Eduardo ALONSO-CRESPO: Sexteto op. 27

Eduardo ALONSO-CRESPO

Sexteto op. 27 para piano, dos violines, viola, cello y contrabajo

Dedicado al Dr. Ricardo Vega, con enorme gratitud, admiracióin y afecto.

Partitura

© 2010 Eduardo Alonso-Crespo - All Rights Reserved

2

Eduardo ALONSO-CRESPO

Sexteto op. 27 para piano y cuerdas

I.- Allegro moderato II.- Poco andante III.- Allegro vivace (Los movimientos se interpretan sin interrupción)

Instrumentación: Piano Violín I Violín II Viola Violoncello Contrabajo Duración: 17 min..

El Sexteto op. 27 fue estrenado el 22 de diciembre de 2010 en Tucumán, Argentina, por la Camerata Lazarte bajo la dirección musical del maestro Julio Lazarte. Los intérpretes fueron Laura Oppedisano (piano), Franco Ruiz Falci (violín 1ro.), Gerardo Solórzano (violín 2do.), Mauricio Torres Urrutia (viola), Valeria Buriek (violoncello) y Jorge Girbau (contrabajo).

3

Datos sobre el compositor: Compositor y director de orquesta argentino, Eduardo Alonso-Crespo (Tucumán, 1956) se graduó en la Escuela de Artes Musicales de la Universidad Nacional de Tucumán, obteniendo en esa misma universidad el título de ingeniero civil. Mediante una beca Fulbright de postgrado estudió dirección de orquesta y composición con los maestros Lukas Foss, Leonardo Balada y Samuel Jones en la Universidad de Carnegie Mellon en los Estados Unidos, donde recibió el grado de Master en Dirección Orquestal y Coral.

Alonso-Crespo ha recibido un total de dieciocho premios y distinciones nacionales e internacionales como compositor, incluyendo el Premio Alejandro Shaw de la Academia Nacional de Bellas Artes, el Primer Premio de la Fundación Promúsica y la Cancillería Argentina, el Primer y Segundo Premios simultáneamente del Concurso Luis Gianneo, el Premio Internacional Cristóbal Colón de música sinfónica, el Premio del Régimen de Encargos de Obras Sinfónicas del Fondo Nacional de las Artes, el Segundo Premio de la Fundación San Telmo, el Segundo Premio de Composición de la Universidad Nacional de la Plata, el Tercer Premio del Concurso Internacional Viotti-Valsesia, Italia, la Mención Honorífica de la Secretaría de Cultura de la Nación, el Premio Músico del Año (Salta, 1990), el Premio Iris Marga a la mejor música para teatro, la distinción de Ciudadano Destacado (Tucumán, 1998) y el Premio de Composición de Música Sinfónica de la Orquesta Sinfónica de Bahía Blanca.

Su música ha sido interpretada por orquestas y ensembles en Francia, Italia, España, Holanda, Portugal, Polonia, Alemania, Finlandia, el Reino Unido, China, Taiwán, Indonesia, Japón, Israel, Canadá, EE.UU., México, Venezuela, Colombia, Perú, Chile, Brasil, Paraguay, Bolivia y Argentina, y en ámbitos tan importantes como el Teatro Colón de Buenos Aires, el Carnegie Recital Hall de Nueva York, la Iglesia de La Madelaine de París, la Gran Sala De Doelen de Rotterdam, el Teatro Teresa Carreño de Caracas, el Teatro La Fenice de Venecia y el Palacio Real de Queluz en Lisboa. Entre otros, han ejecutado su música la Orquesta Filarmónica de Buenos Aires, la Orquesta Sinfónica Nacional de Argentina, la Orquesta Sinfónica Nacional de Colombia, la Orquesta Sinfónica Nacional de Perú, la Pittsburgh Symphony Nuance Series, la Orquesta Simón Bolívar, la Sudets Philharmonie de Polonia, la Orquesta Metropolitana de Lisboa, la Orquesta Sinfónica de Chile, la Orquesta Clásica de Santiago y la Orquesta Sinfónica Universidad de Concepción en Chile, las Orquestas Sinfónicas de Falcón, de Lara, del Estado de Nueva Esparta y del Estado de Mérida en Venezuela, la Orquesta Filarmónica del Valle del Cauca de Colombia, la Orquesta Sinfonietta de París, la Orquesta Ciudad de Mikkeli de Finlandia, la Neue Philharmonie Westfalen y la Kammerorchester Riegelsberg de Alemania; grupos de cámara como los Philharmonische Virtuosen Berlin, el Octeto de Cuerdas de la Filarmónica de Berlín, el Hong-Kong Pure Strings de China, la Camerata de México, la Camerata Lysy, la Camerata Lazarte, el Carnegie Mellon Contemporary Ensemble, el Carnegie Mellon Wind Ensemble, el Cuarteto Latinoamericano, el Cuarteto de la American Composers Orchestra, el Cuarteto Clásico Argentino; coros como el Saint Olaf Choir, el Kammerchor Ettlingen, el World Youth Choir, el Coro Nacional de Jóvenes de Argentina, el Coro Ars Nova, el Coro de Cámara Tucumán; y agrupaciones como la Orquesta de Cámara Mayo, la Orquesta Municipal de Córdoba, la Orquesta de Cámara Municipal de Rosario, la Orquesta de la Fundación Banco Empresario, la Banda Sinfónica de Córdoba, la Orquesta Sinfónica Juvenil Nacional, la Orquesta Estable del Teatro Argentino de La Plata y las Orquestas Sinfónicas de Rosario, Córdoba, Mendoza, Entre Ríos, San Juan, Salta y Tucumán en Argentina.

Sus obras están grabadas por la Cincinnati Chamber Orchestra (Oberturas y Danzas de Óperas de Alonso-Crespo) para Ocean Records, la Camerata Lazarte (Macbeth) para JL Records y el Carnegie Mellon Wind Ensemble (Epic Dances) para el sello CMRL, todas estas bajo la dirección del autor, el Coro Ars Nova (Pachamama), Andrea Merenzon y miembros de la Filarmónica de Buenos Aires (Concierto para Fagot y Orquesta) bajo la dirección del Alberto Merenzon para el sello Radio Clásica, el Trío Cordilleras (Piano Trio) para el sello Meridian y Eleanor Weingartner y la Camerata de las Américas dirigida por José Luis Castillo (Concierto para Clarinete) para el sello Urtext.

Durante doce años fue Director Titular de la Orquesta Sinfónica de Tucumán en la Argentina y simultáneamente Director Musical del Carnegie Mellon Contemporary Ensemble en los EE.UU., manteniendo a su vez una intensa actividad como director invitado en la Argentina y en el extranjero. En temporadas anteriores se desempeñó como Director Asociado de la Carnegie Mellon Philharmonic, Director Asistente de la Pittsburgh Civic Orchestra, Director Musical del Carnegie Mellon Wind Ensemble, Profesor Visitante de la Escuela de Música de la Universidad de Carnegie Mellon en Pittsburgh, EE.UU., Compositor Residente y Director Invitado Principal de la Orquesta Sinfónica de Salta en Argentina, y Director Titular de la Orquesta Estable de la Provincia de Tucumán. Sus presentaciones como director invitado incluyen orquestas y conjuntos instrumentales de los Estados Unidos, Francia, Portugal, México, Chile y Argentina. En su país de origen ha actuado al frente de las Orquestas Sinfónicas de Córdoba, Rosario, Tucumán, San Juan, Mendoza y Salta, así como de la Orquesta Filarmónica de Buenos Aires, con la que debutó en el Teatro Colón dirigiendo una aclamada versión de la Cuarta Sinfonía de Gustav Mahler en 1998. Entre sus actividades más recientes como director se destaca la Real Orquesta Sinfónica de Sevilla, España, que Alonso-Crespo dirigió para el sello discográfico británico Naxos.

Información adicional en: www.eduardoalonsocrespo.net o contactando: eduardoalonsocrespo@hotmail.com

4

Sexteto op. 27   Piano

 

 

 

  

pizz.

Violoncello

   

Contrabajo

  

Violín 2

Viola

Eduardo Alonso-Crespo

Allegro moderato

                          

Violín 1

al Dr. Ricardo Vega

   

 

       

   















 

     





    



  

    

  

  

    

       

     

  

       

  



  

 

 

 

 

          

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 

     





       

   

   

  

 

 







          

                                                                                                                                      4                                                                                         Più mosso

4

Pno.



© 2010 Eduardo Alonso-Crespo - All Rights Reserved 5

Sexteto op. 27 - Partitura

11

Pno.

  

      

 



                                                          

Vl. 2

Vla.

Vlc.

Cb.









 



Vl. 2

Vla.

Vlc.

Cb.

                                

 





                               

        

        

  

        

                                 

   



     



  

 

    

        

     

18

Vl. 1





18

Pno.



        



                                                                                                              arco                                                                     pizz.                    

11

Vl. 1

       









 



  

  

 

                   



 6

 

 



 

            



   

                   

         

 

                

             

   





 arco 

  

 

 

     

 

Sexteto op. 27 - Partitura

    

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

     

                                             25                      25

   

  

  

    

 







        



  

        

    

Vl. 1

               

Vl. 2



Vlc.

Cb.





  







                                 

 







     

   



   







   

            

 





 

        

                   



  

 

                                 





  

        



                            

30

Vla.



  

30

Pno.

  



                       

       

       

pizz.

 





              

 

         

 

                                                                                                                           7

Sexteto op. 27 - Partitura

                 



36

Pno.

 

 

 

 

36

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



 

 

  

 

 





Vl. 2

Vla.

Vlc.

Cb.



 

   

     

  

               

                        

   



arco





    

     

  

                    



      

 

   

            





   41

Vl. 1

   

 

41

Pno.

 

 

  

   



 

      

             

 

  

   



           



8





 

  

 

 



  

  



 



      

     

  





 

 





                                                                  solo                                     

 

 



                               

         

 



 





 

 











      

  



Sexteto op. 27 - Partitura

47



Pno.



   

Vl. 1





Vl. 2





Vla.





47

Vlc.

Cb.







    

     pizz. 

Vl. 2

Vla.

Vlc.

Cb.











    

 





























 

 





































        

 

54

Vl. 1



cantabile





                                                                                                                                    



54

Pno.



 





         

 

        

                   

  

  

 



 

  

 

 

                               

  







     





 









 

   







     

                                pizz. arco               

     





 



9

Sexteto op. 27 - Partitura

































61

Pno.

           

61

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



   



         



     













   

Vl. 2

Vla.

Vlc.





    

                                                                             



  



      



pizz.

Cb.



  

   

68

Vl. 1

                

       

 







          











                                                                                                        arco                       68

Pno.

  





 



     

  

                                        



        





        



 10





























pizz.

  

 

Sexteto op. 27 - Partitura

   

75

Pno.

     

         

           

             

     

    

    

   

           

Vl. 1













Vl. 2













Vla.









Vlc.

   

75

Cb.



Pno.

 





Vl. 2

Vla.

Vlc.

Cb.

  

       

    

 



                            

   arco  

 





  













 

    

        

    

  

     



  





   



     

 

 

        

  



 

 cantabile                                                    









       

 

 

  







 

82

Vl. 1





       

82



           





 11











Sexteto op. 27 - Partitura

87



Pno.

 

Vl. 2

Vla.

Vlc.

Cb.







 

Vl. 2

Vla.

Vlc.

Cb.

 



  

          

 

    



 







   

              

95

Vl. 1



   

   



 

               

       

 

     



 

  

 

   

      

                                                                                                                                    

95

Pno.

 

      

  

87

Vl. 1

 

       

  

      



 

  









  

  

  

   

                                  

  

 







      





arco

      

      

 

 

    

  

12



     







 







       



  

    

   

   

      



  



  

 



Sexteto op. 27 - Partitura

102



Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

   



       

  102     

        

  

  

109

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



  109   



    

  

 





 

          



  

   

         

 

           

 



  















       

                

  



 

  



   

    







 



 

                  

                                               pizz.       







        







       

 



    

 

    

  

   

     

   

  







 13

 

 









  

     





  

 

            



      





       

  

 













 

  

 

 

Sexteto op. 27 - Partitura

             

115

Pno.

 115

Vl. 1



Vl. 2



Vla.



Vlc.

Cb.

   

Pno.





  



       



  

   





           











 

  









 











        

       

     

    





122



   

     

 



                               

 

 









                  



         

 

 

                

  



     





   



               



   





  

 

        

                    

 



 

   

  





   

  

                                                                                                                                                                     

122

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.











 

  14

 



Sexteto op. 27 - Partitura

































129

Pno.

                                                                                                                                                                          

129

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 



  



         









  





  













































136

Pno.



                                                                                                                                                                                             

136

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

















 15







  



 

Sexteto op. 27 - Partitura









143

Pno.

143

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



    

  

                                                                                                             

   

150

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



                                                                                    150     

Pno.







 

 



                     

 

        

  

 





                                  

 

  





                              

 

                                                       





 





  

                                                                                                                                                                                      arco              16

Sexteto op. 27 - Partitura

155

Pno.

           



  

Vl. 2

Vla.

Vlc.

Cb.

  



  



Vla.

Vlc.

Cb.

     

  



      





       

   

                           

    

  

    

 

                                                 

  

 



 





  

             160                                                                                                                                                                

Vl. 2

 

                                                

         

Vl. 1

 

 



   

                                                          

160

Pno.

 

       

   

                                                   

155

Vl. 1

 

                                    

17

  

    

    



Sexteto op. 27 - Partitura



166

Pno.

    

         

     

   

      

       

   

      

       

      

Vl. 1











Vl. 2









Vla.









166

Vlc.

Cb.

   

       

    



 

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 















































 

 

 cantabile    

  





 

 



                                                                                                                                174                                                                                                                             pizz.               174

Pno.

 

 



18

Sexteto op. 27 - Partitura

                                                                                                              181                                                   181

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

     

                                              arco            

       

       

188

Pno.

  

188

Vl. 1



   









  





Vl. 2





Vla.

 

  

Vlc.

Cb.

                           

       

  



   





  

             



   

            

   

            

           

                         

   

  

 

    

     

 



      



 

  

        

    

                        

                                                       

pizz.

 

19









                   



      

    

Sexteto op. 27 - Partitura

193



Pno.



Vl. 2

Vla.

Vlc.

Cb.

         



Vl. 2

Vla.

Vlc.

Cb.



           

   199

Vl. 1



 

199

Pno.

 

    

193

Vl. 1

                                                                                                                                                                                                                                                                               arco                   

          



  

  

  

       



    

                      

            solo                                            

 





     

              

       





 



































 20



  

                                

   





Sexteto op. 27 - Partitura

   

207

Pno.





        



      

      



  

        

              

             

       



     



Vl. 1

















Vl. 2

















Vla.











































207

Vlc.

Cb.

             

214

Pno.

       

214

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

    

 







 

    









     

      



       

     

  

   

     

 

                  

  

                    



 

 



  

 









                 

 



    

   







 21

 







Sexteto op. 27 - Partitura

219

Pno.

 

  219

Vl. 1



Vl. 2



Vla.

Vlc.

Cb.

 

    

 

  

 cantabile

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



       



      

     

 

      

 

   

 

     

     

             

 

    





























   



                                                                                 

     

226

Pno.

   



  226   





  

     

   

 



       

   

 





  









   



   

   



                                                                                                                                                             



      





22







Sexteto op. 27 - Partitura

                                        233                                                              233

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

   



   



     



    

  

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

  

       



     







  





                        

   

 



 

   

 





 

     



                                                                                                          240                                                                                                                                                                                                                               240

Pno.

  

   

23

Sexteto op. 27 - Partitura

    

246

Pno.

         

246

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

    

Vl. 2

Vla.

Vlc.

Cb.









               











    



      

  



 

           

     

  

  







         





   



     

arco

          

  

          



 

  

  

 

  

    

 

    

 

              



 

                   

 

 

   



      





  





     

       

 

   

          

   

              





          pizz.



    







250

Vl. 1

  

                

  

250

Pno.

  

   

 

  

 

       

  

   

  

  

  

       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

24

   

     





 

253



          

Pno.

   

  

253

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

    

 



   

  

     

     

 

     

 

                       257                                                    257

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 

   

     

          

                       

          

Sexteto op. 27 - Partitura

    



     

                                                                                                                                      

 

    

 

       

                                                                                pizz.                    pizz.                                     

25

 Poco andante

  

 





  







  







 

    



























      



 

solo





pizz.

  

 



Sexteto op. 27 - Partitura

     



263

Pno.

 263

Vl. 1



Vl. 2



Vla.

Vlc.

Cb.



   



pizz.

 



Vl. 1

  

Vl. 2







     

 

Vlc.

Cb.

  

270

Vla.

 

   

     

  



  



 

 

   





      

 

  

  















               

26

       





 





 

 

  

   





     

 

 





 

 



 

 

   

  





 





 

  

 



 

270

Pno.

 

   

arco



    



   arco     

 

                                                                  

 





       

 

 

  

     

   

 

 

      









Sexteto op. 27 - Partitura poco accel.

274

Pno.



  

  

        

   

 

 

274

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

      



Pno.

 

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



   277              

     m.d.

m.s.



3

 



m.d.

   

m.s.

 

               







 

   

  



 

   

 

m.s.



  



           m.d.

  

   







 



 ben marcato e cantabile                                                                                                    







      



277

 

Poco più mosso

 m.s.

    

 

            



 

    

      

    

  

 

  









m.s.





    

          



    

(ecc.)

                  



(sempre pizz.)



  

 



     27



        

         



    

   

        

  

    

    

     









                      

Sexteto op. 27 - Partitura

          

    

281

Pno.

    281

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 

     

     

         



     





 

Meno mosso

   

  

 

  

                    



      



      

 

                                             





 



   

     

                   

  



 



      

  

 

                   

    



   

   







 

  





                                                                                                            molto espress. ma sempre ritmico

285

Pno.

Vl. 1

















Vl. 2

















Vla.

















































285

Vlc.

Cb.

28

Sexteto op. 27 - Partitura

                                           

292

Pno.

Vl. 1





Vl. 2





Vla.













292

Vlc.

Cb.

        

 

            

 

Vl. 1

Vl. 2

 

Vla.

Vlc.

Cb.

 



  



 











 

 



  









  



                           

   







 





 



 









 







 

  

arco

 29

 



 







 

             

  

 







 



 

 



  



        

 



 

                                                                     298             

 





298

Pno.

  

     

 



Sexteto op. 27 - Partitura

                                                                                                         espress.

305                                              305

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

        

311

Pno.

 

Vl. 2

Vla.

Vlc.

Cb.



 





 





   

  311 Vl. 1

 



  











 

 



 







    







  

 



                                                                   



  





 



 

  

 

 

movendo





 

            



  

  

 



 



 

  



Poco più mosso







 



30







     

 





 

             

Sexteto op. 27 - Partitura



316

Pno.

 

 



 

      

316

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 

            



  

 

 



  

Vl. 2

 

Vla.



Vlc.

Cb.



   

  

marcato

   



 

      

   

 



   

  

  

   

 



  





         



  

 

 





 

 

            

 

 



 

  

                                

                    31

  

   

          





    

marcato







  

 



    

 

               



 

          



        

    



 



   

marcato

         





            

    

 



 



 

321

Vl. 1





321

Pno.



 





 



        

   

          

          marcato



Sexteto op. 27 - Partitura Meno mosso



327

Pno.

  



  

 

327

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



     



 



                 marcato   

333

Pno.













     

 

  

     

 

           







 

    

 

         

     





  

    

  

    

     



   

 

m.d.



   

m.s.













Vla.











Vlc.

            















Vl. 1

Vl. 2

Cb.









333







32



  



  

  



    

 







 





                            

 

 













 







         









   

     



marcato

    

 







   

 

   





                 preciso e marcato             



                   

solo espress.







 preciso e marcato                  cantabile arco    

  



Sexteto op. 27 - Partitura

                      339



339

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 



 

  

 

 

   





          

  

 

Vla.

     

3

  

 

    

   

Vl. 2

Cb.



        

344

Vlc.

  

   

 

Vl. 1

 

 

    

344

Pno.

 

   





   







6



 



  

 



 



       





       



 



 

        

 

  

 

    





   



 



 



 







 



                   



 

 













33

   







   



                                  

 

cantabile

    



       

   

           

    

 









  



3       3                                                      3                           





 



Sexteto op. 27 - Partitura

       

  

349

Pno.

   349

Vl. 1



Vl. 2



Vla.

Vlc.

Cb.



  



 

            



Vl. 2

Vla.

Cb.



 

  

              

                    6

                                      



        3           3  

subito 

      

 3        3

  

3

     

  

  

    

 

subito arco

Pesante

  

  

 

 

   

  

                                  

      

              

  34

           



       

 

  

 

                                 



3

Vlc.

             6               





  

  



                

352

Vl. 1

           

  

352

Pno.

  

   5



       3

 3      

  3



3

 

       marcato        marcato           marcato

Sexteto op. 27 - Partitura

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 356   

  

  

 

  

   

   

  

   

  

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



 





   



  

      

  



 

     

  





   

 



  





    









 

   



   





 



 

    

 

 



      

  

      

  

             

       

il canto ben marcato

  361 

   



 

        

                                                                             

         



  



361

Pno.



 

    

                

            

             

356

        

 





    

       

 

     

       











                          

            



35













 

  

  



         

 

     

  



         

   

pizz.





   





  

Sexteto op. 27 - Partitura

                                        

366

Pno.

 366

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.





     



   



             

      

  

  

 





 



           

  

     

  

                     



 

 

         





Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



  



 

 

    

          

 





                     

 

   

  

   

 

       arco

                                                                                                371                                                                                                                                        371

Pno.

                            



   



36

Sexteto op. 27 - Partitura

  

Pno.

 376

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



 





 





         





      

 

rit.

       

381

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 

      

  

a tempo

   

 

     

 



 



  

 



 















     

      

 

 

 





 





 



         

        

 



                                  3             solo, dolciss.

      

 





   

 



        





381

Pno.

 

                   

Poco meno mosso

            

376

 



     

                  



37





3







a tempo, con el contrabajo

  

 





   

  



 





 



  

 

 

pizz.

a tempo, con el piano

 

 



           

Allegro vivace

  

388

Pno.

 



Vl. 2

Vla.

Vlc.

Cb.

                     

  











    





   



    





  

388

Vl. 1

Sexteto op. 27 - Partitura

 







   





 

         

      



 

                           















































                                                                                                                     

393

Pno.

                    

            

393

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

   



   



   

 

    

arco







   





 













38

     

                          



    

    





Sexteto op. 27 - Partitura 400



Pno.



   

       

    

  

       



    

Vl. 1

     



Vl. 2







Vla.

     













400

Vlc.

Cb.

    

              

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



     

 



   





407

                                         







   



     









     







  

  





 

             



     















     





  





        





    

    

      





 

                          

 

   407                                                                                                                                                                                                    pizz.               39

Sexteto op. 27 - Partitura

       

413

Pno.

 

  

     



Vl. 2

   



Vla.

   

413

Vl. 1

Vlc.

Cb.







        

 



     







   



  



       

       

 





  

  

                    

420



Pno.



  









                          

420

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

          

    

















 



 

  

        



    



 

 



 



 



 

 

 













                                  















 



     







 



 



40

 

 



 

 

 

      

 

    



 

   

 





                     



     

   

   

                                                                                                                                      





Sexteto op. 27 - Partitura

   

                              

427

Pno.

     

 

    

 

427

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

         

 

 

 

 

    

   







 

 





 

  





  

       























                              

Vl. 1



Vl. 2



Vla.



Cb.

 



434

Vlc.

 

                    



434

Pno.

 

  

  



 

  

  

                   

                       

 











 



     

    

        























  



41

     

    

       

   







              

  

       



             

                             

   



   

Sexteto op. 27 - Partitura

                                    

441

Pno.



                                   

        

Vl. 1

Vl. 2



Vla.



Vlc.

Cb.

 

    

   

 



 

 

 

 

 

 

 

 



 

                  

447

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



  

  

          

  

   

  



 

 

 

   

 



 



    

  

      

          

      

  

  

   

     



arco

  

                           

      

               



                       



            

 

  



     



                  

447

Pno.

  

  

  

441

             

 

 

 

 

 

 

           

 

 

   

 

8



    









 

     



 

     

 

      

    

                    

                     

     



           





pizz.

 





     42







 



 

    





Sexteto op. 27 - Partitura 453

Pno.

 

Vl. 2

Vla.

Vlc.

Cb.

 

     

453

Vl. 1

          

   



    

  



     

                

      



  

 

               

    

                



 



 





 

 

   





    

459

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

           

     

      

 

    

 





                

 

        



   













          

  



 

     









      



 

  

                                                

        



                   



                  

  

  



 

                                              

 

 

               



459

Pno.

  

 





43







        

  





                     



   





   

         

             

 

 















Sexteto op. 27 - Partitura

      

465

Pno.

 

                                

 



     



    



465

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.





      

      



 



 



 

  

  

Vl. 2

Vla.

Vlc.

Cb.













  



  

                    

  



472

Vl. 1



  

 

 











  



 





   



 



 

        

          

    

          44

  



 

 



    





   

  

    





        

              

     









     



  



 



 



       

  

    

       



  



 

           

            

             



      

472

Pno.





             

 



 

       









Sexteto op. 27 - Partitura 479



Pno.



        

   

                             

479

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



  

Vl. 2

Vla.

Vlc.

Cb.



     

      





   



 

               

486

Vl. 1





  

  







   

    

    

  

                        arco 

                 

   

                                                      





     

           

     

     

     

     

     

     

      45



      

 

 

   



 

  



                                                  



 

   

 

 

 

       









  

          



                                                         





        

             



     

                 





  



      





  

486

Pno.

        

    

    

  

       







      





Sexteto op. 27 - Partitura 494



Pno.

                                                                                                                              

494

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

     

  

                                                                                                                                                                                                           

                                                











502

Pno.



   



   



   

                                                     

502

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.









 cantabile                                                                                                                                                                           46

Sexteto op. 27 - Partitura





































508

Pno.

508

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.





  





  



 

          cantabile         



 cantabile

 

















 











































Vl. 1





          



Vl. 2

 





Vla.

 

Cb.





516

Vlc.





 







                                                                    

516

Pno.



 



 cantabile

  

                                    























 



 

     

 



     

                                                                              







47







Sexteto op. 27 - Partitura





























524

Pno.





     



524

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



 cantabile







Vl. 2

Vla.

Vlc.

   



  

      









                





  

  







 

  







   

  

 

 





  

  

                    

                  

pizz.

Cb.





             

                                                       

532

Vl. 1



           

                                                      

532

Pno.



             

 

  

 



 



 

 



   





  



 

48













   







 

 



                    



 



   

                  



     









 

 

 

 







Sexteto op. 27 - Partitura 540



Pno.

             

Vl. 2

Vla.

Vlc.

Cb.

   

                    

540

Vl. 1





 

  

 

  



 



  

       







 







 

                           

      



  



Vl. 2

  

Vla.



Vlc.

Cb.

 



 



 



 























 

                                                            

547

Vl. 1

  

  



547

Pno.

                      

      

 

     

  



 

  

  



49



  

  

                



 

 

                    

   

                                                            pizz.        

     



 

   

  





 

Sexteto op. 27 - Partitura 554



Pno.

    

 

                       

554

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

 



   

   

    

 

                              

561

      



Vl. 1



Vl. 2

   

Vla.

Vlc.

Cb.

 

  

                                                          arco                               

561

Pno.

                                                     

 











  

 











 

    

 

 

   

   



 



 



            

  

                              

            

           

 











 



50



   





 



            

 



    

 

 

    



     

    

     

 

 

 

 

 



        

 

                             



  

  

               

  

                    

 

                    





    



  



Sexteto op. 27 - Partitura 567



Pno.



                     

Vl. 1

      

Vl. 2

      

567

Vla.

Vlc.

Cb.

           

Vl. 2

Vla.

Vlc.

Cb.





















                                                                                                                                                                    arco                                      































              

575

Vl. 1





575

Pno.





                         

           



  

 

  

               

               

 

 

 

 

 

 

 

 

  

       

      

 

 

 

 

       

 



           



 

 

                                   

   pizz.

51













Sexteto op. 27 - Partitura









582

Pno.

         

  

 

Vl. 2

  

 

Vla.

Vlc.

Cb.

 

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

         



 

     

     

































                 







   

             

       

 

                              

                      

   

     



  

  

       589                                                                                                                                    





      







      

        





    

        

       



 

        

      





      



 

589

Pno.

 





582

Vl. 1

        





52



   

 

  

               



Sexteto op. 27 - Partitura 595



Pno.

   

 

  

    

595

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.







  

  

 







                           

     



Vl. 2









Vla.













     







Vlc.

Cb.







Vl. 1

  

 

     





      





 



  

  

   

   









               



    

    

  







     

























       









 

 



601



                  

                                         

 



  

 



601

Pno.



   

         

                   

  



                     



53

       





  

Sexteto op. 27 - Partitura

              

607

Pno.

      



  

  

   



        



Vl. 2







Vla.









       





Vl. 1

Vlc.

Cb.

              

         613

Vl. 1

Vl. 2





   

Vla.



Vlc.

     

Cb.







     



 

 



     arco

 

  

   

 

 

 

   

 

   



   





                 

    

     











8

   

 



          

    









 

       

      

                                                                        pizz.             54

    

                











         



  

     







 

    



                        

                           

  



613

Pno.



   



607

 





                

     

 

 

Sexteto op. 27 - Partitura

  

620

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.





  

   

  620      

            

      

   

     

 

  

 

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

        





  

 



   

     

 

  

                     

             







  





          

                 

  



 

                                                                    

                          627                







  

  

 

 

                                      



 

 



      

  

    



 

         

627

Pno.





   

     

55

 









 

         

                

        

                 



      



 

                    

     































Sexteto op. 27 - Partitura

        

                      

633

Pno.

                   

      

633

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



639



Pno.

Vl. 2

Vla.

Vlc.

Cb.



       

 



    







   

    







 



















    



     

    

arco





 

      

     

    



 

       639

Vl. 1

  





                         

      



    

 

   

       

    

    

                                                           



  

       



     

















56



                              



  

   





    



        











    





    





    







Sexteto op. 27 - Partitura

                                                                                                                                                                               

                            

645

Pno.

Vl. 1





Vl. 2





Vla.













645

Vlc.

Cb.

     

       

 

                                                              

652

Pno.

  

   

    

652

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



                         

 

   

  



  



  



        

 

                

   

   



    

 



   



 

  

 













57

 

           



 

 

  

 



 



 





 

 

  



 



Sexteto op. 27 - Partitura

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

   

         1 4 3                                                                             660                                                                                                                                                                                               pizz.                660

  

  

 

                               

668

Pno.

 

  





Vl. 1







Vl. 2







Vla.







668

Vlc.

Cb.

         

 

 

 





 

            

 





 

    



 



 

 

 



 

  

                  



 58

 



 

        

              



 



 



 



   







Sexteto op. 27 - Partitura

   

Pno.



       



675

  

 



                   



 

  



675

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.



681

Pno.

 







Vla.



Cb.

      

 

                    

 

  

  

       

 

  

  

 

 



  

  

     

 







  

          

 





 

 arco                

 

 

   

    

                                         

59

  

     

              

              

     

       



     



               







       



  





     

       



 

 





Vl. 2

Vlc.

    

                     

681

Vl. 1

   

    





       

        

 

       









           

   

  



 



 



 



  







Sexteto op. 27 - Partitura

Pno.



Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

    

  

 

  

 

   

 



       

Vl. 2

Vla.

Vlc.

Cb.



  

  

                              



 



 

 

  

 

 

                         

                                                                                                                  

 

                            





            

                                            



       

697

Vl. 1

   



697

Pno.



  

689

 

          

     

689

60



                                                                                                                                                

                                                                                                                    

      

              









Sexteto op. 27 - Partitura

                                                                                                                            706            alla corda                                          alla corda                                  alla corda                             alla corda                                           alla corda                       706

Pno.

Vl. 1

Vl. 2

Vla.

Vlc.

Cb.

714

Pno.

 

714

Vl. 1



Vl. 2



Vla.



Vlc.

Cb.

   

   

  

         

         alla corda      

  

   

   

      



13

  

      





     

         alla corda                           alla corda                        

 alla corda

    

glissando

              

       

 alla corda        

    

  



61

 

   

11

 



   

    

11

































 

 



 

   



        



 



                    

Sexteto op. 27 - Partitura

62