Contemporary
PANUFNIK Love Abide
for Alto, Bass-Baritone, Choir (SSAATTBB), Organ, Harp and Strings Full Score
No. 71816a
Roxanna Panufnik
Love Abide
for Alto, Bass-Baritone, Choir (SSAATTBB), Organ, Harp and Strings
Full Score
EIGENTUM DES VERLEGERS
路
ALLE RECHTE VORBEHALTEN
ALL RIGHTS RESERVED
EDITION PETERS LONDON 路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK
“In loving memory of Miriam B. Primich, a very special lady.” Paul Rowley Commissioned by The Choral Arts Society (Philadelphia, USA) 1. Love is the Master Love is the One who masters all things; I am mastered totally by Love. By my passion of love for Love I have ground sweet as sugar. O furious Wind, I am only a straw before you; How could I know where I will be blown next? Whoever claims to have made a pact with Destiny Reveals himself a liar and a fool; What is any of us but a straw in a storm? How could anyone make a pact with a hurricane? God is working everywhere his massive Resurrection; How can we pretend to act on our own? In the hand of Love I am like a cat in a sack; Sometimes Love hoists me into the air, Sometimes Love flings me into the air, Love swings me round and round His head; I have no peace, in this world or any other. The lovers of God have fallen in a furious river; They have surrendered themselves to Love’s commands. Like mill wheels they turn, day and night, day and night, Constantly turning and turning, and crying out. RUMI trans. Andrew Harvey Words reproduced with kind permission of Andrew Harvey
2. Love abide (I CORINTHIANS 13) If I speak in the tongues of men and of angels, but have not love, I am a noisy gong or clanging cymbal. 2 And if I have prophetic powers, and understand all mysteries and all knowledge, and if I have all faith, so as to remove mountains, but have not love, I am nothing. 3 If I give away all I have, and I deliver my body to be burned, but have not love, I gain nothing. 4 Love is patient and kind; love is not jealous or boastful; 5 it is not arrogant or rude. Love does not insist on its own way; it is not irritable or resentful; 6 it does not rejoice at wrong, but rejoices in the right. 7 Love bears all things, believes all things, hopes all things, endures all things. 8 Love never ends; as for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away. 9 For our knowledge is imperfect and our prophecy is imperfect; 10 but when the perfect comes, the imperfect will pass away. 11 When I was a child, I spoke like a child, I thought like a child; when I became a man, I gave up childish ways. 12 For now we see in the mirror dimly, but then face to face. Now I know in part; then I shall understand fully, even as I have been fully understood. 13 So faith, hope, love abide, these three; the greatest of these is love. Text from the New Revised Standard Version of the Bible, copyright © 1989 National Council of the Churches of Christ in the USA. Used by permission. All rights reserved.
First performance on 24th March 2007 Duration c.20 minutes
This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as of 2012
“In loving memory of Miriam B. Primich, a very special lady.” Paul Rowley
Love abide Roxanna Panufnik
1. Love is the Master words by RUMI (trans. Andrew Harvey)
(3+3+2) Sopranos 1&2
Stately e = 208
mf
is the One
Love
Altos 1&2
Trance-like mp
Love is the
Tenors 1&2
Basses 1&2
mas - ter, Love is the mas - ter,
Love is
the
mf
mas - ter Love is
the mas - ter,
is the One
Love is
legato
Organ
the mas - ter,
mp
Violin II
Viola
Pedals
Stately e = 208 (3+3+2)
*)
pizz.
Violoncello
mp
Double Bass
*) pizz.
mp
*) Sufi Duyek rhythm - velveleli
Edition Peters No. 71816a © Copyright 2006 by Peters Edition Limited, London.
mf
Harp
Violin I
Love is the mas - ter,
Love
Trance-like mp
2
S.1&2 8
who
A.1&2
Love is
T.1&2
B.1&2
Love is
mas - ters
(sim.)
the mas - ter, Love is
who
(sim.)
all
the mas - ter, Love is
the mas - ter,
all
port.
things;
mas - ters
the mas - ter,
Love is
Love is
port.
the mas - ter,
Love is
the mas - ter,
things;
mp
Love is
mp
Love is
Love is
the mas - ter,
Love is
the mas - ter,
Love is
the mas - ter,
Love is
the mas - ter,
the mas - ter,
the mas - ter,
Love is
Love is
Love is
the mas - ter,
the mas - ter,
the mas - ter,
the mas - ter,
f
Hp.
Org.
Vl. I
arco
pizz.
mp
(Turkish Zengule mode)
Vl. II
arco
pizz.
mp
Va.
Vc.
Db.
pizz.
arco
mp
3
14 mf S.1&2
By
A.1&2
Love is
pa
my
-
ssion
the mas - ter,
Love is
By my pa - ssion
B.1&2
Love is
the mas - ter,
of
mf
T.1&2
is
love
Love is
for
Love
the mas - ter, Love is
of
port.
love
the mas - ter, Love
port.
for
the mas - ter, Love
is
I
the mas - ter, Love is
mf
the... I
have ground
Love
I
the mas - ter, Love is
have ground
the mas - ter, Love is
have ground
mf
the... I
have ground
sweet
as su gar.
sweet
as su gar.
sweet
as su gar.
sweet
as su gar.
mf
Hp.
Org.
Ped.
mp
Vl. II
Va.
Vl. I
Vc.
Db.
4
S.1&2 20
A
f
fu - ri- ous
O
A.1&2
T.1&2
B.1&2
f
f
Wind,
O
Org.
Ped.
Vl. I
Vl. II
A
(arco)
mp
(arco)
mp
Va.
(arco)
mp
Vc.
Db.
arco
mf
mf
a
f
Hp.
a
I am on - ly
Wind,
I am on - ly
I am on - ly
a
I am on - ly
Wind,
Wind,
f
O
fu - ri- ous
O
a
5
26
S.1&2
be -
straw
A.1&2
B.1&2
fore
fore
straw
be -
straw
be -
fore
fore
you;
know
How could I
know
How could I
know
How could I
you;
How could I
you;
be -
you;
straw
T.1&2
know
where
where
where
where
I will be blown
I will be blown
I will be blown
I will be blown
Hp.
Org.
Ped.
Va.
Vc.
Vl. I
Vl. II
Db.
6
S.1&2
32
next?
Who
A.1&2
B.1&2
Who
next?
T.1&2
-
next?
-
Who
Who
e - ver claims
e - ver claims
-
next?
e - ver claims
-
e - ver claims
with
Des
with
Des
with
Des
with
Des
a
pact
to have made
to have made
to have made
to have made
a
pact
a
pact
a
pact
-
-
-
-
ti - ny
Re -
him -
veals
ti - ny
Re -
ti - ny
Re -
ti - ny
Re -
him -
veals
him -
veals
him -
veals
Hp.
Org.
Ped.
Vl. I
Vl. II
Va.
Vc.
Db.
37
S.1&2
self
a
li - ar and a
7
mf
fool;
What
is
a - ny of
us
but a
What
is
mf
A.1&2
self
a
li - ar and a
fool;
self a li - ar and a fool;
T.1&2
B.1&2 self
a
li - ar and a
mf
mf
a - ny of
us
What
is
a - ny of
us
but a
is
a - ny of
What
fool;
us
but a
but a
Hp.
Org.
Ped.
Vl. I
Vl. II
Va.
Vc.
Db.
8
42
S.1&2
straw
A.1&2
T.1&2
B.1&2
in
storm?
a
in
storm?
straw
in
storm?
straw
a
in
storm?
-
-
-
How can a
How can a
How can a
a
straw
How can a
a
-
ny - one
make
a pact
with a
ny - one
make
a pact
with a
ny - one
make
a pact
with a
ny - one
make
a pact
with a
Hp.
Org.
Ped.
Vl. I
Vl. II
Va.
Vc.
Db.
9
47 ff
S.1&2
hur - ri - cane?
ff
A.1&2
hur - ri - cane? ff
T.1&2
B.1&2
hur - ri - cane? ff
hur - ri - cane?
Hp.
(C B G )
(gliss)
cresc.
cresc.
Org.
Ped.
Vl. I
Vl. II
cresc.
6
cresc.
6
cresc.
Va.
6
6
6
6
6
6
6
6
6
6
cresc.
Vc.
Db.
cresc.
cresc.
10
49
Hp.
fff
Ped.
6
6
6
6
f
6
6
mf cresc.
f
f
6 6 6
mf cresc. 6
Db.
6
arco
port.
port.
f
6
Vc.
mf cresc.
Va.
Vl. I Vl. II
ff
Org.
f
B e = 180
Suddenly quiet and mysterious
51
Hp.
p sub. 6 con bisbigliando
6
6
6
6
6
6
6
6
dolce
pp sub. dolce
pp sub.
Va.
6
6
6
6
6
e = 180 Suddenly quiet and mysterious dolce
Vl. II
6
B
Vl. I
6
pp sub.
morendo
morendo
morendo
53
A.1&2
11 reverentially, in a dreamworld
p
God
T.1&2
B.1&2
p
Hp.
is
work
B.1&2
God
is
6
e
-
-
ing
e
6
v(e)ry
-
v(e)ry
-
where
where
His
mas
-
sive
mas
mas
His
6
6
6
6
6
6
Hp.
6
Re
-
-
sur
-
-
Re
-
-
sur
-
-
-
sive
re
-
-
sur
-
-
-
sive
re
-
-
sur
-
-
6
6
6
6
6
6
6
6
-
-
-
-
rec
-
-
-
-
tion;
rec
-
-
-
-
tion;
6
tion;
rec
-
where
6
sive
6
-
6
-
-
v(e)ry
mas
6
-
-
His
-
-
His
rec
ing
57
B.1&2
-
T.1&2
-
p
A.1&2
e
S.1&2
6
-
work
6
Hp.
6 6 6 6 6 6 6 6
-
55
T.1&2
S.1&2 A.1&2
p
tion;
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
12
59
S.1&2
A.1&2
T.1&2
B.1&2
6
6
6
61
( )
tend
pre
How
can
we
pre
-
tend
can
we
pre
-
can
we
pre
-
6 6 6 6 6
6
6
6
to
act
on
our
-
on
our...
( )
act
on
our...
to
act
on
to
Hp.
we
act
( )
tend
to
B.1&2
can
6
( )
tend
T.1&2
How
How
S.1&2 A.1&2
6 6 6 6
How
Hp.
our...
6 6 6 6 6 6 6 6 6
6
6
6
S.1&2 63
6
6
6
6
own?
A.1&2
on T.1&2
B.1&2
on
our
Hp.
our
on
6 6 6
6
6
6
our
6
6
6
6
65
S.1&2
A.1&2
13 rall.
own?
own?
B.1&2
Hp.
own?
*)
T.1&2
f
*) waggle E and C pedals, to create a twangy vibrato...
C
S.1&2 68
T.1&2
p
e = 224
C
mp trance-like
pizz.
mp pizz.
mp
Love is the mas - ter,
mp
mp
themas - ter,
(sim.)
Love
Love
is
the mas - ter,
is
mf
Love
Love
Love is the mas - ter,
ter,
In the hand of
pizz.
pizz.
mf
In the hand of (sim.)
Love is the mas - ter,
Love is themas -
mp trance-like
Love is themas - ter,
p
Love is the mas - ter,
Db.
Ped.
Vc.
mf
Hp.
Vl. I div.
B.1&2
A.1&2
Org.
e = 224
14
74
S.1&2
I'm like a
A.1&2
T.1&2
B.1&2
I'm like a
Love is the mas - ter,
Love is themas - ter,
the mas - ter,
Love is
Love is the mas - ter,
Love is the mas - ter,
Love is
the mas - ter,
molto port.
Love is the mas
Some - times Love
cat in a sack;
Some - times Love
cat in a sack;
Love is the mas - ter,
Love is the mas - ter,
-
-
ter,
molto port.
Love is the mas
-
-
ter,
Hp.
Org.
Ped.
Vl. II
div. pizz.
mf
pizz.
Va.
Vc.
Db.
mf
arco
arco
p
Vl. I div.
p
uniti arco
p
arco
p
S.1&2
15
79
hoists
A.1&2
Love
B.1&2
me in the
is the mas
Love
dim.
-
me in the
is the mas -
ter,
port.
dim.
air
Love is the mas
-
mf
-
ter,
is
-
-
ter,
Love
Some - times Love
is
mas
-
the
in
mas
-
me
in
ter,
air,
ter,
the
the
flings
the
me
molto port.
flings
sp trance-like
Love is the mas
Love
molto port.
Some - times Love
ter,
trance-like
mf
p
air,
hoists
T.1&2
port.
air,
Hp.
Org.
mf
mp
Ped.
div.
mp
Vl. I div.
pizz.
div.
mp
pizz.
Vl. II
Va.
mp
mp
Vc.
Db.
16
S.1&2 83
Love
A.1&2
is
the mas
-
ter,
Love
port.
swings
me
swings
me
f
f
port.
Love
Love is the
T.1&2
B.1&2
mas
-
ter,
f
port.
Love f
swings port.
Love
Hp.
swings
me
round
mp sub. port.
me
round
port. and round
and
port.
round
and
port.
round
and
mf
round
round
ff
cresc.
mp
legato
Org.
Ped.
legato
mp
mp
Vl. I div.
mp
Vl. II
Va.
Vc.
Db.
mp
mp
mp
arco
arco
17
mp
88
S.1&2
port.
round port. port.
mp
A.1&2
round
mp port.
round
T.1&2
B.1&2
port.
round
port.
port.
port.
and round
and
round
sim.
and round
and
round
and round
port.
and round
round
sim.
and round
and round
and
and
round
round
and
and
port. port.
round
port.
and
round
and
port.
and
round
and
and
round
port.
round
and round
and
round
and
and round
and
port.
and round
and round
port.
round
and round
and round
and
and
Hp.
Org.
Ped.
arco
Vl. I div.
sim.
sim.
Vl. II
Va.
Vc.
Db.
arco
cresc.
cresc.
mf
mf
18
S.1&2 93
port.
round
T.1&2
B.1&2
port.
His
round
and
round
His
round
and
round
His
and
round
His
sim.
round
f
round
A.1&2
and
head; f
head; f
head; f
head;
ff
Hp.
f
Org.
Ped.
Vl. I div.
Vl. II
f
uniti
mf
uniti
mf
mf
Va.
mf
Vc.
Db.
6
6
3
3
f
f
D
96
S.1&2
rall.
19
q = 78 p
I have no peace,
A.1&2
p
I have no
T.1&2
B.1&2
p
peace,
in
I have no peace,
p
in
I have no peace,
Hp.
in
in
mp
Org.
Ped.
D
rall.
Vl. I
Vl. II
Va.
Vc.
Db.
q = 78
mp
morendo
20 E
S.1&2 102
this
A.1&2
this
world
world
this world
T.1&2
B.1&2
this
world
or
a - ny
o - ther.
or
a - ny
a - ny
Love is the mas -
mp
port.
o - ther.
port.
mf
The
Love...
p
Love...
Love is the mas - ter,
port.
p
Love is the mas - ter,
ter,
Love is the mas - ter,
o - ther.
or
mp
port.
o - ther.
or
a - ny
e = 228
rit.
mf
The
mf
Hp.
mp
Org.
Ped.
mp
E
Vl. II
Va.
Vc.
rit.
e = 228
Vl. I
p
p
p
pizz.
mp
Db.
pizz.
mp
21
S.1&2 108
Love
is the mas
Love
T.1&2
B.1&2
-
(sim.)
is the mas
-
lo- vers
of
lo- vers
of
have fal
God
God
have fal
Love is the mas - ter,
ter,
Love is the mas - ter,
ter,
(sim.)
A.1&2
port.
len
Love is the mas - ter,
in
port.
Love is the mas - ter,
2
in
len
Love is the mas - ter,
-
Love is the mas - ter,
-
a
2
a
fu -
fu -
Love is the mas - ter,
ri - ous
ri - ver;
ri - ous
Love is the mas - ter,
ri - ver;
Hp.
Org.
Ped.
Vl. II
Va.
Vc.
Db.
22
S.1&2 113
Love is the mas - ter,
A.1&2
Love is
Love is the mas - ter,
They have
T.1&2
B.1&2
They have
Love is
sur - ren
-
-
Love is the mas - ter, to
dered
Love is the mas - ter, to
them -
selves
love's
dered
them -
selves
love's
love's
love's
com - mands:
com - mands:
Like mill
Like mill
com - mands:
Like mill
Like mill
2
to
com - mands:
2 to
2
mf 2
the mas - ter,
sur - ren
the mas - ter,
mf
port.
f
Hp.
Org.
Ped.
Vl. I
Vl. II
Va.
Vc.
Db.
119
S.1&2
mp
wheels
A.1&2
they
wheels
T.1&2
B.1&2
they
turn,
they
port.
port.
turn,
turn,
sim.
turn,
turn,
cresc.
port.
turn,
turn, cresc.
turn,
turn,
they
mf
mf
turn,
and
f
mf
Org.
Ped.
Vl. II
Va.
Vc.
Db.
mf
turn,
Hp.
Vl. I
turn,
23
mf port.
day
mp
port.
turn,
wheels
port.
wheels
turn,
mp
turn,
mp
port.
mp
mp
mp
mf
mf
24
S.1&2
124 sim.
turn,
turn,
A.1&2
turn,
T.1&2
B.1&2
turn,
night,
turn,
turn,
turn,
turn,
night,
turn,
turn,
and
turn,
day
and
turn,
day
turn,
turn,
day
and
turn,
night,
turn,
and
and
Hp.
Org.
Ped.
Vl. I
Vl. II
Va.
Vc.
Db.
128
S.1&2
Con
A.1&2
Con
T.1&2
B.1&2
-
-
-
Con
stant
-
-
Con
stant
stant
-
-
stant
-
f
ly
ly
turn
-
f
f
and
turn
ing
and
turn
-
port. -
port.
-
turn
ing
port.
turn
turn
ly
f
ly
25 port.
ing,
cresc. poco a poco
-
ing,
-
ing
and
turn
-
ing
and
turn
-
cresc. poco a poco
-
ing,
cresc. poco a poco
-
turn
cresc. poco a poco
turn
turn
ing,
turn
cresc.
Hp.
ing
ing
-
-
ing,
-
-
ing,
poco
a
poco
cresc.
Org.
Ped.
a
cresc.
poco
Vl. I
a
poco
cresc.
a
Vl. II
poco
cresc.
a
Va.
cresc.
poco
Vc.
Db.
cresc.
poco
cresc.
a
poco
a
a
26
132
S.1&2
and
and
T.1&2
B.1&2
-
ing
and
turn
-
ing
ing
and
turn
turn
A.1&2
turn
-
-
turn
ing,
-
turn
turn
-
ing
and
turn
ing
ing,
a
poco
-
-
-
ing,
ing,
turn
-
ing
turn
ing
-
turn
turn
ing,
(B , C , G ) fff
and
ing,
turn
and
-
ing
ing,
-
turn
-
turn
poco
Hp.
and
-
turn
ing,
-
poco
Org.
Ped.
a
poco
Vl. II
f
Vl. I
poco
a
poco
f
f
poco
a
poco
f
div.
Va.
poco
Vc.
a
poco
Db.
poco
poco
a
a
poco
poco
f
arco
f
arco
f
136
S.1&2
and
turn
-
ing,
and
shout, with anguish o fffposs.
*)
cry
-
slide
-
out.
ing
shout, with anguish
A.1&2
and
T.1&2
turn
-
ing,
turn
-
-
*)
and
ing,
and
fffposs.
slide
cry
-
-
ing
out. shout, with anguish fffposs.
*)
cry
-
slide
-
ing
out. shout, with anguish
B.1&2
turn
-
-
ing,
and
*)
cry
ing
out.
fffposs. slide
-
-
(FREEZE)
Org.
Ped.
Vl. II
Vc.
(FREEZE)
Va.
unite
Db.
(DAMP)
Hp.
Vl. I
(FREEZE)
(FREEZE)
(FREEZE)
(FREEZE)
(FREEZE)
27
28
2. Love abide 1 CORINTHIANS chapter 13
Gently q = 72
Sopranos 1&2
Altos 1&2 Tenors 1&2
Baritone solo
Harp
Organ
Alto solo
Basses 1&2
mp
Double Bass
Violoncello
Viola
p
Violin II
Gently q = 72
Violin I
legato
Pedals
legato
p
3 A. solo
4
Hp.
Org.
mf
If
I
speak
in the tongues
of
men
29
7
Hp.
Org.
A. solo
and of
an
3 -
-
-
-
-
-
port.
-
-
-
-
-
-
A. solo
mp smiling blissfully to yourself!
10
Hp.
Org.
gels,
an
-
-
-
-
-
-
gels,
A. solo 13
Hp.
Org.
but
have
not
30
A. solo 16
f
3
love,
f
Hp.
mf
Org.
Ped.
mf
Vl. I
1st desk sim.
mp
2nd desk
Vl. I
mp
1st desk/2nd desk
Vl. II
mp
Va.
mf
Vc.
mf
Db.
mf
31
19
A. solo
ff
mf
3
I am
a noi - sy
or clang-ing
gong
ff Hp.
mf
fff poss.
slam metal strings
Ped.
Vl. I
(gong-like...)
mf
Org.
p
mf
1st desk mp
p
2nd desk
sim.
Vl. I
p
mp
sim. 1st desk
Vl. II
mp
p
sim. 2nd desk
Vl. II
p
Va.
Vc.
Db.
mp
p
mp
p
mp
p
mp
32
22
A. solo
cym
-
-
-
-
bal.
Hp.
Vl. I
Vl. I
Vl. II
Vl. II
Va.
Va.
Vc.
2nd desk
1st desk
Db.
1st desk
2nd desk
mf 1st desk mf
2nd desk mf
div.
7
7
7
mp
mp
mp
A. solo 25
Hp.
Vl. I
2
mp
And if I
mf
mp
1st desk
pp
2nd desk
Vl. I
pp
1st desk/2nd desk
Vl. II
pp
33
29
A. solo
Hp.
Va.
pro - phe - tic
have
1st desk/2nd desk
powers,
un - der -
and
3
stand
solo
mp
32
S.1&2
A. solo
T.1&2
Vl. II
mf
ries
mf
and all
mp
mp
(Ah)
know ledge,
and if I
(Hum)
(Ah)
(Ah)
mp
(Hum)
(Ah)
1st desk/2nd desk
Vc.
3
(Hum)
(Hum)
1st desk/2nd desk
Va.
mp
all mys - te -
B.1&2
Org.
A.1&2
Hp.
div.
p
mp
mp
tutte mp
div.
uniti
p
mp
34
36
S.1&2
cresc.
A. solo
have
A.1&2
T.1&2
B.1&2
f
all
faith,
so
as
I have all
I have all
mf
re -
move
re -
faith,
-
f
cresc.
moun
move
Hp.
move
re -
faith,
moun tains,
faith,
move
re - move
to
I have all
re -
cresc.
Org.
mf
Vl. II
div.
1st desk/2nd desk
Va.
Vc.
div.
cresc.
cresc.
mf
mf
35
40
S.1&2
love, mf
A. solo
but
A.1&2
T.1&2
B.1&2
-
-
have
not
3
love,
mp
-
port.
tains,
love,
love,
love,
Hp.
1st desk/2nd desk
Vl. II
1st desk/2nd desk
unite
mp
Vc.
Db.
uniti
mp
Va.
Org.
Ped.
mp
mp
uniti
36
mf 43
S.1&2
but
have
not
f
A. solo
A.1&2
mf
mf
T.1&2
B.1&2
mf
but
have
not
but
have
not
but
have
not
love,
love,
love,
love,
3
Hp.
mp
Org.
Ped.
Vl. II
1st desk/2nd desk 1st desk/2nd desk
Va.
Vc.
Db.
morendo
morendo
morendo
morendo
37
3
A. solo
rit.
47
Hp.
Org.
Vl. I
mp
desk 1st desk/2nd
Va.
no thing.
mp
If
-
I give a
way
all
I
have,
rit.
q = 60
uniti
pp
div.
pp
p
p
p
A. solo 55
Hp.
Vl. I
and I de - li ver
desk/2nd desk 1st
1st desk/2nd desk
Vl. II
Vc.
Db.
to be burned,
div.
3
3
but have not love,
uniti
1st desk/2nd desk
Va.
my bo dy
p
1st desk/2nd desk
Vc.
1st desk/2nd desk
Vl. II
am
q = 60
morendo
I
mp
4
38
S.1&2
rit.
62
mp
A. solo
I
gain
A.1&2
no thing.
a tempo (e = 180)
mp
Love
morendo
p
B.1&2
Hp.
Db.
pa - tient and kind;
is
p
rit.
boast - ful;
pa - tient and
is
or
mp
Love
jea lous
Love
kind;
is not
kind;
mp
Love
mp
Love
Love
T.1&2
kind;
Love
Love
boast - ful;
boast - ful;
boast - ful;
a tempo (e = 180)
*)solo
p
S.1&2 72
A.1&2
T.1&2
B.1&2
Db.
f
5
it
(ah)
(ah)
(ah)
is not
ar - ro- gant
or
rude.
f
or
or
ar - ro- gant
or
rude.
f
rude.
*) optional - either to support basses in volume, or to keep pitch in choir
Love
rude.
f
mp sub.
mp sub.
mp
on its own way;
mp
Love does not in - sist
Love
Love does not in - sist
Love
Love
on its own way;
Love
it
is not
82
S.1&2
or re - sent -
Org.
Va.
Va.
Db.
at
it does not re - joice
ful;
cresc.
3
re -
but
Love
wrong,
re -
but
cresc.
cresc.
wrong,
*)
2nd desk
Love
at
it does not re - joice
ful;
or re - sent -
1st desk
re -
but
re -
but
3
mp
cresc.
mp
3
3
mp
3
*) if Altos find their B§ too hard to pitch against the Sops' B#, just sing the B# with them
7
S.1&2
joi
A.1&2
joi
joi
T.1&2
B.1&2
joi
-
ces
-
-
-
Org.
1st desk
2nd desk
mp
ces
ces
f
in
in
the
f
the
right.
mf
mf
right.
3
mf
mp
3
3
3
3
3
Love
f
mf
Love mf
q = 72
right.
3
f
the
in
right.
the
ces
in
3
Vc.
ir - ri- ta- ble
90
Va.
Va.
- sent -
3
B.1&2
- sent - ful;
T.1&2
ful;
A.1&2
39
6
3
q = 72 mf
3
mf
40
S.1&2
mp
94
Love,
A. solo
mf
Love bears
T.1&2
B.1&2
all
Love
mp
be -
things, mp
mp
A.1&2
mp
1st desk
Va.
sim.
mp 2nd desk
Va.
sim.
mp
Vc.
mf
3
mp
S.1&2 97
A. solo
lieves
Va.
Va.
Vc.
A.1&2
all
things,
Hopes
all
things,
1st desk
2nd desk
sim.
100
A. solo
41
mp
en -
T.1&2
dures
all
things.
mp
Love
Bar. solo
8
mf
Love
Va.
Va.
Vc.
B.1&2
Love
1st desk
2nd desk
mp
T.1&2 103
ends;
Bar. solo
ne - ver
Hp.
Va.
Va.
Vc.
B.1&2
mf
ends;
ends;
1st desk
pp
2nd desk
pp
pp
42
107
S.1&2
A.1&2
T.1&2
Bar. solo
B.1&2
Hp.
Va.
1st desk/2nd desk
Db.
they will pass
a
cies,
a
a
pro - phe -
for
Vc.
3
as
-
a
-
-
-
-
-
-
way;
- way;
unite
solo
tutti
mp
tutti
110
S.1&2
way;
A.1&2
way;
T.1&2
way;
Bar. solo
as
Hp.
Org.
Va.
will
they
will
cease;
cease;
cease;
for
as
cease;
will
will
tongues,
1st desk/2nd desk
Vc.
Db.
B.1&2
for
mp
43
114
S.1&2
A.1&2
T.1&2
Bar. solo
will
pass
a
-
-
will
it will
pass
know ledge,
B.1&2
pass
a
way.
way.
way.
-
a
(Ah)
Hp.
Org.
Va.
1st desk/2nd desk
Vc.
Db.
44
S.1&2 118
9
A. solo
B.1&2
Hp.
Org.
Va.
mp
mp
im - per
-
is
im - per
-
is
im - per
-
For our know ledge
fect
fect
im -
is
im -
is
and our pro -phe cy
im -
is
is
For our know ledge mp
and our pro -phe cy
For our know ledge
Bar. solo
T.1&2
and our pro -phe cy
A.1&2
fect
mp
p
1st desk/2nd desk
Vc.
Db.
S.1&2 122
per
-
per
-
A. solo
A.1&2
per
T.1&2
Hp.
Org.
fect;
fect; a.2.
fect;
B.1&2
-
10
p
but when the per
-
mp
but when the per
-
cresc. the
im - per
cresc. the cresc.
im - per
the
im - per
cresc.
fect comes,
fect comes,
im - per
the
-
-
-
-
fect
fect
fect
fect
will pass
will pass
will pass
will pass
a
a
a
a
-
-
-
-
45
126
S.1&2
way.
way.
A. solo
will
A.1&2
pass
a
-
-
way.
way.
T.1&2
Bar. solo
- way.
will
B.1&2
pass
a
-
-
way.
- way.
way.
Hp.
Org.
Ped.
mp
46
11
Bar. solo 130
q = 60
Dreamily, reminiscing mp
When I was a
3
child,
I spoke
like a
child,
Hp.
Org.
Ped.
Vl. I
Vl. I
Vl. II
Vl. II
Va.
Vc.
Db.
1st desk
2nd desk
1st desk
2nd desk
q = 60
pp
pp
pp
pp
1st desk/2nd desk
pp
p
pp
pp
p
136
Bar. solo
I
thought like a child;
47
(with a wry smile?!) p
like
a
child,
3
5
whenI
be - came a man,
Hp.
Org.
Ped.
Vl. I
1st desk p
2nd desk
Vl. I
Vl. II
Vl. II
1st desk
2nd desk
Va.
Va.
Vc.
1st desk
2nd desk
Db.
48
Bar. solo 141
Hp.
Org.
Vl. I
Vl. I
Vl. II
Vl. II
Va.
Va.
Vc.
Db.
I gave up child - ish
ways.
2nd desk
mp
q = 72
2nd desk
1st desk
o
1st desk
o
2nd desk
o
q = 72
1st desk
Ped.
12
legato
p
morendo
morendo
morendo
morendo
A. solo 147
Hp.
Org.
mf
For now
in the mir -
we see
ror
dim -
ly,
p
49
151
A. solo
Hp.
Org.
but
Bar. solo
then face
to
Now I
face.
face
to
face.
Now I
A. solo 155
3
know
Hp.
Org.
Bar. solo
3
know
in
in
part;
mp
face
part;
face
50
A. solo 159
to
Bar. solo
face.
to
face.
mf
f
un
then I shall
mf
then I shall
f
3
-
un
-
3
-
-
der
-
-
-
der
-
f
Hp.
mf
Org.
Ped.
Vl. I
1st desk
mf
mp
Vl. I
2nd desk
mp
Vl. II
Va.
Vc.
Db.
1st desk/2nd desk
1st desk/2nd desk
mp
unite
mf
mf
mf
51
mf
163
S.1&2
shall
un
-
-
A. solo
der
-
-
-
stand
stand mf
shall
T.1&2
mf
shall
un
-
-
un
der
-
-
-
-
-
Bar. solo
der
-
-
-
stand
stand
stand
B.1&2
ful ly,
A.1&2
ful ly, mf
shall
un
-
-
der
-
-
-
stand
Hp.
f
Ped.
Org.
Vl. I
mf
1st desk sim.
2nd desk
Vl. I
sim.
sim. 1st desk/2nd desk
Vl. II
1st desk/2nd desk
Va.
Vc.
Db.
52
S.1&2
mp
166
A. solo
B.1&2
I
have
been
ful - ly
un
-
-
der
mp
Bar. solo
3
T.1&2
mf
e - ven as
mp
A.1&2
mf
mp
3
e - ven as
I
have
been
ful - ly
-
-
-
un
-
-
-
der
mf
Hp.
Org.
Ped.
Vl. I
p
1st desk mp
2nd desk
Vl. I
mp
1st desk/2nd desk
Vl. II
mp
Va.
Vc.
1st desk/2nd desk
mp
mp
Db.
mp
53
169
S.1&2
13
mf
So
A. solo
faith,
hope,
love
3
a - bide,
stood.
A.1&2
mf
So
T.1&2
Bar. solo
faith,
hope,
love
mf
So faith,
3
a - bide,
3
hope,
a -
love
stood.
B.1&2
Hp.
Vl. I
So faith,
hope,
3
love
mp
a -
mf
3
desk 1st
2nd desk
Vl. I
1st desk
Vl. II
2nd desk
Vl. II
div.
1st desk/2nd desk
Va.
Vc.
Db.
Org.
Ped.
mf
3
54
173
S.1&2
So
A.1&2
faith,
So
T.1&2
B.1&2
faith,
bide,
So
bide,
Hp.
So
Org.
hope,
love
3
a -
hope,
love
faith,
faith,
hope,
love
hope,
love
3
a -
these
-
these
bide,
these
bide,
a
these
bide,
-
a
3
bide,
3
cresc.
cresc.
Ped.
Vl. I
3
1st desk cresc.
2nd desk
Vl. I
cresc.
1st desk
cresc.
Vl. II
2nd desk
Vl. II
1st desk/2nd desk
Va.
Vc.
Db.
cresc.
cresc.
cresc.
unite
3
cresc.
55
177
S.1&2
three;
A. solo
f
the
A.1&2
great
-
-
est
of
B.1&2
Hp.
is
is
f
the
great
these
-
-
est
of
three;
three;
is
Bar. solo
these
three;
T.1&2
is
is
is
ff
f
Org.
Ped.
Vl. I
1st desk
mf
2nd desk
mf
Vl. I
1st desk
Vl. II
mf
2nd desk
Vl. II
div.
div.
mf
1st desk/2nd desk
Va.
Vc.
Db.
mf
mf
f
56
rall.
180
S.1&2
f
ff
love.
love,
love.
A.1&2
f
faith,
T.1&2
Bar. solo
f
faith,
f
hope,
faith,
Ped.
Vl. I
hope,
love.
1st desk
Vl. II
Vl. II
Va.
2nd desk
1st desk/2nd desk
2nd desk
Db.
love.
Vc.
ff
1st desk
Vl. I
love.
Hp.
Org.
love.
hope,
love,
B.1&2
A. solo
rall.
Photo © Keith Saunders
Love Abide
Roxanna Panufnik (b. 1968) studied at the Royal Academy of Music, and has written opera, ballet, music theatre, choral, chamber and film music. Key works include Westminster Mass, written for Westminster Cathedral Choir to mark Cardinal Hume’s 75th birthday, and settings of Vikram Seth’s Beastly Tales, commissioned by the BBC for Patricia Rozario and the City of London Sinfonia; harp concerto Powers & Dominions; violin concerto Abraham – for Daniel Hope – which exists also as an overture for the World Orchestra for Peace, premiered in Jerusalem under Valery Gergiev; Schola Missa de Angelis (choir of London Oratory School and brass octet); and The Generation of Love, a Shakespeare sonnet cycle (Mark Padmore, Richard Watkins, Julius Drake).
PANUFNIK
Roxanna Panufnik
Roxanna Panufnik ( *1968) studierte an der Royal Academy of Music und schuf Kompositionen für Oper, Ballett und Musiktheater sowie Chor-, Kammer- und Filmmusik. Zu ihren wichtigsten Werken gehören: die Westminster Mass für den Westminster Cathedral Choir, entstanden zum 75. Geburtstag des Londoner Erzbischofs Kardinal Hume; Vertonungen nach Vikram Seths Beastly Tales für Patricia Rozario und die City of London Sinfonia, ein Auftragswerk der BBC; das Harfenkonzert Powers & Dominions; das Violinkonzert Abraham für Daniel Hope, das auch als Ouvertüre für das World Orchestra for Peace existiert und in dieser Form unter Valery Gergiev in Jerusalem uraufgeführt wurde; Schola Missa de Angelis (Chor der London Oratory School und Blechbläseroktett) sowie The Generation of Love, ein Zyklus von Shakespeare-Sonetten (Mark Padmore, Richard Watkins, Julius Drake).
Edition Peters No. 71816a
w w w.e d i t i o n p e t e r s .c o m