Contemporary
Panufnik Three Paths to Peace for Orchestra Vocal Score
EP 71812a
ROXANNA PANUFNIK
Three Paths to Peace for Orchestra
Full Score
EIGENTUM DES VERLEGERS
路
ALLE RECHTE VORBEHALTEN
ALL RIGHTS RESERVED
EDITION PETERS LONDON
路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK
to the World Orchestra for Peace
Commissioned by the World Orchestra for Peace
th
First performance on 19 October 2008 by the World Orchestra for Peace, Valery Gergiev – conductor, Jerusalem.
This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as of December 2008
ROXANNA PANUFNIK
Three Paths to Peace for Orchestra
Instrumentation 2 harps
2 Flutes (1st doub. Picc)
2 Horns
2 Oboes
Trumpet B- (doub. Picc trumpet)
2 Clarinets in B-
Trombone
2 Bassoons
Tuba
Piano Strings
Contrabasson Percussion (2 players)*
*Player 1: 15” & 19” Taiko or Kodo/Tat drums, very low field drum, Timps (shared with Player 2). Player 2: tubular bells, Timps (shared with Player 1)
Duration c.11 minutes
Contents Page 1. The Calling
1
2. The Journey
10
3. The Sacrifice
16
4. The Angel appears
21
5. Three paths to Love
21
“The Muezzin makes the call, and just as he does the bells at Gethsemane Church begin to sound, ringing out a Christmas carol. No one seems to notice the clash, and maybe it’s not a clash at all: harmony, after all, is controlled dissonance.” So says Bruce Feiler in his riveting book “Abraham - A Journey to the Heart of Three Faiths”. I was delighted, when I received a call from Charles Kaye (director of the World Orchestra for Peace) asking if I would be able to write a short piece to open the programme for a concert in Jerusalem, given by the orchestra under its Conductor Valery Gergiev. The occasion and location of this concert made me think immediately of the music I had written 4 years earlier in my violin concerto “Abraham” (for Daniel Hope), in which I intertwined Christian Jewish and Islamic music, moving towards a homogenous, harmonious and joyful conclusion. I have no pretensions that this will bring about world peace, but, as well as the aesthetic aspects that these three beautiful musics can create, I hoped that I could attempt a musical analogy to the fact that those three faiths all believe in the same one God. So, I offered to transform this concerto into a shorter orchestral prelude for this occasion. The story is of Abraham (from Genesis 22), when Abraham is asked by God to sacrifice his only son and is then reprieved at the last moment; an entirely appropriate context, as Abraham is considered the father of all the afore-mentioned religions. Together, with my treasured colleague, internationally renowned choreographer Cathy Marston, we came up with a scenario that incorporated all these elements. One day, it may even become a ballet… 1. The Calling God summons Abraham in an especially composed quasi-Islamic Call to Prayer (a combination of form, ornamentation and quarter-tones from Pakistani and Turkish ones), rippling quintessential English/Christian church bells and a Jewish Shofar (ram’s horn, played by the oboe). God asks Abraham to sacrifice his son Isaac (or Ishmael, in Islam) as a test of his faith. 2. The Journey A processional, over continual drums playing a Sufi Aksak Semai rhythm, propels the pair on a long and hot desert journey: Abraham must bring his son to be bound, ready for sacrifice. We hear the intense emotional conflict in Abraham’s mind – nagging doubt in a bed of dark string chords; hope that he is doing the right thing, in the form of excerpts of an Ashkenazy Jewish prayer; a stirring Catholic plainchant to remind him of the strength and determination of his faith. 3. The Sacrifice However, even the plainchant goes “off the rails” as the dreadful deed approaches. The clamour intensifies as Abraham steels himself to plunge the knife into his son – saved by a piercing high note on the Violin… 4. The Angel Appears God has been satisfied by the strength of Abraham’s faith and has sent an Angel to reprieve him – providing a ram as an alternative sacrifice. The Angel’s tone softens as he imparts the good news; there is a feeling of release and relief leading into… 5. Three paths to love Over a backdrop of undulating woodwinds in the Jewish Av Horachamim/Mi Shebeirach or Ukranian-Dorian/Gypsy mode, all the different religious musical elements combine into one soaring melody on the violins, the piece ending on a high note of hope: an A, for Abraham. Roxanna Panufnik, 4th September, 2008
for the World Orchestra for Peace
Three Paths to Peace for Orchestra (2008)
Roxanna Panufnik (* 1968)
1. The Calling Very freely
Flutes 1&2
1 = G
Oboes 1&2
Clarinets 1&2
e = 144
0
0
0
0
0
0
G =
0
0
0
0
0
0
G =
0
0
0
0
0
0
=
0
0
0
0
0
0
1 G =
0
0
0
0
0
0
Trumpet
G =
0
0
0
0
0
0
Trombone
=
0
0
0
0
0
0
Tuba
2 =
0
0
0
0
0
0
Percussion
1 2 N =
0
0
0
0
0
0
G =
0
0
0
0
0
0
=
0
0
0
0
0
0
G =
0
0
0
0
0
0
=
0
0
0
0
0
0
Bassoons 1&2
Horns 1&2
2
Harps 1&2
|
|
|
|
|
|
|
|
| |
|
|
Piano
Very freely
e = 144
1 Violin I G =
0
0
0
0
0
0
G =
0
0
0
0
0
0
Violin II
1.Solo Dramatic and intense - with great bravado
Viola
5 5M mf
Violoncello
Double Bass
5
5
5M 5 5 5M 5 5
strong vibrato
3
5 5 5 5 5 5 5
5
5 5 M
5
5 5 5 !5 5 5
port. 5 = 5 I5M 5MM 4M
|
|
|
|
"Allah is the greatest,"
=
0
0
0
0
0
0
2 =
0
0
0
0
0
0
Edition Peters No. 71812a Š Copyright 2005 by Hinrichsen Edition, Peters Edition Limited, London
|
|
2
10
Perc.
1 2G
0
0
0
TUBULAR BELLS: (Less freely)
0
4 5 5M
0
pp
1 G
Vln. I
0
0
0
0
= 5 5 5M 5M 5 5M 5 5M 5 5M 5 ! 5 5 5 ! 5 5 5 5 5 5IM 5MM
0
0
5 5 5M
p
(Less freely)
0
(Tub. bells)
5 5 5M 5 5
5M
1.Solo
(solo)
5 5 5 5 5M
5 5
5
5
"I bear witness that there is no God except Allah," port.
*) Solo
2G k 5M 5 5 D5
Vln. II
mf
port.
3
5 5 5 5 5 5M 5 5 5M 5 ! 5 5 5
port.
0
0
"Allah is the greatest," *) from somewhere at the back of the 2nd violins
1 2G 5 5
5M
5 5
5M
(Tub. bells)
4
4
18
Perc.
5 = 5E5M E5 5 5 5 5E5ME5 5 5 5E5E5 5 5 5E5 E5 5 5E5 5 5E5 5 5M 5M 5M
e =e
'
3
G
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
G
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
4M 4M 4
Hps.
Pno.
-
1 G
Vln. I
(strong vibrato)
5
5 5 5M 5 5M5 5M 5 5M5 5M5 5M5 5 !5 5 5 5M 5 5 5M
5
5
M
tutti e = e
3 3 55M 5 5 5 5 k !5 5 5 mp 5 M 5
"I bear witness that there is no God except Allah,"
0
G
Vln. II
Vla.
0
Vc.
0
0
0
0
0
0 BM
0
0
0
0
0
BM
div.
55MM
' '
BBMM
55MM
' '
M BBM
55MM
' '
BM
5M
p tutti div.
0
p div.
5M = = 4M
BM
BM BM
p
ppp
Db.
2
0
0
0
0
0
0
'
p
26
Perc.
1 2G
0
0
(Tub. bells)
0 Solo
Vla.
55
5
5M
5 5
5
= 55MM
0
0
?
=
G
0
0
?
0
0
?
= + $ ''M 5I55MM 555 555 5I55MM 555 555 555 5I55MM 555 55I5MM ' M I5p MM 55 55 5I5MM 55 55 55 5I5MM 55 5I5MM '' MM 5 = +
port.
3
5M
5
M
5M 5 5 5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 BM
?
?
' '
' '
' '
' '
' '
' '
' MM '
'
'
0
0
' '
' '
' '
' '
'
'
'
'
Db.
4
5 5 5 5 5 5 5 5 5
mp
' '
0
'M
G ' '
Vc.
2
= 4
M ' 'M
Solo Vc.
55 55
?
1 G
Vln. II
55MM
' MM '
0
-
Vln. I
55
0
mp
5 5M 5 5
mp 3
(solo)
G Hps.
Pno.
5 E5 5 5 E5M E5 E5 5 5
0
' MM '
'M
4
M = 5
mf "I bear witness that Mohammad is Allah's envoy,"
3
31
Perc.
1 2G '
(Tub. bells)
0
0
?
G ?
5 5
3
5
mp
3
Hps.
0
0
G
0
0
5
555 5 5 5 5 0
4
0
5 5 5 5 5 5 5 !5 5 5M 5 5 5 5M 5 5 5 5M 5 I I I 3
0
0
0
0
0
1 G 5M I
Vln. II
G ' '
' '
' '
' '
' '
' '
Vc.
= 5M 5
?
5 5 5 5 ! 5M 5 5 5 5 5 5 5 5 5M 3
3
5 5 5 5 5 5 ! 5 5 5
5 M 5 5
0
3
3 5 5 5 5 5 5 5 !5
0
Vln. I
55
0
mp
5k
55 BB
55 5 55 5 5 5 5M 5 5 5 5M 5 5 5 5M 5 5 I I I
5
3
Solo Vc.
55
3
3
3
(solo)
5 5 555 5 5 55 5 5 5 5
Pno.
Vla.
4
mp 3
5 5 5 5M
0
?
BB
' '
BB
BB
' '
BB
BB
5 5 5 5 5port.5 BM
BM
4
3
' ! '
' '
' '
' '
BB
B
'
'
'
'
B
B
Db. 2
p
36
Perc.
(Tub. bells)
1 2G
BBMM
55
0
B
0
B
5555
p
G
0
5 5IM 5 B
5
?
0
3
tutti
B
3
3
3
mp
0
G
5 5IM 5 B
5
0
0
0
0
?
3
0 ''
0
55555
0 (all Vln Ia)
' '
' '
3
0
4
4
3
5M 5 5 5 5 5 5 5 mp "Come to happiness,"
Vln. I
''
' '
' '
!BB
' '
' '
' '
' '
' '
BB
' '
''
''
BM
5M = BB
' '
0
G
G
Vln. II
Vla.
3 4 4 5 B
p cresc.
Solo Vc.
5k
!5 5 5 5 5
5 5 5 5 5 5M 5 5M5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 35 5 5M
3
mf
5M
0
0
5 5 35 5 5M 5 5 5 mp "Come to happiness,"
"Come to ritual worship,"
Vc.
'
'
'
'
'
'
5 5 35 5 5M 5 5 5 mp "Come to happiness,"
morendo
Db.
3
B
B
?
0
p
0
1 G ''
0
Pno.
3
555 5 3 55 555555
B
Hps.
3
3
3 5 5 55 55 5 55 5555 5
2
0 morendo
!B p
'
5
4
slightly faster 41
Perc.
(Tub. bells)
(Tub. bells)
3 3 3 1 5 3 5 5 5 2G 5 5 5 5 5 5 5 5 5 5 5 3
3
Hps.
3
3 3 G 5 5 5 55555 5 555 5 5 5 3 0
-
3
3
3
3
3
G 5 5 5 55555 5 555 5 5 5
3
3
0
0
0 3
3
3
3
3
555
5 5 55 5 5 55 3 5 55 5 5 5 5 5 5 5 5 3
0
3
3
3
3
3
3
3 3 555 5 5 5 555 5 5 5 5 5 55 5 5 555 5
3
5555 5 3 55 555 3 55555 5 5 3 5 555 555 5 55 5 55555 5 5
3
3
3
3
3
3
3
3
3
Pno.
3
3 3 555 5 5 5 55 5 5 5 5 5 5 5 5 555 5 5 5
3
3
3
3
3
3
3
3
3
5555 3 5555 3 5555 5 5 5555 5555 5555 5555 555 55 0
3
0
3
3
3
3
3
0 3
3
3 3 3 5 5555 555555 555555555555 555555555555 3
0
3
0
0
0 slightly faster
1 5 5 5 !5M 5 G
3
5 5 5 5 5 5 M 5 5 5 5 5 5 5
5 5 !5
3
3
5M 5 5M 5 5 5 5 5 5M 5 5M5 5 5 5 !5 555 5M 5 5 5 5
'
'
3
Vln. I
Vln. II
Vla.
' G '
' '
' '
' '
' '
' '
G ' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
' '
tutti
5 5 5 5!5M
Vc.
Db.
5 5 5 5 5 5M 5 5 5 5 5 5 5
5 5! 5
3
2
'
5M 5 5M5 5 5 5 5 5M 5 5M 5 5 5 5! 5 555 5M 5 5 5 5
3
3
'
'
'
3
'
'
p
'
'
(Tub. bells)
47
Perc.
1 2G 3 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M
G 3 5M 5 5 5M 5 5M 5 5 5M 5
5 5M 5 5 5M 5 5 5M 5 5 5M 5
5 5M 5 5M
p
Pno.
0
BBB
B BBB
BBBB
1 G B
p
5 5
5 5M 5
555 5555
?
!5555 BBB p 5555 BBBB
BBB BBBB
0 ' '
5 5M 5 5 5M 5
BBB
BBB BBBB
BBBB
5 M = 5 BB
5 5M
5 5 5M
5
5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5M
5 5 5M 5 5 5M
5 5
5 5M 5 5 5M 5 5 5M 5 5 5M 5
0
(God calling Abraham) ardently 1.Solo
Vln. I
5 5M 5
(solo)
0
p
' G '
5 5 5M 5 5 5M
0
G BBB
-
5
1.Solo
Hps.
5 5 5M
mf "I - bra (Islamic)
555
555
5555
5555
BBB BBBB
0
!5555
555
5555
5555
BBB BBBB
BBB BBBB
(solo)
5M 5 5M 5 5M 5 5M slow port.5 B
-
0
-
-
-
'
0
him"
?
0
0
?
0
0
0
morendo
G ' '
Vln. II
' '
BB
1.solo
4
morendo
' '
Vla.
' '
BB
? morendo
'
Vc.
'
B
?
?
3
1.solo = 5M 5k 5 5 5 5 5M 5 5 5 5 5 5 5 5 5M
mp 3 "I bear witness that Mohammad is Allah's envoy,"
5M 35 5 5 "A - bra ham" (Christian)
BM
0
0
0
0
0
0
morendo
Db.
2
'
'
B
? morendo
5
5 5 5 5 5
5
(as a Shofar) 53
1 Ob.1 G 2 Perc.
0
0
0
0
?
4
5port. 5M =
=M 5 5M
4
(Tub. bells)
1 2G 5 5M 5
5 5M 5
5 5M
5
5 5M 5
G 5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5M
5 5
5 5M 5 5 5M 5
0
G BBB
55 5
5 5 5 5 5 5 5 BB 5 B
B BBB
5555 *
5 5 B 5 5 5 5 5 5 BBB
5 5M
5 5
5M
5
5 5M 5 5 5M 5
5 5M 5
5 5M 5
5 5M 5
5 5M
5 5M
5 5 5 5
5M 5M
5 5
5 5M 5 5 5M 5 5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5M
5 5M 5 5M
(solo)
5 5M 5 5M
Hps.
Pno.
Solo Vln.1
1 G
0
0 55 5
BBBB
555 BB 5 B
0
BBBB
BBBB
5555
5 5 5 5 BBBB
BB B
B BB
55 5
5 5 B 5 5 BBB
0
5M 5
0
Vln. II
0
G
port.
5 5 5E5 5 5 5 5 5E 5
5 5 5 5 5
G '
5M 5
B
2 5 M
port.
5 5 5E5 5 5 5 5 5E 5
"A - vra ham" (Jewish)
? port.
5 5 5M 5 5 5 5 5 5M
"A
(solo)
0
3
Vla.
0 5555 5555
5555 5555
BBBB
5555
BBB B
5555
5
5M = ?
5
5M = ?
5555 5555
*
"A - vra ham" (Jewish)
Vln. I
0
5 5 5 5 5 5 5
5 -
5 5 5 5 5 "A
0
(solo)
'
bra -
5 -
bra -
5M port. 5 B ham"
5M port. 5 B ham"
0
0
0
0
0 1.solo = 5 5k 5 5 5 5 M
?
3
port. 59
M M M M = 3 5 5M 5 5M5 5M5 5M5 5M
1 Ob.1 G 4 2 Perc.
5 5M 5M 5M!5M 4
port.
5 5M
G 5 5M 5 5 5M 5
5 5M 5 5M 0
G BBBB Pno.
Solo Vln.1
BBBB
BBBB
5
5 5M 5
5 5M
BBBB
1 G
0
G
0
5 5
5 5M 5 5M
?
4
cresc.
BBBB
5555
cresc.
BBB B
4
5 ! 5M 5 =
5 5M
5 5 5M 5
5 5M 5
5 5M 5
5 5M
5
5 5M
5
5 5M 5 5 5M 5
5 5 5 5
5 5M
mp
5555 *
555
5 5 5M 5 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5 5M 5
5 5M 5 5M
5 5
5 5M 5 5M
5 5
5 5M 5 5 5M 5 5 5M 5 5 5M 5
5 555
mp
5
5M
4
5 5 5 5 5 555 *
B = 5
B
BM
BBBBMMM M
0
3
M 2 !5 5 5 5
5
5
0 5555
B BB
5555
5
0
0
0
BBBBMMM M
5555 55 555 55
m.d.
B BB
0
5 5 5 5 5 5 5port.5 5
mp
Vla.
?
3 5
tutti
5 5M 5 5 5M 5
tutti (desk 2 only) Vln. II
0
(Tub. bells)
1 2G 5 5 M 5
(solo)
Hps.
0
M = 3 5 5
0
BBBB
! BBB
BBBB B
BBBB B
BB B
BBB
BB B
55 5
0
3
3
0
5M 5 5 5 5 5 5 5 5 55 5 555 5 B 0
0
55 5
0
5 5
5!5 5 5 5 5 5
B 0
6
Perc.
65 1 5MM 2G
M M 5 5M 5 5M 5 5 5
port.
5 !5M D5M D5M E5M =
4
4
?
0
1 (Tub. bells) 2G 5 5 M
5
5 5M 5
5 5 5 !5 5 5 5 5 5 !5 5 !5 5 !5 5 5 5 5 E5 5M 5 5 !5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 !5 5 5 5 !5
G 5 5M 5 5M
5 5
5 5M 5 5 5M 5
5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 !5 5 5 5 BBBB 5 M 5 5 5 5 5 5 555 5M 5 5 5
Hps.
G BBBBB
BBB BB
BBBBB
BB B
BB B
55 5
0
1 Solo Vln.1 G 5!5M
5
B
5
B
?
BBBB B
555 55
BB BB
BBBB
55 5
BB B
B BB
GGGG
Pno.
55 5
?
port.
5 !5
5 M
5
GGGGGGGGGGGGGGGG
0
GGGGGGGGGGGGGGGG
5E5 3
55
!5 5 5 5 E5
GGGGGGGGGGGGGGG
Ob.1
B B B
5 5 5 5 5 5 !5 5
B BB
G
5M
5
E5 5 5 5 5 5 E5 5
5
5
3
f
cresc.
G
Vln. I
0
tutti
?
0
3
5 5 5 5 5 5 5 5
5
div.
55
mf
0
G
3
?M
0
=
E5 5
!5 5 !5 5 5 5 5
mf
G 5!5M
Vln. II
5
B
5
B
port.
5 !5
5 M
5
5 5 5! 5 E5 5 5 5E5 3
5M
5
3
5
5
3
f
cresc.
Vla.
0
0
?
?
tutte, div.
BB
mp
Vc.
0
0
?
'
mp
Db.
2
0
0
'
mp
B
7
68
Ob.1&2
1 G
0
0
4
5
5M
5
5M
5
3
$ M 5 5
3
5
5M 5M 5M =
mf
Bsn.1&2
0
0
4
5
5M
5M 5M 5M =
mf
Cbsn.
2
M B
BM
5
=
5 M
5M
con sord. (harmon) Tpt.
5 M
mp
1 G
0
0
4
5
5M
5
5M
5M
5
3
mf
Tba.
2
= BM
BM
mp
5
1 E5 5 !5 5 E5 !5 5 E5 5 !5 5 E5 5 !5 5 E5 !5 5 E5 5 !5 5 E5 !5 5 E5 5 !5 5 E5 2G E5 E5 E5 mp G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5M 5M 5M
=
5M
(Tub. bells)
(Tub. bells)
Perc.
5M
5 !5
5
E5
5 !5
5
5
5
5
5
5
5
5
5
5
5 !5
5
E5
5 !5
5
5
5
E5 5 !5 5
5 E5 !5
5 E5
5
5 5
5
5 5
5 5 5 5
5
5 5
5
5 5
5 5 5 5
5 E5 !5
5 E5
5 5
5
mf Hps.
4M BM BBM M GGGGGGGGG
5 5
G Pno.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E 5 5 ! 5 5 E5 !5 E 5 5 ! 5 5 E 5 5 ! 5 5 E5 !5 E 5 5 ! 5 5 E5 !5 E5 5 !5 5 E5 5 E5 5 E5 5 E5
5 5 5 5 5 5 5 5 5 5 5 G 5 F
1 G
55
port.
55
55 I 55MM
5M 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
55
uniti
=
=
4
5
5M
5
5
5
5
5
5
E5 5 !5 5 5 5 5 5
5 5 5 ! 5 5 ! 5 5 5 5M 5 5M 5 5M 5 5M 5 5M 5 5M 5 5M 5 5 5
5
mf Vln. I
G
55
port.
55
55 I 55MM
5M 5
55
uniti
=
=
4
5
BM
5M
5
5
5
5
mf
G
5
port.
5
5
I5M
5M
5
=
=
4
tutti, uniti
5
0
BM
mf
5
port.
G
Vln. II
5
5
I5M
5M
5
=
=
=
tutti, uniti
=
5
BM
5M
BM
BM
BM
BM
BM
BM
BM
5M
mf
Vla.
uniti
BM mf
BM
Vc.
mf
Db.
2
B M mf
5 M
5M
5 M
8
72
Bsn.1&2
1 BM
Cbsn.
Hn.1&2
2
5M
4M
1 G
BM
BM
5M
5
B M
BM
5M
=
4M
0
4
3
$ 55
55M MM
5M 55 5M M
55 55M
55M
55M !!55M =
=
0
5MM
M 5 5 M
M M M M 5 5 5 5 5 =
=
0
=
5
mf
Tbn.
4M
0
4
3 5 mf
Tba.
2
4M
BM
5M
BM
5M
=
5
(Tub. bells)
1 E5 5 !5 5 E5 !5 E5 5 !5 5 E5 !5 E5 5 !5 Perc. G E5 !5 2 5E 5 5 5 5E5
5
E5
!5
5
E5
G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
G
E5 !5 5 E5 E 5 5 ! 5 5 E5 !5 5 5 E 5 5 ! 5 5 E5 !5 5 E5 E 5 5 ! 5
5
E5
!5
5
E5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
Hps.
E5
5 !5 5 E5 5 !5
5
E5 !5 5 E 5 E5 5 !5
5 E5 !5 5 5
5
5
5 5 5 5 5
5
5 5 5 5 5 5 5
5 5 5 5 5
5
5
5 5 5 5 5
5
5 5 5 5 5 5 5
5 5 5 5 5
E5
5 ! 5 5E 5 5 ! 5
5
E5 !5 5 E5 E 5 5 ! 5
5 E5 !5 5 5
5 5 5 5 5
5
5 5 5 5
5 5 5
5 5 5 5 5
Pno.
G 5 5 5 5
1 G
5M
5 5
5M
5 5
5
5 5 5 5
5 5
5
5
5M 5 5M 5 5M 5 5M 5 5M! 5 5M! 5 5M! 5 5M! 5 5
5 !5 !5 5 5 !5 E5 5 5 5 5 !5 5 5
3
Vln. I
G
G 5M
Vln. II
Vla.
Vc.
Db.
5M
2
5 5
5 5
5M
5M
5 5
5 5
5
5
5 5 5 5
5 5
5
5
5 M
5
5 5 5 !5 5 5
5 5
5
5
5 M
5
5 5 5 !5 5 5
3
3 5 5 5 5
BM
BM
BM
BM
BM
B M
BM
BM
BM
B M
BM
BM
9
76
Bsn.1&2
1
=
5M
5M
BM
2
5M
5 M
BM
1 2 5M
5M
=
0 BM
5
BM
5
BM
0
p
dim.
Tba.
5
p
dim.
Cbsn.
5M
= 5M
BM
5M
p
dim.
0
(Tub. bells)
Perc.
1 E5 5 !5 5 E5 !5 5 E5 !5 5 5 5 5 E5 5 !5 5 5 !5 5 2G E5 5 5 5 E5 E5 !5
0
5M
4
mp
dim.
G
5 5M
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M 5 5 5 5 5 5 5 5 5 5 4 dim.
BM
mp
Hps.
G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4
5 5 5 5 5M
BM
E5 5 !5 5 5 5 E5 5 !5 5 E5 !5 5 E5 E5 !5 5 5 5 5 E5 5 5 !5 5 E5 5 !5 5 E5 !5 5 5 E5 !5 5 5 M E5 5 5 !5 4
BM
p
dim. Pno.
G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5
I5M
port.
5 1 G
=
5
5 G
=
5
G 5
=
5
4
5 5 5 5 5 M
BM
5MM 0
0
0
0
0
0
0
0
0
0
0
0
Vln. I
Vln. II
5M
Vla.
port.
I5M
5MM
port.
5IM
5M
5MM
BM dim.
5M
Vc.
5M
BM dim.
Db.
2
5M
5 M
BM dim.
BM
BM
BM
BM
BM
BM
BM
BM
BM
p
p
p
10
rall. 81
1 Ob.1 G
0
0
0
0
0
?
=MM 5 @ 5 pp
Cl.1&2
Perc.
0
2G
0
0
0
?
$ =MM 155 pp
1 2 G 5 5
5M
5
'
'
B
B
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
4
-
55
(Tub. bells)
B M
B M
0
Hps.
0
Pno.
rall.
(desk 1 only)
1 G
Vln. II
0
5port. 5M
5
5 5 5 5 5 5 5M 5 5M 5 5M 5 5 3
mp
Vla.
Vc.
Db.
2
=
5
=
5
5IM 5MM 5IM 5MM
= 5 M 5 M I M
5
3
5
5 5 5 5 5 5 I5 5
port.
I5 '
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2. The Journey q = 104
87
Ob.1
1 5M 5M 5M 5M = ? G
0
0
0
0
0
0
3 15 5 5 5 = ? 2G 5M 5M 5M 5M
0
0
0
0
0
0
1
0
B
3
Cl.1&2
Perc.
N
0
15" & 19" Taiko or Kodo/Tat Drums Very low Field Drum (snares OFF)
= 5 B
5
55
p cresc. (Sufi rhythm - "Aksak Semai")
N
Dr.
0
0
B
= 5 B
p
Perc.
0
2G ' ?
1.Solo
4
G3 5 M
'
5
= 5 B
5
(Drums)
55= 5 5 55
5 5 5 5 5 5 5 5 5 5 5 5
5 5 555 5 55555 5 5 5
55
555 5 55 5 5 5 5 5 5
5 5 5 55 5 5 5 5 5555 5
mp
55
= 5 B
cresc.
5
=
5
5 55
mp
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
(don't damp) Hps.
Pno.
4
?
4 G 5555
-
?
Vln. II
mp
?
1 2G '
G3
5M
mp
4
! 5555
' ' '' ' ' ' ''
N
* q = 104
'
BM
B
5
M 5= 4
?
11
94
Hn.1&2
1 G
0
0
0
0
Tbn.
0
0
0
0
0
0
0
0
Tba.
2
1 Perc.
5 5 5 5 5 5 N 5 5 5 5555
5 5 5 5 5 555 5 5 5 5 5
(Drums)
5
5 5 5 5
5
5 5
5
5
5 5 5
5
5
555 5
55 5 5 5 5 5 5
5
555
5 55555 5 5
5555
5
5555
5 5
5
mf
Dr.
2N 5
555 5 55 5 5 5 5 5 5
5
555 5 55 5 5 5 5 5 5
5
mf
1 G
Vln. I
-
E5 5M 5 5M 5 5M 5 5 5 !5 =
0
5 5 5 4
3
mp div.
3
M 5 M 5 M 5 = 55 55M 5 55M 5 55M 5 55 55 55 3
0
G
5M
4
=
3
55MM
E55 !55 55 4
55MM
4 55 55 55
3
div.
BB
Vla.
div. = 55 E55MM 55 5M 5M 55 5M 5M 55 55 55 E55 p
0
G 55MM
55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
p Vc.
div. BB
Db.
div. BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
3
p
2
55 55MM 55 55MM 55 55MM 55 BB
= 55
4
= !55 E55MM 55 5M 5M 55 5M 5M 55E55
p
55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
3
= 4 55
55MM
55 55MM 55 55MM
55MM
55 55MM 55 55MM
55MM
55 55MM 55 55MM
3
3
3
3
E55
0
55MM
3
3
55 = 5 5
3
3
3
55MM
55MM 55 55MM 55 55MM 55 5 5
4
p
Vln. II
55
55 55MM 55 3
55 55MM 55
3
3
55 55MM 55 3
2.Solo
5 5 ! 5 5 5 ! 5 5M 5 5 ! 5 5 5 5Mport.
98
1 Ob.1&2 G
0
G
0
0
0
mf
6
3
5
3
(part of a Sh'ma Jisroel)
Cl.1
= 5 5M
?
5
0
0
mf 1.Solo port. Cl.1&2
Hn.1&2
2G
0
mf
1 =2.solo G E5 E5 5 5 5 5 5 5 5 5 I mp I
= E5 5 E5 5I 5 5I 5 5 5 5 mp Tba. 2 = E5 5 5 5 5 5 5 5 !5 5 I mp I
Tbn.
1 Perc.
N 5
5 M
0
555 5 55 5 5 5 5 5 5
5 5 5E5 5 5
(2.solo)
B
B
B
5
=
5E5 E5
B
B
B
5
=
5 5 E5
B
B
B
5
=
5
5 55 5 55 5 5 5 5 5
5
5
5 55 5 55 5 5 5 5 5
5
5
BM
?
6
6
5 5 E5
(Drums)
5 5 5 5 5 5
EB
BM
B
EB
BM
B
EB
BM
B
p
p
p
555 5 5 5 5 5 5
5 5
555 5 5 5
5 5
5
5
5
5
5 5 5 5
55 5 5 5 5 5 5
5 5 5 5
55 5 5 5 5 5 5
mp
555 5 55 5 5 5 5 Dr. N 5 5 5 2
Vln. I
1 G BBMM G
Vln. II
BB
5
mp
BBMM
0
BB
55MM 55 55MM 55 55MM 55 55MM 55 BB
Vc.
BB
55MM 55 55MM 55 55MM 55 55MM 55 BB
Db.
BB
55MM 55 55MM 55 55MM 55 55MM 55 BB
3
3
3
5
BBMM
5
0
BB
0
Vla.
2
BB
5
0
55MM 55 55MM 55 55MM 55 55MM 55 BB
55MM
55 55MM
55 55MM 55 55MM 55 BB
55MM
55 55MM
55 55MM 55 55MM 55 BB
55MM
55 55MM
55 55MM 55 55MM 55 BB
3
55MM 55 55MM 55 55MM 55 55MM 55 BB 3
55MM 55 55MM 55 55MM 55 55MM 55 BB 3
0
3
3
3
55MM 55 55MM 55 55MM 55 55MM 55 3
55MM 55 55MM 55 55MM 55 55MM 55 3
55MM 55 55MM 55 55MM 55 55MM 55 3
12
102
1 Fl.1&2 G
0
0
4
4
=
5 55 55 E 55 55 E 55 5 55 55 55 55 55 55 mp
I5M 5M 5 = 4 G
Ob.1&2
Hn.1&2
?
1 (2.solo) G BM
B
BM
B
Tbn.
0
55MM
5M 5
a.2.
5 5 5 5 5 5 5 5 =
I5
M 5
= 5 !5 5 !5
5M
BM
4
5 5 E5 = 5 5 55 5 55 55
55MM
mp
5 E5 5 5 5 5 5 5 5 5 5 5 5M
(solo)
55 5 ! 5 5E 5
6
(2.Solo)
E5 = 5 5M 5
Cl.1&2 G ? 2
3
3
5
M
5M 5
mp
pp
0
0
0
0
0
0
0
0
0
pp
Tba.
2
BM
B pp
1 Perc.
Dr.
(Drums)
5 5 5 5 5 5 N 5 5 5 5555
5
55 5 5 55 5 5 5 5 5 5
5
2N 5
Vla.
1 B B
55MM
55 55MM 55 55MM 55 55MM 55 BB
Vc.
BB
55MM
55 55MM 55 55MM 55 55MM 55 BB
Db.
BB
55MM 55 55MM 55 55MM 55 55MM 55 EBB
555 5 55
5 5 5 5 5 5
5
555 5 55
5 5 5 5 5 5
5
55MM
3
3
555 5 55
5 5
5 5
5 5
55E55MM 55 55MM 55 55MM 55 EBB 3
5 5
5
5
5
(Drums)
5
5 55 5 55 5 5 5 5 5 5
5
5 55 5 55 5 5 5 5 5 5
55 55MM
55 55MM 55 55MM 55 BB
55MM
E55 55MM
55 55MM 55 55MM 55 BB
55MM
55 E55MM
55 55MM 55 55MM 55 EBB
3
3
55MM
5
55MM
3
55MM E!55 55MM 55 55MM 55 55MM 55 BB
3
2
55 55MM 55 55MM 55 55MM 55 BB
555 5 55
3
3
55MM 55 55MM 55 55MM 55 55MM 55 3
55MM E55 55MM 55 55MM 55 55MM 55 3
55MM 55E55MM 55 55MM 55 55MM 55 3
13
106
Fl.1&2
1 G
0
5M 5 55 = 4
0
0
? = 4
0
0
E55 55E!55 ! 55 55 55 !55MM I
= 4 55M 55
0
0
=
= !5 5M 5M M
5M
= = = = = 5M 5M 5M 5M 5M
= = = 5M 5M 5M 5M 5M ! 5M
5M
= !5 5M 5M M
5M
= = = = = 5M 5M 5M 5M 5M
= = = 5M 5M 5M 5M 5M ! 5M
5M
=
55 55 !!55 55 55 55 I55MM
4
6
= 55
G ?
Ob.1&2
55 E55 55 ! 55
BBMM
5 55E!55 55 5
!55
E5 5 5 5 5 5 G = E5 5 5 5 5 5E55 !55
Cl.1&2
6
mp
Bsn.1&2
Cbsn.
2
0
0
5M mp
=
5M
=
5M
5M
5M
5M
mp
=
Hn.1&2
1 G
0
0
?M
Tpt.
G
0
0
4
0
0
?M
= = 55 E 55I I mp
= = !5 5I
5 5I
5 5 5 5I 5 5 5 5I 5
5I
= 5 = I
I5
E5 5
4 5 5I
senza sord.
Tbn.
2
1
N 5
Dr.
2N 5
1 G ?
55 5 5
55 5 5 5 5 5 5
5
55 5 5
55 5 5 5 5 5 5
5
= 5 5 5 55 55 5 5 5 cresc.
G ?
Vln. II
5
55 5 5 5 5 5
5
55 5
5
55 5 5 5 5 5
5
55MM
55 55MM 55 5
5
!55
=M
div.
555 5 55 5 5 5 5 5
5
5
555 5 55 5 5 5 5 5 5
5
555 5 55 5 5 5 5 5
5
?
0
0
3
3
5M 5M 55 5M 5M 55 5M 5M 55 5M 5M 55 BB
3
5M 5M 55 5M 5M 55 5M 5M 55 5M 5M 55 BB
5M 5M 55 5M 5M 55 5M 5M 55 5M 5M 55
p
3
55MM E55 5M 55 5M 55 5M 55 B 5M 5M 5M pB
Vc.
BB
div. 3 55MM uniti 5 5M 5 5M 5 5M 5 BB p
55MM
5
0
3
$ 55 55MM 55 5M 5M 55 5M 5M 55 BB
BB
EBB
555 5 55 5 5 5 5 5 5
BBMM
BB
4 I5
mf
Vla.
2
= 5
5
0
pp
Db.
I5 = = I5
(Drums)
55 5
0
G
Vln. I
= 5 5 5 5 5I I mp
mp
Perc.
Solo Vln.1
4
3
3
5M 5M E55 5M 5M 55 5M 5M 55 5M 5M 55 BB
3
5M 5M 55 E55MM 55 5M 5M 55 5M 5M 55 BB
3
5M 5M E55 5M 5M 55 5M 5M 55 5M 5M 55 BB
3
5M 5M 55E55MM 55 5M 5M 55 5M 5M 55 BB
5M 5M E55 5M 5M 55 5M 5M 55 5M 5M 55
3
5M 5M 55E55MM 55 5M 5M 55 5M 5M 55
uniti
5 E5M 5 5M 5 5M 5 BM 3
p
B
BM
B
BM
B
14
110
1
= = = 5M 5M
5M
= = 5M 5M
= = = 5M 5M 5M 5M 5M ! 5M 5M
= 4 5M
4
?
0
0
= = = 5M 5M 1 Hn.1&2 G BM BM
5M
= = 5M 5M
= = = 5M 5M 5M 5M 5M ! 5M 5M
= 4 5M
4
?
0
0
Bsn.1&2
Cbsn.
2
5M
5 = 55 5 = 5M M 5M 5M = 5M 5M =
5M 5M = 4
0
5M
I 5M = 5M 5 = 5 M 5M = 4 M
0
5 5M
5M 5M
p
G BM
Tpt.
5M
p
BM
Tbn.
5M
Tba.
Timp.
0
1 2
0
2
1
0
mp
p
5 5= 4 5M 5M
=
5
5
0 I I5 = 5 M 3 5I = = 5
I I 5I = = 5I = 5 5 3 5 5 5 4 pp (Catholic Credo)
?M 4
= 3 = = 5 55 5M I5 I 5M E 55I
0
p
0 ?M
= = = E 55 55$ 3 55 55 55 4 55 I I E 55I I pp
$3 3 = 5 5 5 5 5 5 5 5 5I 5 5I 5 5 5I 5 5M 5I 5 5 5I I I mp
4
5 5 5M
5 5 5 5
5
5 5 5 5 5 5 N 5 5 5 5 55 5
5 5 5 5 5 5 5 5 5 555 5
5 5 5 5
5 5 5 55 5 5
5
Perc.
Dr.
555 5 5 5 5 5 5 5 5 5 2N 5
5 5 5 5 5 5 5 5 5 555 5
5 5 5 5
5 555 5 5 5
55
5
5 5 5M
= 5
5M
5
5 5 5M
55 5 5
5
5 5 5 55 5 5 5 55 5 5 5 5 55 5 5 5 5 5 5 555 5 5 5 5 5 555 5 5 5 555 5 5 5 55 5 5 5 5 5 555 5
tutti
0
G
0
G
4 mp
Hps.
0
G
5 5E5E55= = 555 = 5 5554
0
0
0
0
0
0
0
BB
0
0
BB
0
0
0
0
(little glisses)
?M
0
0
4
E 5M = (damp)
Vln. I
1 4 G
3
5M 5 5M 5 5M 5 5
!B
5
5M = ?
0
mp 3
G B B
Vln. II
5M 5M
3
55 5M 5M 55 5M 5M 55 5M 5M 55 BB
5M 5M 55 5M 5M 55 5M 5M 55 5M 5M 55 BBMM
BB
ppp
dim.
B B
Vc.
Db.
3
B B
Vla.
2
3
55MM
E55 5M 5M 55 55MM 55 55MM 55 BB
55MM
B 55 E55MM 55 5M 5M 55 5M 5M 55 B
3
BM
B
55MM E55 5M 5M 55 55MM 55 55MM 55 BM BM
ppp
dim.
3
BM 55MM 55E55MM 55 5M 5M 55 5M 5M 55 BM
ppp
dim.
BM
B
BM
B
dim.
ppp
115
Hn.1&2
1 $3 = = 4 G 5 5 55I E 55 55 55 55 55 E 55I 55I E 55I
E 55
E! 55
Tbn.
E5 I5 5 5 5 5 5 3 5 = I5 = I5 4 I
5
5
Tba.
Timp.
2
$3 5 5 5 5I 5 5 5 5 5I 5 5I 5 I 5 5 5
1 2 5 5 5 5M 1
5M
= 5
5
5 5 5M
5 = 5 = 5 = 4 E 5I E 5I 5I I5 =
3 = = = 5 5$ 3 4 = 4 55 ! 55 55MM E 55 5 5 E 5I5 E I I I I 5M 3 5 = = 5I = 5 5 3 5 4 I5 = 4 I
I5 = 5 = 4 I
3 = 5M 5M E 55I
= 4 55I 5I = 4
5M 3 I5 =
3 5 5 5I 5 5 5 5 5 5 M 3 5 5 5 5 5 5 5$ 3 5I 5 5 5I 5 5 5 5 5 5 5 5 M 3 5I 5 5M I I I I I 55 5 5
5
5
5 5 5M
5M
= 5
5
5 5 5M
55 5 5
5
5
5 5 5M
5M
= 5
(Drums)
N 5
555 5 55 5 5 5
5 5
Perc.
Dr.
2N 5
555 5 55 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5555 5 5 5 5555 5 5 5 5 5 5 5 5 5555
5 5
555 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5555 5 5 5 5 5 555 5 5 5 5 5555 5 5 5
15
120
Ob.1
1 G
0
Cl.2
G
0
?M
4
$ 3 5 = 5 5 3 5I 5 5I 5 5 5 5I 5I 5 5 5I 5 5M 5I 5 5 5I 5 5I 5 5 mf
0
0
0
$ 5 5 3 5 5 5I 5 5I 5 5 5 I
3 5 5M 5I
?M
0
4
= 5 mp
Bsn.1&2
Cbsn.
Hn.1&2
2
0
= = = = = =? = ! 5M 5 5 5M 5 5 5 ! 5M 5 5 5M 5M 5M 5M 5M M M M M M M M mp
?
0
0
0
= = = = = =? = ! 5M 5 5 5M 5 5 5 ! 5M 5 5 5M 5M 5M 5M 5M M M M M M M M mp
?
0
0
1 =4 G
1.solo
4 55I
?
BM BM
5 5 E5 5
?M
0
4
p
PICCOLO TRUMPET:
4
$ 3 5 = 5 5 5 35 5 5 5 5 5 5 5 5 5I 5 5 5 5I 5I 5 5 5I 5 5M I I I I mp
5
5
BM
5 5 5 5I 5 5 5
5
BM
Tpt.
G ?M
Tbn.
=4
Tba.
Timp.
2
I5 4
1 2 5 5 5 5M
1 Perc.
Dr.
?
0
= = = = 4 5M 5M 5M 5M 5M ! 5M 5M 5M p = 5 B
5M
$ 5 5 3 5 5 5I 5 5I 5 5 5 I
0
?
5 5 5 5 5M
55 5 5
4
?
4
?
0
Vln. I
0
0
0
5 5 5 55 5 5 5 5 5 5 5 5 55 5 5 5 5 555 5 5 5 5 5 5555 5 5 N 5 5 5 5555
?
?
0
0
0
?
?
4
(Tub. bells)
I5 5 I5 5 5 I 5 5 5
= 5 I5 5 5 I5 5 5
I5 5 5 5I 5 I5 5 5
5
I5 5 5I
arco,div.
4
55
55
BB
55MM 55 55MM 55 55MM 55 ' '
55
' '
55
' '
55
' '
55
cresc.
?M
0
4
$ 3 5 = 5 5 3 5I 5 I5 5 5 5 5I 5I 5 5 5I 5 5M 5I 5 5 5I 5 5I 5 5 mp
$ 5 5 3 5 5 5I 5 5I 5 5 5 I
3 5 5M 5I
div.
4
55 ! 55
BB
5 5 55 ' 55MM 5 55MM 5 5M 5M '
55
' '
55
' '
55
5 5
' '
5 5
' '
5 5
' '
55
' '
5 5
cresc.
div.
4
55
p
?M
0
p
G
2
0
0
p
Db.
0
?
p
Vc.
0
?
1 ? G
Vla.
0
(Drums)
2G
Vln. II
3 3 5 5M 5I 5I 5 5I 5 5 5 5M 5I 5
5 5 5 55 5 5 5 5 5 5 5 5 55 5 5 5 5 555 5 5 5 5 5 5555 5 5 N 5 5 5 5555
TUBULAR BELLS: Perc.
= 5 5 5 5 5 5 5 5 3 5I 5 5I 5 5 I5 5 5M 3 5 5 5 5I I I I
5 5
' '
' '
cresc. (pizz.)
0
5 5
5 mp
5 5 = 5 5
!5 5 5
5 5 = 5 5
!5 5 5
?
?
0
0
16
3. The Sacrifice poco accel.
Faster q = 112
126
1 Picc. G
0
0
G
Fl.2
0
5 I5 5 5EI5 !5 B
0
5 EI5 5 E5 I5 5 E 5 5 I5 5 I5 5 3 =
?
5 5I
G ?M
4
5 I5 5 5 !I5 !5 B
5
5 I 5 I 5 5 5 I5 5 I5 5 5 5I 5 5M I5 3 3 = 5 5 5
3 5I
5 5 5 5 5 5 B M 6
5
5 5
I5
5
5 5 5 B M !5E5 5
mf
6
5 5I 5 5E5I !5 B
5
5 5 B M E5 5 5 5 6
mf
5 5 3 I5 5 I5 5 5 5I 5 5M 3 5I 5 5 I5 5 5I 5 5 I I G 55555
Bsn.1&2
5
5 I5 5 E5EI5 ! 5 B
mp
Cl.2
6
mf
G 5I 5 5I 5 5 5 5M 3 5 5 5 5I 5 5M 3 5I 5 5 5I 5 5 5 5I 5 5 5 5M I
Ob.2
5 5 5 5 5 !5 BM
mf
mp
Ob.1
5
0
5 5 3 5I 5
0
I5
5 5 E5 E5E5 E5 B I I mf
0
5 5 5 ! BM E5 !5 5
5
6
= = = = = = 5 5M 5M 5M 5M M 5M 5M
5M
= = = = = = 5 5M 5M 5M 5M M 5M 5M
5M
f Cbsn.
2
0 1. solo
1 555 Hn.1&2 G 5 I Tpt.
0
f
5I 5 I5 5 I5 5 5 5 5M 5M 3
35 I
$ G 5 5I 5 5 5 3 5I 5 5 5I 5 5 5 5I 5 5 5 5M 3 5I 5 5 5 5 5I 5 5 5
5
Tbn.
0
5M 3 5 5 5I 5 I5 5 5 5 I
0
0
1. solo
5
'
5
=
= 5M 5M !5M 5M mf
=
= 5M 5M !5M 5M mf 4
BM
a2 = 55 mp
'
5
0
0
4
BM
= 5
mp
?
4
4
5 = mp
Tba.
2
0
0
0
?
4
4
= 5 mp
1 Perc.
0
0
N
(Drums)
5 mf
0
N
Dr.
0
5
5 5 =
2G
5 I5 5 5 5
5
5I 5 I5 5 I5 5 5 5 5
0
G
5
5 5
5
5
(Drums)
5 5 = 5 5 5 5I 5
5 5I
'
(norm.)
BM 0
0
5
55 5 5 5 5 5 5
5 5 5 5
5
55 5 5 5 5 5 5
4
0
(small glissandos - like little rumbles of thunder...) gliss.
fposs.
Hps.
555
5
f
5
0
555 5 55 5 5 5 5 5 5
5 5 5 5 55 5 5 5 5555
5
cresc.
(Tub. bells) 5I 5 5 I5 5 5
0
5
5
f
cresc.
mf
Perc.
0
5
5
B
B
5 mf
0
BM
gliss.
5 5 B E E = = = = = = 5M 5M 5M 5M 5M 5M f = = = = = = 5 5M 5M 5M 5M 5M `M
B
5
(set pedals to D ,G and B )
Pno.
G
0
0
0
0
0
0
-
1 G
poco accel.
' '
div.
5 5 55 55 55 5 55 55 5 5 5
mp
0
G
?M
0
55
mp
Vln. I
?M
0
G
?M
0
mf
5M
=
= 5M 5M !5M 5M
=
= 5M 5M !5M 5M
mf
55MM 55 55MM 55 55MM 55 p
B
5M 5 5M 5 5M 5 B
5M 5 5M 5 5M 5
5M 5 5M 5 5M 5 B
5M 5 5M 5 5M 5
mf
cresc.
55 E5 5 5 5 5 5 mp
55MM 55 55MM 55 55MM 55 EEBB
5M
5M
cresc.
5 E5 5 5 5 5 5 5 mp
0
EEBB
5M
B
p
mf
p
cresc.
div.
G 5I 5 5I 5 5 5 5M 3 5 5 ' ' I
Vln. II
55
Vla.
' '
55
' '
Vc.
' '
55
' '
mp Db.
2
0
55 cresc.
mp
cresc. arco, div.
' '
cresc.
' '
55
poco
cresc.
' '
55
poco
5 5
' '
5 5
poco
5 5
' ' poco
5 5
! BB
mf unite
BM
55MM 55 55MM 55 55MM 55 BB
p
B
BM
BM BM
B mp
mf
mf
55MM 55 55MM 55 55MM 55
BB
BM BM
B
BM
BB
mp
uniti
BM
mf
B
mp
17
=
5 5M
5
5M
5
5M
131
1 Picc. G
0
?
G
0
?
=
5 5M
Ob.1&2
G
0
?
=
55 55MM
Cl.1&2
G
0
Fl.2
Bsn.1&2
Cbsn.
Hn.1&2
2
port.
55 55MM
port.
5 5 =
5 5E5 5 5
5 !5 5
5 5 =
5 5 5E5 5
5 5 5
55 55 =
5 5E5 !5 5
5 !5 5
5 5E5 5 5
5 5 5
6
!5 5 5 5 5 5 5
5 5
5M
6
?M
0
!5 5 5 5 5 5 5
5 5
5M
!5 5 5 5 5 5 5
5 5
5M
6
!5 5 5 5 5 5 5
5 5
5M
6
= 5 = = 5M M
= = 5M 5M 5M
= 5 = 5M M 5M
= !5 5M 5M M 5M
= E5 = = 5M M
5M 5M
=
=
5M
= !5 = 5M M 5M
5M 5M
=
= 5 = = 5M M
= = 5M 5M 5M
= 5 = 5M M 5M
= !5 5M 5M M 5M
= E5 = = 5M M
5M 5M
=
=
5M
= !5 = 5M M 5M
5M 5M
=
E5M 5 M E5M 5 M
1 G 55 55 55 55 55 ! 55MM I I
3 55 55 55 I I
55 55 55 55 55 I
BB
BB
=
55I 55 55 5I5
55
55I! 55 55
5M 5M
35 5I
55
55 55 I
G 5I 5 5 5I 5
5M
I I 3 5 5 5
5 5 I5 5 5
B
B
=
5I 5
5 I5
5
I5 5 5
5M
3 5I
5
I5 5
I5 5 5 I5 5
5M
I5 5 I5
5 5 I5 5 5
B
B
=
I5 5
5 5I
5
I5 5 5
5M
I 35
5
5I 5
EI5 5 5 I5 5
5M
5I 5 5I
5 5 I5 5 5
B
B
I = E5 5
5 I5
5
I5 5 5
5M
I 3E5
5
I5 5
5
5 5
5
5
5 5 5 5 5 5555
5
5
5
5
555 5 55
5
5
Tpt.
Tbn.
Tba.
port.
2
1 Perc.
N
5
Dr.
2N
5
3
3
5 5 5 5 5 5 5 5555 5 555 5 55
5 5 5 5 5 5
(Drums)
5
5 5 5 5 5 5 5 5555 5
5
5
555 5 55 5 5 5 5 5 5
5
5
5
5
5
5555
555 5 55
5
5
5
5 5
5
5
5
5
5
BM Hps.
5
5
B
B
5
BM
5
5
B
B
5
5
5
B
B
5
BM
5
5
B
B
5
(sim.)
BM
= 5 = = 5M M
= = 5M 5M 5M
= 5 = 5M M 5M
= !5 5M 5M M 5M
= E5 = = 5M M
5M 5M
=
=
5M
= !5 = 5M M 5M
5M 5M
=
= = = 5M 5 ` M
= = 5M 5M 5M
= 5 = 5M M 5M
= !5 5M 5M M 5M
= E5 = = 5M M
5M 5M
=
=
5M
= !5 = 5M M 5M
5M 5M
=
Pno.
1 EB GE B
55MM
55 5M 5M
55 5M 55 EB 5M EB
55MM
55 5M 55 5M 55 EB 5M 5M EB
G B
5M
5 5M
5 5M 5
B
5M
5 5M 5 5M 5
5M
5 5M
5 5M 5
B
5M
5 5M 5 5M 5
G BB
55MM
55 55MM
55 55MM 55
BB
55MM
BM
B
BM
BM BM 2
55 5M 5M
55 EB EB
55MM
55 5M 5M
55 5M 55 5M
5M
5 5M
5 5M
5
B
5M
5 5M
5 5M 5
5M
5 5M
5 5M
5
B
5M
5 5M
5 5M 5
55MM
55 55MM
55 55MM
55
! BB
55MM
55 55MM
55 55MM 55
port.
5
5
EBM
B
BM
B
BM BM
BB
BM BM
BB
BM
B
BM
B
mf
port.
BB
BM BM
55
55
mf
cresc.
Db.
B
mp
cresc.
Vc.
B
55 55MM 55 55MM 55 ! BB
cresc. Vla.
55 5M 5M
mp
cresc.
Vln. II
55MM
mp
cresc.
G B
port.
BM
B
BM cresc.
E5M 5 M
mp
cresc.
Vln. I
E5M 5 M
5
5
mf
18 135 BM 1 Picc. G BM Fl.2 G
5M
BM
5M
poco accel.
5M
G
Ob.1&2
G BM
Cl.1&2
5M
=
0
0
0
0
=
0
0
0
0
=
0
0
0
0
=
558MM 3 ? 4
?M
(flutter) 5 5 = M5 M5 =M
f
Bsn.1&2
Cbsn.
2
= = = = = 5M !5M 5M 5M 5M
= = = 5M !5M 5M 5M 5M E5M 5M cresc.
= = = = = 5M !5M 5M 5M 5M
= = = 5M !5M 5M 5M 5M E5M 5M cresc. 8 55 !55 55 55 E!55 55 55 55MM 3 I I 55 I cresc. 8 I5 E5 I5 5 E5 5 5 5M 3 EI5
1 5 G 5I 55 55 55
! 55 55MM
=
Tpt.
I G 5 5 5 5
5 5M
=
Tbn.
E5 5M
=
Hn.1&2
I5 5 5 5
Tba.
2
5 5M
=
4
0
= 5 = = E5 5M 5M 5M M 5M M
5M
5M 5M !5M 5M 5M 5M 5M 5M E5M 5M
= !5 = = = = 5M 5M 5M M 5M f
= 5 = = E5 5M 5M 5M M 5M M
5M
5M 5M !5M 5M 5M 5M 5M 5M E5M 5M
f
(flutter)$ 8))) 55 5MM 5M 3 55 55 55 55 55 5 5 55 5 5 ! 5 E 5 ! 5 5 5 I 55 55 55MM 3 55I 55 5 55IE 5 I I 55 5 5I 5 mf cresc. 8)))) I 5 (flutter) I5 5 5 I5 5 I 5 I 5 53 5 5 5I E5 E5 !5 5 5 5M 3 5 5 5 5 M MM M mf cresc. cresc. 8)))) I5 E 5 I5 5 E 5 5 5 58M I5 5 (flutter) I5 5 E 5 ! E 5 I 5 5 I5 ! 5 5 I5 5 5 5I 5 5 5 5M I 5 E5 5 5 3 3 M MM 3 mf
I5
N
5 5 5 5 5 5 5 5 5 55 5 5
5
5 5 5 5 5 5 5 5555 5
Dr.
2N
5 5 5 5 5 5 5 5 5 55 5 5
5
555 5 55 5 5 5 5 5 5
E5 I5 5 5 !5 EI5 5 I 5 ! 5 E I5 5 E 5 ! 5 5
8)))) I5 E5 I 5E5 !I5 5 5 5 I5 5 M 3 E5 5E5 E5 5 5 5 E5
mf
Perc.
!5 5 !!55 5 55 EI5 ! 55 E 5 5I !55
cresc.
I5 E 5 I5 5 E5 E5 !5 E 58M I E5 !I5 5 E(flutter) 5 5 I5 5 5 E5I 3 E5 E5 MM M 3 cresc.
1
?M
= !5 = = = = 5M 5M 5M M 5M
cresc.
I 5 5 5E5
4
)))) E!558MM 3
(Drums)
cresc.
5
5 5 5 5 5 5 5 5555 5
5 5 5 5 5 5 5 5 5555
5
5 5 5 5 5 5 5 5 5 5555
5
555 5 55 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5555
5
5 5 5 5 5 5 5 5 5 5555
BM
5
5
B
B
5
BM
5
5
B
B
5
BM
5
5
BM
5
5
B
B
5
BM
5
5
B
B
5
BM
5
5
Hps.
= = = = = 5M !5M 5M 5M 5M
= = = 5M !5M 5M 5M 5M E5M 5M
= !5 = = = = 5M 5M 5M M 5M
1 EB GE B
55MM
cresc.
= = = 5M !5M 5M 5M 5M E5M 5M
5 5M 5 5M 5 EB 5 5M 5 5M 5 E B
55MM
cresc.
5M
5 5M 5 5M 5 B
5M
5 5M 5 5M 5 B
5M
5 5M 5 5M 5 B
G ! BB
55MM
55 55MM 55 55MM 55 ! BB
5M
5 5M 5 5M 5 B
BM
B
BM
55MM
55 55MM 55 55MM 55 ! BB
mf
B
cresc.
Vc.
Db.
2
BM BM
BB
BM BM
5M
5M 5M !5M 5M 5M 5M 5M 5M E5M 5M poco accel.
55MM
5 5M 5 5M 5 EB 5 5M 5 5M 5 E B
55MM
5 5M 5 5M 5 5M 5 5M
5 EB 5EB
55MM
5 5M 5 5M
5 5M 5 5 5M 5
5M
5 5M 5 5M 5 B
5M
5 5M 5 5M
5 B
5M
5 5M
5 5M 5
5M
5 5M 5 5M 5 B
5M
5 5M 5 5M
5 B
5M
5 5M
5 5M 5
55MM
55 55MM 55 55MM 55 ! BB
55MM
55 55MM 55 55MM
55 ! BB
55MM
55 55MM
55 55MM 55
mf
cresc.
Vla.
= 5 = = E5 5M 5M 5M M 5M M
mf
cresc.
Vln. II
5M 5M !5M 5M 5M 5M 5M 5M E5M 5M
mf
cresc.
G B
= !5 = = = = 5M 5M 5M M 5M
5 5M 5 5M 5 EB 5 5M 5 5M 5 E B
Vln. I
G B
5M
f
Pno.
= = = = = !5M 5M 5M 5M ` 5M
= 5 = = E5 5M 5M 5M M 5M M
BB
cresc.
EB
5 5M B
EB
5 5M 5 5 5 5M
5M
EB
5 5M 5 5 5 5M 5M
BB
55 55 BB M
BB
55 55 55 55 55 55 M M
55 M
BB
55 55 55 55 55 55 55 M M M
5 5M B
B
5 5M 5 5 5 5M
5M
B
5 5M
f
f
BM
B
BM cresc.
B
B f
5 5 5 5M 5M
19 (Abraham steeling himself to plunge the knife....) 140
1 Picc. G
5 5 5 !5 5
4
0
f
0
G
Fl.2
5 5 5 !5 5
4
EI5
5
5I
5
E5
))))))))))))))))))) 58 5
5M
5
))))))))))))))))))) 58 5
5M 4
f
0
G
Ob.1&2
E5 5 5 E5 55 EEI55
4
)))))))))))))))))))))) ! 85 5 E5 E5 M 5 cresc. 8))))))))))))))))))))) 5 ! 5M 5 5 5
4
!55
E55
))))))))))))))))))) 558 55 55M
E55
))))))))))))))))))) E558 55 ! 55M
0
G
4
M M ! 85))))))))))))))))))))) 55 55 E5 E! 55 5M E 5 !55
4
cresc.
5 E5 5 5 E55 EE55I
! 55
5M
5 M
5M
5 M
f
Bsn.1&2
5M 5M
E5M 5 M 5M
5M
5M 5M cresc.
E5M 5 M 5M
5M
5M 5M
5M 5M
Hn.1&2
2
1 G 5 55 !!55 E5I5 ! 55 5 G 5 5
5M 5M
poco
5 5
Tbn.
5M 5M
!5 E55 ! 5 5I5 !5 I5
! 5 E 5I 5 E5
! 5 5I
55 5 E5 5
5
2
5 E5 E 5 E5I 5
5 E5
1
N
5
Dr.
N
5
5 5 5 5 5 5
5 E 5 5I
5 5 5 5
5 5 5 5 5 5 5 5 5 5
5 5
5
5 5
!5 E5
B
5
BM
B
5
BM
5 E5 2G
5
5 5 5
5
!5
5
5
E5 5
5
5 5 5 I 5 5 5 5
5
TUBULAR BELLS:
Perc.
5 !5
5 5 I
poco
Perc.
5 ! 5 !5 E5 I !5 I5
8))))))))))))))))))))) E55 E5 E55!E55MM E 5 55
4
5 5 5
E5
M !55
cresc.
5M
5M
5M
5M
5 !5 5 ! 5 5 !5 poco )))))))))))))))))))))) 8 5 5M
!5 5
!5M
!5M
!5M
!5M
!5 5
4
5M
5M
5 M
5M
5 M
4
5M
5 M
5M
5 M
5 ! 5 5 !5 !5 E5 !5 5 poco
5M 85)))))))))))))))))))))) M
4
5M
!5M
5M
!5M
poco
poco
Tba.
5M
ff
E5
!5 EI5 5
!5 E5M M
ff
poco
Tpt.
5M
E5M
cresc.
Cbsn.
!5M
5M
cresc.
f
Cl.1&2
5M
E5 poco
5 poco
5M
!5M
5M
!5M
5M
5 M
5M
5 M
5M 5M
5 !5 5 !5 5 !5 85M))))))))))))))))))))))
4
!5 5
5M
poco
5
5
5
5
5
5
5
4
5
4
5
5
5
5
E5
4
5
5
5
5
5
5
poco
5
4
poco
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
!5
5
!5
E5
5
5
!5
5
5
5
!5
5
5
5 5 5
5
E5
5
5
!5
5
5
5 5
5
5
5
5 5 5 5 5
5
5 5
5
5 5 5 5
5
5
5
5 5
5
5
5
5 5 5 5
!5
5
ff
B
5
5
5
5
B
B
5
Hps.
cresc.
B Pno.
5M 5M
E5M 5 M 5M
5M
E5M 5 M 5M
5M
cresc.
5M ` 5M 1 EB G B
5M 5M 5M 5M
55 5M 5M
5MM 5
5M 5M
5M
5M
5M
5M
!5 E5M M
5M
5M
5M
5M
5 M
ff
5M 5M
55 5M 5M
!5 E5M M
5 M
55 E5M 5M
55 5M 5M
55 5M 5M
55 5M 5M
G
B
5 5 M
5M
5 5M
5
5M
5 5 M
5M
5 5M
5
5M
5M
!5M
!5M
5M
5 M
55 5M 5M
55 E5M 5M
Vla.
G !BB
55MM
B
5
EB EB
Vc.
5 5
55 55MM
55 55MM
55 55MM
cresc.
5M
5 5 5 5M 5M
B
5 5M
5 5 5 5 5 5 5 5 5M 5M
EB EB
5M
!5M
5M
5 M
5M
!5M
5M
5 M
5M
!5M
5M
5 M
5M
!5M
5M
5 M
5M 5M
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 5
5 5 M
5 5M
5 5M
5 5M
5
5 5 M
5 5M
5 5M
5 5M
5
55 55MM
55 55MM
55 55MM
55 55MM
55
f
5 5 M
5 5M
5 5M
5 5M
5 5M f
5 5 M
5 5M
5 5M
5 5M
5 5M f
cresc.
Vln. II
5
!5M
cresc.
G B
B
!5M
cresc.
Vln. I
B 5 M
55 55MM
55 55MM
55 55MM
55 55MM
5M
5
5 5 5M
5M
5 5
5 5M
5 5
5 5 5 5 5 5M
5 5M
5
5M
5
5 5 5M
5M
5
cresc.
55 55MM f
5
5 5 5
f uniti
E5 f
E5 5 5
5
5
5 5 5 5 5 5
5
5
5 E5 5 5 E5 5
5
5
5 5 5 5 E5 5
5
5
5 5 5 5 E5 5
cresc. Db.
2
B
5
5M
5 5 5 5M 5M
B cresc.
B ff
5
5M
5
5 5 5M
5M
20
143
1 Picc. G
! 58))))))))))))))) ! 5M
85)))) 5M
5M
! 85)))) 5M
! 58))))))))))))))) 5M 8))))))))))))))) 5M !! 55 5
B
5
E5
B
B
5
E5
B
ff
5M
G
Fl.2
rall.
B !B
5M
5M ! B 5 !B
BB
55 EE 55
BB
BB
55 !E55
BB
G
Ob.1&2
= ?
ff
8)))) M !! 55 55
5M
= ? 55MM
= ?
ff
G
Cl.1&2
8)))) M !E55 !55
8))))))))))))))) ! 5M !E55 5
M 55
BB
55MM
= ?
ff
Bsn.1&2
Cbsn.
Hn.1&2
2
!5M
5M
5 M
!5M
5M
5 M
1 4 G
5 !5
58))))))))))))))) G
Tpt.
5 M
5M
5M
5M
!5M
E5M
!5M
!5 E5
5 !5
!5 5
!!BB
BB
55
E55
BB
85)))) 5M
5M
B
B
5
5
B
B
5
E5
B
M 5
= ?
DB
5
E5
B
5M
= ?
ff
!5M
5 M
5M 5M
4
Tba.
2
4
1 Perc.
5
5
(Drums)
5
N 5 5
5
5
!B
E5
5
5
= ? ! 5M = ?
5M 5M
= ?
(change back to NORMAL trpt.)
ff Tbn.
! 5M
!5M
5M
5M
!5M
5M
5M
!5M
5M
!5M
E5M
5 M
5M
5 M
!5M
5M
5M
!5M
5M
5M
!5M
5M
5 M
5M
5 M
5M
5M
5M
5M
5M
= ?
ff
5 5 5 5
5
EB
5
5
ff
5 5 5 5
5
5 5 5
5
5
5
5 5 = 5
4
?
5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5
4
?
4
?
5 5
5
5
5
5 5 5
5
5 5 5 5
5
5 5 5
5
5
ff
5 5 5 5 5 5 5 5 5 5 5 N 5 5 5 5 5 5 5 5 5
Dr.
ff (Tub. bells) Perc.
2G
5
5
!5
E5
5
5
5
!5
5
5
5
E5
5
5
5
5
5
E5
5
5
!5
BM
Hps.
5
5
B
B
5
BM
5
!5M
5M
5 M
!5M `
5M
5 M
5M
!5M
5M
5 M
!5M
5M
5 M
5 5M
B
!5M
5M
5 M
!5M
5M
5 M
B 5M
!5M
5M
5 M
!5M
5M
5 M
5M
5M
5M
5 5M
5M
5M
5M
Pno.
Vln. I
(DAMP)
5M
5M
5M
rall.
5M
= ? 5M
!5M
E5M
!5M
!5M
E5M
!5M
! 5M = ? ! 5M = ?
1 E55MM G
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 5
E5M 5M
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 5M 5 5M
5 E5M 5 5M
5 5M 5 5
= ?
M G 5
5 5 M
5 5M
5 5M
5 5M
5
5M
5 5 M
5 5M
5 5M
5 5M
5 5M
5 5M
= ?
55 55 M
= ?
-
` '
5
'
5
G fffposs.
Vla.
Vc.
2
5
55 55MM
E5
5 E5
5 53 M M
'
(tone strident and harsh - maybe a little sratchy?!)
G 55MM
Vln. II
Db.
= ? 5M
E5
5 5
5 5
5 5
55 55MM 5
5
5
5 3
5M 5M 5M
5 5
5 5
55 55MM 5 5
5 5
5 5
5 5
55 55MM 5 5
5 5
5 5
5 5
55 5 5
5 5
5 5
M M M M M M M M M 5M 5 5 5 5 5 5 5 5 5 3
3
3
55 55MM
55MM 5 E5
5 E5
5 5
5 5
5 5
55 55MM 5 5
5 5
5 5
5 5
55 55MM 5 5
5 5
5 5
5 5
55 55MM
55 55MM 5 5
5 5
5 5
5 5
5 5
5
5 5 5 5 5 = ? 5 5
5
5 5 E5 5 5 = ? E5 5
5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 5M 3
3
3
3
3
5M 5M 5M 5M 3
= ?
21
4. The Angel appears q = 60
` Solo port. 146 5 M 5 5 5 5 1 G
5M 5 5 5MM 5 5M 5 5M 5 5port. 5M 5 5 5 5 5 5 !5 = 4 4 5!5 5
?M
0
M(solo) 4 5
?
Vln. II
mf
(tone becomes much sweeter and warmer) port.
B
4 4
G
Vln. II
0
0
0
?
0
0
0
(tone becomes much sweeter and warmer)
Vla.
2
0
0
1.Solo
=M 5$ B mf
(solo)
M 5 M5 5 5 5 5 5 5 5 5 5 5 5M !5 5 5 5 I5 5I B 6
p
5. Three paths to Love rall.
152
Fl.1
1 G
0
0
0
Gently q = 52
0
4
0
$ 5 BM
=M
4
mp
G
Fl.2
0
0
0
0
4
0
= 5
BM
4
3 5M
BM
4
mp
G
Ob.1
0
0
0
0
4
0
mp
Ob.2
G
Cl.1
G
0
0
0
0
0
0
0
0
4
0
=
'
4
3 $ E5 '
4
mp
0
mp
G
Cl.2
0
0
0
0
=
0
5
mp
Bsn.1
0
0
0
0
5M 3
0
4
' '
4
mp
Bsn.2
2
1 G EB
0
0
0
0
'
0
mp port.
55E5
6
!5!5 5 5 5
6
E5 5 5
rall.
5!5 5E5
!5Mport. E5 5 E5 BM E5 "A - bra -
?
0
Gently q = 52
0
2
0
0
0
p
ham"
(Av Morachamim/Mi Shebeirach or Ukranian-dorian/Gypsy mode
Sweeter and more gently, now
Vla.
5 4
6 3 3 !5 5 !5 5 E5!5 5 5 port.5 5 5 5 5 5 5 5 5Mport. = 5 5 !5 5
mp
port.
(solo)
tutti
5 5 5 5 B 3
6
"A - bra -
ham"
5 5 5 5 BM 5!5 5 E5 5
22
158
Fl.1
1 4 G
$ 5 B
=M
K 5 5 5 5 5 5 E5 5 5 5 E5 5 5 5 5 5
5
5 5 5 5 E5 5 5 5
G 4
Fl.2
5 B
=
K
5
5 5 E5 5 5 5 5 5
5 5 5 5 E5 5 5 5 5 5
5
5
5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5
5
5 5 5 5 E5 5 5 5
E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 pp
5
E5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 E5 5 5 5 5 5 5 E5 5 5 5 5 5 5 E5
5
5 5 5 5 5 5 E5 5
5 5 E5 5 5 5 5 5 E5 5 5 5 5 5 5 5 p
G 4
Ob.1
3 5M
K B
5
5 E5 5 5
K
G 4
Cl.1
BM
5 5 5 5 E5 5 5 5 5 5 5
5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5
3 $ E 5 BM
K !5
BM
dim.
3 5 M
5 5
BM
5 5 5 5
5 E 5 5 5
5 5 5 5
dim.
p
Vln. I
1 G
G
5 5
0
4
BM
0
0
5 5 5 5
5 E 5 5 5
5 5 5 5
E5
5 E 5 5 5
5 5 5 5 5 5 5 E 5 5 5 5
5
5 E 5 5 5
5E5 5
5 35 5
5 5M
M
B
0
B mf
0
0
3
EB
B
0
5 5E5 5
BM
?
tutti
B
'
Db.
2
0
0
'
B
B
'
B
B
'
B
B
'
mp
p
Vc.
5 5
0
0
' mp
0
0
5 E5
5 5 5 5
pp
mp
Vla.
5 5 5 5
5
pp
port.
0
mp
Vln. II
5 E5
5 5 5 5 5 5 5 5 E 5 5 5 5
5 E 5 5 5
' 2
pp
dim.
p
Bsn.2
5 5 5
dim.
p
Bsn.1
5 E5 5 5
K
G =
G =
5 E5 5 5
pp
dim.
p
Cl.2
5 pp
dim.
p
5 5 E5 5 5 5 5 5 E5 5 5 5 5 5 5 pp
dim.
p
Ob.2
pp
dim.
p
5 5 5 5 E5 5 5 5 5 E5 5 5 5 5 5
' mp
port.
!5M
5I
23
164
Fl.1
1 E5 !5 5 E5 !5 E5 5 E5 G 5
G
Fl.2
5 E5 E5 5 5 5 5 5 5 !5 !5 5
5 E5
E5 5 5 5 5 5 5 E5 !5 5 5 5
5 E5 E5
5 5 5 5 5 5 E5 E5 5 5 5 5
5
E5 E5 5 5 5 5 5 5 !5 !5 5 5
5 5 5 E5 E5 5 5 5
5 E5 E5 5 5 !5 5 5 5 5 5 !5
5
E5
5 !5
5 E5
E5 !5 5 E5
5
5 !5 5 E5 E5 !5 5 5 5 !5 !5 5 E5 E5
E5 !5
5
E5 5 !5 5 E5 E5 E5 5 5 !5 !5 5 5 E5 E5 5 5 E5
! 5 5 5 5 ! 5 E5 E5 E 5 ! 5
5
5 E5 E5 5 5 ! 5 E5 E 5 ! 5 5 ! 5 E5 5 5
5 E5
E5 !5 5 !5 5 E5
Ob.2
G !5
G
5 5 55
5 !5 5 E5
G E5 5 !5 5 E5
G
5 E5 E5 5
5 E5
Ob.1
Cl.1
5 E5 E5 5 !5 5 !5 5
!5
5 E5
5 !5 5 E5
E5 !5 E5 5
5 E5 5 5 !5 !5 5 E5 5 5
5
5 5
5 5 5
5
5 5 5
E5 5 5 ! 5 E5 E 5 5 5
5
5
5 ! 5 E5 E5
E5 E5 5 5 ! 5 5 5 E5 5 5
5 E5 E5 5
5
5
5
5 !5 E5 E5
E5 E5 5 5 !5 5 E5 !5 5 !5
E5 5 5 E5
5 5
Bsn.1
5 !5 E5 E5 5 5 E5 !5
5 E5 E5 E5 !5 5 5 ! 5 E5
!5
Bsn.2
5 5
Cl.2
Solo Vln.1
2
1 G
0
5 !5 E5 E5
0
E5 5 5 5 ! 5 5 !5 E 5
5M
port.
5 5M
5
G 5M mp
I5
5 5 5 5 5 5 5E5 5E5 5 5 5 !5I D5 B
'
Vla.
'
'
Vc.
'
Db.
2
'
port.
5 !5 !5 5 5 E5 E5 5 5 5 5 5
E5 E5 5 5 !5 !5 5 5 5 !5 5 5
E5 E5 5 5 5 5 5 5
E5 E5 5 5 5 5 5 !5 5 5 5 5
5
=
5 5 5 5 5 5 5 5 I5 E5 5I 5 IB E5 3
mf
5 B
3
3
3
0
5 ! I5 5 I5 =
0
cresc.
3
G '
Vln. II
5M
55
cresc.
Vln. I
5 55
4
= 5 5M
5
5
5 5 5 5 5 5 5 5 I5 E5 5I 5 IB E5 mf
mp cresc.
'
=
3
3
'
BM
5 ! I5 5 I5 = 3
3
BM
div.
uniti
' '
'
'
'M
'
'
'
'M
24
169
Fl.1
1 5 !5 !5 G
5
5 5 E5 5 5 5 5 E5 5 5 5 5 5 5 !5 5 5 5 5 5
Fl.2
!5 5 5 G
5
!5 5
5
!5 !5 5 E5 5 5
5
5
5 5 5 E5 5 5
5 E5 5 5 5 5 5 !5 !5 !5 5 5 5 5 5 5
5 5 5 E5 5 5
5
5
5 5 5 E5 5 5
5 5 !5
5
5 E5 5 5
5 !5 5 E5 5 5
5
5
5
5 5 !5 5 !5 5
E5
5 5 5 5 5 5 5
E5 5 5 5 E5 5 5 5 !5 5 5 5 5 5 5 ! 5 5 !5 5 5 5
5 !5 5 5 E 5 5
5
5
5 5 5 5 E5 5
5 !5 E5 5
5
5 !5 !5 5 5 E5 5 5 E5 !5 !5 5 5 5 5 5 5 5 5 5
Ob.1
G
5 5 5
!5
5
Ob.2
!5 !5 5 G
5
5 !5 5
5 5 E5 5 5 5 E5 5 5 !5 5 5 5 5 5 5 5
Cl.1
G 5 5 5
5
5 5 5
E5 5 5 5 E5 !5 5 5 5 5 !5 5 5 5 5 5 5 E5
Cl.2
G
5 5 5
5
5
5 5 5
5
5 5
Bsn.1
5 5 5
5
!5 !5 5 5
Bsn.2
Cbsn.
Perc.
2
5 E5 5 5 5 E5 5 5 ! 5 5 5 5 5 5 !5 5 5 5
E5 5 5 E5 5 5 5 5 !5 5 5 5 5 5 5 ! 5
0
0
E5 5 5
5
5 !5
5 5 5 E5 5 5
5 5
!5 5 !5 5 5 E5
5 5
5 5 5 5 5 E5
5 E5
!5 5 !5 5 5 5
5 E5
5 5 5 5 5 5
5
5 K5M
B
5 5M
5
'
0
5 5 5
mp TUBULAR BELLS:
1 2G
0
0
0
0
5 5 E5 5 5M
5M
mf
0
0
G
5M
5
555 5555555 5 5 5 E5 5 5
mf
5
5
5 5 5 E5 5
5
555 5555555 5
Hps.
0
0
0
0
0
0
0
0
5 1 5 !I5 5 ! 5 5 5E5E5 !5 5 G 3
5 5 E 55 55 5 5 55MM
55MM
55MM
55
55
55
55 55MM
55
55
0
' '
' '
mp
5 !5I 5 5 ! 5 5 5E5E5 !div. 55 G
Vln. II
3
Vla.
'
Vc.
2
0
0
0
0
0
0
6
div. G ' '
Vln. I
Db.
0
mf
Pno.
Solo Vln.1
0
3
55
BB
6
EBB
uniti
B
'
' '
' '
5 port.5M
5
E5
'
f
div.
uniti
' '
' '
'
'
'
'
'
'
B
B
'
'
'
'
B
B
55
25
1 5 G
5
5 5 5 E5 5 5
5
5
5 E5 5 5
5 5
5
5
E5 5 5 5
5 5
E5
5 !5
5 E5
5
5
5 5 E5 5
5
5
!5
5 E5
5 !5 5 E5
G E5
5
5 5 5
5
5
!5
5 5
G
5
5 5 5 5 E5 5
5
5 ! 5 E5 E5
5 5 5 5
5 E5
5
5 5 5 5
5 5
Fl.2
G
Ob.1
G
Ob.2
G
Cl.1
Cl.2
5
Bsn.1
5 5
Bsn.2
E5 5
Cbsn.
2
'
Perc.
1 2G 5M
(Tub. Bells)
5
5 5 E5 5
5M
5M
5
5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 E5
0
55MM
E5
5
E5 !5
5
E5
E5 !5 5
E5
E5
5 E5
5 5
5
5
5 E5
5
5
5 E5
5
5
E5
E5
5
5
5
E5 !5 5
5
5
5 E5 E5
E5 5 5 !5 E5 E5 !5
5
5
5 !5 E5 E5
E5
!5
5
5 E5
5 !5 5 E5
5 E5
5 ! 5 E5 E5
E5 !5 5
5 !5 E5 E5
5
55 55 E 55 55 55MM
5
E5
5
5
5 5 5 5 E5
5
5
E5
5
5
5 5
E5
5
5 E5
5 5 5 5
5
5
5
E5 E5 5 5
5
5
5 E5 5 5 5
5
E5 E5 5 5 5
5
5 E5 E5 5
5
5 5 E5
5
5 E5 E5
5
5
E5
5
5
E5 !5
5
5
5 !5 E5 E5
5
5
5
Vln. I
5 5 5M
5 5 !5 5 5
E5
5E5 5
5 5 55 5 5 E 55MM
5
5 5 5 5 E5
E5
555
5
5 5 5 5
5
55
E 55
E5 5E5 5 5 5 5 5 5 5 5 5
55
55
5M
5
0
E 55
0
0
4
mp
55 5
5 5 E5 5 5M
' ' ' ' ' !' '
5
5 5 5 5 5E5 5E5 3
mf
5 5 ! 5
E 5 ! 5 D 5 5MM
5 5M 5 5M 5
5M
f
'
'
'
'
'
'
Vc.
'
'
'
'
2
I5
0
'
Vla.
Db.
=
mp
G '
Vln. II
5
5 M
5
3 5 5 E '' 5 5 5E5 5 5 5 5 5 5 5 ' '55
0
uniti
1 G ' '
5 5 E5
'
Pno.
5
5
5
E5
5 5 5 5
E5
'
0 E 55MM ! 55
E5
5 E5 E5
5 E5
K
K '
G Hps.
E5 !5 5 E5 5 !5
GGGGGGGGGGGGGGGGGG
174
Fl.1
div.
uniti
' '
'
'
'
5 B
26
178
Fl.1
1 5 E5 E5 G E5
Fl.2
G
Ob.1
G
Ob.2
G E5
Cl.1
G 5 G
Cl.2
5
5
5
5
5
5
5
5
5 E5
E5
5
5
5
5
5 E5 E5
5
E5
5
5
5
5
5
5 E5 E5
5
5
5
5
5
5 E5 E5
5
5 5
5
5 E5 E5
Bsn.1
5
Bsn.2
5
Cbsn.
2
5 E5 E5
5
5
5
5
E5 E5
BM
5
5
5 5
5
!5 5
5
5 !5
5
5
!5
5
5
!5 !5 5
5
5 !5
5
5
5
5
5
5
5
5
5 !5 !5
E5 E5
5
5
5
5
5
5 E5 !5 5
5
5
5
5
5
E5
5
5
5
5
5
5 !5
5
5
5 5 !5
!5
5 5
5
5 5
! 5 !5 !5
5
5
5
5
!5 5 !5
!5 5
!5 !5 5
5
5
5
5
5 E5 E5
5
5
5
5 E5 E5 5
5
5
5
5
5
5 5 5M
5
5
5
5
5
5 5
5
5 !5
5 55
5
5
1 G
0
5
5
5 5
!5
5
5
5 5 5M
mf
Hn.1&2
5
5
5
4
5 !5 !5
5 5
5
0
5 E5 5
0
G
5 5
!5
0
5
5
5
5
E5
5
5
5
E5
5
!5
5
5
5
5
5
!5 5
E5
5
5
5
5 5
5
E5
5
5
5
5
!5
5
5
!5
5 E 5
!5 5
5
5
5 5
5
5
5
5
E5
!5 5
5
5
5 55
E5
5
5
5
5
5
5
5
5
5
5
5 5
5
5 5
5
5
!5
B
5
5
5
1.solo
5
0
0
5
5
5 5
5
E5
5
5
5
pp
Tbn.
5 5
5
0
0
!5
!5
pp Tpt.
5
0
E5
5 5
5
5 E 5
5
5
pp
Tba.
Timp.
2
0
0
5
5
0
pp
1 2
0
5
5 5 5 M
5 5 5
p
5
5
5
5
5
5 5 5 M
5
=
5
5
(Tub. Bells)
1 5 Perc. G 2 !5
5 5M
5
0
E'
5
5 5 5 5 5
?
5 5 5 5 5 G E5 5 55 !5 5 55 5 5 5 5 5 5 5 5 5 5 E 5 5 ! 5 5 5 5 5 5 5 5 555 5 55 555 555 5 5 5
5 5 5
5 5 5 5 5
5 5 5 5 5
mp 5
5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
Hps.
BM BBMM
' ' '
GGGGGG
GGGGG
0
GGGGGG
5 55
0
0
0
0
G
4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 mp 5
5
Pno.
Vln. I
0
1 5 G
port.
E5
5
0 port.
5
G BM
Vla.
Vc.
Db.
2
5 5M
div.
'B
' '
mp
=M
0
div.
'
mf
Vln. II
0
!5
5M 5 5 5M 5 5 5 3
mf
3
5 5 5 5 5 M
5
5
BI div.
'
' '
'
'
' '
'
'
'
'
B
'
'
B
B B
5
27
Fl.1
182 1 5 G
5
E5
5
5
5
5
5
5
5
!5
5
E5
5
!5
5
5
5
5
5
5
5
5
5
E5
E5
5
5
E5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5
E5
E5
5
5
5
5
5
5
dim.
G
Fl.2
E5
5
5
5
5
5
5
5
5
5
!5
5
E5
!5
!5
5
!5
E5
E5
!5
5
5
5
5
!5
5 dim.
G
Ob.1
5
5
5
5
!5
5
5
5 dim.
E5
G 5
Ob.2
5
5
5
5
5
5
!5
5
!5
E5
5
!5
5
5
5
5
dim.
Cl.1
G 5 G
Cl.2
5
5
E5
!5
5
5
Bsn.1
5
E5
E5
!5 5
5 !5
5
5 5
5
5
5
5
E5
5
!5
5
5
5
5
5 5 5
5
5
!5
!5
5
!5
5
!5
5
!5
!5
!5
5
5 5
!5
5
5
5
E5
5
E5 dim.
5 dim.
5
E5
!5
5
5
5
dim.
Bsn.2
Cbsn.
Hn.1&2
2
Perc.
5
5 5 5M
E5
5
5
5
2
5
5
!5 K
5
E5
5
!5
!5
5
dim.
5 5 5 B
5IM
'
E5
5
5
E5
5
5
5
5
5
5
5 5
5 E5
5
5
5
5
5
5
5
! 55MM
55 55 55 BB
' '
5 M
55 5B
'
mp
mp
3
5M
55 5B
mp
5
5
dim. 3
a2
5
5
'
3 3
5M
5 5 5 B
5IM
5 5 5 B
'
3
1 2 5
5 5 5 M
5 5 5
5
'
mp
1 (Tub. 5 5Bells) 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 E5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 2G G
5
5
5
5
5
5
5
5
5
5
5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 !5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
-
5
5
5
5
5
5
5
0
G 5
5
5
5
0
5
0
5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Pno.
Vln. I
E5
mp
5
Hps.
5
5
3
G
Tbn.
Timp.
5
1 1.solo G 5 5
Tpt.
Tba.
5
5
5
5
5
0
5
5
5
5
0
1 G ''
' !'
5
5
0
' ' '
0
G B
B
'
Solo (from somewhere in the back of 2nd violins)
'
G
Vln. II
Vla.
Vc.
Db.
0
2
' '
'
'
' '
'
'
'
'
'
G
28
poco rall. 185
Fl.1
1 G
5
5
5
5
5
E5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5
5 E5
5
5
ppp
G
Fl.2
5 =
5
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
5
=
ppp
G
Ob.1
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
5
5
=
5
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
5
5
5 E5
5
5
5
5
=
ppp
G
G
E5
5
5
5
5
5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5
= 5
5
5
5
5
5
5
5 E5 5
5
5 E5
5
5
5
5
5
5
5
5
5
5
5 E5 5
5
5 E5
5
5
5
5
5
5
5
5
5
5
5 E5 5
5
= 5
E5
5
2
4
?
4
?
4
?
5
=
4
?
morendo
5
5
5
5
5
5
5
E5
5
5
5
5
5
5
5 E5
5
5
5
ppp
Cbsn.
?
morendo
5 E5
ppp
Bsn.2
4
morendo
ppp
Bsn.1
?
morendo
ppp
Cl.2
4
morendo
G 5
Cl.1
?
morendo
ppp
Ob.2
4
morendo
5
5
5
5
=
4
?
morendo
'
?
B
p
0
0
0
0
0
0
0
0
BB B
0
0
BBB
0
0
?
0
0
0
0
(Tub. Bells)
1 !5 Perc. G 5 IM 2
5
5 5M I5M
5 5
5 I5M
5
5 5M 5 5IM
mf
Hps.
5 5
5 5M 5 5IM
5 (don't damp)
5 5
5 5M 5 5IM
mp
0
EB G BB
5 I5M
5
mp
mf
G
5 I5M
5 5
(don't damp)
0
BB B
EB BB mp
mf Pno.
G BBB
Vln. I
1 G ' '
BBB
BBB poco rall.
BB morendo
'
'
G morendo
'
'
'
5M
BM
G
Vln. II
(defiantly!)
Vla.
'
B
?
0
0
?
0
0
?
0
0
morendo
Vc.
'
B morendo
Db.
2
'
B morendo
=
Photo © Keith Saunders
Roxanna Panufnik ( *1968) studierte an der Royal Academy of Music und schuf Kompositionen für Oper, Ballett und Musiktheater sowie Chor-, Kammer- und Filmmusik. Zu ihren wichtigsten Werken gehören: die Westminster Mass für den Westminster Cathedral Choir, entstanden zum 75. Geburtstag des Londoner Erzbischofs Kardinal Hume; Vertonungen nach Vikram Seths Beastly Tales für Patricia Rozario und die City of London Sinfonia, ein Auftragswerk der BBC; das Harfenkonzert Powers & Dominions; das Violinkonzert Abraham für Daniel Hope, das auch als Ouvertüre für das World Orchestra for Peace existiert und in dieser Form unter Valery Gergiev in Jerusalem uraufgeführt wurde; Schola Missa de Angelis (Chor der London Oratory School und Blechbläseroktett) sowie The Generation of Love, ein Zyklus von Shakespeare-Sonetten (Mark Padmore, Richard Watkins, Julius Drake).
Edition Peters 71812a
w w w.e d i t i o n p e t e r s .c o m
Three Paths to Peace
Roxanna Panufnik (b. 1968) studied at the Royal Academy of Music, and has written opera, ballet, music theatre, choral, chamber and film music. Key works include Westminster Mass, written for Westminster Cathedral Choir to mark Cardinal Hume’s 75th birthday, and settings of Vikram Seth’s Beastly Tales, commissioned by the BBC for Patricia Rozario and the City of London Sinfonia; harp concerto Powers & Dominions; violin concerto Abraham – for Daniel Hope – which exists also as an overture for the World Orchestra for Peace, premiered in Jerusalem under Valery Gergiev; Schola Missa de Angelis (choir of London Oratory School and brass octet); and The Generation of Love, a Shakespeare sonnet cycle (Mark Padmore, Richard Watkins, Julius Drake).
Panufnik
Roxanna Panufnik