Eduardo ALONSO-CRESPO: Concierto para Guitarra - Parte solista

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NotasdePrograma

ElConciertoparaGuitarray Orquestaop. 28 deEduardoAlonso Crespofue compuestoen2011por encargo del director de orquesta argentino Luis Gorelik para la Orquesta Sinfónica de Entre Ríos, Argentina, de la cual es director titular, y para el prestigioso guitarrista Eduardo Isaac. La obra está dedicadaaestosdosartistas.

El concierto se organiza en tres movimientos. El primero, titulado Tema con variaciones, emplea este tradicional recurso para permitir el desenvolvimiento de la guitarra junto a distintos solistas de la orquesta. El tema, de fuerte perfil rítmico, posee una forma ternaria simétrica, con el solista a cargo del material principal. Luego de presentado le suceden sin interrupción un total de seis variaciones: la primera está escrita para guitarra y flauta, la segunda para guitarra y oboe/corno inglés,la terceraparaguitarra yclarinete,la cuartaparaguitarray violínsolo,la quintaparaguitarra y fagot, y la sexta para guitarra sola, a modo de cadencia. La reexposición del tema a cargo de la orquesta sirve de coda para el movimiento, el que concluye luego de una última intervención del instrumentosolista.

El segundo movimiento, titulado Romanza, está estructurado en tres secciones, a modo de lied tradicional. Luego de una introducción orquestal, la primera sección corresponde a una romanza sin palabras que desgrana la guitarra solista en la mejor tradición romántica aunque siempre teñida de un marcado color local. De hecho, la segunda sección, la sección central introducida por el corno inglés y la guitarra, desvela una clara asociación del material con el tango-romanza, con el característico contraste entre el lirismo de la melodía principal y el rítmico acompañamiento. La recapitulación de la primera sección es seguida por una extensa coda que lleva al movimiento a una serena y apacible conclusión sobre un ostinato rítmico en la guitarra, reminiscente del ostinato del timbalenlaintroducción.

Por último, el tercer movimiento, indicado Rondó, retoma el impulso rítmico del primero, redoblando la apuesta. Luego de una breve introducción, el ritornello es presentado por la guitarra solista y reiterado por la orquesta. El primer episodio es presentado por guitarra y flauta en forma sucesiva, siempre manteniendo un carácter vivaz y dancístico. La reiteración del ritornello, a cargo de la orquesta, conduce inmediatamente al segundo episodio, esta vez en tempo doblemente más lento y de carácter más lírico. Este episodio concluye con un dúo de guitarra y cello solo que a través de un progresivo acelerando conduce nuevamente al ritornello orquestal, esta vez reiterado por la guitarra. Le sigue el tercer y último episodio, simétrico con el primero, a cargo de orquesta y guitarra sucesivamente, para desembocar en la última exposición del ritornello a cargo del tutti orquestal, superponiendo material melódico del ritornello con material melódico del episodio central, estavezenloscornos.Unsúbitocambiodemetroaumentalatensiónrítmicaalintroducirla codaqueconduceanimadamentealfinaldelaobra.

Además de la guitarra solista, el concierto requiere de dos flautas, dos oboes (con corno inglés), dos clarinetes, dos fagotes, dos cornos, timbales y cuerdas. La duración aproximada es de treinta minutos.

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Prof.ClaudioAprile FacultaddeArtes,UniversidadNacionaldeTucumán

ConciertoparaGuitarrayOrquestaop.28

EduardoAlonsoCrespo (Parte solista digitada por Pablo González Jazey)

       Bajos      Cellos     Violas    Violines2      Violines1        8         1          Tema 4 2              0 0 4 0          3 4 2 1 4 1           4 0 1 II¢         3  14        1 4 V¢         1 4 1 4 2             13 3 3 3 4 III ¢         1 4 0 3 ¢           II              1 2 3 4             4 2 1 3  21       2 3 0       I¢ 0 3             4 1 2 3             CII       3 3         4 2 4  27           V¢           3 4            0 1 4 3 CVII            2 0 0         1 3 0 2 3       CIV 3 2 3 1 3  33        3 3 1 2 4 1 2 2      4 0              2 3 V¢              4 1 3              2 III¢              4 2 3              4 1 2 0  40            4 3 1            1 3 4 1 2 4        0                                 46                                                              3
©2011EduardoAlonso-Crespo-AllRightsReserved I.-Temaconvariaciones
 53               VariaciónI 0 1 II¢            1 1 2 3 4              1 2 4 2 0 1 4      3 2 V¢           4 2 3 2  60             1 0 2        1 0 0 1     4 3 CV 2 4           4 2 1 2 3 4 2 X¢       V¢ ¢        4 1 2 4 4 III  66      0 1 4 2 1 6 4 2 5        1 3 4 ¢        3 4 4 VIII           4 4 2 4 II¢ 4          CIV 2 4 0 5 3 1 0  71       CII 3 0 CVII       3 4              2 1                 4 4      3 4 3 III¢        1 2 0 2 2 3 0          1 3 4  78         1 3 4               3 4 3 4 0 3 5 2 2 CV       2 4 3 4          3 4 1 X¢ ¢        4 3 2 VII ¢      III          85           CI 3 3 4 CIV         3 4 1 3         1 4 2 CVII 3 1    0 1         Corno1 A        4
 91                                                   98                (=) VariaciónII 1 2 0        2 3 3            102             rall.          molto rall. 2 CV 2 4 2 1 1                   a tempo 2 3 4 1 4 3 0  105          2 4        CI 4 2 0 1           3 2 4 1        3 4 0 0 2 4  109        1 2 3 4           1 0 3 1 0 2 VII¢                 1 4 3 1 2 3 0 2 1 2 4        64 0 1 3 3 0  113       4 3        0 1 2 3           CII 0 2 2 3 3 4 1 0  116            1         2 4 3 0          2 0 3 2 3 0  119             2 3 4 0 0 2 II¢                     2  122           0 2 VII¢                 1 0        espress.  4 1 3 2          4 0 5 0 3 2 1 2 3 6 5
 126                  4 2 1 3 3 5           1 4 3 2 4 3 1 5 1 CI        3           4 1 4 3 2 3 4 2 2  130                      2 3 4 4 III¢        1 3 2 2 3            0 1 3 4 3 1 3 4          1 2 4 1  134           CIV 2 3 0            3 4 2 1 4            2 4 3 0           1  138          1 4 2 3 1                  4            3 4 VIII¢             4 3 2  142             4 0 1 2 1 3 1 CI             2 3 4 0 4           3 1 2 4 4 2 VI¢            4 3 4 2 II¢  146                     CIV 1 4 2 3 5 4 CV         2 3 5              0 1 2 3   Violines1 B  150                        158      2                     6
   165           CV      4 4  (=) VariaciónIII 4 3 2        4 4  CVIII 4 2 3 4 3          4 4   4 3 0 4 2 2 0 CVIII 4 1 3  171         4 2  4 3 2 3 1 2 3 0 1 4       2 3 0        1 4 4 2                      2 4 5 2 CVII CX CVIII       1 2 3 4        4 1 4 1 3 2 3 0  177         3 2 1 ¢         44  3 1 4 3 VIII        44 3 4 2 1 3 VI¢       4 4 4 1 4 1 2 3 1 3 III¢       4 4 3 1 3 1 3 1 5  182     4 CIV 3 1 3 0       2 3 1 3 1 2       4 2 1 3 1 2 3       0 1 3 1                            V¢          188                            CIII          4 6 2 3         0 3 2 1 2           1 1 4 3 2                 0 2 2 II ¢ CVII              3 4 2 1  194                           CIII            3 4                          3 1 1 0 I¢               3 4 1 0 2 2              4 4 3 CI                4 3 CIV 4  200               4                               CII 4       C 4 2 2 3 1        1 4 2           3 3 3 XIII¢ VIII ¢         2   3 0 X¢    206                                    CVIII                       7
  212  (=) VariaciónIV               4 1 3                                                 217               2                        0 4 0 1 2                                                     1 3 2 1 3 2  221          2                       CI 1 2 1 2 4 4                      4 2 3 1 4 3                   2 0 4 4 1 3 0  224     4  4 2 0 1 4    2           2                       2 1 3 4 0 0 0 3 1 2                   2 3 2  228                     0 0           2                      0 0 2 3 1  231                     1 2 4 1 2 4 4 1 2 4 4 2 5 1 2 3 4                        234                     1 2 3 4                      3 4 CIV         2                      3 2 1 2 4 4 3 2 3  237                          3 4 6 2 1 1 CVIII                                     3 4 5 CIV 8
 240                     3 2           2                        3 2 4 0 1 2                          2 4 2 0 2              244                       4 1 4 2 CVIII 5 4                     4 2 0 0 0                       3 4 1 5 2 1 III¢  247                     1 3 0 4 1                      4 3 CI 4 1 1                       4 1 3 2 0 1  250                      2 4 3           2                 1 2 4 4 1 2                2          D 1 0 3 1 4 4 1 2        3 1 0 2 1 3 4       3 2 1 3 1 3 1        1 4 3 0 3 0 1  257                        1 1 2 1 0 3 4 2 2                  4 3 2 3 1 0 4 1 0              260              3 0 2 0 2 3 1 3 0 1                            4 3 2 0 1 0 4 3 4 1      2 1 4     263                       con gracia (=) VariaciónV 4 0 3 ¢I          2 3 4 III¢               4 3 2 1 4 3 2 1         2 1 4 4  269              3 1 2 1 1 3 2 0 III¢            4 4 III¢          4 0 II¢        2 1 5            3 1 2       1 4 9
 275           1 4 3 1 3       1 3 5 3           1 2 4 0       1          2 1 0                 2 1 3                 3 2 4 I¢  282        3 4 1 I¢                 4 2 4 3 1       4 CV           1 3 6 4       CIII 3 6           1 3 1 3 4         1 5 3  289       1 4 2 2 1     1 3 3            1 3 5 6 4 3 3         0 1 4       3 1 4 3 2     4 1 6            4 3 1 3 1  296      2 5                                                          1 0 4  302       1          1 2        3 0 2 4 1 ¢           3 1 4 3 1 III          1 0 3 4 4          1 4 3 4  308        4 3 1         1 3 1 3       3 4 1 5         1 4         4 4 3 4      1 3 4 1 2      4 0  315                                                  3 1 2 5  322        3        2 4 1 1 4 1 2      3 1 2            1 4 3        3 1      1 3 1 0 2       4 0   E      Violines1                           10
 357                      Violines2               364    Violines1                        374    VariaciónVI (Cadencia) CII                  accel. rall. 4 2 CI 3 4           3 4 V¢               accel. rall. 1 4 2 3 4 3 2 4 1 0         3 3                 accel. rall. 4 1 3 2  380         4 2 1 4                    accel. rall. 1 4 1 3 2 5 6 0 CII         4 5 1                       accel.rall.            386                        accel. rall. X¢ 6 4 2 VIII¢ 3 4 4           3 5 4 1 4                  accel. rall. 1 2 0 4 3 0               CI                   4 1 2 5 3  391            1 2              3 3 3 3 a tempo  1 3 2 4 6            3 3 3 3 0 1 3 0 2            3 3 3 3 4  395              3 3 3 3 1 2 3            3 3 3 3  3 6 CII 2          3 3 3 3  IV¢ 3 4 2 5  398             3 3 3 3  4 2 2 3 5                  3 3 3  deciso, accel. 2 3 4                      rall. 4       1 4 2 6 4 3 11
 402              accel. rall. 0 III¢ 4 0 2 4 2 1      4 0 1            accel. CI 2 3 0 3 4 6 4            CIIICII 2 3 1 4 4 1           4 2 3 1 0 4  407                rall. 3 6 3 5 4 2 4 CVIII         accel. rall. 3 1 4 2 1 4 3       CII 3           accel. rall. 0 2       3 1 0  412        accel. 2 3 CII 4 1 4           1 2 0 3 4 CI          rall. CII 2 4          IV¢ 2 0             417                   a tempo rall. 1 1 3 4 3 2 1 2                               a tempo rall. 0 0 0                 ARM.XII 1 4 3                   1 2 0 0 4 6       Tema (Coda) a tempo  Violines1 F                                          428                                                                 435     I¢ 0 2 3       1 1 3 2 0                            2 3 1 3 1 4 CIV       441        Violines1                                        RASGUEADO                    450                1 2 4 3                       rall. e rubato 0 1 2 3 4                                3 2          a tempo giusto                                                                     CV 12
      Violines1                          8                              rall.  15                               il canto ben marcato a tempo CII 4 3 3 1 0 0                              CII 0 3 1 1 IX¢ 0 0                            4 2 0 4 3 3 2  18                            IX¢ 2 3 1 4 4 1 0 0 3 2 3 2 1 3                                 4 IX¢ 1 3 1 4                               I 2 3 0 ¢  21                              IV¢ 4 4 2               3          trattenuto 3 2 1 4 6 2 3 4 IV¢ 1 3 4                                a tempo 3 1 2  24                        3 3 2 3 2                           3 3 1 2 0 4 3 0 5                          3 3 0 4  27                                 2 3 1 4 0 0 4                             3 3 3 1 2 4 3 1 4 3                                                     G 4 4 V¢ 4 4 1 2 00 0 CIII    30             3 4 2      Violines1                               CIII 4 CI 0 3 1 1 13 II.-Romanza
  37                               6 6 6 movendo 2 3 4                     6 6 6 3 4 4 1    39                  6 6 6 2 4 III¢ 3 4 3                      6 6 6 1 2 3 4 4 1 3 2 4           4 3 1 2 4 0   42     3                       trattenuto CIII 1 4 4 4 1 2 3 2 4 0 0                  a tempo, movendo VIII¢ 4 1 VI¢ 2         VIII¢ 4 1                 4 2 XI¢        VIII¢                  2 4 1 3 1 2 4 2  48                        4 1 2 4 3 2                                         10101010  H 4 4 4 i 0 1 1 2 3 4 5 p i p i p i p  50  4                             9 0 0 1 3 3 4 5 2 i p i p i p i p      1 4  53         0                   I¢ 4 3 2 1 3 4 41 1              V¢ 3 CVIII 2 1                       CIII 4 4 4 4 ¢V 4 1 0 1               movendo 4 1 2 3 2 4                   4 1 2 II¢ 3 4 4 1  59                      4 2 1 1 3 4 2 3 2 0 1                        4 3 2 1 4 3 1 3 1 2 1 3 1 2                   1 4 2 3 4 3 1 4                        trattenuto 0 1 2 3 1 1 1 2 1 2 1 3 1 3    63         a tempo veloce 3 1 4 2 1 0 2 4 3 4 1 0 2 1 4             molto ritardando 0 0 1 4 0 1 4 3 14
        65     a tempo Violines1 RASGUEADO                                             73                                                                        6  CIV 4 2 6                                                                  6  4 2 CVII CIV a i p m                                                                76                                                      4 3 2 CVII                  I II¢ 3 0 2 3 0 1                II¢ 2 4 4 3 2 1  79                     0 0 0 3 4 1 5 3 4 0 1                          1 3 4 2 4 1 2 3 0                 3 0 2 1 0 3 2 1  82              CIV 4 ¢II 0 0 1 2 3                     0 0 0 3 4 1 5 CII                4 1 2 0 1 3 2 1 0 3  85      2 1 2 1 21 4 3 2                      5 movendo 4 0 2 3 1                          4 3 0 1 2 1 2 3 4 1  88                      5 4 0 2 3 1 5 4 4              CVII 2 3 1 4 3 1          1 0 0 0 4 2 4 1 CIII           1 2 3 4 3 2 1  92    1 2 4 1 CII                          VII¢ 3 1 5 4 2 3 3 0     Violines1 movendo J             97                                 a tempo 1 33 0 2 4 1                3 VII¢ 2 1 0 3 0 1 15
 104      1 3 4 0 4 1                          1 3 4 2 4 1 2 3 0 2        CVII 3              4 1 0 4 CII 3 4      1 2 5 4              CVIII 2 4 3 5 1 1  110                           6 66 6  movendo 0 3 2                           6 66 6 0 2 1 4  112                          6 66 6 1 4 3 2 III¢                           6 6 6 6 V¢ 3 4 2 1  114                        6 66 6 1 3 2 4 CIV 2 CII                     6 66 6 3 4  116                         6 66 6 0 2 1 3                       6 6 6 6 3 1 2 4  118     6 66 6                       6 6 6 6  120                    6 6                         6  122                        ¢ V 0 1 1                      molto rall. 0 3 2 1 1 4 1 2 CII               a tempo K 4 16
 125       a tempo Violines2                  trattenuto                              a tempo CIV 4 4 2 3  139             4 24 5                 4 2 1 11 4 4               2 4 2                 movendo 4 4 2 0  143                                  IX¢ 3 4                       4 2 1 2 1                4 3 2 1 0 2 1 2 4 3 4 3  147              2 1 3 4 4 2 2 1 4           4 CVII 2 4                   poco trattenuto 3 VII¢ 1 2 1 3 1 3 2 3               a tempo L 2 3 1 0 1 3 1 2 3           1 34 1 2 1 2  152                     II¢ 4 3 2                  poco rall. 0 1 0 2 1 1 4 1 2 1 4 1 3                 a tempo 4 2 3 CIV 4                    II¢ 4  156                  0 1 0 2 1 1 4 1 2 1 4 1 3 molto rall.                         a tempo IX¢ 1 4                        1 4 3 2 IX¢                        0 1  161                2 3 1              2 3 1               1 4 3           1 4 3              1 4 3  166                                                  sottovoce 3 4 0 2             2 1 17

III.-Rondó

 171        1                 3 II¢                3 1 2            poco rall. 4 3 V¢             a tempo 2  176             IV¢                        poco rall.             Violines1                      13                                   rítmico y vigoroso 2 2 0 ¢II        3 3 II¢                     2       4 CII  19                 2 3 1 1 2        CV 2 4 4                    CII 3 3         CV 3 2 4                 4 2 1 3 1 2 1 3          2 3 1 2 III¢ ¢  25                  3 4 1 2 X CVIII           2 3 1 4                 4 1 2 3 1 3 1 0 2         CVIII 3 4 2                 4 3 1 1 3 1 0 2         CVI 3 4 2 4  31                4 2 1 3 1 2 4          CVI 2 4 4 1        CIII 2 3 1 4 3      4 1 4         4 3 1 0 3 1  36       2 0         CI 3 2 4          0 1 3 4 1 3 4   M 4  18
 55         Violines1                                                  1 2 3 0              62          2                       siempre rítmico y preciso N CVII         4 3 4 2 1 2        0 1 4 3 0         1 4 CII 2  69        0 2 3 3 1 0         0 4 II¢        1 2      0 1 1 2                 11 0 2 4 3 0 5       4 0  75                  1 3 2 4 0     3 2 0 1 4      2 3 0                  2 CII 4 3                   4 3                  4 2 0 0 0                   0 II¢  82                  1 3 4 2                    1 2 3 0         2 2 3                   3         1 3 0               CIII 4 5       3 2 3 1  89                 3 0 2 4                   1 0 1                  3 1 0        0 1 0       1 0 0 0 1 4       2 0 0 0 1 4 3          2  96                    CII 0 3 4 3                    2 1 1                 0 41 3 2 0 3        1 0 4      0 2 1 0 1 3      2 3 4 4 ¢IV  102            4 6 1 2 0 RASGUEADO                4 3 4 0                  1 2 0 0                       3 2 3                 1 2  107                                           3 1 0 0 0 0                             3 0  O       Violines1                     19
 140                                 1 2    0 3 0                       Eldoblemáslento(Œ.=
P 1 2 4                               4 3 5 1 3 0                 4 1 4 0 2                   4 3 2 1 3 2  152           3 2 1 0           4 2 3 0 1 0          3 0 0 1 1 1 4 2 II¢         4 0 2 1 4 2          3           4 3 2 0 1 0 0 1  158          4 2 3 0 4 2           1 4 2 2 4 3                      2 4 4 0 IV¢        0 4 2 1 1 0        163         0 3 4 1 3 4 2 1 2                            3 1            2 1 1 3 4                            4 1 2 3 2  167           3 1 3 1 2 0                         4 30 1 2       24 1 2 4 0 1 3 1 3 0 1 2  2  171         Oboe1       Corno1                2 4 0 2 4 1                3 2 4  179           4 2                     3 1 2 4           3 1 4                    2 0 1 4 2           4 1 4 0 V¢                  1 2 3 0 20
precedente)
 185           1 4           2 0 1 3 4 1        4 1 4 2 3 CII 2 4            3 2 4 0 II¢           3 3 1 CVIII 2 4 V¢  190                       accelerando gradualmente al 3 4 2                       2 CIV 1 3 4 4 1                       1 4 2 3 1 4                        3 4 2 1 0 CI                       21 4 VII¢  195                   1 3 2 0 CII          2 1          4 2 4 2 0                0                      1 0 0                  tempo primo (el doble más rápido) Q 2 3 1 0       2 4 5 1 0 3 2       0 0 1 2 3 3 4       1 1 1 3 3 2        3 4 0 0 I¢       4 2 1 0 0 3       1 2 0 0 4 3  207       0 1 3 2 4       0 1 2 4 0 1       2 3 0 0 1 2       3 4 1 3 1 3 3       1 2 1 2 1 3 ¢               3 VIII        
1  221                                    4 3 4 2 4 2 1       0 2 0                 4 3 4 1 0 CIII         3 4  228                2 1      3 4 III¢              4 2 4 3 2 1         4 4                 4 1 2 3 3 1 2 3       CVI 3 2 2  234                1 3 4 3 1 1 2    3 4 1 2 4                 4 2 1 3 1 2 4         2 CIV 4 4        2 CI 3 1 4 3  239   3 1 4        4 3 1 CIII 3 1       3 1 3 1 3      CIV 3 3 1 0        1 3 4 1 3 4 2 21
Violines
        R 4       RASGUEADO       4            3 2       250      2                                        3 4 2 0 1                                                  3 4 1 1 0                                                         257                   1 2 4 3 1        2                  4 1 0 2 3 4 2 0                       2 1               4 2 II¢          2 3 1                  4 4 2 2 1 1  264         1 4 3 2    1 2 4 4 1                   2 1 4 0       4 1 2 4 RASGUEADO                  3 4 1 2        2 3  270        1 3 1 3      4 2 4       1 1 3 1                                          S 4 3 2                                                        276                                                                    2 II¢                                                                                4 3 2 1                                   4 3 2 0  281                                      CI                      4 3 1 ¢            CI X                      4 1 3                      4 1 2 3 VIII¢            CV 2 3 4 5                        4 3 1 4 3 2 1 4  288              CIII 2 3 4 5                 1 2 4 3 CI                         1 3 2 1 3 2 4                          1 4 3 1 2 3 4              22
   295             1 2 3 1 2 4 4                     senza accelerando 2 4              1 2                           1 2 4 3         (‰=‰) T (batterea1) CV 2 4 3   303      Flauta1            Corno1           Clarinete1          1  20            312       3                          4 2 1 4 2     0 1 3 2 1     4 1 2 4  324         2 0          1    0 3 2 0     4 3 2 0   1 3 0 3              332                               339         1 4 32 1 0        1 3 4 1 2 3         1 2 3 2 2 3 1         1 2 3 1 2 3        1 4 3 2           3 4 2 1 2 0 III¢                         3 4 2 1 RASGUEADO                          347                                     33 simile 1 3 0 0 0 0                                                                           33 4 3 1 0 0 0                                                         23
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Eduardo ALONSO-CRESPO: Concierto para Guitarra - Parte solista by Eduardo Alonso-Crespo - Issuu