Eduardo ALONSO-CRESPO: El Valle de los Menhires (versión para orquesta de cuerdas)

Eduardo ALONSO-CRESPO

El Valle de los Menhires (The Valley of the Menhirs) para orquesta de cuerdas (for string orchestra)

partitura (score) © 2005 Eduardo Alonso-Crespo

-2-

Eduardo ALONSO-CRESPO

EL VALLE DE LOS MENHIRES (The Valley of the Menhirs) para orquesta de cuerdas (for string orchestra)

I.- En la Noche (At Night) II.- Canto de la Mañana (Morning Chant) III.- Al Mediodía (At Midday)

Duración aproximada: 16 min.

(Approximate duration: 16 min.)

-3-

Eduardo ALONSO-CRESPO One of the Argentina's most performed composers of today, Eduardo Alonso-Crespo is the author of six symphonies, fifteen concertos, two operas, two ballets, several chamber music works and choral music - as well as other orchestral works -, a production that has earned him a total of eighteen national and international awards and distinctions.

His music has been performed by orchestras and ensembles from France, Italy, Spain, Holland, Portugal, Poland, Ukraine, Germany, Finland, the United Kingdom, China, Taiwan, Indonesia, Japan, Israel, Canada, the United States, Mexico, Venezuela, Colombia, Peru, Chile, Paraguay, Brazil, Bolivia and Argentina, and in such venues as the Colón Theater in Buenos Aires, the Carnegie Hall in New York, the Church of La Madelaine in Paris, De Doelen Great Hall in Rotterdam, the Teresa Carreño Theater in Caracas, La Fenice Theater in Venice and the Royal Palace of Queluz in Lisbon.

Eduardo Alonso-Crespo graduated from the School of Musical Arts of the National University of Tucumán, obtaining in that same university the title of civil engineer. He later studied at Carnegie Mellon University through a Fulbright grant and received his master's degree in Orchestral and Choral Conducting. He served as visiting professor at the Carnegie Mellon School of Music for eighteen years.

As a conductor he served for twelve years as Music Director of the Tucumán Symphony Orchestra in Argentina, simultaneously acting as Musical Director of the Carnegie Mellon Contemporary Ensemble in the USA and maintaining an intense activity as a guest conductor in Argentina and abroad. He was a fundamental architect in the creation of the Salta Symphony Orchestra in Argentina, an organization of which he was Principal Guest Conductor and Resident Composer for several years. His guest conductor appearances include symphonic organizations from the United States, France, Portugal, Mexico, Chile, and Argentina.

-4-

Program notes: El Valle de los Menhires (The Valley of the Menhirs) for string orchestra In the North of Argentina - in what used to be the outskirts of the Inca Empire - there is curious place called Tafí del Valle. The province of Tucumán, where it is located, is in part a subtropical forest, with a warm and humid weather most of the year. Departing from the main city, and as we ascend mountains of such a tall vegetation that obscures the sky, the landscape gets thicker and more humid at each turn. Suddenly, however, after we reach the top, the geography changes dramatically. A huge valley appears, the vegetation becomes thin, the air dry and the sky immense. There is a large pond on one side and on the other an amazing site: the Valley of the Menhirs. Dozens of menhirs, monolithic monuments shaped like totems, carved in stone by an unknown ancient culture, stand up one next to the other, like a million fingers reaching out to the sky. Or, more precisely, to the Sun. Because one of the most intriguing features of the menhirs are the eyes of the figures carved in them: they always look at the Sun, as it travels through the sky each day.

By means of some incredible technique, the unknown sculptors found the way to use the shadows of each hour of the day to make these eyes move along, fixed on the almighty Star that was the foundation of their worship.

This work is based on this mysterious valley, starting with the implications of Night darkness and the unknown, the lack of faith - , followed by the miracle of Dawn - the daily rebirth of hope - , and the fullness of Day with our star up in the sky.

-5-

Notas de programa: En el norte de Argentina - en lo que fueron los bordes del imperio Inca existe un curioso lugar llamado Tafí del Valle. La provincia de Tucumán, donde éste se encuentra, es parcialmente un bosque subtropical, de clima cálido y húmedo durante gran parte del año. Partiendo de la ciudad capital, y ascendiendo cerros cubiertos de una vegetación tan densa que oscurece el cielo, el paisaje se torna más espeso y húmedo en cada curva. Repentinamente, sin embargo, y después de alcanzar las cumbres, la geografía cambia radicalmente. Un amplio valle se abre ante la vista, la vegetación se vuelve escasa, el aire seco y el cielo inmenso. De un costado se extiende una laguna y frente a ella un sitio sorprendente: el Valle de los Menhires. Docenas de menhires - monumentos monolíticos en forma de tótems - esculpidos en piedra por una antiquísima civilización desconocida, se yerguen uno junto al otro, como millones de dedos tratando de alcanzar el cielo. O, más precisamente, el Sol. Porque uno de los rasgos más intrigantes de los menhires son los ojos de las figuras talladas en ellos: siempre miran al Sol en su viaje cotidiano por la bóveda celeste. Por medio de alguna increíble técnica, el desconocido artista encontró el modo de usar las sombras de cada hora del día para hacer que las miradas se movieran, fijas en la poderosa Estrella que era el fundamento de sus creencias.

Esta obra está libremente basada en este misterioso valle, partiendo de las implicancias de la Noche - la oscuridad y lo desconocido, la ausencia de fe - , seguida del milagro del Alba - el diario renacimiento de la esperanza - , y la plenitud del Día con nuestra estrella en el cenit.

Sobre el compositor: Compositor y director de orquesta argentino, Eduardo Alonso-Crespo estudió en la Escuela de Artes Musicales de la Universidad Nacional de Tucumán, obteniendo en esa misma universidad el título de ingeniero civil. Mediante una beca Fulbright de postgrado estudió en la Universidad de Carnegie Mellon en los Estados Unidos, donde recibió el grado de Master en Dirección Orquestal y Coral, luego de perfeccionarse con los maestros Lukas Foss, Leonardo Balada y Samuel Jones.

Alonso-Crespo ha recibido un total de dieciocho premios y distinciones nacionales e internacionales como compositor, incluyendo el Premio Alejandro Shaw de la Academia Nacional de Bellas Artes, el Primer Premio de la Fundación Promúsica y la Cancillería Argentina, el Primer y Segundo Premios simultáneamente del Concurso Luis Gianneo, el Premio Internacional Cristóbal Colón de Música Sinfónica, el Premio del Régimen de Encargos de Obras Sinfónicas del Fondo Nacional de las Artes, el Segundo Premio de la Fundación San Telmo, el Segundo Premio de Composición de la Universidad Nacional de la Plata, el Tercer Premio del Concurso Internacional Viotti-Valsesia, Italia, la Mención Honorífica de la Secretaría de Cultura de la Nación, el Premio Músico del Año (Salta, 1990), el Premio Iris Marga a la mejor música para teatro, la distinción de Ciudadano Destacado (Tucumán, 1998) y el Premio de Composición de Música Sinfónica de la Orquesta Sinfónica de Bahía Blanca.

Sus obras están grabadas por la Cincinnati Chamber Orchestra (Oberturas y Danzas de Óperas de Alonso-Crespo) para Ocean Records, la Camerata Lazarte (Macbeth) para JL Records y el Carnegie Wind Mellon Ensemble (Epic Dances) para el sello CMRL, todas estas bajo la dirección del autor, por el Coro Ars Nova (Pachamama) bajo la dirección de Ana Beatriz Fernández de Briones, y por Andrea Merenzon y miembros de la Filarmónica de Buenos Aires (Concierto para Fagot y Orquesta) bajo la dirección del Alberto Merenzon para el sello Radio Clásica.

-6-

Su música ha sido ejecutada por orquestas y ensambles de los EE.UU., Francia, Holanda, Alemania, Portugal, Polonia, China, México, Venezuela, Chile y Argentina, y en ámbitos tan importantes como el Teatro Colón de Buenos Aires, el Carnegie Recital Hall de Nueva York, la Iglesia de La Madelaine de París, la Gran Sala De Doelen de Rotterdam, el Teatro Teresa Carreño de Caracas y el Palacio Real de Queluz en Lisboa. Entre otros, han ejecutado su música la Orquesta Filarmónica del Teatro Colón de Buenos Aires, la Orquesta Sinfónica Nacional de Argentina, la Pittsburgh Symphony Chamber Orchestra, la Sudets Philharmonie de Polonia, la Orquesta Metropolitana de Lisboa, la Orquesta Sinfonietta de París, la Orquesta Clásica de Santiago de Chile, la Camerata de México, la Camerata Lysy, la Camerata Lazarte, el Carnegie Mellon Contemporary Ensemble, el Carnegie Mellon Wind Ensemble, el Cuarteto Latinoamericano, el Cuarteto de la American Composers Orchestra, la Orquesta de Cámara Mayo, la Orquesta Municipal de Córdoba, la Banda Sinfónica de Córdoba, la Orquesta Sinfónica Juvenil Nacional y las Orquestas Sinfónicas de Rosario, Córdoba, Mendoza, San Juan, Salta y Tucumán.

Durante doce años fue Director Titular de la Orquesta Sinfónica de Tucumán en la Argentina y Director Musical del Carnegie Mellon Contemporary Ensemble en los EE.UU., manteniendo simultáneamente una intensa actividad como director invitado. En temporadas anteriores se desempeñó como Director Asociado de la Carnegie Mellon Philharmonic, Director Asistente de la Pittsburgh Civic Orchestra, Director Musical del Carnegie Mellon Wind Ensemble, Director de la Orquesta Estable de la Provincia de Tucumán, Compositor Residente y Director Invitado Principal de la Orquesta Sinfónica de Salta en la Argentina, catedrático de la Carnegie Mellon School of Music en los EE.UU., . Sus presentaciones como director invitado incluyen orquestas y conjuntos instrumentales de los Estados Unidos, Francia, Portugal, México, Chile y de Argentina, donde ha actuado al frente de las Orquestas Sinfónicas de Córdoba, Rosario, San Juan, Mendoza y Salta, así como de la Orquesta Filarmónica de Buenos Aires, con la que debutó en el Teatro Colón dirigiendo una aclamada versión de la Cuarta Sinfonía de Gustav Mahler en 1998. Entre sus actividades más recientes como director se destaca la Real Orquesta Sinfónica de Sevilla, España, que Alonso-Crespo dirigió en febrero de 2005 para el sello británico Naxos.

Para información adicional contactar: eduardoalonsocrespo@hotmail.com o visitar: www.eduardoalonsocrespo.net

-7-

I.- En la noche Fugaz y misterioso 

  

(3+3+2+2)

Violín I





scorrevole



  

                                            spiccato

Violín II

 

        spiccato

Viola

Cello

Contrabajo

  0      

5

Vln. I

Vln. II

Vla.

  

 

Cb.

0



0

 

 

0







0

0

0













 





 



 

 



0

 

  spiccato

Vc.

 

0

 

0



  

  





 





 



  

 0



0





 



 

 







0



      

                       



Nota para el director: El tempo no debe ser nunca inferior a 

© 2005 Eduardo Alonso-Crespo -8-

 



  



  

  

  

9

Vln. I

Vln. II

Vla.

Vc.

Cb.







Vln. I

  

Vln. II

  

Vc.

Cb.





 



 



            alla corda            alla corda



  

 









  





                                       

13

Vla.



      alla corda

  











 

          



          







             







 

  

pizz.



 



spiccato

                     





spiccato

  

                                 

   

 

-9-









arco

 

 





17

Vln. I

                    

Vln. II



Vla.

Vc.



  

 

     



 















  

 







21

Vln. I

Vln. II

Vla.









    

cresc.

Cb.



                   



                                 



   



  



 

   

   



     cresc.

Vc.

Cb.

  





 









dim.

  

spiccato

                    cresc.  

- 10 -





cresc.



Vln. I

 

Vln. II

 

25

Vla.

Vc.

Cb.

Vln. II

Vla.

Vc.

Cb.



  



 

 













 





   

 









 

      

29

Vln. I





 

  



 

 











 



  













A

 

                     spiccato



  

  spiccato



                        

 









     









 

- 11 -







33

                                       

Vln. I



Vln. II

                                        

Vla.

 

cresc.

Vc.

Cb.



 

  





          37

Vln. I

Vln. II

Vla.

Vc.

Cb.





  



 









                                 













div. alla corda

                             

                                                                                                                               



alla corda



    

pizz.

- 12 -



   



  

41

Vln. I

Vln. II

Vla.

Vc.

Cb.



Vln. II

Vla.

Vc.

Cb.



 

     



 

         

 







 

                                    alla corda                                                                        



  

   45

Vln. I

 

unis. alla corda

alla corda

 



   

          



   









  





 



 



                                                             spiccato            spiccato

            0        



 

 

arco

 0

0 







- 13 -



 









 



   

alla corda                                   



49

Vln. I

Vln. II

Vla.

Vc.

Cb.

 



alla corda spiccato                                                        alla corda             spiccato                          alla corda                   0 0 0                         pizz. Bartók arco                              

B (3+3+2) alla corda                                     53

Vln. I

Vln. II

Vla.

Vc.

alla corda                                      alla corda                                    alla corda                                  pizz. Bartók

Cb.

     



 



 

  - 14 -

   

arco





spiccato

        

    spiccato

      

pizz.











56

Vln. I



Vln. II



Vla.

Vc.

Cb.

Vln. II

Vla.

Vc.

Cb.







   

                                       

                                            

61

Vln. I



 

  









 









 









































  arco   

 





                                            

                

- 15 -

66

Vln. I



Vln. II



Vla.



Vc.

Cb.























                                         

Vln. I

Vln. II



Cb.





                                         

 

Vc.

 



                                                   

71

Vla.



























 

 

                                         

         



                                 

                                                    

- 16 -

76

Vln. I

Vln. II

Vla.

Vc.

Cb.

 



 

                                                        

Vla.



Cb.





                                         

Vln. II

Vc.

 

  

 

      

81

Vln. I

  

0



     

0 

0



 0 



         

C

 

battere a 2 (4+4)

 cantabile

      

 

    



    

                                                

- 17 -

86



Vln. I



Vln. II

 

Vla.

Vc.

Cb.

Vln. II

Vla.

Vc.

Cb.

  









  



                         

90

Vln. I





 

     











   



   



   



                                  



 

      

 

    







   







   

                                                     



 





- 18 -



95



   

Vln. I



Vln. II

       

Vla.

Vc.

Cb.

Vln. II

Vla.

Vc.

Cb.

 

    

     









    

    

    

                                                                                   



            100

Vln. I

 





 











   



   

  









   



   

                                         

                                                 

- 19 -

105

Vln. I

Vln. II

Vla.

Vc.

Cb.

 



   



  

 

        







 

    

 

   

 



    

     

    

   

              

                                                         

D (3+3+2+2)

                                                   poco a poco ritornando 110

Vln. I

alla corda

                                                alla corda

Vln. II

a spiccato

                                                                                                       poco a poco ritornando a spiccato

alla corda

Vla.

Vc.

Cb.

- 20 -





       





114

Vln. I

Vln. II

Vla.

Vc.

Cb.



Vln. II

Vla.

Vc.

Cb.

 



 

   

     









 







 

 







 









118

Vln. I



          



 

  

 





 





 





     

 



 

 







      





 



 

 



     

    

 





 

- 21 -





 









122

Vln. I

Vln. II







   













 





 

 alla corda



 

 



                        alla corda                  alla corda

Vla.



Vc.

                              

Cb.





 







E 126

Vln. I

Vln. II

 

alla corda

 

  





   











 



 

                        spiccato

Vc.

Cb.

 

  

spiccato

Vla.

    

  





pizz.



                       







- 22 -



130

Vln. I

Vln. II

Vla.

Vc.

 

    

     





  



   







 



   

       

  



   

                   arco spiccato

Cb.

         

134

Vln. I

Vln. II

Vla.

Vc.

Cb.

  



 

           





   

 

     

 



   

 

    





  

       

                                                                                                                          

- 23 -

138

Vln. I

Vln. II

Vla.

Vc.

Cb.







   

  

   





    

Vln. II

Vla.

Vc.

Cb.

 



         





 

   

       

   

                                                                                   

                                         

142

Vln. I



 

   



 

 

  

  

 

  

  

    

     

  

                                                                                              

                                         

- 24 -

146

  



Vln. I



Vln. II

    

Vla.

Vc.

Cb.



 

 



  

 



  



















 











 

  









 



 



F alla corda

                                              



Vc.

 

alla corda

               alla corda

spiccato

alla corda

            

   

pizz.

Cb.



              

                                                  alla corda

Vla.

 

        

alla corda

Vln. II



      

150

Vln. I





   



 

  - 25 -

 

   





 

                        



154

Vln. I

Vln. II

Vla.

Vc.

Cb.

                        

Vln. II

                  

                arco                             

     





sottovoce, sul tasto

 

     

       

sottovoce, sul tasto

 



         

                            sottovoce, sul ponticello

Vla.

alla corda

                                                     

158

Vln. I



                   

 

sottovoce, sul tasto

 

          

 

  

 

sottovoce, sul ponticello

Vc.

                                            sottovoce, sul tasto

Cb.



     









- 26 -







162

Vln. I

Vln. II

Vla.

Vc.

Cb.



     

     

 

  166

Vln. II

  



 

 













 













 









 



     

G

Vln. I







     



alla corda, ordinario

 









   alla corda, ordinario                       

                        





 





 





 

alla corda, ordinario

Vla.

Vc.







 

                                               

pizz.

Cb.

 



    



 

 

- 27 -



 





 

 

                                               spiccato alla corda                                               170

Vln. I

Vln. II

spiccato

alla corda

            alla corda

                           spiccato

Vla.

  

Vc.

                                     

Cb.

    







 



173

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

   











 







    









alla corda

                       



 

 

                      alla corda

                      alla corda

                                          



 





 

- 28 -

  



    



 

177

Vln. I

Vln. II

Vla.

 

                              quasi spiccato



 

                               quasi spiccato



 

 

quasi spiccato



                              



   

 

Vc.

                                              

Cb.

   

181

Vln. I

Vln. II

 

 





    



 

  

                             spiccato



 



 



spiccato

  

 

                               spiccato

Vla.

 

Vc.

                                      

Cb.

 









   





- 29 -











 

         184

Vln. I

div.

 

Vln. II

  

Vla.

  

Vc.

                      

Cb.

     







     

                                         



 





  

 



 

 



188

 Vln. I

   

   Vln. II



Vla.



Vc.

Cb.

 















           

   

        

 





 





 

         

 - 30 -

  

   

 

192

Vln. I

     

Vln. II

Vla.

Vc.

Cb.









 





      



  



 





 



 

Vla.

Vc.

Cb.

   







  

   Vln. II



  

senza rall.

196

Vln. I





   

 

















senza rall.

     

senza rall.

 

 



senza rall.

 



senza rall.



    - 31 -

 

 



 



 

 

II.- Canto de la mañana  battere a 6) Solo 1

    

IVC.

                        

  

 

IVC.

IVC.

IIIC.

Solo 1

  Vln. II

IIIC.

IIIC.

 

IVC.

IIIC.

IVC.

IIIC.

IIIC.

         IVC.

     

IIIC.

IIIC. IVC.

                        el resto        sordina Solo 2

Vln. I

IVC.

IIIC.

IIIC. IVC.

IVC.



 

IVC.

IVC.

IVC. IIIC.                              IIIC.

IIIC. IVC.

IIIC.

                          el resto        sordina  

Solo 2



IVC.



IIIC.

IVC.

IVC.

IIIC.

IIIC.

                                        molto espress.

Sola

Vla.

Vc.

Solo

     IC.

Cb.



IIC.

IIIC.



IIC.



IIIC.





IIC.



IC.



IIC.

IIIC.



IIC.



IIIC.



Nota para el director: El tempo debe incrementarse muy gradualmente desde el comienzo, pasando por las indicaciones intermedias (cada vez que hay una doble barra), hasta alcanzar el tempo del compás 62. Luego se debe disminuir muy gradualmente desde el tempo del compás 94 hasta el tempo del compás 130.

- 32 -



IIC.

IVC.

IIIC.

           5

Vln. I

IIIC. IVC.

IVC.

IIIC.



IVC.

                       

IVC.

IIIC.

 

IVC.

IIIC.

IVC.

IIIC. IVC.

IIIC.

 

IVC.

IIIC.

IVC.

IIIC.

                                       IVC.

IIIC.

IVC.

IIIC.



IIIC.

         IVC.

IVC.

Vln. II

  

Vla.

Vc.

Cb.

  

        



                IIIC.

IVC.                        IIIC.

IIIC. IVC.

IVC.

 

IIIC.

IIIC.

IVC.

IIIC.

        

    

 

IC.



  

 

     

IIC.

IIIC.







  



    

IIC.

IIIC.





 











IIC.

IC.

- 33 -



IIC.









 



 



   

IIIC.

IIC.

IIIC.









IIC.







A IIIC.

           9

Vln. I

IVC.

IVC.

IIIC.

         

IVC.



                

IIIC. IVC.

IIIC.

IVC. IIIC.                                               IVC.

IIIC. IVC.

IVC.

IIIC.

IIIC.

IVC.

IIIC.

IVC.

IIIC.

IVC.

IIIC. IVC.



Vln. II

      

IIIC.

IVC.

        

IIIC.



 Vla.

Vc.

Cb.

 

IVC.



IVC.



IVC.

IIIC.

        



      

IVC.                        

IIIC. IVC.

IIIC.

IVC.

IIIC.

IIIC.

 

IIIC.

   

    

IIIC.

          IVC.

 

IC.

 

IIC.

 

  

IIIC.





tutte

  

       molto espress.

Solo                 IIC. IC. IIC. IIIC. IIIC. IIC. IIIC. IIC. IIC.            

- 34 -

  





IVC.

IIIC.

        13

IVC.

         IVC.

IIIC.

IVC.

IIIC. IVC.

IVC.

IIIC.

IIIC.

                  IVC.

Vln. II

Vc.

Cb.

IIIC.

         

Vla.



IVC.

IIIC.

         

IVC.



     

IIIC.

IIIC. IVC.

IVC.                                                 IVC.

Vln. I

 

IIIC.

IIIC.

  

IVC.

IVC.

IIIC.

        

  

 

IVC.





IVC.

 

  

IIIC.

 



                 IIIC.

IIIC. IVC.

   

          

IC.

 

  

IIC.

  IIIC.







 IIC.



 

IIIC.





        espress.

 

tutti





IIC.

IC.

- 35 -



IIC.

IIIC.





    

IIC.

IIIC.







IIC.

IVC.

IIIC.

                 17

Vln. I

 

IVC.

Vla.

Vc.

Cb.

 

IIIC.

IIIC.

         IVC.

 



   

                                                            

  Vln. II



IVC.

 IIIC.

   

 

 









 

      



                                                            

       espress.

  

IVC.



IC.

 

IIC.



    



  

IIIC.

IIC.





IIIC.





 

IIC.



   

IC.

- 36 -

    





 



IIC.

 IIIC.



  

   

tutti



 

  

 



B

         21

Vln. I

tutti

       

senza sordina

tutti divisi a 2

Vln. II

Vla.

Vc.

Cb.



Vln. II

Vla.

Vc.

Cb.





                                                                          (sempre con sordina)                    cantabile    div.                                                                                   25

Vln. I

    

 







     

          

  



  



                            

- 37 -





        

   

28

Vln. I

Vln. II

Vla.

Vc.

Cb.

32

Vln. I

Vln. II

Vla.

Vc.

Cb.



             senza sordina                                        quitar sordina   poco a poco div.                                                                            unis.                       



C

 

  

     





   

 







                                                                                                



             

div.



   

 

- 38 -

 

 

 

unis.

                 

36

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

Vln. II

Vla.

Vc.

Cb.



      

















            

 

                                                                                                             

40

Vln. I



       

D





 





 



        

           

     

              

 

                                                                                      

- 39 -

Vln. I

Vln. II

Vla.

Vc.

Cb.

       44                                                                          



 



     

 

 

 



 



               subito                     subito                    subito                   subito        48

Vln. I

Vln. II

Vla.

Vc.

Cb.

- 40 -

E

      

 

  

           subito

        subito    div.           

 

  

      

subito              subito  



 



 

         



                              subito                                                   51

Vln. I

Vln. II

Vla.

Vc.

Cb.

   

54

Vln. I

Vln. II

Vla.

Vc.

Cb.





 

 

 

  

    

 





     









    



 



subito meno







       







  







  

   







   



   

  





                                                                                                                           

- 41 -

Vln. I

Vln. II

Vla.

Vc.

Cb.

 battere a 2) 60                                                                                                                          

64

Vln. I



Vln. II



Vla.

Vc.

Cb.





   



F







 

arco







      

       



 

     

    

pizz.







                               

        

   



     

 









 









- 42 -



   











   

    

Vln. I

Vln. II

Vla.

Vc.

Cb.

            

72

Vln. I

Vln. II

Vla.

Vc.

Cb.



   

 

                       

   

  

 

 



 

  

  



    









    

   

  

      



















         

 

      

    

 







 





                 



      



     

    

 

68



   

 

- 43 -

    

     

 



 



    

   



 

76

Vln. I

Vln. II

Vla.

Vc.

Cb.

 











 



 

                      

    

 

 80        G

Vln. I

Vln. II

 

 dolce  



     

       

    

 

      

  

     

                    

  

 













 

             



 

Vc.

 

 

 

 

 

 

 



 

                



            

 

                           sul ponticello                                                             

pizz.

Cb.

 

 dolce

sul ponticello

Vla.

   









- 44 -









84

Vln. I



Vln. II



Vla.

Vc.

Cb.

Vln. II

Vla.

Vc.

Cb.

 

 



           

 

 

 

 

  

          



ordinario



 

      

 

 

      



                                                 

88

Vln. I

            







    



















 

             

                                                                









- 45 -









         92

Vln. I

Vln. II

Vla.

Vc.

Cb.

     



     

   

     



    

 cantabile



 

 

 



Vln. II

            

Cb.

 

     

Vln. I

Vc.

   

     ordinario                              arco          

96

Vla.



        

H

 

       

  



   

       

 



      

     

   

pizz.

   



- 46 -



           cantabile  

      

 

          

    

   



          









  

 

 

 

 



101

Vln. I

 



Vln. II

Vla.

Vc.

Cb.



     

       

     

           

 

              

                 

 









 



   

                                           







 





 

  

 battere a 6) 106                                                      subito                       I

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

    arco

 







   







- 47 -





      sempre 

 

   110

Vln. I

Vln. II

Vla.

Vc.

Cb.





 







                                         

Vla.

 



 

   

 

Cb.



 

















 

  



                                                          

div.

Vc.

 

    

divisi a 2

Vln. II

                



 

  

 

 

             

113

Vln. I



 

      



 

    



 



 

cantabile

 

 



 

   

- 48 -





    

                   unis.                                       116

Vln. I

Vln. II

Vla.



Vc.

 

Cb.





Vln. II

Vla.

Vc.

Cb.

  





    

 





    

  

 







   





   





  

 



                                        div.

poner sordina poco a poco (excepto el primer atril)

 

    

 

 



119

Vln. I









    

  

 



 

  

  

- 49 -



     



J

Solo 1 122

IVC.

  

Solo 2

Vln. I

 

   



IVC.

IIIC.

 

 



 









  

Solo 1



IVC.



Solo 2

 

IIIC.

  



Vla.

Vc.

Cb.

 sordina

 





 

 

IIIC.



  



 

IVC.

IIIC.

IVC.

IIIC.



  

IVC.

    IVC.

 

IIIC.

  

IIIC.

 







  







IIIC.

IVC.







  

            

                



IVC.

                                     el resto



  

IIIC.

IVC.



 Vln. II



IIIC.

                                    el resto



 

IVC.

IIIC.



 







 

  



 molto espress. 



- 50 -



125

IIIC.

IVC.

  



  

  

Vla.

Vc.

Cb.

IIIC.



       



 IIIC.





    



   

IIIC.



  





 

IVC.



IIIC.

IVC.

IIIC.

 



IIIC.

IVC.







IVC.

  



IIIC.

IVC.

IIIC.

                                   

IVC.

Vln. II

 



IIIC. IVC.

IVC.

Vln. I

  

IVC.



 

IVC.

IIIC.



IVC.

  

IIIC.





IIIC.

IVC.

 IVC.





    



IIIC.

IIIC. IVC.









    



   



  

 

                                     



 

   

 







 

  

 

- 51 -





   

 





   128

Vln. I

 

 

 

IIIC.

IVC.

  

Cb.



 



  



 

IVC.

IIIC.



IVC.

  

IIIC.







IIIC.







  

IVC.

IIIC.



 



  

IIIC.

IVC.







  



IVC.



 



 

 

 

 

  











perdendosi







- 52 -





  

 





 

IVC.

IIIC.

IVC.

IIIC.

  



 IIIC.



 

    



IIIC.

  

div.

    

IVC.



IIIC.

IIIC. IVC.



 

 



IVC.

            



Vc.



IVC.

IIIC.

 

Vla.

  



IIIC.

            

IVC.

Vln. II

  

IIIC.

IVC.





IVC.









131



Vln. I

   



  

IVC.

  

Vla.

Vc.

Cb.



 



 

 



 



  

 



IIIC.

IVC.

Vln. II



 



    





  





 



IIIC.

IVC.

IIIC.

  









 



     

 













- 53 -

        

div.

  

III.- Al mediodía Enérgico y vivaz  

                                         alla corda Solo

0 0 0

0 0

Vln. I





tutti

Vln. II

 

Vla.

 

Vc.

  

Cb.

 

 5

Vln. I



    



  



  



Vc.

     



   

   



 





  

    











alla corda

Vla.





          







Solo

Vln. II

Cb.







0 0 0

0 0



    



   



- 54 -



               

 

  



               

                              tutti

9

Vln. I

Vln. II

Vla.

Vc.

 

tutti

   

 



Vln. I

Vln. II

  

Vla.

Vc.

 





13



  













 

     



      



0

0 0 0

  

  

 



  





 



   

 





pizz.



 

  

   arco





  



- 55 -

   

pizz.

 

 



   

                                                                          alla corda

Cb.

   0

  

alla corda

Cb.



 



0 0             0                    

  

0 0



         





     

0 0  0 0                      

A

                           alla corda   0 0                  0 0                           alla corda                                                                           arco                                 

17

Vln. I

Vln. II

Vla.

Vc.

Cb.

          0 0

21

Vln. I



Vln. II

Vla.

Vc.

Cb.

   div.    



     

 

0 0                        0 0

alla corda

alla corda

  



        



                        

   





div.



unis.

 

    

 

 

    

 

             

          - 56 -

 

 

 

 

        

       

   

     

25

       

Vln. I



Vln. II

    

Vla.

Vc.

Cb.

    



            



             



       



   unis.   

alla corda 0



 

 

       



 

 

       

 

   



Vln. II

Vla.

Vc.

Cb.

0





                           0 0 0 0  0 0                            alla corda    



  



 

 









0

        0



 



  



   



   



           

- 57 -

 

     

29

Vln. I

 

 

0

 





   

33

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

    



  

 

  





           



        

               



     





              

       

  



Vln. II

Vla.

Vc.

Cb.



             





0



0



0

        

         div.              37                                                      div.                                                       div.                                                                                                                                                      B

Vln. I



0



- 58 -

                                                41

Vln. I

Vln. II

Vla.

Vc.

Cb.

                                                                      

Vln. I

 

Vln. II

 

Vc.

Cb.

   

   

45

Vla.

   

   

unis.

0

             

   

0  

  

0 0

0

0 0

          alla corda 0 0                   alla corda            

0

   

        

     alla corda 0

   

   

   



   



  

   

0

   

   0

 

 

 

 

 

     

 

 

 

 

      - 59 -

  

  

  

  

  

                                             

0

0



  





 





 

                    



  

                              

 0  0                                                          0                                                                       0 0 pizz.                                pizz.                     49

Vln. I

Vln. II

Vla.

Vc.

Cb.

Vln. I

 

Vln. II

 

53

Vla.

                                 

                 

Vc.

 

Cb.

  



 

  

 

      

                                                  

   



  

       





  









  





- 60 -

C alla corda

                                 0

56

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

               

  



Vln. I



   

Vln. II



   

Vla.



Cb.



0

   

0

                                   arco                              

59

Vc.



 



   



   



    



 

  



   

  



   

0



  0

                  



       

  

   



   

        

   

  

  

     

  



  

  

     

   

- 61 -

  

   



   



0







alla corda

  

 

 

                arco

     

          63

Vln. I

Vln. II

 

      

alla corda

   

0 0

    



   

        

0 0 0           

0



0 0                      

 0   0

    

alla corda

Vla.

Vc.

Cb.

 



Vln. II



Vla.



Vc.

Cb.

 

   

      







     

    



                   

67

Vln. I

    

 



     

   

         





         

    

 

 

                                         



     





- 62 -

      

  



                                                        0      0                                                                                      71

Vln. I

Vln. II

Vla.

Vc.

Cb.



  75

Vln. I

Vln. II

   

Vla.

 

Vc.

 

Cb.

  

  

 

   



 



       

 

                           

     

    





  

       

      

       

                     D

pocchiss. rall. al



           div.     

               

                 - 63 -



       

6

79

Vln. I

Vln. II

Vla.

Vc.

Cb.



       



                                            6 6

Vln. II

Vla.

Vc.

Cb.



6 6 6 6 6 6 6  6                                                                                     6 6    molto espress.        

83

Vln. I

               

6

6

6

6

6

6

                                      

  









  



 



 







- 64 -

 



87

Vln. I

Vln. II

Vla.

Vc.

Cb.



                                                

Vln. II

Vla.

Vc.

Cb.

6

6

  

   

  



6

6

6

6





 



 



91

Vln. I

                          

6

 

6





 



                                            6

6

6

6

6

6

                                      

   



  

  

 

 

- 65 -







 

95

Vln. I

Vln. II



                                    6

                                            

Vla.

 

Vc.

 

Cb.

6



6

  

6

6







 



6

 





6

   

6







 



E

99

Vln. I



                                                6

6

6

6

pocchiss. cresc.

Vln. II

Vla.

Vc.

Cb.



                                                6

6







6

  

pocchiss. cresc.

   

6

 

   

pocchiss. cresc.



 





 



pocchiss. cresc.

- 66 -





103

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

Vln. II

Vla.

Vc.

Cb.

                                               6

 6       

6

6

 

6

6





6

 







 



6

3





    

107

Vln. I

                                       









                                            

                                    

            

6

6

6

  

  

  

6



    

- 67 -

6

6

   

 

 





111

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

                                    6

6

                                       

     

 

 





  

 

 

  

6

6

6

 



  



 



6

 

 



                                           F

115

Vln. I

Vln. II



6

Vc.

Cb.

6

6

                                              6

Vla.

6

6

    

 





       

6

6

 

   

- 68 -

 

     

6

6





119

Vln. I



                     6

6

6

6

Vla.

Vc.

Cb.

6

6

                                    6

Vln. II



 



unis.

 



  







 



     

6

              6

   



6 6                                                      123

Vln. I

6

Vln. II

Vla.

Vc.

Cb.

6

6

6

6

                                            







 



                              6 6 6 6

      3







 



- 69 -

 

  





  





127

Vln. I

Vln. II

Vla.

Vc.

Cb.

6

    

131

Vln. II

Vla.

Vc.

Cb.

         

 6 6 6 6 6 6                                                                                                     6 6 6               G Tempo primo

Vln. I







 









      





                                                                          

- 70 -

136

Vln. I

Vln. II

Vla.

Vc.

Cb.





         











Vln. II

   

Vc.

Cb.

  

 

    









   

   



  



   





  

  



  

    



  



  

 





 





- 71 -



    

    



 





 

  





   

  



     



 





Vln. I

 

  

     



  





     



140

Vla.



             

     



 

144

Vln. I

Vln. II

Vla.

Vc.

Cb.



  

 



    





 

        







 

  



Vln. I

 

Vln. II

      

Vla.

 

Vc.

    

Cb.





   

      alla corda 





 

     





 



  



      

  

  



- 72 -

  







 

           

 

 



               

   





pocchiss. accel. al 148

   

            

          





    

 





  

       

 

            

 

 

   

 152        H

Vln. I

Vla.

Vc.

Cb.

     156

Vln. I

Vln. II





     unis.

Vla.

Vc.

Cb.

 subito



div.

     

   

  0 0                  0 0           alla corda  div.

0 0                                alla corda                                    0 0

Vln. II

 









 

unis.





      

 

alla corda



     



0 0

     

   

0





   





          0

0



 0 0 0               alla corda alla corda   0   div.    0           alla corda                0 0   



     - 73 -

  

     

Vln. I

 

Vln. II

 

160

Vla.

Vc.

Cb.

0

       

  

0

0

   sempre alla corda

  

  

   

0

          sempre alla corda   unis. 0 0        0

 sempre alla corda    

                



0

   





0

          0



0     0          0 0             

  0 0

 

  

  



   

 0



  

   



  



  



0 0 0 div.                                                           div. 0 0  0 0                                                                                                        

unis.

164

Vln. I

Vln. II

Vla.

Vc.

Cb.

div.

  

0 0



 

 

 





 

- 74 -













Vln. I

Vln. II

 168  



0



0 0



unis.



                            0

0  0     

alla corda 0

Vc.

Cb.

     

   





  

           

       

  

           

0 0 0

  alla corda  0    0          alla corda  0    0          alla corda unis.

Vla.

0 0 0

     

   

 

  



   

  

  



   



  



                        alla corda 172  0 0 0                     I

Vln. I

                                      alla corda 0               0 0                             alla corda 0

Vln. II

Vla.

0

alla corda

Vc.

Cb.

 

0

   

0

0

0

0

           alla corda 0 0 0 0            0

   

   



 

 

- 75 -

       

                   

         

   

 

Vln. I

 

Vln. II

 

176



    



   

    

Vc.

Cb.

      

Vln. I

Vln. II

Vla.

Vc.

Cb.

0

0

   

    

 

  

  



                   

 



                   



         

    

     





     

    

    





    







   



  

         

  

   



  

         

       0 0                 0 0                 unis. 0 0         0       178

   



div.

Vla.

    





- 76 -

   

    

   

  180

Vln. I

Vln. II

Vla.

 



 



   



 

div.

Vc.

Cb.

                                                       

div.

                                                             

unis.

alla corda                                                   alla corda                                                  

                    unis.

        

                                

      

184

Vln. I

0 0

Vln. II

Vla.

Vc.

Cb.

 0                                                 

     

non div.

non div.

                 

- 77 -

     



     



   



             

                             

    

- 78 -