spectacular, with balconies and incredible frescos frescos which which pretend pretend to to be be incredible colonnades and huge figures ofCapra the colonnades huge the There, in theand Central Hallfigures of Villaof Greek mythology. mythology.

Greek “La Rotonda” are magnificent frescos and stuccoes which represent religious Within the installation ofPaolo Villa Within installation of Villa scenes, and eventhe an allegory about Rotonda’s Central Central Interior Volume, the Rotonda’s Interior the Almerico’s life, the first Volume, owner. The observers are firstly firstly experiencing the observers are the round central hall experiencing is the most architectural values values and orders from from architectural orders spectacular, with and balconies and Palladio’s Four Four Books as pretend the walls wallsto are are Palladio’s Books as the incredible frescos which be left without without and any huge ornaments.

What is left any ornaments. is colonnades figuresWhat of the observed is is onyle onyle the the Greek proportions and observed proportions and mythology. the geometry geometry of of the the architectural architectural work. work. the Then, the the reality which consists consists of Then, reality which of Within the installation of Villa various colorful colorful and Volume, picturesque various and picturesque Rotonda’s Central Interior the paintings and and frescoes is represented representedthe by paintings is by observers arefrescoes firstly experiencing digital projections projections over theorders plain white white digital over the plain architectural values and from walls of of Four Palladio’s architecture.

The walls Palladio’s Palladio’s Booksarchitecture. as the walls The are wholewithout volumeany is possible possible to be be observed observed whole volume is to left ornaments.

What is with and and is without these joyful additions. additions. with without joyful observed onylethese the proportions and the geometry of the architectural work.

Then, the reality which consists of various colorful and picturesque paintings and frescoes is represented by digital projections over the plain white walls of Palladio’s architecture. The whole volume is possible to be observed with and without these joyful additions.

Sala Sala Intera Intera Centrale Centrale of of Villa Villa Rotonda, Rotonda, Ceiling Ceiling Fresco Fresco

Sala Intera Centrale of Villa Rotonda, Ceiling Fresco

Sala Intera Intera Centrale Centrale of of Villa Villa Rotonda, Rotonda, Ceiling Ceiling Fresco Fresco Sala

Sala Intera Centrale of Villa Rotonda, Ceiling Fresco

PALLADIO | SCARPA

An Exhibition Design Project Covering The Collection, Interior Organization, Installation, Graphics and The Event

DESIGN OF GREAT EXHIBITIONS AND MUSEALIZATION

2018-2019 Fall Semester Prof. Pier Federico Caliari

Colleagues Bengisu Bilekli Victoria Lacroix Maquette showing the interior volume of Rotonda Replica

MASTER’S DEGREE PROJECTS

THERAPY CENTER

An Interior Design Project to Transform an Abandoned Building for a New Use Savignone

INTERIOR DESIGN STUDIO

2017-2018 Spring Semester Prof. Marta Averna Prof. Luana Filogamo

Colleagues Xiaoyu Chen Ali Tash MASTER’S DEGREE PROJECTS

SITE PLAN

Analyzing the 60 year old abandoned building of Savignone, the program of a Therapy Center is defined as the new use to design and renovate it accordingly. Being an open-wards therapy center, it serves as a small center where people healing from mental diseases can spend the last step of their healing process and get ready for going back to the society. They are welcomed to bring relatives or stay in shared rooms with other patients. The tower part of the building on the west is design as a vertical core consisting of workshop units, while the horizontal volume is designed as the resitianl part, creating carefully various different levels of privacy. As one of the main aims of an open wards therapy center is emphasizing the social interactions; the gathering and meeting units are strongly emphasized by the residential / sleeping units.

case study: therapy center interiors

THERAPY CENTER

An Interior Design Project to Transform an Abandoned Building for a New Use, Savignone

INTERIOR DESIGN STUDIO

2017-2018 Spring Semester Prof. Marta Averna Prof. Luana Filogamo

GROUND FLOOR PLAN

Colleagues Xiaoyu Chen Ali Tash MASTER’S DEGREE PROJECTS

SECTION A

SECTION B

THERAPY CENTER

An Interior Design Project to Transform an Abandoned Building for a New Use, Savignone

INTERIOR DESIGN STUDIO

2017-2018 Spring Semester Prof. Marta Averna Prof. Luana Filogamo

Colleagues Xiaoyu Chen Ali Tash MASTER’S DEGREE PROJECTS

FIRST FLOOR PLAN

GROUND FLOOR PLAN

THERAPY CENTER

An Interior Design Project to Transform an Abandoned Building for a New Use, Savignone

INTERIOR DESIGN STUDIO

2017-2018 Spring Semester Prof. Marta Averna Prof. Luana Filogamo

Colleagues Xiaoyu Chen Ali Tash MASTER’S DEGREE PROJECTS

SECOND FLOOR PLAN

FOURTH FLOOR PLAN

FIFTH FLOOR PLAN

Image A Reuse Existing Buildings Less Built, More Natural Environment

COMMUNITY CENTER

An Adaptable Renovation Project for an Abandoned Building to Serve Better to Its Neighboring Resident Community, Manchester

DESIGN AND CONSTRUCTION STUDIO

2017-2018 Spring Semester Prof. Marzia Morena Prof. Francesco Mazzola

Colleagues Farahnaz Darougheh, Emiljana Karemani, Saghi Soltaninejad MASTER’S DEGREE PROJECTS

Being also an applicant to the RICS Competition, this construction project is a prototypical example for a more urban module designed initially.

This module is suggesting taking a better advantage of the existing building stocks within cities; such as using abandoned buildings in a better way. Being one of such buildings, the old Hotspur Press Building from Manchester is studied. A temporary function is defined according to the current needs of the neighborhood and applied in a very flexible method that would allow to make further changes when those needs change by the time. Having five different building blocks, all blocks are studied while one of them is selected to go deeper in the construction phase. New insulation and finishing layers are selected according to energy lose calculations, local manufacturers are researched.

Foldable Partition Systems are applied for interiors in order to keep the adaptability and flexibility to various functions.

Project’s Function GROUND FLOOR PLAN

BUILDING and A offices Administrtion Administration and Offices Library Library Shared Working Space Common working space Fitness Area Fitness area Book Cafe Book cafe

BUILDING B Residential Residential Units

BUILDING C Job opportunity and internship (The selected building for detailed refurbishment study) Companies’ Section for Job and Internship Opportunities

BUILDING D Exhibition and workshop Exhibition Space Workshop

BUILDING E Sport spot Sports Court for Team Games

Image A Reuse Existing Bu Less Built, More Natural

COMMUNITY CENTER

An Adaptable Renovation Project for an Abandoned Building to Serve Better to Its Neighboring Resident Community, Manchester

DESIGN AND CONSTRUCTION STUDIO

2017-2018 Spring Semester Prof. Marzia Morena Prof. Francesco Mazzola

Colleagues Farahnaz Darougheh, Emiljana Karemani, Saghi Soltaninejad MASTER’S DEGREE PROJECTS

SECTION A

SECTION B

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VERTICAL CAMPUS

A School of Design and Architecture in a Dense Urban Context

ARCHITECTURAL DESIGN STUDIO

2016-2017 Spring Semester Prof. Dr. Zeynep Mennan Instructor Rüya Ipek Balaban Instructor Cumhur Keskinok Research Assist.Egemen Kizilcan

BACHELOR’S DEGREE PROJECTS

ANKARA

As the graduation project of the Bachelor’s program, an educational program is studied in a vertical way rather than the usual horicontal campus system. The initial formal study is handled by following the idea behind transition from a horizontal field to a vertical one. Visitors are welcomed to the building site by a relatively more free ground level which is avoiding the verticality. By the building rises, its planar footprint decrases to a more vertical form. Emphasizing the importance of interaction between design studios of a design academy, the plan scheme is decreasing the exact physical and visual boundaries within different design studios. Fabrication and material supply units are placed homogeneously in between design units, showing how the design process is always supported by the production. The highest levels are serving to academic staff and the different privacy levels of their office places.

FORMAL PROCESS

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A School of Design and Architecture in a Dense Urban Context

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2016-2017 Spring Semester

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Prof. Dr. Zeynep Mennan Instructor Rüya Ipek Balaban Instructor Cumhur Keskinok Research Assist.Egemen Kizilcan

SCULPTURE GARDEN & OPEN AIR EXHIBITION

D'

UP

+2.35 m

OPEN-AIR AUDITORIUM UP

C' UP

BACHELOR’S DEGREE PROJECTS

+1.25 m

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ANKARA

NN

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SS

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VERTICAL CAMPUS

SECTION A

SECTION B

EAST ELEVATION

A School of Design and Architecture in a Dense Urban Context

E

ARCHITECTURAL DESIGN STUDIO

2016-2017 Spring Semester

E

Prof. Dr. Zeynep Mennan Instructor Rüya Ipek Balaban Instructor Cumhur Keskinok Research Assist.Egemen Kizilcan -4.00 m

D'

D'

-6.80 m

BACHELOR’S DEGREE PROJECTS

C'

C'

C

C

D

E'

D

E'

ANKARA

BASEMENT LEVEL -6.80 FLOOR PLAN

9TH FLOOR PLAN

D'

MATERIAL SUPPLY

MATERIAL SUPPLY

D'

FASH. DESIGN I

ARCH. DESIGN I

AR

FASH. DESIGN III

FASH. DESIGN I

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ARCH. DESIGN II

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MATERIAL SUPPLY

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ARCH. DESIGN III

IND. DESIGN III

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C' LAND. DESIGN III

IND. DESIGN IV

IND. DESIGN I

C

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COMP LAB

ARCHIVE

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STORAGE

LIBRARY MAIN STACKS

C

LECTURE ROOM

D

PRINTING LAB

LECTURE ROOM

LECTURE ROOM

D

PRINTING LAB LECTURE ROOM

LASER CUT

LECTURE ROOM

D

LECTURE ROOM

C COMP LAB

LECTURE ROOM

LECTURE ROOM

N

LECTURE ROOM

3D PRINT

D

LECTURE ROOM

LECTURE ROOM

D

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+25.00 m

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LECTURE ROOM

COMP LAB

W +33.00 m E'

E'

+29.00 m

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+21.00 m

C DIGITAL PRINTING LAB

E'

+17.00 m E'

+13.00 m

C

C COMP LAB

E'

E'

+9.00 m

LAND. DESIGN I

VERTICAL CAMPUS

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IAL TER MA UPPLY S

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TIO AC

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TIO AC

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ED

US H RT

NO

H RT

NO

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EXH

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IBIT

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GH

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EXH

IGN DES IOS D STU

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US

FF

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INT

DI

INT

A School of Design and Architecture in a Dense Urban Context

N IAL SIG TER MA UPPLY DE DIOS S STU

IGN DES IOS D STU

IBIT

LEC ROO TURE M

COM LAB P

PRO UN DUCT IT IO

N

ION

LEC RO TURE OM

LEC ROO TURE M COM LAB P

IGN DES IOS D STU

LEC RO TURE OM

LEC ROO TURE M

COM LAB P

COM LAB P

PR O UN DUCT IT IO

N

COM LAB P

PRO UN DUCT IT IO

N

COM LAB P

PR O UN DUCT IT IO

N

ARCHITECTURAL DESIGN STUDIO

2016-2017 Spring Semester Prof. Dr. Zeynep Mennan Instructor Rüya Ipek Balaban Instructor Cumhur Keskinok Research Assist.Egemen Kizilcan

BACHELOR’S DEGREE PROJECTS

SECTION C

ANKARA

COMP LAB

ELEC. STUD.

METU CULTURE HOUSE A Multifunctional Culture House Serving to METU Members, Istanbul

ARCHITECTURAL DESIGN STUDIO

2014-2015 Spring Semester Assist. Prof. Dr. Pelin Yoncacı Arslan Lecturer Erkin Aytaç

Located in one of the most valuable, beautfiul and popular spots of Istanbul, the METU House project is dealing with the challenging forces of its site Moda; such as a dramatic topography, the historical value, pedestrian and vehicular routes and very important vistas. Focusing on opening the upper street to the lower sea level, the building consists of two volumes with the same formal language. One is embedded in the very steep topography while the other volume is another sloped form raising above the ground. The public activity halls are located underneath those slopy green surfaces at various underground levels, all interacting with each other, while the residential units are located on the upper levels, enjoying views and sky windows.

B1 FLOOR PLAN

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SITE PLAN

BACHELOR’S DEGREE PROJECTS

ANKARA

WEST ELEVATION

SECTION A

METU CULTURE HOUSE A Multifunctional Culture House Serving to METU Members, Istanbul

ARCHITECTURAL DESIGN STUDIO

2014-2015 Spring Semester TYPE A - SINGLE UNIT

TYPE B - DOUBLE UNIT

TYPE C - 4 PEOPLE DOUBLE STOREY UNIT

Assist. Prof. Dr. Pelin Yoncacı Arslan Lecturer Erkin Aytaç

BACHELOR’S DEGREE PROJECTS

SECTION B

ANKARA

SHELL STRUCTURE

A Parametric Structure to Connect Two Entrances, METU Faculty of Architecture Building

ARCHITECTURAL DESIGN STUDIO

2014-2015 Spring Semester Prof. Dr. Arzu Gönenç Sorguç Assist. Prof. Dr. Pelin Yoncacı Arslan Lecturer Erkin Aytaç Colleagues Cemre Önertürk Ömer Can Çalışkan BACHELOR’S DEGREE PROJECTS

ANKARA

Being a product of a parametric design process, the shell structure is located in the small semi-defined courtyard in order to connect the entrances of the two buildings of the Faculty of Architecture, Middle East Technical University, Ankara.

The site forces are defined as the trees, access to surrounding green areas, acces to car park, vistas, climate conditions and proportions. The parameters such as the curvilinearity, openings, structural grid, and perforations are calculated according to the site forces. Grasshopper is used as the digital tool for the design, modelling and fabrication process.

PA RA M FO RC ETR ES ES

INFLECTION POINTS OF THE CURVILINEAR AXIS

OPENINGS

STRUCTURAL GRID

PERFORATION

TREES

SHELL STRUCTURE

ACCESS TO GREEN AREAS

A Parametric Structure to Connect Two Entrances, METU Faculty of Architecture Building

ACCESS TO CAR PARK ARCHITECTURAL DESIGN STUDIO

Perforations are bigger if they are facing through green areas, smaller if they are facing through buildings.

VISTAS

CLIMATIC CONDITIONS

2014-2015 Spring Semester Prof. Dr. Arzu Gönenç Sorguç Assist. Prof. Dr. Pelin Yoncacı Arslan Lecturer Erkin Aytaç

Upper part of the structure has no perforation.

Colleagues Cemre Önertürk Ömer Can Çalışkan

If the path is becoming narrower, height of the structure decreases.

PROPORTION

PARAMETER MATRIX

BACHELOR’S DEGREE PROJECTS PERFORATION VARITIES

ANKARA

END.